I Know What You Did Last Summer (1997) – Slasher Classic or Outdated Scream Clone? | Movie Review

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[SPEAKER_04]: And hello, movie lovers and I'm open to show.

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[SPEAKER_04]: So today I have my good friends, Mith and Stu.

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[SPEAKER_04]: They're back here again.

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[SPEAKER_04]: We're gonna be talking about bow, nineteen ninety sevens.

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[SPEAKER_04]: I know we did last summer.

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[SPEAKER_04]: I'm excited to talk about this.

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[SPEAKER_04]: And let's go on ahead.

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[SPEAKER_04]: Let's start the show up.

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[SPEAKER_04]: Let's do this guys.

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[SPEAKER_04]: And hey guys, welcome back to the show.

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[SPEAKER_04]: I do appreciate you guys coming out here talking about, I know we did last summer.

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[SPEAKER_00]: Oh, thank you.

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[SPEAKER_04]: Oh, you're welcome.

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[SPEAKER_04]: I definitely enjoyed our review for the cable guy.

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[SPEAKER_04]: That's actually one of the top downloads from Mark, so I was actually... Oh, well, you're welcome.

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[SPEAKER_00]: Yeah, I'm so lost.

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[SPEAKER_04]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_00]: I'm so lost.

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[SPEAKER_04]: But you know, now we're going to talk about something a little bit darker.

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[SPEAKER_04]: We're going to talk about, I know we did less and we're going to talk about the nostalgia first.

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[SPEAKER_04]: And then after the nostalgia, we're going to strip it away because that's not going to be a thing anymore.

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[SPEAKER_04]: And let's talk about it.

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[SPEAKER_04]: So what was the first time that you guys seen?

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[SPEAKER_04]: I know where you did less summer.

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[SPEAKER_02]: Yes.

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[SPEAKER_02]: So I, I'm the same.

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[SPEAKER_02]: I just missed.

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[SPEAKER_02]: So I would have seen this, not a movie here.

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[SPEAKER_02]: So it would have been a little bit too young.

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[SPEAKER_02]: So I would have been about twelve, thirteen when it came out.

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[SPEAKER_02]: So I didn't watch it until it came out on a video rental.

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[SPEAKER_02]: But I remember, I'm not sure if it was the same in the States, but it used to take forever for video rentals to come out after cinema release.

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[SPEAKER_02]: You know, sometimes it could take up to six months to a year, something like that.

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[SPEAKER_02]: So yeah, I mean, it was available to rent.

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[SPEAKER_02]: That's when I saw it.

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[SPEAKER_02]: So I probably would have saw this early, nineteen, nineteen.

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[SPEAKER_02]: I've a very late, ninety, ninety, seven, early, nineteen, ninety eight on a movie rental.

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[SPEAKER_00]: Yeah, so I had it on VHS when I was younger.

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[SPEAKER_00]: Now, whether or not I got that for Christmas, not only seven or Christmas, not only eight, I don't really know, but far too young, sort of in twelve or thirteen when I received it.

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[SPEAKER_00]: Thanks, Mom and Dad.

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[SPEAKER_00]: But I was very big into horror films.

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[SPEAKER_00]: I always have been very big into horror films.

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[SPEAKER_00]: So this coming out around about that time of scream and the renewed slasher boom of the late nineties, it would very much have been on my rotation of films to watch again and again and again.

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[SPEAKER_04]: Okay.

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[SPEAKER_04]: And what would you give to nostalgia of Faker as far as what would you give it out of ten?

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[SPEAKER_04]: What about the

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[SPEAKER_02]: So when we say nostalgia, I think when we think back, that was a really cool movie, is that what you mean?

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[SPEAKER_04]: Right.

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[SPEAKER_02]: Yeah, uh, good solid day.

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[SPEAKER_02]: Um, this was, I held this in a higher regard with screen, like Smith said, when there was the Slash of Boom initially, some good slashes came out and they sort of digress and got worse and worse and worse.

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[SPEAKER_02]: Um, yeah, this one, good nostalgia about it because it's good premise as well.

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[SPEAKER_02]: I like the premise is not just a dumb Slash of Booby, that's your point to it.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: So for me,

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[SPEAKER_00]: It's like less, in fact, I think time has damaged this film for me and my memory.

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[SPEAKER_00]: I think at the time I would have enjoyed it, but over the years, it sort of dropped off in a way that screen hasn't.

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[SPEAKER_00]: So screen has managed to keep itself relatively consistent.

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[SPEAKER_00]: Yeah, through sequels and it's like a stone coal classic.

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[SPEAKER_00]: This one dropped off.

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[SPEAKER_00]: And actually, when I thought about this film, and when you asked us to come and review it, I was like, oh, God, I should sit through.

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[SPEAKER_00]: I know we did last time, because as I remember, it's quite boring.

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[SPEAKER_00]: And that's how I remember it.

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[SPEAKER_00]: So from an astounded perspective, I would probably put it about five in the, I understand it's place, I understand it being part of that splash of food that I was so fond of, but it was for me sort of a lesser entry due to the low body count and the kind of slower pace.

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[SPEAKER_04]: Okay, so for me, I remember going to the movie theaters for my mom.

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[SPEAKER_04]: I digged to see this in the theater.

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[SPEAKER_04]: I was maybe eleven, maybe twelve when I went to go to the theater.

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[SPEAKER_04]: So I was exposed to this at an early age, and I wanted to get a blockbuster on the HS.

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[SPEAKER_04]: And I remember not liking it as much, even as a kid liking it as much a second, go around or whatever, because I think about it like this.

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[SPEAKER_04]: You're in the dark room with all these other people getting scared, and then during your living room, and there's just nothing really scary about it.

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[SPEAKER_04]: Because you can either watch this during the daytime or nighttime.

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[SPEAKER_04]: or whatever.

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[SPEAKER_04]: So that part.

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[SPEAKER_04]: But I also remember reading the book in the seventh grade.

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[SPEAKER_04]: This is like years after.

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[SPEAKER_04]: And the only reason why we pick that no way you did less time for the book read was because of the fact that started off at page five.

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[SPEAKER_04]: So that means that we don't have to worry about so that before we can actually just get all the other pages.

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[SPEAKER_04]: It goes great into page five.

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[SPEAKER_04]: So that way we could just

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[SPEAKER_04]: You know, this basically brings through it as an easy read.

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[SPEAKER_04]: Yeah.

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[SPEAKER_04]: So that's the only reason why we read it.

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[SPEAKER_04]: And the book is totally different from what the movie is.

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[SPEAKER_04]: It's about a guy with a can gun that's killing people.

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[SPEAKER_04]: He's still running over the guy, but instead of a hook, guys killing people with a gun.

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[SPEAKER_00]: Yeah, that's not interesting for a slasher film.

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[SPEAKER_00]: I think when you when you you're trying to adapt something and fit it into

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[SPEAKER_00]: the niche that you're trying to fit it into.

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[SPEAKER_00]: And obviously this has that post screen legacy about it and it's clearly capitalizing on that.

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[SPEAKER_00]: You wouldn't have someone running around with the government because it's not that interesting.

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[SPEAKER_00]: I mean, interestingly, I think we've covered this potentially the last time we were here.

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[SPEAKER_00]: But it's interesting.

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[SPEAKER_00]: You say you sort when you were eleven twelve years old at the theater because I think and whether you know this or not, you probably do is that in the UK, we don't have the equivalent of an R rating.

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[SPEAKER_00]: We have very kind of set

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[SPEAKER_00]: If you're twelve, you see a twelve.

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[SPEAKER_00]: If you're fifteen, see a fifteen.

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[SPEAKER_00]: You can't go and see stuff beyond the adress.

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[SPEAKER_00]: I understand with an R rating.

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[SPEAKER_00]: If it's an R, you know, if you're booted as long as you've got an adult with you.

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[SPEAKER_04]: Right, exactly.

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[SPEAKER_04]: But so as far as me as his style's effector is, I'm going to have to give it a maybe at least a seven point five out of ten.

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[SPEAKER_04]: Like there's things that I liked about it.

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[SPEAKER_04]: And some of that as far as a thousand ago, as I remember, Jim, I loved human being in this movie.

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[SPEAKER_04]: The soundtrack is good to have corn.

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[SPEAKER_04]: And I was like, can you also have a little bit of a glimpse of the offspring in this as well?

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[SPEAKER_04]: And I started thinking about this when I was watching it.

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[SPEAKER_04]: I was like, you know what?

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[SPEAKER_04]: We really cool that they actually put corn in this instead of hyponegative.

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[SPEAKER_04]: Then I looked at soundtrack.

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[SPEAKER_04]: I'm like, oh, they did.

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[SPEAKER_04]: Okay.

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[SPEAKER_04]: I just never had it in the movie itself.

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[SPEAKER_04]: Still some point five for me.

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[SPEAKER_04]: I was excited about the look into the opening scene.

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[SPEAKER_04]: It's still like that too, but yeah.

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[SPEAKER_04]: So now that we talked about it in a statuically and I at our five-year-old cells, we're gonna go ahead and erase the nostalgia by doing this, breaking it scene by scene.

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[SPEAKER_04]: So cool.

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[SPEAKER_04]: Ah, summer.

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[SPEAKER_04]: A time for bikinis, bonfires, and accidental murder.

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[SPEAKER_04]: That's right.

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[SPEAKER_04]: Today we're diving into the ninety nine seven teen screen classic.

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[SPEAKER_04]: I know what you did last summer.

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[SPEAKER_04]: The movie that taught us two things.

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[SPEAKER_04]: Don't drink and drive.

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[SPEAKER_04]: If you kill someone, maybe don't send them.

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[SPEAKER_04]: Thank you.

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[SPEAKER_04]: Um, this movie has a lot to describe.

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[SPEAKER_00]: What did we get to know that already?

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[SPEAKER_04]: Exactly.

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[SPEAKER_04]: Exactly.

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[SPEAKER_04]: This movie has it all.

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[SPEAKER_04]: Suspicious fishermen, brooding Freddy Prince Jr., introver love you.

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[SPEAKER_04]: It's screaming at the sky like he's everything to summon Thor.

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[SPEAKER_03]: What are you waiting for?

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[SPEAKER_03]: What are you waiting for?

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[SPEAKER_03]: What are you waiting for?

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[SPEAKER_01]: What are you doing there, John?

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[SPEAKER_03]: That's brilliant.

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[SPEAKER_04]: We found something to shout out to the killer who apparently have rated a best pro shop and taught.

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[SPEAKER_04]: Yeah, it's slicker in hook combo.

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[SPEAKER_04]: I shouldn't have murdered her.

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[SPEAKER_03]: Yeah.

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[SPEAKER_03]: Yeah.

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[SPEAKER_04]: So hide your secrets, shopping your fish hooks, and prepared to sell each other's names, dramatically in the rain, because this is our review of I know we do less summer.

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[SPEAKER_04]: And yes, we still know what you did last summer.

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[SPEAKER_03]: We take this to our grave, let me hear it.

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[SPEAKER_04]: So, the night of the Fourth of July, Julie James, Jennifer Love, you it, Helen Shivers, played by Sarah Majoggiller, Barry Klotz, who's played by Ryan Philippe, and Ryan Bronson, pretty for his junior, go out of town to celebrate returning in Barry's new car.

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[SPEAKER_04]: They hit an apparently killer man while thinking, what to do, Julie's friend, Max,

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[SPEAKER_04]: arrives.

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[SPEAKER_04]: Julie tells him everything is fine.

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[SPEAKER_04]: So he leaves and goes on the big banged dairy.

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[SPEAKER_04]: They dumped the corpse in the ocean and agreed to never discuss again on what happened.

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[SPEAKER_02]: So it doesn't fuck around to get straight in there.

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[SPEAKER_00]: It does get straight in there.

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[SPEAKER_00]: This is something that my my only mean anything to people.

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[SPEAKER_00]: Listening in the UK, but the guitar riff on the song that plays over the very opening credits sound an awful lot like an advert for chocolate that we had cool flake.

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[SPEAKER_00]: And as long as watching it, I was like, oh, only the flakey is crumbly as chocolate will do.

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[SPEAKER_00]: When you're murdering someone with your car.

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[SPEAKER_02]: That opening shot's great.

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[SPEAKER_02]: It all pans over the sea and there's a helicopter shot and you get that new set on the cliff here.

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[SPEAKER_00]: Very well shot.

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[SPEAKER_00]: Very well shot.

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[SPEAKER_00]: Very well shot, which is interesting because the director is a Jim Gillespie.

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[SPEAKER_00]: Hasn't done anything of any worth afterwards.

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[SPEAKER_00]: The only other thing that I saw that I've seen on the list of his films is a film itself, a cylindrical detox, which is absolutely terrible.

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[SPEAKER_00]: Sorry, I haven't seen it.

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[SPEAKER_04]: But you know what though, you're absolutely right with the opening credits.

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[SPEAKER_04]: I thought there was pretty cool on the white-angle shot that you have the waves.

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[SPEAKER_04]: You also have the electric guitar of typo negative being played over the waves to show us the danger and the elements of the storm that's about to happen, with not only with the kids, but also with the person that they run over.

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[SPEAKER_04]: But the thing that I like the most though, it kind of reminds me of the lost boys opening scene.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: Yes, it does.

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[SPEAKER_04]: The white angle shot, the Paris wheel and stuff like that.

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[SPEAKER_04]: It's very atmospheric on how they handled that.

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[SPEAKER_04]: And I thought that was pretty cool on how they handled that little baby of a throwback from the last boys.

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[SPEAKER_04]: But yeah, I definitely love how negative being in there.

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[SPEAKER_04]: And it's also called summer breeze.

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[SPEAKER_04]: I think that's the name of the song by type of negative.

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[SPEAKER_04]: So it's perfect for I know what you did last.

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[SPEAKER_04]: I'm going to put this summer song into this for the opening scene.

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[SPEAKER_03]: Absolutely.

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[SPEAKER_04]: So, but yeah, then

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[SPEAKER_04]: Then you actually have this whole entire thing played out where, you know, Helena winds up winning the pageant.

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[SPEAKER_04]: Then you have this whole entire banter between Barry and pretty French juniors character.

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[SPEAKER_04]: And it's like, yeah, she does these, she just pumps up her breasts and to make them bigger.

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[SPEAKER_04]: And he goes, yeah, it looks, they look, I am automatically correct.

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[SPEAKER_00]: Yeah, it's very odd this scene.

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[SPEAKER_00]: I've written down this of what we were listening in films these days, sexism.

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[SPEAKER_00]: I also, it was a bit of a Jennifer love of you because looking at she was born for this, what, what, standing in her underwear?

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[SPEAKER_00]: What was she doing?

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[SPEAKER_00]: She's a beauty pageant.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: And then what you know is, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own you, they own

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[SPEAKER_04]: is like, well, we need her to have to set up with those other main characters to make us care about her.

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[SPEAKER_04]: So let's make her win this pattern.

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[SPEAKER_04]: So the way we have an excuse to bring her back in a year after.

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[SPEAKER_04]: So she wins the pattern.

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[SPEAKER_04]: That's what I saw.

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[SPEAKER_04]: I saw the fact that, hey, look, we're going to go ahead, bring her in just for a few minutes.

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[SPEAKER_04]: So the way we have the year later and therefore now, she had we have a reason to care about her.

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[SPEAKER_00]: Oh, pageant.

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[SPEAKER_00]: A big thing in the US.

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[SPEAKER_04]: They are in certain states as well.

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[SPEAKER_04]: Beauty passions and stuff like that.

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[SPEAKER_00]: I don't think we've had stuff like this in the UK since the nineteen seventies.

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[SPEAKER_00]: But I might be wrong about that, but like it's not a thing.

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[SPEAKER_00]: I've never been to one.

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[SPEAKER_00]: When they do this in the one either.

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[SPEAKER_00]: Good.

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[SPEAKER_02]: I think what they do this well.

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[SPEAKER_02]: They have a missing glimpses, Scotland, Miss Wiles, that sort of shit.

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[SPEAKER_02]: I think that's just one that don't think like every city, you know, within the UK as a pledge because it's a little bit weird.

12:00.291 --> 12:03.354
[SPEAKER_04]: Yeah, I don't I don't like duty pageants and stuff like that.

12:03.394 --> 12:10.922
[SPEAKER_04]: I'm not the type of person that would go on ahead and watch a full two hour three hour thing of duty pageants and let them change out through different wardrobes.

12:11.723 --> 12:12.543
[SPEAKER_04]: So they're not like

12:13.748 --> 12:20.172
[SPEAKER_00]: You really have to have nothing else going on spending off the news.

12:20.212 --> 12:26.476
[SPEAKER_04]: I mean you also have this little small town that is sharing for this beauty page and with that final areas.

12:27.817 --> 12:31.780
[SPEAKER_04]: It's a unique setting for this kind of thing and it feels

12:37.556 --> 12:40.797
[SPEAKER_00]: quite lived in and it feels realistic like you don't get the sense.

12:41.077 --> 12:41.817
[SPEAKER_00]: It's not like screaming.

12:41.837 --> 12:45.818
[SPEAKER_00]: It's not this kind of, you know, college town where you've got a big school and all these things.

12:45.938 --> 12:48.339
[SPEAKER_00]: It seems a lot more crowded.

12:49.319 --> 12:51.119
[SPEAKER_00]: Yeah, but more grounded, more rural.

12:51.139 --> 12:52.840
[SPEAKER_00]: Yeah.

12:54.300 --> 12:55.200
[SPEAKER_00]: It's an interesting setting.

12:55.740 --> 13:02.962
[SPEAKER_00]: This was a bit in this where they're talking with Jennifer Love here and I think one of them says that when you go to come a hot shot lawyer, a piece of information that has no further relevance to the rest of the fifth.

13:03.620 --> 13:04.301
[SPEAKER_04]: No, it doesn't.

13:04.621 --> 13:05.662
[SPEAKER_00]: It's going to be a lawyer.

13:05.802 --> 13:06.382
[SPEAKER_00]: I'll at night.

13:06.742 --> 13:09.004
[SPEAKER_04]: No, I'm going to move to New York to get a lawyer.

13:10.005 --> 13:11.146
[SPEAKER_04]: Well, hold on, hold on.

13:11.186 --> 13:14.588
[SPEAKER_04]: She actually mentions the fact that well, if I love you, it's going to be a lawyer.

13:14.988 --> 13:15.389
[SPEAKER_04]: Yes.

13:15.489 --> 13:17.130
[SPEAKER_04]: The friend is going to be an actress.

13:17.630 --> 13:20.352
[SPEAKER_04]: So it's going to move to New York to be an actress.

13:20.712 --> 13:22.714
[SPEAKER_00]: Could you mute the light to be an actress?

13:23.434 --> 13:25.316
[SPEAKER_04]: Well, some people actually move to New York.

13:26.222 --> 13:35.676
[SPEAKER_04]: It's a new actor's in actresses, but at the same time though, in the nineties, it was always, it was always Los Angeles, Hollywood.

13:37.780 --> 13:40.482
[SPEAKER_04]: You know, but yeah, she's like, I'm going to go up to New York.

13:40.542 --> 13:44.305
[SPEAKER_04]: I'm going to be an actress and that's my career.

13:45.006 --> 13:49.470
[SPEAKER_04]: So how many of us do this though, even in high school, where we're like, oh, we're going to go on ahead.

13:49.510 --> 13:50.591
[SPEAKER_04]: We're going to move out of our town.

13:50.651 --> 13:53.973
[SPEAKER_04]: We're going to try and be bigger than who we think we're going to be.

13:54.454 --> 13:55.535
[SPEAKER_04]: And we don't do Jack shit.

13:56.596 --> 13:57.056
[SPEAKER_00]: Okay.

13:57.156 --> 13:59.598
[SPEAKER_00]: You know what I'm going to do after all right.

13:59.618 --> 13:59.778
[SPEAKER_00]: Right.

13:59.878 --> 14:02.821
[SPEAKER_00]: I mean, I still think I'm going to go to Hollywood and then actually like, I'm for you.

14:02.981 --> 14:03.781
[SPEAKER_00]: So you know, but I'm still.

14:03.822 --> 14:04.262
[SPEAKER_00]: It's the dream.

14:05.684 --> 14:06.845
[SPEAKER_04]: Hey, I'm going to dream right now.

14:06.905 --> 14:08.346
[SPEAKER_04]: I get to do a podcast with you guys.

14:08.386 --> 14:10.027
[SPEAKER_04]: That's my dog.

14:11.829 --> 14:18.515
[SPEAKER_04]: So, but then we actually have this other party scene that happens between Max and Barry.

14:23.062 --> 14:24.664
[SPEAKER_04]: It reminds me of high school all over again.

14:24.684 --> 14:25.765
[SPEAKER_04]: It's like you better be lucky.

14:25.785 --> 14:26.565
[SPEAKER_04]: He's holding me back.

14:26.785 --> 14:27.746
[SPEAKER_04]: Yeah, you better be lucky.

14:27.766 --> 14:30.008
[SPEAKER_04]: I know that would kick your ass.

14:30.369 --> 14:34.072
[SPEAKER_04]: No, you know, it just reminds me of those high school days.

14:34.973 --> 14:35.453
[SPEAKER_04]: Okay, bro.

14:35.614 --> 14:35.854
[SPEAKER_04]: Okay.

14:36.594 --> 14:36.815
[SPEAKER_03]: Yes.

14:36.975 --> 14:37.856
[SPEAKER_02]: He would go, bro.

14:38.296 --> 14:38.476
[SPEAKER_04]: Yeah.

14:38.576 --> 14:40.278
[SPEAKER_02]: He's right here.

14:40.338 --> 14:43.040
[SPEAKER_02]: Max Max likes Julie.

14:43.140 --> 14:43.941
[SPEAKER_02]: It's quite obvious, right?

14:43.961 --> 14:44.722
[SPEAKER_02]: But instead of right.

14:45.415 --> 14:46.676
[SPEAKER_02]: pushing him to say fuck off.

14:46.776 --> 14:47.717
[SPEAKER_02]: It's Barry that does it.

14:47.737 --> 14:49.038
[SPEAKER_02]: Which I think is really interesting.

14:49.058 --> 14:50.480
[SPEAKER_02]: Why did Barry hate Max about?

14:50.500 --> 14:52.001
[SPEAKER_02]: He's a real pig in this.

14:52.402 --> 14:53.703
[SPEAKER_02]: He is a ballbag in this.

14:58.105 --> 15:00.166
[SPEAKER_04]: do spag that you want killed off on screen.

15:00.186 --> 15:02.387
[SPEAKER_04]: It doesn't perfectly well.

15:03.128 --> 15:06.169
[SPEAKER_04]: It's like he did cocaine before he decided to go to this car.

15:07.270 --> 15:16.035
[SPEAKER_04]: He's definitely all over the place like he's actually raised his girlfriend and he's just stepping in.

15:16.075 --> 15:18.836
[SPEAKER_04]: He's like, yeah, you need to go ahead back off, man.

15:18.996 --> 15:19.737
[SPEAKER_04]: She's not into you.

15:20.723 --> 15:25.346
[SPEAKER_04]: And then he was a calling Ray, a rich boy.

15:25.387 --> 15:28.449
[SPEAKER_04]: I'm like, he doesn't look anything like a rich guy.

15:28.809 --> 15:29.169
[SPEAKER_02]: Yeah.

15:29.189 --> 15:31.631
[SPEAKER_04]: The only person that looks rich is Barry.

15:32.112 --> 15:32.332
[SPEAKER_02]: Yeah.

15:32.592 --> 15:34.053
[SPEAKER_02]: You see Gary's house light, or he's loaded.

15:34.073 --> 15:34.653
[SPEAKER_00]: Yeah.

15:34.673 --> 15:34.874
[SPEAKER_00]: Yeah.

15:34.914 --> 15:40.598
[SPEAKER_00]: But at this point where Ray, Ray says he has, I don't have money, but the rest of you, we see Sarah Michelle going to South Slater, and she does not like like she has money.

15:42.219 --> 15:43.300
[SPEAKER_00]: He's getting out there.

15:43.860 --> 15:50.205
[SPEAKER_00]: Is it funny as well, just look at this to think that the one who went on to have the most longevity in their career with Johnny Galekki?

15:50.822 --> 15:57.364
[SPEAKER_00]: Well, all of these guys, he's the one that was most relevant for the longest, and then he was in that terrible ring sequel.

15:57.924 --> 15:59.624
[SPEAKER_00]: Oh, yeah.

16:00.665 --> 16:01.905
[SPEAKER_00]: Yeah, most people there's awful.

16:02.785 --> 16:11.267
[SPEAKER_04]: But then, you know, he wise up resurrecting his career with a big bang theory and stuff like that too before that was Roseanne.

16:11.788 --> 16:12.308
[SPEAKER_02]: Yeah.

16:14.464 --> 16:17.466
[SPEAKER_04]: But I don't sort of as crazy in my wife's like, I didn't know if he was in this movie.

16:17.486 --> 16:20.028
[SPEAKER_04]: I said, I forgot he was in this movie.

16:20.108 --> 16:21.069
[SPEAKER_02]: And he started young as well.

16:21.109 --> 16:23.711
[SPEAKER_02]: Like, we covered Christmas, if I go, you shouldn't.

16:23.731 --> 16:25.272
[SPEAKER_02]: Yeah, I was like, shit, Johnny, just crack his in it.

16:25.292 --> 16:25.872
[SPEAKER_02]: He's not twelve.

16:25.892 --> 16:25.973
[SPEAKER_02]: Yeah.

16:26.113 --> 16:33.118
[SPEAKER_00]: He's had a career, but he's had a, he's one of those long, long, greasy kind of grids of disloyal kind of journeymen actors that's just in a lot of things.

16:34.159 --> 16:36.801
[SPEAKER_00]: None of it particularly good, but a lot of it.

16:37.981 --> 16:39.402
[SPEAKER_00]: Yeah, consistent work.

16:39.883 --> 16:41.004
[SPEAKER_00]: Your, your, your, your, your, your,

16:41.977 --> 16:44.498
[SPEAKER_00]: opinion on the big bacteria may vary, but I hate it.

