IT: Welcome to Derry 1X1 Review – Does the Prequel Live Up to the Hype?

WEBVTT

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[SPEAKER_01]: And, hello, movie lovers, welcome to show, and should I say welcome to dairy, because we're going to be doing or it welcome to dairy reviews by every Monday at this time.

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[SPEAKER_01]: So, what's going to get?

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[SPEAKER_01]: Let's dive into episode one of dairy.

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[SPEAKER_01]: I have my good friend Rossi here with me.

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[SPEAKER_01]: We're here to break this thing down and let's go ahead.

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[SPEAKER_01]: Let's do this time.

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[SPEAKER_01]: What's up, guys?

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[SPEAKER_01]: Hey, how's it going, Rossi?

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[SPEAKER_01]: Don't get it, now are you John?

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[SPEAKER_01]: No, I'm good.

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[SPEAKER_01]: I'm doing fantastic.

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[SPEAKER_01]: I'm here to talk to us on Scooby-Stub.

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[SPEAKER_01]: No, no, I'm here to talk to us on Pennywise.

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[SPEAKER_01]: Maybe a little bit of episode one.

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[SPEAKER_01]: So how's it going with you?

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[SPEAKER_01]: Going good.

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[SPEAKER_01]: Things are good.

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[SPEAKER_01]: Thank you.

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[SPEAKER_01]: So guys, we're going to be breaking down.

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[SPEAKER_01]: See some one episode one of it.

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[SPEAKER_01]: Welcome to Dairy.

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[SPEAKER_01]: This is actually called the pilot episode.

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[SPEAKER_01]: So what I want to say is this, I really like the spookiness of the opening scene where we actually have this kid.

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[SPEAKER_01]: We don't know what's going on, because it opens up to the projector on the movie theater.

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[SPEAKER_01]: And then we're presented with this wine character, this little boy, this little boy is in the theater, watching a movie, and then the usher comes in there and scares the hell out of him.

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[SPEAKER_01]: He runs out.

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[SPEAKER_01]: And I just love how this episode is just laid out.

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[SPEAKER_01]: I love this set designs over the 1960s.

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[SPEAKER_01]: Yeah, and I really am induced with it and then you get the scene where he's, you know, he's hitchhiking right in the cold and first something and okay, maybe he just doesn't like where he lives because he said because the fact that, you know, I just wanted to get out of here.

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[SPEAKER_01]: So I thought it might be because the spooky stuff happening in dairy, but no, it's just stuff around him that he doesn't want to be around the that we learned right on.

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[SPEAKER_01]: Okay, so they hitchhike.

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[SPEAKER_01]: They come back around.

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[SPEAKER_01]: He sees the Paul Bunyan sign and I just got goosebumps because I'm thinking that they're going around in circles.

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[SPEAKER_01]: Yeah, no.

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[SPEAKER_01]: But do I mean, what do you think?

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[SPEAKER_01]: I mean, I'm going on Remely.

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[SPEAKER_02]: What's fine?

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[SPEAKER_02]: Yeah, the opening scene of them watching that classical music.

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[SPEAKER_02]: The music man or whatever.

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[SPEAKER_02]: Yeah, music man.

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[SPEAKER_02]: They're watching that The kid in the theater obviously I'm like okay did he sneak into the theater?

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[SPEAKER_02]: Is he watching a free movie?

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[SPEAKER_02]: Because the usher comes in Chase is him out.

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[SPEAKER_02]: You see the the it looks like he had a black eye at some point in the ceiling

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[SPEAKER_02]: So you see that and when he's hitchhiking, I'm thinking, okay, the black eye, maybe he's running away from home.

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[SPEAKER_02]: He doesn't like his parents.

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[SPEAKER_02]: You know, he's trying to hitchhike and when the family pulls over and allows him to get in the car and ask him where he's going.

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[SPEAKER_02]: He's like anywhere but dairy.

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[SPEAKER_02]: And so they're like what we're going to main.

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[SPEAKER_02]: So it looks quite normal.

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[SPEAKER_02]: He gets in the car regular normal family.

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[SPEAKER_02]: Nothing weird until it becomes weird.

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[SPEAKER_02]: Yeah, and the hard right was an awesome scene and I thought they were looping could you kept seeing the signs?

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[SPEAKER_02]: I'm like and then I'm thinking is he dreaming or is that the beginning going to be and waking up from a dream?

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[SPEAKER_02]: And yeah, very interesting.

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[SPEAKER_01]: It was very interesting.

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[SPEAKER_01]: And I was also thinking the same thing too.

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[SPEAKER_01]: Are they going around circles?

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[SPEAKER_01]: And I'm like, no, this is pinning wise.

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[SPEAKER_01]: And this is pinning wise, orchestrated this whole entire family, bringing them back to Maine.

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[SPEAKER_01]: You know, I like the fact that you have this little brother.

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[SPEAKER_01]: And this is just something area about the brothers spelling words while the sisters over there, very short task of dipping their fingers in the liver and playing with it.

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[SPEAKER_01]: And then making the poor kid try to spit her hand.

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[SPEAKER_01]: I'm like, what the hell?

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[SPEAKER_00]: Then the brothers like spill, trouble.

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[SPEAKER_00]: T-R-U-L-B-A, it's T-R-U-L-B-L-E, dumbass.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: Yeah, no.

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[SPEAKER_02]: Yeah, I've found that creepy as well, the boy's spelling everything in a mom's like, oh, he just, he loves to spell any and everything.

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[SPEAKER_02]: So everything that they were saying, he would try to spell, but the sister with the liver, I just, first of all, I was like, that's what you're going to snack on liver.

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[SPEAKER_02]: Like, what kid likes liver, but when she opens it up, and she's playing with it, I'm still trying to figure out, is Maddie dreaming, is Maddie in a dream?

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[SPEAKER_02]: What is going on?

