House on Haunted Hill (1999) Discussion & Review

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[SPEAKER_02]: Hello, we'd love for some of you in the show.

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[SPEAKER_02]: So today, I'm a very special guest with me and I have Anastasia Healthman with me.

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[SPEAKER_02]: And we're gonna be talking about the household and health.

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[SPEAKER_02]: There's gonna be a little bit of a different episode or scheduled fan fight and everything.

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[SPEAKER_02]: But we're just what we're gonna do is we're gonna talk about the highlights of what we've loved about household health.

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[SPEAKER_02]: And maybe during October or sometime later on, we can actually do a some by some deep dive.

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[SPEAKER_02]: But for right now, we're just gonna tell you, what we'd love to about to be, how we do up with it.

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[SPEAKER_02]: So let's go ahead and let's do this.

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[SPEAKER_02]: and let's welcome back to the show.

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[SPEAKER_02]: Hey, welcome back.

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[SPEAKER_00]: Hi.

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[SPEAKER_00]: Thanks for having me.

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[SPEAKER_02]: Of course.

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[SPEAKER_02]: I always I'm, you're always a delight to have on the show.

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[SPEAKER_02]: And I always love just how our interaction are commentary with each other.

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[SPEAKER_02]: I just think

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[SPEAKER_02]: We have great chemistry between the two of us to do these deep dyes not only that, but now we can actually just lay back a little bit have some fun talking about House on a haunted hill how we came how we ended up came coming across this and how much we love this movie.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: Exactly evil loves to party.

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[SPEAKER_00]: Yes, sir.

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[SPEAKER_02]: I guess the evil number one and you can be like evil number two.

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[SPEAKER_02]: So we'd like to part.

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[SPEAKER_00]: Perfect.

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[SPEAKER_02]: But you have the DVD copy, which I'm totally jealous of.

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[SPEAKER_02]: I wish they would actually release that on 4K, so I can actually buy the physical copy of it because I do like this movie of why.

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[SPEAKER_02]: And I know that I talked about it, as soon as you told me that, I was totally geeked out that you wanted to do this because of the fact that I was eating this opposite teenager.

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[SPEAKER_02]: I, this was my first interaction with Vincent Price in a sense besides Edward Siser hands, but I ended up reviewing the old black and white house on a haunted hill about six years ago with Tamika.

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[SPEAKER_02]: So I actually now can actually say, which one I like better, which one I prefer, or maybe I prefer bold, but I love being able to rewatch this again as an adult.

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[SPEAKER_02]: What else?

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[SPEAKER_00]: Yes, yes, I mean, it's always a fun rewatch.

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[SPEAKER_00]: It's one of my favorite films.

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[SPEAKER_00]: I love those dark castle productions, you know, like I love 13 ghosts, obviously.

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[SPEAKER_00]: I love what else did they do?

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[SPEAKER_00]: Yeah, we did a deep dive on that together, right?

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[SPEAKER_02]: Yes, we did.

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[SPEAKER_02]: And that was a blast.

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[SPEAKER_00]: Yeah, so I mean, I know there's people who don't like those type of movies, but I feel like

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[SPEAKER_00]: I like these like, I mean, I wouldn't even call them silly comedies.

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[SPEAKER_00]: I find them scary.

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[SPEAKER_00]: I love the set designs.

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[SPEAKER_00]: I like how gritty they are.

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[SPEAKER_00]: I just, I like the whole vibe.

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[SPEAKER_02]: Same here.

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[SPEAKER_02]: And you know what though?

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[SPEAKER_02]: I found myself.

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[SPEAKER_02]: and freed whenever you have the opening credits and I know that's not deep dive, but there's just something about seeing the credits and how the opening credits of the house on on an ill is with that creepiness of the creepier solemn atmosphere and the black and white film footage that

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[SPEAKER_02]: And to be honest, I still feel like that still holds up.

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[SPEAKER_02]: The movie also feels like it's trying to pay respect to the original while it's still its own thing.

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[SPEAKER_02]: So that's enough, because some remakes, they don't play homage to the original.

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[SPEAKER_02]: This one plays it to a T, where you actually have a character that's Vincent Price, paying respect to Vincent Price.

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[SPEAKER_02]: So it's kind of like meta within meta, if you think about it.

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[SPEAKER_00]: Exactly.

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[SPEAKER_00]: I mean, I find that these films do a really great job of kind of do it's a quote unquote like remake, but I find it more like a reimagination of like a modern twist of like the, you know, late 1999, whatever, and then like early 2001 for like 13 ghosts, you know,

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[SPEAKER_00]: I think that they do a really great job of modernizing, I mean, at that time period, you know, like dealing with, um, you know, we've got a character who is videotaping a lot of stuff.

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[SPEAKER_00]: She doesn't catch anything, though she's filming a, like, um, entire time.

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[SPEAKER_00]: It's so frustrating.

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[SPEAKER_00]: But we've got that, you know, there's like, I forget if there's any

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[SPEAKER_00]: You know, version of a classic horror film.

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[SPEAKER_00]: You know, like we all love the William Castle.

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[SPEAKER_00]: You know, shockers, you know, like the singular.

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[SPEAKER_00]: They're great.

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[SPEAKER_00]: And I kind of wish that they would keep on remaking these.

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[SPEAKER_00]: I think that they didn't do that kind of like when they like they kind of stopped right like we're making the the William castle films or yes, I don't know.

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[SPEAKER_00]: I didn't get a chance to deep dive like to research that aspect.

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[SPEAKER_02]: I haven't either, so maybe next time I will have that information as well, but I wanted to ask you this because I know that you probably watched the old black and white Vincent price one now.

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[SPEAKER_00]: Yes, that one that I didn't have a shirt for for the modern one, so I just like I was like, oh, I can turn it on.

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[SPEAKER_02]: But my question is, did you like this version of this Vincent Price being someone that's a rich person who's in charge of a theme park?

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[SPEAKER_02]: And I think this was like on the height of six blacks at the time.

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[SPEAKER_02]: So it's like, okay, so how can we make this connect to the kids of the 90s to make their parents go out and see this movie?

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[SPEAKER_02]: I'll also try and cater to the teenagers.

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[SPEAKER_02]: who like going to hard movies as well and what better way to do that to have like a hard theme park kind of setting for Vincent Price to show off this giant roller coaster.

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[SPEAKER_02]: And I think it just fits in with 1999 so well because it's six flags and the start of what six flags wasn't that time.

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[SPEAKER_00]: Yeah, big questions.

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[SPEAKER_00]: I think what was the first one?

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[SPEAKER_00]: It was like, do I like the modern version of like a Vincent price character?

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[SPEAKER_00]: Yeah, of course.

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[SPEAKER_00]: I'm obsessed with Vincent's price.

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[SPEAKER_00]: I love him and everything.

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[SPEAKER_00]: One of my favorites actually is an older from the heat did it called Dragonwag with Gintirini, which one of my favorite on-screen couples.

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[SPEAKER_00]: But yeah, so any chance that we can get like a little Vincent

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[SPEAKER_00]: through my research.

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[SPEAKER_00]: I think Jeffrey Rush was going for more of, um, oh gosh, it was like John Waters.

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[SPEAKER_00]: I think which in other words is, you know, you like it's kind of like a separation of Kevin Bacon, you know what I mean?

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[SPEAKER_00]: And also to be a little bit different surprise anyways, through, you know.

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[SPEAKER_02]: Right, but also to I got a little bit of James Wood vibes from him though, too.

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[SPEAKER_00]: Oh, interesting.

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[SPEAKER_00]: Yeah, and then to your note about like the the music park kind of genius.

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[SPEAKER_00]: Yeah, that was interesting.

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[SPEAKER_00]: I don't know why they chose that.

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[SPEAKER_00]: But it's an interesting kind of like evil genius almost like, you know, like with all the music park that kind of reminded me of a little bit of a like Scooby-Doo kind of like situation going on, you know.

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[SPEAKER_00]: Especially with the camera man jumping up and down and the elevator was so great that opening totally, you know, like when I first watch it and then like, you know, sometimes I'll go like a little spacing between I mean not lately because, obviously, you know, it's a good watch, but yeah, it's

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[SPEAKER_00]: Such a good opening with all of that and the false, you know, like that's kind of part of the ride, right?

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[SPEAKER_00]: It's experiencing that like immersive part and I love that because that's kind of like what I do and like with my like screening events of I.

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[SPEAKER_00]: kind of take a nod from William Castle, which this all kind of connects, you know, like how you would do his like shock and gags and the theater, like with the tingler, having the seeds shake and then having, I think it was his house on haunted hill, or 13 girls I forgot about having a skeleton go across, you know, it's full of gags.

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[SPEAKER_00]: I love that.

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[SPEAKER_00]: But yeah, and I think like a fun little note is,

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[SPEAKER_00]: Was it six flags I forget it was like the whole cried and Florida and I don't remember if it was six flags or not I think the whole cry was I think the whole cry might have been universal and I wonder if I said sure I'm okay.

