Josh Pray vs. The Naked Gun Reboot – Is This Funny or Forced?

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[SPEAKER_01]: Hello, movie lovers.

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[SPEAKER_01]: I'm opening the show.

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[SPEAKER_01]: So today I actually have my good friend, Josh Prayon with me.

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[SPEAKER_01]: I can't wait to dive into the naked gun reboot.

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[SPEAKER_01]: Starting with the amnesian.

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[SPEAKER_01]: This is great.

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[SPEAKER_01]: I've been teasing this all week.

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[SPEAKER_01]: It's great to actually have Josh back here again.

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[SPEAKER_01]: So let's go ahead.

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[SPEAKER_01]: Let's welcome Josh back to the show.

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[SPEAKER_01]: And let's do this guys.

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[SPEAKER_01]: And hey, Josh.

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[SPEAKER_00]: How are we doing?

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[SPEAKER_00]: I'm doing great, man.

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[SPEAKER_00]: How about you?

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[SPEAKER_00]: I'm absolutely fine.

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[SPEAKER_00]: My name is John Perez.

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[SPEAKER_00]: You can't tell.

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[SPEAKER_00]: I got to wear it on my hat and neck.

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[SPEAKER_00]: I don't know why I am.

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[SPEAKER_01]: You're saying I understand something that's not the name.

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[SPEAKER_01]: Hey, I have to wear a name badge for myself sometimes, too.

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[SPEAKER_01]: You know, so that way everybody knows who I am and that way if we're running free and if I forget my name, they can remind me.

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[SPEAKER_01]: It's all I'm doing.

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[SPEAKER_00]: It's all I love.

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[SPEAKER_00]: So we were about to talk about the greatest spoof of all time now.

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[SPEAKER_01]: Yes, we are.

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[SPEAKER_01]: We are ready to talk about that spoof movie, which is known as the naked gun.

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[SPEAKER_00]: Let's do it.

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[SPEAKER_00]: Let's talk about it, baby.

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[SPEAKER_01]: All right.

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[SPEAKER_01]: So here's the thing.

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[SPEAKER_01]: I got to, I got a chance to do a couple of trailer reactions for it.

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[SPEAKER_01]: So I'm like, I don't know if this would, this is actually going to be appealing to us, you know what I mean?

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[SPEAKER_01]: Because we grew up in a day and age with Leonisa.

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[SPEAKER_01]: So I'm like, how would Leonisa be able to take on the naked gun?

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[SPEAKER_01]: So once I saw the trailer,

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[SPEAKER_01]: I'm like, okay, I'm instantly sold in laughing at non-burg.

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[SPEAKER_01]: Everything works within the trailer itself.

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[SPEAKER_01]: Also, too, I did another trailer reaction and I left it the same jokes, which is rare that I actually laughed at the same jokes from the first trailer.

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[SPEAKER_01]: So I was instantly sold.

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[SPEAKER_01]: This became my most anticipated movie watch list after the trailers.

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[SPEAKER_01]: Okay.

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[SPEAKER_01]: Going into this, I was laughing my butt off.

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[SPEAKER_01]: Like, seriously, the opening scene with the bank robbery and stuff reminded me of the dark night, but also to Liam Nees.

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[SPEAKER_01]: Now I'm saying, Liam Nees of.

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[SPEAKER_01]: Bye.

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[SPEAKER_01]: But you know what I'm saying.

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[SPEAKER_01]: Yeah, but when I like about this is it feels like the dark night and he's also dressed up as like a little girl.

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[SPEAKER_01]: You're going into the bank and I was just laughing at that scene even though I've already seen it on the trailer, but seeing it in this full context and knowing that they didn't show us all the jokes and the trailer itself.

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[SPEAKER_00]: Um, so when I thought Liam was doing it, I was just like you.

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[SPEAKER_00]: I was like, he's such a serious actor, but then a lot of things came out where he did some kind of like jokes and some kind of comedy and some on sketches.

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[SPEAKER_00]: So I was like, okay, he could do it.

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[SPEAKER_00]: The thing that scared me was, um, where they're going to go all the way in it because I'm times of change and I do agree.

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[SPEAKER_00]: Some things don't need to be

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[SPEAKER_00]: or put on camera because times have changed and we have to evolve a little bit.

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[SPEAKER_00]: But this movie went all the way.

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[SPEAKER_00]: Like you said, it's starting with the bank robbery scene.

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[SPEAKER_00]: And if you haven't seen the movie, we don't want to give too much away.

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[SPEAKER_00]: But in the trailer, they show one percent of what happened in the bank scene.

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[SPEAKER_00]: And when you look at a spoof movie, you want the movie to be ridiculous, right?

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[SPEAKER_00]: You want it to be like over the top ridiculous, but sensible.

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[SPEAKER_00]: the way they started, it's a pain scene.

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[SPEAKER_00]: It was this idiotic and I was like, yeah, they hit it out.

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[SPEAKER_00]: The party was a home ran from the start.

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[SPEAKER_01]: But definitely, this is actually a movie that you can turn your brain on off for like, eighty five minutes and just enjoy this stuff, popcorn in your face and have a few last week of friends or family in the theater.

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[SPEAKER_01]: And also, too, this also, run, might as we have taken where it's like, okay, well, we're gonna go ahead and put you a little bit of Liam Neeson in there though, too, to give you a little bit of extra gore, a little bit of extra, extra comedy in there.

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[SPEAKER_01]: Yes.

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[SPEAKER_01]: He, he really dialed up and knew what he was doing with this.

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[SPEAKER_00]: And I also feel like the supporting test.

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[SPEAKER_00]: They can ask great comedic relief in a comedy movie.

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[SPEAKER_00]: And they didn't struggle to balance the comedic relief.

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[SPEAKER_00]: Like it was Liam's movie.

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[SPEAKER_00]: And they didn't add, this may come back to the bite me, but I am a comedian on the internet comedian in Florence where they'd want to call me.

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[SPEAKER_00]: They didn't pack this film with social media influences.

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[SPEAKER_00]: No, they went and got actors.

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[SPEAKER_00]: And they put it in this movie.

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[SPEAKER_00]: And I think that,

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[SPEAKER_01]: I feel like that's what's missing in today's time is.

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[SPEAKER_01]: We need real actors.

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[SPEAKER_01]: Don't get me wrong.

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[SPEAKER_01]: Influencers are great, but we need someone with real acting experience to be able to pull off the rules that they that they haven't come on pull off their house or in this movie does a fantastic job of it.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: they didn't set the McFarlane didn't shortcut the movie and I appreciate him for that because he could have easily went and got a streamer who has hundreds of millions of views and millions of followers know he said you know what I'm gonna get real actors and when we grew up our smooth movies we couldn't tell the difference because it was real actors taking a break from their serious roles and that's what he did in this movie and not to fast forward because I am fast forward

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[SPEAKER_00]: the funniest thing in the movie.

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[SPEAKER_00]: In my opinion, there's a scene with a snowman.

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[SPEAKER_00]: Oh yeah, I have that on my mind.

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[SPEAKER_00]: See, listen, not just this movie.

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[SPEAKER_00]: This scene with the snowman is, if you, if you're in the, um, spoof movies, hot shots, hot shots to the naked gun franchise, scary movie, scary movie, fatal instinct.

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[SPEAKER_00]: If you're into, um, these spoof movies, this is probably top three funniest scenes in spoof movie.

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[SPEAKER_00]: history like it's not even up for debate and I think with with writing like that in like the creative direction this is like a no brand this movie is a ten out of ten it just sucks that we're in the space of people are afraid to go to movie theaters now because it's expensive and they don't want to go be disappointed I hope this movie does well enough because I need to see sequels

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[SPEAKER_01]: I agree because there's a thing.

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[SPEAKER_01]: There's one thing about watching a movie on your TV said yesterday, you can watch this on streaming, but I like watching it with an audience to get their feedback and seeing what the movie is doing to them, making sure that I'm having this same experience as they are.

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[SPEAKER_01]: Yes, I'll be like, okay, maybe they see something that I didn't see.

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[SPEAKER_01]: So what's up with is it me or is it them?

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[SPEAKER_01]: What?

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[SPEAKER_01]: But that's what I like about going to a movie theater is to see a movie like this.

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[SPEAKER_00]: So when you're watching the film and you're enjoying yourself and then bust the rhyme pops on the screen.

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[SPEAKER_00]: Like, I want to hear somebody else's reaction.

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[SPEAKER_00]: Even somebody that's not like into hip hop, right?

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[SPEAKER_00]: And they might know every rapper, but you're gonna know that's bust the rhymes.

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[SPEAKER_00]: Just like you would know that Snoop Dogg.

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[SPEAKER_00]: Just like I would know that was Willie Nelson.

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[SPEAKER_00]: Like, I want to feel the energy and the theaters reaction to it.

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[SPEAKER_00]: So I'm praying that this movie does well enough to warn a sequel.

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[SPEAKER_00]: I don't want to see a straight to DVD.

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[SPEAKER_00]: No, I'm more streaming service movie because the budget goes down in a movie like this took a budget.

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[SPEAKER_01]: Yes, most definitely took a budget, but I also feel like this though, too.

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[SPEAKER_01]: Like, comedies nowadays is all on streaming services.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: And I do not want to see this, this franchise to go to screening.

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[SPEAKER_01]: This, this is a franchise that deserves to be out to have, like, to have laughs to turn off your brain for a minute and enjoy with your friends and family and just laugh like we'd used to do back in the day when we got to go to a movie.

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[SPEAKER_00]: was the run time ninety minutes was like it was like in five minutes by still the movie felt like to see the movie was so funny it felt like it was like forty five minutes it was so well put together like I felt like the movie was too short

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[SPEAKER_01]: You see, I felt like the runtime for an eighty five minute movie for a comedy spook movie is perfect.

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[SPEAKER_01]: It is because so because like you said, you didn't feel the runtime.

