Final Destination: Bloodlines – Does the Franchise Still Have It?

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[SPEAKER_00]: And hello, movie lovers.

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[SPEAKER_00]: I'm welcome to show.

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[SPEAKER_00]: So tonight, Rossi and I are going to be reviewing final destination bloodlines.

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[SPEAKER_00]: So let's go ahead.

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[SPEAKER_00]: Let's talk about final destination bloodlines.

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[SPEAKER_00]: And let's do this, guys.

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[SPEAKER_00]: And hey, Rossi.

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[SPEAKER_01]: What's up, John?

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[SPEAKER_01]: How are you?

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[SPEAKER_00]: I'm doing good.

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[SPEAKER_00]: How are you doing?

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[SPEAKER_01]: I'm doing really good.

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[SPEAKER_01]: It's good.

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[SPEAKER_01]: Yes.

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[SPEAKER_00]: So I just guess it is.

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[SPEAKER_00]: Life is definitely good.

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[SPEAKER_00]: It has a lot of pumps in the road.

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[SPEAKER_00]: But hey, here we are.

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[SPEAKER_00]: I find a final destination bloodlines.

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[SPEAKER_00]: But you know, it's I just want to apologize to anyone that's been looking forward to my next review stuff.

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[SPEAKER_00]: Some stuff happened with my car.

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[SPEAKER_00]: And I got that dealt with.

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[SPEAKER_00]: So I promised you we're going to be back to recording on Sundays and then releasing those episodes on Monday.

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[SPEAKER_00]: So I just want to let you guys know about that.

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[SPEAKER_00]: So everything's back and we're in the Claire.

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[SPEAKER_00]: So let's go ahead.

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[SPEAKER_00]: Let's review this, Rossi.

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[SPEAKER_00]: So let's do this.

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[SPEAKER_00]: Hold on.

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[SPEAKER_00]: Welcome back to movie lunch night.

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[SPEAKER_00]: The only podcast where we're willing to sit through movies that remind us we should we should have just stayed home and wrapped in a bubble wrap.

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[SPEAKER_00]: exactly because final destination has taught us anything.

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[SPEAKER_00]: It's that death has the patience of a cat and the creativity of looney tunes.

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[SPEAKER_00]: And this time, the final destination bloodlines death.

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[SPEAKER_00]: that's back at it, like that one relative who never, who never RSVPs, but somehow always shows up at the family barbecue.

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[SPEAKER_00]: Except instead of a potato salad, it's giving us wood shepherds.

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[SPEAKER_00]: Hard question.

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[SPEAKER_00]: Probably a complicated, rude, goberg death traps.

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[SPEAKER_00]: So grab your onto your seatbelts of wood driving behind any log trucks and let's dive into the bloody roller coaster that is on this nation blood line.

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[SPEAKER_01]: It's tail, yeah.

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[SPEAKER_00]: So I know that we did a trailer reaction for this.

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[SPEAKER_01]: Yes, we did.

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[SPEAKER_00]: And I know that I made a point of like with so special grandma about having a survival book and stuff like that.

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[SPEAKER_00]: And I was not sure about the movie.

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[SPEAKER_00]: But I wouldn't have been joining this.

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[SPEAKER_00]: I had a lot of fun with this movie and stuff.

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[SPEAKER_00]: You know, I just thought that this was a fun entertaining movie.

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[SPEAKER_00]: It kept me going.

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[SPEAKER_00]: It kept me entertained.

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[SPEAKER_00]: But what about for you?

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[SPEAKER_01]: Oh, I first of all, I love final destination movies, so I was so excited that they had another one coming out because it's been some time since we've seen one.

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[SPEAKER_01]: And I really liked it.

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[SPEAKER_01]: I mean, from the beginning of the movie and how that all went down, I was just intrigued because, you know, with final destination, you're waiting to see

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[SPEAKER_01]: Who's going to get got?

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[SPEAKER_01]: How it's going to happen?

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[SPEAKER_01]: Who's going to have the permission to see things and know that things are about to go bad?

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[SPEAKER_01]: And who's going to be next on that list?

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[SPEAKER_01]: So I really enjoyed bloodlines.

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[SPEAKER_01]: I thought they did a really good job since it's been a while since we've had final destinations.

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[SPEAKER_00]: I agree for some reason.

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[SPEAKER_00]: There's a thing for some reason or another for me.

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[SPEAKER_00]: It's one of those franchises that, you know, at first, I'm like, I'm not sure if I'm going to enjoy these other fun of this day's movie.

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[SPEAKER_00]: I'm like, you know what, I want to see how these characters die.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: So it was like, oh, so every single time they get me every single time that I go ahead and watch a movie.

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[SPEAKER_00]: This one's no different.

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[SPEAKER_00]: I enjoyed it.

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[SPEAKER_00]: I do like the concept of death going after the survivors this time.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: What's the bloodlines of the people in the for the future of the someone's kids and stuff like that and how death just keeps on killing everybody that was supposed to survive and those kids were not supposed to be born.

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[SPEAKER_00]: I just thought there was something area about that something that's totally different and original.

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[SPEAKER_00]: I love the concept of that.

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[SPEAKER_00]: There's a whole entire thing of the sky view that I'm like, no, I'm not going up there.

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[SPEAKER_01]: Oh my gosh, I'm telling you this really quick.

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[SPEAKER_01]: The beginning of this film, when they're at sky view, and it's back in the fifties, I believe it is, that the one that movie starts.

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[SPEAKER_01]: And the girl, she keeps seeing, she's having permissions, and that penny, that freaking penny do.

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[SPEAKER_00]: I love how.

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[SPEAKER_01]: Oh my gosh, the penny and the movie.

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[SPEAKER_01]: I mean, anytime something's going to happen is that damn penny, but the beginning of the movie was just so intense.

