It: Welcome to Derry Episode 3 Review | “Now You See It” Pennywise Photo Revealed

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[SPEAKER_03]: Hello, movie lepons from Balkrishna Show.

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[SPEAKER_03]: So tonight, we are going to be diving into it, Open the Dairy of Dairy of Dairy of Dairy of Dairy.

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[SPEAKER_03]: Welcome to Dairy, episode three, and now you see it.

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[SPEAKER_03]: So let's go ahead, let's dive into this A-Rossie.

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[SPEAKER_01]: Let's have John, how are you?

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[SPEAKER_02]: I'm doing good, how are you doing?

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[SPEAKER_02]: I'm doing great, thank you so much.

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[SPEAKER_02]: Very well done.

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[SPEAKER_02]: Let's have a look at it.

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[SPEAKER_02]: Let's have a look at it.

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[SPEAKER_03]: When I hope you guys are doing good tonight, and guys, we're going to be diving into episode three of Dairy.

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[SPEAKER_03]: It's welcome to Dairy.

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[SPEAKER_03]: This is actually called Now You See It.

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[SPEAKER_03]: So,

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[SPEAKER_03]: going into this I like at first I was kind of taking back my way they're going into 1908 because I know one season three they're wanting to start doing 1908 do do that kind of story I'm like okay are you taking a break from the main kids that we know?

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[SPEAKER_03]: and stuff.

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[SPEAKER_03]: And it's this going to be the main focus.

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[SPEAKER_03]: I'm like, I'm okay with this.

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[SPEAKER_03]: This is what we're going to go.

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[SPEAKER_00]: Right.

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[SPEAKER_03]: So at first, we're not going to do this is other new character that we don't even have any bases for anything like that.

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[SPEAKER_03]: We just see him going into this freak show, this carnie kind of thing.

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[SPEAKER_03]: Right.

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[SPEAKER_03]: And you know, I really enjoyed seeing this aspect of it because it's very atmospheric.

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[SPEAKER_03]: It's very different than what we normally see.

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[SPEAKER_03]: Right.

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[SPEAKER_03]: And I really loved how it opened

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[SPEAKER_03]: And he's going to the Hall of Mirrors.

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[SPEAKER_03]: He's using the Oman Henley Kid to move closer.

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[SPEAKER_03]: The Oman lights a match and scares the hell out of him.

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[SPEAKER_03]: The kids find out that the kids' name is actually Francis, right?

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[SPEAKER_03]: Um, and you also be friends in Indian woman name Rose.

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[SPEAKER_03]: So a lot of stuff is happening within this episode on the way it develops.

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[SPEAKER_03]: But what did you think of the opening episode?

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[SPEAKER_01]: I love the opening episode, you know, whenever you have an opening episode and they're at the circus and, you know, it's something like that.

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[SPEAKER_01]: It's always a pivotal part of the story.

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[SPEAKER_01]: I didn't know, at first I didn't know Francis was, you know, shot, general shot as a kid.

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[SPEAKER_01]: But I liked when he went into the house and is at the haunted house at a house of mirrors, where he's out there.

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[SPEAKER_01]: Okay, the house of mirrors.

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[SPEAKER_01]: And which was really spooky.

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[SPEAKER_01]: I must say I'm waiting for the jump scare.

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[SPEAKER_01]: And then you see that dude with the one I'm missing and he's just the skeleton like body and freaks the kid out and the kid runs out of there.

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[SPEAKER_01]: So that opening was like, okay, let's go.

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[SPEAKER_01]: I can't wait to see what's going to happen in this episode.

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[SPEAKER_01]: So I love their

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[SPEAKER_03]: I definitely do.

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[SPEAKER_03]: I love this intro to it.

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[SPEAKER_03]: And then also, too, you have the father saying, hey, don't be a pussy.

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[SPEAKER_03]: You need to go ahead.

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[SPEAKER_03]: Go on ahead and not be afraid of this thing.

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[SPEAKER_03]: And he gives him a slingshot.

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[SPEAKER_03]: And that slingshot is like a call back to the, uh, the original losers club because Beverly actually has a slingshot in the novel.

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[SPEAKER_00]: Okay.

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[SPEAKER_03]: And that's actually her weapon to defeat Pennywise.

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[SPEAKER_00]: Okay.

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[SPEAKER_03]: and a chapter one of the one that we grew up in the many series and also in the novel as well.

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[SPEAKER_03]: But I thought it was cool on how they actually paid homage to that while also incorporating this new character Francis, and Francis is like you said, this is military guy that we know now.

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[SPEAKER_03]: Going into it, I love how he has his friendly side to himself.

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[SPEAKER_03]: He introduces himself to Rose, Rose gets the water,

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[SPEAKER_03]: So I definitely love this chemistry between them.

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[SPEAKER_03]: It gives them a lot of balance to it.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: I love the kids all planned in the field and seen Francis with Rose and Rose is the beautiful Native American lady that owns that antique light shop or the furniture shop.

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[SPEAKER_01]: in town so to go back to 1908, seeing the friendship that they had, they actually really liked each other, but of course because of color barriers, they weren't able to date and all Francis was moving anyways, but that scene of them going into the woods and then, you know, run, just playing and being encountered,

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[SPEAKER_01]: by the guy that he saw at the carnival with the one eye, that scene was crazy.

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[SPEAKER_01]: And I must say, when they do graphics, it's done so well.

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[SPEAKER_01]: I was scared, shitless, because of this guy running after them and then crawling after them.

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[SPEAKER_01]: It was a great great scene.

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[SPEAKER_01]: It was, it's, they're doing great with the monsters.

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[SPEAKER_01]: They really are.

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[SPEAKER_03]: They really are.

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[SPEAKER_03]: Like, this is not fear and the anxiety of that old man and then him flexing and then the bones cracking and then him following and running after Francis and Francis driving under the tree.

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[SPEAKER_03]: I thought Francis was going to die to be gone.

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[SPEAKER_03]: I did too.

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[SPEAKER_03]: And then, you know, then all of a sudden you see the rock hit the hit hit the shape of it right and the terms comes to find out there's actually rules with it that I think that that was really fascinating is like look.

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[SPEAKER_03]: It cannot come out of the woods.

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[SPEAKER_03]: So you're safe if you're around this boundary right here.

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[SPEAKER_03]: Right, is the Indians Native Americans say, hey, look, you're making a mistake.

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[SPEAKER_03]: We need to go ahead and get him because he doesn't know these rules or anything.

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[SPEAKER_03]: He's just thinking he's a kid, he can't roam anywhere, but it just goes to show, like, revivters and stuff like that in other cultures.