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[SPEAKER_01]: So that's actually a good thing that you didn't because it would be like, well, did I leave dinner inside the oven?

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[SPEAKER_01]: What's going on with my kids?

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[SPEAKER_01]: You know, your brain just started going if you're just bored and in a comedy.

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[SPEAKER_01]: So, but I like the fact that it's a fast-paced moving comedy that you can enjoy.

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[SPEAKER_01]: It's not popcorn in your face.

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[SPEAKER_01]: And it's enjoyed.

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[SPEAKER_01]: And like you said, there's no man joke with his down.

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[SPEAKER_01]: One of my favorite scenes in the movie.

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[SPEAKER_00]: What was your favorite scene?

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[SPEAKER_00]: Because for me, that was number one.

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[SPEAKER_00]: For me, that was number one.

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[SPEAKER_00]: Not even questionable.

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[SPEAKER_00]: Number two, glad.

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[SPEAKER_01]: Okay, so I just want to expand on the three somebody with.

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[SPEAKER_00]: Yeah, no, listen.

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[SPEAKER_00]: My head and my head.

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[SPEAKER_00]: I was like, because that one theme reminded me of hot shots part two in front of, was it?

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[SPEAKER_00]: Yeah, well, yeah, was hot shots part two in front of refrigerator.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: And then if you have a scene, don't be a minister society while drinking your juice in the hood.

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[SPEAKER_00]: That was a scene in front of a refrigerator.

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[SPEAKER_00]: So I was like, OK, they're about to go all the way.

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[SPEAKER_00]: I don't know if I want to see this because I don't have to.

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[SPEAKER_00]: And when it took a turn, I lost my mind.

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[SPEAKER_00]: He made me that hard movie Jack Frost.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: Let that hard movie.

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[SPEAKER_00]: Listen, when they went from almost having a threesome, it didn't took a turn.

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[SPEAKER_00]: I streamed, man.

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[SPEAKER_00]: Like it was perfect.

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[SPEAKER_00]: It was perfect, man.

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[SPEAKER_00]: But that was definitely my, what was your, is that your favorite thing from the movie?

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[SPEAKER_01]: No, that's not even, I'm money, that's just a tip of the iceberg.

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[SPEAKER_01]: I also like the coffee cup scenes where every single scene that you may have is a coffee cup.

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[SPEAKER_00]: It would be, and again, if you're not, if you're not really paying attention,

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[SPEAKER_00]: And this is me being, I want to come up with a movie buff because I know there are movie critics that do this for real for real.

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[SPEAKER_00]: But I just got a good memory when it comes to movie.

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[SPEAKER_00]: There was the movie, fatal, fatal, and think.

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[SPEAKER_00]: But when they, when they parody fatal attraction and basic instinct, and in that movie,

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[SPEAKER_00]: What is his name?

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[SPEAKER_00]: He plays the dad in the movie Friday.

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[SPEAKER_01]: I know who you're talking about.

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[SPEAKER_01]: What's his name?

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[SPEAKER_00]: Yeah, yeah, yeah.

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[SPEAKER_00]: Listen, listen, black people forgive me.

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[SPEAKER_00]: I know my car going to get taken and I deserve this right now.

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[SPEAKER_00]: I can't remember Pop's real name.

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[SPEAKER_00]: John Williams.

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[SPEAKER_00]: John with his phone.

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[SPEAKER_00]: But so in that movie, John with his phone and that's his movie.

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[SPEAKER_00]: He had a running gag where he kept eating nachos.

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[SPEAKER_00]: And every time he was on things like, man, he's not those are good.

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[SPEAKER_00]: He was just getting nachos from literally nowhere.

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[SPEAKER_00]: And I felt like this movie did the same thing with the coffee cup gag.

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[SPEAKER_00]: It was never like, it was never exalted.

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[SPEAKER_00]: It was always perfect timing.

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[SPEAKER_01]: I agree.

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[SPEAKER_01]: And then every time when you think that they're done with the bit for the coffee, they go ahead and give them a bigger thing of coffee, coffee.

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[SPEAKER_01]: Everything will detect the move of your show.

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[SPEAKER_01]: There's always a, someone with a coffee cup.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: And then I like how everything is made to be drunk.

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[SPEAKER_01]: Drunk out of because they may also actually picks up another.

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[SPEAKER_01]: Yeah, but another coffee cup and there's a jumbo size coffee cup.

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[SPEAKER_01]: And then there's even this one thing that's not supposed to be a coffee cup, but it is a coffee cup.

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[SPEAKER_00]: And when he was right, when he was didn't care about an owl in the sky, if somebody handed him a golfie cup, bro.

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[SPEAKER_00]: Yeah, bro.

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[SPEAKER_00]: I lost it.

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[SPEAKER_00]: So my second favorite part and again, guys, y'all got to go see this movie.

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[SPEAKER_00]: I promise you, you don't know what you're in for.

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[SPEAKER_00]: You got to go see this movie.

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[SPEAKER_00]: Was when he, when he fought some bad guys without shooting them.

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[SPEAKER_00]: Wow.

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[SPEAKER_00]: using his weapon.

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[SPEAKER_01]: That was a great scene, especially whenever the clip goes back into the gun.

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[SPEAKER_00]: It was Jeff Kiss, like, who was smarter enough to say, you know what, we're gonna go all the way.

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[SPEAKER_00]: We're gonna do what they haven't done and to be for thirty years.

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[SPEAKER_02]: Right.

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[SPEAKER_00]: So to be fair, I said, this was the best spoof movie I've seen in the last decade, in fifteen years.

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[SPEAKER_00]: And some people was like, what other movie was there?

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[SPEAKER_00]: There's a spoof movie where they, where they, I'm spoofed the fast in the furious.

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[SPEAKER_01]: Yep, I can't think of that.

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[SPEAKER_01]: Yeah.

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[SPEAKER_00]: That was phenomenal.

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[SPEAKER_00]: That was funny other than that.

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[SPEAKER_00]: Oh, and then when they did, um, superhero movie.

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[SPEAKER_01]: when it's repair movie was funny.

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[SPEAKER_00]: That was, so this was in the vein of those.

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[SPEAKER_00]: So I was like, you know what, we haven't had a real good spoof movie in a decade.

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[SPEAKER_00]: This, I hope brings it back.

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[SPEAKER_01]: Like I'm putting it all in because I feel like for the naked gun movie like this, you have to go all in.

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[SPEAKER_01]: You can't put it into it.

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[SPEAKER_01]: You can't put it into it.

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[SPEAKER_01]: You have to go all the way into that deep end and really play around with it.

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[SPEAKER_01]: Man, do they play around with it with the,

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[SPEAKER_01]: And, you know, you talked about the whole entire deal where he's over there hitting people with the clip from his gun and stuff like that.

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[SPEAKER_01]: But my other thing though, too, is I like how Frank is accidentally letting people go in the jail cells because of his electric car.

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[SPEAKER_01]: And he goes, this place is gone to hell.

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[SPEAKER_00]: But it's all he's bought like feet.

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[SPEAKER_00]: That's what makes it so like nostalgic.

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[SPEAKER_00]: But that's what makes it so serious because like he is unbearably wet.

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[SPEAKER_00]: He is, he's, he's unbearably, but he's also impressively naive that you don't get offended by like some movies, you know your nerves like, okay, that was stupid.

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[SPEAKER_00]: Nobody would have done that.

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[SPEAKER_00]: But in this situation, his arrogance won't let him understand that everything is his fault unless you mess with his TV.

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[SPEAKER_01]: Yeah, the mess with the TV was a big mistake.

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[SPEAKER_01]: He's he's ignoring everything that Beth is telling him just what did I tell you about the table I told you not not to now all the shows that I record it is now gone there.

14:10.594 --> 14:11.274
[SPEAKER_01]: Go it's gone now.

14:11.654 --> 14:22.442
[SPEAKER_00]: They're gone and then he nuts and lightly break the phone Yeah, like it's a potato chip rock if y'all haven't listened if you like comedy if

14:23.376 --> 14:24.117
[SPEAKER_00]: I'm gonna say this.

14:24.717 --> 14:34.125
[SPEAKER_00]: If you like the original dumb and dumber, if you like dodgeball, if you like grandma's boy, if you like the neck and guns when you were younger, you have to see this movie.

14:34.145 --> 14:39.569
[SPEAKER_00]: This is no nonsense, non stop comedy for the entire runtime.

14:39.609 --> 14:42.131
[SPEAKER_00]: There's no, got this emotional plot.

14:42.391 --> 14:44.333
[SPEAKER_00]: If you think about this, there's no climate reason.

14:44.773 --> 14:45.714
[SPEAKER_00]: In that climate reason.

14:47.495 --> 14:50.798
[SPEAKER_00]: So my question to you, right?

14:51.399 --> 14:51.699
[SPEAKER_00]: John.

14:52.788 --> 14:55.469
[SPEAKER_00]: What was your biggest disappointment because you got to have one?

14:57.050 --> 15:01.472
[SPEAKER_01]: The biggest disappointment for me is probably like the introduction to the naked gun.

15:02.192 --> 15:06.995
[SPEAKER_01]: Because here's the thing, every single naked gun movie always had that car, the police car, right?

15:07.015 --> 15:13.778
[SPEAKER_01]: So we got red and going through different things within the naked gun series to get to that donor shop.

15:14.917 --> 15:16.098
[SPEAKER_01]: And we don't have it.

15:16.219 --> 15:19.522
[SPEAKER_01]: We don't have it until like way later on in the movie.

15:20.023 --> 15:23.206
[SPEAKER_01]: And at that point, people are walking out of the water because of it.

15:23.667 --> 15:24.788
[SPEAKER_00]: What do you think the reason was?

15:25.830 --> 15:34.275
[SPEAKER_01]: I think they wanted to be where they wanted to be something different that you haven't seen before versus something that we've seen over and over again.

15:34.535 --> 15:39.598
[SPEAKER_01]: But at the same time, though, this movies for us, it's all for us to have nostalgia.

