IT: Welcome to Derry Episode 2 Review — “The Thing in the Dark” | Fear, Trauma & Pennywise’s Legacy

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[SPEAKER_02]: Yeah, hello movie love some of them to show so today I have my good friend Rossy with me He's gonna be talking about Harry open the dairy So let's go ahead.

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[SPEAKER_02]: Let's talk about this.

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[SPEAKER_02]: I'm excited to have my good friend and co-host with me tonight Talk about this get got about some stuff coming big guys think on the live chat and let's go on ahead Let's do this guys

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[SPEAKER_01]: I'm doing good, what's up you guys?

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[SPEAKER_02]: And, you know, this is our second episode.

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[SPEAKER_02]: It's called this thing in the dark.

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[SPEAKER_02]: And, you know, there's a lot of stuff within dairy itself that is very area creepy.

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[SPEAKER_02]: I wanted to start off by talking about the two cops that are watching Veronica's house, right?

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[SPEAKER_02]: Because I think there's a lot in me there to be able to talk about, right?

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[SPEAKER_02]: Because of the fact that, remember, they said that there was no blood that they didn't find any blood inside the movie theater.

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[SPEAKER_02]: And then you can tell it is manipulating the adults because they're not able to see the blood just as Veronica and everybody else is able to right you have Mike's dad arrives.

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[SPEAKER_02]: And that's the little kid.

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[SPEAKER_02]: That's the Mike's dad is actually the little kid want to the major.

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[SPEAKER_02]: Yes.

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[SPEAKER_02]: That's going to end.

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[SPEAKER_02]: So you have that.

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[SPEAKER_02]: You have Will Hayland.

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[SPEAKER_02]: That's who, you know, arrives late for class.

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[SPEAKER_02]: Major Hayland day found the person responsible of breaking into his room.

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[SPEAKER_01]: So what do you think about this opening scene?

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[SPEAKER_01]: The fact that you see how gruesome the kids were were killed, but they can't find any blood, but when Lily walks out of that theater, the blood's all over her, and the fact that Ronnie knows and Lily knows, and the cops are trying to pin it on Ronnie's dad because he owns at the

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[SPEAKER_01]: The opening scene, it was really good couldn't wait to get to for them to go further into it because I wanted to see Ronnie and Lily and them get together and talk about what's going on because remember Lily said something to the cops that Ronnie feels is the reason why her dad's being being arrested.

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[SPEAKER_01]: It's why I remember the reason why they're after her dad.

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[SPEAKER_02]: Yeah, because if you remember, she's like, well, what did you say to my, uh, say about my dad and everything exactly right, like did you say anything, what did you tell them?

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[SPEAKER_02]: Because I didn't say anything.

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[SPEAKER_02]: I always said was your dad wasn't there.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: And that was it.

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[SPEAKER_02]: You're in the, so pretty much, she just tells her, hey, you're in the clay, you don't know where about child services coming to get you or anything.

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[SPEAKER_01]: Yeah, but Ronnie's like, you didn't tell him what happened though, like you're not telling them the whole story.

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[SPEAKER_01]: And if we remember Lily just got out of, you know, the the mental hospital.

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[SPEAKER_01]: And so she doesn't want to go back.

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[SPEAKER_01]: So she's kind of afraid as I understand for her to go into detail of what happened there.

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[SPEAKER_01]: She just let them know, you know, Ronnie's dad wasn't there.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: And I can completely understand why you would not want to say, hey, look, these kids got put shirt inside the movie there is a blood all over don't you see the blood on me.

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[SPEAKER_02]: And of course, there's no way right.

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[SPEAKER_02]: I'm going to end up calling up the mental institution again being institutionalized.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: And so I don't blame the girl for not wanting to talk about it.

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[SPEAKER_01]: Yeah, and I'm so sorry for Ronnie.

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[SPEAKER_01]: I feel so sorry for her because it depends on Lily.

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[SPEAKER_01]: Kind of telling them everything that's going on and I mean, and I get where she's coming from because that's her dad, they both know her dad wasn't there.

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[SPEAKER_01]: They both know what happened.

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[SPEAKER_01]: Ronnie doesn't really care after Lily explains to her, I can't go back to Juniper.

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[SPEAKER_01]: I don't want to go back so I can't, I can't tell them the whole thing.

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[SPEAKER_01]: I just let them know that you're that's not there and to her it's like that just saw everything because to a child's mind.

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[SPEAKER_01]: I told the truth.

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[SPEAKER_01]: He wasn't there.

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[SPEAKER_02]: I just couldn't go into the other things right exactly and I don't blame her I mean she's

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[SPEAKER_02]: Like here's the thing, you already know it is already manipulating this whole entire thing, yes, because only the kids are able to see the things that they're seeing, right, and so it's like, okay, well, I have to do this in order for me to be able to look like I'm seeing even though I know what I saw, and I just felt bad for the both of them because they're in this situation together, it's like, hey, either one of them are wrong or right, this is the circumstances that standing around it.

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[SPEAKER_02]: You know, of this darkness that won't leave them alone, and nobody can see this darkness.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: And then you're looking at the fact of the time, you know, in history that this is happening, you know, you know, already that, you know, when Ronnie hears her grandmother and her dad talking about

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[SPEAKER_01]: this incident and how they're going to dad's like I know they're going to come and get me because you know two little white kids were or three white kids were totally demolished in this movie theater or disappeared and you know after movie theater and it's his movie theater and it's kind of like you know the black guy you know they're going to come from they're going to get them because he was supposedly there when when he wasn't there

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[SPEAKER_02]: Exactly, so in also to the grandma's like you see you filled with her head with all this stuff It moves and things like that that you're making her forget about who she is.

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[SPEAKER_02]: I'm the color of her skin Yeah, the point where she's forgetting about everything.

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[SPEAKER_02]: He has looked.

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[SPEAKER_02]: It's not about that.

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[SPEAKER_02]: It's but it's gapism.

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[SPEAKER_02]: It's about trying to get get away from all this as a round her But and just go to a movie and forget about everything that's going on, but and so they weren't and she goes like she's going to be going back to school

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[SPEAKER_02]: So everything's fine.

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[SPEAKER_02]: So you have that happening.

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[SPEAKER_02]: And it's also dealing with racism.

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[SPEAKER_02]: Well, you're also dealing with racism over there with the children.

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[SPEAKER_02]: Plus, we had made our Hayland Hayland who was also dealing with racism after what happened to him.

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[SPEAKER_02]: And he got jumped and then come to find out that his sergeant was the one who was trying to test him to see how his memory was, because remember, he said,

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[SPEAKER_02]: Well, I wanted to test your skills because of the fact that in your medical history, I said that your memory wasn't so good or anything like that.

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[SPEAKER_02]: And I wanted to test and see how you memory was.

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[SPEAKER_02]: And he was able to recognize the gun.

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[SPEAKER_02]: That would have pissed me off.

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[SPEAKER_02]: And I don't blame anyone for being pissed off about that.

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[SPEAKER_01]: You know, it's funny because when I first watched that scene last the last episode, I remember thinking when the guys come in and the gas mask, I remember thinking to myself, is it a setup to see if he would give away secrets?

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[SPEAKER_01]: how trustworthy is he?

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[SPEAKER_01]: So I kind of felt that maybe it was a setup just to test his loyalty to seeing you know.