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[SPEAKER_02]: Because the family's getting weirder and weirder and the scene,

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[SPEAKER_02]: where Maddie realizes, okay, this family's off, I've gotten into the wrong car, let me out, let me out of this car, and then they just start going nuts.

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[SPEAKER_02]: The family starts going nuts, and the mom with the belly, what did you think about that with the baby?

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[SPEAKER_01]: So we get to the stomach, but the baby and everything, I saw it moving, I might not know.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: And then you see the fact that she's about to get broke to the baby as well, and you see it moving and then you see it going through the it shows everything right so then you see the head of it, hey Jojo, how are you, hey Julie played you know I just thought it was very horrifying to actually see that and even the kid is very horrified to see something like that too, but there's just something horrifying when kids are spelling words and it's going to trouble problem problem over and over and over and over again.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: Then they're also carrying the word strangulation or singing the tapitation.

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[SPEAKER_01]: All these words, I'm like, are they going to tapicate the hamstring and what's going to happen.

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[SPEAKER_01]: And then you see the giant demon.

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[SPEAKER_01]: base baby, come on, even bat baby, but the billacle court still attached to it.

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[SPEAKER_01]: Yes, and then it attacks Maddie, not only attacks Maddie, but also attacks the other two kids in the car too.

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[SPEAKER_01]: I think, but still, it was just horrifying to see something like that.

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[SPEAKER_01]: And I was just shocked.

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[SPEAKER_01]: This is how they opened it up.

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[SPEAKER_01]: that's normally we are introduced to our main character, but they gave us this cold opening to let us know that this is what the mystery element of this show is and it's the prequel series to it before the loses club came involved.

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[SPEAKER_01]: So I like how they go did the whole entire whole opening like that.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: Yeah, the demon bat baby flying around the car, them freaking out, the car's going all over the place, flying in out of the car, breaking

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[SPEAKER_02]: it's absolutely chaos.

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[SPEAKER_02]: It's absolutely nuts.

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[SPEAKER_02]: And he's gone.

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[SPEAKER_02]: I mean, we find out as time goes on that he was he died or he was kidnapped.

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[SPEAKER_02]: We don't know what happened to Matty.

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[SPEAKER_02]: And so, but what an awesome opening for the series, I thought it was great.

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[SPEAKER_02]: And I must say that the set design, you do feel like you're back in the 50s to 60s.

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[SPEAKER_02]: They did a great job, a really good job,

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[SPEAKER_01]: They really do the set designs for the 1950s is really nice looking stuff in any mushy eddy doesn't entice a job of bring us back into this place.

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[SPEAKER_01]: I feel like an extension of what it is.

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[SPEAKER_01]: I am bringing us back worse in the time.

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[SPEAKER_01]: Right, and I just loved it and then the I like how the pinkie the pacifier is flying out the window and then goes to the sewer and then the titles come out so I thought that was really cool Then you also have this other scene of slight four months later and now we're introducing these other characters

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[SPEAKER_01]: that we think they're going to be following them for the rest of the season, right, but, but we'll find out, well, say about the little bit a little bit later.

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[SPEAKER_01]: I just like how they go, they jump from different characters and how the sound is involved in different types of things here.

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[SPEAKER_01]: And you know there's something dark in area and dairy.

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[SPEAKER_02]: Yeah, absolutely, when we get to the Air Force Base, you know, it's, you know, you get to it for Air Force Base, you meet the major, there's an issue with one of the workers that works on the planes at the Air Force Base, very disrespectful to the major, I mean, it's coming off as maybe a color thing, you know, because it's back during that time and the major, I mean,

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[SPEAKER_02]: flu planes in World War II or in Korea.

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[SPEAKER_02]: So, I mean, this is a prominent man.

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[SPEAKER_02]: So, the fact that there's different storylines going on in this town, I found exciting because I want to know more about

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[SPEAKER_02]: the major and the situation at that base because they do have that part of the base where it's top secret things that are going on and and everyone in town is wondering what they're doing you know is it aliens or what's going on but I do like the different story lines that are going on and it or what do it.

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[SPEAKER_01]: Sorry guys.

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[SPEAKER_01]: Well that's what I like as well is like the major and stuff

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[SPEAKER_01]: of Mike Handland.

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[SPEAKER_01]: Okay.

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[SPEAKER_01]: So his name is Lee Roy Handland.

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[SPEAKER_01]: Okay.

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[SPEAKER_01]: And he's the grandfather Mike Handland who and he was in Ed chapter one and two.

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[SPEAKER_01]: He was basically the lifekeeper of the first two films of keeping the memory alive and whenever it comes back he has to be the one to give the call to the losers club.

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[SPEAKER_01]: Okay.

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[SPEAKER_01]: So I like how they're acknowledging that, but also too, we also see

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[SPEAKER_01]: Because, and that's why I'm recalling Dixler's dad.

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[SPEAKER_01]: So, bye.

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[SPEAKER_01]: because he played decks, but anyways, but I like how Dick is in there, like Dick Hanland from from the shining right now first I'm thinking to myself, because he's coming Mike Mike's grandfather in awkward high, so I'm thinking as he couldn't get the motive to the point where because of this racism that what he happened in 1950s, you can be the one who's going to be thriving people that are higher up than him.

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[SPEAKER_01]: right or anything too.

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[SPEAKER_01]: But no, he's actually from the shot and he's got the shine.

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[SPEAKER_01]: So I'm thinking he's reading off of what the Colonel actually is doing and that's what's going on because I think there's more to it than the means to the eye.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: So I definitely like how they're incorporating other characters from the Stephen King universe right within of it, welcome to dairy because it's all connected.

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[SPEAKER_02]: Which is really interesting that you bring that up because I think like me, maybe not a lot of people know that, you know what I mean, that haven't watched the shining or didn't, you know, realize that all these characters are going to be connected and welcome to dairy.