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[SPEAKER_03]: So with us thinking of our own selves, we're like, okay, it's perfectly normal to go into every part of the woods.

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[SPEAKER_03]: But Americans have their own way and their own culture and stuff.

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[SPEAKER_03]: So I thought it was very interesting on how they managed to do that.

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[SPEAKER_03]: Yeah.

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[SPEAKER_03]: I want to say hi to some of the people.

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[SPEAKER_03]: Yes, please say hi to folks.

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[SPEAKER_03]: Hey, what's up?

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[SPEAKER_03]: What's up, Clint?

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[SPEAKER_03]: I do appreciate you being here as always.

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[SPEAKER_03]: The same thing with you, Joey, I do appreciate it.

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[SPEAKER_03]: Cory is animated.

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[SPEAKER_03]: It's just watched the episode.

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[SPEAKER_03]: It was really good.

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[SPEAKER_03]: Yeah.

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[SPEAKER_03]: It's definitely a really good episode.

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[SPEAKER_03]: I really loved it.

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[SPEAKER_03]: But then you also have another thing too, after this happens, then you have Lily who's in the institution and it's heartbreaking blaming herself and also like how the woman is there with her because life is about the journey, people only believe what they want to see with their own eyes.

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[SPEAKER_03]: So I like the fact that they're using that because it is actually using the illusion, yes, then the same kind of perspective.

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[SPEAKER_03]: as well.

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[SPEAKER_03]: It's like there people are only choosing what they want to see and what they want to believe and they're seeing what's right in front of them because they have this veil over their eyes because of it and they're not seeing everything that they should be seeing.

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[SPEAKER_03]: Right.

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[SPEAKER_01]: Yeah, I, you know, I felt bad because I mean, you know, when the doctors talking to Lily's mom and letting them know that if she continues to have these episodes, you know, we can basically kick up kick up, you know, the treatments that we have, you know, for her.

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[SPEAKER_01]: So you're kind of wanting to make sure that.

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[SPEAKER_01]: She doesn't have any more of these episodes.

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[SPEAKER_01]: And we know what the episodes are, but still, she has that threat of going back and staying even longer.

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[SPEAKER_01]: But when she does leave and her Ronnie have that encounter at school, Ronnie's like, you know,

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[SPEAKER_01]: pissed because she blames Lily for her dad being locked up.

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[SPEAKER_01]: I remember her dad still locked up behind bars for, you know, having a hand and getting rid of the kids, you know, being responsible for those kids dying in that movie theater.

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[SPEAKER_01]: So to see them work together, Ronnie and Lily and kind of know that they kind of they need each other.

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[SPEAKER_03]: Right, because they're they need to check and actually depend on each other.

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[SPEAKER_03]: Yes, because they're the only ones that can see this right now right now.

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[SPEAKER_03]: They don't know if any other cake and see this or anything like that either.

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[SPEAKER_00]: Right.

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[SPEAKER_03]: And I like the fact that you have these two characters that like I said before, it's just the circumstances are leaning on both of them because yeah.

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[SPEAKER_03]: Lily's damned if she goes on ahead and says what she saw then she's institutionalized.

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[SPEAKER_03]: Right, and you have the stuff Veronica who's going to lose her dad if she doesn't tell her telling anybody what's going on.

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[SPEAKER_00]: Right.

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[SPEAKER_03]: So you have those two things coming in together.

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[SPEAKER_03]: Right.

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[SPEAKER_03]: And it's just the circumstances like we mentioned on episode two, but the thing that I think that makes it even more fascinating to me is the fact that, you know, these girls are stronger together than are way from each other because that's what it wants to do is isolate them from each other.

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[SPEAKER_03]: And, you know, she said, well, why didn't you tell them what you see?

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[SPEAKER_03]: Because I'll be getting institutionalized and I will them.

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[SPEAKER_03]: And she's like, well, I'm going to lose my father because of the decision you made.

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[SPEAKER_03]: Because look, if you want me to tell them I saw that, I saw that.

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[SPEAKER_03]: I'll do it.

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[SPEAKER_03]: I'll do whatever I can to earn your trust back.

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[SPEAKER_03]: I am sorry.

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[SPEAKER_03]: And it's in just her apologizing and being empathetic towards Veronica and Veronica being also empathetic to Lily, yeah, I thought the counter balance between them will have to have no absolutely I love their friendship and I love the fact like you said that they do come together to realize that.

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[SPEAKER_01]: we need each other.

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[SPEAKER_01]: And they do like each other, you know, like, to Ronnie Lily's a real friend, you know, or, you know, to Lily Ronnie is just a real good friend.

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[SPEAKER_01]: She doesn't care about the other kids at school and they both have the same issue with their parents, like, you know, Ronnie has a past, you know, when the kids alienate her and don't want to be seen with her,

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[SPEAKER_01]: and Lily's going through that same thing.

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[SPEAKER_01]: So they have each other now, you know, and that understanding.

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[SPEAKER_01]: But I love how Will and Richie becomes a part of this group with the girls.

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[SPEAKER_01]: And the fact that Will is, I love Will's character.

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[SPEAKER_01]: So he's so sweet kid.

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[SPEAKER_01]: Oh, he's, he's great.

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[SPEAKER_01]: He's a brilliant kid, such a sweet kid.

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[SPEAKER_01]: But I love the fact that

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[SPEAKER_01]: you know, when Richie's like, you know, do you believe what they're saying?

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[SPEAKER_01]: Because Ronnie ends up telling, you know, William, what's going on?

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[SPEAKER_01]: And he's like, I believe it if she believes it.

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[SPEAKER_01]: Like, I believe that she believes that that's what happened, which brings them together to kind of figure out what is going on.

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[SPEAKER_03]: Right.

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[SPEAKER_01]: Yeah.

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[SPEAKER_03]: See, Corey says, do you think the four kids will be the main group for the rest of season?

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[SPEAKER_03]: Now, look, I know that last episode, I said, I think all these kids are going to die.

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[SPEAKER_03]: There's a thing.

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[SPEAKER_03]: Will is the exception, because if we'll die, Mike is not born, right?

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[SPEAKER_03]: That tells me that will is going to be the only survivor out of this thing.

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[SPEAKER_03]: Right.

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[SPEAKER_03]: Veronica's going to die because of the fact that we actually hear her voice in the drain on it chapter one.

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[SPEAKER_03]: So she's gone.

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[SPEAKER_03]: Even the paticate girl I think is going to be dead too.

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[SPEAKER_03]: Yes.

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[SPEAKER_03]: Yes.

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[SPEAKER_03]: So which I'm kind of sharing for.

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[SPEAKER_03]: Yeah.