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[SPEAKER_00]: Okay.

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[SPEAKER_00]: Well, I know for a fact because I remember them saying it was the whole cried Yeah, the real ride that they used so that's fun and I wonder if that's still around I mean, I don't really like

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[SPEAKER_00]: go to a lot of theme parks.

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[SPEAKER_02]: So I don't know that was an adventure at one time.

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[SPEAKER_00]: What was that?

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[SPEAKER_02]: But yeah, that is the roller coaster because I'm looking at pictures and is that exact same thing color scheme and everything that they used.

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[SPEAKER_02]: But it's just something that I love that this version of the surprise does here's yeah you've seen roller coasters but have you seen roller coasters that start at the top then you also have fairing anxiety of that then you have fairing anxiety even going up the yellow I live going up the elevator and then whenever it starts falling down you know you're always scared shitless already.

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[SPEAKER_02]: But with everything that's happening, and then you add on an extra layer to it, when you finally get seated into the ride, which I thought was really interesting.

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[SPEAKER_00]: Yeah, I feel like also it's going to be such a long wait for that ride if you have to go into the elevator, you know.

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[SPEAKER_00]: exactly because they have just waiting around because like it looked like crammed just for three people in the camera, you know?

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[SPEAKER_02]: Exactly.

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[SPEAKER_02]: But you know, I do want to go into some of the other stuff I liked.

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[SPEAKER_02]: I still love Marilyn Manson's version of Sweet Dreams are made of this.

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[SPEAKER_02]: If it's the tone perfectly and Insulate puts you in the late 90s harm mood because what better way to have

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[SPEAKER_02]: this movie that's really got thick, really dark, then to have Manland Manson of all people to act to do this.

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[SPEAKER_02]: Because I think that he's actually the perfect person to have this on a soundtrack.

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[SPEAKER_02]: I've seen him maybe two or three times.

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[SPEAKER_02]: I've seen him on a Halloween at the hard rock as you know,

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[SPEAKER_01]: lucky.

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[SPEAKER_02]: And it was the best time.

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[SPEAKER_02]: And I mean, in the interaction with the crowd and stuff, but there was just something special about seeing hearing that song and then the montage of everybody gained their invitations and looking through their invitations, not knowing what to expect of the unknown.

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[SPEAKER_02]: And everybody has their own motive as to why they're there.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: I mean, I feel like this film is kind of like the vibe reminds me of like a 90s version of like a Marilyn Manson like music video or even like a nine inch nails music video.

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[SPEAKER_00]: Like the tone of it, you know, really, that's a really good show.

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[SPEAKER_00]: Like once we get into the house or asylum, you know,

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[SPEAKER_02]: I agree because I'm like, wait, this is not a house.

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[SPEAKER_00]: This is not a song gorgeous, too.

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[SPEAKER_00]: And I was watching actually, okay, so I, for this, I quickly rewatched because I'm like juggling so much.

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[SPEAKER_00]: I quickly did a rewatch and I was listening to the director's commentary on it.

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[SPEAKER_00]: And it's fun because I live in Hollywood.

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[SPEAKER_00]: So I'm over by the Griffith Observatory.

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[SPEAKER_00]: And apparently the,

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[SPEAKER_00]: the scenes where they're driving in the limos is part of the Griffith Observatory and then they did some kind of effect where when they're get out, I don't know if it was like a miniature or or if it was like a visual effect, but they have it.

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[SPEAKER_00]: So you can see the observatory, but it's, they take away like the top of it.

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[SPEAKER_00]: So, you know, it looks like a different building, but it's like, I think Rubble without a cause was filmed there.

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[SPEAKER_00]: You know, all these iconic films have been filmed there.

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[SPEAKER_00]: So it's like a little bit of Hollywood history there.

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[SPEAKER_00]: And it's like a hot skip in the jump away from me.

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[SPEAKER_00]: So now I'm like wanting to go there and see if I can like figure out where they shot it.

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[SPEAKER_00]: I like visiting locations because, you know, I live in Hollywood and around LA, so I can go for something.

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[SPEAKER_02]: I actually like stuff like that.

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[SPEAKER_02]: I like the fact that you can actually go there and check it out and be like trying to pinpoint where certain things were.

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[SPEAKER_02]: You know?

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: Yeah, I love that.

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[SPEAKER_00]: It's one of my favorites.

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[SPEAKER_00]: And then also like a fun.

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[SPEAKER_00]: Okay.

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[SPEAKER_00]: I know we're not doing a deep dive thing because my schedule, but another fun little, um, I don't know thing is that a master effects artist Greg Nikotiro has like a little cameo as one of the roller coaster attendance and he likes puts in a dummy in the roller coaster.

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[SPEAKER_00]: Did you catch that?

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[SPEAKER_02]: Yeah, I caught that and my first instance, like as a kid, I was like, okay, how is this fit?

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[SPEAKER_02]: And then as an adult watching it.

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[SPEAKER_02]: I'm like, okay, this is just to add in the fact that there's another roller coaster in front of somebody.

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[SPEAKER_02]: And, you know, just to give creepy vibes off of it, even though the roller coaster is probably going to roller coaster winds are going off the tracks.

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[SPEAKER_00]: Yeah, yeah, I mean, I get to suppose that aspect of it is supposed to scare everybody that they're about to die, right?

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[SPEAKER_00]: Right.

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[SPEAKER_02]: The atmosphere and the horror of this, okay?

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[SPEAKER_02]: The insane and solemn setting is one of the strongest parts of the movie for me.

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[SPEAKER_02]: And then the patients getting revenge over the doctor staff is generally unsettling.

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[SPEAKER_02]: Once seeing this, still frees me out.

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[SPEAKER_02]: This is sure to camera footage of the doctor after cutting off the security officer's base.

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[SPEAKER_00]: He like scooped it out.

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[SPEAKER_02]: Right.

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[SPEAKER_02]: That is the most creepyest shit.

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[SPEAKER_00]: It's so crazy.

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[SPEAKER_02]: Like not to mention the fact that it's in black and white and they're watching the video footage of the doctor and I like this quick effect of like I think it may be stopped motion.

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[SPEAKER_02]: I don't know what it is.

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[SPEAKER_00]: Yeah, the glitchy effect with Jeffrey Combs, right?

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[SPEAKER_00]: I love it.

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[SPEAKER_00]: I just love it and everything.

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[SPEAKER_02]: Dancing to me is like the MVP of the scene for me as far as that goes because I love seeing creepy stuff like that.

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[SPEAKER_02]: I actually played another I played this about Harvitt survival game that had that in there too and I love seeing stuff like that and I get and I love playing hard video games in the dark.

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[SPEAKER_02]: I love getting this shit scared out of me.

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[SPEAKER_02]: But there's just something that just makes my skin crawl when I see it.

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[SPEAKER_02]: And I'm like, I just get giddy over it every single time.

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[SPEAKER_02]: But what's some of the stuff that stands out for you as far as the Sainace alum, or anything like that that I mentioned, or some of the stuff that you want to talk about.

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[SPEAKER_00]: Okay, can we talk about Chris Kitan?

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[SPEAKER_02]: Yes, thank you for bringing that out.

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[SPEAKER_00]: No, you know, I love Chris Kitan.

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[SPEAKER_00]: I love him a monkey bones.

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[SPEAKER_00]: I love him in pretty much everything.

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[SPEAKER_02]: I love him in nice and dark.

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[SPEAKER_02]: I love him in my monkey bones.

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[SPEAKER_00]: Thanks for watching.

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[SPEAKER_00]: But yeah, I've seen him do stand up comedy, which is like, interesting like weirdly vulgar, like more vulgar than I thought that it would be.

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[SPEAKER_00]: I took my husband on like a surprise.

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[SPEAKER_00]: a mystery day and we went to go see him at a like a comedy store in Burbank and a surprise gas was after after Chris Kitan was randomly Jerry Seinfeld and we're huge Seinfeld fans and I had no idea so it was like I got so many brownie points of like being an awesome wife and it was just like

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[SPEAKER_02]: That's awesome, though.

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[SPEAKER_02]: Like I can't imagine Chris can, I've never seen a Chris Katan stand up before.

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[SPEAKER_00]: It's like it was wild or at least at that time.

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[SPEAKER_00]: That was like maybe like five or six years ago.

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[SPEAKER_00]: It was pretty, I was like, ah, wow, that, that is nice.

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[SPEAKER_02]: But I do love Chris Katan in this because you don't expect it.

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[SPEAKER_02]: It's kind of like when you watch,

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[SPEAKER_02]: The 13 ghosts, right?

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[SPEAKER_02]: And you don't expect Matthew Lillard to show.

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[SPEAKER_00]: Oh, yeah, no, I love this.

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[SPEAKER_00]: Okay, I have a huge, I have a huge love when comedians jump over to horror films.

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[SPEAKER_00]: I love it because I find comedy is so complex and difficult.

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[SPEAKER_00]: I think it's one of the hardest things that you can do as an actor and my favorite,

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[SPEAKER_00]: myself as an actress, I love like dark horror comedies, right?