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[SPEAKER_01]: And when they're up there, it's like they're on a space needle guys.

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[SPEAKER_01]: Okay, so imagine being at the top of the space needle, but that first of all, the glass floor.

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[SPEAKER_01]: I'm not doing it anyways with that.

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[SPEAKER_01]: Yeah, it's not happening, but just everything that went down just in the beginning of the film, I was hooked and then you see little cracks here and there and and the people are dancing and just it was

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[SPEAKER_01]: And absolutely awesome opening and then the find out and are we doing a spoiler free review.

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[SPEAKER_01]: We're not going to tell.

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[SPEAKER_00]: We're actually going to do us boiler because it's actually streaming on HBO Max now.

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[SPEAKER_00]: Okay.

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[SPEAKER_00]: So we're going to let it fly out.

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[SPEAKER_00]: We're going to do it.

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[SPEAKER_01]: want to tell you this then, um, this is what we're going to do that.

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[SPEAKER_01]: No, the beginning of the movie is actually, uh, it's a dream that someone's having, uh, having, right?

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[SPEAKER_01]: She's having, yeah, she's having a really nightmare of this young girl.

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[SPEAKER_01]: And she keeps dreaming about back in the nineteen fifties and this in this girl sky view and her seeing everything that's about to happen.

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[SPEAKER_01]: Totally awesome opening because you think that the film has started until the girl wakes up from the dream and it's like, what?

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[SPEAKER_00]: Exactly.

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[SPEAKER_00]: That's what I liked about this.

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[SPEAKER_00]: You know, I want to go off the way you said, though, because every single defined destination movie, we're always thinking that's going to be our main character.

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[SPEAKER_00]: That's who we're going to be following during this whole entire thing.

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[SPEAKER_00]: We're thinking we're going to be going on ahead and being on the survival mission with this person from the nineteen fifties.

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[SPEAKER_00]: But instead, it winds up being the granddaughter.

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[SPEAKER_00]: What I'm really fascinating with this, which is totally different than what I expected and to know that this is the granddaughter's having this nightmares and watching her grandma go through this whole entire care rising thing that happens to her and you know, all this is because of a penny because that little jerk.

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[SPEAKER_00]: That.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: It wasn't for him.

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[SPEAKER_00]: None of that stuff would have happened.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: Hey.

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[SPEAKER_01]: What's up, lights, camera rules.

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[SPEAKER_01]: Hey.

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[SPEAKER_01]: What's up, you guys?

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[SPEAKER_01]: What's up, Justin?

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[SPEAKER_01]: Sorry.

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[SPEAKER_01]: I wanted to say hi.

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[SPEAKER_01]: Sorry.

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[SPEAKER_00]: That's okay.

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[SPEAKER_00]: But what I wanted to say was this, you're absolutely right.

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[SPEAKER_00]: That is horrifying.

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[SPEAKER_00]: I am not going over there dancing on a glass.

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[SPEAKER_00]: See, through my wife said no.

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[SPEAKER_00]: Like, you do you, I'm not doing that.

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[SPEAKER_00]: I'm not doing that.

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[SPEAKER_00]: Exactly.

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[SPEAKER_00]: And then also two, okay, the elevator guys is always been, this is the same thing has been completed ahead of schedule five months earlier.

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[SPEAKER_00]: I'm like, no.

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[SPEAKER_00]: And it's already over-compacitated already and you're gonna go ahead and say, come on, it's fine.

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[SPEAKER_00]: No, you don't.

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[SPEAKER_00]: You don't know if this thing is fine or not.

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[SPEAKER_00]: I'm not going up.

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[SPEAKER_01]: But you're absolutely right.

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[SPEAKER_00]: The whole building and how high it is.

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[SPEAKER_00]: And they're overlooking everything from above.

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[SPEAKER_00]: I hate heights.

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[SPEAKER_00]: I can I stand heights.

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[SPEAKER_00]: And that's too high.

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[SPEAKER_00]: Right.

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[SPEAKER_01]: No, I don't know.

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[SPEAKER_01]: Absolutely.

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[SPEAKER_01]: It really is.

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[SPEAKER_01]: And the way that they show the collapse of that whole building and how everything's going down to you have the band.

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[SPEAKER_01]: They're playing shout.

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[SPEAKER_01]: I think this song is shout.

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[SPEAKER_01]: Yep.

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[SPEAKER_01]: They're playing it.

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[SPEAKER_01]: The girl is seeing, you know, all these things happening like John said, the little boy that's outside with the penny and getting ready to throw it over the edge at the top of a building.

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[SPEAKER_01]: And everything just starts coming together.

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[SPEAKER_01]: The collapse of the glass floor.

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[SPEAKER_01]: and just people and her yelling like as they're dancing remember they're going at it and they're showing the the glass floor that they're on and how it it starts to crack and then when she yells everyone move out the way and that's when all hell breaks loose I mean this building starts coming down is really cool the graphics that they use in the movie

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[SPEAKER_01]: It was just awesome how she's able to avoid everything that's happening.

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[SPEAKER_01]: I thought that she would have survived and because I mean, there was parts of the beginning where you would think that she would die and she makes it and she makes it and she makes it.

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[SPEAKER_01]: But how cold was it that when she finally is at the edge of that building and she she finds a little boy that's in that little where the mother put the little boy in that little box area and she finds him she goes after him and it's like, okay, her little boy are going to be saved.

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[SPEAKER_01]: And then she falls.

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[SPEAKER_00]: Right, but also to let's talk about the baby grand piano because the painting goes traveling around this whole entire thing right and also to the get it ends up opening the gas to where there's an explosion inside the sky.

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[SPEAKER_00]: Then you goes into this then after that, the penny lands on the piano and then just load the little jerk that was flipping the penny.