15:40.039 --> 15:43.140
[SPEAKER_01]: Yeah, you need to grab that in there for us.

15:43.581 --> 15:45.002
[SPEAKER_01]: Yes, you can have that for.

15:45.833 --> 15:47.394
[SPEAKER_01]: You don't, yes, I get what they're trying to do.

15:47.414 --> 15:49.815
[SPEAKER_01]: They're trying to play to the newer crowd and stuff.

15:49.835 --> 15:58.118
[SPEAKER_01]: But at the same time, though, this movie is made for us, us, forty year old to grew up with Frank Dreppen who grew up with the naked gun series.

15:58.398 --> 16:00.099
[SPEAKER_00]: And we don't have to be apologetic about it.

16:00.159 --> 16:04.721
[SPEAKER_00]: Like, I don't want to argue with nobody from nineteen to one after nineteen eight nine.

16:05.101 --> 16:08.602
[SPEAKER_00]: This movie was definitely fifty, seventy, eighties babies.

16:08.622 --> 16:09.823
[SPEAKER_00]: This is our movie.

16:10.263 --> 16:10.603
[SPEAKER_00]: Okay.

16:10.643 --> 16:12.284
[SPEAKER_00]: This belongs to our generation.

16:12.364 --> 16:13.184
[SPEAKER_00]: It ain't no debate.

16:13.224 --> 16:14.085
[SPEAKER_00]: It ain't no arguing.

16:14.505 --> 16:14.745
[SPEAKER_00]: Like,

16:15.725 --> 16:17.566
[SPEAKER_00]: Leslie Nillson was my granddaddy.

16:18.186 --> 16:24.229
[SPEAKER_00]: And now Liam, hopefully he's my fifty-year-old son's granddaddy.

16:26.530 --> 16:28.170
[SPEAKER_00]: That's what we want.

16:28.510 --> 16:29.271
[SPEAKER_00]: That's what it is.

16:29.631 --> 16:33.012
[SPEAKER_00]: And it's for us to give us what we want, but you know what?

16:33.132 --> 16:34.433
[SPEAKER_00]: With a movie so perfect.

16:35.624 --> 16:36.945
[SPEAKER_00]: It couldn't have been perfect.

16:37.565 --> 16:37.826
[SPEAKER_00]: Right.

16:37.866 --> 16:41.628
[SPEAKER_00]: So we can't even hold that too harshly over the head.

16:42.229 --> 16:55.158
[SPEAKER_01]: My microphone was this though, like when you didn't see that introduction, were you like, okay, I'm kind of like down with that, but I still want to see more, or would you like, okay, I get what they're trying to do, but I wanted to have.

16:56.584 --> 17:06.193
[SPEAKER_00]: I was there because once the bank scene happened, I expected it to have that car with the light on the top and him finding, and it didn't happen.

17:06.794 --> 17:13.800
[SPEAKER_00]: But it had to be, I got to read some articles on it because somebody had to ask that question that there had to be a reason, whether it was

17:14.521 --> 17:16.363
[SPEAKER_00]: Now, I couldn't be getting owned right through it.

17:16.463 --> 17:17.124
[SPEAKER_00]: So, right.

17:17.684 --> 17:20.287
[SPEAKER_01]: I mean, it's just the fact that they were trying to pull in a new audience.

17:20.788 --> 17:21.869
[SPEAKER_01]: That's not used to that.

17:21.889 --> 17:23.150
[SPEAKER_01]: And yeah.

17:23.691 --> 17:28.676
[SPEAKER_01]: And try to be true to like action pack movies with that logo at the very beginning of it.

17:29.337 --> 17:30.798
[SPEAKER_01]: Just take you up for that spoof.

17:31.459 --> 17:31.979
[SPEAKER_01]: But that's it.

17:32.200 --> 17:32.560
[SPEAKER_01]: Gee.

17:33.641 --> 17:33.821
[SPEAKER_01]: You.

17:37.974 --> 17:40.875
[SPEAKER_01]: But I mean, I'd rather see the police car.

17:40.995 --> 17:41.915
[SPEAKER_01]: I would be honest with you.

17:41.955 --> 17:44.435
[SPEAKER_01]: It's like an oldie, nostalgic kid.

17:44.655 --> 17:47.616
[SPEAKER_01]: I wanted to see that police car going through the town.

17:48.276 --> 17:51.276
[SPEAKER_00]: I just, it's so flawless.

17:51.797 --> 17:57.878
[SPEAKER_00]: Listen, and me and my manager, we argue about this in time because she thinks I'm into crew comedy, right?

17:58.238 --> 18:00.458
[SPEAKER_00]: She was like, you like fart jokes and I don't.

18:00.798 --> 18:03.479
[SPEAKER_00]: I don't like just fart jokes and whatever.

18:05.367 --> 18:06.127
[SPEAKER_00]: There was a thing.

18:06.508 --> 18:16.513
[SPEAKER_00]: And I mean, I'm trying not to give him that too much away, but there's a scene that really was a bathroom thing, that Liam on his own made hilarious.

18:17.173 --> 18:20.735
[SPEAKER_00]: If he didn't do it, it would have been gross because he did it.

18:21.515 --> 18:22.376
[SPEAKER_00]: It was phenomenal.

18:22.796 --> 18:23.857
[SPEAKER_00]: It was perfect.

18:24.637 --> 18:25.758
[SPEAKER_01]: I know the scene you're talking about.

18:25.778 --> 18:28.879
[SPEAKER_01]: The body can't, the body can't seem.

18:28.899 --> 18:29.960
[SPEAKER_01]: That's what you're talking about.

18:30.888 --> 18:33.050
[SPEAKER_00]: Yes, it was perfect, man.

18:33.710 --> 18:37.033
[SPEAKER_00]: Like, I can't praise these writers enough.

18:37.894 --> 18:40.656
[SPEAKER_00]: Like, I need them to write my youth as you and I die.

18:41.877 --> 18:43.499
[SPEAKER_00]: It was just perfect, man.

18:43.579 --> 18:46.241
[SPEAKER_00]: So, I definitely give Nick a gun.

18:47.662 --> 18:49.184
[SPEAKER_00]: Me personally does pray.

18:49.844 --> 18:50.945
[SPEAKER_00]: I give it a ten out of ten.

18:51.265 --> 18:54.488
[SPEAKER_00]: Perfect villain who was unaware, but he knew he was the villain.

18:55.329 --> 18:57.491
[SPEAKER_00]: I think Pamela looked phenomenal.

18:57.511 --> 18:58.592
[SPEAKER_00]: She did it.

18:59.815 --> 19:06.623
[SPEAKER_01]: I would definitely take a look at the introduction to her character, though, because you know, you're sent high seen and ever seen a rack like that before.

19:07.163 --> 19:17.414
[SPEAKER_01]: And then it turns out to be a, a hat rack with some, with some oranges and stuff to make it look like that is her chest.

19:18.235 --> 19:21.378
[SPEAKER_00]: Now, when she said, hey, take a seat.

19:21.659 --> 19:22.119
[SPEAKER_00]: I'm okay.

19:22.139 --> 19:24.181
[SPEAKER_00]: There's the leads that I'll take the seat.

19:24.642 --> 19:27.845
[SPEAKER_00]: And she was just like, Maronic walking out of police station.

19:28.686 --> 19:30.347
[SPEAKER_00]: Now, she look amazing.

19:30.808 --> 19:33.370
[SPEAKER_00]: She goes just, I'm hearing Liam makes it.

19:33.450 --> 19:34.852
[SPEAKER_00]: I heard that was dating in real life.

19:34.872 --> 19:35.773
[SPEAKER_00]: I don't know if that's true.

19:36.453 --> 19:36.874
[SPEAKER_01]: That's true.

19:37.594 --> 19:42.078
[SPEAKER_00]: their own, their own, their own camera chemistry phenomenal.

19:42.438 --> 19:43.619
[SPEAKER_00]: I need them to be together.

19:43.719 --> 19:45.060
[SPEAKER_00]: I want them to gather in real life.

19:45.180 --> 19:45.640
[SPEAKER_00]: I love it.

19:45.660 --> 19:46.361
[SPEAKER_00]: They beautiful.

19:47.301 --> 19:51.004
[SPEAKER_00]: Um, like I said, side characters was phenomenal.

19:51.665 --> 19:52.766
[SPEAKER_00]: It wasn't no goofy.

19:53.666 --> 19:54.407
[SPEAKER_00]: There was one.

19:55.307 --> 19:57.669
[SPEAKER_00]: So I maybe I missed because I was an eagle out enough.

19:57.849 --> 19:58.990
[SPEAKER_00]: I seen one cameo.

19:59.010 --> 19:59.691
[SPEAKER_00]: Did you see another?

20:00.471 --> 20:01.512
[SPEAKER_01]: I saw one cameo.

20:01.572 --> 20:02.313
[SPEAKER_01]: When did the woman?

20:02.988 --> 20:03.148
[SPEAKER_00]: Yep.

20:03.809 --> 20:04.930
[SPEAKER_00]: Okay.

20:04.950 --> 20:05.830
[SPEAKER_00]: So me and you are on the page.

20:05.890 --> 20:09.574
[SPEAKER_00]: So I feel like the movie wasn't over stuff with chemicals.

20:10.274 --> 20:11.635
[SPEAKER_00]: I think everything was relevant.

20:12.316 --> 20:14.197
[SPEAKER_00]: I definitely get a movie a ten out of ten.

20:14.458 --> 20:15.799
[SPEAKER_00]: Like it's not even up for debate.

20:16.399 --> 20:19.942
[SPEAKER_01]: Let's see if I had to do it out of five and be like a four point eight out of five.

20:20.302 --> 20:21.283
[SPEAKER_00]: What's the point two?

20:24.686 --> 20:26.548
[SPEAKER_01]: I don't like doing a here's the thing with me.