16:45.019 --> 16:45.399
[SPEAKER_00]: I like it.

16:45.539 --> 16:45.839
[SPEAKER_00]: It's fun.

16:45.999 --> 16:46.439
[SPEAKER_04]: I like it.

16:46.619 --> 16:50.261
[SPEAKER_04]: It's good just to, you know, just throw one of the background laughing a few things.

16:50.882 --> 16:51.622
[SPEAKER_00]: No, I'd rather have side of it.

16:51.642 --> 16:57.745
[SPEAKER_04]: You know, but I also put in my notes.

16:57.785 --> 17:02.928
[SPEAKER_04]: I said, berries here kind of reminds me of Justin Timberlake before Justin Timberlake thought it was cool.

17:03.488 --> 17:05.209
[SPEAKER_02]: I always thought he looked like Justin Timberlake.

17:05.290 --> 17:07.171
[SPEAKER_02]: Even back then, I used to get those two confused.

17:07.191 --> 17:09.393
[SPEAKER_02]: Especially when Justin Timberlake transitioned into movies.

17:09.433 --> 17:10.594
[SPEAKER_02]: I always used to get those two mixed up.

17:11.234 --> 17:11.755
[SPEAKER_00]: Exactly.

17:12.135 --> 17:13.756
[SPEAKER_00]: Why does he have packet noodles on his head?

17:14.316 --> 17:15.157
[SPEAKER_00]: That's what it looks like.

17:15.177 --> 17:18.920
[SPEAKER_00]: He's got some packet noodles and just put it on his head.

17:19.060 --> 17:20.061
[SPEAKER_00]: Yeah.

17:20.081 --> 17:21.642
[SPEAKER_04]: Because you don't have no idea what he does.

17:21.762 --> 17:22.383
[SPEAKER_04]: That's all.

17:22.743 --> 17:23.243
[SPEAKER_00]: Yeah.

17:23.544 --> 17:24.845
[SPEAKER_00]: Well, I'm leaving.

17:32.393 --> 17:41.518
[SPEAKER_04]: But anyways, so now we have where he, where they're driving, you actually have various, no one's gonna drive my car but me.

17:42.078 --> 17:42.938
[SPEAKER_04]: I'm fine.

17:42.998 --> 17:46.120
[SPEAKER_04]: I don't need to, I don't need anybody to be a designated driver.

17:46.640 --> 17:47.781
[SPEAKER_04]: I'm perfectly fine.

17:48.827 --> 17:52.429
[SPEAKER_04]: And you have Helena, if we ones are telling him, look, give me the keys.

17:52.849 --> 17:55.571
[SPEAKER_04]: You have Ray who wants to drive in the car.

17:56.312 --> 18:03.216
[SPEAKER_04]: And then he wants, and then all of a sudden Barry just goes up top with the sunroof is on his BMW.

18:03.936 --> 18:08.619
[SPEAKER_04]: And he's the rich guy by the way, Ray don't even, we don't even know where Ray lives.

18:09.925 --> 18:11.787
[SPEAKER_04]: We get to be what you leave is.

18:11.907 --> 18:14.169
[SPEAKER_04]: Oh, yeah, we also don't get to see where Helen lives either.

18:14.629 --> 18:17.812
[SPEAKER_04]: So we don't even know where those.

18:18.312 --> 18:23.316
[SPEAKER_04]: Yeah, but we don't know anything about Ray for Ray.

18:23.357 --> 18:26.879
[SPEAKER_04]: Don't even probably is homeless, living on the boat, both thoughts.

18:26.899 --> 18:30.703
[SPEAKER_00]: Yeah, because they want to towards the end set up the perhaps right is the killer.

18:30.923 --> 18:31.103
[SPEAKER_00]: Yeah.

18:36.375 --> 18:38.716
[SPEAKER_00]: He is slightly underserved by this film.

18:38.856 --> 18:40.576
[SPEAKER_00]: He barely in it, like beyond that.

18:40.596 --> 18:41.737
[SPEAKER_00]: He has this first scene.

18:41.777 --> 18:43.197
[SPEAKER_00]: He barely registers after this.

18:43.237 --> 18:44.558
[SPEAKER_00]: He's in a couple of little bits here and there.

18:45.198 --> 18:47.319
[SPEAKER_00]: But it goes there trying to set him up as a red hairy.

18:47.879 --> 18:50.400
[SPEAKER_00]: And so you don't get as much about him as you get something else.

18:50.420 --> 18:54.141
[SPEAKER_00]: You get the kind of the broad brush strokes of he's slightly poorer than the rest of them.

18:54.301 --> 18:58.623
[SPEAKER_00]: He doesn't have as much in the way of career ambitions or opportunities.

18:58.983 --> 19:02.124
[SPEAKER_00]: So yeah, he probably doesn't even attract down by the water.

19:02.843 --> 19:05.365
[SPEAKER_02]: But we learn like Ronnie's dad was a fisherman, so that's not okay.

19:05.385 --> 19:07.686
[SPEAKER_02]: He said maybe he's the killer.

19:08.306 --> 19:08.547
[SPEAKER_04]: Right.

19:09.107 --> 19:12.649
[SPEAKER_04]: But, you know, then you have them spinning around the curve.

19:12.689 --> 19:15.591
[SPEAKER_04]: You also have the other thing and turn the cutscene you have.

19:16.111 --> 19:17.832
[SPEAKER_04]: Someone that's going to jump off the cliff.

19:17.852 --> 19:19.173
[SPEAKER_04]: We don't know where that's going.

19:20.234 --> 19:21.635
[SPEAKER_02]: That's pretty well played off.

19:21.775 --> 19:22.195
[SPEAKER_02]: I like that.

19:22.235 --> 19:23.096
[SPEAKER_02]: It is really well played off.

19:23.556 --> 19:25.217
[SPEAKER_02]: You think they're going to run over.

19:25.297 --> 19:26.598
[SPEAKER_02]: So that's very clever how they do that.

19:27.490 --> 19:33.655
[SPEAKER_04]: Right, because it just all of a sudden does a jump scene where basically it jumps through that and then it cuts into the whole entire beauty page.

19:34.415 --> 19:38.979
[SPEAKER_04]: And then we get that whole entire build up of, you know, what happens later on.

19:39.319 --> 19:43.842
[SPEAKER_04]: And we're thinking that he, he run over this poor kid of that Ray did.

19:43.862 --> 19:47.605
[SPEAKER_04]: And he goes, my dad's going to be so pissed.

19:47.845 --> 19:51.028
[SPEAKER_04]: But I can't help but laugh at the whole thing with Barry.

19:52.070 --> 19:55.691
[SPEAKER_04]: being on in the summer because my mind automatically goes to scary movie.

19:56.191 --> 20:20.600
[SPEAKER_02]: Yes, now very movie watching this movie because they they parody it so much all I've got my head is scary movie like they that bit when the B. I've like I was on his head and I was on his head and I was on his head and I was on his head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I was on my head and I

20:21.020 --> 20:22.040
[UNKNOWN]: But it's not full.

20:26.102 --> 20:29.884
[SPEAKER_02]: Especially if it's short for short for short, exactly the same.

20:29.924 --> 20:30.104
[SPEAKER_02]: Yeah.

20:30.304 --> 20:31.324
[SPEAKER_02]: To the point.

20:31.364 --> 20:31.704
[SPEAKER_02]: Yeah.

20:31.844 --> 20:32.065
[SPEAKER_02]: Yeah.

20:33.605 --> 20:34.846
[SPEAKER_04]: But what did you guys think of this scene?

20:34.886 --> 20:44.750
[SPEAKER_04]: I mean, I thought it was over the top in a sense because of Barry and then overreacting with his car, not caring about who they ran over.

20:44.870 --> 20:46.490
[SPEAKER_04]: And again, he's a rich ballbag anyways.

20:46.530 --> 20:48.471
[SPEAKER_04]: So they're not going to, he's not going to care anyways.

20:49.332 --> 20:49.572
[SPEAKER_00]: Yeah.

20:49.612 --> 20:49.952
[SPEAKER_00]: I think.

20:50.894 --> 20:57.219
[SPEAKER_00]: I think the way it's set it up, I think with him over, you know, him acting out and being the big loud drunk is a kind of sets a bit of a fever pitch for the scene.

20:58.420 --> 21:04.605
[SPEAKER_00]: And I think as you're heading towards up the entirety into the rest of the film, that's quite a useful piece of direction and a piece of kind of acting.

21:04.945 --> 21:09.108
[SPEAKER_00]: I think the whole thing works really, really well from the beginning, like from the bit with the start on the beach.

21:09.128 --> 21:19.256
[SPEAKER_00]: I mean, you're going to kind of the shocky urban legend about the guy with the hook for a hand, which is a bit on the nose and you can really sense like the Kevin Williams and Snarky, you know, called to Reference V.

21:20.037 --> 21:26.359
[SPEAKER_00]: all the way from that through to this, you get a nice sense of character and who everybody is from the way they act for the way they interact with each other.

21:28.320 --> 21:35.542
[SPEAKER_00]: I do think it's funny as well when he's like, oh no, you know, let's get this guy out of the cops going to be hitting anything I was trying to say, you're a prep, you why guy, you'll be fine.

21:35.562 --> 21:37.023
[SPEAKER_00]: Ray, you'll be good.

21:37.223 --> 21:39.764
[SPEAKER_00]: You're not going to get arrested talking about.

21:40.364 --> 21:41.704
[SPEAKER_02]: I do like that little touch as well.

21:41.744 --> 21:45.546
[SPEAKER_02]: It's not that just run over as like, oh yeah, I'm drunk and there's alcohol all over the car.

21:45.586 --> 21:47.386
[SPEAKER_02]: You know, it's July four, you guys are fucked.

21:47.767 --> 21:48.287
[SPEAKER_02]: It really fucked.

21:50.010 --> 21:52.412
[SPEAKER_04]: And then raise even like thing in the same thing though.

21:52.612 --> 21:53.532
[SPEAKER_04]: This manslaughter.

21:53.612 --> 21:56.114
[SPEAKER_04]: I'm going to go to jail for all going to go to jail.

21:56.454 --> 21:58.495
[SPEAKER_04]: There's alcohol because that's not your alcohol.

21:59.396 --> 22:00.196
[SPEAKER_04]: You're going to be fine.

22:00.237 --> 22:00.857
[SPEAKER_04]: You're sober.

22:02.338 --> 22:03.318
[SPEAKER_04]: But they're not going to care about that.

22:03.359 --> 22:05.000
[SPEAKER_04]: They're not going to care about the breathalyzer test.

22:05.280 --> 22:07.341
[SPEAKER_04]: They're going to take one look at the car.

22:07.761 --> 22:09.642
[SPEAKER_04]: Go inside the car, smell alcohol.

22:10.123 --> 22:11.284
[SPEAKER_04]: And look for the body.

22:11.664 --> 22:12.084
[SPEAKER_04]: Guess what?

22:12.224 --> 22:13.985
[SPEAKER_04]: You're going to screw your future.

22:14.005 --> 22:16.867
[SPEAKER_04]: Your future is a ruin at this point.

22:16.927 --> 22:18.768
[SPEAKER_00]: Don't think all of the futures are.

22:18.788 --> 22:19.689
[SPEAKER_00]: I think batteries is.

22:20.568 --> 22:21.809
[SPEAKER_00]: Um, regardless of whether or not.

22:21.849 --> 22:26.090
[SPEAKER_04]: Yeah, Barry was trying to be a foot and NFL football player.

22:27.111 --> 22:27.351
[SPEAKER_00]: Yeah.

22:27.651 --> 22:28.932
[SPEAKER_00]: No, not with that.

22:29.332 --> 22:34.674
[SPEAKER_02]: Um, but they're not necessarily, but then again, it's not murder.

22:34.694 --> 22:36.355
[SPEAKER_02]: They kept saying murder is like, but it wasn't murder.

22:36.375 --> 22:36.915
[SPEAKER_02]: It was an accident.

22:36.995 --> 22:40.516
[SPEAKER_02]: It becomes murder when they hit the wall.

22:40.676 --> 22:43.158
[SPEAKER_04]: And then again, with the dead, that's when it was murder.

22:43.178 --> 22:43.858
[SPEAKER_02]: It becomes murder.

22:44.892 --> 22:47.794
[SPEAKER_04]: And then they were just going to go in a hand and do a hand and run, which is even worse.

22:48.154 --> 22:48.675
[SPEAKER_02]: Yeah.

22:49.575 --> 22:50.376
[SPEAKER_04]: That is a crime.

22:50.656 --> 22:51.196
[SPEAKER_02]: That is worse.

22:52.377 --> 22:54.038
[SPEAKER_02]: It's such a shitty dilemma to be in.

22:54.058 --> 22:56.280
[SPEAKER_02]: Because on the one hand, yeah, maybe like hell in the back.

22:56.300 --> 22:58.021
[SPEAKER_02]: I could have just gone, look, I did nothing wrong.

22:58.061 --> 22:58.661
[SPEAKER_02]: I was in the back.

22:58.781 --> 22:59.462
[SPEAKER_02]: I wasn't drinking.

22:59.562 --> 23:00.182
[SPEAKER_02]: I wasn't driving.

23:00.222 --> 23:00.943
[SPEAKER_02]: It's not my car.

23:01.063 --> 23:02.864
[SPEAKER_02]: So technically, you could say we shouldn't do anything wrong.

23:02.884 --> 23:04.145
[SPEAKER_02]: But I still didn't see that.

23:04.205 --> 23:05.185
[SPEAKER_00]: Well, we'd have been fine.

23:05.606 --> 23:06.026
[SPEAKER_02]: Yeah.

23:06.506 --> 23:10.569
[SPEAKER_02]: Ray was driving and Barry was drunk and been reckless and caused that to happen.

23:10.589 --> 23:11.990
[SPEAKER_02]: So between those two is both therefore.

23:12.852 --> 23:17.233
[SPEAKER_04]: What do you think of the beach scene though, with them, just talking about urban legends and stuff like that?

23:17.473 --> 23:22.055
[SPEAKER_02]: What did you... It just sets up a whole killer layer, I was so much better.

23:22.075 --> 23:27.776
[SPEAKER_02]: The little bit on the nose, but I didn't mind it, because that's when they're talking about, oh, you're gonna go off and forget about the and lots of things.

23:28.076 --> 23:31.417
[SPEAKER_02]: There's some nice things there, a little bit of character available, but not all for a lot, but a little bit.

23:31.777 --> 23:33.498
[SPEAKER_00]: No, but it's enough for this kind of film.

23:33.538 --> 23:36.019
[SPEAKER_00]: I mean, for film, there's the runs that we've got an hour for.

23:36.799 --> 23:40.620
[SPEAKER_00]: You've got enough time to do a little bit of this stuff, and they take the time to do it here.

23:41.273 --> 23:42.975
[SPEAKER_00]: It's interesting because they sat up with the hook with the hand.

23:44.116 --> 23:51.263
[SPEAKER_00]: They then when they are dumping the guys by the mention it again, this is how I can escape lunatic with a hook for hand.

23:51.623 --> 23:54.846
[SPEAKER_00]: Do you think given that he wasn't there to just sat there going, oh, I'll remember that.

23:54.886 --> 23:56.248
[SPEAKER_00]: For later, that will come useful.

23:58.670 --> 24:00.692
[SPEAKER_00]: Yeah, no, I think it's, it's funny.

24:00.732 --> 24:02.013
[SPEAKER_00]: I think it was a bit of me that was like,

24:02.397 --> 24:03.537
[SPEAKER_00]: Oh, you're gonna have sex on the beach.

24:03.637 --> 24:04.537
[SPEAKER_00]: That will be uncomfortable.

24:04.678 --> 24:05.578
[SPEAKER_00]: Terrible for everyone.

24:06.038 --> 24:07.318
[SPEAKER_00]: Yeah, like both do it.

24:07.618 --> 24:08.438
[SPEAKER_00]: Yeah, moves.

24:08.878 --> 24:09.258
[SPEAKER_00]: Sand.

24:10.899 --> 24:11.119
[SPEAKER_00]: Sand.

24:11.139 --> 24:12.479
[SPEAKER_00]: Sand, sand paper, sex.

24:12.579 --> 24:15.460
[SPEAKER_00]: Yeah, sand, sand, plus friction.

24:15.640 --> 24:16.040
[SPEAKER_00]: Count me in.

24:16.080 --> 24:16.280
[SPEAKER_00]: Yeah.

24:17.820 --> 24:21.481
[SPEAKER_00]: Look at what you do.

24:22.061 --> 24:23.422
[SPEAKER_04]: And then do it like, are you sure?

24:23.502 --> 24:29.083
[SPEAKER_04]: And then I'm like, the dude has the rubber's out and he's like, like, you know, raise over the going.

24:29.103 --> 24:30.223
[SPEAKER_02]: I love you.

24:31.428 --> 24:32.470
[SPEAKER_02]: In two of you guys, Charles was off.

24:32.750 --> 24:34.934
[SPEAKER_04]: He's like, he's already taking off her shirt and he's like, are you sure?

24:34.954 --> 24:36.396
[SPEAKER_04]: Like, dude, you already showed her the rubbers.

24:36.617 --> 24:37.278
[SPEAKER_04]: Oh, you mind.

24:40.804 --> 24:45.268
[SPEAKER_04]: Then we get into the whole entire thing now where, you know, the confrontation between Max.

24:45.928 --> 24:46.729
[SPEAKER_02]: That's good.

24:46.749 --> 24:48.711
[SPEAKER_04]: And Julie tells him everything is fine.

24:48.831 --> 24:49.632
[SPEAKER_04]: So they leave.

24:50.393 --> 24:55.317
[SPEAKER_04]: So he leaves and then they dump the corpse into the ocean and agreed to never discuss this ever happen again.

24:55.337 --> 25:00.762
[SPEAKER_04]: I first just thinking that they're going to push him into the curtain because that's what make more logical sense.

25:01.490 --> 25:04.592
[SPEAKER_04]: Yeah, but instead they there's either dock yard.

25:05.773 --> 25:09.055
[SPEAKER_04]: Yeah, it's no there's no current.

25:09.195 --> 25:10.976
[SPEAKER_04]: There's nothing to take this body out anywhere.

25:11.096 --> 25:12.697
[SPEAKER_04]: Anything is it's just down.

25:12.997 --> 25:14.498
[SPEAKER_04]: You're just putting the body down.

25:15.039 --> 25:16.660
[SPEAKER_00]: And so it's it and then you'll float up again.

25:17.480 --> 25:17.800
[SPEAKER_00]: Right.

25:18.741 --> 25:20.102
[SPEAKER_02]: Yeah, but we don't for them.

25:20.122 --> 25:22.644
[SPEAKER_02]: They could have all just like swung in front of them off the cliff.

25:22.844 --> 25:23.944
[SPEAKER_02]: I need to hit the wall that way.

25:23.964 --> 25:24.785
[SPEAKER_02]: Yeah.

25:24.825 --> 25:27.827
[SPEAKER_00]: Yeah, I have to go to the road and just wait for the coyotes again.

25:29.253 --> 25:31.593
[SPEAKER_02]: So they go to the top, but there's no scene.

25:32.274 --> 25:32.554
[SPEAKER_02]: They do it.

25:32.574 --> 25:34.054
[SPEAKER_02]: It's scary movie, but there's no scene of this.

25:34.094 --> 25:34.974
[SPEAKER_02]: How they got him down to the door.

25:34.994 --> 25:37.855
[SPEAKER_02]: I presume they just put him in the trunk of their car or he drove it there.

25:37.915 --> 25:39.175
[SPEAKER_02]: Because what minute did they know?

25:39.215 --> 25:40.195
[SPEAKER_02]: Because it's scary movie.

25:40.215 --> 25:41.835
[SPEAKER_02]: They try to put him in slam in the door.

25:41.875 --> 25:42.656
[SPEAKER_02]: He's still not there.

25:43.536 --> 25:48.377
[SPEAKER_04]: And then when Barry goes, say it, say it Julie, we'll take this to your graves.

25:48.777 --> 25:53.498
[SPEAKER_04]: And I'm like this, and then he's over there, choking her and then that's when Ray decides, oh, I need to go.

25:53.518 --> 25:54.138
[SPEAKER_04]: I need to do something.

25:54.158 --> 25:54.578
[SPEAKER_04]: I forgot it.

25:54.598 --> 25:55.458
[SPEAKER_04]: I've heard boyfriend.

25:56.006 --> 25:56.906
[SPEAKER_02]: So very little.

25:57.066 --> 25:58.407
[SPEAKER_02]: Oh, no, stop, please.

25:58.427 --> 25:59.807
[SPEAKER_00]: Sorry.

25:59.827 --> 26:06.030
[SPEAKER_00]: Yeah, I mean, I would have been like, yep, we'll take it to our graves.

26:06.190 --> 26:06.830
[SPEAKER_00]: Straight to the place.

26:06.850 --> 26:08.091
[SPEAKER_00]: I would have been like, right.

26:08.111 --> 26:09.391
[SPEAKER_00]: Barry's idea.

26:09.431 --> 26:10.712
[SPEAKER_00]: Barry doesn't the body with all Barry.

26:10.732 --> 26:12.652
[SPEAKER_04]: Right.

26:12.872 --> 26:13.953
[SPEAKER_04]: Three people against one.

26:13.993 --> 26:16.114
[SPEAKER_04]: So I mean, that's their story against him.

26:16.674 --> 26:17.014
[SPEAKER_02]: Yeah.

26:17.930 --> 26:19.771
[SPEAKER_02]: Also, I know we should get like it.

26:19.811 --> 26:20.211
[SPEAKER_02]: That's lovely.

26:20.231 --> 26:24.173
[SPEAKER_02]: When they throw the body in, he just before that, the body comes back to life grabs a crown.

26:24.233 --> 26:26.714
[SPEAKER_02]: And I always thought, oh, he's jumping in to get the crown to be a good boy for himself.

26:26.754 --> 26:28.816
[SPEAKER_02]: No, they're doing that for evidence because they don't agree.

26:29.636 --> 26:30.877
[SPEAKER_02]: But it was that big on the room.

26:30.897 --> 26:31.097
[SPEAKER_02]: It's me.

26:31.157 --> 26:34.038
[SPEAKER_02]: I know they pay off a little bit later with the whole David Egan thing.

26:34.058 --> 26:37.180
[SPEAKER_02]: But at first, it almost gives it a why who the killer is going to be.

26:37.200 --> 26:38.400
[SPEAKER_02]: I'm about, oh, this is a bit too much.

26:38.420 --> 26:40.501
[SPEAKER_02]: I want to just prefer it if the body was dead.

26:40.521 --> 26:42.142
[SPEAKER_02]: And there was no signs of life whatsoever.

26:42.182 --> 26:43.623
[SPEAKER_02]: This is a bit of a wink of the nod, what happens?

26:44.175 --> 26:44.415
[SPEAKER_02]: But then.

26:44.515 --> 26:45.475
[SPEAKER_02]: Well, it's not like that.

26:45.515 --> 26:46.756
[SPEAKER_04]: We get to see the face.

26:46.936 --> 26:48.436
[SPEAKER_04]: We also saw the face though, too.

26:49.657 --> 26:50.677
[SPEAKER_00]: It's quite bloodied.

26:50.937 --> 26:53.198
[SPEAKER_00]: So you can really see who it is.

26:53.258 --> 26:55.018
[SPEAKER_00]: It's this film.

26:55.038 --> 26:55.858
[SPEAKER_00]: I was kind of thinking about this.

26:55.938 --> 26:56.498
[SPEAKER_00]: I was watching it.

26:57.839 --> 27:00.560
[SPEAKER_00]: It's trying to be two or three different types of film at once.

27:00.720 --> 27:04.361
[SPEAKER_00]: It wants to do the post screen who done it.

27:04.781 --> 27:10.242
[SPEAKER_00]: But it doesn't really lean into that as much as it could because there isn't really that many.

27:10.262 --> 27:12.563
[SPEAKER_00]: And it never really sets up any red herrings apart from right.

27:12.919 --> 27:17.202
[SPEAKER_00]: even Johnny Gleki, I think he's meant to be red herring for the characters, but he's not for the audience.

27:17.222 --> 27:24.187
[SPEAKER_00]: So it's trying to be that, but it's also trying to be almost like just a thriller more than a slasher film.

27:24.227 --> 27:28.290
[SPEAKER_00]: It's almost, it's a was three or four different films kind of rolled into one.

27:28.310 --> 27:29.031
[SPEAKER_00]: It's very strange.

27:29.651 --> 27:32.954
[SPEAKER_04]: Like Miss Identific, it's like it doesn't even know what it wants to be.

27:32.974 --> 27:34.335
[SPEAKER_04]: Yes, Miss Identification.

27:34.575 --> 27:38.498
[SPEAKER_04]: It's a awareness of who who is four and what the film wants to be.

27:39.137 --> 27:46.559
[SPEAKER_00]: Yeah, because I think Sasha's were bigger at the time, so they were more making a flash film, but it's not really a flash film as much as some of the other contemporaries.

27:46.859 --> 27:49.479
[SPEAKER_00]: Certainly not as much as a screen or an urban legend or something like that.

27:49.499 --> 27:51.500
[SPEAKER_00]: It's really not that kind of film.

27:52.040 --> 27:52.720
[SPEAKER_04]: No, in the sequel.

27:52.820 --> 27:53.900
[SPEAKER_00]: The sequel very much is a flash film.

27:53.920 --> 27:55.120
[SPEAKER_00]: The sequel very much is a flash film.

27:55.180 --> 27:56.261
[SPEAKER_00]: It's a straight flash.

27:56.441 --> 27:57.301
[SPEAKER_00]: It's very much.

27:57.581 --> 28:00.661
[SPEAKER_00]: Somebody getting killed off every ten minutes for the duration of the film, like a traditional flash.

28:00.701 --> 28:02.702
[SPEAKER_00]: And this is much more carefully pasted.

28:02.962 --> 28:08.163
[SPEAKER_00]: And it's always like a cassemines thriller rather than a kind of a flash or who done it.