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[SPEAKER_01]: Yeah, and then finding out that, yeah, that's what they did.

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[SPEAKER_01]: But the fact that you beat him, you heard him in the process of making sure that he's the one that you can go and take to the secret site to share this information that they have on what's going on in that town and the burials that's been going on.

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[SPEAKER_01]: Yeah, I was with the major, you know, how dare you set me up, how dare you, you do that to me.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: And even the major is like, hey, look, I was supposed to go down that way.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: That's why everything happened the way it happened.

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[SPEAKER_02]: I'm sorry.

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[SPEAKER_02]: And he was, remember, a healing even went over to the matters, matters.

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[SPEAKER_02]: And he said the person who was able to

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[SPEAKER_02]: Let me, and then I like how we get some pissed off in the to where he's trying to load the gun and he can't do it, right, so he's also doing reverse psychology on him, because it's the major's also doing the same thing, but it's also to clear our innocent person's name.

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[SPEAKER_02]: Yeah, and that's something that I like about, yeah, this guy's like asshole, but at the end of the day, though,

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[SPEAKER_02]: It's like this because it's a douchebag doesn't give him a right to send, send somebody often sends him for something that he didn't do.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: And I love that about the major because, you know, in that scene, you see the integrity that he has, you know, no matter.

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[SPEAKER_01]: how racist you are, you know, what you've said or or knowing that you don't want me here or like me as your superior because I'm black, I'm still not going to do that to you.

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[SPEAKER_01]: I'm not going to have you take the fall for something that I know now for for sure that you do not do.

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[SPEAKER_01]: So I love that because you you really get the sense of integrity that that the major has and what kind of man he is.

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[SPEAKER_02]: Exactly.

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[SPEAKER_02]: Yeah, and also to a likes name will coming out of the car and and also Halen just showing the family man that he is.

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[SPEAKER_02]: Yeah, and stuff and the love that he has first son and his wife.

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[SPEAKER_02]: So I like the family man aspect of that and then you have Veronica now she's having nightmares of her drop and this scene blue mind mind.

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[SPEAKER_02]: And so if we go into the scene, it looks like she's underwater, right, she's drowning.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: Then you see the covers go over her and this water is still coming in, and then come to find out, he's having a nightmare about her mother, giving birth to her.

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[SPEAKER_02]: And then, you know, it's just gruesome on the way this happened and her mother blaming

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[SPEAKER_02]: killing her turn in birth because of how bad and bad it was.

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[SPEAKER_00]: Yeah.

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[SPEAKER_02]: And then it is actually using her.

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[SPEAKER_02]: Here's the mother's a vessel to do this, right?

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[SPEAKER_02]: And the way that it just bits her out.

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[SPEAKER_02]: This lies her out.

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[SPEAKER_02]: I'm like, oh, that is gruesome.

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[SPEAKER_01]: Dude, go ahead, go ahead.

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[SPEAKER_01]: No, no, no, go ahead.

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[SPEAKER_01]: Okay, sorry.

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[SPEAKER_01]: Guys, you know John and I geek out over this stuff.

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[SPEAKER_01]: That scene, John, was an amazing scene for someone that is a fan of horror.

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[SPEAKER_01]: And...

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[SPEAKER_01]: you know, the graphics and just to make up that's done, that scene was absolutely frightening but amazing when you realize it's her being, you know, the mom giving birth to her, like John said, spitting her out and she's laying there and you know at first you're like, you don't know like I didn't

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[SPEAKER_01]: Catch it at first, but do the way that they made her look.

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[SPEAKER_01]: I'm talking about the mother, the scaringness of being trapped in that room.

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[SPEAKER_01]: You think that she's going to go away and she's still there and in the mother's voice changes and the looks that she has and just how she's just up on that bet post.

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[SPEAKER_01]: I mean, that scene and then her getting up and running after Veronica, do that skin was.

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[SPEAKER_02]: That's not just that.

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[SPEAKER_01]: That's really awesome, but it was so scary.

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[SPEAKER_02]: Not only that, but the damn, a political court is still attached to Veronica, and it's pulling her in.

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[SPEAKER_02]: Yes.

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[SPEAKER_02]: And then you have these giant teeth.

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[SPEAKER_02]: That's her, that, the data I think, or the, yeah.

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[SPEAKER_00]: Yeah.

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[SPEAKER_02]: Yeah.

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[SPEAKER_02]: And it's just pulling her back in and going to chop her to pieces.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: I'm like, oh, God.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: Dude, that scene was, that scene was crazy.

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[SPEAKER_01]: I mean, that's what you want when you watch a Stephen King film or series like this, you know, you're looking for that type of scare, but I have to say, so far, they've done really good, what's scaring the hell out of you and just the different monsters that they have and the the the the giant of being the with the mouth and it looks like a Venus fly trap or some stuff, you know, something like that, but it was amazing her and Ronnie fighting, I mean, she's

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[SPEAKER_01]: to get out of that room and that and that and that biblical court just sucks her back in and she's pulling away.

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[SPEAKER_01]: I mean, that scene was an amazing scene.

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[SPEAKER_01]: What a great scare.

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[SPEAKER_02]: It was a great scare.

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[SPEAKER_02]: And also too, that was all practical effects as well with mixed in with maybe some CGI.

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[SPEAKER_02]: I think I've wanted to say, but perfectly well done, perfectly well executed on them on the special effects team on doing that.

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[SPEAKER_02]: And it just gave me the

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[SPEAKER_02]: Because I thought for sure, Veronica was gone right then there, but you know, then all of a sudden her father comes in and everything makes sure that she's okay, right, but that scene was just shocking and terrifying.

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[SPEAKER_02]: Then you have the military digging up.

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[SPEAKER_02]: uh... digging in the uh... digging up stuff right and he is what the Indians are watching uh... fallen in the general is fed up with him they know about his gift which is the shine right because dick has the shine from the shining in thick is also now responsible for this whole entire military dig up and it is and it is on and he and burial ground that they're on

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[SPEAKER_02]: So you see the ND and seeing them taking up everything they could see just to capture this one thing that they're looking for and we don't know what they're well we know with it but we don't know why they're trying to weaponize it the way they are right so I just thought that was interesting to know that Dick was involved in this whole entire military operation not knowing why did he's involved in even though he's able to have the shine and repel his thoughts

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[SPEAKER_02]: He's, that goes to show you how much he's allowed to know and not to know in a sense and how much freedom dick actually gives people to be able to do the job he does.

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[SPEAKER_02]: And even when we notice too, where it's like, well, this is a top secret.

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[SPEAKER_02]: Remember when it, uh, the first episode where they come home, come in drink and everything.

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[SPEAKER_02]: Yes.

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[SPEAKER_02]: Pop secret information, top secret mission.

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[SPEAKER_02]: Now we know what that top secret mission is, but whether you think No, um, I

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[SPEAKER_01]: when there's when there coming on a drunken and, you know, he's letting him know, you know, I'm, you know, I'm a spy.

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[SPEAKER_01]: I've got some things going on.

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[SPEAKER_01]: You know, they make a phone call, you know, confirmed that yeah, he's he's he's good.

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[SPEAKER_01]: But when you see.