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[SPEAKER_02]: So that's that's awesome that you bring that up John.

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[SPEAKER_01]: Thanks because here's it.

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[SPEAKER_01]: I mean, he was just a king fan, but unless you actually follow the Seeming King lore or read the books, you're not going to know that Dick Holland has the shine or that the guy in the Jeep is him.

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[SPEAKER_01]: Unless you do your research and stuff like that and dig a link deeper with it.

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[SPEAKER_01]: So I'm happy that, you know, that I've found that out today and I was able to actually add more to my notes still great way to open up also to the race not only are they fighting racism, but they're also having to fight this darkness within the town as well.

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[SPEAKER_01]: So it's both of it is dark and it's on the way.

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[SPEAKER_01]: Absolutely definitely.

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[SPEAKER_02]: I like when you start meeting the different characters, you know, the other children in the film, the young girl that goes to school is her name.

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[SPEAKER_02]: I think it's Lily, Lily, and what's going on in her life because when you see her at school, what her friend and you notice how all the other kids are looking at her when she walks into the hallway and she opens up her locker and jars of pickles,

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[SPEAKER_02]: just start falling out of the locker and you're kind of not knowing what's going on, what's to deal with the pickles you find out later, why they did that, but just her story alone and how sad she seems to be at the school and then you find out.

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[SPEAKER_02]: that she knew Maddie who disappeared and had he took her up to their secret little you know lighthouse where they all you know get together and she wasn't supposed to be there but I like how they showed that scene of her connection to Maddie and the fact that these kids weren't really friends of Maddie I mean you find out that they weren't very nice to him you know when you talk about the birthday party with the two boys that was kind of

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[SPEAKER_02]: paid to go to Maddie's birthday party.

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[SPEAKER_02]: And now that Maddie's gone, it kind of connects them all together because of visions that they're having each of them seeing or hearing Maddie.

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[SPEAKER_01]: Right, because it is playing a big part in their subconsciousness and everything too.

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[SPEAKER_01]: And even with Lily, she's up there, forced her to lie as four months early and he's like, look, originally I'm not supposed to bring anybody up here unless it's okay with my friends to bring somebody up here.

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[SPEAKER_01]: And they watched the fireworks together and there's that little bit of hope that maybe Lily might actually fall from Maddie like it's dead I like how Maddie makes moves on her like how he gives her that kiss and then I was like she just goes look it's not you.

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[SPEAKER_01]: Right, whatever, and it's walks away.

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[SPEAKER_01]: And I think it was sad to see that because someone that's rejected at that age, it's just hard to actually deal with.

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[SPEAKER_01]: But I like the fact that it sets up the initial thing of their clothes.

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[SPEAKER_01]: They're like BFFs because he hands her the tortoise thing, which is also connected in with the dark tower.

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[SPEAKER_01]: OK. And this is actually also what helps the losers club.

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[SPEAKER_01]: fight it because they're, if he's actually the watcher of the, in the protector of the dark tower, the boardesses.

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[SPEAKER_01]: So I like how he's like, well, maybe you'll have good luck because the boardesses are good luck.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: And then I thought to myself, well, what if he was the one who winds winded up with it and not broke?

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[SPEAKER_03]: Huh.

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[SPEAKER_01]: And I wonder if that would actually get the um have a different way of actually doing it, but right I'm in some type of defense formatting, but no instead it goes over to Lily and it has this flavor of well, okay now we have to find Matty right and I like how also to the two boys are talking the hallway.

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[SPEAKER_02]: I mean, you know, you figure out that age, it was funny because if you remember being a kid that age and your thoughts on aliens and your thoughts on what's going to happen and a comment and all that, I like how this kid is totally entangled in that in the 60s.

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[SPEAKER_02]: Same here and well.

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[SPEAKER_02]: And that base and he keeps telling them about that base and what they may have at that air force base.

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[SPEAKER_01]: And that's what I like to is like, you know, they're fighting a war.

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[SPEAKER_01]: and stuff too.

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[SPEAKER_01]: So they have to use some type of way to cope with entertainment, the way they're not thinking about ward 24-7.

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[SPEAKER_01]: So this is actually them just trying to find some type of way of escape.

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[SPEAKER_02]: Right, and also with with Lily, you know, as far as the pickle is going back to that, you know, when we see her at home, we find out that, you know, well, when she's telling Maddie, because she's she's when she's having that assignment Maddie on the board to July, she ends up telling him about the fact that her father worked at the pickle company, the pickle factory and

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[SPEAKER_02]: He was going to help someone because she had forgotten something inside the building.

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[SPEAKER_02]: He went back in, a coworker needed help with something.

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[SPEAKER_02]: He had the climate to a machine that ended up killing her dad.

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[SPEAKER_02]: And so she ends up losing it for a while.

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[SPEAKER_02]: She has to go to some state hospital.

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[SPEAKER_02]: That's why the kids were like calling her loony lily or something that they would call her.

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[SPEAKER_02]: But for her to share that with Maddie, was a big deal.

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[SPEAKER_02]: That's why I was really hoping that he would at least kiss her back.

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[SPEAKER_02]: Anyways, but her home life, the way that her mom is acting towards her because she hasn't visited her dad's grave, and She's never been and it had been a year and so when she's sitting in the bathroom and she's just Obviously depressed and she's turns the water off and that was that's the first time she had heard or Seeing something that with the fingers that were coming out of the drain and she heard Maddie and singing that one song that was in the music man

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[SPEAKER_01]: Yeah, trouble trouble.

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[SPEAKER_02]: Yeah, trouble.

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[SPEAKER_01]: And the fingers are coming out of the drain.

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[SPEAKER_01]: And this is also a call back to the, uh, to it chapter one, where Beverly's seeing the hair come out.

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[SPEAKER_01]: Yes.