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[SPEAKER_00]: It's going down the stairs.

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[SPEAKER_00]: I'm like, oh, you're going to get it.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: I just don't know how you're going to get it, but you're going to get it.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: And then the penny lands on the piano, then and lands and then the piano goes out the window and it goes down.

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[SPEAKER_00]: And the kid is running, he thinks he gets away and all the sudden loony tubes.

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[SPEAKER_00]: He just, he just, the piano just falls on him.

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[SPEAKER_01]: It was.

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[SPEAKER_01]: Yeah, I mean, you know, listen, the kid was a little bastard, right?

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[SPEAKER_00]: So it was a jerk.

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[SPEAKER_01]: He was, it was great that it happened to him because he really, he thought he was going to get away.

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[SPEAKER_01]: And I thought he was too, and I'm like, anyway, though, but no, when that happened, and then the lady waiting by the glass window, and she gets smashed as well, just do way these people went out was like,

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[SPEAKER_01]: Yeah, final destination.

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[SPEAKER_01]: Yes.

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[SPEAKER_01]: Yes.

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[SPEAKER_00]: That was a cool moment.

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[SPEAKER_01]: Oh, it's awesome.

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[SPEAKER_01]: And then let me go.

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[SPEAKER_00]: We talk about the music though.

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[SPEAKER_00]: They first use ring of fire.

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[SPEAKER_00]: And then go rain drop to falling on my head.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: Just as that's playing the bodies are just dropping out of there.

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[SPEAKER_00]: So the hint of the music is actually cool.

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[SPEAKER_00]: Okay, I do want to talk about the nineteen fifties car going over the railroad tracks because that is something that is key into this and I have stuff through my notes with stuff like this because I didn't notice the first time I noticed this time.

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[SPEAKER_00]: Okay.

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[SPEAKER_00]: Yeah, and I definitely agree with likes came a real the kid definitely deserve deserve.

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[SPEAKER_01]: But I want to mention this really quick though.

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[SPEAKER_01]: So the point of the young lady being up at this guy view was her fiance was getting ready to propose to her and she was going to tell him that she was pregnant.

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[SPEAKER_01]: So this was a whole thing that they were doing this cute little couple

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[SPEAKER_01]: And the way that he died when she's, you know, trying to save him and he just falls like, like John said, you know, everyone's falling off the building and it's coming down like brain drops.

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[SPEAKER_01]: So that was the reason there were there.

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[SPEAKER_01]: And I felt so bad for her because I really thought that those two would would make it through because I'm not knowing that at this point you don't know this is a dream.

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[SPEAKER_01]: You're thinking that this actually is happening.

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[SPEAKER_01]: But go ahead.

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[SPEAKER_00]: But yeah, I do like the fact that the scrolls having nightmares well, not I don't like the fact, but you know what I'm saying, but she's having nightmares and she's in class and then she wakes up.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: And then she has another nightmare the same occurring dream.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: And the girls like look either you're going to go ahead and keep having nightmares or you're going to have to go on ahead and see what's going on.

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[SPEAKER_00]: You're going to have to ask your grandma.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: What's going on with the streams.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: So then we get into a whole entire story, but I do like the creepiness of viruses, which is a grandma.

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: I love the creepiness of her house and how area looks.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: And how she needs to isolate herself just as on final destination to where the main character had to isolate herself a person and understand the solemn to where she could isolate from everybody.

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[SPEAKER_00]: But she uses her home as a way to actually survive.

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[SPEAKER_00]: And it just goes to show you how horrifying and how much trauma this thing has caused her.

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[SPEAKER_00]: Right, the point where it's like, look, I got to isolate myself on my family and everything else.

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[SPEAKER_00]: And then you also have Stephanie who wants to try to investigate this thing.

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[SPEAKER_00]: And her parents like, well, you know, your grandma, I was as crazy.

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[SPEAKER_00]: She sent us a bunch of dead people and letters.

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[SPEAKER_00]: And I thought to myself, I know that I'm not supposed to do this.

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[SPEAKER_00]: I know I'm not supposed to over realize.

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[SPEAKER_00]: But it's like, wait, you're talking about all crazy that this woman is, but you still have letters from your mom.

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[SPEAKER_00]: You don't want nothing to do with, but you're going to still hold onto those letters.

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[SPEAKER_00]: Right.

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[SPEAKER_01]: Yes.

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[SPEAKER_00]: Yes.

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[SPEAKER_00]: But, you know, that's just me being a little funny.

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[SPEAKER_01]: And the book that Iris has, you know, because Iris has this book that links it all together and

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[SPEAKER_01]: has helped her escape death because obviously she was supposed to die.

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[SPEAKER_01]: And so in that book, no one took her seriously, you know, and even the parents, Stephanie's parents, I believe is Stephanie, her parents have been telling her, you know, like John said, Iris is not, you know, you don't, we don't want her in our lives.

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[SPEAKER_01]: She always has and causes problems.

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[SPEAKER_01]: But to get to the root of why she's having these dreams, obviously she needs to meet Iris.

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[SPEAKER_01]: And when she does meet her in the end that little shack, that little home that she lived in.

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[SPEAKER_01]: Remember, she was able to every little thing that was going on because it's like you can see you can hear or see death trying to go.

13:49.482 --> 13:49.943
[SPEAKER_01]: after her.

13:50.423 --> 13:55.687
[SPEAKER_01]: So she was very keen to, you know, the wind blew that way because it's death.

13:55.767 --> 13:57.668
[SPEAKER_01]: It's death all around me and trying to get her.

13:58.149 --> 14:01.471
[SPEAKER_01]: And so yeah, she's been there for ages.

14:02.072 --> 14:07.015
[SPEAKER_01]: But what did you think about the book that she had that showed everything that happened?