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[SPEAKER_01]: What he's able to tell them, you know, there's something down there, they end up finding it and I was wondering when you see all the holes like what is it that they're looking for because they're quite huge digging dig sites, I mean, there's like four or five of them, but when you see what comes out of there, it was like just.

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[SPEAKER_01]: What the hell is going on?

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[SPEAKER_01]: But what do we have going on?

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[SPEAKER_01]: You see the car, you see it being pulled up, can't wait for the next episode.

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[SPEAKER_01]: Like honestly guys, John, I'll tell you this.

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[SPEAKER_01]: I am so hooked to this series.

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[SPEAKER_01]: And I'm happy it's only episode two right now.

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[SPEAKER_01]: But so good.

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[SPEAKER_01]: And I also want to mention about the town when the major's wife,

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[SPEAKER_01]: goes out on her shopping trip and she's walking through town and there's some people that are nice, you know, but

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[SPEAKER_01]: the eerieness of the people in that town.

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[SPEAKER_01]: It's the weirdest feeling that you get.

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[SPEAKER_01]: It's kind of thickening air and how she's noticing the oddities is not just her being a black woman walking through town.

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[SPEAKER_01]: It's the oddities of the people and when she goes into the butcher shop and those kids are beating up a little boy, the bullies and she looks and notices no one's saying anything,

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[SPEAKER_01]: Why are grown ups allowing this to happen?

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[SPEAKER_01]: And then you find out what type of woman she is because she runs out of the store and she stops it.

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[SPEAKER_01]: But they look at her like, she's the problem.

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[SPEAKER_01]: Like what are you doing interfering and what goes on in this town?

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[SPEAKER_01]: So the town itself is just creepy and the people in it is creepy.

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[SPEAKER_01]: Some things are not right.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: And you know, I like the fact that she's like, are you gonna stop it?

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[SPEAKER_02]: Boys will be boys.

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[SPEAKER_02]: You know how it is.

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[SPEAKER_02]: Yeah.

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[SPEAKER_02]: And yeah, boys will be boys, but they're fucked up and I've printed this kid into the hospital.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: And it's just, I mean, they run off and they're still, it's still chasing after them, which I thought, yeah.

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[SPEAKER_02]: Well, even Henry Bowers did that, though, with the Luzes Club.

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[SPEAKER_02]: For instance, where somebody would break up the fight or something, and they would still go ahead and go after a certain kid, it didn't matter.

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[SPEAKER_02]: It's just the way it was, I don't want to say, well, it's the 60s.

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[SPEAKER_02]: Here's the crazy back then, but you know, but it just goes to show you how much it has control even with that, right, with the manipulation of the kids and the bullying and just amplifying it who wouldn't tend.

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[SPEAKER_00]: Yes.

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[SPEAKER_02]: Think about it in the adults are just looking the other way.

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[SPEAKER_01]: Yeah, don't want to be involved.

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[SPEAKER_01]: Don't get involved.

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[SPEAKER_01]: Don't say anything.

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[SPEAKER_01]: Not my business.

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[SPEAKER_01]: Hey, boys will be boys, huh?

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[SPEAKER_01]: Right.

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[SPEAKER_01]: But it really goes to the scene when she's, you know, when she's grocery shopping.

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[SPEAKER_01]: And she goes in the store and she has her list.

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[SPEAKER_01]: And

17:14.941 --> 17:15.562
[SPEAKER_01]: creepy.

17:15.822 --> 17:21.748
[SPEAKER_01]: Another creepy part is the people that are behind that are kind of, you know, just kind of leaning out.

17:21.828 --> 17:22.648
[SPEAKER_01]: She looks back there.

17:22.789 --> 17:23.409
[SPEAKER_01]: They're not there.

17:23.429 --> 17:25.191
[SPEAKER_01]: She hears whispering.

17:25.211 --> 17:32.137
[SPEAKER_01]: The looks on their face, the little boy with the mom, the boy in the in the cart with the mom and how they're just staring at her.

17:32.158 --> 17:36.622
[SPEAKER_01]: That scene in that grocery store was also another killer scene.

17:36.642 --> 17:43.108
[SPEAKER_01]: The pickles and the damn dad being in

17:43.223 --> 17:45.832
[SPEAKER_01]: That creepy creepy this poor girl.

17:45.872 --> 17:55.647
[SPEAKER_02]: Well, I even put this like Lily shopping the whole aisle's like like we were saying, but not only in that, but if you look at the background because I'm always looking at the background with certain things.

17:56.099 --> 17:57.321
[SPEAKER_02]: I also are moving with her.

17:57.441 --> 17:58.802
[SPEAKER_02]: Yes, she's moving.

17:58.863 --> 18:01.526
[SPEAKER_02]: Yeah, it looks like a mouse maze on the way.

18:01.967 --> 18:04.710
[SPEAKER_02]: Yes, trying to trap her into this situation.

18:04.730 --> 18:10.117
[SPEAKER_02]: Yes, and everybody knows that she's also part of Jupiter, uh, you know, the mental institution.

18:10.137 --> 18:10.377
[SPEAKER_02]: Yes.

18:11.519 --> 18:18.628
[SPEAKER_02]: And so next thing I know it, she gets blocked in and then the father's head is in the pickle jar.

18:18.648 --> 18:18.748
[UNKNOWN]: Okay.

18:19.032 --> 18:27.867
[SPEAKER_02]: Then he wraps fully around her neck and stuff and then Lily picks up the head and smashes it.

18:28.468 --> 18:28.888
[SPEAKER_00]: Right.

18:28.908 --> 18:43.352
[SPEAKER_02]: By Guno, it's just, it gives me goosebumps and I'm just horrified with the pickles and matter if my wife has a pickle jar and I'm like, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah

18:44.834 --> 18:47.137
[SPEAKER_01]: Or am I breaking it?

18:47.157 --> 18:52.063
[SPEAKER_01]: I was just, but just want to go to the shop and pick up a big, big jar of pickles just like that.

18:53.004 --> 18:53.504
[SPEAKER_01]: Same thing.

18:53.905 --> 18:59.592
[SPEAKER_01]: I saw those pickles and I instantly thought about, oh my god, we just picked up a big jar of pickles like that.

19:00.012 --> 19:06.420
[SPEAKER_01]: But her looking at her dad smashing the pickles and then he, it's put it himself back together because remember he's sliced.

19:06.460 --> 19:09.724
[SPEAKER_01]: He's been sliced up and then accident at the pickle factory.

19:10.585 --> 19:13.288
[SPEAKER_01]: Do that scene was just creepy him.

19:13.488 --> 19:19.245
[SPEAKER_01]: him just kind of slithering towards her, him trying to give her a kiss, sticking out as tongue dude.

19:19.747 --> 19:19.847
[SPEAKER_01]: Yeah.

19:19.867 --> 19:22.114
[SPEAKER_01]: That was just creepy.

19:23.242 --> 19:35.894
[SPEAKER_02]: I'm telling you, this poor girl is horrified with that and then when she matches the jar, then everybody's standing around her and he goes, and Lily, what's wrong with you?

19:36.194 --> 19:40.338
[SPEAKER_02]: If he wants to, then after that, it just runs off with her running at think or something.

19:40.398 --> 19:47.805
[SPEAKER_02]: But yeah, that scene spook the heck out of me into the point where I'm like, I don't want to look at a pickle jar.