20:27.888 --> 20:29.449
[SPEAKER_01]: I'm gonna do five for this.

20:29.890 --> 20:30.470
[SPEAKER_01]: Okay, you know what?

20:30.510 --> 20:31.090
[SPEAKER_01]: I'll do a five.

20:31.171 --> 20:32.071
[SPEAKER_01]: I'll do a five.

20:32.672 --> 20:33.632
[SPEAKER_00]: I'll do a five.

20:33.933 --> 20:35.294
[SPEAKER_00]: We gotta get listen.

20:35.534 --> 20:38.916
[SPEAKER_00]: There was literally nothing wrong with this movie.

20:39.537 --> 20:43.079
[SPEAKER_00]: Not the casting, not the cinematography, not the plot.

20:43.099 --> 20:45.561
[SPEAKER_00]: You said, not the plot, the plot makes it.

20:45.661 --> 20:46.622
[SPEAKER_00]: You know what I'm saying from what?

20:47.022 --> 20:48.784
[SPEAKER_00]: The movie started, guys.

20:49.104 --> 20:53.547
[SPEAKER_00]: If you haven't seen the movie, the movie literally starts with plot device.

20:54.808 --> 20:55.829
[SPEAKER_00]: You know what you're in for.

20:56.872 --> 21:01.636
[SPEAKER_00]: He's trying to steal the plot device as we are watching this plot a place.

21:02.197 --> 21:03.438
[SPEAKER_00]: You know what you win for?

21:03.458 --> 21:04.639
[SPEAKER_00]: It was perfect.

21:04.739 --> 21:09.444
[SPEAKER_00]: So if you are a fan, I know it's a smooth move.

21:09.504 --> 21:10.605
[SPEAKER_00]: I know it's a parody movie.

21:11.295 --> 21:17.897
[SPEAKER_00]: But I just feel like, personally, I feel like not to say, it's an insult to say, Spoof, could I deserve their own genre?

21:18.397 --> 21:19.597
[SPEAKER_00]: But this is a comedy.

21:20.137 --> 21:22.118
[SPEAKER_00]: This is a natural, genuine comedy.

21:22.718 --> 21:27.919
[SPEAKER_00]: And if you had to write this against Happy Gilmore, too, this is a better movie.

21:28.399 --> 21:29.080
[SPEAKER_01]: Happy Gilmore.

21:30.180 --> 21:32.100
[SPEAKER_01]: I like this movie more than Happy Gilmore, too.

21:32.481 --> 21:34.561
[SPEAKER_01]: I can't get down to three point five out of five.

21:34.641 --> 21:36.181
[SPEAKER_00]: You gave Happy Gilmore three point five?

21:36.662 --> 21:36.882
[SPEAKER_00]: Yeah.

21:37.262 --> 21:38.002
[SPEAKER_00]: I gave it like a two.

21:39.122 --> 21:51.118
[SPEAKER_01]: Okay, so we'll give it a much close neck and neck like I laughed at some things with happy Gilmore to, but I didn't enjoy it as much as I wanted to, but this one pulled on everything I wanted it to be for the naked gun.

21:51.659 --> 21:53.281
[SPEAKER_00]: I think my problem with happy Gilmore to.

21:54.255 --> 21:56.877
[SPEAKER_00]: was I was too busy looking for who is that guy?

21:56.917 --> 21:57.518
[SPEAKER_00]: Who is that guy?

21:57.538 --> 21:59.499
[SPEAKER_00]: Because everybody in the movie was somebody.

22:00.120 --> 22:01.961
[SPEAKER_01]: See, that's the thing I said in my review.

22:02.021 --> 22:03.403
[SPEAKER_01]: I said, everybody has a son.

22:03.423 --> 22:05.424
[SPEAKER_01]: Everybody has came.

22:06.005 --> 22:07.666
[SPEAKER_01]: I'm like, this is over stuff with cameo.

22:07.686 --> 22:09.428
[SPEAKER_01]: It's over stuff with nostalgia.

22:09.788 --> 22:11.289
[SPEAKER_01]: It's not there to move a fly.

22:11.389 --> 22:13.171
[SPEAKER_01]: It's just there for the sake of being there.

22:13.551 --> 22:15.593
[SPEAKER_01]: This one has nostalgia.

22:15.633 --> 22:21.537
[SPEAKER_01]: Yeah, it does have a small cameo by somebody, but it's still there to drive.

22:22.338 --> 22:22.839
[SPEAKER_01]: The laughs.

22:23.079 --> 22:24.601
[SPEAKER_01]: It's still there to try the comedy.

22:25.121 --> 22:30.868
[SPEAKER_00]: I agree and I and I don't think with as great as Adam's family is and I know he gets some flat sometimes.

22:31.428 --> 22:32.509
[SPEAKER_00]: I don't think he needs that.

22:33.070 --> 22:39.918
[SPEAKER_00]: I think he could have like so with happy I don't care about spoil the happy Gilmore too, but I don't think they need it.

22:40.823 --> 22:44.166
[SPEAKER_00]: the death motivation to move, have to get more.

22:44.226 --> 22:46.528
[SPEAKER_00]: I would have much rather than said, hey, happy get more.

22:46.548 --> 22:47.128
[SPEAKER_00]: You suck.

22:47.188 --> 22:48.089
[SPEAKER_00]: You don't got it anymore.

22:48.429 --> 22:51.472
[SPEAKER_00]: And these new age, new wave golfers are better than you.

22:51.912 --> 22:52.773
[SPEAKER_00]: That makes more sense.

22:52.973 --> 22:57.777
[SPEAKER_00]: The end, not not not, he gonna come out with the hockey swing and he gonna, he knows how to put it.

22:57.797 --> 22:58.957
[SPEAKER_00]: He gonna get in a couple of fights.

22:59.298 --> 23:02.220
[SPEAKER_00]: It's gonna be a couple of like new age things and it would have been perfect.

23:02.660 --> 23:04.182
[SPEAKER_00]: We didn't need the

23:05.278 --> 23:08.000
[SPEAKER_00]: If I don't win this, we're not going to make it plot line.

23:08.060 --> 23:10.061
[SPEAKER_00]: Nobody wants to see happy Gilmore's struggle.

23:10.101 --> 23:17.246
[SPEAKER_01]: We could be like the shooter McGavin of part two, where he's struggling to be on the golf course.

23:17.366 --> 23:18.186
[SPEAKER_01]: He's in a slump.

23:19.227 --> 23:25.611
[SPEAKER_01]: And then he loses his wife, but not the way that he loses his wife in the movie divorce.

23:26.171 --> 23:26.792
[SPEAKER_01]: Like literally.

23:28.053 --> 23:29.253
[SPEAKER_01]: And then he's not lost in.

23:29.754 --> 23:30.354
[SPEAKER_00]: He's the worst.

23:30.394 --> 23:34.877
[SPEAKER_00]: They don't get back together at the end, but he got to find himself because golf is what brings him happiness.

23:35.462 --> 23:35.682
[SPEAKER_01]: Right.

23:35.702 --> 23:41.166
[SPEAKER_01]: And you can still have that competition in the supermarket with that other new pro golfer.

23:41.726 --> 23:41.926
[SPEAKER_01]: Yep.

23:42.086 --> 23:42.667
[SPEAKER_01]: And everything.

23:42.787 --> 23:43.988
[SPEAKER_01]: And tell them, no, go take a hike.

23:44.008 --> 23:46.769
[SPEAKER_01]: I'm going to go on and join my old school house.

23:46.809 --> 23:47.670
[SPEAKER_01]: I'm going to take you out.

23:48.270 --> 23:48.551
[SPEAKER_01]: Yeah.

23:49.411 --> 23:51.552
[SPEAKER_01]: And it is in the motivations to go get clean.

23:52.273 --> 23:57.156
[SPEAKER_01]: It's also motivation for his daughters, his daughter and his sons to help them get clean.

23:58.457 --> 24:01.439
[SPEAKER_00]: And we just we just we wrote we just wrote happy Gilmore three.

24:02.633 --> 24:03.874
[SPEAKER_01]: And it's not a paycheck.

24:04.494 --> 24:16.842
[SPEAKER_00]: For it, and I think people in Hollywood, no understand being the viewer, like, I always wonder what the think tanks are like in Hollywood, like who are they really showing these movies to in Hollywood?

24:16.882 --> 24:19.624
[SPEAKER_00]: Because it's not the audience that we are.

24:19.684 --> 24:24.407
[SPEAKER_00]: That's why a lot of movies come out and they suck because I don't know who they're trying to like, who are listening to trying to garner.

24:25.267 --> 24:27.628
[SPEAKER_00]: Um, I would have much rather more chilled.

24:27.648 --> 24:34.411
[SPEAKER_00]: Happy Gilmore, but back on topic, Nicky Gunn, better comedy aside from being a spoof than happy Gilmore.

24:34.832 --> 24:35.072
[SPEAKER_01]: Right.

24:35.292 --> 24:36.432
[SPEAKER_01]: And knew what it wanted to be.

24:36.813 --> 24:37.933
[SPEAKER_01]: It knew it's identity.

24:38.373 --> 24:38.473
[SPEAKER_01]: Yeah.

24:38.493 --> 24:39.014
[SPEAKER_01]: It is what it is.

24:39.114 --> 24:41.335
[SPEAKER_01]: And it knew it's target audience as well.

24:41.875 --> 24:42.195
[SPEAKER_01]: Yeah.

24:42.215 --> 24:45.877
[SPEAKER_01]: So of course, it's more successful because of those things.

24:46.370 --> 24:50.172
[SPEAKER_01]: Yes, but I wanted to bring up something else that I liked about this film, though, too.

24:51.172 --> 24:56.495
[SPEAKER_01]: There's also the fake hospital interrogation scene that happens in the movie.

24:57.335 --> 24:58.016
[SPEAKER_00]: How do you know?

24:58.096 --> 24:59.036
[SPEAKER_00]: Didn't wall fall?