14:07.696 --> 14:14.121
[SPEAKER_00]: So I like the fact, and I know I didn't like it in the trailer, but I like it this time and singing in this full context.

14:15.318 --> 14:25.344
[SPEAKER_00]: I like this idea of having a survival book of different things that could go wrong and how to survive death, which I thought was really fascinating.

14:25.364 --> 14:32.168
[SPEAKER_00]: And then of course, my other favorite thing is where she's causing death out in the home, because I see what you're doing.

14:32.408 --> 14:34.109
[SPEAKER_00]: I know what you're doing, right?

14:34.349 --> 14:38.751
[SPEAKER_00]: And there's a part where she actually knocks something over in the sunlight burning the

14:40.372 --> 14:43.093
[SPEAKER_00]: It's like, you know, the rope with the plant.

14:43.713 --> 14:44.173
[SPEAKER_00]: I see you.

14:44.353 --> 14:45.094
[SPEAKER_00]: I know what you're doing.

14:46.534 --> 14:51.656
[SPEAKER_00]: I love the little dark humor in this and those little small things and stuff like that.

14:51.776 --> 14:54.697
[SPEAKER_00]: I thought that the survival book was very interesting and interesting.

14:54.737 --> 14:59.438
[SPEAKER_00]: Take for this now because we had what's close to what six or seven movies now?

14:59.458 --> 15:00.819
[SPEAKER_00]: Yes.

15:00.839 --> 15:01.039
[SPEAKER_00]: Yes.

15:01.639 --> 15:01.819
[SPEAKER_00]: Yes.

15:02.580 --> 15:05.220
[SPEAKER_00]: And we never had a survival book on how to survive death.

15:05.480 --> 15:05.781
[SPEAKER_01]: No.

15:06.201 --> 15:09.842
[SPEAKER_00]: Now we have one and the Easter eggs in this is really cool.

15:10.824 --> 15:26.944
[SPEAKER_01]: Oh, yeah, because well, I'll go back to the to Iris, you know, so when Stephanie's there, I love the fact that she them, you know, realizes, you know, or kind of, you know, hearing Iris talk to whoever's there kind of rethinking.

15:27.725 --> 15:29.407
[SPEAKER_01]: I should have never came here.

15:29.747 --> 15:33.932
[SPEAKER_01]: Let me leave you alone and Iris is like, no, don't leave.

15:34.312 --> 15:36.595
[SPEAKER_01]: Let me help you basically.

15:37.256 --> 15:43.322
[SPEAKER_01]: So I love that because she realized that, you know, yeah, she's off a rocker, but, you know, we later find out that she's not.

15:44.023 --> 15:44.503
[SPEAKER_01]: She's right.

15:45.184 --> 15:46.304
[SPEAKER_00]: She's not the hard way.

15:46.344 --> 15:47.745
[SPEAKER_00]: She goes, well, seeing is believing.

15:47.765 --> 15:49.346
[SPEAKER_00]: It's just like, what are you talking about?

15:49.386 --> 15:51.687
[SPEAKER_00]: Next thing you know it.

15:51.707 --> 15:52.267
[SPEAKER_00]: Right.

15:52.627 --> 15:52.827
[SPEAKER_00]: Right.

15:52.867 --> 16:03.252
[SPEAKER_00]: The little rooster thing on the windmill comes down off the house and then not and then the knocks over the gas and the gas tank goes right through Iris and then there's a funeral.

16:06.039 --> 16:13.865
[SPEAKER_00]: All this could have been avoided and it's definitely just when I continue doing having her nightmares and lock herself up and everything.

16:13.885 --> 16:15.947
[SPEAKER_00]: That's all that and Iris would have been fine.

16:16.007 --> 16:17.608
[SPEAKER_00]: The whole family would have been fine.

16:18.028 --> 16:18.349
[SPEAKER_01]: Oh, yeah.

16:18.649 --> 16:19.209
[SPEAKER_01]: Absolutely.

16:19.409 --> 16:19.790
[SPEAKER_01]: Absolutely.

16:19.850 --> 16:20.730
[SPEAKER_01]: No, that was messed up.

16:20.810 --> 16:22.412
[SPEAKER_01]: And the deaths are really cool.

16:22.452 --> 16:34.021
[SPEAKER_01]: Like final destination does a good job at, you know, you know, each person that died, you know, the roller coaster or, you know, in the movie, the Easter Egg of, I don't know if you saw it, but the logging truck.

16:34.697 --> 16:36.458
[SPEAKER_00]: Yep, the logging truck.

16:37.098 --> 16:37.458
[SPEAKER_00]: Yes, right.

16:37.538 --> 16:37.959
[SPEAKER_00]: One, eighty.

16:37.979 --> 16:39.259
[SPEAKER_00]: Yes, in there.

16:39.659 --> 16:42.461
[SPEAKER_00]: Yes, but yeah, there's a little small Easter eggs.

16:42.501 --> 16:45.322
[SPEAKER_00]: I was geeking out over because I'm a Jewish final destination thing.

16:45.342 --> 16:45.602
[SPEAKER_00]: Right.

16:46.182 --> 16:47.803
[SPEAKER_00]: And to see them do that.

16:47.923 --> 16:52.445
[SPEAKER_00]: And then there was even the one with the barbecue thing with part two at the very end of that movie.

16:52.465 --> 16:57.668
[SPEAKER_00]: There's a barbecue or a scene that happens in the and there's an explosion that happened.

16:58.827 --> 17:14.459
[SPEAKER_01]: Another Easter egg, another Easter egg, which I really loved because I believe, I think this was a spinal film, but Tony Todd was in it, and Tony Todd played the little boy in the beginning that was saved and was put into that little box.