19:48.085 --> 19:48.506
[SPEAKER_02]: I'm good.

19:48.686 --> 19:49.827
[SPEAKER_02]: I don't need nothing like that.

19:50.067 --> 19:50.768
[SPEAKER_01]: Exactly.

19:51.085 --> 20:12.250
[SPEAKER_02]: Uh, I do want to mention this, but Veronica will in detention and cops outside escorting will he gets missing Henry and then get this there's an Easter egg here with Henry Bowers is dad, which Henry Bowers is actually the bully from it chapter one in chapter two and that's his dad and.

20:13.158 --> 20:17.865
[SPEAKER_02]: He is over there talking to Lily and he's telling her, but you know, we found blood.

20:17.965 --> 20:23.012
[SPEAKER_02]: I'm like, wait, I know you didn't because the other two cops said that they didn't find blood.

20:23.412 --> 20:33.266
[SPEAKER_02]: So this is it manipulating the whole entire thing to separate the friendship because he knows and then it goes into the itch after one where they were trying to split up the losers club, right?

20:33.967 --> 20:34.828
[SPEAKER_02]: So.

20:34.943 --> 20:36.950
[SPEAKER_02]: The kids at the Losers Club are actually smart.

20:36.970 --> 20:38.616
[SPEAKER_02]: They're like, you know what you're trying to do, right?

20:38.736 --> 20:40.322
[SPEAKER_02]: You're trying to separate us with that way.

20:40.342 --> 20:42.349
[SPEAKER_02]: He could pick us off one by one, right?

20:42.369 --> 20:44.336
[SPEAKER_02]: And this is the same thing he's doing here.

20:44.617 --> 20:44.838
[SPEAKER_02]: Yes.

20:44.959 --> 20:47.367
[SPEAKER_02]: Newers in the cop as a way.

20:47.617 --> 20:48.579
[SPEAKER_02]: do it.

20:48.599 --> 21:00.599
[SPEAKER_02]: You know, but it's just him manipulating his home tires seen here, manipulating her telling basically making her niche on the father to make it look like that she's not crazy.

21:01.241 --> 21:03.144
[SPEAKER_02]: And that way, she looks like the bad guy.

21:03.504 --> 21:09.034
[SPEAKER_02]: And therefore, the father has to go away in prison and charging.

21:09.014 --> 21:20.539
[SPEAKER_02]: because that's also another instrument with charging redemption, stuff like that, and charging plays a big role in the whole entire Stephen King universe universe.

21:20.899 --> 21:27.293
[SPEAKER_01]: Yeah, but yeah, I, you know, when, you know, Ronnie was in detention with Will,

21:27.273 --> 21:28.836
[SPEAKER_01]: I must say, I love that kid.

21:29.217 --> 21:30.058
[SPEAKER_01]: Such a great kid.

21:30.178 --> 21:31.801
[SPEAKER_01]: Such a great addition to the series.

21:31.922 --> 21:32.783
[SPEAKER_01]: I really like him.

21:33.304 --> 21:40.317
[SPEAKER_01]: Can't wait to see, you know, his story and how he becomes close to Ronin or whatever happens with them.

21:40.377 --> 21:44.725
[SPEAKER_01]: But her scene literally being taken by the cops.

21:44.705 --> 21:46.168
[SPEAKER_01]: and she's furious.

21:46.689 --> 21:58.812
[SPEAKER_01]: And when she goes to Lily's house that night, she's banning on the door and the mom goes to the door because, you know, Ronnie's also looked at as being crazy because her father is this so-called killer in town.

21:59.633 --> 22:01.276
[SPEAKER_01]: She's pissed and I get it.

22:01.316 --> 22:01.957
[SPEAKER_01]: She's angry.

22:01.998 --> 22:03.019
[SPEAKER_01]: She's calling for Lily.

22:03.060 --> 22:03.741
[SPEAKER_01]: What's going on?

22:03.801 --> 22:04.222
[SPEAKER_01]: This is it.

22:04.242 --> 22:07.067
[SPEAKER_01]: Now this is before Lily goes to the grocery store because

22:07.047 --> 22:22.947
[SPEAKER_01]: After Lily have that incident after grocery store, you see them taking a ride to Juniper Hill or Juniper, the mental hospital and that was really sad I do feel like her in the car with her mom and away her mom was I felt like in that instance that was it.

22:22.927 --> 22:51.769
[SPEAKER_01]: Because there's no way that the mother is going to sit there with no emotion and just kind of looks at her to like get out of the car and not cause a scene and the way that the two nurses are standing there looking at her like I said the looks that these people have in this town is just it's just creepy you know something's going on but I felt bad for her because she's back at the mental hospital even after you know talking to the police chief but because of that incident at the grocery store moms like

22:51.884 --> 22:54.327
[SPEAKER_01]: You know, can't have you here.

22:54.387 --> 22:56.089
[SPEAKER_01]: No, something's wrong.

22:56.710 --> 22:57.211
[SPEAKER_02]: Exactly.

22:57.431 --> 22:59.553
[SPEAKER_02]: Because everybody's seeing what you did at the supermarket.

22:59.573 --> 23:00.835
[SPEAKER_02]: You're making much of a scene.

23:01.616 --> 23:05.140
[SPEAKER_02]: And you need to get psychiatric help again because it's happening again.

23:05.180 --> 23:05.841
[SPEAKER_02]: Right.

23:06.362 --> 23:08.605
[SPEAKER_02]: And, you know, I just felt bad.

23:08.645 --> 23:11.568
[SPEAKER_02]: This is bad situations between Veronica and her.

23:11.929 --> 23:12.229
[SPEAKER_02]: Yeah.

23:12.249 --> 23:13.731
[SPEAKER_02]: And this is these situations.

23:14.051 --> 23:15.753
[SPEAKER_02]: And it manipulating everybody.

23:15.773 --> 23:19.478
[SPEAKER_02]: The mental hospital is also being another thing that's going to be manipulated by it.

23:19.458 --> 23:28.945
[SPEAKER_02]: Yes, I cannot get away from it no matter which way you turn right right so this is something about dairy that is just very poisoning

23:29.498 --> 23:31.280
[SPEAKER_02]: to everyone.

23:31.680 --> 23:33.081
[SPEAKER_02]: Yeah, by you know, yeah.

23:33.422 --> 23:42.450
[SPEAKER_01]: I also want to speak on, you know, just in this is a little side thing, the little girl that is friends with Lily, who wants Lily to be part of the Patekakes.

23:43.090 --> 23:51.458
[SPEAKER_01]: You know, in the Patekakes you guys know what the girls, the little popular girls in school with the main girls, but you know, that's the group that they want to be with.

23:52.559 --> 23:59.505
[SPEAKER_01]: But how she looks at her when she's what Ronnie

23:59.485 --> 24:09.603
[SPEAKER_01]: Call herself saving Lily from being treated bad at school and wanting other people to see or the patty cakes to see that Lily's fine, she's okay.

24:10.425 --> 24:23.468
[SPEAKER_01]: And I love how Lily tells her, you know, so-and-so is missing, Maddie's missing, and you're concerned about, I don't care about the patty cakes, but those girls are so evil and the head girl patty.