28:08.885 --> 28:19.769
[SPEAKER_04]: Right, and we're getting that in minute because I also have something that I wanted to bring up as the fact that we don't see anyone get killed off until like later on, which happens to be max, but we'll talk about talking about that in a minute.

28:21.029 --> 28:23.010
[SPEAKER_04]: So now we're one year later.

28:24.044 --> 28:26.306
[SPEAKER_04]: Julie returns to her home from college.

28:27.127 --> 28:31.252
[SPEAKER_04]: He has not spoken with Helen Barry or Ray since the accident.

28:31.712 --> 28:34.435
[SPEAKER_04]: Julie received a letter that reads, I know what you did last summer.

28:34.655 --> 28:38.319
[SPEAKER_04]: Julie goes to see Helen's sister Elsa Shivers.

28:39.422 --> 28:43.225
[SPEAKER_04]: by Bridget Wilson, who tells Julie that Helen has been working there.

28:43.725 --> 28:46.807
[SPEAKER_04]: Julie shows Helen the letter and they decide to visit Barry.

28:47.387 --> 28:50.269
[SPEAKER_04]: Echo going over the incident, Barry accuses Max.

28:50.609 --> 28:51.049
[SPEAKER_04]: Of course.

28:51.510 --> 28:56.573
[SPEAKER_04]: The three of them go to see Max, but Barry insists on going to the factory alone.

28:57.033 --> 29:01.196
[SPEAKER_04]: Barry persuades Max to go into the back room and attack him.

29:01.796 --> 29:06.339
[SPEAKER_04]: Helen Max, he should keep his mouth shut, really finds Ray working on the docks.

29:06.679 --> 29:06.899
[SPEAKER_04]: Okay.

29:08.080 --> 29:10.202
[SPEAKER_04]: So let's talk about the fact that this is one year later.

29:10.222 --> 29:17.627
[SPEAKER_04]: You've told me that Julie Ray, Barry, and all of them never have seen each other during Christmas break.

29:18.067 --> 29:18.828
[SPEAKER_04]: Spring vacation.

29:20.460 --> 29:37.990
[SPEAKER_04]: any other season of holidays so that way they can tell the summer to see each other after all this and then go to the very lazy postman by the way that all this and they're just waiting until the summer time to send out this letter to Julie saying I know we did last summer

29:38.592 --> 29:42.555
[SPEAKER_02]: Yeah, I think you made to believe Julie has not come home since going to college.

29:42.715 --> 29:42.875
[SPEAKER_02]: Yeah.

29:42.895 --> 29:45.697
[SPEAKER_02]: So I think because a man says, oh, you don't call, you don't visit it and I don't think.

29:45.757 --> 29:49.960
[SPEAKER_02]: But Helen and Ray are still in the same town.

29:50.040 --> 29:51.481
[SPEAKER_02]: So why does Barry reach out though?

29:51.881 --> 29:52.081
[SPEAKER_00]: Yeah.

29:52.101 --> 29:53.282
[SPEAKER_02]: Yeah, you can spare it.

29:53.322 --> 29:58.886
[SPEAKER_00]: No, Barry's no, Barry is Barry is Barry's the same college as, um, oh, he's in front of you.

29:59.446 --> 30:02.508
[SPEAKER_00]: She said, oh, he's back from his break as well.

30:02.749 --> 30:03.009
[SPEAKER_00]: Yeah.

30:03.029 --> 30:03.149
[SPEAKER_00]: Yeah.

30:03.769 --> 30:06.231
[SPEAKER_00]: Do you have any of you and Barry are at the same

30:07.088 --> 30:08.989
[SPEAKER_00]: Uh, at the same college, but she says that she doesn't see him.

30:09.389 --> 30:10.869
[SPEAKER_00]: I like the fact that she turns up from college.

30:10.889 --> 30:16.291
[SPEAKER_00]: Well, for a start, you see her at college and she's leaving and she's got her, her black best friend who they replace with Randy in the seat.

30:16.311 --> 30:16.631
[SPEAKER_00]: Yeah.

30:16.751 --> 30:21.453
[SPEAKER_00]: And that was back just how we well pissed off because I'm like, Oh, I don't mean to be the same person though.

30:21.853 --> 30:22.774
[SPEAKER_00]: And no, I don't think so.

30:22.794 --> 30:24.294
[SPEAKER_04]: I was thinking that too though.

30:24.414 --> 30:24.874
[SPEAKER_00]: Yeah.

30:24.894 --> 30:29.116
[SPEAKER_04]: Because I'm like, is this supposed to be a Brandy's character from I still know what you did last summer?

30:29.136 --> 30:31.437
[SPEAKER_00]: I still don't know what you should be called.

30:31.477 --> 30:32.097
[SPEAKER_00]: We should be called.

30:32.137 --> 30:33.177
[SPEAKER_00]: I know what you did to someone's go.

30:33.197 --> 30:33.557
[SPEAKER_00]: That's fine.

30:34.117 --> 30:35.178
[SPEAKER_00]: Um, yeah.

30:36.212 --> 30:37.953
[SPEAKER_00]: I know what you did before last.

30:38.314 --> 30:41.777
[SPEAKER_00]: Yeah, I don't know.

30:41.897 --> 30:50.504
[SPEAKER_00]: I didn't actually do that up, but I kind of felt like if you were that actress, you would have thought if there's a sequel, I'm definitely getting a look in here, and she absolutely did not get a look in the sequel.

30:51.364 --> 30:55.548
[SPEAKER_00]: You also turns up, I've definitely loved you, it turns up back home, crunching and turning there, like an adult.

30:56.408 --> 30:57.569
[SPEAKER_00]: Yeah, that's what she's doing.

30:59.030 --> 31:02.573
[SPEAKER_00]: She has like the most awkward dinner with her mum, which made her have a line in it.

31:05.237 --> 31:09.241
[SPEAKER_00]: I was like, you know, you know, you would have overseas versus that being

31:21.845 --> 31:22.846
[SPEAKER_04]: in the US, right?

31:22.906 --> 31:23.166
[SPEAKER_04]: Yeah.

31:23.186 --> 31:29.150
[SPEAKER_04]: Because this is classic house that is supposed to be out on the sea in the ocean.

31:29.170 --> 31:31.372
[SPEAKER_04]: And it's like, house is napper.

31:31.852 --> 31:32.793
[SPEAKER_04]: And it's not that great.

31:33.353 --> 31:34.514
[SPEAKER_04]: Well, it's a little dry.

31:34.614 --> 31:35.755
[SPEAKER_04]: Well, it's supposed to be that way.

31:36.356 --> 31:39.458
[SPEAKER_00]: Well, I wanted monk fish, but we haven't had a good catch this season.

31:39.898 --> 31:40.939
[SPEAKER_00]: What's got to do with any film?

31:40.959 --> 31:42.441
[SPEAKER_00]: What's got to do with any film?

31:42.481 --> 31:44.163
[SPEAKER_02]: What's got to do with any film?

31:44.183 --> 31:45.345
[SPEAKER_02]: What's got to do with any film?

31:45.365 --> 31:46.847
[SPEAKER_02]: What's got to do with any film?

31:46.887 --> 31:48.088
[SPEAKER_02]: What's got to do with any film?

31:48.108 --> 31:49.069
[SPEAKER_02]: What's got to do with any film?

31:56.378 --> 31:57.819
[SPEAKER_00]: I'm gonna move it around my plate.

31:58.760 --> 32:01.401
[SPEAKER_04]: It's like, you know, I'm just gonna move it around my plate.

32:01.421 --> 32:10.007
[SPEAKER_04]: And I didn't even say anything and say, talk about the fact that the muddy fish is not, it's not, it's, it's not here, you know.

32:10.707 --> 32:19.553
[SPEAKER_04]: But then you also have this whole entire thing now too, which really is looking at all her awards, you're seeing her father and stuff.

32:19.573 --> 32:21.774
[SPEAKER_04]: And you don't know what's happened to her father or anything.

32:21.834 --> 32:22.935
[SPEAKER_04]: All we know is he died.

32:23.463 --> 32:25.004
[SPEAKER_02]: Yeah, that's gonna be thrown away low in.

32:25.064 --> 32:25.284
[SPEAKER_02]: Why did it?

32:25.304 --> 32:26.825
[SPEAKER_02]: Because all you fall to be turning in the grove.

32:27.526 --> 32:28.326
[SPEAKER_02]: Why do we need to know this?

32:28.727 --> 32:31.969
[SPEAKER_02]: Well, but I think it's not one so you never see a mother again.

32:32.049 --> 32:33.750
[SPEAKER_02]: So it's okay.

32:33.770 --> 32:34.931
[SPEAKER_04]: She's here and then she's gone.

32:34.951 --> 32:35.812
[SPEAKER_04]: Yeah, you know.

32:37.173 --> 32:39.254
[SPEAKER_04]: It's like, okay, well, there's a murder that's gonna be taking place.

32:39.294 --> 32:40.355
[SPEAKER_04]: My daughter buried a body.

32:40.395 --> 32:42.757
[SPEAKER_04]: Well, I'm gonna go on a hand and get out of here.

32:43.137 --> 32:43.737
[SPEAKER_04]: Good luck to you.

32:43.757 --> 32:47.740
[SPEAKER_04]: I know that you have a bright future in the head of you, even though you're feeling right now.

32:48.341 --> 32:49.982
[SPEAKER_04]: But have a great time, guys.

32:51.400 --> 32:54.042
[SPEAKER_00]: You're being stalked and potentially murdered.

32:54.122 --> 32:55.842
[SPEAKER_00]: I kind of sounds like the kind of thing that I can get wrapped up into.

32:55.862 --> 32:59.784
[SPEAKER_00]: I'm going to go, so I'm really going fancy getting murdered anytime in the near future.

32:59.804 --> 33:02.225
[SPEAKER_00]: So I'm going to pop off when I get to fuck a retomb.

33:02.625 --> 33:03.206
[SPEAKER_00]: I have a good time.

33:05.407 --> 33:07.087
[SPEAKER_00]: It's also the movie, she gets the letter and she goes to a mum.

33:07.247 --> 33:07.828
[SPEAKER_00]: Who sent this?

33:08.068 --> 33:10.409
[SPEAKER_00]: There's no postmark or home address or a retorn address.

33:10.449 --> 33:12.410
[SPEAKER_00]: Is that how the fuck should she know?

33:13.270 --> 33:15.011
[SPEAKER_00]: She's not supposed to.

33:15.031 --> 33:16.011
[SPEAKER_00]: They get it.

33:16.071 --> 33:16.652
[SPEAKER_00]: It's a letter.

33:16.812 --> 33:17.892
[SPEAKER_00]: I don't know who sent it.

33:18.172 --> 33:19.673
[SPEAKER_00]: How would I know who sent a letter?

33:20.328 --> 33:20.889
[SPEAKER_04]: Exactly.

33:20.909 --> 33:22.630
[SPEAKER_00]: Yeah, funny.

33:23.311 --> 33:27.815
[SPEAKER_04]: And then you also have the laptops, though, too, with dialogue internet.

33:29.837 --> 33:32.720
[SPEAKER_02]: That you can access low every files because there's no Google quiet.

33:33.121 --> 33:33.441
[SPEAKER_04]: Right.

33:33.461 --> 33:34.162
[SPEAKER_04]: There's no Google.

33:34.182 --> 33:35.863
[SPEAKER_04]: There's no research you can do anything.

33:35.883 --> 33:40.248
[SPEAKER_04]: You have to go to the library to collect any kind of newspaper clippings.

33:40.388 --> 33:40.468
[SPEAKER_00]: Yep.

33:40.508 --> 33:42.430
[SPEAKER_00]: I'm just going to look it up on the internet.

33:42.450 --> 33:42.610
[SPEAKER_00]: Give me

33:43.758 --> 33:44.958
[SPEAKER_00]: when he minutes, twenty minutes.

33:46.079 --> 33:47.159
[SPEAKER_04]: Give me about an hour.

33:47.179 --> 33:49.199
[SPEAKER_04]: I can go do my grocery shopping.

33:49.259 --> 33:52.800
[SPEAKER_04]: Come back and I should have at least a home page ready to go.

33:53.860 --> 33:55.561
[SPEAKER_00]: Just downloading the new Green Day song.

33:55.661 --> 33:56.981
[SPEAKER_00]: I'll be with you in a minute.

33:58.441 --> 33:59.762
[SPEAKER_04]: Good riddance time of your life.

33:59.882 --> 34:00.302
[SPEAKER_04]: God yeah.

34:07.007 --> 34:21.012
[SPEAKER_04]: You know, I just, and then you have this whole thing where she actually goes over to Helen's sister's shop and she's like, so I just made the phone number to Helen in New York.

34:21.412 --> 34:27.735
[SPEAKER_04]: Oh, well, you could, you know what, you don't need that number because she's right over here.

34:28.615 --> 34:33.417
[SPEAKER_04]: Oh, so my friend is a liar who decided, I'm just going to stay home, stay in my home town.

34:33.497 --> 34:33.777
[SPEAKER_04]: Got it.

34:34.785 --> 34:36.986
[SPEAKER_02]: No, we learned she went there for a bit and then gave up.

34:37.026 --> 34:39.086
[SPEAKER_02]: I was like, you might have been a bit more persistent.

34:39.346 --> 34:42.387
[SPEAKER_02]: You're not just going there on two months, you're going to be a Hollywood actress.

34:43.408 --> 34:46.648
[SPEAKER_00]: Just knocking on the doors of all the theaters and you're going, can I be in your show?

34:46.668 --> 34:48.689
[SPEAKER_00]: No, no, let's not have that works.

34:49.229 --> 34:50.690
[SPEAKER_04]: But this act and go and help.

34:52.810 --> 34:53.150
[SPEAKER_00]: It's funny.

34:53.190 --> 34:59.632
[SPEAKER_00]: Pretty Wilson in this is like, if she hates them, she hates a sister and she hates a sister's friend.

34:59.952 --> 35:00.893
[SPEAKER_00]: But no reason.

35:01.113 --> 35:01.633
[SPEAKER_00]: She just hates them.

35:03.109 --> 35:05.710
[SPEAKER_00]: She's also, as you know, not attractive, because she's wearing glasses.

35:06.670 --> 35:09.790
[SPEAKER_00]: He's out like... Oh, she's out of that old fuddy-duddy, look at her.

35:10.451 --> 35:12.851
[SPEAKER_02]: Yeah, makes her dull sister come to the shop by ten.

35:13.031 --> 35:14.151
[SPEAKER_02]: Can you believe it by ten?

35:14.491 --> 35:14.771
[SPEAKER_00]: Ten!

35:14.791 --> 35:16.992
[SPEAKER_00]: I don't get out of bed before eleven.

35:17.992 --> 35:18.492
[SPEAKER_04]: Exactly.

35:18.512 --> 35:18.592
[SPEAKER_04]: Fine.

35:19.772 --> 35:25.794
[SPEAKER_00]: It's good to have a little chat as well, her and Helen, and there's a... I can't keep forgetting, I don't love who it's character's name.

35:26.074 --> 35:26.374
[SPEAKER_00]: Julie.

35:26.774 --> 35:27.474
[SPEAKER_00]: Julie.

35:27.514 --> 35:30.274
[SPEAKER_00]: Julie is like somebody knows Helen, and I'm like, how is it?

35:30.294 --> 35:32.695
[SPEAKER_00]: Well, maybe because you're talking openly about it in public.

35:33.442 --> 35:33.642
[SPEAKER_00]: Yeah.

35:33.922 --> 35:37.423
[SPEAKER_00]: You're loudly talking about how you threw someone's body in the sea.

35:37.843 --> 35:40.764
[SPEAKER_00]: Like in pop don't talk about it.

35:41.204 --> 35:47.966
[SPEAKER_04]: If you've murdered someone, it's like there's how do we get away with the murder without telling anybody that we got away with murder?

35:47.986 --> 35:48.927
[SPEAKER_00]: No.

35:49.787 --> 35:50.887
[SPEAKER_00]: Yeah, another person we know to check.

35:50.927 --> 35:51.788
[SPEAKER_00]: What do we do about that?

35:52.248 --> 35:53.228
[SPEAKER_00]: Maybe not talk about it that way.

35:53.248 --> 35:54.788
[SPEAKER_00]: Actually might.

35:55.269 --> 35:56.569
[SPEAKER_00]: You've instantly broke that pipe.

35:56.889 --> 35:57.309
[SPEAKER_00]: Yeah.

36:00.315 --> 36:21.286
[SPEAKER_04]: then we have the whole entire thing that we're they after that they go to berries house and berries houses loaded like we said and he's like well you know what max was there max would probably and I'm like max only looked at the car and thought maybe he ran over a deer or something and just blew it off was all right going

36:23.997 --> 36:31.727
[SPEAKER_04]: but it doesn't make sense for it to be max because max just pissed off because of the fact raised with his crush.

36:32.728 --> 36:33.209
[SPEAKER_04]: And that's it.

36:33.789 --> 36:35.692
[SPEAKER_04]: He's mad because he can't have Julie.

36:36.132 --> 36:37.874
[SPEAKER_04]: That's the only thing he's pissed off at.

36:38.275 --> 36:40.558
[SPEAKER_04]: And he doesn't like Perry because he's just a ballbag.

36:41.789 --> 36:46.713
[SPEAKER_02]: I think it's a good red herring with Max because when he turns up they're in the the process of carrying the body.

36:46.773 --> 36:51.217
[SPEAKER_02]: Oh, he could have easily saw that and then when Max drives off Barry makes it gone wrong right now.

36:51.317 --> 36:52.418
[SPEAKER_02]: They could have acted out.

36:53.319 --> 36:55.000
[SPEAKER_02]: He doesn't like it.

36:55.321 --> 36:56.061
[SPEAKER_02]: Yeah, exactly.

36:56.101 --> 36:57.843
[SPEAKER_02]: I think that was a good red herring with Max.

36:57.863 --> 37:00.705
[SPEAKER_02]: And you know, you, those characters, you immediately think, Oh, yeah, it's Max.

37:00.745 --> 37:01.226
[SPEAKER_02]: He saw us.

37:01.306 --> 37:01.746
[SPEAKER_02]: It must be here.

37:01.786 --> 37:04.028
[SPEAKER_00]: Yeah, but it's good for about five minutes.

37:04.589 --> 37:09.453
[SPEAKER_00]: And then they completely, they remember that they're trying to be a slash film and then he to kill someone off.

37:10.013 --> 37:13.135
[SPEAKER_00]: So they have to have a body, as I'm being early on.

37:14.736 --> 37:15.436
[SPEAKER_00]: Yeah, this is a bit as well.

37:15.456 --> 37:15.836
[SPEAKER_00]: We're buried.

37:16.116 --> 37:17.097
[SPEAKER_00]: Oh, I know you did last summer.

37:17.137 --> 37:17.837
[SPEAKER_00]: What a crock of shit.

37:17.857 --> 37:22.259
[SPEAKER_00]: It might be very careful when you say the name of your film followed by what a crock of shit.

37:22.760 --> 37:25.641
[SPEAKER_00]: Because the reviews will write themselves.

37:26.482 --> 37:26.762
[SPEAKER_04]: Right.

37:28.138 --> 37:29.339
[SPEAKER_04]: But yeah, I also agree.

37:29.359 --> 37:36.085
[SPEAKER_04]: I mean, I didn't understand the death of Max to be honest with you other than just having that scene like you mentioned those.

37:36.846 --> 37:39.689
[SPEAKER_04]: But we don't even get that until thirty eight minutes into the film.

37:40.209 --> 37:43.712
[SPEAKER_04]: That's when we actually have our first death scene is thirty eight minutes.

37:44.733 --> 37:54.342
[SPEAKER_00]: So what I was saying earlier is this is why in over time, I've come to think of this film as boring because at the time when I like to flash film, you get somebody getting killed off every ten, fifty minutes or so.

37:54.912 --> 38:05.858
[SPEAKER_00]: Even screen, which doesn't have the biggest body count prior to the end, still manages to throw in a set piece that fairly regular intervals were somebody getting killed off to keep you interested in the kind of the ongoing murder storyline.

38:06.258 --> 38:07.018
[SPEAKER_00]: This doesn't have that.

38:07.318 --> 38:08.759
[SPEAKER_00]: So I remember it being quite boring.

38:09.379 --> 38:15.102
[SPEAKER_00]: But when you get to, and I'm sure we'll come to the next scene, it's very, very well constructed.

38:15.122 --> 38:24.267
[SPEAKER_00]: It's a very well done, very well directed, very well staged piece of suspense cinema, like from the hope disappearing,

38:24.805 --> 38:27.532
[SPEAKER_00]: to the sounds like the whole thing is done so well.

38:28.314 --> 38:30.781
[SPEAKER_00]: And then it cuts off quite abruptly at the end, but it also kind of works.

38:31.575 --> 38:32.356
[SPEAKER_00]: Yeah, I like to.

38:32.496 --> 38:34.778
[SPEAKER_04]: They want to kept that same paste with that.

38:35.439 --> 38:38.301
[SPEAKER_04]: It would work, but they don't.

38:38.661 --> 38:41.985
[SPEAKER_04]: They decide, okay, now we need to go being back to being a suspense again.

38:42.105 --> 38:43.786
[SPEAKER_04]: It needs to be, you know, a mystery movie.

38:44.187 --> 38:46.709
[SPEAKER_04]: And now these, it's all over the place.

38:46.809 --> 38:48.731
[SPEAKER_04]: It doesn't know what it was to be.

38:49.972 --> 38:55.056
[SPEAKER_04]: And, you know, then you have Barry who goes into, uh, sees Max.

38:55.737 --> 38:57.978
[SPEAKER_04]: because I got this guys, I can do this by myself.

38:58.098 --> 39:02.200
[SPEAKER_04]: He goes on ahead, goes in there, because you need to fucking leave them all fucking alone right now.

39:03.101 --> 39:04.241
[SPEAKER_04]: Stop sending fucking notes.

39:06.830 --> 39:07.750
[SPEAKER_00]: Well, well done.

39:08.711 --> 39:09.011
[SPEAKER_00]: Yeah.

39:09.251 --> 39:15.593
[SPEAKER_04]: He goes on and walks back off like he did something because he won't be bothering you anymore ladies.

39:16.434 --> 39:18.314
[SPEAKER_04]: I'm going to go back and punch the bag a little bit.

39:18.734 --> 39:19.275
[SPEAKER_00]: That's good.

39:19.895 --> 39:20.215
[SPEAKER_04]: That's good.

39:20.255 --> 39:20.495
[SPEAKER_04]: That's good.

39:20.515 --> 39:21.295
[SPEAKER_04]: That's good.

39:21.636 --> 39:22.056
[SPEAKER_00]: That's good.

39:22.096 --> 39:22.476
[SPEAKER_00]: That's good.

39:22.496 --> 39:23.056
[SPEAKER_00]: That's good.

39:23.076 --> 39:23.596
[SPEAKER_04]: That's good.

39:23.616 --> 39:23.956
[SPEAKER_00]: That's good.

39:23.976 --> 39:25.257
[SPEAKER_04]: That's good.

39:25.297 --> 39:25.877
[SPEAKER_04]: That's good.

39:25.917 --> 39:26.577
[SPEAKER_04]: That's good.

39:26.657 --> 39:27.298
[SPEAKER_04]: That's good.

39:27.458 --> 39:28.818
[SPEAKER_04]: That's good.

39:29.238 --> 39:29.518
[SPEAKER_04]: That's good.

39:29.538 --> 39:29.859
[SPEAKER_04]: That's good.

39:29.879 --> 39:30.379
[SPEAKER_04]: That's good.

39:30.679 --> 39:30.999
[SPEAKER_04]: That's good.

39:31.019 --> 39:31.539
[SPEAKER_04]: That's good.

39:31.559 --> 39:31.919
[SPEAKER_04]: That's good.

39:31.959 --> 39:32.280
[SPEAKER_04]: That's good.

39:32.300 --> 39:32.660
[SPEAKER_04]: That's good.

39:32.720 --> 39:33.280
[SPEAKER_04]: That's good.

39:33.300 --> 39:34.600
[SPEAKER_04]: That's good.

39:35.401 --> 39:35.761
[SPEAKER_02]: That's good.

39:36.783 --> 39:37.143
[SPEAKER_04]: Right.

39:37.924 --> 39:43.046
[SPEAKER_04]: And then it goes into this whole entire thing where Max is doing something with the crabs and stuff.

39:43.787 --> 39:45.587
[SPEAKER_04]: And he went and I looked in the right.

39:45.708 --> 39:50.410
[SPEAKER_04]: It's orchestrated perfectly well where the hook goes into his chin.

39:50.430 --> 39:51.230
[SPEAKER_04]: Yeah.

39:51.310 --> 39:52.351
[SPEAKER_04]: And then jerks him.

39:53.251 --> 39:55.472
[SPEAKER_04]: Oh, it's that was a powerful scene for me.

39:55.633 --> 39:57.313
[SPEAKER_04]: I really liked the dead scene on that.

39:57.353 --> 39:58.334
[SPEAKER_04]: I thought that was original.

39:58.854 --> 39:59.174
[SPEAKER_04]: Yeah.

39:59.214 --> 40:00.235
[SPEAKER_04]: That scene's not so much.

40:00.695 --> 40:01.375
[SPEAKER_00]: Yeah.

40:01.996 --> 40:02.216
[SPEAKER_00]: Yeah.

40:02.236 --> 40:03.036
[SPEAKER_00]: The other scene's done.

40:03.076 --> 40:06.138
[SPEAKER_00]: This one has the most impact of destiny.

40:06.178 --> 40:06.538
[SPEAKER_00]: Red dust.

40:07.318 --> 40:10.579
[SPEAKER_00]: Although the question I have is why?

40:10.599 --> 40:12.979
[SPEAKER_00]: Yeah, Phil Max.

40:13.399 --> 40:18.841
[SPEAKER_02]: And also this was put in late when they showed test screenings the audience said there's not enough deaf blood murder.

40:18.861 --> 40:20.081
[SPEAKER_02]: So they wrote this scene back in.