17:14.499 --> 17:26.868
[SPEAKER_01]: So he, you know, Stephanie ends up finding him and, you know, he helps around and kind of explains to her what's going on, who he was and how he escaped and

17:27.654 --> 17:30.116
[SPEAKER_01]: You know, so that was a nice Easter Easter egg to see him in the book.

17:30.136 --> 17:30.397
[SPEAKER_00]: Yeah.

17:30.597 --> 17:35.061
[SPEAKER_00]: And I had a feeling that was the little boy because this is actually Tony Todd's last appearance.

17:35.382 --> 17:35.562
[SPEAKER_00]: Yes.

17:35.582 --> 17:37.003
[SPEAKER_00]: God of cancer last year.

17:37.023 --> 17:37.684
[SPEAKER_00]: Right.

17:38.184 --> 17:40.887
[SPEAKER_00]: And he's in every single final destination movie.

17:41.107 --> 17:41.388
[SPEAKER_00]: Right.

17:42.228 --> 17:44.110
[SPEAKER_00]: And he doesn't man has a job of this.

17:44.411 --> 17:45.512
[SPEAKER_00]: And yeah, to see.

17:45.632 --> 17:48.955
[SPEAKER_00]: And I actually watch a little feature read on the blueberry of it.

17:49.876 --> 17:51.598
[SPEAKER_00]: And they let him improv this.

17:52.158 --> 17:52.818
[SPEAKER_00]: Oh, really?

17:53.119 --> 17:56.160
[SPEAKER_00]: Yeah, they're like, look, this is your last time that you're ever going to be able to do this.

17:56.220 --> 17:56.961
[SPEAKER_00]: You have to answer.

17:57.921 --> 18:01.263
[SPEAKER_00]: Just improv it and tell us what you want to tell the audience.

18:01.883 --> 18:04.104
[SPEAKER_00]: So this is what I have in my notes, though.

18:04.204 --> 18:04.525
[SPEAKER_00]: Okay.

18:04.565 --> 18:10.628
[SPEAKER_00]: So Tony Todd telling the characters goodbye is like telling us as the audience goodbye for one last time.

18:10.968 --> 18:15.330
[SPEAKER_00]: And the characters reaction is just like how our reactions are like, what are you?

18:15.750 --> 18:16.431
[SPEAKER_00]: What are we going to do?

18:17.051 --> 18:23.438
[SPEAKER_00]: We had you up to seven films where we're going to do without you, but this cherished one another be there for one another.

18:23.998 --> 18:24.819
[SPEAKER_00]: Right.

18:25.200 --> 18:28.683
[SPEAKER_00]: But that's what I got out of it is like that was a great moment.

18:28.823 --> 18:33.949
[SPEAKER_00]: And then made me cry just like Justin ran me in tears as well, crying over that.

18:34.820 --> 18:37.981
[SPEAKER_01]: Yeah, because when I saw that part, first of all, the see him again, it's like awesome.

18:38.001 --> 18:38.741
[SPEAKER_01]: They brought him back.

18:38.801 --> 18:40.422
[SPEAKER_01]: And then you see the condition that he's in.

18:40.542 --> 18:43.943
[SPEAKER_01]: And if you don't know, you know, he was dying of cancer.

18:44.363 --> 18:54.826
[SPEAKER_01]: So me knowing that being a fan, you know, I think anybody that knows the movies like Justin, you know, was saying, yeah, you get terrified because

18:55.426 --> 19:00.149
[SPEAKER_01]: I even looked at it as he's talking to us the audience, you know, telling us goodbye.

19:00.249 --> 19:02.050
[SPEAKER_01]: So that was a great part.

19:02.110 --> 19:04.832
[SPEAKER_01]: I was really excited when I saw him in that part.

19:04.892 --> 19:07.614
[SPEAKER_01]: But I did tear up because it's like, wow, he's telling us goodbye.

19:07.634 --> 19:09.035
[SPEAKER_00]: Same here.

19:09.255 --> 19:13.017
[SPEAKER_00]: And here's the thing, I actually got to review this other film that he was in.

19:13.058 --> 19:18.161
[SPEAKER_00]: It was a short film that he did one last, maybe a year before this.

19:19.342 --> 19:24.105
[SPEAKER_00]: And it was called, it's a civil war movie that Tony talked with.

19:25.145 --> 19:28.968
[SPEAKER_00]: And they managed to get Tony Todd and it was good to see him and do something like that.

19:28.988 --> 19:34.332
[SPEAKER_00]: That's well for a smaller and independent director, writer, like that to do that.

19:34.492 --> 19:35.113
[SPEAKER_00]: So, right.

19:35.153 --> 19:37.835
[SPEAKER_00]: But I got Terry and I on that, I'm going to miss Tony Todd.

19:37.895 --> 19:40.377
[SPEAKER_00]: He's so horrifying, even as a painting man.

19:40.397 --> 19:41.397
[SPEAKER_00]: Yes.

19:41.778 --> 19:44.280
[SPEAKER_00]: Even in hatchet, he was really good in that movie.

19:44.420 --> 19:44.740
[SPEAKER_00]: Right.

19:46.241 --> 19:50.222
[SPEAKER_00]: Then there's also the witch master a little small cameo role in witch master.

19:50.242 --> 19:52.743
[SPEAKER_00]: Let's just go on for Tony Todd.

19:53.464 --> 19:55.684
[SPEAKER_00]: This is my little our little tribute to Tony Todd.

19:56.005 --> 19:56.585
[SPEAKER_00]: Absolutely.

19:56.605 --> 20:03.307
[SPEAKER_00]: Like you did mention the kill scenes and I want to go over the kill scenes that's allowed to me.

20:05.028 --> 20:10.610
[SPEAKER_00]: The one that I have to say that stood up to me was the garbage truck scene.

20:11.589 --> 20:12.550
[SPEAKER_01]: Oh my gosh.