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[SPEAKER_01]: And of the drain, the blood going all everywhere.

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[SPEAKER_01]: So that's a, that's a call back to it chapter one right.

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[SPEAKER_01]: I want to talk about this though, the unsettlingness of her father getting trapped in those gears and then they don't show it, but just a sound effects of us Pithering this happening.

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[SPEAKER_01]: I'm glad they didn't show it and rather than just do it through.

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[SPEAKER_01]: Do it through that way.

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[SPEAKER_01]: I feel like less is more.

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[SPEAKER_01]: But I think that this is a perfect way to do it, and it just shows the trauma that Lily had it go through to losing her dad.

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[SPEAKER_01]: And I wouldn't want to go to a funeral either or visit the grave.

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[SPEAKER_01]: I thought of my dad knowing that's what happened.

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[SPEAKER_01]: And then you also feeling guilty because he had to go in there back in the work, workplace to get your mood ring.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: So it's just a sad thing for her to go through.

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[SPEAKER_01]: So yeah.

17:35.478 --> 17:45.153
[SPEAKER_01]: But I had goosebumps on that, I really had to say they did a really good job of keeping the same tone within a chapter one into as far as I could.

17:45.654 --> 17:45.875
[SPEAKER_02]: Yes.

17:46.596 --> 17:55.630
[SPEAKER_02]: And then hearing and you know what I like is, you know, you don't know at that time that the other kids in the group are also having.

17:55.610 --> 17:57.752
[SPEAKER_02]: you know, seeing things or hearing things.

17:58.273 --> 18:05.119
[SPEAKER_02]: And I forget the kids in my own office running the young Jewish boy when we get to see his life at home.

18:05.880 --> 18:09.724
[SPEAKER_02]: And him, he was concerned about, he was concerned about something asked his dad about.

18:09.964 --> 18:13.467
[SPEAKER_02]: Is it, was it about a murder or something?

18:13.507 --> 18:20.674
[SPEAKER_01]: He was asking his dad, oh yeah, he was, what he was asking was, came people, uh, he people underground.

18:21.095 --> 18:23.056
[SPEAKER_01]: Right, right, right, and not die.

18:23.537 --> 18:24.638
[SPEAKER_01]: Yes.

18:24.618 --> 18:30.591
[SPEAKER_01]: And then get this, that, those, that family is related to Stan from chapter chapter.

18:31.372 --> 18:31.753
[SPEAKER_01]: Okay.

18:31.773 --> 18:36.083
[SPEAKER_01]: So these characters are linked to future family free.

18:36.143 --> 18:37.926
[SPEAKER_01]: So they don't even know about right now.

18:37.947 --> 18:38.067
[SPEAKER_01]: Right.

18:38.087 --> 18:40.773
[SPEAKER_01]: That's actually part of Stan's family free.

18:41.835 --> 18:41.935
[UNKNOWN]: Okay.

18:42.353 --> 18:59.276
[SPEAKER_02]: Well, you're asking that because when he talked to Lily, remember Lily had went and told them because she went to the little lighthouse place where they all got together, their little club and Lily had told them that two friends of Matty's that, you know, this is what happened.

18:59.316 --> 18:59.836
[SPEAKER_02]: I heard him.

19:00.177 --> 19:02.640
[SPEAKER_02]: He sounds like pipes.

19:02.620 --> 19:05.565
[SPEAKER_02]: And so he goes home and asks his parents that, is that that?

19:05.906 --> 19:11.255
[SPEAKER_02]: And his dad just freaks out, freaks out because they're not that type of family.

19:11.295 --> 19:14.561
[SPEAKER_02]: It's about studying, uh, him reading those magazines.

19:14.581 --> 19:18.908
[SPEAKER_02]: They feel like it's given him this huge imagination, believing things that aren't real.

19:19.389 --> 19:21.312
[SPEAKER_02]: And the night when he goes to his bedroom.

19:21.472 --> 19:27.683
[SPEAKER_02]: And that would, that light, that freaking light that he's, he's reading.

19:27.663 --> 19:30.168
[SPEAKER_02]: He has his nightstand light and it turns off.

19:30.568 --> 19:34.416
[SPEAKER_02]: And the first time I'm not really thinking about it, he turns it back on, goes back to reading.

19:34.997 --> 19:36.119
[SPEAKER_02]: It turns off again.

19:36.139 --> 19:50.025
[SPEAKER_02]: I must say, when that thing had a mouth, the skin, because remember, the thing was is that, you know, what was it at one of the concentration camps?

19:50.005 --> 20:00.720
[SPEAKER_02]: There was a woman that was known to take the skin and so lamps and so chairs and use the skin for the chairs and lamps.

20:01.321 --> 20:06.488
[SPEAKER_02]: You go back and watch Ed Gain and you find out more about her the butcher of whatever was her name.

20:07.069 --> 20:12.216
[SPEAKER_02]: Anyways, with the way it came alive and he jumps out of bed scared me to.

20:12.196 --> 20:23.370
[SPEAKER_02]: And then the light is over in the corner and it, when that lamp goes, oh my gosh, scary, absolutely creepy, one of the creepiest parts that I've seen so far.

20:23.755 --> 20:24.376
[SPEAKER_01]: I agree.

20:24.556 --> 20:26.359
[SPEAKER_01]: That was that gave me the creeps as well.

20:26.620 --> 20:30.066
[SPEAKER_01]: And I'm like, no, you need to just get out of your room.

20:30.386 --> 20:30.787
[SPEAKER_03]: Yeah.

20:32.289 --> 20:35.054
[SPEAKER_01]: Like with the first time I'm like, okay, it's flickering no big deal.

20:35.114 --> 20:35.775
[SPEAKER_01]: Second time.

20:36.396 --> 20:37.398
[SPEAKER_01]: And then you see the face.