40:20.121 --> 40:25.522
[SPEAKER_02]: So I always wonder, I why kill Max, but also be what's going to be Max's fate?

40:25.562 --> 40:27.542
[SPEAKER_02]: Or would you have to keep thinking for out or is it Max?

40:27.562 --> 40:29.183
[SPEAKER_02]: Is it Max who's doing it if he's still alive?

40:30.043 --> 40:30.203
[SPEAKER_02]: Sorry.

40:31.114 --> 40:33.095
[SPEAKER_04]: You see, I always thought that Max was a lot.

40:33.376 --> 40:33.716
[SPEAKER_04]: I don't know.

40:33.736 --> 40:35.917
[SPEAKER_04]: It's been a long time since I've seen, I know he had a less number.

40:35.977 --> 40:38.279
[SPEAKER_04]: And mine mind, I thought Max was still alive.

40:38.499 --> 40:45.124
[SPEAKER_04]: And he was going to be him and his dad that were killing the teenagers stuff.

40:45.244 --> 40:47.685
[SPEAKER_04]: But no, it's, it's not Max.

40:48.226 --> 40:49.507
[SPEAKER_04]: I don't know why I thought that.

40:50.047 --> 40:53.209
[SPEAKER_04]: But, you know, this is me making my own story up.

40:53.589 --> 40:54.510
[SPEAKER_00]: But you know what?

40:54.550 --> 40:55.150
[SPEAKER_00]: Right.

40:55.171 --> 40:55.571
[SPEAKER_00]: The sequel.

40:55.591 --> 40:56.471
[SPEAKER_00]: That's a bit of a sequel.

40:56.511 --> 40:56.852
[SPEAKER_00]: Yeah.

40:56.912 --> 40:59.393
[SPEAKER_00]: It's the sound of the fisherman in the sequel.

41:00.034 --> 41:00.214
[SPEAKER_00]: Right.

41:00.995 --> 41:16.572
[SPEAKER_00]: It's, yeah, we'll come to the end, I think when the killer is finally revealed and all of his planetary revealed, I took off some big plot holes and I just don't quite understand why he's been any of this or why he's been so theatrical about what he's been doing.

41:17.033 --> 41:17.894
[SPEAKER_00]: Doesn't make any sense.

41:19.175 --> 41:19.836
[SPEAKER_00]: Right, we'll get there.

41:20.637 --> 41:21.117
[SPEAKER_00]: Yeah, we'll get there.

41:21.217 --> 41:21.457
[SPEAKER_00]: We'll go.

41:22.701 --> 41:26.483
[SPEAKER_04]: But, you know, I just thought that that same works for me still.

41:26.843 --> 41:28.283
[SPEAKER_04]: I thought it was a horrifying scene.

41:29.604 --> 41:31.065
[SPEAKER_04]: Then you get this, okay?

41:31.125 --> 41:35.026
[SPEAKER_04]: So we end up, this, this killer, all he does is stalk his people.

41:35.506 --> 41:36.967
[SPEAKER_04]: He cuts off someone's hair.

41:36.987 --> 41:38.788
[SPEAKER_04]: Doesn't make hair cut.

41:40.188 --> 41:41.269
[SPEAKER_04]: What else does he do?

41:41.709 --> 41:45.551
[SPEAKER_04]: He winds up giving, he winds up putting a dead body and Julie's car.

41:45.851 --> 41:46.251
[SPEAKER_04]: We creep.

41:46.271 --> 41:46.511
[SPEAKER_00]: Yeah.

41:47.051 --> 41:48.352
[SPEAKER_00]: I mean, cleaning up very quick.

41:48.372 --> 41:48.532
[SPEAKER_00]: Right.

41:49.132 --> 41:49.512
[SPEAKER_00]: Yeah.

41:49.652 --> 41:50.173
[SPEAKER_00]: No, it's right.

41:51.591 --> 41:58.376
[SPEAKER_04]: But I just thought that the threat was not that threatening in a way like I don't get me wrong.

41:58.416 --> 42:00.178
[SPEAKER_04]: I thought that seeing what Max is horrifying.

42:00.538 --> 42:03.921
[SPEAKER_04]: But after that, you don't really get much with it.

42:04.661 --> 42:05.422
[SPEAKER_02]: But I didn't.

42:05.482 --> 42:06.843
[SPEAKER_02]: Because he's deliberately fucking with him.

42:06.863 --> 42:08.524
[SPEAKER_02]: He's like, I can kill you any moment, but I'm not.

42:08.644 --> 42:09.585
[SPEAKER_02]: I'm just going to keep messing you.

42:09.645 --> 42:13.388
[SPEAKER_02]: And also, there's a bit much like Ron when Ray goes, I got a letter.

42:13.937 --> 42:15.318
[SPEAKER_02]: I think they never show you what the letter is.

42:15.358 --> 42:16.879
[SPEAKER_02]: Thank you.

42:17.060 --> 42:19.061
[SPEAKER_02]: Even when I was a kid that bugged the shell.

42:19.181 --> 42:19.902
[SPEAKER_02]: What's on the lab?

42:20.002 --> 42:20.563
[SPEAKER_02]: What lab?

42:21.103 --> 42:22.044
[SPEAKER_02]: Let's show it to the letter.

42:22.244 --> 42:23.185
[SPEAKER_04]: Like Ray.

42:23.825 --> 42:24.446
[SPEAKER_00]: Bailey in it.

42:24.926 --> 42:25.086
[SPEAKER_00]: Yeah.

42:26.007 --> 42:27.228
[SPEAKER_04]: But yeah, I didn't understand that.

42:27.268 --> 42:28.209
[SPEAKER_04]: It's like, I got a letter too.

42:28.229 --> 42:29.990
[SPEAKER_04]: I'm like, well, bitch, show me the letter.

42:30.331 --> 42:31.272
[SPEAKER_04]: You say you got a letter.

42:31.452 --> 42:32.372
[SPEAKER_04]: So show me the letter.

42:32.392 --> 42:33.894
[SPEAKER_00]: I think that's still part of the mystery.

42:33.954 --> 42:37.096
[SPEAKER_00]: I think right up until the end, you meant to think the perhaps it's right that's doing it.

42:37.156 --> 42:38.578
[SPEAKER_00]: I mean, it's quite obviously not him.

42:40.079 --> 42:41.280
[SPEAKER_00]: I think what he's think that it is.

42:41.980 --> 42:42.401
[SPEAKER_00]: Yeah.

42:42.931 --> 42:45.173
[SPEAKER_00]: He's also a cool, very underserved in the sequel.

42:45.473 --> 42:45.773
[SPEAKER_00]: Yeah.

42:45.793 --> 42:46.153
[SPEAKER_00]: Yeah.

42:46.594 --> 42:46.754
[SPEAKER_00]: Yeah.

42:46.994 --> 42:48.535
[SPEAKER_00]: It's most of his time just trying to get to an island.

42:49.035 --> 42:49.416
[SPEAKER_00]: That's right.

42:50.497 --> 42:53.679
[SPEAKER_04]: So now we have all that happens.

42:53.739 --> 42:57.982
[SPEAKER_04]: Barry persuades Max to go in the bag and they're okay and telling you okay.

42:58.002 --> 42:59.603
[SPEAKER_04]: So Julie, but she runs off.

43:00.104 --> 43:01.865
[SPEAKER_04]: Great place to make up with Julie.

43:01.885 --> 43:03.326
[SPEAKER_04]: We don't even know why they broke up.

43:04.367 --> 43:16.851
[SPEAKER_04]: And inside the factory max is murdered by someone welding a hook, the killer text varied next, running him over with various cars, the killers shown wearing a ring, ring code, and welding hook on one hand.

43:19.290 --> 43:23.152
[SPEAKER_04]: Julia arrives at the hospital to see Barry and finds Helen and Ray there.

43:23.572 --> 43:27.054
[SPEAKER_04]: Julia reveals the man they hit was named David Egan.

43:27.514 --> 43:32.616
[SPEAKER_04]: Helen and Julia track his sister, Missy Egan, play by Anne Hase, just to her home.

43:33.176 --> 43:37.959
[SPEAKER_04]: When she has been living there since her brother's death, Missy does not recognize them.

43:38.419 --> 43:40.600
[SPEAKER_04]: And Julia's convinced she is innocent.

43:40.880 --> 43:43.541
[SPEAKER_04]: Missy tells them she had to evism.

43:44.401 --> 43:47.563
[SPEAKER_04]: I mean, claiming to be David's friend named Billy Blue.

43:48.885 --> 43:57.168
[SPEAKER_04]: So let's talk about the fact that, you know, we have this whole entire thing with, uh, jooling and rage.

43:57.869 --> 44:01.170
[SPEAKER_04]: And we know that they broke up, but we don't know the reason why they broke up.

44:01.690 --> 44:02.551
[SPEAKER_02]: This shit, I don't imagine.

44:02.991 --> 44:03.351
[SPEAKER_02]: Oh, let's see.

44:03.411 --> 44:04.071
[SPEAKER_02]: It's a kill to guy.

44:04.351 --> 44:06.872
[SPEAKER_04]: Yeah, that there would be a major setback.

44:07.312 --> 44:13.855
[SPEAKER_00]: There's a bit like you're on, when there's a bit later on, where, um, Sarah's looking at us character says, um, what happened between us?

44:13.895 --> 44:14.675
[SPEAKER_00]: Is that you killed a guy?

44:14.695 --> 44:15.776
[SPEAKER_00]: That's what I had.

44:16.396 --> 44:17.437
[SPEAKER_00]: That's why you will fell apart.

44:17.617 --> 44:18.617
[SPEAKER_00]: You murdered someone.

44:18.997 --> 44:20.858
[SPEAKER_02]: But what I like about this is how much it changed.

44:20.918 --> 44:22.499
[SPEAKER_02]: They're all carefree, happy to know you.

44:22.539 --> 44:23.579
[SPEAKER_02]: And the acting is really good.

44:23.599 --> 44:24.159
[SPEAKER_02]: You buy it.

44:24.179 --> 44:26.400
[SPEAKER_02]: There's all guilt, pop from Barry, all behind their eyes.

44:26.440 --> 44:28.761
[SPEAKER_02]: Like, oh, God, this is ruined out of lives doing this.

44:28.801 --> 44:29.582
[SPEAKER_02]: And I'm like, yeah, good.

44:29.782 --> 44:32.703
[SPEAKER_02]: Because you get the feeling now, perhaps in the remake, the kids aren't going to give a shit.

44:32.723 --> 44:33.784
[SPEAKER_02]: It's an up to like kill trouble.

44:34.824 --> 44:37.765
[SPEAKER_00]: They're the performances are strong across the ground.

44:37.785 --> 44:41.527
[SPEAKER_00]: I made that point several times in my notes that everybody in this is really good.

44:41.727 --> 44:43.428
[SPEAKER_00]: Like, it's very well acted.

44:43.448 --> 44:48.330
[SPEAKER_00]: And it's very, whilst quite surface levels, you're very well written.

44:48.596 --> 44:50.898
[SPEAKER_00]: You still get a sense of every character, you get a sense of place.

44:50.918 --> 44:51.979
[SPEAKER_00]: You understand what's happening.

44:51.999 --> 44:53.199
[SPEAKER_00]: I understand why everything's happening.

44:53.219 --> 44:57.463
[SPEAKER_00]: The mystery is quite entertaining when you kind of move slightly away from the slasher elements.

44:57.503 --> 44:59.744
[SPEAKER_00]: The whole David Egan thing is very well played out.

45:00.225 --> 45:03.707
[SPEAKER_00]: And Hish is very good in the small one that she has.

45:04.007 --> 45:07.130
[SPEAKER_00]: Although it's part of me knowing that Hish was a bit of a nutcase when she was alive.

45:08.351 --> 45:11.453
[SPEAKER_00]: You kind of get the feel that maybe they just filmed her own home going about her business.

45:13.425 --> 45:15.686
[SPEAKER_00]: She's not even acting like just just filming her.

45:15.706 --> 45:18.887
[SPEAKER_00]: Just like, yeah, let people walk in and say stuff and she'll just do whatever.

45:18.927 --> 45:19.367
[SPEAKER_00]: She's crazy.

45:19.947 --> 45:24.369
[SPEAKER_00]: Um, it's she also seems to be living in the text to change the mask house for some reason.

45:24.389 --> 45:24.569
[SPEAKER_00]: Yeah.

45:25.049 --> 45:26.249
[SPEAKER_04]: It does look like the text has changed.

45:26.309 --> 45:27.069
[SPEAKER_04]: I'm asked her house.

45:27.890 --> 45:28.690
[SPEAKER_02]: So she's a suspect.

45:28.890 --> 45:30.370
[SPEAKER_02]: They set up everyone's a sauce bag.

45:30.390 --> 45:33.491
[SPEAKER_02]: Well, even the Helen sister, Elsa, you'd be like, like, she's a sauce bag.

45:33.511 --> 45:37.112
[SPEAKER_02]: Cause yeah, whenever talking back in the shop, she's not, you know, who's dating over there?

45:37.312 --> 45:39.813
[SPEAKER_00]: Like, trying to figure out what she's just a dick.

45:40.439 --> 46:05.894
[SPEAKER_02]: an unattractive dick with glasses but um going back to the bit with Barry, I really like the bit he's working out and shit in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack, in a shack,

46:06.660 --> 46:10.481
[SPEAKER_00]: the worst one, my barrier to what the properly advocating for murdering this man.

46:10.501 --> 46:12.982
[SPEAKER_00]: And he's like, you're late.

46:13.062 --> 46:13.783
[SPEAKER_00]: I've got this opportunity.

46:13.843 --> 46:15.143
[SPEAKER_00]: Perfect opportunity to kill you right now.

46:15.163 --> 46:16.404
[SPEAKER_00]: You're by yourself.

46:16.644 --> 46:18.704
[SPEAKER_00]: Oh, confident that nothing's going to go wrong.

46:18.724 --> 46:24.466
[SPEAKER_00]: And I'm not going to be arrested or die accidentally between now and the fourth that I'm going to leave you still alive.

46:25.167 --> 46:26.007
[SPEAKER_00]: That's very silly.

46:27.135 --> 46:29.716
[SPEAKER_04]: Exactly, because here's the thing, Gary's in a vulnerable state.

46:29.856 --> 46:43.320
[SPEAKER_04]: He's taking a shower after being the hell out of the punching bag, which is kind of like to me is like a throwback to nightmare and arm street with the karate guy that was in that movie, but you know, I just think that you're in a vulnerable state.

46:43.460 --> 46:48.241
[SPEAKER_04]: So therefore you can kill the guy, pressure the thing in your dick, like he said Smith, I agree with you.

46:48.301 --> 46:49.481
[SPEAKER_04]: There's a wasted opportunity.

46:49.901 --> 46:51.442
[SPEAKER_04]: And the city, waste until he's done,

46:53.181 --> 46:57.904
[SPEAKER_04]: doing, uh, done working out and then the guy, then the, there's only one manager there.

46:57.924 --> 46:58.584
[SPEAKER_04]: Yeah.

46:58.644 --> 47:00.585
[SPEAKER_04]: And he's like, so is there anybody else there?

47:00.745 --> 47:01.806
[SPEAKER_04]: No, just give me a kid.

47:03.326 --> 47:05.668
[SPEAKER_00]: Hangin' out in the middle of nowhere.

47:07.669 --> 47:08.829
[SPEAKER_00]: This film does this in the mirror.

47:09.390 --> 47:13.392
[SPEAKER_02]: But there's hardly, when the killer turns out to do things, there's nobody else around.

47:13.652 --> 47:15.093
[SPEAKER_02]: What is it going to be down around?

47:15.273 --> 47:21.296
[SPEAKER_00]: It's very light around when the case is chasing Helen across a, a completely deserted park whilst in the next week over a parade is happening.

47:22.117 --> 47:22.697
[SPEAKER_03]: It's a lot of fault.

47:22.737 --> 47:23.237
[SPEAKER_00]: It's a lot of fault.

47:23.297 --> 47:23.858
[SPEAKER_00]: It's a lot of fault.

47:23.918 --> 47:24.658
[SPEAKER_00]: It's a lot of fault.

47:24.718 --> 47:25.178
[SPEAKER_00]: It's a lot of fault.

47:25.198 --> 47:25.718
[SPEAKER_00]: It's a lot of fault.

47:26.639 --> 47:27.179
[SPEAKER_02]: It's a lot of fault.

47:27.359 --> 47:28.599
[SPEAKER_02]: It's a lot of fault.

47:28.619 --> 47:29.420
[SPEAKER_02]: It's a lot of fault.

47:29.560 --> 47:31.941
[SPEAKER_04]: It's a lot of fault.

47:31.981 --> 47:33.521
[SPEAKER_02]: It's a lot of fault.

47:33.541 --> 47:34.442
[SPEAKER_04]: It's a lot of fault.

47:34.462 --> 47:35.102
[SPEAKER_04]: It's a lot of fault.

47:35.122 --> 47:35.922
[SPEAKER_04]: It's a lot of fault.

47:36.022 --> 47:36.442
[SPEAKER_04]: It's a lot of fault.

47:36.822 --> 47:37.583
[SPEAKER_04]: It's a lot of fault.

47:37.623 --> 47:38.543
[SPEAKER_04]: It's a lot of fault.

47:38.563 --> 47:39.844
[SPEAKER_04]: It's a lot of fault.

47:42.116 --> 47:43.516
[SPEAKER_04]: Uh, Julia rise at the hospital.

47:43.697 --> 47:49.758
[SPEAKER_04]: Well, then, yeah, you wind up seeing Barry and find where they wind up finding Helen and Ray there.

47:49.778 --> 47:54.060
[SPEAKER_04]: And then, you know, this is where Barry said, well, there's a rain slicker.

47:54.220 --> 47:55.160
[SPEAKER_04]: He's wearing a rain slicker.

47:55.260 --> 47:56.440
[SPEAKER_04]: He also has a hook.

47:57.681 --> 48:02.822
[SPEAKER_04]: And I like how, you know, Ray is just over there just looking at him and then all of a sudden, he has dialogue.

48:03.363 --> 48:03.583
[SPEAKER_00]: Yeah.

48:03.643 --> 48:03.923
[SPEAKER_00]: Like.

48:06.323 --> 48:11.445
[SPEAKER_00]: If so, the bit between Barry getting run over and then kind to the hospital bed.

48:11.851 --> 48:12.971
[SPEAKER_00]: felt like something was missing.

48:13.651 --> 48:17.832
[SPEAKER_00]: It feels like it cuts very abruptly from the killer standing over him.

48:18.352 --> 48:19.173
[SPEAKER_00]: Tim just being in hospital.

48:20.533 --> 48:22.093
[SPEAKER_00]: I feel like there's a scene missing.

48:22.133 --> 48:30.835
[SPEAKER_00]: Like there's something that's been cut out or something that should have happened there that wasn't filmed where it kind of would explain a little bit more about how we ended up there because he's still awake when the killer standing over him.

48:31.775 --> 48:32.775
[SPEAKER_00]: And suddenly just, oh, I'm in hospital.

48:33.735 --> 48:39.877
[SPEAKER_04]: Again, they know exactly the hospital because I think it would have been better if Barry was just dead and it was just Ray Helen and Julie.

48:42.483 --> 48:44.924
[SPEAKER_00]: because they didn't have to start the killing a little bit more.

48:45.165 --> 48:45.885
[SPEAKER_00]: It did done it that way.

48:46.185 --> 48:47.206
[SPEAKER_00]: But then I agree.

48:47.226 --> 48:51.308
[SPEAKER_04]: And that was, it gets us a chance to go on hit.

48:51.348 --> 48:56.831
[SPEAKER_00]: So Barry does get a slight redemption arc by the time he does get killed towards the end of the film.

48:57.312 --> 48:59.293
[SPEAKER_00]: He sort of become a slightly nicer person.

48:59.473 --> 49:02.715
[SPEAKER_00]: Not a nice person, but a slightly nice person.

49:02.975 --> 49:03.355
[SPEAKER_00]: Yeah.

49:03.515 --> 49:07.398
[SPEAKER_00]: He's being supportive to his friends and nice for the first time in the entire film.

49:07.578 --> 49:10.540
[SPEAKER_00]: Even when they was supposed to be his friends, he was still a dickhead.

49:11.000 --> 49:11.120
[SPEAKER_00]: Yeah.

49:11.478 --> 49:15.521
[SPEAKER_04]: Right, but he also knows two that he's about to die in all these his friends are about to die.

49:15.701 --> 49:18.023
[SPEAKER_04]: So it's like, well, I need to go on his tapping your dick.

49:19.624 --> 49:21.425
[SPEAKER_00]: Yeah, that would really like sharpening you up that.

49:21.445 --> 49:22.686
[SPEAKER_00]: Oh, I might be that guy.

49:22.786 --> 49:23.567
[SPEAKER_00]: Man, a bit bit nicer.

49:24.447 --> 49:26.869
[SPEAKER_00]: Someone might say something nice about me about you.

49:26.889 --> 49:29.491
[SPEAKER_02]: So I had as well, does the killer keep Barry's car?

49:29.931 --> 49:31.032
[SPEAKER_02]: Or what are you looking at over him?

49:31.052 --> 49:33.014
[SPEAKER_02]: Or did he just go like, or just walk off?

49:33.354 --> 49:35.135
[SPEAKER_02]: Because I've got a feeling in the circle one.

49:35.235 --> 49:36.196
[SPEAKER_02]: He's got the car again.

49:36.216 --> 49:38.097
[SPEAKER_04]: They'll be cool though.

49:38.157 --> 49:39.078
[SPEAKER_04]: They'll be cool like the

49:39.747 --> 49:44.771
[SPEAKER_04]: Like the horse I offer, this is the yellow running around where Barry's power.

49:45.151 --> 49:45.511
[SPEAKER_00]: Yeah.

49:46.012 --> 49:46.872
[SPEAKER_00]: It's a nice jacket.

49:46.893 --> 49:47.273
[SPEAKER_00]: I love that.

49:47.713 --> 49:47.873
[SPEAKER_00]: Yeah.

49:47.893 --> 49:49.074
[SPEAKER_00]: That'll go well with my rain slicker.

49:49.454 --> 49:51.896
[SPEAKER_00]: I love the slicker is actually quite a cool look for this.

49:51.916 --> 49:52.317
[SPEAKER_00]: It's cool.

49:52.577 --> 49:57.781
[SPEAKER_00]: And it really works in this setting because there are obviously so many people that would own a slicker in this.

49:58.101 --> 49:59.322
[SPEAKER_00]: And you know, we'll come to that later.

49:59.342 --> 50:00.283
[SPEAKER_00]: I have, I've thought about that.

50:00.403 --> 50:07.748
[SPEAKER_00]: So there's a nice little, you know, nice little costume that all sort of affectively hides the face well enough.

50:08.329 --> 50:08.429
[SPEAKER_00]: Yep.

50:08.940 --> 50:09.380
[SPEAKER_04]: I like it.

50:09.661 --> 50:11.882
[SPEAKER_04]: It makes you guess on who the killer is.

50:11.902 --> 50:13.223
[SPEAKER_04]: It's a mystery element to it.

50:13.823 --> 50:23.350
[SPEAKER_04]: Also like how, you know, he has this like the slicker sleeve pulled up near his cheeks and then he also has something else covering his face besides the hat.

50:23.930 --> 50:28.073
[SPEAKER_04]: I think it blends in really good as to what what this person is.

50:28.453 --> 50:28.694
[SPEAKER_03]: Yeah.

50:28.714 --> 50:30.275
[SPEAKER_04]: So, but it would have been hilarious.

50:30.295 --> 50:37.800
[SPEAKER_04]: So the car they ran you over that was supposed to kill you is the car that you're using to kill these teenagers that killed you.

50:38.866 --> 50:40.107
[SPEAKER_04]: That would have been funny.

50:41.708 --> 50:45.010
[SPEAKER_04]: But what do you think about the whole and hish thing though?

50:45.610 --> 50:52.694
[SPEAKER_04]: We're going to pull showing up at our house and then we're going to pretend our car broke down and we're going to go and they don't have a plan.

50:52.754 --> 50:57.277
[SPEAKER_04]: They're just going to go right in because of the fact that, you know, they went on the laptop.

50:57.317 --> 51:00.559
[SPEAKER_04]: It takes about three hours for a home patient room to do his thing.

51:00.859 --> 51:02.620
[SPEAKER_04]: But they're going to go without a plan.

51:04.021 --> 51:06.463
[SPEAKER_04]: And the like, well, I haven't thought that's through.

51:06.523 --> 51:08.504
[SPEAKER_04]: Well, even Angela Landbury has a plan.

51:11.154 --> 51:14.857
[SPEAKER_02]: Just go in and just don't be too suspicious but ask some questions.

51:15.037 --> 51:18.839
[SPEAKER_04]: Well, I don't really like it.

51:18.900 --> 51:21.722
[SPEAKER_04]: Did anyone tell you about the time that we ran over somebody?

51:21.742 --> 51:23.483
[SPEAKER_04]: Yeah.

51:23.603 --> 51:25.905
[SPEAKER_00]: Oh there you brother.

51:27.145 --> 51:30.648
[SPEAKER_00]: Did he die in vehicular man's law to just just throw an out there?

51:30.968 --> 51:31.889
[SPEAKER_04]: Come as you're for a friend.

51:32.309 --> 51:33.070
[SPEAKER_00]: Yeah.

51:34.631 --> 51:34.791
[SPEAKER_00]: Yeah.

51:34.851 --> 51:36.352
[SPEAKER_00]: Have you seen his lines in any ways?

51:36.372 --> 51:37.953
[SPEAKER_00]: Let's do a bit of improv.

51:38.414 --> 51:38.994
[SPEAKER_00]: I'm your brother.

51:39.498 --> 51:41.718
[SPEAKER_00]: And my friend here is the driver of a car that ran him over.

51:41.818 --> 51:42.239
[SPEAKER_00]: Oh, crazy.

51:42.659 --> 51:44.199
[SPEAKER_00]: Um, what would that look like?

51:44.219 --> 51:46.639
[SPEAKER_00]: Yeah.