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[SPEAKER_00]: And I love it when to medians, especially comedians that are just known for doing silly things.

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[SPEAKER_00]: But when they jump over to horror, it's like chef's kiss.

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[SPEAKER_00]: I love it so much.

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[SPEAKER_00]: And I think he just hit it out of the park and you know, I love him and monkey bones.

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[SPEAKER_00]: He can do no wrong in my book.

17:57.630 --> 17:59.713
[SPEAKER_00]: And I just thought that his

17:59.693 --> 18:07.787
[SPEAKER_00]: He has such acting range and I would love to see him do another like horror film.

18:07.867 --> 18:15.981
[SPEAKER_00]: I thought this was great for him and also like I just did, you know, I just said like a little video about Mike Myers.

18:15.961 --> 18:19.305
[SPEAKER_00]: claiming that he's never done a like a horror film before.

18:19.325 --> 18:23.490
[SPEAKER_00]: And so I was talking about reminding everybody about, so I married an axe murder.

18:23.550 --> 18:24.331
[SPEAKER_00]: That's another one.

18:24.431 --> 18:29.617
[SPEAKER_00]: I want to see Mike Myers and another like a new horror film would be great for me.

18:29.677 --> 18:30.879
[SPEAKER_02]: Same here.

18:31.059 --> 18:32.621
[SPEAKER_02]: And I want to go off of two things.

18:32.661 --> 18:34.623
[SPEAKER_02]: I want to piggyback off for you on two things that you mentioned.

18:34.983 --> 18:37.466
[SPEAKER_02]: Number one, being a comedian is tough.

18:37.566 --> 18:42.272
[SPEAKER_02]: It's the most subjective thing that you can get into as far as comedy goes.

18:42.252 --> 18:49.225
[SPEAKER_02]: because of the fact that everybody's sense of humor is different and you're not going to be able to hit every target audience in the crowd.

18:49.786 --> 18:52.111
[SPEAKER_02]: So either they're going to love you or they're going to hate you.

18:52.151 --> 18:57.561
[SPEAKER_02]: Then also too, convenience to me have a dark side to them.

18:57.541 --> 19:15.945
[SPEAKER_02]: that people just don't see and things that go in their head flows out of them, you know, the stuff that comes out, especially with Jordan Peel, for example, who made the movie get out and things like, you know, and I just think that comedians have a range to them that nobody managed to see.

19:16.045 --> 19:26.198
[SPEAKER_02]: Robert Williams, one hour photo, you also have all these comedians that are trying

19:26.498 --> 19:27.641
[SPEAKER_02]: So I married an expert.

19:27.681 --> 19:34.396
[SPEAKER_02]: I'm Rossi and I reviewed that one several years back and that movie makes me laugh to this day.

19:34.416 --> 19:36.602
[SPEAKER_02]: I don't care if it's on direct TV.

19:36.722 --> 19:38.506
[SPEAKER_02]: I don't care if it's streaming anywhere.

19:38.927 --> 19:39.749
[SPEAKER_02]: I will sit down.

19:39.789 --> 19:42.415
[SPEAKER_02]: I will watch that and be like, it's my first time.

19:42.850 --> 19:43.752
[SPEAKER_00]: Exactly.

19:44.013 --> 19:45.416
[SPEAKER_00]: It's so good, isn't it?

19:45.536 --> 19:52.031
[SPEAKER_00]: I mean, not to go too much into that, but I, you know, I mean, for me, it's not like a super perfect film.

19:52.172 --> 20:01.433
[SPEAKER_00]: I, you know, like we kind of, you know, like kind of certain things up and I get some stuff like we don't have to do it over and over again, but overall.

20:01.413 --> 20:02.855
[SPEAKER_00]: killer killer.

20:03.196 --> 20:08.485
[SPEAKER_00]: And any found that has a Phil Hartman, you know, the late great Phil Hartman.

20:08.665 --> 20:11.249
[SPEAKER_00]: He's going to hit it out of the park.

20:11.309 --> 20:13.613
[SPEAKER_00]: He is a comedy genius.

20:14.394 --> 20:17.479
[SPEAKER_02]: I just like how his comedy is like for that movie.

20:18.100 --> 20:24.130
[SPEAKER_02]: How late back he is like he's part of this security that's been there for years and he's just given that tour.

20:24.532 --> 20:28.256
[SPEAKER_00]: I mean, I found that he was so intense.

20:28.936 --> 20:31.679
[SPEAKER_02]: Yeah, he plays the intense role, but also too.

20:32.039 --> 20:33.281
[SPEAKER_02]: He acts like he lived it.

20:33.521 --> 20:36.684
[SPEAKER_00]: I mean, he kind of did, right?

20:37.105 --> 20:37.505
[SPEAKER_00]: Yeah.

20:37.925 --> 20:38.306
[SPEAKER_00]: Yeah.

20:39.087 --> 20:41.449
[SPEAKER_00]: Anyway, I love comedians.

20:41.569 --> 20:43.451
[SPEAKER_00]: And I love when they're in horror films.

20:43.531 --> 20:45.253
[SPEAKER_00]: And we need to get more of that.

20:45.333 --> 20:49.577
[SPEAKER_00]: We need to, like, you know, like, let's get more comedians.

20:49.557 --> 21:18.467
[SPEAKER_00]: I mean, I'm trying I'm blanking on who like the biggest comedians are, but let's get them into like a good horror film and let's say fun horror films like this, you know, it doesn't all have to be like these like

21:18.869 --> 21:19.731
[SPEAKER_00]: Yeah.

21:19.811 --> 21:20.973
[SPEAKER_00]: I mean, I like both.

21:21.254 --> 21:24.541
[SPEAKER_00]: I like both, but I definitely agree with that.

21:25.482 --> 21:26.304
[SPEAKER_00]: Let's, let's do it.

21:26.404 --> 21:28.489
[SPEAKER_00]: Let's, let's, let's rally for it.

21:28.990 --> 21:29.871
[SPEAKER_02]: Yeah, I'm all for it.

21:29.891 --> 21:30.633
[SPEAKER_02]: I'll go do it.

21:30.793 --> 21:33.098
[SPEAKER_02]: Go find me or whatever I do a petition on here.

21:33.837 --> 21:38.162
[SPEAKER_02]: Um, but I also want to mention the movie's visual styling creepy imagery.

21:38.322 --> 21:39.223
[SPEAKER_02]: It still holds up.

21:39.844 --> 21:43.448
[SPEAKER_02]: I don't really feel like anything really doesn't really hold up for this movie.

21:44.109 --> 21:51.457
[SPEAKER_02]: And I know that we talked about the fact that I was really, I remember seeing Chris contend for the first time and being campy and geeked out.

21:51.817 --> 21:54.841
[SPEAKER_02]: Just as I was for Matthew Lillard because I don't, you don't expect it, right?

21:54.861 --> 22:01.448
[SPEAKER_02]: You don't expect those two actors to be in a R movie, although Matthew Lillard

22:01.715 --> 22:17.766
[SPEAKER_02]: here's by just seeing Matthew Lillard doing what he does but we'll get into that when we review it but I was just as geeked out for after I was geeked out over Chris Kutam because of the rock spary then I guess do from screen so I'm happy.

22:18.387 --> 22:24.719
[SPEAKER_00]: Yeah, I mean, all of these actors, they're so, they're geniuses in their fields, right?

22:24.800 --> 22:32.274
[SPEAKER_00]: And then just to see them branch out and totally command and give really authentic performances.

22:32.314 --> 22:33.156
[SPEAKER_00]: I mean,

22:34.638 --> 22:38.723
[SPEAKER_00]: just Chris Katan just he was not in it for that long.

22:38.823 --> 22:43.448
[SPEAKER_00]: I mean, I know he was in it for a little bit, but I mean, I kind of watched him constantly.

22:43.488 --> 22:47.993
[SPEAKER_00]: He could have been like one of the major like one of the lead.

22:48.353 --> 22:51.236
[SPEAKER_00]: I feel like he was one of the like sidepieces, right?

22:51.276 --> 22:54.961
[SPEAKER_00]: Because he goes in and now and we, it's almost like an ensemble film, right?

22:54.981 --> 22:59.365
[SPEAKER_00]: We're following different characters who are obviously role number one.

22:59.426 --> 23:02.569
[SPEAKER_00]: You got to split up when you're in a haunted house.

23:02.549 --> 23:10.140
[SPEAKER_00]: And, and so we drop in and out from different characters and see these like hijinks.

23:10.441 --> 23:23.761
[SPEAKER_00]: But I just, I think he has such range as an actor and I love that he's totally committed to these performances because you know, sometimes people just phone it in, which, you know, whatever.

23:23.801 --> 23:28.748
[SPEAKER_00]: But I feel like everybody in the cast, I love Jeffrey Rush.

23:28.868 --> 23:29.890
[SPEAKER_00]: I love

23:29.870 --> 23:33.160
[SPEAKER_00]: You know, I don't have any issues with any performances.