20:37.418 --> 20:48.376
[SPEAKER_01]: I'm like, ah, but I just like how they managed to pull on the your most fierce with this for this TV show.

20:49.238 --> 20:49.358
[SPEAKER_01]: Right.

20:49.422 --> 20:52.185
[SPEAKER_01]: And also too, they are Jewish.

20:52.506 --> 20:56.330
[SPEAKER_01]: So that's why also too, his father is like that.

20:56.370 --> 20:59.834
[SPEAKER_01]: He's like, look, his imagination is getting the best of him and things like that.

20:59.874 --> 21:05.160
[SPEAKER_01]: He needs to be studying the him so we can become a man because that's what's part of the Jewish family.

21:05.260 --> 21:10.046
[SPEAKER_01]: Even Stan had a hard time focusing and dialing in on his Judaism.

21:10.366 --> 21:12.709
[SPEAKER_01]: Exactly that too with his own stuff.

21:12.729 --> 21:18.636
[SPEAKER_01]: But, you know, this is just horrifying to see and seeing somebody that you knew in school,

21:18.852 --> 21:22.037
[SPEAKER_01]: Yeah, and seeing him plastered onto a lamp shade.

21:22.257 --> 21:24.361
[SPEAKER_01]: Yes, that's good.

21:24.381 --> 21:25.242
[SPEAKER_01]: The shit out of me.

21:25.262 --> 21:25.843
[SPEAKER_02]: Absolutely.

21:25.883 --> 21:26.985
[SPEAKER_02]: No, it was really scary.

21:27.005 --> 21:28.206
[SPEAKER_02]: I wasn't expecting that.

21:28.427 --> 21:32.713
[SPEAKER_02]: And that was I just I thought maybe a ghost of a Maddie or something.

21:32.733 --> 21:39.424
[SPEAKER_02]: I know, you know, but not that and rolling towards him while he's underneath his dresser was just it was frightening.

21:39.864 --> 21:42.809
[SPEAKER_02]: So now we see that okay there is this connection.

21:43.270 --> 21:45.433
[SPEAKER_02]: So he has to believe Lily because.

21:45.413 --> 21:57.313
[SPEAKER_02]: That's going on and you find out that the rest of the kids also were having the same experience, which didn't make them want to go and figure out what happened to Maddie.

21:58.070 --> 21:59.994
[SPEAKER_01]: right and trying to figure out that.

22:00.134 --> 22:05.604
[SPEAKER_01]: And then, you know, while that's happening again, it jumps back over to Mike's grandfather.

22:05.884 --> 22:06.185
[SPEAKER_01]: Yes.

22:07.067 --> 22:18.087
[SPEAKER_01]: And it's actually the destruction as house of dynamite made recently, but kind of isn't so much lens through, which we explore the kind of paranoia that he has.

22:18.067 --> 22:28.590
[SPEAKER_01]: But instead of racist realities of early 60s of America, despite his rank and service record, there are some who can't even bring themselves to salute him.

22:29.452 --> 22:37.830
[SPEAKER_01]: And but also too, this is the mystery, the mysteriously Hanan is jump in the night by men wearing gas masks.

22:37.810 --> 22:48.003
[SPEAKER_01]: and rubber suits, but that isn't a racist attack any more than the and an effort to force him to divulge these specifications of the bomber he's testing.

22:48.464 --> 23:00.019
[SPEAKER_01]: And when remains tight lift and his attackers are forced to flee, but one one imagines that won't be long until he has another crisis to deal with, perhaps something relating to the mysterious special project.

23:00.640 --> 23:04.425
[SPEAKER_02]: Yeah, yeah, that's

23:04.405 --> 23:10.296
[SPEAKER_02]: And you know, I thought I would just, I just seen something like maybe it's seeing them outside of the window in the gas mask.

23:10.337 --> 23:23.983
[SPEAKER_02]: I'm thinking, you know, maybe it's ghost, maybe it's an apparition, whatever, but I think it might be it as well, but no really, okay, yeah, I just, I didn't know when they showed up in this room and they want, you know, the specs.

23:23.963 --> 23:36.242
[SPEAKER_02]: for the bomber and I'm thinking they're going to have to kill him because he's not going to give that a way to them, but one of the people I believe it is is the guy that didn't salute him and wanted anything to do with them.

23:36.823 --> 23:39.507
[SPEAKER_02]: That's why I'm guessing who one of the guys are.

23:40.248 --> 23:47.018
[SPEAKER_02]: And thank goodness his friends showed up at the right time and came in and got them out of there, but obviously we know we're not done with that.

23:47.183 --> 23:47.804
[SPEAKER_01]: No, we're not.

23:47.824 --> 23:49.867
[SPEAKER_01]: There's going to be more than just going to be entangled with it.

23:50.608 --> 23:51.689
[SPEAKER_01]: And I'm with you.

23:51.769 --> 23:53.312
[SPEAKER_01]: It's going to be that guy that didn't salute.

23:53.732 --> 23:54.894
[SPEAKER_01]: Yeah, hands down.

23:54.994 --> 23:55.755
[SPEAKER_01]: I know that's him.

23:55.875 --> 23:56.155
[SPEAKER_01]: Yes.

23:56.256 --> 24:00.982
[SPEAKER_01]: And it's also any other crew that is also racist that would actually do that.

24:01.343 --> 24:01.603
[SPEAKER_01]: Right.

24:01.803 --> 24:03.926
[SPEAKER_01]: So you have that going on.

24:03.986 --> 24:08.753
[SPEAKER_01]: And then it goes back over to the boys again, this time they asked Veronica about Maddie.

24:08.733 --> 24:09.334
[SPEAKER_01]: Right?

24:10.035 --> 24:10.956
[SPEAKER_03]: She was not happy.

24:11.837 --> 24:12.117
[SPEAKER_01]: No.