51:46.719 --> 51:54.001
[SPEAKER_02]: So, um, obviously before the days of cell phones were accessible or affordable, wherever you could have just called, you know, the breakdown service or whatever.

51:54.021 --> 51:55.701
[SPEAKER_02]: So, you have to knock on so much door, mate.

51:55.721 --> 51:57.222
[SPEAKER_02]: If someone knocked on my door, I was like, like, is your phone?

51:57.242 --> 52:03.203
[SPEAKER_02]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no

52:06.232 --> 52:07.453
[SPEAKER_02]: But now I like it.

52:07.573 --> 52:08.214
[SPEAKER_02]: It's creepy.

52:08.234 --> 52:10.456
[SPEAKER_02]: It's like, oh, is Anne Hescott something to do with it?

52:10.596 --> 52:13.639
[SPEAKER_02]: And they start feeling all the guilt and they've killed their brother.

52:13.659 --> 52:15.360
[SPEAKER_02]: I feel like, oh, it seems good.

52:16.882 --> 52:19.044
[SPEAKER_04]: And I've looked at it and he's just given them, though.

52:19.064 --> 52:21.766
[SPEAKER_04]: It's like, doing this.

52:21.786 --> 52:23.287
[SPEAKER_04]: Yeah, I don't get really much visitors.

52:23.347 --> 52:24.068
[SPEAKER_04]: I were like, really?

52:24.088 --> 52:25.549
[SPEAKER_04]: I don't know.

52:25.589 --> 52:26.510
[SPEAKER_04]: Wonder why you do it.

52:27.251 --> 52:29.193
[SPEAKER_01]: Yeah, I think when they go, oh, no, don't leave.

52:29.273 --> 52:30.714
[SPEAKER_01]: Which means don't leave.

52:30.854 --> 52:32.516
[SPEAKER_01]: I really can't be used to following somebody.

52:33.883 --> 52:37.404
[SPEAKER_04]: This woman is like very lonely and no one has no friends.

52:37.424 --> 52:38.684
[SPEAKER_04]: It's like, don't leave.

52:39.224 --> 52:40.704
[SPEAKER_04]: I know that you guys are broken down.

52:41.204 --> 52:42.305
[SPEAKER_04]: You know, you don't have to go.

52:42.325 --> 52:47.726
[SPEAKER_00]: What was funny is that I remember when when I was younger, what can they know?

52:47.766 --> 52:49.826
[SPEAKER_00]: She was either the creepy older person.

52:50.006 --> 52:52.347
[SPEAKER_00]: Like, you know, that was like, twenty five, twenty six.

52:52.367 --> 52:53.707
[SPEAKER_00]: She's really young.

52:53.727 --> 52:54.867
[SPEAKER_00]: They started with a class of eight, eight.

52:54.887 --> 52:55.907
[SPEAKER_00]: I was like, oh, that would make her.

52:56.887 --> 52:58.088
[SPEAKER_00]: No, that would make her out of twenty five.

52:58.108 --> 52:58.188
[SPEAKER_00]: Yeah.

52:58.228 --> 52:58.588
[SPEAKER_00]: Okay.

53:00.384 --> 53:03.727
[SPEAKER_04]: But yeah, then you have that whole entire thing talking about.

53:03.747 --> 53:09.451
[SPEAKER_04]: But basically, and he just character tells her that she didn't do anything or anything.

53:09.471 --> 53:11.172
[SPEAKER_04]: And Julie just all of a sudden just believes her.

53:11.252 --> 53:12.653
[SPEAKER_04]: Okay, she sent us in just good.

53:13.014 --> 53:13.474
[SPEAKER_04]: She's cool.

53:14.435 --> 53:18.178
[SPEAKER_04]: And then they go right back over to Julie's car.

53:19.358 --> 53:20.099
[SPEAKER_04]: And they're talking.

53:20.139 --> 53:23.642
[SPEAKER_04]: And then, and he's just supposed to just set up for like a jumpscare.

53:24.162 --> 53:24.923
[SPEAKER_02]: Yeah, that's all to this.

53:25.823 --> 53:29.046
[SPEAKER_04]: And then it's like, oh, well,

53:30.402 --> 53:36.624
[SPEAKER_04]: You know, um, it just started right back up, you know, it's weird on how these things just happen.

53:37.684 --> 53:40.805
[SPEAKER_04]: Because AAA is supposed to be coming to get supposedly coming get them.

53:41.525 --> 53:43.165
[SPEAKER_02]: Yeah, well, I used to trip away.

53:43.346 --> 53:46.506
[SPEAKER_02]: Sure, these issues that we need to come back in and call them and tell them not to come out after all.

53:48.007 --> 53:48.547
[SPEAKER_02]: Right.

53:49.627 --> 53:53.908
[SPEAKER_04]: You know, this is like, and like I said back in the day, we had no cell phones or anything like that.

53:53.988 --> 53:56.109
[SPEAKER_04]: So it worked well for that plan.

53:56.169 --> 53:58.770
[SPEAKER_04]: Nowadays is like, well, you know, you can just use your cell phone.

53:59.270 --> 53:59.550
[SPEAKER_02]: Exactly.

54:01.803 --> 54:07.307
[SPEAKER_02]: It's something creepy about alien people in your house, but also you're going into someone's house as well.

54:07.547 --> 54:09.308
[SPEAKER_02]: It's always like hitchhiking or something like that.

54:09.328 --> 54:11.650
[SPEAKER_02]: So yeah, it doesn't really work.

54:11.710 --> 54:12.990
[SPEAKER_00]: Yeah, because of technology.

54:13.151 --> 54:14.331
[SPEAKER_00]: It's not a billion people in the house.

54:14.371 --> 54:14.972
[SPEAKER_00]: Can I use your phone?

54:14.992 --> 54:16.433
[SPEAKER_00]: Well, think of phone calls aren't free.

54:16.613 --> 54:17.053
[SPEAKER_00]: You may not.

54:17.674 --> 54:17.854
[SPEAKER_00]: Yes.

54:18.953 --> 54:24.778
[SPEAKER_04]: Look, my minutes doesn't come in to like, it's just like, but I don't want to eat it.

54:24.958 --> 54:25.919
[SPEAKER_04]: And make your phone call.

54:25.939 --> 54:26.719
[SPEAKER_04]: That would be great.

54:26.860 --> 54:29.241
[SPEAKER_04]: Make sure it's not, um, past five minutes, okay?

54:29.262 --> 54:31.663
[SPEAKER_00]: Yeah, yeah, yeah, you sit and wait for two and a half hours.

54:31.683 --> 54:33.245
[SPEAKER_00]: I want to put them dinner on if you want some dinner.

54:33.285 --> 54:34.406
[SPEAKER_00]: I, you know, yeah.

54:34.766 --> 54:38.109
[SPEAKER_04]: If it's a collect call, just say we broke that on side of the road, and we don't know where we're at.

54:39.150 --> 54:42.412
[SPEAKER_04]: Oh, yeah.

54:42.452 --> 54:48.097
[SPEAKER_04]: But yeah, then you, but do you think the whole thing about Billy Blue and what Missy is telling, telling them?

54:49.616 --> 54:50.316
[SPEAKER_02]: It's a bit of a stranger.

54:50.376 --> 54:58.738
[SPEAKER_02]: I like it again because you're thinking, okay, who's Billy Blue is just the guy who's stalking them or whatever, but it's she's telling them not way too much information.

54:58.758 --> 55:00.039
[SPEAKER_02]: I was like, you don't even know these people.

55:00.079 --> 55:03.199
[SPEAKER_02]: Why are you talking about some guy who you thought was hot, who came to see it?

55:03.219 --> 55:03.900
[SPEAKER_02]: I don't know.

55:04.420 --> 55:05.920
[SPEAKER_02]: It's interesting, but again, another red herring.

55:05.960 --> 55:07.580
[SPEAKER_02]: This one's very good at throwing red herring's out there.

55:08.821 --> 55:10.061
[SPEAKER_00]: I thought it's whole Billy Blue.

55:10.081 --> 55:11.961
[SPEAKER_00]: There's anything.

55:12.042 --> 55:13.082
[SPEAKER_00]: It's very well done.

55:15.401 --> 55:18.363
[SPEAKER_00]: Because yeah, I just thought it was an interesting properly, Mr. Xie.

55:18.383 --> 55:18.764
[SPEAKER_00]: Right.

55:19.404 --> 55:22.446
[SPEAKER_04]: Because we're thinking of like being missing, that's doing this.

55:22.887 --> 55:25.829
[SPEAKER_04]: But then again, your seeing how tall this person is.

55:26.069 --> 55:26.489
[SPEAKER_00]: Exactly.

55:26.629 --> 55:27.810
[SPEAKER_00]: So yeah, that doesn't really work.

55:28.551 --> 55:28.731
[SPEAKER_04]: No.

55:29.311 --> 55:30.832
[SPEAKER_00]: But Missy has got a lot of things.

55:30.872 --> 55:33.014
[SPEAKER_00]: Yeah, I got a lot of things.

55:33.034 --> 55:34.895
[SPEAKER_04]: You know, and then you know, for extra height.

55:34.915 --> 55:36.096
[SPEAKER_00]: Yeah.

55:36.356 --> 55:38.038
[SPEAKER_00]: I've been that happens in slash films.

55:38.058 --> 55:41.060
[SPEAKER_00]: There is that suspension disbelief when it's revealed to be someone like in.

55:41.770 --> 55:45.537
[SPEAKER_00]: There's a screen too where it's Lori Matt Garff and you're like, all right, hold on a minute.

55:46.159 --> 55:47.742
[SPEAKER_00]: He is the last five but one.

55:47.762 --> 55:51.750
[SPEAKER_00]: There's no way she's physically capable of lifting people or standing people that much.

55:52.131 --> 55:52.291
[SPEAKER_00]: Yep.

55:53.535 --> 55:59.137
[SPEAKER_04]: So now we're at Helen's home that night, the killer breaks in, hiding in our closet.

55:59.217 --> 56:07.040
[SPEAKER_04]: The next morning Helen wakes up with, uh, when most of her here cut to bits and soon written in lipstick on the mirror.

56:07.100 --> 56:12.722
[SPEAKER_04]: Julie gets, well, she is up saying soon when in lipstick on her mirror.

56:13.082 --> 56:16.563
[SPEAKER_04]: Julie gets a call from Barry who tells her to come to Helen's.

56:17.363 --> 56:17.903
[SPEAKER_04]: on the way.

56:18.404 --> 56:20.525
[SPEAKER_04]: Julia here's rattling on the inner trunk.

56:20.585 --> 56:22.967
[SPEAKER_04]: She opens the trunk to find Max's body.

56:23.567 --> 56:30.271
[SPEAKER_04]: She shuts the trunk, runs to Helen and brings her and Barry to the Victoria car, but the body has disappeared.

56:30.731 --> 56:34.894
[SPEAKER_04]: Julia is convinced that the killer took the body and they are not safe.

56:35.534 --> 56:39.857
[SPEAKER_04]: Later they run into Barry to Ray who tells them he got a letter.

56:40.802 --> 56:47.487
[SPEAKER_04]: And all I could think of is, I got a letter, you know, that song from blues clues, we got a letter.

56:49.189 --> 56:50.550
[SPEAKER_00]: I think I'm too old for that.

56:51.991 --> 56:54.273
[SPEAKER_04]: Here's the thing, I have a steps on.

56:54.293 --> 56:58.336
[SPEAKER_04]: I have a list of blues clues, and that's the, so, you know.

56:58.976 --> 57:04.020
[SPEAKER_00]: Okay, your, your, your songs too young to do, I think, yeah, my door hasn't been born yet.

57:04.040 --> 57:08.244
[SPEAKER_00]: So, um, I'm sure, I'm sure what we'll learn.

57:09.293 --> 57:10.414
[SPEAKER_00]: We're gonna win the world.

57:10.434 --> 57:11.515
[SPEAKER_00]: We're gonna win the world.

57:11.555 --> 57:13.637
[SPEAKER_00]: We're gonna win the world.

57:13.657 --> 57:15.598
[SPEAKER_00]: We're gonna win the world.

57:15.618 --> 57:17.860
[SPEAKER_00]: We're gonna win the world.

57:17.900 --> 57:20.022
[SPEAKER_00]: We're gonna win the world.

57:20.042 --> 57:21.623
[SPEAKER_00]: We're gonna win the world.

57:21.663 --> 57:24.766
[SPEAKER_00]: We're gonna win the world.

57:24.786 --> 57:26.307
[SPEAKER_00]: We're gonna win the world.

57:26.327 --> 57:27.728
[SPEAKER_00]: We're gonna win the world.

57:27.748 --> 57:28.609
[SPEAKER_00]: We're gonna win the world.

57:28.709 --> 57:30.370
[SPEAKER_00]: We're gonna win the world.

57:30.390 --> 57:31.911
[SPEAKER_00]: We're gonna win the world.

57:32.552 --> 57:33.593
[SPEAKER_00]: We're gonna win the world.

57:37.725 --> 57:39.668
[SPEAKER_02]: Pour it into a glass, which really helps him.

57:39.788 --> 57:40.670
[SPEAKER_02]: I've got this.

57:40.930 --> 57:44.736
[SPEAKER_00]: I've got, I've got, I've got the same thing.

57:45.317 --> 57:46.198
[SPEAKER_00]: Really, it's really upsetting.

57:46.439 --> 57:48.161
[SPEAKER_00]: One, she gets a can of coca at the fridge, right?

57:48.181 --> 57:50.565
[SPEAKER_00]: A can is a perfectly decent drinks receptacle.

57:50.887 --> 57:53.148
[SPEAKER_00]: You do not need to pour it into a glass.

57:53.468 --> 57:56.249
[SPEAKER_00]: If you're going to pour it into a glass, why did you not pour all of it into the glass?

57:56.509 --> 57:58.770
[SPEAKER_00]: And then why did you put a little bit in?

57:59.210 --> 58:00.330
[SPEAKER_00]: I'll drink a little bit of that.

58:00.350 --> 58:02.311
[SPEAKER_00]: So I've got some in the glass, some in the cabinet.

58:02.351 --> 58:03.631
[SPEAKER_00]: I don't like all the shapes, guys.

58:04.151 --> 58:05.652
[SPEAKER_00]: Yeah, I feel like, good, God.

58:05.912 --> 58:07.472
[SPEAKER_00]: What are you, you monster?

58:07.512 --> 58:09.173
[SPEAKER_00]: You deserve everything you've got coming to.

58:09.193 --> 58:09.413
[SPEAKER_00]: Yeah.

58:10.393 --> 58:11.394
[SPEAKER_00]: That's very upset.

58:11.934 --> 58:12.474
[SPEAKER_00]: Yeah, it was.

58:12.494 --> 58:13.614
[SPEAKER_04]: That's why the killer was mad.

58:13.854 --> 58:16.095
[SPEAKER_04]: It was just because he used Diet Coke in a glass.

58:16.375 --> 58:17.475
[SPEAKER_04]: Yeah, I didn't drink it up.

58:18.376 --> 58:18.896
[SPEAKER_00]: Fucking boys.

58:19.338 --> 58:20.379
[SPEAKER_00]: You're adding to the washing up.

58:20.399 --> 58:21.359
[SPEAKER_00]: You're wasting the coke.

58:21.419 --> 58:22.520
[SPEAKER_00]: Don't grow in case you don't.

58:25.022 --> 58:31.326
[SPEAKER_04]: Oh, so the slasher all of a sudden just here is just over the top father who's just tired of his daughter.

58:31.506 --> 58:32.126
[SPEAKER_04]: That's amazing.

58:32.747 --> 58:32.947
[SPEAKER_00]: Yeah.

58:33.627 --> 58:34.208
[SPEAKER_00]: Yeah.

58:34.228 --> 58:35.409
[SPEAKER_00]: You leave it bloody low.

58:35.429 --> 58:35.829
[SPEAKER_00]: It's on.

58:36.649 --> 58:37.930
[SPEAKER_00]: Yeah.

58:37.950 --> 58:40.172
[SPEAKER_04]: You know, it's just this scene.

58:40.252 --> 58:43.954
[SPEAKER_04]: They want to make it also, too, that the father has like a drinking problem.

58:45.575 --> 58:46.156
[SPEAKER_02]: It's not like that.

58:47.580 --> 58:48.240
[SPEAKER_04]: It's like he's a dragon.

58:48.260 --> 58:48.621
[SPEAKER_02]: He's a dragon.

58:48.741 --> 58:49.421
[SPEAKER_02]: He's a dragon.

58:49.481 --> 58:50.042
[SPEAKER_02]: He's a dragon.

58:50.082 --> 58:50.722
[SPEAKER_02]: He's a dragon.

59:14.510 --> 59:24.896
[SPEAKER_04]: But yeah, then you have the sisters that night before where she winds up saying all you care about is you're here Yeah, we said this bit up nicely.

59:24.936 --> 59:26.577
[SPEAKER_02]: Yeah, I don't mind this again.

59:26.618 --> 59:30.500
[SPEAKER_00]: My sister so mean why is she such a cow?

59:32.121 --> 59:36.764
[SPEAKER_02]: Like a girl The killer couple of her friends, but I should have done give her a better haircut.

59:36.804 --> 59:40.686
[SPEAKER_02]: Oh, yeah, I'm a bull I think it was like you're not doing that.

59:40.826 --> 59:42.107
[SPEAKER_00]: Yeah, I'm my head

59:42.690 --> 01:00:07.238
[SPEAKER_00]: I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know, I've got the new season of Buffy coming up, you know

01:00:08.378 --> 01:00:15.384
[SPEAKER_04]: But yeah, then you have the whole time thing where Max is inside a car, you're carrying crabs.

01:00:15.404 --> 01:00:17.686
[SPEAKER_04]: And, you know, the killer just goes on ahead.

01:00:18.207 --> 01:00:19.388
[SPEAKER_04]: Remove, removes it.

01:00:19.408 --> 01:00:20.129
[SPEAKER_00]: I know.

01:00:20.149 --> 01:00:22.951
[SPEAKER_00]: There's only two ways he could have done that.

01:00:23.712 --> 01:00:25.293
[SPEAKER_00]: One, it's completely different car.

01:00:26.595 --> 01:00:27.596
[SPEAKER_00]: And he's just switched them out.

01:00:28.076 --> 01:00:28.596
[SPEAKER_00]: Could have done that.

01:00:28.777 --> 01:00:29.437
[SPEAKER_00]: Seems unlikely.

01:00:29.697 --> 01:00:31.279
[SPEAKER_00]: The other is that the body was on a top.

01:00:31.726 --> 01:00:37.007
[SPEAKER_00]: So he could just pull it all out as one without leaving any cramps or lugs or anything behind.

01:00:37.247 --> 01:00:38.347
[SPEAKER_00]: It's so stupid.

01:00:38.867 --> 01:00:39.107
[SPEAKER_00]: It is.

01:00:39.307 --> 01:00:41.028
[SPEAKER_02]: It's all this.

01:00:41.508 --> 01:00:42.008
[SPEAKER_00]: It's all this.

01:00:42.028 --> 01:00:45.208
[SPEAKER_00]: This is where the killer stuff in this film doesn't make any sense.

01:00:45.788 --> 01:00:50.629
[SPEAKER_00]: He's going to an awful lot of effort to be very theatrical for no reason.

01:00:50.909 --> 01:00:55.630
[SPEAKER_00]: Like, how quiet would he have to have been to cut her hair off?

01:00:56.170 --> 01:00:57.070
[SPEAKER_00]: And right soon.

01:00:57.390 --> 01:00:58.511
[SPEAKER_00]: And then how do he get out?

01:00:59.911 --> 01:01:00.471
[SPEAKER_00]: Down the stairs.

01:01:03.008 --> 01:01:15.162
[SPEAKER_00]: the dad wouldn't say anything too busy drinking a much of the football he just walks straight past but good lord and then he's not like I've got this body in all these crabs I'll kept them mate I wasn't here heavy breathing inside that closet though yeah

01:01:17.345 --> 01:01:22.110
[SPEAKER_00]: I think he used the hook to cut, no, no, she says scissors.

01:01:22.930 --> 01:01:25.153
[SPEAKER_04]: Um, I was thinking they go to myself.

01:01:25.333 --> 01:01:28.856
[SPEAKER_04]: And then yeah, you're right, it's scissors.

01:01:29.177 --> 01:01:30.058
[SPEAKER_00]: I think Helen just like that.

01:01:30.098 --> 01:01:31.779
[SPEAKER_00]: That's the only creepy guy that's in my cupboard.

01:01:31.840 --> 01:01:32.420
[SPEAKER_00]: He's always in there.

01:01:34.362 --> 01:01:34.943
[SPEAKER_00]: That's what the house.

01:01:37.586 --> 01:01:38.626
[SPEAKER_00]: They've all got one around there.

01:01:38.666 --> 01:01:39.727
[SPEAKER_00]: It's just, it's, it's amazing.

01:01:39.747 --> 01:01:40.707
[SPEAKER_04]: They're perfectly normal.

01:01:41.107 --> 01:01:41.788
[SPEAKER_04]: Yeah.

01:01:41.868 --> 01:01:46.870
[SPEAKER_04]: You know, I, I just laughed my ass off though at the fact that she didn't feel him.

01:01:46.890 --> 01:01:49.491
[SPEAKER_04]: I her here or anything.

01:01:50.071 --> 01:01:51.032
[SPEAKER_00]: Well, that's what happened to me.

01:01:51.512 --> 01:01:55.373
[SPEAKER_00]: Um, I was, I know it woke up someone to come.

01:01:55.393 --> 01:01:58.375
[SPEAKER_04]: You were at sleep away camp and someone decided to go in front of her.

01:01:58.395 --> 01:01:59.015
[SPEAKER_00]: Yeah.

01:01:59.455 --> 01:02:01.096
[SPEAKER_00]: Um, it was the fishmen that I ran over.

01:02:01.636 --> 01:02:01.976
[SPEAKER_00]: It's back.

01:02:02.036 --> 01:02:02.496
[SPEAKER_00]: Yeah.

01:02:03.497 --> 01:02:04.117
[SPEAKER_00]: That's easier.

01:02:04.997 --> 01:02:05.397
[SPEAKER_00]: Oh, no.

01:02:05.557 --> 01:02:06.758
[SPEAKER_00]: It took me eyebrows and all.

01:02:07.377 --> 01:02:07.757
[SPEAKER_00]: That was real.

01:02:07.777 --> 01:02:09.918
[SPEAKER_00]: I don't know how we managed that with a pair of scissors, but he did.

01:02:09.938 --> 01:02:12.239
[SPEAKER_00]: I got, I got, I appreciate it, yeah.

01:02:13.820 --> 01:02:21.724
[SPEAKER_04]: But, you know, to him, for the killer to remove the grabs act quickly and just the wipe, like it wasn't even there and then remove the body.

01:02:22.404 --> 01:02:24.465
[SPEAKER_00]: I mean, yeah, so, oh, there's no body here.

01:02:24.525 --> 01:02:25.566
[SPEAKER_00]: It's still fucking stinks.

01:02:26.406 --> 01:02:27.186
[SPEAKER_00]: Yeah, I was just going to get it.

01:02:27.206 --> 01:02:28.467
[SPEAKER_00]: It's no like dead bodies and crabs.

01:02:30.033 --> 01:02:30.695
[SPEAKER_00]: That'd be horrible.

01:02:31.578 --> 01:02:34.546
[SPEAKER_00]: I've never smelled a dead body mix with crabs, but I'm gonna cut on the lips.

01:02:34.566 --> 01:02:35.669
[SPEAKER_00]: I'm pretty sure I don't want it.

01:02:35.689 --> 01:02:36.492
[SPEAKER_00]: It isn't all roses.

01:02:39.919 --> 01:02:48.162
[SPEAKER_04]: But then you have, after that, Julie decides to see Missy again while Helen and Barry watch each other's backs at the parade.

01:02:48.542 --> 01:03:01.926
[SPEAKER_04]: Julie tries to convince Missy that David did not kill himself after Missy presents her with a suicide note when, in the same time style as her letter from the killer, Missy tells her to leave.

01:03:02.726 --> 01:03:07.828
[SPEAKER_04]: But, you know, when, I want to see the letter that Ray had.

01:03:08.559 --> 01:03:10.980
[SPEAKER_04]: Yeah, it's just like, well, I got a letter.

01:03:11.220 --> 01:03:12.080
[SPEAKER_04]: Well, good for you.

01:03:12.200 --> 01:03:15.061
[SPEAKER_04]: I'm happy you got a letter, but show us that you have a letter.

01:03:15.581 --> 01:03:16.661
[SPEAKER_02]: And when did you get a letter?

01:03:16.841 --> 01:03:18.681
[SPEAKER_02]: Same time as Julie or slightly after.

01:03:19.402 --> 01:03:19.682
[SPEAKER_02]: Right.

01:03:20.102 --> 01:03:21.662
[SPEAKER_04]: Like I said, parable post office.

01:03:21.982 --> 01:03:23.123
[SPEAKER_04]: They suck in the lettering.

01:03:23.163 --> 01:03:26.303
[SPEAKER_00]: He just wanted to be, he just wanted to be part of the whole gang.

01:03:26.403 --> 01:03:28.644
[SPEAKER_00]: They're like, he ran me over with a car.

01:03:28.864 --> 01:03:30.244
[SPEAKER_00]: She put a dead body in her car.

01:03:30.444 --> 01:03:31.204
[SPEAKER_00]: Car her hair off.

01:03:31.405 --> 01:03:32.785
[SPEAKER_00]: We're gonna make a big deal about that still.

01:03:32.985 --> 01:03:33.785
[SPEAKER_00]: Cause that's extreme.

01:03:34.125 --> 01:03:35.165
[SPEAKER_00]: Cause like, look at her.

01:03:35.265 --> 01:03:35.906
[SPEAKER_03]: I'm missing out.

01:03:36.126 --> 01:03:37.006
[SPEAKER_03]: I need to be cool too.

01:03:38.140 --> 01:03:38.680
[SPEAKER_00]: I mean look at that.