20:12.790 --> 20:13.311
[SPEAKER_00]: Yes.

20:13.491 --> 20:14.051
[SPEAKER_00]: Yes.

20:14.292 --> 20:15.172
[SPEAKER_00]: And let me just tell you this.

20:15.272 --> 20:19.576
[SPEAKER_00]: I'm paying attention to the background on every single scene on in this movie now.

20:19.756 --> 20:22.879
[SPEAKER_00]: Yeah, because I've loved how they use these wide angle shots.

20:23.319 --> 20:28.224
[SPEAKER_00]: And then you have characters doing certain things in the background, right?

20:28.244 --> 20:31.687
[SPEAKER_00]: And then everything that's definitely said came to life.

20:32.487 --> 20:35.009
[SPEAKER_00]: Oh, there's going to be a soccer ball that's going to hate you in the face.

20:35.349 --> 20:35.989
[SPEAKER_00]: Right.

20:36.029 --> 20:36.950
[SPEAKER_00]: Watch out for this one out.

20:37.010 --> 20:39.371
[SPEAKER_00]: Watch out for the leaf blower.

20:39.571 --> 20:40.252
[SPEAKER_00]: Right.

20:40.272 --> 20:42.333
[SPEAKER_00]: So we're scared of the beat of the volleyball.

20:42.653 --> 20:43.954
[SPEAKER_00]: What am I going to do?

20:43.974 --> 20:48.657
[SPEAKER_00]: The bet, but it that Eric is probably one of my favorite characters in this movie though, too.

20:49.542 --> 20:53.967
[SPEAKER_00]: as well, but just the comedic stuff, the dark humor that he had.

20:54.327 --> 20:56.610
[SPEAKER_01]: I love the, yeah, he was great.

20:56.630 --> 21:05.139
[SPEAKER_01]: I love the, the backyard scene where they're having the, the get together and, you know, they're jumping on the trampoline.

21:05.539 --> 21:08.763
[SPEAKER_01]: And there is, and by this time, we found Stephanie's mom.

21:09.403 --> 21:17.684
[SPEAKER_01]: So they're jumping on the trampoline and she's like looking around as well because she knows what's up and the rake underneath the trampoline.

21:17.744 --> 21:22.385
[SPEAKER_01]: And so every time you watch them jump, it shows how close they are to hitting the rake.

21:22.465 --> 21:25.586
[SPEAKER_01]: And then finally, Stephanie's mom runs over, grabs that.

21:26.066 --> 21:31.287
[SPEAKER_01]: But was it the, was it the lawnmower or, oh, the glass of ice, the glass of ice?

21:31.667 --> 21:32.827
[SPEAKER_01]: Yes.

21:33.447 --> 21:33.747
[SPEAKER_01]: Yes.

21:35.288 --> 21:37.608
[SPEAKER_00]: The father ones stepping on the glass.

21:38.108 --> 21:38.369
[SPEAKER_01]: Yes.

21:38.889 --> 21:40.171
[SPEAKER_01]: Oh, you did trigger.

21:40.231 --> 21:40.451
[SPEAKER_01]: Yeah.

21:40.792 --> 21:41.272
[SPEAKER_00]: Go ahead.

21:42.494 --> 21:42.594
[SPEAKER_00]: Yep.

21:42.654 --> 21:52.808
[SPEAKER_00]: He steps on the glass and then also to the rigs falls down, but also triggers the lawnmower to come up and he falls and then goes on his head.

21:53.250 --> 21:58.414
[SPEAKER_01]: Yes, eats his face up, the lawnmower, his face apart, and that was just really cool.

21:58.474 --> 22:10.682
[SPEAKER_01]: And I agree with you, John, as far as like looking in a background, this is one of those films where like you said, with the wide shot, you do look at everything that's going on because there is always something going on because death is around.

22:10.802 --> 22:14.725
[SPEAKER_01]: So you find and see things that you were like, wait, was that right?

22:14.745 --> 22:18.348
[SPEAKER_01]: I found myself rewinding and playing it over again.

22:18.428 --> 22:22.290
[SPEAKER_01]: But yeah, and then you know, you also get this excitement because, you know,

22:23.330 --> 22:28.053
[SPEAKER_01]: what final destination does, at least for me, knowing that is getting ready to happen.

22:28.413 --> 22:33.037
[SPEAKER_01]: Seeing the chain of events and knowing, oh, I got, how is this going to go down?

22:33.237 --> 22:35.438
[SPEAKER_01]: And when it goes down, it's like, no way.

22:35.458 --> 22:37.520
[SPEAKER_01]: Yeah, it was just so good.

22:37.600 --> 22:39.001
[SPEAKER_01]: I think great job.

22:39.261 --> 22:44.965
[SPEAKER_00]: Great job coming back and giving us a really great, and I'm glad that they got, if they stopped doing we're okay.

22:45.585 --> 22:46.465
[SPEAKER_00]: You have to make some mess.

22:46.645 --> 22:47.926
[SPEAKER_00]: Oh, my, my fault, guys.

22:47.966 --> 22:51.107
[SPEAKER_00]: Let me clean up my mess and I'm like, I didn't do anything.

22:51.667 --> 22:52.627
[SPEAKER_00]: I'm so clumsy.

22:52.667 --> 22:54.068
[SPEAKER_00]: I didn't mean to kill your uncle.

22:54.468 --> 22:55.688
[SPEAKER_00]: Let me clean up my mess.

22:55.948 --> 23:05.612
[SPEAKER_00]: I'm glad they got rid of that aspect of it and let it be what it is, which is this crazy accidents that's caused like an act of God.

23:06.012 --> 23:06.312
[SPEAKER_00]: Right.

23:06.532 --> 23:08.213
[SPEAKER_00]: So that's what I like about it.