25:00.057 --> 25:00.657
[SPEAKER_00]: How do you know?

25:00.677 --> 25:01.257
[SPEAKER_00]: Didn't wall.

25:02.018 --> 25:02.618
[SPEAKER_00]: What again?

25:03.018 --> 25:03.759
[SPEAKER_00]: You know what that is?

25:04.259 --> 25:07.981
[SPEAKER_00]: If you are a family guy fan, if you are a sesame falling fan,

25:08.713 --> 25:13.814
[SPEAKER_00]: There's an episode in family guy where they're parodying Jerry Springer.

25:14.514 --> 25:18.135
[SPEAKER_00]: And he's on the show and he was like, I wanna tell you something.

25:18.195 --> 25:19.115
[SPEAKER_00]: I'm not really a woman.

25:19.275 --> 25:19.956
[SPEAKER_00]: I'm a man.

25:20.416 --> 25:21.956
[SPEAKER_00]: And the kid's like, I never knew.

25:21.976 --> 25:23.817
[SPEAKER_00]: He was like, I'm not a man.

25:24.097 --> 25:24.857
[SPEAKER_00]: I'm a horse.

25:25.537 --> 25:26.937
[SPEAKER_00]: Oh my gosh, I didn't know Jerry.

25:27.237 --> 25:28.238
[SPEAKER_00]: I'm not a horse.

25:28.578 --> 25:29.358
[SPEAKER_00]: I'm a mob.

25:29.738 --> 25:30.678
[SPEAKER_00]: Then I'm a mob.

25:31.138 --> 25:33.519
[SPEAKER_00]: That's classic, Stephanie Farley, man.

25:33.539 --> 25:34.659
[SPEAKER_00]: Exactly.

25:34.899 --> 25:38.240
[SPEAKER_00]: He was himself throughout this entire film.

25:39.140 --> 25:41.261
[SPEAKER_00]: Oh, I'm going to feed again tomorrow.

25:42.342 --> 25:44.763
[SPEAKER_00]: Oh, I need to go see it again.

25:45.243 --> 25:47.564
[SPEAKER_00]: I'm going, I'm taking my fifteen year old to see it tomorrow.

25:47.764 --> 25:48.925
[SPEAKER_01]: I got, how do they like it?

25:48.965 --> 25:52.787
[SPEAKER_01]: Because I'm going to be interested in how the younger crowd it likes it and everything too.

25:53.347 --> 25:54.408
[SPEAKER_00]: Not a problem I got you.

25:55.088 --> 25:55.368
[SPEAKER_01]: Thanks.

25:55.468 --> 25:56.469
[SPEAKER_01]: I would like to actually know that.

25:57.589 --> 25:58.690
[SPEAKER_01]: Let's see.

25:58.710 --> 26:04.393
[SPEAKER_01]: There's also the Halloween spirit Halloween store that I liked, where their clip that was actually funny.

26:05.376 --> 26:09.878
[SPEAKER_01]: But the other thing I liked was, okay, we talked about Paul Walker.

26:10.258 --> 26:11.338
[SPEAKER_01]: Paul Walter Houser.

26:11.918 --> 26:12.579
[SPEAKER_01]: Yeah.

26:13.079 --> 26:22.942
[SPEAKER_01]: The scene that I like is the beer scene, because he's over there trying to watch Frank and he's got his balls and something.

26:25.893 --> 26:32.217
[SPEAKER_01]: But what I like is, where he's trying to keep an eye on Frank and then this other guy comes in, I need a bear.

26:32.237 --> 26:33.578
[SPEAKER_01]: You go, here you go.

26:33.798 --> 26:34.778
[SPEAKER_01]: Come on, let's free.

26:34.998 --> 26:36.059
[SPEAKER_01]: And then next to do know it.

26:36.639 --> 26:37.720
[SPEAKER_01]: Because that's reality, man.

26:37.740 --> 26:38.300
[SPEAKER_00]: Right, exactly.

26:46.746 --> 26:59.951
[SPEAKER_00]: I wish there was an award at the Oscars for movies like this and there's not, but we got to get self-miqued for it and his fly was right now because he's also the same person for everything great.

26:59.971 --> 27:00.451
[SPEAKER_00]: He's done.

27:00.691 --> 27:04.052
[SPEAKER_00]: He also directed a thousand ways of dying the West and that was terrible to me.

27:05.253 --> 27:06.913
[SPEAKER_01]: I think I didn't care for that one.

27:07.393 --> 27:08.554
[SPEAKER_00]: I'll be honest with you.

27:09.334 --> 27:12.955
[SPEAKER_01]: But then one and two, those two were fire for me.

27:15.194 --> 27:20.016
[SPEAKER_00]: Yeah, but this one, you are in the Mount Rushmore of comedy rhyme.

27:20.096 --> 27:20.576
[SPEAKER_00]: I'm sorry.

27:21.196 --> 27:27.199
[SPEAKER_01]: Yeah, but it's actually directed by Keva Shavar.

27:27.339 --> 27:28.399
[SPEAKER_01]: I think that's how you say his name.

27:29.660 --> 27:30.020
[SPEAKER_00]: It's okay.

27:30.040 --> 27:30.580
[SPEAKER_00]: You could butcher.

27:30.640 --> 27:31.221
[SPEAKER_00]: Is it all good?

27:31.381 --> 27:32.021
[SPEAKER_01]: Yeah.

27:32.041 --> 27:32.901
[SPEAKER_00]: You went to name.

27:35.182 --> 27:41.245
[SPEAKER_01]: You should've heard me whenever they remember when the Academy Awards was, whenever they had that, um,

27:42.950 --> 27:45.492
[SPEAKER_01]: The different multiverse movie that won the best picture.

27:45.512 --> 27:49.076
[SPEAKER_00]: Oh, he's about to hear there anywhere.

27:49.736 --> 27:52.439
[SPEAKER_00]: Yeah, right with the Asian cast.

27:53.060 --> 27:53.320
[SPEAKER_01]: Right.

27:53.360 --> 27:55.602
[SPEAKER_01]: Yeah, I mean seeing that those names.

27:56.283 --> 28:00.807
[SPEAKER_00]: I'm like, I'm the prize you feel here trying to save them.

28:01.608 --> 28:02.588
[SPEAKER_00]: We got to cancel him.

28:02.629 --> 28:04.190
[SPEAKER_00]: He's messing these names up on purpose.

28:04.951 --> 28:06.232
[SPEAKER_00]: He can't be that difficult.

28:06.272 --> 28:07.253
[SPEAKER_00]: You got to get canceled.

28:07.878 --> 28:11.980
[SPEAKER_01]: Right because I come up with nicknames for different characters is up like that too.

28:12.420 --> 28:13.681
[SPEAKER_01]: So yeah, I'm probably.

28:13.701 --> 28:16.743
[SPEAKER_00]: Yeah, I definitely.

28:18.664 --> 28:21.285
[SPEAKER_01]: But yeah, man, this is hands down one of my favorite movies of the year.

28:21.305 --> 28:25.007
[SPEAKER_01]: I've got other movies lined up that I want to go out and see and support.

28:27.065 --> 28:28.246
[SPEAKER_01]: Yeah, the weapons is one of them.

28:28.706 --> 28:30.127
[SPEAKER_01]: There's also the Conjuring Three.

28:31.808 --> 28:35.030
[SPEAKER_00]: I'm hoping the Conjuring Three does what it's supposed to do.

28:35.050 --> 28:38.032
[SPEAKER_00]: I hope it ends on a high note.

28:38.552 --> 28:42.215
[SPEAKER_00]: Weapons looks terrifying, but I'm thinking of terrifying because it involves children.

28:43.135 --> 28:44.576
[SPEAKER_00]: But it definitely looks terrifying.

28:44.676 --> 28:45.917
[SPEAKER_00]: It looks dark.

28:46.117 --> 28:48.219
[SPEAKER_00]: There's literally no air in those trailers.

28:48.299 --> 28:51.121
[SPEAKER_00]: So they don't give you any room to breathe and I love that.

28:51.581 --> 28:52.982
[SPEAKER_00]: And we don't even know the plot of it.

28:53.548 --> 28:57.291
[SPEAKER_01]: No, that's why I'm so interested in it is like, you don't give anything away.

28:57.331 --> 29:02.696
[SPEAKER_01]: I remember watching like five seconds and doing a trailer reaction, I'm like, wait, that was just five seconds.

29:03.837 --> 29:04.737
[SPEAKER_00]: So I did a trailer reaction.

29:04.757 --> 29:11.523
[SPEAKER_00]: But you have to be careful with that because the woman in the yard had me the same way, and I went to see the woman in the yard and it wasn't what I thought it was going to be.

29:12.244 --> 29:18.289
[SPEAKER_00]: So I'm hoping the trailer carries it the way the movie is set to be carried.

29:19.190 --> 29:20.210
[SPEAKER_00]: The country looks good.

29:20.250 --> 29:20.811
[SPEAKER_00]: What else you got?

29:21.919 --> 29:24.122
[SPEAKER_01]: Then I got him the new Jordan pill.

29:24.623 --> 29:25.264
[SPEAKER_00]: See, okay.

29:26.005 --> 29:26.927
[SPEAKER_00]: I like Jordan pill.

29:27.307 --> 29:28.068
[SPEAKER_00]: I love his comedy.

29:28.790 --> 29:30.452
[SPEAKER_00]: Um, I love us.

29:31.033 --> 29:33.617
[SPEAKER_00]: I was mad on get out, but that's not the hearing over there.

29:34.578 --> 29:38.262
[SPEAKER_00]: Jordan, to me, just to Josh pray, just to Josh pray.

29:38.902 --> 29:43.487
[SPEAKER_00]: Jordan Peele is quietly entering M. Knight Shamalon's territory.

29:44.188 --> 29:46.690
[SPEAKER_00]: He's put out a phenomenal movie and get out.

29:46.830 --> 29:49.053
[SPEAKER_00]: People rated that almost a hundred percent of right tomatoes.