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[SPEAKER_03]: But you know, I think that the only survivor that you're going to get is will.

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[SPEAKER_03]: And that's it.

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[SPEAKER_03]: And don't all I have to say is don't get attached to these characters because the fact that

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[SPEAKER_03]: You know, these characters are going to be gone because if we didn't have these here's the thing, if they defeated it in the first place, and we wouldn't have the losers club, so think of it like that too, but that's a good question.

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[SPEAKER_03]: I'm glad that you asked me that question go feel free to go ahead and ask us any more questions.

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[SPEAKER_03]: Then we have Clint Bowers.

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[SPEAKER_03]: Okay.

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[SPEAKER_03]: So I made a mistake on episode two thinking that was actually Henry Bowers is dead.

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[SPEAKER_03]: That's his grandfather, which is actually Henry's father, the one in the bar.

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[SPEAKER_03]: That's actually Henry's father.

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[SPEAKER_03]: So I just want to clear that up because I'm oh, I screwed that up, but still it's hard to keep certain timelines in check.

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[SPEAKER_03]: But the fact that he goes over to Veronica's dad in as well, why do we have this person tell us that you were over at the theater at this time, if your wife said that you were at home, and I'm looking at this in you over the shotchink.

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[SPEAKER_03]: And shotchink is also another Easter egg for shotchink redemption is all connected in with this connected tissue of Castle Rock, which is also arted dairy.

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[SPEAKER_03]: But you know, it's just sucks that it has manipulated this police captain so much, yes, that he's willing to put an innocent man in prison, right, because the dark field that's over this person's eyes and it's sad to see this and, you know, and then, you know, Lily still tells her, um,

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[SPEAKER_03]: Tell us about what happened at the grocery store.

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[SPEAKER_03]: So I was good that she actually opened up about that.

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[SPEAKER_03]: So what do you want to go on ahead, talk about the climb powers thing if you want to.

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[SPEAKER_01]: Well, no, what I was wanting to mention was when the Lily brings the rest of the kids to the lighthouse, the club, where they're at, and Richie is kind of wanting to know more about, okay, so tell me about what happened and he kind of opens up about Incuba how they deal with spirits and how they're able to call them and get them together and, you know,

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[SPEAKER_01]: to try to figure out what's going on to help the girls and which leads them to that cemetery, which was I must say another awesome scene and the anxiety of the whole situation, not knowing if one of the kids

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[SPEAKER_01]: aren't going to go.

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[SPEAKER_03]: Yeah, that cemetery seems care the crap on it.

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[SPEAKER_03]: No, because it goes on ahead.

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[SPEAKER_03]: And I like how we actually covers the boogie man in his culture.

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[SPEAKER_03]: Yes.

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[SPEAKER_03]: Yeah, we'll go ahead.

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[SPEAKER_03]: We'll summon this demon and everything out in the cemetery and we'll try and get this and their right idea and their innocence of the child is like, we're going to take pictures.

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[SPEAKER_03]: So we can prove to the parents and everything.

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[SPEAKER_03]: Yes, that this is actually legit.

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[SPEAKER_03]: And then, I'm to find out, Richie doesn't know crap about summoning no demons.

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[SPEAKER_03]: He just does the candles.

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[SPEAKER_03]: And then all of a sudden, crap started going down whenever they started leaving the cemetery.

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[SPEAKER_03]: And I'm listening to this camera angle of, as they're going towards the exit of the cemetery.

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[SPEAKER_03]: It's getting further and further, you know, when I'm saying, oh, yeah.

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[SPEAKER_03]: And then you had the thing of God,

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[SPEAKER_03]: the little statue by working, I'm like, okay, now you know that they're in for, we're in the for a ride right now.

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[SPEAKER_01]: And what it was, it was an awesome ride.

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[SPEAKER_01]: I mean, to see the kids that died at the movie theater, to see the little girl right behind.

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[SPEAKER_01]: It was freaky.

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[SPEAKER_01]: It was scary and you're panicking with the kids because at this point, like you said, John, don't get attached to any character.

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[SPEAKER_01]: So, and, and everyone's mind, it should be who's next.

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[SPEAKER_01]: And who's going to make it out?

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[SPEAKER_01]: And then when you when you realize that will is not with them, I'm like, well, of course, he can't be there.

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[SPEAKER_01]: There's no way right.

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[SPEAKER_00]: How can I tell?

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[SPEAKER_01]: Wow.

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[SPEAKER_01]: So you start thinking, oh my God, he didn't make it because the last thing you saw of him was he saw something and he's gone.

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[SPEAKER_03]: Right, because that's the first thing was like, okay, we'll save.

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[SPEAKER_03]: I don't have to worry about save, about will, we'll save.

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[SPEAKER_03]: Then all of a sudden, you see him get go over to this hill.

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[SPEAKER_03]: And then you see what happens.

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[SPEAKER_03]: And like, okay, and my wrong about this, but I'm not wrong, but still is like, oh my gosh, you're over here in the, and then you also have Veronica in them that are like how they're doing this thing with the camera of one of them drops it,

15:21.727 --> 15:26.011
[SPEAKER_03]: And I love this and they're also taking pictures of it as well.

15:26.251 --> 15:30.976
[SPEAKER_03]: And that's actually something else that it was scared of was the light of the camera right well.

15:31.577 --> 15:38.824
[SPEAKER_03]: So you have a little bit of a weakness with it when it comes down to him taking pictures because he does not want to be found out that he is the one haunting this town.

15:39.404 --> 15:49.354
[SPEAKER_03]: Right, but I felt scared for will, especially when you see afterwards when it retests the camera it's like a flash of light and that's it and then finally.

15:49.334 --> 15:53.424
[SPEAKER_03]: But Veronica and then get towards the end of the cemetery, he's like, where's Will?

15:53.986 --> 15:55.129
[SPEAKER_01]: Right.

15:55.149 --> 15:56.131
[SPEAKER_03]: And I'm like, where is he?

15:56.292 --> 16:00.442
[SPEAKER_03]: And then next thing you know, you see a bike coming down the hill, and then there's the fog.

16:00.502 --> 16:00.863
[SPEAKER_03]: I'm like,

16:01.940 --> 16:06.688
[SPEAKER_03]: I better not be it on a bike or pending to be well when it's not.

16:06.768 --> 16:08.110
[SPEAKER_03]: That was my first instinct.

16:08.551 --> 16:08.911
[SPEAKER_01]: Okay.

16:09.773 --> 16:12.838
[SPEAKER_01]: I was so happy to see him and I'm with you with the camera.

16:13.238 --> 16:14.120
[SPEAKER_01]: The camera thing.