23:08.293 --> 23:09.433
[SPEAKER_00]: It's not like, oh, my bad.

23:09.473 --> 23:10.713
[SPEAKER_00]: I didn't mean to kill your uncle.

23:16.167 --> 23:17.268
[SPEAKER_00]: Let me clean this up real quick.

23:17.568 --> 23:18.208
[SPEAKER_00]: All right.

23:18.348 --> 23:18.628
[SPEAKER_00]: Right.

23:19.449 --> 23:27.112
[SPEAKER_00]: But the garbage truck scene I mentioned, where the Julie winds up going into the garbage truck, and then she winds up getting smashed with the garbage compactor.

23:27.873 --> 23:33.115
[SPEAKER_00]: But I didn't know if you noticed that's Rossi, but I've watched this film a little these six times.

23:34.336 --> 23:36.097
[SPEAKER_00]: I did not notice this until now.

23:36.117 --> 23:36.877
[SPEAKER_00]: Okay.

23:36.937 --> 23:43.240
[SPEAKER_00]: Ralph the film, you can hear the sound of a of a train just as you see in here in the back of the nineteen fifties.

23:43.680 --> 23:43.981
[SPEAKER_00]: Okay.

23:44.021 --> 23:44.341
[SPEAKER_00]: It's out.

23:44.941 --> 23:47.883
[SPEAKER_00]: Yeah, you can hear it when Stephanie is heading to Iris's house.

23:48.624 --> 23:55.129
[SPEAKER_00]: And also here in the graveyard is also the, it's that Iris is funeral and comes full circle at the end of the film.

23:55.629 --> 23:57.991
[SPEAKER_00]: It also the thing was so blowing on it.

23:58.732 --> 24:02.234
[SPEAKER_00]: On the way to the hospital, whenever they get ready to see how many thoughts character.

24:02.435 --> 24:02.615
[SPEAKER_01]: Yep.

24:03.075 --> 24:06.037
[SPEAKER_01]: I didn't, I didn't even attention to that.

24:06.057 --> 24:09.220
[SPEAKER_00]: I didn't get to that for some like wait a second.

24:10.295 --> 24:12.197
[SPEAKER_00]: And I'm noticing these little small things.

24:12.257 --> 24:13.979
[SPEAKER_00]: I'm like, I like how they're doing this.

24:14.279 --> 24:17.803
[SPEAKER_00]: This gives a people a chance to go back to the theater if they saw this in the theater.

24:18.383 --> 24:24.490
[SPEAKER_00]: Or if they rented on digital, or if they ended up buying it, it doesn't chance to rewind it and go back.

24:25.623 --> 24:28.844
[SPEAKER_01]: Yeah, I mean, it's definitely something I would watch again.

24:28.904 --> 24:37.666
[SPEAKER_01]: I've the other final destination, you know, you see them so many times because you know, they're on HBO then they're on, you know, effects or whatever.

24:37.686 --> 24:38.766
[SPEAKER_01]: So you see, I see them a lot.

24:38.786 --> 24:43.028
[SPEAKER_01]: So this one I'll definitely have to revisit because I didn't pay attention to that.

24:43.168 --> 24:43.588
[SPEAKER_01]: I didn't know.

24:44.648 --> 24:49.710
[SPEAKER_00]: And I know Justin says it took me six times to make this happen.

24:49.890 --> 24:51.311
[SPEAKER_00]: Okay, so let me tell you this.

24:51.411 --> 25:03.096
[SPEAKER_00]: I'm investing into the story and the characters around me to the point where I'm zoomed in on just that, where I ignore everything else in the background other than what's going on in the characters background.

25:03.536 --> 25:10.419
[SPEAKER_00]: I'm ignoring the bells and whistles of everything that's happening, where I'm more invested into what I'm seeing, and stuff.

25:11.119 --> 25:13.000
[SPEAKER_00]: And then finally, I noticed.

25:13.900 --> 25:15.741
[SPEAKER_00]: Mike, oh, this is so cool.

25:15.781 --> 25:18.343
[SPEAKER_00]: How it actually circles back at the very end of it.

25:18.683 --> 25:19.344
[SPEAKER_01]: Yeah.

25:19.644 --> 25:20.765
[SPEAKER_00]: And I really like that.

25:20.785 --> 25:24.567
[SPEAKER_00]: That was something different than unique that I haven't seen in a final destination movie.

25:25.108 --> 25:33.213
[SPEAKER_00]: But I also like how Tony Todd tells them this, well, if you take a life, which we learned that from final decision by I think or forward with roller coaster.

25:33.954 --> 25:34.234
[SPEAKER_01]: Yeah.

25:37.097 --> 25:41.460
[SPEAKER_00]: Because of the fact that, you know, if you kill somebody, that means you go on ahead.

25:41.920 --> 25:43.381
[SPEAKER_00]: And you look, you go on ahead.

25:43.441 --> 25:45.883
[SPEAKER_00]: You have an extra couple of hours or whatever to live.

25:46.363 --> 25:47.664
[SPEAKER_00]: Right.

25:47.764 --> 25:54.588
[SPEAKER_00]: And then you have to keep taking someone's life until eventually you become where you actually survive.

25:55.149 --> 25:56.350
[SPEAKER_00]: But let's talk about Eric.

25:57.270 --> 25:57.410
[SPEAKER_00]: Yeah.

25:57.550 --> 25:58.431
[SPEAKER_00]: And the tattoo shop.

25:59.131 --> 25:59.432
[SPEAKER_01]: Yeah.

25:59.552 --> 26:01.013
[SPEAKER_01]: And I do want to mention this.