01:03:38.720 --> 01:03:39.440
[SPEAKER_00]: Look at that haircut.

01:03:39.460 --> 01:03:40.160
[SPEAKER_00]: Look stupid.

01:03:41.561 --> 01:03:44.701
[SPEAKER_00]: That is a nineteen ninety five Bob and it is ninety ninety seven.

01:03:45.021 --> 01:03:45.881
[SPEAKER_00]: What do you think?

01:03:46.742 --> 01:03:48.082
[SPEAKER_00]: And he's up.

01:03:48.382 --> 01:03:49.202
[SPEAKER_00]: Yeah, can we say?

01:03:49.222 --> 01:03:52.883
[SPEAKER_00]: No, no, no, you can't.

01:03:53.523 --> 01:03:56.643
[SPEAKER_04]: When he says, well, we need you guys need to go over to the parade to watch each other's backs.

01:03:56.743 --> 01:03:59.704
[SPEAKER_04]: And yeah, when we find them, we're going to go ahead and knock them the fuck out.

01:04:00.224 --> 01:04:02.744
[SPEAKER_04]: And raise like, you guys are acting like fucking vigilantes.

01:04:04.165 --> 01:04:05.065
[SPEAKER_00]: Someone kind of kill you.

01:04:05.105 --> 01:04:05.645
[SPEAKER_00]: It's reasonable.

01:04:06.927 --> 01:04:09.368
[SPEAKER_00]: If someone's trying to kill you, it's like, yes, I will try and knock him out.

01:04:09.588 --> 01:04:10.308
[UNKNOWN]: I think I'll be.

01:04:10.328 --> 01:04:11.649
[SPEAKER_00]: I'm gonna let him do it.

01:04:12.149 --> 01:04:14.330
[SPEAKER_04]: It turns into a Scooby-Doo episode on this.

01:04:14.390 --> 01:04:16.930
[SPEAKER_00]: Hey, everyone in the plot.

01:04:16.950 --> 01:04:30.895
[SPEAKER_02]: Oh, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait,

01:04:32.224 --> 01:04:34.165
[SPEAKER_00]: Max, right?

01:04:35.446 --> 01:04:38.649
[SPEAKER_04]: It's like, you got me, I was the killer.

01:04:38.889 --> 01:04:41.771
[SPEAKER_04]: I choked off of the person's favorite kill, Max, yet you got me.

01:04:42.992 --> 01:04:44.232
[SPEAKER_00]: Yeah, he doesn't know who he's looking for.

01:04:44.753 --> 01:04:46.134
[SPEAKER_00]: Yeah, it was a fact.

01:04:46.154 --> 01:04:47.515
[SPEAKER_00]: Really in that they're on the parade with it.

01:04:47.535 --> 01:04:50.937
[SPEAKER_04]: But another thing that's funny though, is very sticks out like a sore thumb on that float.

01:04:51.598 --> 01:04:52.338
[SPEAKER_04]: Yeah.

01:04:53.039 --> 01:04:54.520
[SPEAKER_00]: Oh, there's got to burn it.

01:04:54.540 --> 01:04:54.760
[SPEAKER_00]: Yeah.

01:04:55.140 --> 01:04:56.101
[SPEAKER_00]: This noodle head man.

01:04:57.592 --> 01:05:01.916
[SPEAKER_04]: because he has a broken arm because he just got into the hospital.

01:05:03.077 --> 01:05:08.343
[SPEAKER_04]: He's all stressed up, but you're going to let this man ride on a float through in the parade.

01:05:08.663 --> 01:05:11.346
[SPEAKER_00]: He's been wearing that same jumper for about two weeks.

01:05:11.426 --> 01:05:12.307
[SPEAKER_00]: It must smell bad.

01:05:12.887 --> 01:05:14.268
[SPEAKER_00]: He's only got one jumper.

01:05:14.749 --> 01:05:17.612
[SPEAKER_00]: It's some, it's interesting to see all the people in the crowd in the slickers.

01:05:18.345 --> 01:05:20.466
[SPEAKER_00]: And it's like, now, where is this set?

01:05:20.506 --> 01:05:21.066
[SPEAKER_00]: Is it main?

01:05:21.366 --> 01:05:24.967
[SPEAKER_00]: I'm assuming it's like the North East South Carolina North North South Carolina.

01:05:24.987 --> 01:05:30.429
[SPEAKER_04]: Seems like main or it seems like, Austin or something, but it's very weird.

01:05:30.449 --> 01:05:32.069
[SPEAKER_04]: They never tell you where it's set in.

01:05:32.849 --> 01:05:34.130
[SPEAKER_00]: No, South Paul wasn't it?

01:05:34.530 --> 01:05:45.793
[SPEAKER_00]: South, but I would assume it was like a New England type thing, but I've never been to that part of America in the summer, but I would assume on July fourth,

01:05:46.799 --> 01:05:48.940
[SPEAKER_00]: You wouldn't be wearing a heavy rain slicker.

01:05:48.960 --> 01:05:51.220
[SPEAKER_00]: You would noodle of the day.

01:05:52.060 --> 01:05:53.201
[SPEAKER_04]: No, you would not be.

01:05:53.461 --> 01:05:54.761
[SPEAKER_04]: You'll be hot as hell in that.

01:05:55.021 --> 01:05:55.461
[SPEAKER_03]: Yeah.

01:05:55.801 --> 01:05:56.482
[SPEAKER_04]: And that's liquor.

01:05:56.842 --> 01:06:02.123
[SPEAKER_04]: But I just like the fact that you know, Helen's looking around and you see a bunch of people on slickers.

01:06:03.183 --> 01:06:04.884
[SPEAKER_04]: Why don't you have a comment on?

01:06:05.044 --> 01:06:06.444
[SPEAKER_00]: She wants me there also.

01:06:07.925 --> 01:06:08.985
[SPEAKER_00]: Oh, why did I wear this?

01:06:10.345 --> 01:06:12.546
[SPEAKER_02]: But again, it's almost like, oh, I'm absolutely messed up.

01:06:12.646 --> 01:06:15.227
[SPEAKER_00]: But again, you don't know who you're looking for.

01:06:15.247 --> 01:06:15.967
[SPEAKER_00]: It could be anyone.

01:06:16.516 --> 01:06:17.576
[SPEAKER_04]: Everyone's a suspect.

01:06:17.717 --> 01:06:21.438
[SPEAKER_04]: Especially on how loud you're talking about the fact that you killed somebody.

01:06:21.498 --> 01:06:22.699
[SPEAKER_04]: I'm very sorry.

01:06:22.759 --> 01:06:24.199
[SPEAKER_00]: Hey, is that the guy that we killed?

01:06:24.540 --> 01:06:24.700
[SPEAKER_00]: No.

01:06:24.940 --> 01:06:25.980
[SPEAKER_00]: Is that the guy that we killed?

01:06:26.080 --> 01:06:26.741
[SPEAKER_00]: Do you kill a guy?

01:06:26.821 --> 01:06:27.021
[SPEAKER_00]: No.

01:06:27.641 --> 01:06:28.401
[SPEAKER_00]: It's a secret.

01:06:28.621 --> 01:06:29.902
[SPEAKER_00]: We didn't kill a guy.

01:06:30.262 --> 01:06:33.103
[SPEAKER_02]: We got Judy screaming in the middle of the straight while you white you fall.

01:06:33.163 --> 01:06:37.045
[SPEAKER_04]: Are you the guy that read that someone ran over last year last month to lie?

01:06:37.625 --> 01:06:37.806
[SPEAKER_04]: No.

01:06:37.946 --> 01:06:38.206
[SPEAKER_04]: Okay.

01:06:38.246 --> 01:06:38.446
[SPEAKER_04]: Good.

01:06:38.626 --> 01:06:39.066
[SPEAKER_04]: Okay.

01:06:39.086 --> 01:06:39.646
[SPEAKER_04]: Just making sure.

01:06:40.487 --> 01:06:41.007
[SPEAKER_02]: You heard nothing.

01:06:43.296 --> 01:06:44.016
[SPEAKER_04]: You don't know nothing.

01:06:44.216 --> 01:06:46.118
[SPEAKER_00]: How many times have you run over and dumped in the sea?

01:06:46.158 --> 01:06:46.898
[SPEAKER_00]: Hands up if it's not.

01:06:49.140 --> 01:06:54.824
[SPEAKER_04]: Julie decides, okay, so I like the, do you like the fact that you know, you have Julie who confront Missy again?

01:06:54.844 --> 01:06:57.446
[SPEAKER_04]: And then show, then Missy shows up.

01:06:57.526 --> 01:06:58.567
[SPEAKER_04]: She's got a letter too.

01:06:58.887 --> 01:06:59.187
[SPEAKER_02]: Yeah.

01:06:59.267 --> 01:07:01.009
[SPEAKER_04]: It's from her brother that died.

01:07:01.029 --> 01:07:01.109
[SPEAKER_02]: Yeah.

01:07:01.729 --> 01:07:04.011
[SPEAKER_02]: And she said, don't recognize your brother's handwriting.

01:07:04.191 --> 01:07:07.433
[SPEAKER_02]: So if I didn't write it, it's the killer's handwriting.

01:07:09.135 --> 01:07:10.316
[SPEAKER_04]: But supposedly it's hard.

01:07:10.376 --> 01:07:12.017
[SPEAKER_00]: I recognize my brother's handwriting.

01:07:13.770 --> 01:07:17.592
[SPEAKER_04]: Yeah, I don't bite just like yeah, I had it.

01:07:17.632 --> 01:07:21.815
[SPEAKER_04]: We had a high just from the insurance company because we said that he killed himself.

01:07:22.455 --> 01:07:23.456
[SPEAKER_04]: They were not collected them.

01:07:23.536 --> 01:07:24.496
[SPEAKER_04]: We couldn't collect the money.

01:07:25.037 --> 01:07:25.257
[SPEAKER_00]: Yeah.

01:07:26.318 --> 01:07:26.518
[SPEAKER_00]: Yeah.

01:07:27.298 --> 01:07:28.419
[SPEAKER_00]: Yeah, we just know.

01:07:28.539 --> 01:07:28.959
[SPEAKER_00]: Which is that.

01:07:29.219 --> 01:07:33.682
[SPEAKER_00]: That is, you know, as far as the benefits for what goes, that's fine.

01:07:34.492 --> 01:07:36.113
[SPEAKER_00]: Yeah, I'm sure it's insurance fraud.

01:07:36.153 --> 01:07:36.573
[SPEAKER_00]: Yeah, that's it.

01:07:36.773 --> 01:07:37.154
[SPEAKER_00]: That's the one.

01:07:37.174 --> 01:07:39.335
[SPEAKER_02]: Hey, I might have something really well here as well.

01:07:39.355 --> 01:07:42.017
[SPEAKER_02]: When they throw the body into the start, there's a tattoo that says Susie.

01:07:42.177 --> 01:07:47.220
[SPEAKER_02]: And then when this point with Julie's trying to reason with Missy saying, look, it was your brother, blah, blah, blah.

01:07:47.240 --> 01:07:48.881
[SPEAKER_02]: He's got a tattoo that says Susie, because now he doesn't.

01:07:48.901 --> 01:07:50.802
[SPEAKER_02]: I was like, oh, that's good.

01:07:50.822 --> 01:07:51.582
[SPEAKER_00]: That's real.

01:07:51.622 --> 01:07:52.143
[SPEAKER_00]: Yeah.

01:07:52.163 --> 01:07:53.223
[SPEAKER_00]: Yeah.

01:07:53.243 --> 01:07:58.226
[SPEAKER_00]: Um, also just quickly to go back to the, the, the, the, the, the, the, the people and the players, it's probably the creepy guy standing on the roof.

01:07:58.867 --> 01:07:58.947
[SPEAKER_00]: Yeah.

01:07:58.987 --> 01:07:59.087
[SPEAKER_04]: Yeah.

01:07:59.107 --> 01:08:04.090
[SPEAKER_00]: We can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can, we can,

01:08:04.890 --> 01:08:05.811
[SPEAKER_04]: Oh, he was like, fine, fine.

01:08:05.831 --> 01:08:06.732
[SPEAKER_04]: Where's Waldo?

01:08:06.832 --> 01:08:07.452
[SPEAKER_04]: Yeah, sure.

01:08:08.013 --> 01:08:08.794
[SPEAKER_00]: Right.

01:08:08.854 --> 01:08:09.414
[SPEAKER_00]: Killer edition.

01:08:09.574 --> 01:08:09.755
[SPEAKER_00]: Yeah.

01:08:10.956 --> 01:08:13.998
[SPEAKER_04]: But yeah, well, Helen and Barry watch each other's backs at the parade.

01:08:14.058 --> 01:08:17.121
[SPEAKER_04]: Really tries to convince Missy that David did not kill himself after her.

01:08:17.822 --> 01:08:19.684
[SPEAKER_04]: She, she, yeah, she even tells her this.

01:08:19.864 --> 01:08:22.806
[SPEAKER_04]: Well, I hate to tell you this, but he didn't kill himself.

01:08:23.927 --> 01:08:25.169
[SPEAKER_04]: What do you mean he didn't kill himself?

01:08:25.289 --> 01:08:27.090
[SPEAKER_04]: The cops rode up as the suicide.

01:08:27.951 --> 01:08:29.152
[SPEAKER_04]: No, he was killed.

01:08:29.513 --> 01:08:30.033
[SPEAKER_04]: We killed them.

01:08:30.153 --> 01:08:30.814
[SPEAKER_04]: We ran them over.

01:08:34.792 --> 01:08:36.834
[SPEAKER_04]: And then Missy tells her, well, I think you should go now.

01:08:38.896 --> 01:08:40.998
[SPEAKER_00]: I don't think I'd get my insurance money if you've killed him.

01:08:41.018 --> 01:08:42.879
[SPEAKER_00]: So you can just go east, east and bad.

01:08:42.919 --> 01:08:44.100
[SPEAKER_00]: You're not really trying to do anything.

01:08:44.981 --> 01:08:46.062
[SPEAKER_00]: Right, it's just right here.

01:08:46.142 --> 01:08:46.803
[SPEAKER_04]: I'm good.

01:08:46.843 --> 01:08:48.064
[SPEAKER_04]: I got the house.

01:08:48.544 --> 01:08:49.005
[SPEAKER_04]: Yeah, look at this.

01:08:49.045 --> 01:08:50.466
[SPEAKER_00]: Yeah, look at this.

01:08:51.006 --> 01:08:51.367
[SPEAKER_00]: It closes.

01:08:51.427 --> 01:08:51.727
[SPEAKER_00]: I'm wearing.

01:08:51.787 --> 01:08:52.688
[SPEAKER_00]: I'm clearly got no money.

01:08:53.188 --> 01:08:53.388
[SPEAKER_00]: Yeah.

01:08:53.589 --> 01:08:55.630
[SPEAKER_04]: Yeah, because that was a welder too.

01:08:56.251 --> 01:08:58.333
[SPEAKER_04]: That's, you know, also too.

01:08:58.353 --> 01:08:59.234
[SPEAKER_04]: She's like, yeah, I'm good.

01:08:59.254 --> 01:09:00.975
[SPEAKER_04]: I got this pent up fucking mailbox.

01:09:01.235 --> 01:09:02.156
[SPEAKER_04]: My brother left me.

01:09:02.276 --> 01:09:02.717
[SPEAKER_04]: I've got it.

01:09:03.848 --> 01:09:04.570
[SPEAKER_00]: Leave it to me.

01:09:04.750 --> 01:09:05.512
[SPEAKER_04]: I don't need that.

01:09:05.592 --> 01:09:06.734
[SPEAKER_00]: Squirrels, I can skin.

01:09:09.572 --> 01:09:14.115
[SPEAKER_04]: Now we have the croaker page and Helen sees Barry Beamard by the killer.

01:09:14.456 --> 01:09:17.098
[SPEAKER_04]: How do we need a killer nor the body or found afterwards?

01:09:17.278 --> 01:09:22.823
[SPEAKER_04]: A police officer drives her home, but the killer lures the cop into an alley and kills them.

01:09:23.223 --> 01:09:29.248
[SPEAKER_04]: Helen runs to the store where Elsa is working, but the killer finds in murder's Elsa.

01:09:29.588 --> 01:09:35.673
[SPEAKER_04]: He thinks Chase is Helen into the attic where she jumps out the window in the dumpsters.

01:09:36.600 --> 01:09:40.702
[SPEAKER_04]: Days to Helen looks up at the window, and no one is there.

01:09:41.102 --> 01:09:47.585
[SPEAKER_04]: Helen flees through the back alleys to the worrying parade, but here's the noise in terms to look.

01:09:47.986 --> 01:09:55.750
[SPEAKER_04]: Helen then turns around where the killer shoved her into the back, back and slashes her near the tires.

01:09:57.030 --> 01:09:58.771
[SPEAKER_04]: And he winds up killing her.

01:09:59.972 --> 01:10:00.352
[SPEAKER_02]: Yeah.

01:10:01.065 --> 01:10:06.267
[SPEAKER_02]: This third act now goes into four blooms fashion movie, because then we get like four people killed in quick succession.

01:10:06.447 --> 01:10:09.968
[SPEAKER_02]: You know, you get Barry, you get Helen, you get Elsa, you get that cop.

01:10:10.469 --> 01:10:11.029
[SPEAKER_02]: Oh, yeah, yeah.

01:10:11.349 --> 01:10:12.590
[SPEAKER_02]: I've forgotten about a cop.

01:10:12.850 --> 01:10:14.410
[SPEAKER_00]: So we kind of won back distance.

01:10:14.470 --> 01:10:20.973
[SPEAKER_00]: When they first get to the new page, and this is like, gotta be for people in high school, there's any high school.

01:10:21.213 --> 01:10:23.114
[SPEAKER_00]: The woman singing is easily in a mid-thase.

01:10:23.394 --> 01:10:26.015
[SPEAKER_00]: I thought this is the day five.

01:10:26.035 --> 01:10:28.436
[SPEAKER_00]: I was like, oh, what year are you in at school?

01:10:28.716 --> 01:10:29.016
[SPEAKER_00]: I don't know.

01:10:29.613 --> 01:10:30.433
[SPEAKER_00]: Keep getting help back.

01:10:30.453 --> 01:10:31.954
[SPEAKER_00]: If you're getting help back, yeah.

01:10:32.134 --> 01:10:33.495
[SPEAKER_00]: Very attractive, but I'm very dumb.

01:10:34.635 --> 01:10:36.836
[SPEAKER_04]: Yeah, I couldn't even get a DD at this point.

01:10:39.777 --> 01:10:40.197
[SPEAKER_02]: And it's good.

01:10:40.217 --> 01:10:40.958
[SPEAKER_02]: This is the big width.

01:10:41.018 --> 01:10:42.298
[SPEAKER_02]: The killer is killed Barry.

01:10:42.438 --> 01:10:43.939
[SPEAKER_02]: I managed to clean all of that shit up.

01:10:44.179 --> 01:10:47.200
[SPEAKER_02]: So when the pop comes up, there's already a tiny bit of blood on the other side.

01:10:47.220 --> 01:10:50.042
[SPEAKER_04]: He's like, I have to say that he's a very clean killer.

01:10:51.242 --> 01:10:53.463
[SPEAKER_00]: He was going to rent himself out to do house cleaning.

01:10:53.523 --> 01:10:55.964
[SPEAKER_00]: I'd be all up for that because that guy can get shit done and he can give me that quick.

01:10:56.464 --> 01:10:57.345
[SPEAKER_00]: I mean, there would be so much.

01:10:57.405 --> 01:10:58.205
[SPEAKER_00]: I think it was a question I had.

01:10:58.733 --> 01:11:00.374
[SPEAKER_00]: Was this a PG-thirteen in the U.S.

01:11:00.514 --> 01:11:01.114
[SPEAKER_00]: or was it not?

01:11:01.594 --> 01:11:02.054
[SPEAKER_00]: Where are?

01:11:02.594 --> 01:11:04.615
[SPEAKER_00]: Right now there is so little blood in this film.

01:11:05.255 --> 01:11:08.396
[SPEAKER_00]: Like he's getting hooked to death and you see nothing.

01:11:09.597 --> 01:11:09.837
[SPEAKER_00]: Yeah.

01:11:10.217 --> 01:11:11.818
[SPEAKER_00]: Max was the Goris Killwell Wolf.

01:11:11.958 --> 01:11:13.218
[SPEAKER_00]: But even that hadn't got any blood.

01:11:13.578 --> 01:11:13.858
[SPEAKER_00]: Really?

01:11:13.878 --> 01:11:14.178
[SPEAKER_00]: It does.

01:11:14.198 --> 01:11:15.279
[SPEAKER_00]: It literally shouldn't be crying.

01:11:15.339 --> 01:11:16.479
[SPEAKER_00]: Yeah, it literally shouldn't be crying.

01:11:16.519 --> 01:11:20.841
[SPEAKER_00]: That's, that's, I mean in terms of the amount of actual blood in this film is very little.

01:11:21.461 --> 01:11:24.442
[SPEAKER_04]: It's very little, but they also go with the icing as well.

01:11:24.802 --> 01:11:24.982
[SPEAKER_00]: Exactly.

01:11:25.002 --> 01:11:27.523
[SPEAKER_04]: You can have more than one effort in a movie.

01:11:28.722 --> 01:11:31.510
[SPEAKER_04]: Otherwise it's right at R. Yeah, okay.

01:11:32.012 --> 01:11:32.172
[SPEAKER_02]: Yeah.

01:11:32.192 --> 01:11:32.533
[SPEAKER_02]: So yeah.

01:11:36.632 --> 01:11:46.497
[SPEAKER_04]: But you're right though, with the whole tired thing with the hook going through Barry as the pads that's going on, and then the content system doesn't do an efficient job.

01:11:46.917 --> 01:11:50.019
[SPEAKER_04]: He doesn't go to the front of the store room where everything is that.

01:11:50.379 --> 01:11:53.501
[SPEAKER_04]: He's just looking around, glancing, yep, nothing around here.

01:11:53.521 --> 01:11:54.801
[SPEAKER_04]: Everything is good.

01:11:54.822 --> 01:11:57.023
[SPEAKER_04]: Are you sure you heard what you heard?

01:11:57.143 --> 01:12:01.925
[SPEAKER_04]: Because I don't think he's, I think Barry's just playing a trick on you.

01:12:02.526 --> 01:12:03.926
[SPEAKER_04]: You know how them people are?

01:12:05.902 --> 01:12:09.523
[SPEAKER_00]: Sounds like if someone had been murdered to me, that would be an awful lot of paperwork.

01:12:10.223 --> 01:12:11.843
[SPEAKER_04]: You can't offer a lot of money up here.

01:12:14.964 --> 01:12:20.325
[SPEAKER_02]: We're just going to show that there was no point in going to the cops at the start, because they probably wouldn't really inefficient about that as well.

01:12:21.465 --> 01:12:22.725
[SPEAKER_02]: The cops in this town are sharing.

01:12:23.446 --> 01:12:24.666
[SPEAKER_00]: Oh, you see, you help someone?

01:12:24.686 --> 01:12:26.666
[SPEAKER_00]: Well, that sounds like something I'd need to write up.

01:12:27.126 --> 01:12:28.087
[SPEAKER_00]: And I can't write.

01:12:28.787 --> 01:12:30.267
[SPEAKER_00]: I'll just throw the body in there for a few.

01:12:32.164 --> 01:12:35.787
[SPEAKER_00]: And you say went in the sea, so the tide would have swept that way that is fun.

01:12:37.969 --> 01:12:39.590
[SPEAKER_00]: Well, that seems like you don't with your own mission.

01:12:39.610 --> 01:12:40.771
[SPEAKER_00]: We like that round these parts.

01:12:41.411 --> 01:12:42.873
[SPEAKER_00]: I thought of what part of America I'm from.

01:12:42.893 --> 01:12:43.853
[SPEAKER_04]: Yeah, we're better yet.

01:12:43.893 --> 01:12:51.540
[SPEAKER_04]: It's like, okay, they see the, let's say for instance, the cops don't do see the car very well, I see that you ran over on bigger.

01:12:53.763 --> 01:12:54.683
[SPEAKER_04]: It's all right guys.

01:12:54.743 --> 01:12:55.464
[SPEAKER_04]: It's all right fellas.

01:12:55.604 --> 01:12:56.504
[SPEAKER_04]: Oh, you were drinking.

01:12:56.925 --> 01:12:57.445
[SPEAKER_04]: I'm much.

01:12:58.105 --> 01:13:00.127
[SPEAKER_04]: Okay, that's perfectly fine.

01:13:00.307 --> 01:13:01.127
[SPEAKER_04]: Just go on ahead.

01:13:01.167 --> 01:13:02.068
[SPEAKER_04]: Just don't do it again.

01:13:02.108 --> 01:13:02.428
[SPEAKER_04]: Okay.

01:13:02.968 --> 01:13:04.389
[SPEAKER_04]: Go around this curve on the mountain.

01:13:04.790 --> 01:13:11.274
[SPEAKER_04]: Did make sure you don't run over anybody because this is the second death under a lot of force that we had this summer.

01:13:11.894 --> 01:13:15.576
[SPEAKER_04]: Well, last summer in the year before last year.

01:13:15.596 --> 01:13:17.577
[SPEAKER_02]: The outcome of movie when this like shit's gonna happen again.

01:13:18.378 --> 01:13:19.879
[SPEAKER_00]: It definitely happens about once a year.

01:13:22.173 --> 01:13:25.256
[SPEAKER_00]: You had a deer here, but it's got its Rolex trapped in them.

01:13:25.276 --> 01:13:28.278
[SPEAKER_00]: Yeah, deer's wear Rolex around these parts as a friend.

01:13:28.859 --> 01:13:30.500
[SPEAKER_04]: They're our aggression, wearing a vision.

01:13:34.524 --> 01:13:35.865
[SPEAKER_03]: Let's hear a whole thing.

01:13:36.245 --> 01:13:42.370
[SPEAKER_03]: I want to talk about the deer around here, but they are punctured.