16:14.180 --> 16:16.644
[SPEAKER_01]: I don't know if you were doing it, but I'm talking to the TV.

16:16.984 --> 16:17.766
[SPEAKER_01]: Get the camera.

16:18.086 --> 16:20.711
[SPEAKER_01]: Someone get the camera because they need this camera.

16:20.731 --> 16:23.475
[SPEAKER_01]: And I love how they bring the audience in.

16:23.455 --> 16:26.079
[SPEAKER_01]: You know, you're you're writing that bike with those kids.

16:26.480 --> 16:42.384
[SPEAKER_01]: You're wanting to make sure that camera doesn't get left behind if they get that camera because you want them to get those shots to make and and you're hoping that that it that they caught them on film, but it will come out that it's not just a blank piece of, you know, paper that comes out, that they catch that.

16:42.484 --> 16:48.012
[SPEAKER_01]: So that was just a really intense scene and it's happy to see all the kids get out and

16:47.992 --> 16:56.782
[SPEAKER_01]: The fact that Will is really crushing on Ronnie and them embrace each other because they're all happy that they made it out and we have Richie who's really funny.

16:56.802 --> 17:03.910
[SPEAKER_01]: I think he's a cutest little boy, but I love this group of kids and I hate to find out which one's not going to make it.

17:04.551 --> 17:13.341
[SPEAKER_01]: And then from here we go to the we're back at the military base and you know the majors who was his name the one that has a shine.

17:13.321 --> 17:15.766
[SPEAKER_01]: shows up to, yeah, they call it that.

17:16.187 --> 17:16.809
[SPEAKER_01]: Yeah, him.

17:17.450 --> 17:29.397
[SPEAKER_01]: And the major talking to him when he shows up to his house for dinner and trying to figure out what is it about this man because of the experience that they had up at in the flight when he.

17:29.417 --> 17:33.085
[SPEAKER_03]: Because remember, he was holding this a guard box and then

17:33.065 --> 17:35.570
[SPEAKER_03]: Yeah, he's like, is this like why are you just going to smoke a cigar?

17:35.590 --> 17:36.912
[SPEAKER_03]: It's a gas now right now.

17:36.932 --> 17:40.298
[SPEAKER_03]: He doesn't this is not this is not what you think it is, right?

17:40.318 --> 17:42.482
[SPEAKER_03]: This link shot that Francis had in his hand.

17:42.943 --> 17:43.184
[SPEAKER_03]: Yes.

17:43.645 --> 17:50.978
[SPEAKER_03]: And he's holding on to it and he goes and he starts winging out according to what wheels father is picturing in his head.

17:50.998 --> 17:52.441
[SPEAKER_03]: He goes, look, we got to turn back around.

17:52.481 --> 17:54.685
[SPEAKER_03]: He even tried calling it goes, no.

17:54.665 --> 17:59.290
[SPEAKER_03]: you need to keep going because this is his first experience with Dick.

17:59.370 --> 18:03.694
[SPEAKER_03]: So he doesn't know what Dick is actually capable of.

18:03.934 --> 18:06.277
[SPEAKER_03]: He thinks that there's something wrong, but there isn't.

18:06.757 --> 18:10.861
[SPEAKER_03]: And he goes towards, towards the area that he's talking about and stuff.

18:10.881 --> 18:13.344
[SPEAKER_03]: And then as he's doing this, he's having this vision.

18:13.804 --> 18:14.645
[SPEAKER_03]: Yes.

18:14.665 --> 18:23.254
[SPEAKER_03]: And he finally sees Pennywise's box and Pennywise is also surprised

18:23.892 --> 18:38.931
[SPEAKER_03]: Right, and then it is also I think it's scared because he has the shine because certain ghosts and stuff like that are afraid of people that have the shine right and he just surprised that did someone found them out and so during that time.

18:39.434 --> 18:45.712
[SPEAKER_03]: He's seeing his big grandmother up in the up there and she's like, you need a run.

18:46.073 --> 18:47.537
[SPEAKER_03]: So, it is mine.

18:47.577 --> 18:49.543
[SPEAKER_03]: He's thinking that he's over there where it is.

18:50.084 --> 18:50.325
[SPEAKER_03]: Right.

18:50.345 --> 18:54.878
[SPEAKER_03]: And instead, he's actually opening up the hatch for the airplane.

18:54.942 --> 18:55.263
[SPEAKER_01]: Right.

18:56.045 --> 19:12.225
[SPEAKER_01]: Yeah, that was an awesome scene to see, you know, the eyes of Pennywise and and like you said to her him to be surprised like what are you doing here, you know, like how are you here and seeing all the kids toys fall, you know, the doll house and you know, and you see the stack of just.

19:12.205 --> 19:34.382
[SPEAKER_01]: toys or with a doll's just that that is in that little area where he's you know where he's at where he's imagining that he's somewhere else and think goodness that you know the measure to be able to get him to stop him from actually leaving the plane because he you know he was in a whole nother world but to see that was cool because that's the first time that you really hear Pennywise talk.

19:35.020 --> 19:43.926
[SPEAKER_03]: Yes, and I love how Bill Skarskard brings the character the life and that haunting and missing voice of his.

19:44.448 --> 19:47.376
[SPEAKER_03]: I just watched his audition tape.

19:47.761 --> 19:48.162
[SPEAKER_03]: Really?

19:48.442 --> 19:51.247
[SPEAKER_03]: Today it was in my reels on like, okay, let me check this out.

19:51.628 --> 19:58.179
[SPEAKER_03]: It was him doing the rehearsal for it and it gave me chills when we really took it to yes.

19:58.640 --> 20:00.162
[SPEAKER_01]: I'm going to have to search for that.

20:00.222 --> 20:00.884
[SPEAKER_01]: I want to see that.

20:01.144 --> 20:02.026
[SPEAKER_03]: It's it's really great.

20:02.046 --> 20:03.608
[SPEAKER_03]: If I can find it again, I'll send it to you.

20:03.869 --> 20:04.370
[SPEAKER_03]: Okay.

20:04.390 --> 20:05.251
[SPEAKER_00]: All right.

20:05.271 --> 20:06.934
[SPEAKER_03]: But also to.

20:07.758 --> 20:20.600
[SPEAKER_03]: I like also after this happens, you can get some vided over to the heart on to Will's dad's house yes and goes I don't want you to be fucking with me on my head And I like how chillies.

20:21.221 --> 20:22.764
[SPEAKER_03]: Yeah, like how dick is outside.

20:22.784 --> 20:25.108
[SPEAKER_03]: He's over there's smoking a cigarette.