29:49.573 --> 29:52.276
[SPEAKER_00]: I didn't care for, um, nope.

29:52.917 --> 29:54.358
[SPEAKER_01]: I was like, I didn't care for that one.

29:54.378 --> 29:56.020
[SPEAKER_01]: No, I was like, no, I was like, no, I was like, no.

29:57.300 --> 30:00.142
[SPEAKER_00]: He didn't create, but he produced Candy Man.

30:00.202 --> 30:01.522
[SPEAKER_00]: I thought Candy Man was cool.

30:02.523 --> 30:07.805
[SPEAKER_00]: It was a little heavy on the race of dynamic of today.

30:08.065 --> 30:19.950
[SPEAKER_00]: So I think that overshadowed it, I think that overshadowed it being a horror movie because of the social commentary, which is understandable, but I just wanted a horror movie in Candy Man.

30:22.287 --> 30:23.567
[SPEAKER_00]: He just produced something else.

30:23.947 --> 30:26.448
[SPEAKER_01]: Let's see him is actually produced by him.

30:27.168 --> 30:27.908
[SPEAKER_00]: Yeah, it went crazy.

30:27.928 --> 30:29.609
[SPEAKER_00]: It was produced by he bought the right to it.

30:30.449 --> 30:30.689
[SPEAKER_01]: Right.

30:31.329 --> 30:33.370
[SPEAKER_00]: I mean, nothing else was a joint.

30:33.530 --> 30:34.430
[SPEAKER_00]: Oh, no.

30:34.510 --> 30:34.950
[SPEAKER_00]: What was it?

30:34.970 --> 30:35.810
[SPEAKER_00]: It was a Jordan P.O.

30:35.850 --> 30:36.210
[SPEAKER_00]: film.

30:37.351 --> 30:39.091
[SPEAKER_01]: I know he did love craft.

30:39.411 --> 30:39.871
[SPEAKER_01]: Let's see.

30:40.271 --> 30:41.071
[SPEAKER_00]: Wasn't love craft.

30:41.131 --> 30:41.872
[SPEAKER_00]: It was a horrid.

30:41.912 --> 30:43.112
[SPEAKER_00]: I think it came out like last year.

30:43.132 --> 30:44.632
[SPEAKER_01]: Okay.

30:44.652 --> 30:46.453
[SPEAKER_01]: Let me have a look at that.

30:46.473 --> 30:47.133
[SPEAKER_00]: Let's look this up.

30:47.940 --> 30:50.661
[SPEAKER_01]: I helped me out because I'm kind of wondering that too myself.

30:50.701 --> 30:57.443
[SPEAKER_01]: Let's see because the last thing I remember was, nope, get out and then there was us in there.

30:57.743 --> 30:58.884
[SPEAKER_00]: We're building wild.

30:59.464 --> 31:01.044
[SPEAKER_00]: I feel like we're missing something.

31:02.065 --> 31:03.285
[SPEAKER_00]: He didn't direct it.

31:03.665 --> 31:04.886
[SPEAKER_00]: Wait, it was his name was on.

31:05.606 --> 31:06.606
[SPEAKER_00]: His name was on it.

31:07.167 --> 31:09.067
[SPEAKER_00]: It was a monkey paw film.

31:10.128 --> 31:10.848
[SPEAKER_00]: Was it the monkey?

31:12.048 --> 31:15.009
[SPEAKER_01]: Yeah, I think it might have been the monkey then, but Steven King.

31:16.030 --> 31:17.270
[SPEAKER_01]: Was it, I think it was the monkey?

31:18.424 --> 31:21.225
[SPEAKER_01]: Let's see, who produced the monkey?

31:21.946 --> 31:25.267
[SPEAKER_01]: Because now I'm wondering, Jordan Peel did something else.

31:25.447 --> 31:31.390
[SPEAKER_01]: Yeah, James wanted the monkey was the producers on that with movies.

31:31.530 --> 31:32.931
[SPEAKER_00]: I feel like we missed in one.

31:33.752 --> 31:34.872
[SPEAKER_00]: That's neither you nor there.

31:34.992 --> 31:37.854
[SPEAKER_00]: I'm I'm I'm looking at monkey man.

31:38.014 --> 31:38.514
[SPEAKER_01]: Monkey man.

31:38.574 --> 31:38.854
[SPEAKER_00]: Monkey man.

31:38.874 --> 31:39.134
[SPEAKER_00]: Monkey man.

31:39.154 --> 31:39.775
[SPEAKER_00]: Monkey man.

31:39.795 --> 31:40.035
[SPEAKER_00]: Okay.

31:40.335 --> 31:40.995
[SPEAKER_00]: Monkey man.

31:41.535 --> 31:43.116
[SPEAKER_00]: I thought was a phenomenal film.

31:45.978 --> 31:52.044
[SPEAKER_00]: I actually just watched it for the first time on a plane like two, three weeks ago.

31:52.484 --> 32:02.414
[SPEAKER_00]: I thought it was good for social commentary because I didn't understand India and the lifestyle and the dynamics of poverty and things like that.

32:03.314 --> 32:09.520
[SPEAKER_00]: But I feel like it's easy and I'm staying alone in the statement and I'm okay with it.

32:09.660 --> 32:10.841
[SPEAKER_00]: I feel like it's easy.

32:11.651 --> 32:19.114
[SPEAKER_00]: to make movies about racial climates and sensitive topics and get people in the theater and we add blood to it.

32:19.294 --> 32:22.035
[SPEAKER_00]: Like, people fear concussions and football.

32:22.395 --> 32:25.556
[SPEAKER_00]: People understand what CTE has done to various players.

32:26.257 --> 32:33.759
[SPEAKER_00]: Now you add a young black man and a lot of people may feel like young black athletes get taken advantage of in sports.

32:34.380 --> 32:40.722
[SPEAKER_00]: You add some blood to it, a crucifix, and some dead eyes, and voila, it looks terrifying.

32:41.712 --> 32:41.992
[SPEAKER_00]: Right.

32:42.452 --> 32:42.652
[SPEAKER_00]: Right.

32:42.672 --> 32:44.853
[SPEAKER_00]: So that's what I'm at with him.

32:44.973 --> 32:46.334
[SPEAKER_00]: Like the trailer look good.

32:46.874 --> 32:50.835
[SPEAKER_00]: But if this movie isn't what I thought think it's going to be, I'm done.

32:51.516 --> 32:56.578
[SPEAKER_00]: Like he's riding away of get out because nope to me was a let down.

32:57.218 --> 32:58.678
[SPEAKER_01]: Nope was definitely boring.

32:59.038 --> 33:01.379
[SPEAKER_01]: Like it was my wife and I sat down and watched it.

33:02.320 --> 33:03.420
[SPEAKER_01]: And nothing happened.

33:03.740 --> 33:04.961
[SPEAKER_01]: Like also too.

33:05.061 --> 33:07.262
[SPEAKER_01]: I like co-op, what's his name?

33:07.922 --> 33:10.383
[SPEAKER_01]: He played in, uh, what was the main character?

33:11.625 --> 33:13.226
[SPEAKER_01]: Yeah, I like Colua.

33:13.406 --> 33:14.527
[SPEAKER_01]: I like him as an actor.

33:15.048 --> 33:21.553
[SPEAKER_01]: He's a great actor, but he made him such a one-leared, one-note character, all he's doing is steering.

33:23.375 --> 33:27.058
[SPEAKER_00]: And looking dead, he doesn't want to beat, what's he?

33:27.658 --> 33:30.701
[SPEAKER_00]: I think, and this is a Josh Spring thing.

33:30.741 --> 33:32.522
[SPEAKER_00]: I mean, some of my buddies have had these conversations.

33:32.983 --> 33:35.625
[SPEAKER_00]: I think trying to figure out a way to say it.

33:37.065 --> 33:40.127
[SPEAKER_00]: Jordan Peele, so Jordan Peele made a statement years ago.

33:40.167 --> 33:43.769
[SPEAKER_00]: He said he will never cast a Caucasian man as a lead character in order to remember that.

33:44.569 --> 33:45.350
[SPEAKER_00]: I'm fine with that.

33:45.470 --> 33:45.850
[SPEAKER_00]: It's all good.

33:45.870 --> 33:49.352
[SPEAKER_00]: He's saying because there's enough movies with lead, actresses, Caucasians.

33:49.372 --> 33:51.313
[SPEAKER_00]: And I don't think no Caucasian man will argue it.

33:51.373 --> 33:53.094
[SPEAKER_00]: Even like, okay, it's whatever is all good.

33:54.235 --> 34:01.579
[SPEAKER_00]: He makes that statement and then goes to England from a majority of his lead roles in his films.

34:02.660 --> 34:05.722
[SPEAKER_00]: He's not even hiring black American actors.

34:06.975 --> 34:26.074
[SPEAKER_00]: So I think some of the films may begin to get diluted because it doesn't have a certain, if the film is American based and it's about American culture, I think having an American actor further supports and moves that.

34:26.515 --> 34:28.837
[SPEAKER_00]: That's why I'm excited about Marlon Wands.

34:29.658 --> 34:30.879
[SPEAKER_01]: But that's why I'm excited about it.

34:30.899 --> 34:38.226
[SPEAKER_01]: I want to see him do something different in comedy and see what he can do with this kind of movie because I'm definitely interested in.

34:38.887 --> 34:45.453
[SPEAKER_00]: I just think it'll be difficult for me to go to England and play an England English character without the background and knowledge.

34:45.473 --> 34:54.741
[SPEAKER_00]: Now you can study, you can read, you can do all those things, but naturally it's just something hits different when you're looking at you as this more terrifying.

34:55.422 --> 34:59.283
[SPEAKER_00]: in my opinion, it's just more to, there was a show called them.

34:59.503 --> 35:01.984
[SPEAKER_00]: Was it them on Amazon Prime?