23:33.200 --> 23:36.951
[SPEAKER_00]: I think everybody gave what was asked of them.

23:37.292 --> 23:38.916
[SPEAKER_00]: And the drug was strong.

23:39.197 --> 23:41.584
[SPEAKER_00]: And you know, the, the,

23:42.205 --> 24:09.883
[SPEAKER_00]: the art direction, all visual, everything lighting, you know, I mean the script is a little interesting but I like it and it's kind of like I feel like people who have issues with this film it's like they just don't want to watch this kind of film you know it's like sometimes I'm not in the mood for like a period piece or whatever you know and it's like you have to be in the mood

24:09.863 --> 24:11.085
[SPEAKER_00]: I guess I would say 90s.

24:11.486 --> 24:14.110
[SPEAKER_00]: Does this still count as a 90s film?

24:14.210 --> 24:15.532
[SPEAKER_02]: It's a 90s film, late 90s.

24:15.652 --> 24:16.313
[SPEAKER_02]: I consider that.

24:16.353 --> 24:20.399
[SPEAKER_02]: I would actually put this on my 90s playlist for our YouTube, whenever we do a movie review.

24:20.940 --> 24:22.282
[SPEAKER_02]: So yeah, this is 90s.

24:24.005 --> 24:25.948
[SPEAKER_02]: But I also want to mention this, okay?

24:26.449 --> 24:31.697
[SPEAKER_02]: So what did you think of the visual style and the creepy imagery that I was mentioning?

24:31.757 --> 24:33.660
[SPEAKER_02]: I mean, I still feel like it still holds up.

24:34.180 --> 24:36.424
[SPEAKER_00]: as far as that goes completely completely.

24:36.484 --> 24:58.382
[SPEAKER_00]: I mean, we don't I'm not sure if we get these kind of like crazy sets anymore, like they literally built this stuff, you know, like there's some obviously there's some miniatures happening, there's some visual effects happening, but we were getting like tried and true sets and they look at and they feel it, they feel eight.

24:58.362 --> 25:07.030
[SPEAKER_00]: It feels like we're actually there, and I mean, I'm so pro-physical sets, I'm so pro-practical effects.

25:07.170 --> 25:11.794
[SPEAKER_00]: I think there's a way of like visual like CGI and practical.

25:12.274 --> 25:16.017
[SPEAKER_00]: I think that's the ultimate is that there's a marriage, you know, between them.

25:17.038 --> 25:21.983
[SPEAKER_00]: But I love all of the physical, like the practical and physical stuff that we get in this film.

25:22.123 --> 25:27.087
[SPEAKER_00]: I think it's beautiful, and I think there's such a strong

25:27.067 --> 25:29.130
[SPEAKER_00]: that is carried throughout the film.

25:29.791 --> 25:30.332
[SPEAKER_02]: What do you think?

25:30.773 --> 25:44.696
[SPEAKER_02]: I think so too, because I've spitting a marriage will get in the minute because of Vincent Price and his wife and I want to get into like what's the piece that you really like as far as the kills that happened in certain areas of the house.

25:45.076 --> 25:50.124
[SPEAKER_02]: But we'll talk about that in a minute, but I do like the atmospheric being able to be there.

25:50.445 --> 25:53.530
[SPEAKER_02]: I think the closest director that I could actually put on

25:53.594 --> 26:16.843
[SPEAKER_02]: on paper right now is Gilmo Del Toro, who does a perfectly good job of blending in practical effects and with CGI while also giving a good atmospheric movie to where you actually feel like you're there like Frankenstein or there was that movie with Tom Hiddleston a couple of years ago like in 2015 or 2016 that he did.

26:16.883 --> 26:19.787
[SPEAKER_02]: I'm playing on the name because of my age

26:20.965 --> 26:22.527
[SPEAKER_00]: We had a lot to remember.

26:22.607 --> 26:24.269
[SPEAKER_00]: We go over a lot for these things.

26:24.870 --> 26:27.794
[SPEAKER_02]: Exactly, but I do like the atmosphere.

26:28.114 --> 26:30.217
[SPEAKER_00]: Oh, Crimin Peak, you're thinking of Crimin Peak.

26:30.257 --> 26:30.937
[SPEAKER_00]: Yeah.

26:31.358 --> 26:33.621
[SPEAKER_00]: Yeah, that was a total atmospheric.

26:34.061 --> 26:34.983
[SPEAKER_00]: It was a nod.

26:35.363 --> 26:46.517
[SPEAKER_00]: I just went through this because I did a deep dive on Guillermo del Toro for his, I don't remember if we talked about this, but for his 25th anniversary of the Devil's backbone,

26:46.497 --> 27:03.733
[SPEAKER_00]: that happened last month and so I did a whole big retrospective for Dread Central and did like a video and then I do like companion pieces with articles and yeah, I really love diving because, you know, I do like massive, we both do, right?

27:03.813 --> 27:05.514
[SPEAKER_00]: Like we love doing this kind of stuff.

27:05.534 --> 27:16.504
[SPEAKER_00]: So I do a massive amount of research whenever I have, you know, these kind of fun projects or interviews or deep dives.

27:16.484 --> 27:27.179
[SPEAKER_00]: It was one of my top five I think I did with him and crimson peak was one of them and it's It was kind of an ode to Alfred Hitchcock's Rebecca.

27:27.339 --> 27:28.801
[SPEAKER_00]: I don't know if you've ever seen that one.

27:29.462 --> 27:31.665
[SPEAKER_02]: No, I need to see it though I've seen it.

27:31.705 --> 27:36.992
[SPEAKER_00]: Yeah, I mean, if you like, I mean, I You know, I'm very pro.

27:37.713 --> 27:40.918
[SPEAKER_00]: If you love films, you should watch all of the classics, right?

27:40.958 --> 27:45.664
[SPEAKER_00]: And so Hitchcock obviously Yeah, he's the queen of

27:45.644 --> 27:59.659
[SPEAKER_00]: Yeah, yeah, he definitely one of them, but so Rebecca, so Guillermo kind of modeled some aspects of that were like the house is one of the characters.

27:59.759 --> 28:09.390
[SPEAKER_00]: I mean, I could even turn that back to house on haunted hill 1999, you know, like they made that house, the asylum, one of the characters, which I love, you know.

28:09.539 --> 28:36.087
[SPEAKER_02]: because the house does feel like a character and it's own self because remember when they get the actress that wants to be on TV, the house sucks her into the wall and everything is clear to this house, the house is alive and you actually feel the tension in the house of like oh my gosh I can actually maybe feel the heartbeat of this house that's alive because they just mentioned it in how they play off play off each other like that.

28:36.556 --> 28:39.280
[SPEAKER_02]: And I really love how they do that.

28:39.841 --> 28:47.172
[SPEAKER_02]: And then also, too, I think the concept of the guest being given guns to survive is interesting.

28:47.192 --> 28:58.790
[SPEAKER_02]: And I think it was actually meant for like, I would actually think of this like the dark night, where it's like, well, Vincent told me to kill you and take you out.

28:58.810 --> 29:00.673
[SPEAKER_02]: Well, he told me to take you out.

29:01.818 --> 29:10.394
[SPEAKER_02]: And then they both kill each other until there's only one left or until maybe Vincent and his wife or the only one's left to take the money and keep it for themselves.

29:11.416 --> 29:11.877
[SPEAKER_01]: Yeah.

29:13.219 --> 29:19.371
[SPEAKER_02]: So that was one way of me looking at it is like if I was rich and snobby what would I do.

29:19.891 --> 29:21.113
[SPEAKER_02]: I would get other people.

29:21.273 --> 29:23.035
[SPEAKER_02]: I would pretend that there's ghost in here.

29:23.095 --> 29:28.923
[SPEAKER_02]: Just as Vincent is trying to set this up, just to get the hell out of his wife and the guests and stuff like that and pay the money.

29:29.324 --> 29:35.532
[SPEAKER_02]: But what if he actually paid someone secretly to take someone else out and then they pay E.P.

29:35.572 --> 29:39.978
[SPEAKER_02]: somebody else to take someone else out during this whole entire game?

29:40.599 --> 29:46.827
[SPEAKER_02]: So that's, and I also like a little coffin, coffin that they put the guns in too.

29:46.992 --> 29:47.873
[SPEAKER_02]: So I'm like that.

29:48.534 --> 29:50.476
[SPEAKER_00]: It's all of these little things, right?

29:51.497 --> 29:52.919
[SPEAKER_00]: They're so fun to watch.

29:53.460 --> 29:57.665
[SPEAKER_00]: And yeah, I mean, rich people, we gotta get them some hobbies.

29:58.606 --> 29:59.627
[SPEAKER_02]: Right because they're bored.

29:59.667 --> 30:00.428
[SPEAKER_02]: They really are.

30:00.768 --> 30:02.310
[SPEAKER_02]: And these are better help or something.

30:03.611 --> 30:11.401
[SPEAKER_02]: But also too, I like how you have Jeffrey Combs who plays Dr. Vinnickude.