20:25.763 --> 20:43.405
[SPEAKER_03]: Let me think that I'm going to fuck with you because because at that moment that's when he when will dad actually made him because remember he was actually one of the guys that was ending around while he was getting jumped during this old higher exercise to see if yes.

20:43.725 --> 20:46.168
[SPEAKER_03]: Will's father was able to

20:46.148 --> 20:49.513
[SPEAKER_03]: to be able to handle the position and the military and stuff.

20:49.673 --> 20:50.214
[SPEAKER_03]: Right.

20:50.234 --> 20:53.138
[SPEAKER_03]: And the job that the other major and stuff wants them to do.

20:54.039 --> 20:54.160
[SPEAKER_03]: Right.

20:54.180 --> 21:00.489
[SPEAKER_03]: And, you know, he's like, look, you were calm, you were level-headed, you were analyzing.

21:00.669 --> 21:02.371
[SPEAKER_03]: There was nothing really in your head.

21:02.932 --> 21:03.133
[SPEAKER_00]: Right.

21:03.153 --> 21:09.642
[SPEAKER_03]: Because in the way you handled things today, I want you on my, I want you to have my six.

21:09.622 --> 21:10.063
[SPEAKER_01]: Right.

21:10.764 --> 21:11.004
[SPEAKER_01]: Right.

21:11.064 --> 21:11.325
[SPEAKER_01]: Yeah.

21:12.006 --> 21:12.206
[SPEAKER_01]: Yeah.

21:12.226 --> 21:22.905
[SPEAKER_01]: That was a good scene because I was waiting for them to get together because you know, they've always, when they're around each other, they always had it that look, you know, they would always just kind of looking kind of, you know, trying to figure each other out.

21:23.365 --> 21:29.115
[SPEAKER_01]: So it's happy that he showed up for dinner and he knows, you know, like he knows that he was there.

21:29.095 --> 21:39.975
[SPEAKER_01]: And then, you know, when we go back to Rose and when, you know, Francis shows up at Rose's store and because, you know, there's this whole thing about the whole the digging.

21:40.436 --> 21:50.495
[SPEAKER_01]: So it's native land and it's burial land and, you know, they don't want that burial land to be touched because of all the digging that they're doing out there.

21:51.096 --> 21:51.998
[SPEAKER_01]: So,

21:51.978 --> 21:53.159
[SPEAKER_01]: for him to show up.

21:53.260 --> 21:57.244
[SPEAKER_01]: And the fact that he said that he didn't remember much about dairy.

21:57.344 --> 22:00.608
[SPEAKER_01]: Like, yeah, when you leave dairy, you don't remember much.

22:00.668 --> 22:02.510
[SPEAKER_01]: What do you think about that?

22:03.091 --> 22:03.572
[SPEAKER_03]: Okay.

22:03.592 --> 22:06.255
[SPEAKER_03]: So I know a lot about this aspect of it.

22:06.675 --> 22:13.784
[SPEAKER_03]: So basically, if you lived in dairy long enough, you would actually remember stuff that happened around those.

22:13.824 --> 22:20.972
[SPEAKER_03]: Because it's like a poison.

22:21.357 --> 22:48.107
[SPEAKER_03]: It's like it's all blocked out, but once you get back in that town, it comes into like a rock, okay, well, like it's, I want to say it's like a cloud right where it's like a fog in your head, whenever you leave where you don't even remember what happened, okay, block it off and then once you come into that town, you start remembering stuff from your childhood from those events of it, so it is like the poison of this town, okay.

22:49.285 --> 22:57.920
[SPEAKER_03]: But I do want to piggyback off of you on what you said, though, about Rose and her nephew sitting inside that conference room.

22:58.381 --> 23:02.709
[SPEAKER_03]: And if you know about it, it's like, should we do something by those?

23:02.729 --> 23:04.672
[SPEAKER_03]: Because no, we just nearly this long right now.

23:04.712 --> 23:07.337
[SPEAKER_03]: And let's see what happens.

23:07.357 --> 23:12.105
[SPEAKER_03]: And then you wind up seeing the current, you see, Francis coming into our antique store.

23:13.047 --> 23:13.167
[UNKNOWN]: Right.

23:13.552 --> 23:17.942
[SPEAKER_03]: And he tells her half a half a truth, right?

23:19.045 --> 23:19.165
[SPEAKER_03]: Right.

23:19.185 --> 23:19.346
[SPEAKER_02]: Yeah.

23:19.366 --> 23:23.756
[SPEAKER_03]: His number, he's like, because she's like conscious about it.

23:23.776 --> 23:25.761
[SPEAKER_03]: She goes, well, I'm just trying to look for something.

23:25.781 --> 23:28.047
[SPEAKER_03]: I forgot what the words was that he says.

23:28.708 --> 23:29.951
[SPEAKER_03]: But he tells her like a half truth.

23:29.971 --> 23:32.016
[SPEAKER_03]: He goes, I'm not trying to,

23:33.059 --> 23:34.901
[SPEAKER_03]: bring in a weapon or something like that.

23:34.941 --> 23:36.263
[SPEAKER_01]: It's like a water line.

23:36.323 --> 23:39.266
[SPEAKER_01]: He says they're doing some water pipes or something like that.

23:39.327 --> 23:39.687
[SPEAKER_01]: Yeah.

23:40.067 --> 23:42.070
[SPEAKER_03]: Can you tell me the areas where not to go?

23:42.090 --> 23:43.371
[SPEAKER_03]: That's what he does.

23:44.673 --> 23:53.263
[SPEAKER_03]: And so therefore with her telling him that he's going go, he's going to go in those locations that he's not supposed to go in, right?

23:53.283 --> 23:54.004
[SPEAKER_03]: It's fine to it.

23:54.405 --> 23:55.506
[SPEAKER_03]: And I believe.

23:56.009 --> 23:56.691
[SPEAKER_03]: I believe this.

23:57.012 --> 24:07.909
[SPEAKER_03]: I don't think he's trying to find it to actually destroy another army but me speculating I'm thinking he's going in there to to basically take it down.

24:08.564 --> 24:17.213
[SPEAKER_03]: You think so, I don't know, because I don't know, because things like this, it messed with him as a child and it's messed him up.

24:17.834 --> 24:18.074
[SPEAKER_00]: Sure.

24:18.114 --> 24:36.394
[SPEAKER_03]: I was thinking maybe that was his way of actually trying to, you know, it'd be face to face with this thing, but at the same time, though, it could be a weapon because I could definitely see how the military would want to have this as a weapon to use fear of the enemies with this with this.

24:37.049 --> 24:41.939
[SPEAKER_01]: Yeah, and I thought that's what I mean, I believe that's what he's doing.