24:23.448 --> 24:42.299
[SPEAKER_01]: You see, like you said, it manipulates everyone and you see it even in the kids, because if you notice the way Patty is, when the other girl is being goofy or whatever, there's a limit to that because it's like she gets very upset with her and wants her to just stop getting the attention that she has.

24:42.359 --> 24:46.165
[SPEAKER_01]: So something with them also is just not right.

24:46.246 --> 24:46.526
[SPEAKER_02]: No.

24:46.887 --> 24:54.097
[SPEAKER_02]: And also too, I want to mention this, the other thing that made me really creep was another creepy scene with them just clapping their hands.

24:54.538 --> 25:05.394
[SPEAKER_02]: Yes, has Lily and Veronica are having that conversation about the stuff that they're in, but has the facts with the father and also with her with Veronica herself, but Lily herself.

25:06.055 --> 25:10.381
[SPEAKER_02]: And you know, and the more they're talking, the louder the clapping is getting.

25:10.621 --> 25:11.302
[SPEAKER_02]: Yeah.

25:11.322 --> 25:15.308
[SPEAKER_02]: It made me paranoid to the fact of like I'm afraid

25:15.288 --> 25:25.767
[SPEAKER_02]: because of how, because of how loud everything is and amplified to attend and then it's speeding up this energy like something's big is going to happen.

25:26.068 --> 25:26.308
[SPEAKER_02]: Yes.

25:26.369 --> 25:29.975
[SPEAKER_02]: And then like you said before the panic kicks, which is a stupid name.

25:30.316 --> 25:31.618
[SPEAKER_00]: I don't want to have it.

25:31.638 --> 25:31.979
[SPEAKER_00]: Right.

25:32.400 --> 25:32.520
[UNKNOWN]: Right.

25:32.500 --> 25:34.923
[SPEAKER_02]: I'm in the panic kicks, okay.

25:34.963 --> 25:43.893
[SPEAKER_02]: But anyways, um, but she even looked at Lily's friend just Venetian Swaythei yesterday, wasn't that Lily's sweater?

25:43.953 --> 25:45.595
[SPEAKER_02]: I'm like, what do you start up?

25:46.155 --> 25:55.065
[SPEAKER_01]: Yeah, I'm like, what is, yeah, just the way that she just stopped that and she just so mean and and just changes everything to didn't you wear that yesterday?

25:55.045 --> 26:06.537
[SPEAKER_01]: Yeah, so, you know, I've been keeping my eye on those girls too whenever they're in a scene together because something's not right there and the head girl is just she she's just not right.

26:07.319 --> 26:08.683
[SPEAKER_01]: Miss Patty, yes.

26:08.967 --> 26:27.246
[SPEAKER_02]: Yeah, so then we have the military base again, we now know they are working on what they are trying to use us, they want to stop a nuclear missile before Russia can hit the USA of Cuba, they want to find it and use it as a weapon for fear.

26:27.563 --> 26:28.465
[SPEAKER_02]: to fight enemies.

26:28.705 --> 26:30.869
[SPEAKER_02]: Lily's mom dropped her off Ed, shouldn't pick her up.

26:30.909 --> 26:32.492
[SPEAKER_02]: We mentioned that military found it.

26:32.713 --> 26:40.968
[SPEAKER_02]: Dick is responsible for what's happening and stuff because now it, and then whenever they pull up the car, for sure.

26:40.988 --> 26:45.657
[SPEAKER_02]: With the skeletons in it, it gave me flashbacks of Indiana Jones.

26:45.923 --> 26:58.322
[SPEAKER_02]: Oh, okay, with the arc and stuff and the skeletons it gave me that was kind of vise, but it looks like the same car that we got introduced to in the first episode of that opening episode, right.

26:59.684 --> 27:00.084
[SPEAKER_02]: Right.

27:00.946 --> 27:12.623
[SPEAKER_02]: Huh, so that's what I, that's what it looked like to me was stuff it's used in the same car to capture kids to feed off that that's what he did to Teddy right right.

27:13.919 --> 27:15.443
[SPEAKER_02]: I love how you do these deep dives.

27:16.545 --> 27:31.540
[SPEAKER_02]: That's just stuff that I try to pay attention to in those small details that I try to do on my self in, but it's just stuff like that that just gives me the gives me goosebumps because of the fact that he used this as a weapon.

27:31.520 --> 27:35.087
[SPEAKER_02]: and turn, anybody can use anything at the weapon, right?

27:35.467 --> 27:44.464
[SPEAKER_02]: So I was to be, it used the weapon up, weapon of the car, which is a vessel for these dark beings that carry another passenger to do harm to somebody else.

27:44.885 --> 27:45.206
[SPEAKER_02]: Right.

27:46.087 --> 27:48.813
[SPEAKER_02]: So this is something that I was just thinking about.

27:49.233 --> 27:49.654
[SPEAKER_01]: I love that.

27:49.875 --> 27:50.676
[SPEAKER_02]: I love that.

27:50.656 --> 27:54.065
[SPEAKER_01]: Yeah, like I told you, I'm going to have to go back and watch it one and two.

27:54.125 --> 28:03.971
[SPEAKER_01]: It's been a long time since I watched and I think a lot of us should do that so that when we watch this from here on out, we can really bring it all together, you know what I mean?

28:04.112 --> 28:06.538
[SPEAKER_01]: So I'm definitely going to do every watch.

28:06.772 --> 28:14.742
[SPEAKER_02]: Right, and there's also the other kid that has a crush on one of the patty cakes too, which is Veronica and you think that he would be after the popular girl.

28:15.143 --> 28:17.166
[SPEAKER_02]: No, he's having the dirty girl.

28:17.186 --> 28:27.359
[SPEAKER_01]: Yes, the way he's looking at her SE and will are having this conversation about will reading the book that he's reading and just the the look that he gives her.

28:27.539 --> 28:35.209
[SPEAKER_01]: I thought it was a really cute scene and then you see the one girl flipping them off, but yeah out of all the girls, he was into her.

28:36.607 --> 28:37.392
[SPEAKER_02]: That's just crazy.

28:37.432 --> 28:42.060
[SPEAKER_02]: I would actually thought that he would be into Patty, but no, he's not at all.

28:43.019 --> 28:46.783
[SPEAKER_02]: But I know that you have some Easter eggs that you wanted to talk about.

28:46.803 --> 28:48.485
[SPEAKER_01]: Yeah, let me point some out here.

28:48.505 --> 28:52.690
[SPEAKER_01]: I thought these are really interesting, so I wanted to talk about them.

28:53.471 --> 28:56.495
[SPEAKER_01]: Let's see, stand, curse the butcher.

28:57.015 --> 29:02.321
[SPEAKER_01]: Charlotte interacts, and Charlotte is the major's wife.

29:02.401 --> 29:12.553
[SPEAKER_01]: Charlotte interacts with a butcher named Stan, Stanley Cleaver, that's what they call him curse.

29:12.533 --> 29:19.354
[SPEAKER_01]: The character Pennywise impersonates when adult Beverly Mars visits her old home in it chapter two.

29:19.942 --> 29:47.164
[SPEAKER_01]: Um, also, um, there's also the sign that I wanted to talk about, the, the, the banger to a sign for a banger to tobacco can be seen, um, a not, uh, to banger main, the real life story that Stephen King, um, used as the inspiration for the fiction every town of Derry, so that was interesting, um, let me do one more and then I'll let you do yours.