35:02.384 --> 35:03.405
[SPEAKER_00]: I think I heard about that.

35:03.665 --> 35:10.747
[SPEAKER_00]: There was a scene where the, and it was a period piece about racism, but there was a horror.

35:11.027 --> 35:16.349
[SPEAKER_00]: There was a scene where the lady, a Caucasian lady put a black baby in a pillowcase, and so on around her head.

35:17.870 --> 35:23.432
[SPEAKER_00]: If that actress was British, it wouldn't have hit me to say.

35:24.431 --> 35:28.992
[SPEAKER_00]: Because the actress was American white, and I believe she was, correct me from wrong.

35:29.877 --> 35:31.478
[SPEAKER_00]: It was terrifying.

35:31.638 --> 35:34.639
[SPEAKER_00]: It, it, it affected me the way it was supposed to.

35:34.779 --> 35:39.141
[SPEAKER_00]: I just think Jordan Peele and his my opinion demands a multi-millionaire.

35:39.201 --> 35:39.942
[SPEAKER_00]: He's successful.

35:40.522 --> 35:47.785
[SPEAKER_00]: I just think he's not, he doesn't have his ear to the ground in regards to like that little extra thing, right?

35:48.206 --> 35:49.926
[SPEAKER_00]: Samuel L. Jackson, he was spoken on it.

35:50.687 --> 35:51.827
[SPEAKER_00]: He even said something about it.

35:51.907 --> 35:54.148
[SPEAKER_00]: So that's what I'm hoping him.

35:54.168 --> 35:57.390
[SPEAKER_00]: I hope I can identify with it more to make it scarier.

35:58.201 --> 35:59.482
[SPEAKER_01]: me to because that's what I want.

35:59.602 --> 36:07.088
[SPEAKER_01]: I want more self identification and also to be something different rather than the same things that we've been getting.

36:07.108 --> 36:15.435
[SPEAKER_01]: Yeah, you know, yeah, because it's this repetitiveness with it and I'm first I'm like, okay, it's a as a project produced by.

36:16.155 --> 36:17.896
[SPEAKER_01]: You know, uh, drawing and peel.

36:17.936 --> 36:23.537
[SPEAKER_01]: I'm like, okay, I'm interested in it because it's Jordan Peel's attached to it, but I'm also more interested because Marlon Wayne's has attached to it.

36:23.677 --> 36:23.877
[SPEAKER_01]: Yep.

36:24.037 --> 36:25.218
[SPEAKER_01]: And I am Jordan Peel.

36:25.758 --> 36:32.940
[SPEAKER_01]: So you have my attention there, but I don't want it to be the same pain by the numbers kind of movie that we've been getting from Jordan.

36:33.440 --> 36:42.543
[SPEAKER_00]: If you really fit and think about it, if you really look at it, films, again, I didn't get to get out, but I understand why I was so highly praised, right?

36:43.203 --> 36:43.343
[SPEAKER_02]: Right.

36:43.854 --> 36:54.078
[SPEAKER_00]: Ever since get out, the films haven't been hitting because it's easy to make a horror movie about racial, socially racial commentary.

36:54.598 --> 37:07.303
[SPEAKER_01]: And it's like he keeps on trying to up the ante in a sense because of get out and make it about that when he can make other movies besides that kind of commentary.

37:07.523 --> 37:07.943
[SPEAKER_01]: Can he?

37:09.133 --> 37:12.634
[SPEAKER_01]: It's like he's hard for him to get out, but that pun intended.

37:12.654 --> 37:13.735
[SPEAKER_01]: It's hard for him to get out.

37:13.755 --> 37:14.155
[SPEAKER_01]: Get out.

37:15.675 --> 37:16.436
[SPEAKER_00]: Get out.

37:18.036 --> 37:19.117
[SPEAKER_00]: Give me a horror movie.

37:19.657 --> 37:24.519
[SPEAKER_00]: Where it's not a horror movie because I'm black.

37:24.939 --> 37:25.779
[SPEAKER_00]: That's what I'm saying.

37:26.299 --> 37:26.499
[SPEAKER_00]: Right.

37:27.140 --> 37:34.342
[SPEAKER_00]: He tried it with note, but it still was black actors in Hollywood with black horses on a black farm.

37:34.942 --> 37:35.162
[SPEAKER_01]: Right.

37:38.843 --> 37:40.925
[SPEAKER_00]: Listen, I support everybody.

37:41.605 --> 37:45.688
[SPEAKER_00]: Give me a horror movie, that's a horror movie, but my skin isn't the reason that it's a horror movie.

37:45.788 --> 37:46.249
[SPEAKER_00]: Exactly.

37:46.349 --> 37:46.849
[SPEAKER_00]: All the same.

37:46.869 --> 37:47.409
[SPEAKER_01]: I agreed.

37:48.210 --> 37:48.851
[SPEAKER_01]: I understand that.

37:49.651 --> 37:54.275
[SPEAKER_01]: And I think that I want to go back on something you said though, too, about when Jordan made those remarks.

37:54.935 --> 37:55.816
[SPEAKER_01]: And because out.

37:56.216 --> 38:04.803
[SPEAKER_01]: But I think that when you should have said was like, as of right now, I don't have any plans to cast any Caucasian men or women into my movies.

38:05.563 --> 38:11.793
[SPEAKER_01]: But if there's an opportunity for someone that is white, I will cast them.

38:12.534 --> 38:20.067
[SPEAKER_01]: Right now, I want to focus on someone of color or, you know, to be able to play these roles right now.

38:21.726 --> 38:23.728
[SPEAKER_00]: But you know, you know what that does though.

38:24.028 --> 38:28.832
[SPEAKER_00]: When you say something that prolific, it draws a line in the sand, right?

38:29.192 --> 38:31.474
[SPEAKER_00]: You gain your black audience because we support it.

38:31.534 --> 38:33.836
[SPEAKER_00]: Like, hey, we finally go be in Hollywood.

38:33.856 --> 38:35.618
[SPEAKER_00]: We finally have chances and opportunities.

38:35.978 --> 38:36.198
[SPEAKER_02]: Right.

38:37.119 --> 38:44.846
[SPEAKER_00]: It also tells Caucasian folks, well, we don't want to see like we're not supporting it because we're not getting cash.

38:44.866 --> 38:46.948
[SPEAKER_00]: So let's go see what he's talking about.

38:47.802 --> 38:50.604
[SPEAKER_00]: So it created a pocket of money.

38:51.005 --> 38:53.126
[SPEAKER_00]: It's almost like the Tyler Perry effect.

38:53.386 --> 38:58.310
[SPEAKER_00]: Tyler Perry has a core fan base that won't leave him no matter what he creates.

38:58.731 --> 39:03.194
[SPEAKER_00]: That's his fan base, Jordan Peele, smartly did the exact same thing.

39:03.835 --> 39:06.257
[SPEAKER_00]: But then when you started paying attention, you're like, wait.

39:07.569 --> 39:13.730
[SPEAKER_00]: You're casting black men, but why not any black American men that was from the States?

39:13.790 --> 39:15.531
[SPEAKER_00]: Why did they have a British accent?

39:16.051 --> 39:16.531
[SPEAKER_00]: Like, why?

39:16.571 --> 39:18.071
[SPEAKER_00]: Like, what's going on here?

39:19.371 --> 39:22.772
[SPEAKER_00]: A person that did it extremely well was Ryan Cougar.

39:23.492 --> 39:23.652
[SPEAKER_01]: Yeah.

39:23.712 --> 39:24.693
[SPEAKER_00]: It's different centers.

39:25.633 --> 39:27.053
[SPEAKER_01]: Centers is my favorite movie of the year.

39:27.673 --> 39:28.433
[SPEAKER_01]: Like it's number one.

39:28.893 --> 39:32.434
[SPEAKER_00]: Centers was phenomenal because it gave you a black look.

39:32.494 --> 39:33.534
[SPEAKER_00]: It gave you black success.

39:33.594 --> 39:35.655
[SPEAKER_00]: It gave you black love, but it also

39:37.114 --> 39:40.862
[SPEAKER_00]: didn't make white people seem racist because they were white.

39:41.203 --> 39:43.287
[SPEAKER_00]: It was just this time period.

39:43.348 --> 39:44.450
[SPEAKER_00]: We don't understand each other.

39:44.710 --> 39:46.935
[SPEAKER_00]: And the main villain was Irish.

39:47.517 --> 39:47.777
[SPEAKER_00]: Right.

39:48.572 --> 40:01.415
[SPEAKER_00]: That's how you eliminate, like, like, I was in a movie theater, Loki, rooting for the head vampire, like, he, he, he, he quit walking in a circle around a fire pit.

40:02.055 --> 40:03.536
[SPEAKER_00]: Like, we need that him get in.

40:03.576 --> 40:04.976
[SPEAKER_00]: We got to see the damage he's gonna create.

40:05.016 --> 40:11.317
[SPEAKER_00]: Of course, I wanted Michael B. George's character to win, but that's how you do it.

40:11.357 --> 40:12.278
[SPEAKER_00]: That's how you study.

40:12.298 --> 40:12.798
[SPEAKER_00]: That's how you study.

40:12.818 --> 40:16.379
[SPEAKER_01]: That's how you study the effect of what the outcome is at the very end of the movie.

40:16.819 --> 40:17.099
[SPEAKER_01]: Yeah.

40:19.055 --> 40:32.426
[SPEAKER_00]: And he brought it all the way back in a very, okay, we went through it, the domain vampire, Randy, Remy was Irish and his counterparts were two white folks from the South, okay, we beat the vampire.

40:32.667 --> 40:35.389
[SPEAKER_00]: Now let's attack racism in three minutes.

40:37.370 --> 40:37.850
[SPEAKER_00]: We feel it.

40:37.910 --> 40:38.791
[SPEAKER_00]: That's fair.

40:38.831 --> 40:39.371
[SPEAKER_00]: It's clear.