24:41.979 --> 24:48.433
[SPEAKER_01]: I believe he's, you know, that's going to be used as a weapon, you know, and that's what he wants to get it for, you know, is a weapon.

24:48.473 --> 24:51.680
[SPEAKER_01]: And even if he doesn't want to, it will be out of his hands.

24:51.760 --> 24:52.662
[SPEAKER_01]: I mean,

24:52.642 --> 24:54.184
[SPEAKER_01]: You know, they would want to.

24:54.244 --> 25:03.558
[SPEAKER_01]: His superior's would want to, you know, use it as a weapon because you've got a lot of people that's in on this that that is looking for it to use for a weapon.

25:03.618 --> 25:22.446
[SPEAKER_01]: So we'll see, but that makes sense too because of what happened to him when he was a kid, you know, it could be to get rid of him so that it doesn't hurt anyone else right.

25:22.510 --> 25:22.890
[SPEAKER_03]: Right.

25:23.031 --> 25:24.912
[SPEAKER_03]: But now we're also too.

25:24.992 --> 25:33.160
[SPEAKER_03]: I like how basically you have Dick and you also have the heroic talking on the porch still and it goes, where's your son will?

25:34.041 --> 25:35.262
[SPEAKER_03]: Because what are you talking about?

25:36.083 --> 25:37.525
[SPEAKER_03]: I didn't say anything.

25:37.545 --> 25:39.286
[SPEAKER_03]: And he goes, I didn't tell you anything.

25:39.306 --> 25:42.409
[SPEAKER_03]: Oh, just oh, your wife must have mentioned him.

25:42.950 --> 25:47.314
[SPEAKER_03]: So that's when that whole entire thing comes up, but I don't fuck with me and stuff like that.

25:47.434 --> 25:50.357
[SPEAKER_03]: But I was interested in how they play on that.

25:50.557 --> 26:01.306
[SPEAKER_03]: Um, but I do like how they bring everything on 4th, um, 4th shot and we everything that we've seen in the very beginning and bringing into the forefront with Francis so it ties in.

26:01.346 --> 26:05.578
[SPEAKER_03]: Um, then we also have them.

26:05.558 --> 26:08.022
[SPEAKER_03]: After all this that happened to the cemetery, right?

26:08.462 --> 26:13.550
[SPEAKER_03]: I would not want to be going to the school on the same mind this shit went down.

26:13.750 --> 26:14.391
[SPEAKER_03]: I am sorry.

26:14.491 --> 26:15.453
[SPEAKER_03]: I'm going to bed.

26:15.974 --> 26:17.075
[SPEAKER_03]: Yeah.

26:17.095 --> 26:18.137
[SPEAKER_03]: I'll see you in the morning.

26:18.177 --> 26:19.399
[SPEAKER_03]: We'll develop the pictures.

26:19.820 --> 26:21.602
[SPEAKER_03]: We'll sneak off and we'll figure this thing out.

26:21.762 --> 26:31.397
[SPEAKER_03]: But I'm not going to the school, especially when you're dealing with a black light, you know,

26:31.529 --> 26:33.860
[SPEAKER_03]: Pennywise will fuck with you, in pictures.

26:34.663 --> 26:34.965
[SPEAKER_01]: Yes.

26:35.286 --> 26:37.195
[SPEAKER_03]: I thought for those pictures we wouldn't have come to life.

26:37.798 --> 26:38.019
[SPEAKER_01]: Yes.

26:38.039 --> 26:40.932
[SPEAKER_03]: I don't know them did, but I thought for sure that we're gonna do that.

26:41.300 --> 26:46.845
[SPEAKER_01]: Yeah, I, you know, when they went and broke into the school, it's like they're on a mission, you know what I mean?

26:46.905 --> 26:50.088
[SPEAKER_01]: They got the film, they're on a mission, you know?

26:50.228 --> 26:54.632
[SPEAKER_01]: And I was too, because I wanted that happen, that happened right then and there.

26:55.092 --> 26:58.936
[SPEAKER_01]: And I was so anxious to see, did they get the shots, did the pictures come out?

26:59.416 --> 27:10.446
[SPEAKER_01]: And when you see the picture of the little girl, the brothers little sister, you see her, and then the last picture that they're looking at,

27:10.426 --> 27:18.006
[SPEAKER_01]: What is that and the the faces that they make and in one of them say it looks like a clown and it's like

27:19.454 --> 27:21.897
[SPEAKER_01]: I want to see another episode now.

27:22.478 --> 27:24.280
[SPEAKER_03]: I don't want to make a leak.

27:24.300 --> 27:35.392
[SPEAKER_03]: I mean, if I, one of my friends messaged me because he's also watching the series too, he goes, do you think that the, the adults will actually see what they took?

27:35.913 --> 27:44.483
[SPEAKER_03]: And I said, it would be funny if it was just selfies of them being handicapped and scared in the cemetery and there's no pictures of it.

27:44.463 --> 27:48.467
[SPEAKER_03]: The only one that I could say that would actually believe them is Francis.

27:48.747 --> 27:56.275
[SPEAKER_03]: I think Francis will be the one to be able to see the pictures because of the fact of his past haunting him and him looking for it, right?

27:56.856 --> 27:58.237
[SPEAKER_03]: That would be the only way.

27:58.718 --> 28:07.667
[SPEAKER_01]: That's a really good question because I'm wondering too that will anyone else be able to see it other than those that have already encountered it?

28:08.488 --> 28:10.650
[SPEAKER_01]: You know, will the parents be able to see it?

28:10.690 --> 28:13.373
[SPEAKER_01]: Will it be just the faces of the kids being scared?

28:13.673 --> 28:16.577
[SPEAKER_01]: I think that's what's going to happen and I believe you.

28:16.637 --> 28:19.381
[SPEAKER_03]: I agree with you, John, I think that's what's going to happen.

28:19.401 --> 28:21.024
[SPEAKER_03]: It's like, okay, we got pictures.

28:21.044 --> 28:26.332
[SPEAKER_03]: We're going to show the cops and then the cops, then you have a plan who's over there, like, what the fuck is this?

28:26.752 --> 28:27.033
[SPEAKER_03]: Yes.

28:27.894 --> 28:34.163
[SPEAKER_03]: And then the only way to actually bring it to the forefront is the military data for Francis to look.

28:34.143 --> 28:41.153
[SPEAKER_03]: But how do you think the only way to do that is if will gives over to gives the pitchers over to his father, leave.

28:41.373 --> 28:45.378
[SPEAKER_03]: Yes, yeah, look, I found something that's really spooky in the cemetery.

28:45.418 --> 28:47.201
[SPEAKER_03]: I think you need to check it out or something.