29:47.144 --> 30:07.597
[SPEAKER_01]: Let's see the Bradley game car that we're talking about at the end of the episode the military unearthed old car that is an artifact from the Bradley gang massacre of 1935 and a historical event and dairy where the gang has gunned was gunned down and Pennywise reportedly involved which were just speaking on.

30:07.998 --> 30:11.143
[SPEAKER_01]: So those are some of the fun facts that I found.

30:11.123 --> 30:19.115
[SPEAKER_02]: Okay, let's see here, Preston one, one, two, zero says, when you all think P and Y's will show up.

30:19.135 --> 30:21.859
[SPEAKER_02]: So I'm going to go, I'll try to answer this question.

30:21.899 --> 30:25.564
[SPEAKER_02]: I'm going to go into my little Easter eggs, but Preston, my thing is this.

30:25.764 --> 30:28.308
[SPEAKER_02]: This is a TV show that has like 8 episodes.

30:29.029 --> 30:32.254
[SPEAKER_02]: So everybody wants P and Y's right away.

30:32.369 --> 30:42.241
[SPEAKER_02]: Everybody has to remember this is a two and out this isn't a two and a half hour movie to where we actually have to have any wise and certain things so I'm not saying that that's what you're saying or anything like that.

30:42.261 --> 30:55.558
[SPEAKER_02]: That's just me telling you how I feel about it, but I believe that we were going to get him either the seventh episode or the eighth episode because you have to have.

30:55.538 --> 31:09.900
[SPEAKER_02]: having been there in the last two episodes, I think, in order to wrap this up to actually give Pennywise a presence and also to show him being in the dream and it's something that how it links over to the loser's club.

31:09.920 --> 31:13.025
[SPEAKER_02]: Because I think you need to have that story coincide with each other.

31:13.185 --> 31:14.307
[SPEAKER_02]: Otherwise,

31:14.287 --> 31:25.844
[SPEAKER_02]: You know, with the point, but what you all know, if they said, Eddie's mom is supposed to be in Terry in this timeline of the rest of the kids from 2017 movies family.

31:27.086 --> 31:32.274
[SPEAKER_02]: Let me think, because that's a good question because I didn't think about Eddie's mom to be on right do.

31:33.396 --> 31:37.442
[SPEAKER_02]: Welcome to dairy unless she I wonder if she might be one of the patty cakes.

31:38.283 --> 31:40.726
[SPEAKER_02]: Could you be one of the patty cakes?

31:41.427 --> 31:42.388
[SPEAKER_02]: Please, Mom, welcome to Dairy.

31:42.429 --> 31:45.352
[SPEAKER_02]: Like, leave her first, her character, Estonia, has brand.

31:46.254 --> 31:50.940
[SPEAKER_02]: I'm assuming King said that after the praise, praise used in discussions about the character.

31:50.960 --> 31:59.211
[SPEAKER_02]: So nothing has been said yet, but it's something that we won't keep an eye on since you have a question about it.

31:59.343 --> 32:10.764
[SPEAKER_02]: Yeah, so yeah, I do appreciate you bringing that up because I forgot all about it is mom might be in this as well because the fact, you know, I'm solely focused on the losers clubs parents.

32:11.045 --> 32:14.331
[SPEAKER_02]: I didn't think and I forgot about any.

32:14.800 --> 32:16.684
[SPEAKER_02]: Um, but yeah, I'll keep it lying on that.

32:17.405 --> 32:17.506
[SPEAKER_02]: Good.

32:17.526 --> 32:19.430
[SPEAKER_01]: Also, he's his comment.

32:20.392 --> 32:25.382
[SPEAKER_01]: The Maddie hitchhiking thing was giving Gacy vibes due to the Pennsylvania billboard.

32:25.402 --> 32:27.566
[SPEAKER_01]: He looked at, find it ironic.

32:28.027 --> 32:32.657
[SPEAKER_01]: They came out with that doc on him around the same time as they came out with this.

32:33.346 --> 32:49.161
[SPEAKER_02]: Well, here's the thing though, this, it has, everybody's thinking that this has anything to do with easy and stuff, but it's, it's not anything like that, because there's actually an it docking memory on HBO Max as well.

32:49.985 --> 32:50.926
[SPEAKER_02]: the guys can check out.

32:52.208 --> 32:52.308
[SPEAKER_02]: Cool.

32:52.328 --> 32:58.556
[SPEAKER_02]: So it does into how we came up with the idea of it and also to the many series documentary as well.

32:59.377 --> 33:01.499
[SPEAKER_02]: So if you guys want to check that out, they have that out there.

33:01.659 --> 33:05.084
[SPEAKER_02]: And you all know if they said it is mom is supposed to be, okay, we already talked.

33:05.284 --> 33:06.325
[SPEAKER_02]: Why are you talking about that?

33:06.485 --> 33:10.330
[SPEAKER_01]: Um, but I get the whole, the, the, the, the, the clown, the balloons.

33:10.450 --> 33:13.354
[SPEAKER_01]: I, I get, I get where you're going with that.

33:13.374 --> 33:14.055
[SPEAKER_01]: Right, I do too.

33:14.555 --> 33:15.216
[UNKNOWN]: Yes.

33:15.196 --> 33:23.513
[SPEAKER_02]: Okay, so you know how we have like the start intro of the artwork and stuff like that of the opening stuff.

33:24.655 --> 33:34.656
[SPEAKER_02]: There's this one part where you have a fire happening and these children are running right right so get this that's actually part of the town history.

33:34.636 --> 33:37.439
[SPEAKER_02]: And that's the explosion at the Kitchener Ironworks.

33:38.920 --> 33:43.365
[SPEAKER_02]: And one of the biggest tragedies in dairy history is the Ironworks explosion in 1908.

33:43.625 --> 33:50.011
[SPEAKER_02]: The Kitchener Ironworks exploded during an Easter egg on killing a total of 102 people, including 88 children.

33:50.512 --> 33:52.074
[SPEAKER_02]: This event is mentioned in the novel.

33:52.134 --> 33:59.581
[SPEAKER_02]: And it is the hot, that hot, a young band and scum after he learns about it at the dairy library, which is in it chapter one.

34:00.142 --> 34:00.542
[SPEAKER_00]: OK.

34:01.433 --> 34:10.718
[SPEAKER_02]: So I remember him digging through the files as I said and looking at that it movie it's okay so.

34:11.305 --> 34:18.976
[SPEAKER_02]: Dick, we also know that he's part of the shining, so a young Norbert King isn't actually in this.

34:19.497 --> 34:31.474
[SPEAKER_02]: And when Charlie handling us walking down the street of Derry, she walks by a young man smoking us at a local pharmacy man gives her a polite nod and Charlie smiles at him.

34:31.714 --> 34:34.478
[SPEAKER_02]: This young man is known is none other.

34:34.458 --> 34:51.367
[SPEAKER_02]: Young Norbert King, the pharmacist from Buschieri's movies, and the movie movie King was like creepy pharmacists who gave Eddie Crasbrac his in medication and who bear March distracted while the rest of the losers stole medical supplies to attend an injured Ben Hanth.

34:51.387 --> 34:52.729
[SPEAKER_02]: So that's also an itch after one.