30:11.701 --> 30:16.847
[SPEAKER_02]: And I think that he plays the doctor very well.

30:17.435 --> 30:19.679
[SPEAKER_02]: You know, another Jeff would actually be good too.

30:19.719 --> 30:23.104
[SPEAKER_02]: Jeff Goldblum would have been good for that as well.

30:23.124 --> 30:24.526
[SPEAKER_00]: Oh, interesting.

30:25.468 --> 30:31.718
[SPEAKER_02]: Because I could see him like I'm now going from Jurassic Park talking in the way of this doctor's talking.

30:32.419 --> 30:36.185
[SPEAKER_02]: And then him being in love with Vincent's wife.

30:36.666 --> 30:42.936
[SPEAKER_02]: And then there's been, they were trying to surprise twist after twist with the, the, the, the prices.

30:42.916 --> 30:54.775
[SPEAKER_02]: with between Vincent Gingshod, his wife getting electric shock therapy dying, and then the doctor going ahead and giving her the adrenaline shot to come back up.

30:54.795 --> 31:10.459
[SPEAKER_02]: So, I'd like the fact that they were trying to do twist and terms in this, even though it might be a little over the top for 2026, I still feel like it's still plays in well with

31:10.793 --> 31:19.420
[SPEAKER_00]: Yeah, I mean, I find with, you know, these like dark castle films, it's kind of like you have to

31:20.041 --> 31:22.404
[SPEAKER_00]: not look too deep into like the story.

31:22.544 --> 31:43.872
[SPEAKER_00]: You know, you kind of just like accept and like, okay, let's go on because it's like when you think too much about it, which like I wonder when they were approving this like why nobody noticed, but it's kind of like, okay, so she, the wife, Evelyn, she's gonna fake her own death and that just so that she,

31:43.852 --> 31:57.030
[SPEAKER_00]: has a, you know, get out of jail free card because she was like, quantum quote, dead, but then she's going to come back and somehow be able to claim every, you know, like it gets a little muggy, but that's okay.

31:57.571 --> 32:12.812
[SPEAKER_02]: Because I don't know, we'll talk about that in the deep dive because there's something I want to talk about with that because I do feel like they could have done a little something better with it, even though I'm not knocking it, I think they could have strengthened it up a little bit more, but we'll talk about that more in the deep dive part.

32:13.079 --> 32:14.201
[SPEAKER_02]: when we try to do that later.

32:14.741 --> 32:21.070
[SPEAKER_02]: Yeah, but, okay, so I do have a favorite dead trap.

32:21.090 --> 32:29.402
[SPEAKER_02]: And you were talking about nine inch nails, Trent, Reds, or why my favorite, a recording artist, I ended up just downloading his remixes with noise boys.

32:31.004 --> 32:37.753
[SPEAKER_02]: But, you know, my favorite one is the chamber trap,

32:38.678 --> 32:56.064
[SPEAKER_02]: And I love how the doctor is spinning around in circles and you're seeing the images of the doctor, he's bouncing the basketball, then he picks up Vincent's head, then after that he throws it, then it's like, it's just a madness of this is solemn driving someone that is somewhat normal insane.

32:56.765 --> 33:00.511
[SPEAKER_02]: It has like a one of one clue over the cook who's next kind of vibes, but horror.

33:01.412 --> 33:02.674
[SPEAKER_00]: Yeah, it's so good.

33:02.834 --> 33:03.876
[SPEAKER_00]: It's so good.

33:04.312 --> 33:07.580
[SPEAKER_02]: But my question is, what's your favorite dead trap?

33:07.780 --> 33:12.612
[SPEAKER_02]: What's, um, and also to, if you could pick a prop, what prop would you take?

33:13.775 --> 33:16.281
[SPEAKER_00]: Oh, man, that's a, those are so tough.

33:18.466 --> 33:21.493
[SPEAKER_00]: I mean, I really love the,

33:22.351 --> 33:26.658
[SPEAKER_00]: You know, the dad that you were just talking about, I think that's great.

33:28.661 --> 33:46.030
[SPEAKER_00]: And then I also like it when, I mean, I guess it's off screen, but like where she gets sucked into the house and I kind of wish that we were able to see that because I like that whole lead up she can only see the ghost on her like a little video tape.

33:46.145 --> 33:48.187
[SPEAKER_02]: You know, like her, her camera.

33:48.848 --> 33:49.108
[SPEAKER_00]: Right.

33:49.669 --> 34:12.473
[SPEAKER_00]: And so I thought that was so eerie and scary because I'm thinking like, okay, so if this were to happen to me, I would be terrified and if I even saw one little like one flicker on my like let's say it's happening now on my phone, I would be out of there so fast, but she just keeps on going, you know, and I think that whole

34:12.453 --> 34:26.766
[SPEAKER_00]: lead up is really great in eerie because it's like because we know what they're capable of and how they torture these, um, you know, like people at the asylum.

34:27.016 --> 34:31.081
[SPEAKER_00]: You know, it's she's going to go through it and she does.

34:31.142 --> 34:41.616
[SPEAKER_00]: And I wish that we were that we would have gotten more time with that to see the end of it, you know, like her getting to the wall.

34:41.636 --> 34:49.847
[SPEAKER_00]: Because that was I mean, while that's really cool and eerie on its own, I think it would have been even just to get halfway up or so.

34:49.987 --> 34:50.728
[SPEAKER_00]: I don't know.

34:50.708 --> 35:01.000
[SPEAKER_00]: It kind of reminds me of like in Tim Burton's like be hollow, I mean not to spoil anything if anybody's like not watch that, pause it here and then go watch it.

35:01.060 --> 35:04.110
[SPEAKER_00]: But like at that moment where

35:04.192 --> 35:17.150
[SPEAKER_00]: You know, like, where one of the characters get sucked up into the tree, like it feels like that, like I feel like I could have had a version of that with that scene and I would have been like, like, you know, perfect.

35:17.550 --> 35:18.552
[SPEAKER_02]: Chef's kiss.

35:18.572 --> 35:20.134
[SPEAKER_00]: Yeah, but that's one of my favorites.

35:20.154 --> 35:22.097
[SPEAKER_00]: I'm trying to think of what are the other ones.

35:22.998 --> 35:24.200
[SPEAKER_00]: What other ones do we have?

35:24.240 --> 35:27.324
[SPEAKER_02]: Okay, so that was one of my favorites was the chamber traps.

35:27.905 --> 35:30.168
[SPEAKER_02]: Then there was the electric shock therapy room.

35:31.490 --> 35:32.511
[SPEAKER_02]: That.

35:33.284 --> 35:37.608
[SPEAKER_02]: There was some other stuff too that I can't remember people listening.

35:37.628 --> 35:43.134
[SPEAKER_00]: They're probably going to be like they forgot about that They forgot about that Trust me, I already got to start review of a something I did.

35:43.254 --> 35:47.298
[SPEAKER_00]: So They should try it.

35:47.378 --> 36:02.953
[SPEAKER_00]: They should try to remember everything Exactly Beautiful like us and to remember all those horror trivia But Okay, my other favorite debt scenes is Evelyn's death and then Vincent prices death

36:03.693 --> 36:08.580
[SPEAKER_00]: because he'd like sacrifices himself, right?

36:09.842 --> 36:10.763
[SPEAKER_02]: Yeah, he does.

36:10.803 --> 36:13.266
[SPEAKER_02]: He once I'm sacrificing himself, not for, yeah.

36:13.467 --> 36:16.591
[SPEAKER_02]: Well, he tells Evelyn to get up.

36:16.611 --> 36:19.155
[SPEAKER_02]: And then she gets taken by the ghost.

36:19.575 --> 36:23.841
[SPEAKER_02]: This makes this mokey ghost kind of shadowing thing.

36:24.582 --> 36:24.783
[SPEAKER_01]: Yeah.

36:25.363 --> 36:29.329
[SPEAKER_02]: And then after that, he sacrifices himself for the survivors.

36:30.119 --> 36:44.521
[SPEAKER_00]: Yeah, we're just so against like character and just like, you know, like while I like seeing that as, you know, like a part of like nice thing to do for people, I feel like I don't think he would do that.

36:44.942 --> 36:49.208
[SPEAKER_02]: No, because number one, they're there because of him in the first place.

36:49.728 --> 36:50.329
[SPEAKER_02]: You know what I mean?

36:50.891 --> 37:03.940
[SPEAKER_02]: So it goes against his character in a sense, then another thing I want to mention is this, are you that miserable, your wife, that you're rather safe, someone that you don't know?

37:04.898 --> 37:27.497
[SPEAKER_00]: Yeah, it's a weird, it was an interesting choice, but yeah, I mean, like it was a cool death and, you know, selfless, but I don't know if it vibes with what we know, but I guess like sometimes like in the moment, I guess you can choose to do the right thing.

37:27.832 --> 37:28.192
[SPEAKER_02]: Right.

37:28.233 --> 37:37.866
[SPEAKER_02]: And then you also have, um, I'll do like how Evelyn's body changes into like a skeleton when she gets taken by the ghost.