24:12.538 --> 24:20.108
[SPEAKER_01]: She's like, I already told you what I told the cops that the last time I saw him was at the movie theater and that was it.

24:21.230 --> 24:21.470
[SPEAKER_01]: Right.

24:21.951 --> 24:25.655
[SPEAKER_01]: Then they started talking about their visions that they were having and stuff like that.

24:25.675 --> 24:30.302
[SPEAKER_01]: And that's Veronica was like, wait, you saw something too, right?

24:30.322 --> 24:31.123
[SPEAKER_01]: Yeah.

24:31.143 --> 24:33.886
[SPEAKER_01]: So they bring, so they bring something to the movie theater.

24:34.828 --> 24:36.630
[SPEAKER_01]: And if she's playing the music man,

24:37.792 --> 24:40.680
[SPEAKER_01]: And I'll let you break that down.

24:41.341 --> 24:53.573
[SPEAKER_02]: Yeah, they're going to the theater, they're watching a music man, and they're sitting there, and even I, as the audience member as well, is like,

24:53.553 --> 24:55.056
[SPEAKER_02]: What is Maddie doing in that film?

24:55.797 --> 24:57.059
[SPEAKER_02]: Oh my gosh, that's the family.

24:57.099 --> 24:58.322
[SPEAKER_02]: He's holding the baby.

24:58.642 --> 25:04.192
[SPEAKER_02]: But when they notice it's Maddie, they're yelling and he looks up at him.

25:04.914 --> 25:05.835
[SPEAKER_02]: And he looks at him.

25:06.276 --> 25:07.198
[SPEAKER_02]: Go ahead, John.

25:07.539 --> 25:08.340
[SPEAKER_02]: No, no, go ahead.

25:08.821 --> 25:09.202
[SPEAKER_02]: Okay.

25:09.582 --> 25:11.646
[SPEAKER_02]: He looks at them and I'm like,

25:11.626 --> 25:15.172
[SPEAKER_02]: Well, he can hear them and so they're like, come and come closer, come closer.

25:15.232 --> 25:15.913
[SPEAKER_02]: They're all yelling.

25:16.373 --> 25:19.418
[SPEAKER_02]: He comes closer with that with that baby.

25:19.999 --> 25:25.948
[SPEAKER_02]: But when he bends, turns his head down and looks up that face, that face that he makes.

25:26.730 --> 25:27.711
[SPEAKER_02]: And you can take it from there.

25:28.272 --> 25:30.015
[SPEAKER_02]: Yeah, that's still don't know about that scene.

25:30.035 --> 25:31.457
[SPEAKER_02]: I'm still, yeah.

25:31.538 --> 25:38.186
[SPEAKER_01]: That's Mark that he makes and then he lit and then he's literally in the comfort, I'm like, no, we need to turn this damn film.

25:38.426 --> 25:42.431
[SPEAKER_01]: Oh, Veronica, you need to cut the feed and that's it.

25:42.531 --> 25:45.134
[SPEAKER_01]: And even whenever that's happening, the door's locked.

25:45.454 --> 25:45.754
[SPEAKER_01]: Yes.

25:45.875 --> 25:49.619
[SPEAKER_01]: It actually locked Veronica inside.

25:49.659 --> 25:50.119
[SPEAKER_01]: Yes.

25:50.580 --> 25:56.547
[SPEAKER_01]: The room, but at the same time, though, destroy the do something cut the camera off.

25:56.627 --> 25:57.728
[SPEAKER_01]: Yeah, cut the feed.

25:58.269 --> 25:58.489
[SPEAKER_01]: Right.

25:58.549 --> 26:00.972
[SPEAKER_01]: All you have to do is cut the film from real or something.

26:00.952 --> 26:01.473
[SPEAKER_01]: Right.

26:01.893 --> 26:08.163
[SPEAKER_01]: But no, it keeps on playing and I'm like, look, you see someone that you may be possibly dead.

26:08.203 --> 26:10.206
[SPEAKER_01]: You see it's finger sticking out of the drain.

26:10.566 --> 26:12.810
[SPEAKER_01]: You still want him to come forward.

26:12.830 --> 26:13.651
[SPEAKER_01]: Right.

26:14.532 --> 26:18.758
[SPEAKER_01]: And then it's just the innocence of kids, though, too, because we're adults.

26:18.899 --> 26:21.883
[SPEAKER_01]: If we saw off right on the thing, we might actually do that.

26:21.903 --> 26:23.125
[SPEAKER_01]: But my thing is actually right.

26:23.405 --> 26:23.666
[SPEAKER_01]: Right.

26:23.686 --> 26:27.972
[SPEAKER_01]: But as seeing as an adult, we're like, no, you don't need to do anything to cut the shed off.

26:28.458 --> 26:41.320
[SPEAKER_01]: then you see the demon baby come through the screen and then it spreads every single kid oh my god everybody by Lily and Veronica yes

26:41.755 --> 26:46.399
[SPEAKER_01]: And you think that we're going to be following these kids on this mystery.

26:46.599 --> 26:47.380
[SPEAKER_01]: Yes, right.

26:47.560 --> 26:54.307
[SPEAKER_01]: But instead, it is like fuck them kids and and just shreds them.

26:55.187 --> 26:57.329
[SPEAKER_01]: Lily has a hands attached to her.

26:57.690 --> 26:59.291
[SPEAKER_02]: Yes, the little girls hand.

27:00.472 --> 27:02.294
[SPEAKER_02]: Yeah, the little the boys little sister.

27:02.334 --> 27:04.456
[SPEAKER_02]: Yeah, no, no, love.

27:04.496 --> 27:06.097
[SPEAKER_02]: And I'm telling you, I'm just going to say this guys.

27:06.157 --> 27:10.041
[SPEAKER_02]: I'm just going to say this as a black person.

27:10.021 --> 27:10.722
[SPEAKER_02]: We run.