34:53.250 --> 34:53.631
[SPEAKER_00]: Okay.

34:54.455 --> 34:56.160
[SPEAKER_02]: But she tozer is okay.

34:56.200 --> 35:00.111
[SPEAKER_02]: So we talked about Stan Karsh, right?

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[UNKNOWN]: Yeah.

35:03.281 --> 35:03.381
[UNKNOWN]: Yeah.

35:03.401 --> 35:03.501
[SPEAKER_02]: Yeah.

35:03.521 --> 35:03.622
[SPEAKER_02]: Okay.

35:03.642 --> 35:05.066
[SPEAKER_02]: So we talked about that.

35:05.146 --> 35:08.616
[SPEAKER_02]: That's the butcher who eyes yellow eyes.

35:09.794 --> 35:12.419
[SPEAKER_02]: which is what the vagina and all that that we were talking about.

35:12.740 --> 35:14.724
[SPEAKER_02]: Yeah, second hand rose.

35:15.486 --> 35:16.067
[SPEAKER_02]: Yes, second hand.

35:16.087 --> 35:16.488
[SPEAKER_02]: Will.

35:16.989 --> 35:19.334
[SPEAKER_02]: Yeah, you talked about that or you have that one.

35:19.514 --> 35:20.015
[SPEAKER_01]: I have that.

35:20.276 --> 35:20.737
[SPEAKER_01]: I have that.

35:21.258 --> 35:21.358
[SPEAKER_01]: Okay.

35:21.378 --> 35:27.651
[SPEAKER_01]: That was the Lee Roy Handland buys a telescope for a son will from this strip shop.

35:28.002 --> 35:39.825
[SPEAKER_01]: and it chapter two, a older version of the shopkeeper played by Stephen King in a cameo, sells bill, dinnbo, his childhood bicycle silver.

35:41.268 --> 35:42.190
[SPEAKER_02]: Yep.

35:42.210 --> 35:42.450
[SPEAKER_01]: Yeah.

35:43.274 --> 35:50.089
[SPEAKER_02]: Another thing I want to mention is this okay, so you remember rich the kid who had the crush on the geeky girl from paddock, right?

35:50.470 --> 35:51.412
[SPEAKER_02]: Yeah, I'll get this.

35:51.432 --> 35:55.662
[SPEAKER_02]: You're not going to be dealing with racism and then we're dealing with Cuba and stuff like that, right?

35:55.762 --> 35:56.002
[SPEAKER_02]: Right.

35:56.323 --> 35:59.490
[SPEAKER_02]: So into this mix, you also have a Cuban kid.

36:00.472 --> 36:02.076
[SPEAKER_02]: He's actually supposed to be Cuban.

36:03.592 --> 36:20.352
[SPEAKER_02]: So just think about like this, you have different race racism going on in this whole entire series, you have a Cuban that's going to school, but they're also trying to beat Russia to a lot of the military is also trying to beat Russia from attacking us.

36:20.332 --> 36:21.514
[SPEAKER_02]: Right, and stop.

36:21.874 --> 36:26.622
[SPEAKER_02]: So you have different layers to this show that just pulls on different things.

36:27.063 --> 36:27.203
[SPEAKER_00]: Right.

36:27.223 --> 36:34.434
[SPEAKER_02]: And it's just some things that I've I've learned about rich from watching the after Credit stuff after watching the second episode.

36:35.256 --> 36:35.456
[SPEAKER_02]: Right.

36:35.476 --> 36:36.678
[SPEAKER_02]: I just want to bring that up.

36:36.998 --> 36:38.521
[SPEAKER_02]: Yes.

36:38.661 --> 36:40.464
[SPEAKER_02]: So let's see here.

36:41.606 --> 36:43.048
[SPEAKER_02]: So in the detention.

36:43.906 --> 36:47.250
[SPEAKER_02]: Ronnie and Will end up in detention for different reasons.

36:47.291 --> 36:53.859
[SPEAKER_02]: And the whole Ronnie passes back and for a piece of back and forth in front of the chalkboard, some of the writing on it is visible.

36:54.000 --> 36:56.683
[SPEAKER_02]: One of those messages reads, like Love's Christine.

36:57.304 --> 37:06.717
[SPEAKER_02]: While this is definitely about a girl from school, Kingfans will remember that possessed 1958 Pliment Theory from the novel Christine.

37:07.077 --> 37:07.838
[SPEAKER_02]: Right.

37:08.088 --> 37:08.789
[SPEAKER_01]: Right.

37:09.390 --> 37:09.750
[SPEAKER_01]: Yes.

37:10.051 --> 37:10.872
[SPEAKER_01]: Oh, that's awesome.

37:10.932 --> 37:11.493
[SPEAKER_01]: That's awesome.

37:11.513 --> 37:24.630
[SPEAKER_01]: So the alleyway, Charlotte passes a specific alleyway, which is the same location where the young losers club later comes together for the first time to help a bleeding been hand squint.

37:24.750 --> 37:26.392
[SPEAKER_00]: Mm-hmm.

37:26.412 --> 37:26.833
[SPEAKER_01]: Yeah.

37:26.853 --> 37:27.754
[SPEAKER_01]: I don't know if you mentioned that.

37:28.054 --> 37:28.535
[SPEAKER_01]: If I missed it.

37:28.555 --> 37:29.957
[SPEAKER_01]: But yeah.

37:29.997 --> 37:31.179
[SPEAKER_01]: So I love that.

37:31.239 --> 37:33.842
[SPEAKER_01]: I love how it all just intertwines with all of his movies.

37:33.902 --> 37:35.344
[SPEAKER_01]: It's really interesting.

37:35.830 --> 37:36.732
[SPEAKER_01]: It really is.

37:36.752 --> 37:38.916
[SPEAKER_01]: Yeah, the Easter eggs are awesome.

37:40.059 --> 37:43.385
[SPEAKER_02]: And, you know, I've read the book and everything.

37:43.405 --> 37:48.616
[SPEAKER_02]: I only read it once because it's like a 1,799 page book.

37:48.636 --> 37:48.977
[SPEAKER_02]: Right.

37:49.959 --> 37:55.510
[SPEAKER_02]: And I remember just with all the history and stuff matter of fact guys, I am going to try and put out a video.

37:55.895 --> 38:02.121
[SPEAKER_02]: of the town history and stuff like that, because they're interested in that, go ahead and vote on that on the community post.

38:02.342 --> 38:08.528
[SPEAKER_02]: But I think that was, I wanna say, that's pretty much everything I wanted to mention as far as his goes.

38:09.489 --> 38:20.440
[SPEAKER_02]: But, you know, I like the fact that they're having dick be the one who winds up being a shock at the fact of what they're using this weapon for, but they don't tell them.

38:20.841 --> 38:23.944
[SPEAKER_02]: But once he sees that car, he's like, oh crap.

38:23.924 --> 38:24.625
[SPEAKER_02]: Right.

38:24.645 --> 38:27.449
[SPEAKER_02]: I'm involved in something a lot more darker than this.

38:28.751 --> 38:28.891
[SPEAKER_02]: Right.

38:28.911 --> 38:29.532
[SPEAKER_02]: Let's see here.

38:30.553 --> 38:36.722
[SPEAKER_02]: Justin says, running and Maddie going through it, especially Maddie, little dude had to go through all that.