37:37.906 --> 37:38.767
[SPEAKER_02]: I do like that.

37:38.827 --> 37:46.077
[SPEAKER_02]: And then you have the way that Vincent dies and then you have Chris Katan who comes back as a ghost to help.

37:46.057 --> 37:49.625
[SPEAKER_02]: Like Casper, he's like the Casper of, I was all know what it is.

37:49.825 --> 37:53.874
[SPEAKER_00]: He can't wait for like coming back being reincarnated, right?

37:53.894 --> 37:56.880
[SPEAKER_00]: Like in monkey bones, he's like organ donors too.

37:57.020 --> 37:58.804
[SPEAKER_00]: He's like a zombie, basically.

37:59.285 --> 38:01.891
[SPEAKER_00]: And then here he's a ghost for a guy.

38:01.911 --> 38:03.554
[SPEAKER_00]: But that's fun, actually.

38:03.574 --> 38:04.977
[SPEAKER_00]: It's probably fun to play.

38:05.260 --> 38:06.021
[SPEAKER_02]: It definitely is.

38:06.041 --> 38:10.346
[SPEAKER_02]: I like the fact that they weren't done with this character is like, you know what, yes, we got rid of him.

38:10.366 --> 38:14.350
[SPEAKER_02]: And I think they were thinking on the people who seen night at the rock spary at that time.

38:14.771 --> 38:24.201
[SPEAKER_02]: And on the eight, it's like, you know what people love Chris Katan, let's not just waste him for this whole entire deal of being related to somebody within the house.

38:24.461 --> 38:29.086
[SPEAKER_02]: Let's bring them back one final time to have this moment to let the other survivors go.

38:29.126 --> 38:30.508
[SPEAKER_02]: So I.

38:30.843 --> 38:32.105
[SPEAKER_00]: Yeah, no, you're right.

38:32.125 --> 38:56.378
[SPEAKER_00]: It's like a double save right like they almost like they're like tag teaming like saving these lost to people, which is like it's really interesting because I I think it would have been cooler not to interrupt you, but

38:56.358 --> 39:05.069
[SPEAKER_00]: And then what if he was stuck up there and then like because I, I don't, did you stick around to see like the like ending where we have.

39:05.089 --> 39:15.903
[SPEAKER_00]: Another character comes up and is like hello hello and so there's like another victim for the ghost to take a close credit scene.

39:16.384 --> 39:17.185
[SPEAKER_00]: Yeah.

39:17.165 --> 39:21.034
[SPEAKER_02]: I had no idea to this day after I'm at the watch today.

39:21.274 --> 39:23.118
[SPEAKER_00]: Okay, well, I'm not going to ruin anything.

39:23.178 --> 39:24.762
[SPEAKER_00]: So anyway, you go watch that.

39:25.303 --> 39:29.452
[SPEAKER_00]: Okay, I'm going to be an interesting ending because almost they kind of gotten for a sequel.

39:30.094 --> 39:31.497
[SPEAKER_02]: Okay, I'll give that a shot.

39:31.517 --> 39:35.646
[SPEAKER_02]: Oh, well, they did make a sequel, but it was like a direct to DVD.

39:35.896 --> 39:39.681
[SPEAKER_00]: Yeah, I mean, I don't know, like, I don't know if I can't have that.

39:40.462 --> 39:41.524
[SPEAKER_02]: No, I wouldn't.

39:41.544 --> 39:52.378
[SPEAKER_00]: If I haven't seen it, but if I was just what I did look into, it like this, that it doesn't seem to have the same power on that.

39:52.879 --> 39:54.701
[SPEAKER_00]: We just don't know about anybody.

39:54.822 --> 40:01.831
[SPEAKER_00]: It just, like, you know, like, if I'm going to watch it, and, you know, that if it's going to be a sequel, I kind of want the same.

40:01.971 --> 40:04.114
[SPEAKER_00]: But I'm, you know, I'm picky.

40:04.280 --> 40:06.523
[SPEAKER_02]: No, because I actually felt that same way of watching it.

40:06.583 --> 40:08.325
[SPEAKER_02]: I watched about 15 minutes of it.

40:08.425 --> 40:11.789
[SPEAKER_02]: And I'm like, this does not feel like house on a haunted hill.

40:12.110 --> 40:14.192
[SPEAKER_02]: The set pieces feel smaller and scale.

40:14.653 --> 40:17.997
[SPEAKER_02]: It didn't really feel atmospheric like I liked it but the first one.

40:18.458 --> 40:19.259
[SPEAKER_02]: So I turned it off.

40:19.339 --> 40:22.002
[SPEAKER_02]: I'm like, I'm not, I'm taking myself out of the scene.

40:22.062 --> 40:23.604
[SPEAKER_00]: Was it even still connected?

40:23.684 --> 40:26.208
[SPEAKER_00]: Like it wasn't the same director or anything, right?

40:26.228 --> 40:27.890
[SPEAKER_00]: Yeah, it was totally different.

40:27.910 --> 40:28.971
[SPEAKER_00]: Okay, cool, cool.

40:28.951 --> 40:36.964
[SPEAKER_00]: Because I'm like friends with this director William Malone and so I don't want to like trash in my friends.

40:37.465 --> 40:38.427
[SPEAKER_00]: No trust me.

40:38.507 --> 40:42.694
[SPEAKER_02]: I actually did research before talking about this because I would not not gone.

40:43.275 --> 40:45.419
[SPEAKER_02]: This him as a director or anything.

40:45.940 --> 40:49.686
[SPEAKER_02]: It's just that with this it just seemed like the set pieces were a little bit smaller than scale.

40:50.187 --> 40:53.372
[SPEAKER_02]: It just didn't feel that like it was whole you know what I mean.

40:53.538 --> 40:56.121
[SPEAKER_00]: Yeah, yeah, it's just different and that's fine.

40:56.161 --> 40:56.642
[SPEAKER_02]: Right.

40:57.463 --> 41:02.409
[SPEAKER_02]: So I know that you now we're going to take a little bit of a break from talking about this and we'll get into it.

41:02.690 --> 41:04.692
[SPEAKER_02]: But I know you have some stuff that you want to promote.

41:05.133 --> 41:10.800
[SPEAKER_02]: And I'm going to let you have the floor in just a second as I go on ahead and share this image.

41:12.021 --> 41:16.126
[SPEAKER_00]: So you actually have there there it is.

41:16.247 --> 41:16.707
[SPEAKER_00]: Okay.

41:17.769 --> 41:19.731
[SPEAKER_00]: So we like,

41:20.420 --> 41:29.389
[SPEAKER_00]: I'm working with a fun, great indie, kind of like horror film festival called Shaka Go Go.

41:29.509 --> 41:43.904
[SPEAKER_00]: And so we have a crazy couple of screen events on Saturday, June 6th and Long Beach at the Long Beach Art Theatre of Long Beach.

41:43.964 --> 41:48.368
[SPEAKER_00]: I don't know theater, yeah, it's one of those.

41:48.348 --> 41:50.050
[SPEAKER_00]: And so it's going to be great.

41:50.870 --> 41:56.736
[SPEAKER_00]: We're going to be showing a bride of reanimator Brian Useness, a classic film.

41:56.796 --> 42:09.228
[SPEAKER_00]: And I'm going to be doing a wild new, a bloody burlesque and I'm going to, you know, Brian Usena director himself, you know, master of horror, let's say.

42:09.288 --> 42:12.251
[SPEAKER_00]: I'm going to be, he's going to be my victim.

42:12.291 --> 42:14.153
[SPEAKER_00]: So that's going to be a fun time.

42:14.133 --> 42:14.554
[SPEAKER_00]: Right.

42:14.574 --> 42:21.132
[SPEAKER_00]: And I'm also going to be doing moderating his Q&A after the film, which is going to be killer.

42:21.152 --> 42:24.782
[SPEAKER_00]: And then after that later on that evening, we're going to be.

42:24.962 --> 42:25.343
[SPEAKER_00]: Oh, yeah.

42:25.483 --> 42:26.466
[SPEAKER_00]: Oh, there it is.

42:26.566 --> 42:29.053
[SPEAKER_00]: Yeah.

42:29.945 --> 42:31.086
[SPEAKER_02]: I love that graphic.

42:31.207 --> 42:33.569
[SPEAKER_02]: It's like Cess is not 80s kind of flavor to it.

42:33.589 --> 42:34.991
[SPEAKER_02]: Like, you would see it on the beach.

42:35.011 --> 42:38.495
[SPEAKER_00]: It's like, it's just been off of the actual posters.

42:38.555 --> 42:39.436
[SPEAKER_00]: So that's fun.

42:39.536 --> 42:40.818
[SPEAKER_00]: And that's actually Brian.

42:40.918 --> 42:45.624
[SPEAKER_00]: That's one of our bloody burlesque, bloody Bridget.

42:46.365 --> 42:51.110
[SPEAKER_00]: I think it was from the Los Angeles screening of my film, Bloody Bridget.