27:11.183 --> 27:11.523
[SPEAKER_02]: Okay.

27:11.684 --> 27:12.525
[SPEAKER_02]: We are running.

27:12.545 --> 27:14.909
[SPEAKER_02]: We're not, no, we're not waiting.

27:14.949 --> 27:15.750
[SPEAKER_02]: We're out of there.

27:15.770 --> 27:16.351
[SPEAKER_02]: We're running.

27:16.571 --> 27:18.655
[SPEAKER_02]: I'm not telling you to come through the screen.

27:18.835 --> 27:24.103
[SPEAKER_02]: Once I see that you know that I'm talking to you, done, done out of there.

27:24.184 --> 27:28.370
[SPEAKER_02]: So that I was not expecting for them kids to be blitchered like that.

27:29.151 --> 27:32.397
[SPEAKER_02]: And I'm just like, wait, these are the kids.

27:33.038 --> 27:33.919
[SPEAKER_02]: Oh, like,

27:33.899 --> 27:40.988
[SPEAKER_02]: You think I wasn't just not expecting that dude and I'm thinking again, that did not just ain't no way that happened.

27:41.389 --> 27:53.665
[SPEAKER_02]: But when Veronica and Lily walk out of the theater and poor girl has blood all over her and has the baby's hands attached to her, I'm like, oh my gosh, that just happened.

27:54.265 --> 27:55.427
[SPEAKER_01]: Yeah.

27:55.447 --> 27:58.090
[SPEAKER_01]: And you know, I know that these kids are not going to make it.

27:58.791 --> 28:02.556
[SPEAKER_01]: I know that because

28:02.992 --> 28:05.297
[SPEAKER_01]: And we wouldn't have the loses club later on.

28:05.758 --> 28:06.259
[SPEAKER_01]: Right.

28:06.279 --> 28:17.863
[SPEAKER_01]: So I know they're not going to make it, but this also changes things for us as viewers of saying no one is safe and you can die, the stakes are high and that's what I like about it is they're not playing safe with it.

28:18.244 --> 28:22.232
[SPEAKER_01]: Yes, they they're actually saying don't get attached to the characters.

28:22.212 --> 28:24.654
[SPEAKER_01]: Harris was going to die and this is how it is.

28:25.115 --> 28:28.238
[SPEAKER_01]: And he was in someone to comment today because I didn't expect to kiss the guy.

28:28.258 --> 28:34.284
[SPEAKER_01]: I'm like, well, I did, but on that way, I was expecting maybe through episode six or seven.

28:34.584 --> 28:34.884
[SPEAKER_02]: Yes.

28:35.285 --> 28:35.565
[SPEAKER_02]: Yes.

28:35.705 --> 28:36.346
[SPEAKER_02]: There you go.

28:36.446 --> 28:37.487
[SPEAKER_01]: Whenever the family is.

28:38.048 --> 28:39.149
[SPEAKER_02]: Right.

28:39.169 --> 28:39.889
[SPEAKER_02]: I thought that too.

28:39.949 --> 28:40.950
[SPEAKER_02]: I thought it was too early.

28:40.970 --> 28:45.555
[SPEAKER_02]: I didn't think it would happen in the first fricking episode that they would go.

28:45.615 --> 28:48.658
[SPEAKER_02]: I mean, you know, I mean, it's

28:48.638 --> 29:02.596
[SPEAKER_02]: watching the series or the movies, I'm not surprised that the kids, you know, each one of them would be gone, you know, but I thought maybe, you know, it would get them, they would join Maddie under whatever he is, and but not like this.

29:02.636 --> 29:04.118
[SPEAKER_02]: So that was a total surprise.

29:04.178 --> 29:07.963
[SPEAKER_02]: And yeah, it really said, man, you just anybody can get it.

29:08.230 --> 29:17.089
[SPEAKER_01]: Right, you know, I'm glad they and I read I read up on this though, too, that they're not going to show the show Pennywise until like towards the end of the series.

29:17.631 --> 29:22.201
[SPEAKER_01]: So I'm glad they're not doing that because people have to realize this is not a two and a half hour movie.

29:22.281 --> 29:25.588
[SPEAKER_01]: This is eight episodes eight hours of Pennywise.

29:26.049 --> 29:26.931
[SPEAKER_01]: Right.

29:26.911 --> 29:31.621
[SPEAKER_01]: and they can do a slow-paced show and then show him towards the end, right?

29:31.641 --> 29:35.930
[SPEAKER_01]: You don't need to actually show the mask of what it is until later on.

29:36.270 --> 29:36.491
[SPEAKER_01]: Yes.

29:36.711 --> 29:39.998
[SPEAKER_01]: So that's something I do appreciate with the show as a slow build.

29:40.198 --> 29:45.409
[SPEAKER_01]: You get to that point that we actually see Bell's Garz Garz Garz as Pennywise.

29:45.389 --> 29:53.839
[SPEAKER_02]: And even with all the other things that are going on anyways, it's scary enough to where you don't have to show him for a few episodes.

29:53.899 --> 30:06.033
[SPEAKER_02]: I mean, you can go through five, six episodes without even having to show him because the other things that are going on, it's already much, you know, and then the insinuation of him, it's already much.

30:06.474 --> 30:08.256
[SPEAKER_02]: So it's good.

30:08.296 --> 30:09.157
[SPEAKER_02]: It's already good.

30:09.597 --> 30:10.198
[SPEAKER_02]: Yeah.

30:10.178 --> 30:10.498
[SPEAKER_01]: Right.

30:10.999 --> 30:12.021
[SPEAKER_01]: And I just want to mention this.

30:12.081 --> 30:20.073
[SPEAKER_01]: I know that to our listeners and to Rossi, though, too, because I know that you don't know about this, but the town was actually built on it.