38:36.822 --> 38:38.084
[SPEAKER_02]: Just wanted to see a movie.

38:38.424 --> 38:39.005
[SPEAKER_02]: I agree.

38:39.265 --> 38:40.046
[SPEAKER_02]: I agree, dude.

38:40.287 --> 38:41.328
[SPEAKER_02]: I definitely agree.

38:41.809 --> 38:43.191
[SPEAKER_02]: You know, this is messed up, though.

38:43.591 --> 38:47.637
[SPEAKER_02]: And I told Rossi this before the show starts.

38:48.224 --> 38:50.568
[SPEAKER_02]: do not get attached to the characters, right?

38:50.588 --> 38:59.121
[SPEAKER_02]: Because of the fact that if they would have stopped it back in 1960s would not, we would not have the losers club, right?

38:59.782 --> 39:09.777
[SPEAKER_02]: So another thing is Veronica, I don't think she's going to be making it too long because when Bev is actually brushing her hair,

39:09.942 --> 39:14.814
[SPEAKER_02]: You can hear Veronica talking to her through the drain, right?

39:15.194 --> 39:17.580
[SPEAKER_02]: So I think she's going to be ex-enhani out of there.

39:17.841 --> 39:18.402
[SPEAKER_02]: Yeah.

39:18.422 --> 39:24.677
[SPEAKER_02]: So, so, watch me nanny, but no.

39:25.822 --> 39:29.790
[SPEAKER_02]: But no, seriously, I, you know, I really have to say this show is very good.

39:30.151 --> 39:30.451
[SPEAKER_02]: Yes.

39:30.952 --> 39:33.457
[SPEAKER_02]: I Rossi and I love talking about this show.

39:33.778 --> 39:34.399
[SPEAKER_02]: Yes.

39:34.679 --> 39:37.505
[SPEAKER_02]: Is there anything else that you want to add as far as this review goes?

39:38.146 --> 39:39.228
[SPEAKER_02]: No, that's it.

39:39.329 --> 39:41.332
[SPEAKER_01]: I just, I can't wait for the next episode.

39:41.373 --> 39:43.717
[SPEAKER_01]: I'm, I, I just, I'm loving this.

39:44.098 --> 39:45.180
[SPEAKER_01]: It's so good.

39:45.818 --> 39:46.700
[SPEAKER_02]: It's really good.

39:46.740 --> 39:58.721
[SPEAKER_02]: And then it's like, I said, if you're a steaming king fan like I am, you're going to be eating this up like non stop in any mushy Eddie is the perfect person to do this series, but he was doing the nay nay and that card.

40:01.245 --> 40:02.848
[SPEAKER_02]: First your question or dude.

40:05.073 --> 40:18.711
[SPEAKER_02]: I want to, you know what though, you're just giving me inspiration to put watch me nene and have that car scene be played there you go, there you go, there you go, that's be a good short, yeah, I think so.

40:19.585 --> 40:22.329
[SPEAKER_02]: But I think that's everything that we wanted to talk about.

40:22.409 --> 40:27.695
[SPEAKER_02]: Rossi, I know that you have a show coming up at nine, nine, nine, 30 central standard time.

40:28.076 --> 40:31.360
[SPEAKER_01]: And so many, the Pacific Standard Time.

40:31.480 --> 40:34.324
[SPEAKER_01]: Yes, our video game segment is back.

40:34.404 --> 40:37.308
[SPEAKER_01]: So you guys can join me at 730 Pacific Time Standard.

40:37.328 --> 40:38.129
[SPEAKER_01]: We're going to be live.

40:38.710 --> 40:39.971
[SPEAKER_01]: Only here on movie lovers unite.

40:40.071 --> 40:43.336
[SPEAKER_01]: And we're going to talk about some topics that's going on in gaming.

40:43.436 --> 40:48.242
[SPEAKER_01]: So I can't wait for my guy to join me at its trust, Patawan Prito.

40:48.222 --> 40:51.466
[SPEAKER_01]: And yes, you guys Jedi Bester Tech is back with us.

40:51.526 --> 40:54.389
[SPEAKER_01]: So come and let's talk games tonight.

40:54.429 --> 41:00.917
[SPEAKER_02]: Let's have fun and talk games guys Great and guys I just want to let you know I will be back on Thursday at 8 o'clock.

41:00.937 --> 41:10.669
[SPEAKER_02]: So it's time not a collection time But I will be doing a live review of the faculty you guys voted for that one to be live and that's where we're gonna do I know I've been pushing it back, but

41:10.936 --> 41:11.456
[SPEAKER_02]: We're doing it.

41:11.517 --> 41:16.681
[SPEAKER_02]: We're finally doing it at my good friend from the choker on least Facebook page.

41:16.701 --> 41:23.507
[SPEAKER_02]: So I actually help admin with, and he's going to be coming in here and he's going to help me with that review.

41:24.088 --> 41:30.073
[SPEAKER_02]: So guys, do me a favor if you like what you're seeing here, Preston, please join our community.

41:30.194 --> 41:33.697
[SPEAKER_02]: It's great community that we are that Rossi and I are trying to build together.

41:33.737 --> 41:38.361
[SPEAKER_02]: Don't forget to smash that like button, share button, let everybody know about moving to the night.

41:38.341 --> 41:49.788
[SPEAKER_02]: Take us on the go on audio podcast where you guys get your podcast from give us a five start rating over there and get us get you guys on merch because it is getting that season for you guys to be doing some shopping.

41:50.109 --> 41:50.410
[SPEAKER_00]: Yes.

41:50.430 --> 41:52.795
[SPEAKER_02]: So when I will be making some new designs.

41:52.815 --> 41:54.780
[SPEAKER_02]: So let's check that out.

41:54.760 --> 41:55.922
[SPEAKER_02]: And that's going to be it guys.

41:56.143 --> 41:57.545
[SPEAKER_02]: I hope everyone has a great and safe night.

41:57.625 --> 41:59.028
[SPEAKER_02]: And thank you again, Ross, me.

41:59.048 --> 41:59.910
[SPEAKER_02]: I do appreciate it.

42:00.551 --> 42:01.072
[SPEAKER_01]: Of course.

42:01.633 --> 42:02.194
[SPEAKER_01]: Bye, Joey.

42:02.254 --> 42:02.715
[SPEAKER_01]: Thank you.

42:02.795 --> 42:03.376
[SPEAKER_01]: Bye, you guys.

42:03.516 --> 42:04.278
[SPEAKER_02]: Bye, Joey.

42:04.298 --> 42:04.959
[SPEAKER_02]: Bye, Preston.

42:05.019 --> 42:06.021
[SPEAKER_02]: Thank you guys so much.

42:06.061 --> 42:07.083
[SPEAKER_02]: Thank you for the love and support.

42:07.143 --> 42:07.724
[SPEAKER_02]: Thank you, Clint.

42:08.425 --> 42:09.728
[SPEAKER_02]: And we are out.

42:09.748 --> 42:10.489
[SPEAKER_02]: Bye.

42:10.509 --> 42:10.710
[SPEAKER_02]: Bye.

42:10.850 --> 42:10.930
[UNKNOWN]: Bye.

42:23.296 --> 42:30.370
[UNKNOWN]: Thanks for watching!