42:51.150 --> 42:54.334
[SPEAKER_00]: And so he is a producer on that film.

42:54.354 --> 42:57.538
[SPEAKER_00]: And so he offered to be my victim.

42:57.518 --> 43:12.810
[SPEAKER_00]: So yeah, I said yes, of course, and so that's what that images from of me were being out his heart there and then to later on on June six and the evening like later evening we're going to be.

43:12.790 --> 43:42.038
[SPEAKER_00]: Screening my husband's call class like forbidden zone and so he's going to be opening up with a life band and marching in and then I'm going to do a little burlesque and then I'll also be moderating his Q and A so it's going to be a really fun time there's also really great other films that you can support and I think there's some directors and stuff showing up for that so that shot could go go and the tickets are available and it's you know it's a great time.

43:42.018 --> 43:50.139
[SPEAKER_00]: And people can support, you know, women in horror, independent horror, you know, and film festivals.

43:50.621 --> 43:52.305
[SPEAKER_00]: So yeah, that's what we're doing.

43:52.345 --> 43:53.428
[SPEAKER_02]: Okay.

43:54.758 --> 44:03.773
[SPEAKER_02]: Sounds like a great time and I wish that I was going to be able to go to that, but I'm forcing the other live all the way, Mississippi, but I'm a full love and support for this project.

44:03.793 --> 44:04.835
[SPEAKER_02]: I'm happy for Richard.

44:04.895 --> 44:10.905
[SPEAKER_02]: I'm happy for you guys on the success that your guys are having for like a Bridget in the just the following that you guys are having.

44:11.526 --> 44:14.030
[SPEAKER_02]: So I just want to say congratulations to you both for that.

44:15.493 --> 44:16.134
[SPEAKER_00]: Thank you.

44:16.194 --> 44:16.595
[SPEAKER_00]: Thank you.

44:16.635 --> 44:18.899
[SPEAKER_00]: Thanks for letting me like cross-promoted here.

44:18.939 --> 44:21.002
[SPEAKER_00]: I always

44:21.235 --> 44:21.736
[SPEAKER_02]: You're welcome.

44:21.896 --> 44:26.204
[SPEAKER_02]: And a matter of fact, I'm actually going to be cross promoting something real quick.

44:26.724 --> 44:35.119
[SPEAKER_02]: So I ended up making a Don't don't make me go Rambo on you.

44:35.720 --> 44:37.804
[SPEAKER_02]: Grimlins T-shirt.

44:39.907 --> 44:41.590
[SPEAKER_02]: It is but one the front of it.

44:43.004 --> 44:46.008
[SPEAKER_02]: So this is a brand new merch that we have going on.

44:46.228 --> 44:48.632
[SPEAKER_02]: You can get in different colors, hoodies, and stuff like that.

44:48.672 --> 44:54.500
[SPEAKER_02]: We also have movie lovers unite, tumblers, we'll go ahead, go over to bonfire.com.

44:54.840 --> 44:59.667
[SPEAKER_02]: You guys can find the link thing that I have over here on our YouTube channel community post.

44:59.747 --> 45:01.650
[SPEAKER_02]: So go and check that out on our YouTube channel.

45:02.010 --> 45:06.396
[SPEAKER_02]: And of course, that's gonna be in the links in the description below for you guys to actually order some new merch.

45:06.376 --> 45:07.241
[SPEAKER_02]: So there you go.

45:07.804 --> 45:13.838
[SPEAKER_02]: Now, so now we've done doing a little promotions, we're going to go ahead and go back into.

45:14.189 --> 45:17.055
[SPEAKER_02]: the last five or thoughts on stuff.

45:17.576 --> 45:23.587
[SPEAKER_02]: So my little fall criticism says it takes about an hour and 15 minutes before the ghost really start killing people.

45:23.647 --> 45:36.552
[SPEAKER_02]: The ghosts themselves actually kill, well, they kill about a handful of characters, which are directly the only one character why is I'm getting killed by the crisis.

45:36.532 --> 45:41.277
[SPEAKER_02]: the movie realized more on atmosphere and attention and I love that.

45:41.417 --> 45:45.200
[SPEAKER_02]: I love that it focused more on atmosphere and tension and nonstop kills.

45:46.462 --> 45:49.144
[SPEAKER_02]: So that's my other stuff that I really like about it.

45:50.365 --> 45:59.534
[SPEAKER_02]: My final thoughts though, even with some flaws that we mentioned that you and I mentioned in a stage of the stuff, it still holds up as a fun late 90s hard remake.

45:59.554 --> 46:03.518
[SPEAKER_02]: The visual soundtrack

46:03.498 --> 46:11.310
[SPEAKER_02]: Jeffrey Rush and Vincent as Vincent price inspired Steven price is still one of the highlights of the movie.

46:11.851 --> 46:16.958
[SPEAKER_02]: This movie feels like it's perfect mix of can't be harming creepy psychological horror.

46:18.961 --> 46:21.405
[SPEAKER_02]: So how would you put this as well?

46:22.398 --> 46:26.844
[SPEAKER_00]: I mean, obviously for me, it still holds up.

46:26.865 --> 46:30.450
[SPEAKER_00]: It's, you know, one of my favorite, you know, watches.

46:30.490 --> 46:32.693
[SPEAKER_00]: I love these dark castles.

46:33.094 --> 46:35.717
[SPEAKER_00]: You know, it feels like, well, obviously, okay.

46:35.737 --> 46:39.563
[SPEAKER_00]: So I just did a big deep dive on,

46:39.543 --> 46:55.309
[SPEAKER_00]: tells from the crypt and so it's kind of it's it's some of these same people like Robert's Minkas, you know, producing these films and I love the feeling of those horror projects, so it just feels like home to me.

46:55.349 --> 46:59.135
[SPEAKER_00]: What else?

47:00.437 --> 47:03.542
[SPEAKER_00]: I mean, I think it's interesting that it takes

47:04.585 --> 47:25.075
[SPEAKER_00]: more than halfway through the film for like some of these characters to be like, oh, so there's like ghost killing people and it's not just, you know, these like, unhappy married couple, you know, killing people left and right, it's like, yeah, okay.

47:25.730 --> 47:28.996
[SPEAKER_02]: But the movie is so good though and the tension that they have with it is good.

47:29.176 --> 47:32.403
[SPEAKER_02]: I mean, I can't praise this movie enough for people to check out.

47:33.645 --> 47:36.631
[SPEAKER_02]: Just letting everybody know this movie is not streaming anywhere.

47:37.272 --> 47:44.886
[SPEAKER_02]: You would have to buy rent it for like $5 on YouTube or go ahead and get a DVD copy like PlayStation has as well.

47:44.866 --> 47:57.197
[SPEAKER_00]: Yeah, I was going to say, I don't even know if it's streaming because I just want straight for this because I wanted to watch the, you know, build the commentary on it and then I like watching the, you know, the little specials.

47:57.217 --> 48:02.250
[SPEAKER_00]: That's why I love, okay, you know, I'm a huge physical media fan, so I love.

48:02.230 --> 48:29.773
[SPEAKER_00]: these like you know little feature rats and interviews and seven things that we don't get now like yes we get access to junkets and interviews like that from you know the big releases but I miss the old school little feature rats that they read feature on the DVDs and stuff and here I miss the commentary and stuff like that with the bonus features

48:29.753 --> 48:30.534
[SPEAKER_00]: I didn't want that.

48:30.554 --> 48:34.237
[SPEAKER_00]: I mean, that was a little bit, it's a little slim.

48:34.337 --> 48:36.960
[SPEAKER_00]: I would have liked more, but it's pretty good.

48:36.980 --> 48:39.862
[SPEAKER_00]: It's still better than nothing, you know?

48:40.202 --> 48:49.791
[SPEAKER_00]: Cause, and then also what you were saying about the beginning, I love that stop motion opening that they did for the title sequence, isn't that great?

48:49.831 --> 48:51.813
[SPEAKER_00]: But I went huge stop motion fan.

48:51.873 --> 48:57.398
[SPEAKER_00]: So any kind of like animation like that, I'm, you know, I'm already golden.

48:57.378 --> 49:02.022
[SPEAKER_02]: I almost said that it kind of reminds me of the tool music video for sober.

49:02.407 --> 49:03.748
[SPEAKER_00]: Mm, interesting.

49:04.108 --> 49:15.859
[SPEAKER_00]: I mean, it does like a lot of this film it reminds me of like these like these music videos, you know, like, I mentioned Marilyn Manson and NIH nails and nails.

49:15.879 --> 49:17.380
[SPEAKER_00]: Yeah, you're so right with tool.

49:17.800 --> 49:19.722
[SPEAKER_00]: But everybody's also like so hot.

49:20.022 --> 49:22.605
[SPEAKER_00]: Like everybody is so hot in this film.

49:22.685 --> 49:23.565
[SPEAKER_00]: I can't stand it.

49:23.986 --> 49:25.907
[SPEAKER_00]: Like Jeffrey Rush, are you kidding me?