01:13:45.953 --> 01:13:47.515
[SPEAKER_04]: Okay, I'm definitely making a short eye to this.

01:13:50.137 --> 01:14:01.264
[SPEAKER_04]: But you know, I just then you have this other thing, the two, we have one on the stage, watching the girl, and she's like, I wasn't this bad last year when I won.

01:14:01.284 --> 01:14:04.986
[SPEAKER_02]: Do you know what I mean?

01:14:05.206 --> 01:14:06.627
[SPEAKER_02]: Do you know what I mean?

01:14:06.787 --> 01:14:08.628
[SPEAKER_02]: Do you know what I mean?

01:14:08.708 --> 01:14:18.554
[SPEAKER_04]: So we're seeing... Right, we're actually actually watching Helen through her eyes on seeing how pop actually looked because that was the year, now she's actually matured.

01:14:19.658 --> 01:14:21.599
[SPEAKER_00]: Why would the killer not save Barry for last?

01:14:23.279 --> 01:14:25.420
[SPEAKER_00]: Because Barry was the one that wanted to do with the cover.

01:14:25.460 --> 01:14:29.541
[SPEAKER_00]: Barry was the one that was trying to get them all to hide the bodies, throw him in the river.

01:14:29.601 --> 01:14:32.181
[SPEAKER_00]: Barry was the one that he grabbed at while he was under the water.

01:14:32.241 --> 01:14:33.542
[SPEAKER_00]: Why did he kill him first?

01:14:34.422 --> 01:14:40.424
[SPEAKER_04]: I think it was just for us as the audience of wanting someone that is so bad.

01:14:40.644 --> 01:14:41.624
[SPEAKER_00]: Why not do you mean first?

01:14:42.044 --> 01:14:43.625
[SPEAKER_00]: From a script perspective, I completely understand it.

01:14:43.705 --> 01:14:46.005
[SPEAKER_00]: And then the order of the way that you always have to head to the final go.

01:14:46.345 --> 01:14:48.506
[SPEAKER_00]: But it's just why it's weird.

01:14:49.226 --> 01:14:51.787
[SPEAKER_02]: Just so about there alone, I just thought I was here's my opportunity, I'll do it.

01:14:51.987 --> 01:14:54.769
[SPEAKER_02]: But again, he could have done that earlier with the car.

01:14:56.230 --> 01:15:02.173
[SPEAKER_00]: I think actually, from here, the bit with Helen in the cop, I completely forgot about the cop getting killed.

01:15:02.393 --> 01:15:04.834
[SPEAKER_00]: When I watched this, I was like, oh shit, I completely forgot about this bit.

01:15:05.194 --> 01:15:15.699
[SPEAKER_00]: But I remembered the bit where, from from the minute she's running away from him, through to the bit where she gets killed, it's such a well-directed sequence from beginning to end, like, it's so well done.

01:15:17.754 --> 01:15:22.757
[SPEAKER_00]: from, you know, the suspense of her getting into the door, but then we kill her immediately disappears, because I also can't see him.

01:15:23.778 --> 01:15:23.958
[SPEAKER_00]: Yeah.

01:15:24.418 --> 01:15:26.959
[SPEAKER_00]: And he was right on our heels, he's up and seemed to be in one out there.

01:15:26.999 --> 01:15:27.920
[SPEAKER_00]: Well, the fuck did he go?

01:15:27.940 --> 01:15:33.223
[SPEAKER_00]: Um, and then he gets in the back door, kills elsewhere.

01:15:33.243 --> 01:15:34.524
[SPEAKER_00]: So again, why, what did you do?

01:15:35.344 --> 01:15:36.645
[SPEAKER_00]: No, you know this woman, you've just killed us.

01:15:37.425 --> 01:15:38.326
[SPEAKER_00]: Well, yeah, I suppose so.

01:15:38.606 --> 01:15:40.707
[SPEAKER_00]: So that family have lost both kids in one afternoon.

01:15:41.227 --> 01:15:43.049
[SPEAKER_00]: Yep, quite a hard morning.

01:15:43.589 --> 01:15:47.351
[SPEAKER_00]: Um, dad's probably just like, hmm, probably doesn't really like it.

01:15:48.137 --> 01:15:49.658
[SPEAKER_04]: I wonder if my daughter made it home yet.

01:15:49.998 --> 01:15:50.278
[SPEAKER_04]: No.

01:15:50.678 --> 01:15:51.538
[SPEAKER_04]: Not button didn't.

01:15:52.179 --> 01:15:52.459
[SPEAKER_04]: Okay.

01:15:52.599 --> 01:15:53.259
[SPEAKER_00]: Wait, I had two.

01:15:55.340 --> 01:15:56.821
[SPEAKER_04]: Oh yeah, I have two of these two.

01:15:57.001 --> 01:15:57.821
[SPEAKER_04]: Two core lights.

01:15:58.021 --> 01:16:01.003
[SPEAKER_04]: Okay.

01:16:01.063 --> 01:16:02.923
[SPEAKER_04]: Here's the glass, but uh.

01:16:04.604 --> 01:16:06.985
[SPEAKER_00]: I didn't know he was carrying her body through the store.

01:16:07.305 --> 01:16:08.866
[SPEAKER_00]: That was cool.

01:16:08.886 --> 01:16:10.247
[SPEAKER_04]: That was like the only cool thing.

01:16:10.287 --> 01:16:13.028
[SPEAKER_04]: Like there's only two cool kills in this whole entire thing.

01:16:14.100 --> 01:16:18.305
[SPEAKER_04]: My thing you have the bat one, and then you also have the one with max.

01:16:18.946 --> 01:16:22.270
[SPEAKER_04]: The other one is for unoriginal and I didn't really like the debts.

01:16:22.891 --> 01:16:25.594
[SPEAKER_02]: Yeah, the sherman shall get a death in particularly don't even see a die.

01:16:25.614 --> 01:16:30.500
[SPEAKER_02]: Yeah, I wanted to she had died when I first watched it, but then later on you say oh no, she did.

01:16:31.096 --> 01:16:32.778
[SPEAKER_04]: But all I see is moving fucking tires.

01:16:33.038 --> 01:16:33.438
[SPEAKER_02]: Yeah.

01:16:34.099 --> 01:16:39.023
[SPEAKER_04]: And then the mixing of it doesn't even feel like he's going through a scan.

01:16:39.043 --> 01:16:40.644
[SPEAKER_04]: It feels like he's just punching tires.

01:16:41.165 --> 01:16:41.505
[SPEAKER_00]: Yeah.

01:16:41.925 --> 01:16:43.567
[SPEAKER_00]: It's very not fast cuts going on.

01:16:43.607 --> 01:16:50.833
[SPEAKER_00]: He has the killer's ability in these terms as well to teleport because he's like, she jumps out of that window and she runs and he's gone.

01:16:50.853 --> 01:16:53.255
[SPEAKER_00]: I would assume downstairs out the front of the store.

01:16:53.527 --> 01:17:02.893
[SPEAKER_00]: to the deserve to destroy you when nobody is round to the busy street where a lot of people is walks along that street and what you're just for the right timing for her to get distracted so that he can appear right behind her.

01:17:03.493 --> 01:17:05.234
[SPEAKER_04]: Is that when she sees the fireworks?

01:17:05.254 --> 01:17:06.235
[SPEAKER_04]: And she gets distracted.

01:17:06.615 --> 01:17:07.916
[SPEAKER_00]: Yeah, because she's coming to the wait wait.

01:17:08.396 --> 01:17:08.877
[SPEAKER_00]: She's been around.

01:17:08.897 --> 01:17:09.277
[SPEAKER_00]: Yes, now.

01:17:10.277 --> 01:17:10.618
[SPEAKER_00]: Brilliant.

01:17:15.701 --> 01:17:16.301
[SPEAKER_00]: Yeah.

01:17:16.381 --> 01:17:16.661
[SPEAKER_00]: Oh, yeah.

01:17:16.681 --> 01:17:16.862
[SPEAKER_00]: I know.

01:17:16.882 --> 01:17:19.923
[SPEAKER_00]: So in the bit in the store, where she's like, how and when and why?

01:17:20.084 --> 01:17:22.365
[SPEAKER_00]: And again, this is the killer being really, really theatrical.

01:17:22.752 --> 01:17:25.133
[SPEAKER_00]: Did you have time to cover himself in a tarp like a mannequin?

01:17:26.234 --> 01:17:28.696
[SPEAKER_00]: And stand really, really still.

01:17:29.356 --> 01:17:30.417
[SPEAKER_00]: Why did he do that?

01:17:31.097 --> 01:17:33.138
[SPEAKER_00]: Watch out, scares me for a minute.

01:17:33.739 --> 01:17:39.302
[SPEAKER_00]: This is what I'm being like in these things, to people think like that in these things, I'm like, well, I've messed with them.

01:17:39.402 --> 01:17:40.443
[SPEAKER_00]: And I put that body in the car.

01:17:40.523 --> 01:17:41.043
[SPEAKER_00]: That was good.

01:17:41.103 --> 01:17:41.623
[SPEAKER_00]: I took that out.

01:17:41.663 --> 01:17:42.904
[SPEAKER_00]: Yeah, I cut all her hair off.

01:17:42.984 --> 01:17:44.185
[SPEAKER_00]: That was pretty good.

01:17:44.725 --> 01:17:46.146
[SPEAKER_00]: Um, Cinderella next.

01:17:46.366 --> 01:17:46.746
[SPEAKER_00]: Oh, right.

01:17:46.786 --> 01:17:47.307
[SPEAKER_00]: I'm in here.

01:17:47.347 --> 01:17:47.907
[SPEAKER_00]: She's in here.

01:17:48.562 --> 01:17:49.923
[SPEAKER_00]: Ah, yeah, this would be good.

01:17:49.963 --> 01:17:51.444
[SPEAKER_00]: I throw this dump on myself.

01:17:51.584 --> 01:17:52.984
[SPEAKER_00]: This would be classic stuff.

01:17:53.785 --> 01:17:54.645
[SPEAKER_00]: I was stepping up this.

01:17:55.266 --> 01:17:55.526
[SPEAKER_00]: Yeah.

01:17:55.926 --> 01:17:56.386
[SPEAKER_04]: Yeah.

01:17:57.147 --> 01:17:57.547
[SPEAKER_00]: Oh, yeah.

01:17:57.887 --> 01:17:58.827
[SPEAKER_04]: You won't even recognize me.

01:17:58.847 --> 01:18:00.528
[SPEAKER_04]: I'll just chose this going right on by me.

01:18:00.728 --> 01:18:01.629
[SPEAKER_04]: I'll pop on right behind her.

01:18:01.809 --> 01:18:02.229
[SPEAKER_00]: Yeah.

01:18:02.709 --> 01:18:03.430
[SPEAKER_00]: I'll still want killer.

01:18:03.610 --> 01:18:04.430
[SPEAKER_00]: I'll still, she'll get away.

01:18:04.450 --> 01:18:05.511
[SPEAKER_00]: I'll get away.

01:18:05.571 --> 01:18:08.012
[SPEAKER_00]: Maybe I'll be easily beaten by this tiny woman.

01:18:08.672 --> 01:18:09.993
[SPEAKER_04]: It's like I got to beat my own score.

01:18:10.053 --> 01:18:13.255
[SPEAKER_04]: So let me go on ahead and really do it up.

01:18:13.655 --> 01:18:15.256
[SPEAKER_04]: So let me go on and stand up on this thing.

01:18:16.877 --> 01:18:17.277
[SPEAKER_04]: But yeah.

01:18:18.223 --> 01:18:39.730
[SPEAKER_04]: then you have Julie goes to see Ray at on his boat and tells him the story and about the but but he does not pull but here's the thing she doesn't believe he doesn't believe him really knows is the name on his boat is Billy blue and accused him of murder

01:18:41.092 --> 01:18:48.536
[SPEAKER_04]: He chases her, but it's not unconsciously by a man who tells Julie to get on his boat after she does.

01:18:48.596 --> 01:18:50.257
[SPEAKER_04]: She learns he has been Willis.

01:18:50.677 --> 01:18:52.538
[SPEAKER_04]: She is chased all over the boat.

01:18:52.838 --> 01:18:55.019
[SPEAKER_04]: Well, this is what I have read begins.

01:18:55.740 --> 01:19:01.343
[SPEAKER_04]: Consciousness regains consciousness and steals a boat to save Julie in a room full of ice.

01:19:02.383 --> 01:19:02.703
[SPEAKER_04]: Okay.

01:19:03.404 --> 01:19:04.404
[SPEAKER_00]: Even if he has his own boat.

01:19:05.065 --> 01:19:07.746
[SPEAKER_00]: He didn't really need to steal another person's boat, but he's not really my boat.

01:19:08.251 --> 01:19:09.912
[SPEAKER_00]: Yeah, I love doing he knocked him out and then he's an easy child.

01:19:09.932 --> 01:19:10.212
[SPEAKER_00]: He's a killer.

01:19:10.232 --> 01:19:11.533
[SPEAKER_00]: Yeah, that's creepy old man clearly the killer

01:19:18.740 --> 01:19:23.821
[SPEAKER_04]: Right, because we also learned that, you know, Julie also learns that the killer's been Will is a fisherman.

01:19:23.881 --> 01:19:32.883
[SPEAKER_04]: He murdered David Egan after David and Ben's daughter Susan Willis were involved in a car crash near where the fourth, fourteenators hit Ben.

01:19:33.323 --> 01:19:35.604
[SPEAKER_04]: Susan was killed in an accident.

01:19:35.624 --> 01:19:36.624
[SPEAKER_04]: David was unharmed.

01:19:37.064 --> 01:19:42.065
[SPEAKER_04]: Ben blamed David and killed him a year later, making it look like suicide on the way home.

01:19:42.226 --> 01:19:44.286
[SPEAKER_04]: Ben was hit by by the group.

01:19:44.306 --> 01:19:44.346
[SPEAKER_04]: So.

01:19:45.126 --> 01:19:45.226
[SPEAKER_04]: Yeah.

01:19:49.168 --> 01:19:53.189
[SPEAKER_02]: They used to sit on the porch and he just went up there shafted him and as he walked across the right back.

01:19:53.289 --> 01:19:54.509
[SPEAKER_02]: That's a lot of bad luck, isn't it?

01:19:54.769 --> 01:19:56.150
[SPEAKER_02]: It's a great reveal.

01:19:56.610 --> 01:19:57.790
[SPEAKER_00]: It does be a question.

01:19:57.850 --> 01:20:04.592
[SPEAKER_00]: He waited a year to kill the person he blamed for killing his daughter and did it in the most straightforward symbol pushed him off a peerway possible.

01:20:05.192 --> 01:20:07.652
[SPEAKER_00]: Then when these guys hit him in the car, he was like, right?

01:20:07.692 --> 01:20:08.933
[SPEAKER_00]: Well, there's only one thing for it.

01:20:09.693 --> 01:20:10.973
[SPEAKER_00]: I'm going to have to kill them.

01:20:11.549 --> 01:20:14.271
[SPEAKER_00]: But I'm gonna have to do it in the most of the actual way I possibly can.

01:20:14.291 --> 01:20:15.612
[SPEAKER_00]: And I'm gonna wait a year.

01:20:15.672 --> 01:20:16.733
[SPEAKER_00]: I could just do it in the next week.

01:20:17.154 --> 01:20:18.455
[SPEAKER_00]: It probably easier for the next week.

01:20:18.475 --> 01:20:20.076
[SPEAKER_04]: Look, I got some other stuff to do.

01:20:20.276 --> 01:20:23.018
[SPEAKER_04]: So let's see, you have a couple of dodgen's appointments I have to go to.

01:20:23.038 --> 01:20:26.341
[SPEAKER_04]: Oh yeah, there's a family outing I have to go and then after that.

01:20:26.421 --> 01:20:28.803
[SPEAKER_04]: Yeah, I'm all booked up for this for the year.

01:20:29.223 --> 01:20:31.625
[SPEAKER_00]: I've got tickets to Wicked on Broadway.

01:20:31.645 --> 01:20:33.887
[SPEAKER_00]: I can't really move that.

01:20:33.987 --> 01:20:36.710
[SPEAKER_04]: And I guess I'll scroll jam and then corn.

01:20:37.010 --> 01:20:39.492
[SPEAKER_04]: And then yeah, I don't think I can do that.

01:20:40.628 --> 01:20:42.990
[SPEAKER_02]: But you know that on Ben Willis was in the hospital after that.

01:20:43.030 --> 01:20:44.731
[SPEAKER_02]: He got right over and then thrown into the wall.

01:20:44.751 --> 01:20:45.852
[SPEAKER_02]: He could have been a hospital for months.

01:20:46.012 --> 01:20:48.513
[SPEAKER_02]: But I suppose as well, where some of them have gone off to uni.

01:20:48.693 --> 01:20:51.355
[SPEAKER_02]: Maybe he has been out track them down here, but I don't know.

01:20:51.835 --> 01:20:54.477
[SPEAKER_00]: No, you guys were there already, but that's a two hour drive and you know.

01:20:54.537 --> 01:20:54.737
[SPEAKER_00]: Yeah.

01:20:54.757 --> 01:20:56.018
[SPEAKER_00]: That's what you're talking about.

01:21:00.965 --> 01:21:13.616
[SPEAKER_04]: but the whole thing was, too, he is like a little tugboat, this killer does, and he has like, and then you have Ray who gets him this little small speedboat, this small boat with a little motor on it, Yamaha Motor.

01:21:13.636 --> 01:21:18.421
[SPEAKER_04]: And I'm like, in reala, I'm just like, there's no way he would actually catch up to him.

01:21:18.481 --> 01:21:24.506
[SPEAKER_04]: And then I thought, Julie, whenever she looks at the dock moving, I'm like, you would actually know that boat is actually moving.

01:21:27.324 --> 01:21:37.448
[SPEAKER_00]: Yeah, and you don't feel that it will final go circuit that you always get in these films where she runs around and finds all her dead friends bodies and then runs around being confronted by the killer, then Ray gets on the boat and Ray gets on the boat.

01:21:37.468 --> 01:21:41.629
[SPEAKER_00]: There's absolutely no way he'd get back on that boat after being knocked off at boat is moving quite quickly.

01:21:41.669 --> 01:21:42.149
[SPEAKER_00]: He'd be gone.

01:21:42.369 --> 01:21:44.190
[SPEAKER_00]: There's no way he's getting he's catching up again.

01:21:45.991 --> 01:21:47.731
[SPEAKER_00]: He's on his little tugboat tugging along.

01:21:49.292 --> 01:21:52.173
[SPEAKER_00]: What does a fisherman who works on a tugboat have?

01:21:53.028 --> 01:21:53.448
[SPEAKER_00]: a tongue job.

01:21:53.769 --> 01:21:53.929
[SPEAKER_00]: Now.

01:21:58.392 --> 01:21:59.533
[SPEAKER_03]: That's funny.

01:22:00.653 --> 01:22:03.215
[SPEAKER_02]: But I love the way that they bought his a snatch of the OS.

01:22:03.235 --> 01:22:10.881
[SPEAKER_02]: But at what point did he have time to carry two dead bodies across the town and stuff with the OS box about anyone seeing this?

01:22:10.961 --> 01:22:12.622
[SPEAKER_00]: I did he bring Elsa's as well as she in there.

01:22:12.802 --> 01:22:13.803
[SPEAKER_02]: Yeah, she's in there as well.

01:22:13.823 --> 01:22:14.924
[SPEAKER_00]: Yeah, she's in there as well.

01:22:14.944 --> 01:22:15.504
[SPEAKER_00]: Everybody.

01:22:16.024 --> 01:22:16.685
[SPEAKER_00]: It's three then.

01:22:16.745 --> 01:22:18.046
[SPEAKER_00]: He's in Brian Philippe in there.

01:22:18.086 --> 01:22:20.327
[SPEAKER_00]: He's gone back and forth a couple of times.

01:22:20.768 --> 01:22:20.908
[SPEAKER_00]: Yeah.

01:22:22.194 --> 01:22:28.176
[SPEAKER_04]: I wonder who doesn't spend the daytime or he waits at night because even Dexter had a wait during the night time to dump the parties.

01:22:28.537 --> 01:22:29.397
[SPEAKER_04]: What's he keeping them for?

01:22:30.958 --> 01:22:32.298
[SPEAKER_00]: Couple of those people in the dead a couple of days.

01:22:32.338 --> 01:22:34.219
[SPEAKER_00]: What's he keeping them for?

01:22:34.539 --> 01:22:35.279
[SPEAKER_00]: That's just evidence.

01:22:35.600 --> 01:22:36.160
[SPEAKER_00]: You should drive it.

01:22:36.200 --> 01:22:37.300
[SPEAKER_00]: It's first even dump them.

01:22:37.500 --> 01:22:38.081
[SPEAKER_00]: Don't keep them.

01:22:38.801 --> 01:22:38.941
[SPEAKER_00]: Right.

01:22:38.961 --> 01:22:41.582
[SPEAKER_02]: I'm actually going to go out in the middle of the sea just for our mouth for officially.

01:22:42.002 --> 01:22:43.383
[SPEAKER_00]: Yeah, most serial killers keep trophies.

01:22:43.423 --> 01:22:44.283
[SPEAKER_00]: He keeps all of it.

01:22:44.923 --> 01:22:45.083
[SPEAKER_00]: Yeah.

01:22:45.103 --> 01:22:46.184
[SPEAKER_00]: Well, I've kept the whole body.

01:22:47.024 --> 01:22:47.745
[SPEAKER_00]: That's my trophy.

01:22:48.005 --> 01:22:48.705
[SPEAKER_00]: I've never catch me.

01:22:49.577 --> 01:22:51.117
[SPEAKER_04]: You imagine though, this was Dexter.

01:22:51.137 --> 01:22:53.318
[SPEAKER_04]: Oh, you have bloodslides.

01:22:53.358 --> 01:22:53.878
[SPEAKER_04]: That's cute.

01:22:53.898 --> 01:22:55.258
[SPEAKER_04]: Let me show you my trophies.

01:22:57.239 --> 01:22:57.899
[SPEAKER_00]: Got a freezer.

01:22:58.059 --> 01:22:58.679
[SPEAKER_00]: It's a load.

01:22:59.419 --> 01:23:00.760
[SPEAKER_04]: It's open the freezer below the bear.

01:23:00.800 --> 01:23:02.020
[SPEAKER_04]: You actually see the full body.

01:23:04.101 --> 01:23:05.721
[SPEAKER_04]: So yeah.

01:23:06.321 --> 01:23:12.323
[SPEAKER_04]: You know, then you have this whole entire confrontation of like make sure when you kill somebody, make sure that they're really dead.

01:23:13.343 --> 01:23:13.763
[SPEAKER_00]: Yeah.

01:23:13.823 --> 01:23:14.103
[SPEAKER_00]: Yeah.

01:23:14.223 --> 01:23:17.724
[SPEAKER_00]: And I was like, somebody that should have said, good advice.

01:23:18.646 --> 01:23:20.707
[SPEAKER_00]: before knocking him off the boat, so that I don't do anything.

01:23:20.727 --> 01:23:22.348
[SPEAKER_04]: What are you talking about for Rader's sake?

01:23:22.588 --> 01:23:23.248
[SPEAKER_04]: To be honest with you?

01:23:23.508 --> 01:23:26.569
[SPEAKER_04]: Good advice, and then takes his hand off.

01:23:27.329 --> 01:23:28.110
[SPEAKER_00]: Yeah, that was cool.

01:23:28.190 --> 01:23:29.430
[SPEAKER_04]: You know, that one meant perfect.

01:23:30.271 --> 01:23:31.631
[SPEAKER_00]: Also, that is not good advice.

01:23:32.131 --> 01:23:34.572
[SPEAKER_00]: Some of you know, when you kill a man, make sure he's really dead.

01:23:34.632 --> 01:23:37.533
[SPEAKER_00]: No, if you hit a man with a car, call an ambulance, don't make sure he's dead.

01:23:37.553 --> 01:23:39.234
[SPEAKER_00]: It's not like, oh, I've hit this man with my car.

01:23:39.254 --> 01:23:43.135
[SPEAKER_00]: I'm gonna, don't get the shovel out of the boat and I will finish him off.

01:23:45.818 --> 01:23:47.339
[SPEAKER_02]: Um, he goes together with the court.

01:23:47.379 --> 01:23:48.480
[SPEAKER_02]: His hand gets caught with the ropes.

01:23:48.600 --> 01:23:49.561
[SPEAKER_02]: Right, turns on the lever.

01:23:49.661 --> 01:23:50.282
[SPEAKER_02]: He flies up.

01:23:50.362 --> 01:23:51.803
[SPEAKER_02]: No, it's better for him.

01:23:51.823 --> 01:23:52.823
[SPEAKER_02]: He gets his hand cut off.

01:23:52.863 --> 01:23:55.866
[SPEAKER_00]: He just gets caught by himself.

01:23:56.046 --> 01:23:57.107
[SPEAKER_00]: Like just being an idiot.

01:23:57.587 --> 01:23:58.528
[SPEAKER_02]: Yeah.

01:23:59.328 --> 01:24:02.431
[SPEAKER_04]: So now we know how Captain Burg lost his hand to Peter Pan.

01:24:02.751 --> 01:24:04.232
[SPEAKER_00]: Yeah, he tells everyone that.

01:24:04.352 --> 01:24:05.773
[SPEAKER_00]: Yeah, tells everyone who's a crocodile.

01:24:05.973 --> 01:24:08.575
[SPEAKER_00]: He's just got it caught in a rig in and then pretty, pretty, pretty junior guy.

01:24:08.655 --> 01:24:09.196
[SPEAKER_00]: Oh, Frank.

01:24:10.937 --> 01:24:11.597
[SPEAKER_00]: Pretty blue.

01:24:11.698 --> 01:24:12.178
[SPEAKER_00]: Lovely hair.

01:24:14.181 --> 01:24:22.569
[SPEAKER_04]: But yeah, and then he, then we have this whole thing where Ray, uh, then that happens, Ben gets his hand caught, you know, caught in the rope.