30:20.814 --> 30:21.255
[SPEAKER_01]: Was it?

30:21.876 --> 30:24.660
[SPEAKER_01]: Yeah, it was cursed right from the get go.

30:24.680 --> 30:24.780
[SPEAKER_01]: Okay.

30:24.800 --> 30:25.761
[SPEAKER_01]: It was already there.

30:26.282 --> 30:29.447
[SPEAKER_01]: They just put the foundation in the town on it.

30:29.827 --> 30:30.529
[SPEAKER_01]: Okay.

30:30.549 --> 30:36.878
[SPEAKER_01]: So, you know, and also one or two of maybe the military thing is also part of the Tommy knockers.

30:37.280 --> 30:50.643
[SPEAKER_01]: Steven came because that's also alien based though too, but it is also a demon just as the turtle that the tortoise that was talking about is also a demon and protector of the dark tower.

30:50.663 --> 30:53.929
[SPEAKER_01]: Okay, but still all in all great pilot episode.

30:54.089 --> 30:55.091
[SPEAKER_01]: Yes.

30:55.111 --> 30:56.112
[SPEAKER_01]: A great way to open up.

30:56.693 --> 30:58.296
[SPEAKER_01]: I am still intrigued with it.

30:58.817 --> 31:00.520
[SPEAKER_01]: The new episode drops on Friday.

31:00.922 --> 31:04.369
[SPEAKER_01]: Okay, so that's something I'm I'm happy that they're doing.

31:04.389 --> 31:08.437
[SPEAKER_01]: Yeah, the dropping that on Halloween, instead of waiting until Sunday.

31:08.617 --> 31:08.837
[SPEAKER_01]: Yes.

31:09.499 --> 31:14.328
[SPEAKER_01]: So now we have a new episode coming out on Friday, but we're still going to do a show on Monday.

31:14.649 --> 31:14.829
[SPEAKER_01]: Yes.

31:14.909 --> 31:18.897
[SPEAKER_01]: So, but uh, is there anything else that you want to add as far as this goes?

31:19.450 --> 31:46.892
[SPEAKER_02]: You know, I just want to say that, you know, I've been waiting for this, you know, when we saw the first trailer couldn't wait for it to come on, I felt it was already going to be good and that first episode really solidify this is going to be a great season.

31:46.872 --> 31:48.927
[SPEAKER_02]: you know, the movies and whatnot.

31:48.987 --> 31:50.216
[SPEAKER_02]: So it's I'm enjoying it.

31:50.297 --> 31:51.465
[SPEAKER_02]: It's really good.

31:51.850 --> 31:52.351
[SPEAKER_01]: I agree.

31:52.531 --> 31:53.272
[SPEAKER_01]: I'm enjoying this.

31:53.372 --> 31:55.796
[SPEAKER_01]: I can't wait to see what we have for the next seven episodes.

31:56.077 --> 31:57.719
[SPEAKER_01]: Yeah, I mean, tell me what you guys think.

31:57.779 --> 31:59.862
[SPEAKER_01]: Oh, you guys liking this or you guys not liking this.

31:59.902 --> 32:04.750
[SPEAKER_01]: Tell us in the comments below if you're watching this or on replay later on tell us in the comments.

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[SPEAKER_01]: I'd like to actually get with you talk to you a little bit more about the town history because I actually have notes on that too.

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[SPEAKER_01]: I'm probably going to wind up doing like a separate video later on just to break down the town history of it and how it was evolved with dairy.

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[SPEAKER_01]: because I'm a nerd, but still tell us what you guys think.

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[SPEAKER_01]: What's your speculation on this?

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[SPEAKER_01]: Give us some of your fan theories.

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[SPEAKER_01]: And that's going to be it as far as this episode goes, guys.

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[SPEAKER_01]: Thank you so much, Rossi, for joining me for this whole entire season.

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[SPEAKER_01]: I do appreciate it.

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[SPEAKER_02]: Of course.

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[SPEAKER_02]: We are movie lovers tonight.

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[SPEAKER_01]: Yes, we are.

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[SPEAKER_02]: We are.

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[SPEAKER_01]: But you know, it's just great to be able to just get out and also to not only if our, you know, our fans don't know for things about it, I like geeking out knowing that you don't know nothing and I can actually talk to you about it because it's me a chance to put out my little chalkboard and tell you.

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[SPEAKER_02]: Yeah, it's interesting.

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[SPEAKER_02]: I didn't know.

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[SPEAKER_02]: So I'm happy that you come with that part for people like me that don't know all that history and how all a lot of the Stephen King movies are intertwined so I love that you do that that's awesome.

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[SPEAKER_02]: Thank you.

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[SPEAKER_01]: I do appreciate that.

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[SPEAKER_01]: But yeah, guys, that's going to be it.

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[SPEAKER_01]: JoJo, thank you so much for always watching.

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[SPEAKER_01]: Always supporting us with you.

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[SPEAKER_01]: Appreciate it, bossy.

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[SPEAKER_01]: Do you have anything else that you want to talk about as far as your shows go or you.

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[SPEAKER_02]: Yeah, actually guys join me next Monday at 730 video game segment is back with trust with Patron Frito.

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[SPEAKER_02]: And I can't wait to talk to you guys about games because I geek out on that and we have to talk about Grand Theft Auto guys bad news.

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[SPEAKER_02]: So join us next Monday at 730 Pacific Standard Time.

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[SPEAKER_02]: We will be live here on movie lovers unite

33:56.253 --> 34:02.319
[SPEAKER_01]: All right, and guys, we just got done doing our final of Ginny Curry from Forest Gomps.

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[SPEAKER_01]: So check that out, tell us what you guys think, as she innocent and as she not innocent, you guys will go ahead and check that out on the YouTube channel and always look to the next thing guys.

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[SPEAKER_01]: Bye.

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[SPEAKER_01]: Bye, guys.