49:25.927 --> 49:32.413
[SPEAKER_00]: With Abenson Price Mustache Come On.

49:32.393 --> 49:38.446
[SPEAKER_02]: Even though I love physical media, I am a huge physical media thing.

49:38.486 --> 49:43.838
[SPEAKER_02]: Me and a fact when my wife and I moved, I had like five boxes of nothing but physical media.

49:44.712 --> 49:47.115
[SPEAKER_00]: Yeah, okay, so I'll tell you something.

49:47.295 --> 50:05.539
[SPEAKER_00]: I'm in the middle of like our daughter is about to graduate High school and so I'm in the middle of she wants to like she's staying home when she graduates Like do like college and things like that and internships and so she's moving into

50:05.519 --> 50:09.204
[SPEAKER_00]: uh, one of my husband's offices, which is on like a lower level.

50:09.304 --> 50:25.728
[SPEAKER_00]: And so I'm having to go through this whole, it's almost I feel like we're moving like everything is in such chaos, but I've been finding all of these wonderful, um, you know, physical media, all of my like BHS tapes that I hope are still okay and not rotten.

50:26.369 --> 50:34.581
[SPEAKER_00]: And then, uh, all of my like books, my film books and, uh, my DVDs and, and my other, you know,

50:34.561 --> 50:36.183
[SPEAKER_00]: things, like, keep saying things.

50:36.243 --> 50:43.612
[SPEAKER_00]: So yeah, so I get where you're coming from with like, you know, I don't know, you're missing stuff.

50:44.193 --> 50:54.966
[SPEAKER_02]: I love the physical touch of a disc and then starting getting in to your DVD player or PS5, but also to I missed the bonus stuff like you mentioned with the

50:54.946 --> 51:15.598
[SPEAKER_02]: commentary and then you want to get another thing to is the thing that I like about arrow on the things that they do, whenever they drop physical content and releases, they give you posters, they give you behind the scene stuff, they give you so much stuff that I'm just geeked out over and I have to do one boxing video as for because I'm just that hungry for physical media.

51:16.019 --> 51:18.743
[SPEAKER_00]: I, yeah, well, no, god, god.

51:19.128 --> 51:25.316
[SPEAKER_02]: I even own an Edward says her hands deal book because I love the still book artwork for it.

51:25.937 --> 51:41.457
[SPEAKER_02]: So it's just something beautiful to actually have in your collection just to collect and be able to own and say, you know what contracts my in on streaming services, but I get to pick it up on my off of my shelf and watch it anytime I want.

51:42.247 --> 51:45.650
[SPEAKER_00]: Yeah, I mean, I'll always pick up a new release.

51:45.750 --> 51:51.095
[SPEAKER_00]: I mean, you know, like, you could say like, oh, like, why do you need like five versions of the same film?

51:51.235 --> 51:56.439
[SPEAKER_00]: Well, you know, like sometimes they're a press or like there's different special features, you know?

51:56.459 --> 52:04.266
[SPEAKER_00]: So it's like, to me as a collector, totally makes sense to pick up the newest version of, you know, a physical release.

52:04.807 --> 52:07.669
[SPEAKER_00]: But, I'm like on this, I forgot what I was gonna say.

52:07.729 --> 52:08.850
[SPEAKER_00]: There was a point.

52:09.791 --> 52:11.072
[SPEAKER_00]: Oh well.

52:11.339 --> 52:29.871
[SPEAKER_00]: I'm trying to make it forget because you made a really good points and I don't remember what they were, but I'm just going to say like I own a 4k copy vampires were James Woods and they said me.

52:30.239 --> 53:00.246
[SPEAKER_02]: And that was through screen studios at the time when I was really big on their stuff and their stuff has gone kind of slim and now I'm just collecting arrow stuff, but they sent me two posters of vampires plus let's cover, but the reason why we like collecting and why we keep doing this is because each time like in DVDs are different because the sound quality was different in the 90s compared to 2000 and on 2020 6 so you have to upgrade because of the sound quality and because of

53:00.226 --> 53:10.883
[SPEAKER_02]: certain things in H well within the layering and trying to give us that physical aspect of something on a disk.

53:10.903 --> 53:12.346
[SPEAKER_02]: So you need to actually have that.

53:12.946 --> 53:13.828
[SPEAKER_00]: Oh, yeah, okay.

53:13.848 --> 53:14.629
[SPEAKER_00]: So I remember.

53:14.850 --> 53:19.217
[SPEAKER_00]: So I just I was mentioning that I just did a deep dive on tells from the crypt.

53:19.237 --> 53:24.245
[SPEAKER_00]: Okay, so I have the complete collection seven seasons on disk, right?

53:25.126 --> 53:25.727
[SPEAKER_00]: It.

53:26.973 --> 53:47.462
[SPEAKER_00]: I don't want to say that I wasn't I was looking forward to it coming on streaming, but I kind of was because I had to jump in and out because they only have so many episodes on a single desk like it's like 20 30 desk it's ridiculous like I feel like they kind of crammed more on each desk, but they didn't for whatever reason.

53:47.442 --> 54:09.805
[SPEAKER_00]: but it was like it was so it was a lot of like putting them in and now and like because you know because I would think about my favorite ones or like I would end up with what I pretty much watched every single episode and I picked my favorite ones but it was it was a lot because I was hopping I wasn't watching them back to back I was like jumping around you know I gotcha

54:09.785 --> 54:10.586
[SPEAKER_00]: But yeah.

54:11.067 --> 54:21.601
[SPEAKER_00]: So in on one hand, yes, when it's spread out, but for my project that I just did, it was, I was like, come on, like, let's get this on streaming.

54:21.641 --> 54:22.802
[SPEAKER_02]: Right.

54:22.822 --> 54:35.539
[SPEAKER_02]: Well, it's now going to be on a shot or I actually get a reaction video to the trailer.

54:36.211 --> 54:40.564
[SPEAKER_02]: tales from the crypt or was just going to be just releasing the old episodes.

54:40.885 --> 54:44.576
[SPEAKER_02]: So I'm like, you know what, I'm not going to, I'm just going to go and blind and see what I get.

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[SPEAKER_02]: And it was just like the old episodes going to be released on a shutter.

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[SPEAKER_02]: So I'm like, OK.

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[SPEAKER_00]: Yeah, it's a re release for sure, and it's, uh, it's kind of cool because they're doing it by season.

54:55.806 --> 55:02.715
[SPEAKER_00]: So it's like every Friday until sometime I think in June, they might be on like their third or fourth release right now.

55:02.795 --> 55:03.917
[SPEAKER_00]: So it's kind of fun.

55:04.077 --> 55:12.868
[SPEAKER_00]: Like if you want to do watch parties, I want to actually like dive into, I'll probably do this, uh, at some point, but like dive into the episodes.

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[SPEAKER_00]: I think would be fun because I, I love those like gritty.

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[SPEAKER_00]: You know, like little horror, they I feel like a lot of them not to get too off topic, but I feel like a lot of them just like with the Twilight Zone, they could be fleshed out to full features, you know, I think that they have a really good ideas and concepts and I like the high art, I like the strong direction of them and I like the, you know, practical effects for the most part, there's a couple, you know, obviously there's some visual effects happening in there.

55:45.263 --> 55:49.012
[SPEAKER_00]: Um, but I, I just, I was like, I was like, that kind of stuff.

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[SPEAKER_00]: It's fun.

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[SPEAKER_02]: Same here.

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[SPEAKER_02]: So guys, that's going to conclude our review of house on on it, help.

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[SPEAKER_02]: But my question for you, did you guys like this movie?

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[SPEAKER_02]: What was your nostalgia rating?

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[SPEAKER_02]: If you were going to give it a nostalgia rating?

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[SPEAKER_02]: What is your modern-day rating because guess what?

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[SPEAKER_02]: When we do our deep dive, we're going to do all that and I'm going to actually going to show you guys out on the air and read off what you guys send in to me.

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[SPEAKER_02]: So, do you want me to favor send it in at www.movie.com or just go ahead and comment below and we'll go ahead and make sure that I talk about this and earlier date.

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[SPEAKER_02]: But tell us what you think of this movie that you like it, if you're not like it, which is your favorite scenes, what scenes didn't work for you.

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[SPEAKER_02]: and in the state of thank you so much.

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[SPEAKER_02]: It's always a pleasure to have you here.

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[SPEAKER_02]: I really do appreciate it.

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[SPEAKER_00]: Thank you.

56:37.399 --> 56:39.562
[SPEAKER_00]: Thanks for having me and inviting me back.

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[SPEAKER_00]: And I'm excited about what we're going to do in the future.

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[SPEAKER_00]: And super fun talking about how I was on fun at hell of remake, I guess, the 1999 version.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: And I guess I'll say in final thoughts for the next deep dive.

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[SPEAKER_02]: Yes, we will.

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[SPEAKER_02]: All right, guys.

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[SPEAKER_02]: I'll see you all next time.

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[SPEAKER_02]: Have a great day.

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[SPEAKER_02]: And we'll catch you guys in the next.