01:24:23.270 --> 01:24:32.479
[SPEAKER_04]: But then we have on land Ray tells Julie, the reason he went to see Missy was because he was guilty and had to know who, who, who they hit.

01:24:32.499 --> 01:24:37.664
[SPEAKER_04]: It tells her he loves her and they embrace Ben's body is not recovered.

01:24:38.345 --> 01:24:44.211
[SPEAKER_04]: And then the chair is like, well, do you have any idea why this fella right here would want to kill you?

01:24:44.651 --> 01:24:44.871
[SPEAKER_04]: No.

01:24:45.552 --> 01:24:46.052
[SPEAKER_04]: All right.

01:24:46.873 --> 01:24:48.294
[SPEAKER_00]: Well, that's it though.

01:24:48.695 --> 01:24:52.478
[SPEAKER_04]: These kids don't know why this man would want to kill him.

01:24:52.598 --> 01:24:54.200
[SPEAKER_04]: The reason is because he's white.

01:24:58.150 --> 01:24:59.550
[SPEAKER_02]: Oh, but they have found his hand on a hook.

01:24:59.630 --> 01:25:00.231
[SPEAKER_02]: They've found it.

01:25:00.251 --> 01:25:00.671
[SPEAKER_02]: Oh, don't worry.

01:25:00.691 --> 01:25:01.751
[SPEAKER_02]: The body turns up eventually.

01:25:01.771 --> 01:25:02.931
[SPEAKER_02]: They always do.

01:25:03.071 --> 01:25:03.471
[SPEAKER_02]: Okay.

01:25:04.072 --> 01:25:05.192
[SPEAKER_02]: I mean, he's a fan of this.

01:25:05.472 --> 01:25:06.372
[SPEAKER_02]: Oh, that's what he leaves.

01:25:06.392 --> 01:25:07.873
[SPEAKER_00]: It's lazy, police works.

01:25:07.973 --> 01:25:08.293
[SPEAKER_00]: Yeah.

01:25:08.333 --> 01:25:09.793
[SPEAKER_00]: Any idea where this guy wants to kill you?

01:25:10.033 --> 01:25:10.433
[SPEAKER_00]: You don't.

01:25:10.533 --> 01:25:11.954
[SPEAKER_00]: Well, that's good enough for me.

01:25:12.014 --> 01:25:12.274
[SPEAKER_00]: Lunch?

01:25:13.234 --> 01:25:13.514
[SPEAKER_04]: Lunch?

01:25:13.774 --> 01:25:14.274
[SPEAKER_04]: Hey, Bobby?

01:25:14.475 --> 01:25:15.355
[SPEAKER_04]: Yeah.

01:25:15.535 --> 01:25:16.615
[SPEAKER_04]: Document is paper.

01:25:16.635 --> 01:25:17.215
[SPEAKER_04]: Everything up.

01:25:17.295 --> 01:25:17.935
[SPEAKER_04]: I'm for evidence.

01:25:17.955 --> 01:25:20.736
[SPEAKER_04]: We're going to go on a hand and eat it's a crab check, okay?

01:25:21.076 --> 01:25:22.037
[SPEAKER_04]: We're going to eat over there.

01:25:22.057 --> 01:25:24.457
[SPEAKER_04]: We don't have the word but no documents on paper work.

01:25:24.517 --> 01:25:26.998
[SPEAKER_04]: Paper work in this department is overrated.

01:25:27.506 --> 01:25:28.887
[SPEAKER_04]: We don't do paperwork here.

01:25:30.588 --> 01:25:30.968
[SPEAKER_04]: What about that?

01:25:31.108 --> 01:25:32.128
[SPEAKER_04]: There's no car wreck.

01:25:32.308 --> 01:25:33.649
[SPEAKER_04]: Everything is fine, Bobby.

01:25:34.109 --> 01:25:35.210
[SPEAKER_04]: Do you understand Bobby?

01:25:36.831 --> 01:25:38.672
[SPEAKER_00]: Yeah, don't want paperwork, tastes paper.

01:25:38.832 --> 01:25:39.712
[SPEAKER_00]: No, where paper comes from?

01:25:40.012 --> 01:25:40.373
[SPEAKER_00]: Trees?

01:25:40.513 --> 01:25:41.433
[SPEAKER_00]: Or you know what that's doing?

01:25:41.473 --> 01:25:42.374
[SPEAKER_00]: Demon in the environment.

01:25:42.574 --> 01:25:43.114
[SPEAKER_00]: I'm eco-friendly.

01:25:43.134 --> 01:25:44.194
[SPEAKER_04]: You're absolutely right.

01:25:44.235 --> 01:25:45.135
[SPEAKER_04]: Smith, you're right.

01:25:45.155 --> 01:25:45.995
[SPEAKER_04]: You're right about that.

01:25:46.115 --> 01:25:47.436
[SPEAKER_04]: It's destroying the environment.

01:25:47.816 --> 01:25:50.478
[SPEAKER_04]: That's the, you know, we don't need to have that.

01:25:50.638 --> 01:25:52.099
[SPEAKER_04]: We don't need to do it.

01:25:52.159 --> 01:25:53.439
[SPEAKER_04]: Kind of killing more trees.

01:25:53.779 --> 01:25:54.860
[SPEAKER_04]: Smokey wouldn't lie at that.

01:25:57.502 --> 01:26:03.563
[SPEAKER_04]: So a year later, Julie is in her second year and is going on a trip to New York with Rey.

01:26:04.543 --> 01:26:08.164
[SPEAKER_04]: She sees a letter resembling the wind that she got from Bench.

01:26:08.644 --> 01:26:11.585
[SPEAKER_04]: And it only contains a whole party imitation.

01:26:11.665 --> 01:26:15.726
[SPEAKER_04]: Julie returns the bathroom, which was filled with steam.

01:26:18.506 --> 01:26:21.287
[SPEAKER_04]: On the shower door, I still know is written.

01:26:21.867 --> 01:26:26.168
[SPEAKER_04]: Ben jumps through the shower door attacking her being a credits.

01:26:26.448 --> 01:26:26.828
[SPEAKER_04]: There you go.

01:26:28.128 --> 01:26:29.929
[SPEAKER_00]: It's interesting that it just in those last bits.

01:26:30.049 --> 01:26:34.330
[SPEAKER_00]: You got a bit with Ray and Julie where he says, sorry, I didn't tell you I wanted you back.

01:26:34.510 --> 01:26:35.251
[SPEAKER_00]: That was a make any sense.

01:26:35.711 --> 01:26:40.932
[SPEAKER_00]: And then it's got some of the worst writing and line deliveries of the entire film when he goes, no one gets me like you do it.

01:26:40.972 --> 01:26:42.713
[SPEAKER_00]: She goes, I understand your pain.

01:26:43.389 --> 01:26:43.889
[SPEAKER_00]: Oh god.

01:26:44.350 --> 01:26:45.630
[SPEAKER_00]: Oh, no, no, no, no, no, no.

01:26:45.670 --> 01:26:47.311
[SPEAKER_04]: Remember something else that she said too?

01:26:47.331 --> 01:26:50.653
[SPEAKER_04]: I understand where you come from, Ray.

01:26:50.833 --> 01:26:51.153
[SPEAKER_04]: I do.

01:26:51.894 --> 01:26:53.975
[SPEAKER_04]: But I cannot be with you.

01:26:54.115 --> 01:26:55.115
[SPEAKER_04]: And then she just runs off.

01:26:55.496 --> 01:26:57.737
[SPEAKER_02]: Oh, the way she runs off is so fucking fun.

01:26:59.318 --> 01:27:00.578
[SPEAKER_02]: That was much earlier than film.

01:27:01.379 --> 01:27:02.940
[SPEAKER_02]: He was a kid off of that really funny.

01:27:02.960 --> 01:27:04.340
[SPEAKER_00]: She just runs away.

01:27:04.360 --> 01:27:06.321
[SPEAKER_00]: Is that all right?

01:27:07.242 --> 01:27:11.924
[SPEAKER_00]: I love to be at the end as well, which is like, roommate brings her the male while she's in the shower.

01:27:12.245 --> 01:27:12.905
[SPEAKER_00]: Oh, you got to male.

01:27:13.211 --> 01:27:16.052
[SPEAKER_00]: It's really important that you have this right now while you're in the shower.

01:27:16.913 --> 01:27:21.755
[SPEAKER_00]: Could it wait?

01:27:21.815 --> 01:27:24.556
[SPEAKER_04]: You know, they have they served the sequel for a couple of years later.

01:27:24.596 --> 01:27:28.778
[SPEAKER_00]: How I always like to read my mail just in the shower, just give them that as out of shit.

01:27:28.798 --> 01:27:29.879
[SPEAKER_00]: Oh shit, that's for it.

01:27:30.139 --> 01:27:32.480
[SPEAKER_00]: Oh no, probably shouldn't have opened this where there's a lot of water.

01:27:33.321 --> 01:27:36.382
[SPEAKER_02]: And also that is the worst invitation I've ever seen.

01:27:36.482 --> 01:27:39.263
[SPEAKER_02]: It's just like a handwritten note saying Paul Paul.

01:27:39.524 --> 01:27:42.625
[SPEAKER_00]: Are they giving these to each individual person?

01:27:42.962 --> 01:27:48.385
[SPEAKER_00]: Have they like handwritten these down in the point that they would each individual person for the pool party?

01:27:49.305 --> 01:27:50.766
[SPEAKER_00]: Well, they're just inviting like her.

01:27:50.786 --> 01:27:57.970
[SPEAKER_04]: She doesn't go to the pool party's like, well, did you go to the pool party?

01:27:58.290 --> 01:27:58.490
[SPEAKER_04]: No.

01:27:58.751 --> 01:28:00.251
[SPEAKER_04]: Well, did you get the memo?

01:28:00.552 --> 01:28:00.752
[SPEAKER_04]: No.

01:28:01.892 --> 01:28:04.934
[SPEAKER_04]: There was something that was written down, and I opened it back in the child's shower.

01:28:04.954 --> 01:28:06.835
[SPEAKER_04]: This is pool.

01:28:06.855 --> 01:28:09.256
[SPEAKER_04]: Okay.

01:28:11.008 --> 01:28:11.848
[SPEAKER_04]: Yeah, no.

01:28:12.389 --> 01:28:13.909
[SPEAKER_04]: I didn't get it.

01:28:14.289 --> 01:28:18.571
[SPEAKER_00]: All I could say was poo, and I mean, I'll have a wee in the shower, but that's just too far.

01:28:19.051 --> 01:28:19.291
[SPEAKER_02]: Yeah.

01:28:20.592 --> 01:28:21.252
[SPEAKER_02]: Oh, you know what you have?

01:28:21.272 --> 01:28:22.653
[SPEAKER_02]: Which there's I still know.

01:28:22.713 --> 01:28:24.413
[SPEAKER_02]: It's very perfectly written.

01:28:24.473 --> 01:28:25.194
[SPEAKER_02]: It's very nice.

01:28:25.794 --> 01:28:29.335
[SPEAKER_02]: You've taken these points of really carefully write that out.

01:28:29.375 --> 01:28:29.636
[SPEAKER_02]: You look.

01:28:30.316 --> 01:28:31.176
[SPEAKER_00]: Burn the article.

01:28:31.736 --> 01:28:32.297
[SPEAKER_02]: Yeah.

01:28:33.597 --> 01:28:34.638
[SPEAKER_00]: What also that doesn't happen?

01:28:34.678 --> 01:28:36.618
[SPEAKER_00]: Because in the sequel, that doesn't happen.

01:28:37.319 --> 01:28:37.619
[SPEAKER_02]: Yeah.

01:28:37.659 --> 01:28:39.099
[SPEAKER_00]: No, that's being a dream sequence.

01:28:39.159 --> 01:28:40.520
[SPEAKER_00]: I suppose it's supposed to be a dream sequence.

01:28:41.650 --> 01:28:50.454
[SPEAKER_02]: Yeah, it's that's thanks playing that the second one because the start of the second one she's having a dream that she's in a church and then she wakes up screaming that was a dream and then the guy goes, oh, did you have that dream about the shower again?

01:28:50.654 --> 01:28:52.015
[SPEAKER_02]: No, it was a different dream.

01:28:55.636 --> 01:29:00.999
[SPEAKER_04]: But you know what though I have to say this at least they waited a year to make another I know what you did last summer.

01:29:02.039 --> 01:29:08.542
[SPEAKER_00]: Yeah, it was some I remember liking the sequel.

01:29:08.602 --> 01:29:11.023
[SPEAKER_00]: I was gonna go back and rewatch it ahead of this but I didn't

01:29:12.538 --> 01:29:22.068
[SPEAKER_00]: Um, I remember really liking this sequel even though I suspect certain elements like Jack Black playing a white raster will not have eight particularly well.

01:29:22.168 --> 01:29:22.369
[SPEAKER_04]: No.

01:29:22.769 --> 01:29:22.949
[SPEAKER_04]: No.

01:29:23.009 --> 01:29:23.209
[SPEAKER_04]: No.

01:29:23.230 --> 01:29:26.493
[SPEAKER_00]: Yeah, that's an interesting choice.

01:29:27.514 --> 01:29:28.035
[SPEAKER_00]: Second one.

01:29:28.075 --> 01:29:30.177
[SPEAKER_00]: I'm going to watch the second one at some point this week.

01:29:31.250 --> 01:29:33.211
[SPEAKER_00]: I might not be on the way to my other half is out.

01:29:33.311 --> 01:29:36.793
[SPEAKER_04]: But my wife has just made it fun to be the whole time.

01:29:36.813 --> 01:29:38.074
[SPEAKER_04]: She has, you're really watching this.

01:29:38.094 --> 01:29:39.935
[SPEAKER_04]: She says, yeah, she goes, this is corny.

01:29:39.955 --> 01:29:47.919
[SPEAKER_04]: I said, why do you think that I'm actually doing all the movie reviews to see if this actually holds up the way it did whenever I remember does it get?

01:29:48.159 --> 01:29:49.420
[SPEAKER_02]: What do the crime stuff is for you?

01:29:50.281 --> 01:29:50.581
[SPEAKER_04]: Right.

01:29:51.961 --> 01:29:53.002
[SPEAKER_04]: But still, okay.

01:29:53.022 --> 01:29:58.645
[SPEAKER_04]: So now that we talked about this with a modern day, I, now that we're all grown up, what do you give?

01:29:59.045 --> 01:30:00.026
[SPEAKER_04]: I know where you did last summer.

01:30:01.037 --> 01:30:02.718
[SPEAKER_02]: I, so I gave it an eight for the stage run.

01:30:02.818 --> 01:30:07.480
[SPEAKER_02]: I would give it a seven because I still enjoyed it, but I didn't love it as much as I did when I was a kid.

01:30:07.560 --> 01:30:09.201
[SPEAKER_02]: I did get bored at various points during this.

01:30:09.261 --> 01:30:10.561
[SPEAKER_02]: I'll come on, come on, all that.

01:30:10.601 --> 01:30:12.402
[SPEAKER_02]: But yeah, overall, it's still a good film.

01:30:12.502 --> 01:30:14.283
[SPEAKER_02]: So I give it a seven.

01:30:14.723 --> 01:30:15.424
[SPEAKER_00]: I gave it a five.

01:30:15.864 --> 01:30:17.124
[SPEAKER_00]: I would now give it a seven.

01:30:17.364 --> 01:30:18.825
[SPEAKER_00]: It was a lot better than I remembered it.

01:30:18.905 --> 01:30:27.529
[SPEAKER_00]: And when I removed myself from that need to have somebody getting killed every five or ten minutes, what it actually is is a perfectly serviceable thriller with

01:30:28.318 --> 01:30:31.621
[SPEAKER_00]: of across the board, good performances, and it's very, very well executed sequences.

01:30:31.641 --> 01:30:44.114
[SPEAKER_00]: I mean, I can't say enough that that sequence of the ceremonial gallo all the way through from her running to her death is so well done and so well paced, that it's just very, very entertaining and very, very, like the time flew by when I was watching this.

01:30:44.354 --> 01:30:45.535
[SPEAKER_00]: So yeah, I don't really get time for this.

01:30:45.555 --> 01:30:45.956
[SPEAKER_00]: That's seven.

01:30:46.857 --> 01:30:46.977
[SPEAKER_04]: Okay.

01:30:47.487 --> 01:30:49.069
[SPEAKER_04]: For me, I'm going to give it a five.

01:30:49.329 --> 01:30:53.553
[SPEAKER_04]: I know I gave it in the statically a seven point five, but I'm dropping it down to a five.

01:30:54.133 --> 01:30:59.438
[SPEAKER_04]: It's just the overall over the top berry for me that just doesn't do it for me.

01:30:59.458 --> 01:31:05.584
[SPEAKER_04]: And then you also have the whole the whole motivation with the killer doesn't really

01:31:06.345 --> 01:31:07.265
[SPEAKER_04]: do much for me.

01:31:07.546 --> 01:31:09.426
[SPEAKER_04]: Like I wanted to, I wanted to be more threatening.

01:31:09.446 --> 01:31:10.967
[SPEAKER_04]: I wanted to be more of that slasher.

01:31:11.507 --> 01:31:22.412
[SPEAKER_04]: Even though you get towards the end, I'm like, okay, well, you wasted a whole entire fifty minutes and you only have maybe ten minutes of a slasher movie when I was expecting a whole slasher.

01:31:22.452 --> 01:31:22.712
[SPEAKER_04]: That's true.

01:31:22.752 --> 01:31:22.992
[SPEAKER_04]: That's true.

01:31:23.012 --> 01:31:23.252
[SPEAKER_04]: That's true.

01:31:23.272 --> 01:31:23.532
[SPEAKER_04]: That's true.

01:31:23.552 --> 01:31:23.832
[SPEAKER_04]: That's true.

01:31:23.852 --> 01:31:24.392
[SPEAKER_04]: That's true.

01:31:24.412 --> 01:31:24.673
[SPEAKER_00]: That's true.

01:31:24.693 --> 01:31:24.913
[SPEAKER_00]: That's true.

01:31:24.933 --> 01:31:25.353
[SPEAKER_04]: That's true.

01:31:25.373 --> 01:31:25.633
[SPEAKER_00]: That's true.

01:31:25.653 --> 01:31:26.573
[SPEAKER_04]: That's true.

01:31:26.613 --> 01:31:26.893
[SPEAKER_04]: That's true.

01:31:26.913 --> 01:31:27.134
[SPEAKER_04]: That's true.

01:31:27.154 --> 01:31:27.394
[SPEAKER_04]: That's true.

01:31:27.414 --> 01:31:27.634
[SPEAKER_04]: That's true.

01:31:27.654 --> 01:31:28.714
[SPEAKER_04]: That's true.

01:31:28.734 --> 01:31:28.994
[SPEAKER_04]: That's true.

01:31:29.014 --> 01:31:29.254
[SPEAKER_00]: That's true.

01:31:29.274 --> 01:31:29.535
[SPEAKER_00]: That's true.

01:31:29.555 --> 01:31:29.815
[SPEAKER_00]: That's true.

01:31:29.835 --> 01:31:30.115
[SPEAKER_00]: That's true.

01:31:30.135 --> 01:31:30.375
[SPEAKER_00]: That's true.

01:31:30.395 --> 01:31:30.655
[SPEAKER_00]: That's true.

01:31:30.675 --> 01:31:30.915
[SPEAKER_00]: That's true.

01:31:30.935 --> 01:31:31.155
[SPEAKER_00]: That's true.

01:31:31.175 --> 01:31:31.435
[SPEAKER_00]: That's true.

01:31:31.455 --> 01:31:31.735
[SPEAKER_00]: That's true.

01:31:31.755 --> 01:31:31.976
[SPEAKER_00]: That's true.

01:31:32.456 --> 01:31:32.716
[SPEAKER_00]: That's true.

01:31:32.756 --> 01:31:32.976
[SPEAKER_00]: That's true.

01:31:33.016 --> 01:31:33.276
[SPEAKER_00]: That's true.

01:31:33.296 --> 01:31:33.616
[SPEAKER_00]: That's true.

01:31:33.636 --> 01:31:33.876
[SPEAKER_00]: That's true.

01:31:33.896 --> 01:31:34.216
[SPEAKER_00]: That's true.

01:31:34.236 --> 01:31:34.497
[SPEAKER_00]: That's true.

01:31:34.517 --> 01:31:34.997
[SPEAKER_00]: That's true.

01:31:35.017 --> 01:31:35.437
[SPEAKER_00]: That's true.

01:31:35.457 --> 01:31:35.577
[SPEAKER_00]: That's

01:31:36.815 --> 01:31:37.215
[SPEAKER_00]: that I did.

01:31:37.255 --> 01:31:39.537
[SPEAKER_00]: So I think maybe when I went in, my expectations were lower.

01:31:41.038 --> 01:31:42.319
[SPEAKER_00]: This is going to be quite boring.

01:31:42.339 --> 01:31:50.125
[SPEAKER_00]: I'm not going to enjoy this and actually I ended up enjoying it a lot more than I thought I was going to because my expectations are so low because I remember it not being that good.

01:31:50.145 --> 01:31:51.966
[SPEAKER_00]: I was pleasantly surprised by it.

01:31:53.287 --> 01:31:54.768
[SPEAKER_02]: Yeah, I really enjoyed this one.

01:31:54.788 --> 01:31:57.110
[SPEAKER_02]: I've got I watched it again and again and again.

01:31:59.152 --> 01:31:59.492
[SPEAKER_04]: All right.

01:31:59.772 --> 01:32:01.533
[SPEAKER_04]: So guys, I have a question for you.

01:32:01.553 --> 01:32:06.477
[SPEAKER_04]: When do you guys have coming out for your podcast, tell everybody where they can follow you and all that?

01:32:07.379 --> 01:32:07.779
[SPEAKER_02]: Sure, yep.

01:32:07.860 --> 01:32:13.025
[SPEAKER_02]: So our next episode we're covering Power Rangers the movie from nineteen ninety five, which is going to be an experience.

01:32:14.826 --> 01:32:15.487
[SPEAKER_04]: I experienced.

01:32:15.587 --> 01:32:15.968
[SPEAKER_04]: Sorry.

01:32:16.368 --> 01:32:17.990
[SPEAKER_04]: My two years ago when I removed that.

01:32:18.110 --> 01:32:18.370
[SPEAKER_04]: So.

01:32:19.751 --> 01:32:20.852
[SPEAKER_02]: Well, say no more.

01:32:22.854 --> 01:32:23.535
[SPEAKER_02]: Um, yeah.

01:32:23.555 --> 01:32:25.057
[SPEAKER_02]: So we're the doesn't hold up podcasts.

01:32:25.077 --> 01:32:31.323
[SPEAKER_02]: We're on Spotify, Apple, YouTube and you can find us on Instagram and Twitter or exes it's now known.

01:32:31.836 --> 01:32:33.519
[SPEAKER_02]: Yeah, well the good place is you listen to podcasts.

01:32:33.679 --> 01:32:38.566
[SPEAKER_02]: So yeah, do follow us and check out our next episode on Power Rangers the movie which is coming out in about two weeks.

01:32:38.586 --> 01:32:39.547
[SPEAKER_04]: Okay.

01:32:40.288 --> 01:32:44.795
[SPEAKER_04]: So next Thursday I will have it's not that bad podcast coming on.

01:32:44.815 --> 01:32:46.557
[SPEAKER_04]: We're going to be talking about the departed.

01:32:47.603 --> 01:32:51.184
[SPEAKER_04]: Also, we're going to be doing that at eight times a time and I'm quite pleased you're time for that.

01:32:52.124 --> 01:32:52.864
[SPEAKER_04]: Gosh, break.

01:32:52.964 --> 01:32:55.185
[SPEAKER_04]: Me and Josh pray will be back on the show with us again.

01:32:55.205 --> 01:32:57.465
[SPEAKER_04]: We're going to be talking about who asked for this.

01:32:58.045 --> 01:33:06.127
[SPEAKER_04]: Sequals, prequels, remakes, stuff like that about who asked for a sequel to something or prequel to something.

01:33:06.607 --> 01:33:14.449
[SPEAKER_04]: So we just thought of reaffining bit that we would actually do just like how we did the last segment that we ended up doing was it's so bad.

01:33:14.509 --> 01:33:14.929
[SPEAKER_04]: It's good.

01:33:15.989 --> 01:33:21.413
[SPEAKER_04]: Uh, so that's one of the things that Josh and Josh and Ross, myself did.

01:33:21.874 --> 01:33:23.175
[SPEAKER_04]: But yeah, check that out.

01:33:23.375 --> 01:33:25.196
[SPEAKER_04]: Josh will be back sometimes soon.

01:33:25.496 --> 01:33:27.878
[SPEAKER_04]: Well, let you know whenever it gets free up from touring.

01:33:27.898 --> 01:33:32.321
[SPEAKER_04]: Uh, like, yeah, that's pretty much everything I have for now.

01:33:32.541 --> 01:33:35.203
[SPEAKER_04]: Going and check out our Superman reviews that we did.

01:33:35.804 --> 01:33:37.625
[SPEAKER_04]: Check out the Josh pre episode.

01:33:37.665 --> 01:33:40.948
[SPEAKER_04]: I'm promise you guys, you guys are gonna laugh your asses off the whole tire episode.

01:33:41.629 --> 01:33:43.851
[SPEAKER_04]: So, with that being said, thank you, Stu.

01:33:43.891 --> 01:33:45.552
[SPEAKER_04]: Thank you, Smith, for joining me for this.

01:33:45.652 --> 01:33:46.974
[SPEAKER_04]: I was always a pleasure my friends.

01:33:47.014 --> 01:33:47.774
[SPEAKER_04]: I appreciate this.

01:33:47.814 --> 01:33:49.275
[SPEAKER_04]: I can't wait for you guys to come back again.

01:33:50.076 --> 01:33:51.257
[SPEAKER_02]: Thank you for having us.

01:33:51.918 --> 01:33:53.439
[SPEAKER_04]: So guys, always look up next time.

01:33:54.640 --> 01:33:55.721
[SPEAKER_04]: Catch you guys on the next one.