28:47.762 --> 28:52.128
[SPEAKER_03]: You know, let's see here, Preston one, one, two, zero says I wish.

28:54.130 --> 29:03.323
[SPEAKER_03]: I wish that wasn't a start of any wise series because I was really wanting them to make spin offs of the kids that died that would have been good and interesting.

29:03.303 --> 29:16.363
[SPEAKER_03]: You see, for me, they had this other series called Castle Rock that I was wanting them to make an anthology series around Castle Rock and had it being in Castle Rock and doing it that way.

29:17.144 --> 29:24.535
[SPEAKER_03]: I like the way they're doing this because it can interconnect everything and even with the novel itself.

29:24.515 --> 29:36.578
[SPEAKER_03]: to where, where, and that's said into these new characters that we never even thought that we would actually be invested in in the first place and we actually care about them were actually have that emotional attachment of these characters.

29:37.500 --> 29:43.992
[SPEAKER_03]: He also says because They gave us them I was thinking it could have been a lot of way.

29:45.203 --> 29:57.897
[SPEAKER_03]: You see, I'm happy that it's not going to be a bunch of spin-offs because of the fact that we are going to get several different series within the timeline of the area of this town, because of the town history.

29:58.498 --> 30:00.299
[SPEAKER_03]: Therefore, you don't need to have spin-offs.

30:00.319 --> 30:12.713
[SPEAKER_03]: You can just tell a story with the history and make that that more interesting to me.

30:12.693 --> 30:15.837
[SPEAKER_03]: So that's just my opinion though, but I'm glad that you thought of that.

30:16.739 --> 30:18.481
[SPEAKER_01]: Yeah, absolutely.

30:18.541 --> 30:19.042
[SPEAKER_01]: I'm with you.

30:19.062 --> 30:22.086
[SPEAKER_01]: I think the history of the town with this been off.

30:22.106 --> 30:25.430
[SPEAKER_01]: There's so much so much that's happened in this town.

30:25.491 --> 30:29.917
[SPEAKER_01]: You can go on and on and continue to tell the story and go back in time.

30:29.997 --> 30:30.938
[SPEAKER_01]: So that's yeah.

30:31.745 --> 30:35.735
[SPEAKER_03]: Yeah, so, you know, I think that this was a good episode.

30:35.776 --> 30:41.992
[SPEAKER_03]: I was on the edge of my seat with the kids, especially with Dick up on the airplane, though, too in the aircraft.

30:42.072 --> 30:45.501
[SPEAKER_03]: I'm like, oh God, because Ed is actually strolling with Dick.

30:45.970 --> 30:47.192
[SPEAKER_03]: back up to.

30:47.913 --> 30:53.159
[SPEAKER_03]: But I think that this interconnects it and it enhances the experience of everything that we know.

30:53.200 --> 30:57.505
[SPEAKER_03]: And, you know, I'm actually like I said, I've, I'm manufactured.

30:57.525 --> 30:58.466
[SPEAKER_03]: I'm still editing.

30:58.527 --> 31:03.874
[SPEAKER_03]: I'm still recording my stuff of the history of it and stuff like that of dairy.

31:04.655 --> 31:07.118
[SPEAKER_03]: So it's going to be a five part series on YouTube.

31:07.839 --> 31:12.445
[SPEAKER_03]: So I'm going to be doing a five part series of the timelines, the history and stuff.

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[SPEAKER_00]: Right.

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[SPEAKER_03]: Uh, let's see, person says, and I will say I'm mad that they made it where the kids just sat there and the theater and didn't run off until the baby jumped on one of them because they could have at least had their sister or Susie and what else, um, Please like and so.

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[SPEAKER_03]: Yeah, please like and subscribe, person.

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[SPEAKER_03]: But yeah, Teddy, with or something to show us as the audience, they could have been leave due to the poor being the door being locked.

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[SPEAKER_03]: So we could have understood.

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[SPEAKER_03]: For me, I understood because of the fact that, you know, they're so haunted by the fact that they

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[SPEAKER_00]: Right.

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[SPEAKER_03]: And therefore, they're interacting with the screen in the shock of them seeing this for their friend.

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[SPEAKER_03]: And so they're inviting them to come out of the screen.

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[SPEAKER_03]: And they see him coming towards them.

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[SPEAKER_03]: So there's a shock at this moment.

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[SPEAKER_03]: They're not thinking about what could happen.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: Get out of here.

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[SPEAKER_03]: Because even Veronica didn't know that all those people were going to die.

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[SPEAKER_03]: Right.

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[SPEAKER_03]: It's like that these are kids.

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[SPEAKER_03]: These are in these are innocence of the kids.

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[SPEAKER_03]: We're thinking as adults, though.

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[SPEAKER_03]: Right.

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[SPEAKER_03]: Well, just because as an adult, we would actually do that as kids seeing their friend who's the same age as them.

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[SPEAKER_03]: We're not thinking about, oh, this is creepy as fuck.

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[SPEAKER_03]: I need to go on ahead and get my friends out of here.

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[SPEAKER_03]: No, I see my best friend on on the screen.

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[SPEAKER_03]: I need to go on ahead and tell them to come out of the screen.

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[SPEAKER_03]: So we can bring them home because we need it.

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[SPEAKER_03]: Right.

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[UNKNOWN]: But.

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[SPEAKER_03]: You know, it's just a whole shock of the fact that they seen their friend and also to once they start the baby starts coming out of the screen, that's when they started panicking.

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[SPEAKER_03]: They're not being clearly or anything.

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[SPEAKER_03]: It's dark as a dark movie theater.

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[SPEAKER_03]: They don't know their surroundings that well probably or anything like that either because of that it's being dark.

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[SPEAKER_03]: And there's also nobody around other than Veronica who's doing the projectors who's also doing the projector room.

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[SPEAKER_03]: So that's just my logic and everything, but I do understand what you're saying.

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[SPEAKER_03]: It's just that for me, as it has maybe a 10 year old or 11 year old kid, and stuff in that innocence of the child, trying to say anything about, right?

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[SPEAKER_01]: Yeah, trying to save Maddie, especially when Maddie's coming towards them.

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[SPEAKER_01]: And so to them, he can hear us, he's walking towards us, he can hear us.

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[SPEAKER_01]: He sees us, you know, we've got to save Maddie, we've got to get Maddie out of that, you know, out of that screen, you know.

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[SPEAKER_01]: So they're thinking they're going to be able to save him, not realizing because our kids that this is going to go left.

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[SPEAKER_01]: Right.

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[SPEAKER_03]: And another, another thing to is, I love what they're going with it.

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[SPEAKER_03]: And why didn't they show fill in Maddie's death?