40:39.491 --> 40:41.411
[SPEAKER_00]: It's, it's, it's sizing on the cake.

40:41.992 --> 40:42.892
[SPEAKER_00]: It was perfect.

40:43.392 --> 40:44.452
[SPEAKER_00]: Nobody felt the feeling.

40:44.472 --> 40:47.373
[SPEAKER_00]: Nobody felt like, oh, it's just the race is moving now.

40:47.413 --> 40:49.194
[SPEAKER_00]: We just brought it all the way back full.

40:49.214 --> 40:51.995
[SPEAKER_01]: We sure call it because that's the center.

40:52.035 --> 40:53.876
[SPEAKER_01]: The center was about these vampires.

40:54.736 --> 40:54.976
[SPEAKER_01]: Yep.

40:55.856 --> 41:03.839
[SPEAKER_01]: And also trying to make other people's try to fit into society that's not accepted by them, because the vampires are not accepted by who they are.

41:04.159 --> 41:06.040
[SPEAKER_00]: A hundred percent because the moment.

41:07.847 --> 41:10.849
[SPEAKER_00]: Michael B. Jordan's character, um, not smoke.

41:11.550 --> 41:13.031
[SPEAKER_00]: Um, I know he had talked about that.

41:13.111 --> 41:15.632
[SPEAKER_00]: But when the moment he became a vampire, he became them.

41:16.553 --> 41:18.414
[SPEAKER_00]: It was no longer black versus white.

41:18.474 --> 41:21.056
[SPEAKER_00]: It was the unbitten versus the bitten.

41:21.817 --> 41:29.682
[SPEAKER_00]: And I love the way Ryan, Ryan Cougler can be electrifying as the horror movie director and writer.

41:31.283 --> 41:33.365
[SPEAKER_00]: And you know he's going to direct the new ex files.

41:34.543 --> 41:37.958
[SPEAKER_01]: Yeah, and I'm kind of nervous in a sense about what...

41:39.346 --> 41:51.895
[SPEAKER_01]: I'm not a Ryan cooler well you're talking about Ryan cooler you wait you said Ryan cooler right yeah yeah I'm okay with Ryan cooler doing it because I think he can actually do a phenomenal job with it now I've done for a minute there was like joining P.L.

41:51.935 --> 42:05.524
[SPEAKER_00]: for a second I'm like I don't know right who's going to do phenomenal he just he has his ear to the street and he has his finger on the pulse of what

42:06.084 --> 42:07.725
[SPEAKER_00]: real fans want.

42:08.326 --> 42:15.491
[SPEAKER_00]: And it's not just about creating controversy standing in the news and being viral in memes and clips from the movie.

42:15.551 --> 42:21.134
[SPEAKER_00]: It's about giving a body of work that we can go back to and watch it like we've never watched it before.

42:21.274 --> 42:22.835
[SPEAKER_00]: I've actually been there four times.

42:24.156 --> 42:24.477
[SPEAKER_00]: So.

42:25.958 --> 42:29.760
[SPEAKER_01]: And I'm actually trying to get the steel book for it because I'm a physical media collector.

42:30.220 --> 42:30.901
[SPEAKER_00]: That's fire.

42:31.201 --> 42:31.782
[SPEAKER_00]: That's that's fire.

42:33.185 --> 42:36.727
[SPEAKER_01]: But you know, dude, I enjoy this conversation with you.

42:37.387 --> 42:45.111
[SPEAKER_01]: I think that, you know, we actually broke a lot of great comment ground with this movie with Nick and Gun, and also two with the Jordan Peel stuff.

42:45.251 --> 42:45.871
[SPEAKER_01]: Things like that.

42:46.652 --> 42:48.793
[SPEAKER_01]: Dude, I can't wait to have you back on here again.

42:48.813 --> 42:53.415
[SPEAKER_01]: Oh, I can't wait to have you back on here again, dude.

42:53.535 --> 42:57.197
[SPEAKER_01]: Like, this has been a great conversation about the spooky movies and stuff.

42:57.697 --> 42:59.258
[SPEAKER_01]: I really enjoyed your company tonight.

42:59.378 --> 43:00.919
[SPEAKER_00]: You went out, I can't hear you hear me?

43:01.723 --> 43:02.403
[SPEAKER_01]: Yeah, I can hear you.

43:02.443 --> 43:03.443
[SPEAKER_00]: Okay.

43:03.704 --> 43:04.804
[SPEAKER_01]: Okay.

43:05.004 --> 43:07.725
[SPEAKER_01]: So what I was saying was I enjoyed your company tonight.

43:07.785 --> 43:09.525
[SPEAKER_01]: I can't wait to have you back on the show again.

43:09.545 --> 43:09.925
[SPEAKER_00]: We're sure.

43:09.945 --> 43:10.605
[SPEAKER_00]: We're sure.

43:11.086 --> 43:13.166
[SPEAKER_01]: We're going to be doing a benefit.

43:13.206 --> 43:16.427
[SPEAKER_01]: Rossi would be back on the show with us next up next month.

43:16.847 --> 43:17.727
[SPEAKER_01]: And we're going to be doing.

43:19.408 --> 43:20.168
[SPEAKER_01]: Who asked for this?

43:20.688 --> 43:21.068
[SPEAKER_00]: Let's do it.

43:21.108 --> 43:21.588
[SPEAKER_00]: I can't wait.

43:21.608 --> 43:22.849
[SPEAKER_00]: It's going to be my favorite segment.

43:22.869 --> 43:23.869
[SPEAKER_00]: We're going to test some things up.

43:23.949 --> 43:25.209
[SPEAKER_00]: And we're going to be honest.

43:25.309 --> 43:27.670
[SPEAKER_00]: And we're going to get everybody honest opinion for sure for sure.

43:28.298 --> 43:29.318
[SPEAKER_01]: This is going to be great.

43:29.478 --> 43:31.559
[SPEAKER_01]: And let's just give them a rundown of what it is.

43:31.579 --> 43:34.621
[SPEAKER_01]: It's like, who asked for this sequel?

43:34.661 --> 43:36.541
[SPEAKER_01]: Who asked for this movie to be made?

43:38.202 --> 43:43.124
[SPEAKER_00]: Who totally asked for Tyler Perry to play an action hero in a movie, diving with his shirt off?

43:44.085 --> 43:44.525
[SPEAKER_00]: Nobody.

43:45.025 --> 43:46.365
[SPEAKER_00]: Like, not, like, nothing.

43:46.466 --> 43:47.126
[SPEAKER_01]: We're ready for that.

43:47.506 --> 43:52.048
[SPEAKER_00]: Who asked for Vin Diesel to have hair in a movie when he was a lawyer in one movie that nobody knows about.

43:52.088 --> 43:52.728
[SPEAKER_00]: Who asked for that?

43:52.768 --> 43:53.588
[SPEAKER_00]: Nobody asked for that?

43:53.789 --> 43:53.969
[SPEAKER_00]: No.

43:54.869 --> 43:55.509
[SPEAKER_00]: Who asked for it?

43:55.549 --> 43:56.150
[SPEAKER_00]: My guess.

43:56.170 --> 43:56.690
[SPEAKER_00]: Who asked for it?

43:58.207 --> 43:58.547
[SPEAKER_01]: You did.

44:01.670 --> 44:02.411
[SPEAKER_01]: But I got it.

44:02.811 --> 44:03.612
[SPEAKER_01]: All three of us did.

44:04.092 --> 44:05.474
[SPEAKER_01]: But man, it's a pleasure to have you.

44:05.914 --> 44:07.415
[SPEAKER_01]: If you can, stay back in the studio.

44:07.456 --> 44:10.658
[SPEAKER_01]: I want to be able to go ahead and thank you properly for coming back.

44:10.779 --> 44:11.679
[SPEAKER_01]: Coming back on the show.

44:11.699 --> 44:14.502
[SPEAKER_01]: I do appreciate you, man.

44:14.862 --> 44:16.204
[SPEAKER_01]: Everybody, Josh Pray.

44:16.284 --> 44:17.365
[SPEAKER_01]: Don't forget to like, subscribe.

44:17.405 --> 44:19.447
[SPEAKER_01]: Go ahead, visit Josh Pray on his socials.

44:20.067 --> 44:23.570
[SPEAKER_01]: I'll have everything in the descriptions below where you guys can follow him at.

44:23.610 --> 44:24.531
[SPEAKER_01]: He's a great comedian.

44:24.571 --> 44:28.674
[SPEAKER_01]: He has me rolling on something to stop that he had that he does.

44:29.114 --> 44:35.459
[SPEAKER_01]: My first segment though, man, my favorite thing that he did was when you thought for sure you would go into Tennessee and have an R-B.

44:37.492 --> 44:41.115
[SPEAKER_00]: Um, I would have to do the rain force.

44:41.255 --> 44:42.716
[SPEAKER_00]: And that was not the rain force.

44:42.996 --> 44:44.257
[SPEAKER_00]: That stuff is invasive.

44:44.297 --> 44:47.620
[SPEAKER_00]: And if you touch it, you will become part of the Tennessee jungle.

44:47.820 --> 44:50.882
[SPEAKER_00]: So be careful of Chapman and not to be able to see.

44:51.182 --> 44:53.104
[SPEAKER_00]: It's not for the faint of heart.

44:53.844 --> 44:54.004
[SPEAKER_01]: Nope.

44:54.024 --> 44:55.385
[SPEAKER_01]: And it is for Edward Sinser Hands.

44:58.067 --> 45:00.449
[SPEAKER_01]: All right, guys.

45:00.749 --> 45:01.590
[SPEAKER_01]: Always a little next time.

45:01.870 --> 45:02.610
[SPEAKER_01]: Have a great save night.

45:02.630 --> 45:03.711
[SPEAKER_01]: We can see you guys on the next one.

45:03.751 --> 45:04.732
[SPEAKER_01]: Thank you guys for watching.

45:15.630 --> 45:16.212
[UNKNOWN]: Thank you