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[SPEAKER_03]: That's on the cereal box.

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[SPEAKER_03]: It didn't show their, did skeleton bodies like everyone else's in giving us a hint at something in the future.

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[SPEAKER_03]: Lots of people are talking on that.

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[SPEAKER_03]: So here's a thing.

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[SPEAKER_03]: Maddie's deaths and on the cereal box, it didn't show their deaths skeleton.

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[SPEAKER_03]: Okay, it uses a way to manipulate people and manipulate the kids.

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[SPEAKER_03]: So if they saw their their friend uh, as a skeleton, they wouldn't try to embrace him as their own friend.

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[SPEAKER_03]: Instead, they would be creeped out and wanted to run but because they didn't, somebody said they know and flesh and blood

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[SPEAKER_03]: it makes it all that much more easier because of the fact that the innocence of a child is the whole entire innocence of a child.

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[SPEAKER_03]: People are, but giving us a hand at something for the future of lots of people are talking about.

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[SPEAKER_03]: Okay, and the cereal box that didn't show their dad's skill.

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[SPEAKER_03]: Like I said, they're not gonna show that because of the fact it is trying to manipulate these kids into thinking that

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[SPEAKER_03]: that they're alive and because of their they think that they're alive, they're going to try to interact with this dead person because all they know right now that there's no dead body right they don't because they don't know Teddy's dead, they thought he was just missing, they don't have no idea what their face against because now it's like a mystery they're trying to unfold now because

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[SPEAKER_03]: But let me think, but yeah, I'm actually excited for this.

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[SPEAKER_03]: I think that everything with this episode is good.

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[SPEAKER_03]: I know, but they showed everyone else's debts up close in the movies and everyone else's dead bodies at the cereal boxes, but fills and maddies.

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[SPEAKER_03]: once I look, I can keep on saying it over and over again, but that's just my perspective.

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[SPEAKER_03]: I understand your frustrations, but that's the way I'm looking at it.

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[SPEAKER_03]: Maybe on the podcast that they have for the HBO thing, maybe they might actually brought that out.

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[SPEAKER_03]: Instead, I said those things, so maybe you might want to go ahead and check out their podcast.

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[SPEAKER_03]: But as far as me and what makes sense for the show, that's where I'm going with as far as that goes as a viewer.

36:22.344 --> 36:25.928
[SPEAKER_03]: Because I don't listen to the podcast afterwards or anything like that.

36:25.948 --> 36:31.894
[SPEAKER_03]: I've do watch the feature read, but I don't invest into the podcast or anything like that either.

36:31.874 --> 36:38.927
[SPEAKER_03]: Because I don't want to go off of my own thoughts versus hearing or hearing like who are behind the scenes and stuff like that.

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[SPEAKER_03]: No offense to anybody that likes it.

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[SPEAKER_03]: This is for me as a podcast for myself.

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[SPEAKER_03]: I rather have my own thoughts and intuition on what I think.

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[SPEAKER_01]: So, although a good episode, I can't wait for the next episode, was really good.

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[SPEAKER_01]: I loved the slingshot for me that was something that I wasn't, I didn't know really remember about, so I love how they broke that down and let us know that there's ways things that it doesn't like, you know, the slingshot, the flashing of the camera.

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[SPEAKER_01]: So this was just great.

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[SPEAKER_01]: I'm excited to see what happens like we said we'll other people be able to see those pictures other than the kids

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[SPEAKER_03]: I don't, and I'm, you know, you're not going to say that.

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[SPEAKER_03]: Yeah, I don't agree.

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[SPEAKER_03]: There's that mystery element of like, what are the, what are the, uh, the adults are going to see, brand.

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[SPEAKER_03]: I was just going to fold into the next episodes of stuff.

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[SPEAKER_03]: Yeah.

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[SPEAKER_03]: And I'd love the tension that is bringing and stuff.

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[SPEAKER_03]: And I think this is a great episode.

37:40.442 --> 37:44.888
[SPEAKER_03]: Also, too, any mushy yet, any himself, the director of it was actually in this episode.

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[SPEAKER_01]: Oh, was he?

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[SPEAKER_03]: Yeah, he was the piano guy at the, the free show.

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[SPEAKER_01]: Oh, okay.

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[SPEAKER_01]: Okay.

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[SPEAKER_01]: Did not know that.

37:53.026 --> 38:00.976
[SPEAKER_03]: And the van held in rubbing alcohol, Lily brings running a bottle of rubbing alcohol for the nurses' office to help get the locker pain off hands.

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[SPEAKER_03]: There's a specific insert shot of the bottle revealing that then held in branded.

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[SPEAKER_03]: Within this very serious, Daniel van held in is an eight year old girl who disappeared in May 1961, which can't be coincidence, right?

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[SPEAKER_03]: Because it's also the name of the show's art director without the sir name spacing.

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[SPEAKER_03]: So that's just a little fall easter egg and then Dick Holleron shines shows him the dead lights in Pennywise wagon.

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[SPEAKER_03]: And that's and then Dick sees his grandmother rose.

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[SPEAKER_03]: Let's see pop culture hands about alien threat similar stuff.

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[SPEAKER_03]: I movie posters and I popped up on the show the posters 1954 killer.

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[SPEAKER_03]: So great episode.

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[SPEAKER_03]: I hope that you guys enjoyed our after show.

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[SPEAKER_03]: Please like and subscribe and all that good stuff here.

38:59.494 --> 39:01.098
[SPEAKER_03]: We have plenty of stuff like I said.

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[SPEAKER_03]: I'm going to be doing a five part series of this and I already have everything together on my notes together.

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[SPEAKER_03]: I'm in effect I did two takes last night.

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[SPEAKER_03]: So I'm just trying to figure out which one I like better before I actually edit and put that on there.

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[SPEAKER_03]: Yeah, guys, please go ahead, check it out.

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[SPEAKER_03]: Rossi, do you have any announcements or anything like that you want to talk about?

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[SPEAKER_01]: No, not at all.

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[SPEAKER_01]: Go to Rossi's Clubhouse and check out some of the interviews that I've done.

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[SPEAKER_01]: I have a chef, Elliott from Portland, Oregon.

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[SPEAKER_01]: celebrity chef coming on and I have Joshua Flores who has a really awesome movie called Bliss and he should be coming on Rossi's he actually he'll be on movie lovers unite coming up this Wednesday so hope to see this okay well guys that's going to be it as first this goes please like subscribe thank you Joey thank you Preston thank you thank you thank you

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[SPEAKER_03]: We're going to be out guys.

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[SPEAKER_03]: Thank you again.

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[SPEAKER_03]: We can't thank you.