26:01.113 --> 26:01.313
[SPEAKER_01]: So

26:02.081 --> 26:14.805
[SPEAKER_01]: What bloodline, you know, obviously it's going after Iris's family, but we find out that Eric is not, and that's another thing that was just messed up is that the mom had to admit to her son.

26:15.705 --> 26:21.847
[SPEAKER_01]: Your dad's not in your dad, you know, and it ended up being, you know, good for him because he doesn't have to worry about it.

26:22.027 --> 26:24.167
[SPEAKER_01]: He's not related to the family.

26:24.247 --> 26:26.248
[SPEAKER_01]: So he's out of it, but

26:27.286 --> 26:28.487
[SPEAKER_01]: Let's go to the tattoo shop.

26:29.127 --> 26:29.488
[SPEAKER_00]: Okay.

26:29.848 --> 26:31.809
[SPEAKER_00]: So I was wondering like this.

26:31.989 --> 26:32.329
[SPEAKER_00]: Okay.

26:32.370 --> 26:38.974
[SPEAKER_00]: So if that wasn't after Eric, then why did he not let him live at the tattoo shop, right?

26:39.054 --> 26:39.394
[SPEAKER_00]: Right.

26:39.655 --> 26:48.781
[SPEAKER_00]: So I decided googling things and I and Justin, I know you're probably watching it like why did you Google this after watching it so much times, but still it made me wonder.

26:49.081 --> 26:51.583
[SPEAKER_00]: So based off of the interview,

26:52.508 --> 26:53.128
[SPEAKER_00]: that they had.

26:53.808 --> 27:06.171
[SPEAKER_00]: He said, that was the answer to the question right after he dies, that the first line, why did he die in Caitlin's chapter echoes, when you fuck with death, things get messy.

27:06.431 --> 27:09.012
[SPEAKER_00]: I think that's a very good lesson for everyone to remember.

27:09.652 --> 27:15.113
[SPEAKER_00]: So the other big question is, why does death hook Eric into the tattoo parlour when he's not next?

27:15.713 --> 27:25.476
[SPEAKER_00]: We always like the idea of death has a sense of playfulness, just a fisherman might catch a fish without attending to kill it, and they'll hook the fish and throw it back.

27:25.817 --> 27:30.038
[SPEAKER_00]: That's exactly what death is doing with Eric and it had two policy.

27:30.738 --> 27:33.399
[SPEAKER_00]: So it's messing and toying with Eric.

27:34.120 --> 27:34.500
[SPEAKER_01]: Okay.

27:35.680 --> 27:40.102
[SPEAKER_00]: So I like that whole entire thing of like, okay, you're not on the list, but I'm going to toy with you.

27:40.122 --> 27:40.462
[SPEAKER_00]: Right.

27:41.640 --> 27:42.040
[SPEAKER_00]: and stuff.

27:42.080 --> 27:46.002
[SPEAKER_00]: And then finally, whenever you get the MRI machine that happens.

27:47.403 --> 27:50.524
[SPEAKER_01]: Oh gosh, the MRI machine.

27:50.664 --> 27:57.427
[SPEAKER_01]: I mean, that was just, I mean, horror movie gold is for, you know, final destination.

27:57.548 --> 28:03.810
[SPEAKER_01]: I mean, so Eric is out of it, deck toys with him, but he has a little brother.

28:04.091 --> 28:06.332
[SPEAKER_01]: And he's like, okay, I'm going to protect my little brothers.

28:08.120 --> 28:15.266
[SPEAKER_01]: the going into the MRI machine of room and the fact that it was the magnets or everything on it would stick to it.

28:17.188 --> 28:30.880
[SPEAKER_01]: I did not think that it would play out the way that it played out and how it was able to take him and the brother and how the brother died, you know, being allergic and having that reaction and air taking that stuff from him.

28:30.900 --> 28:32.642
[SPEAKER_01]: Dude.

28:34.392 --> 28:36.575
[SPEAKER_01]: While seen absolute wild.

28:37.195 --> 28:42.261
[SPEAKER_00]: Yes, here's the thing Eric got in trouble with death because of the fact that they were going to stage.

28:43.202 --> 28:47.066
[SPEAKER_00]: His brother's death to where he can actually be like the character in the second film.

28:47.447 --> 28:54.275
[SPEAKER_00]: So that's what got Eric in trouble, but also to if Eric would have not ship ship the machine and bang the glass.

28:54.675 --> 28:55.035
[SPEAKER_00]: Yes.

28:55.456 --> 28:57.097
[SPEAKER_00]: And everything he would have been fine.

28:57.117 --> 29:01.940
[SPEAKER_00]: I think, but instead he breaks the cracks to glass in the snack machine.

29:02.320 --> 29:08.585
[SPEAKER_00]: And we're wondering, OK, so that thing that pops out the little spring that holds the Andy comes out a little bit.

29:08.665 --> 29:11.647
[SPEAKER_00]: Well, so I'm like, OK, how does this play into this?

29:12.087 --> 29:14.469
[SPEAKER_00]: And how, and then MRI machine comes.

29:14.489 --> 29:16.810
[SPEAKER_00]: I'm like, oh, negative.

29:16.971 --> 29:18.572
[SPEAKER_00]: OK, now in the sense.

29:19.212 --> 29:26.733
[SPEAKER_00]: And then you're seeing the piercings come off fairer because, and then there's even the one that's actually pierced with Johnson.

29:26.753 --> 29:28.134
[SPEAKER_00]: Oh my gosh.

29:28.274 --> 29:28.794
[SPEAKER_01]: Great.

29:32.494 --> 29:33.475
[SPEAKER_00]: And then the wheelchair.

29:33.495 --> 29:33.775
[SPEAKER_00]: Sorry.

29:33.815 --> 29:35.555
[SPEAKER_00]: That was the worst way to go.

29:37.475 --> 29:38.856
[SPEAKER_01]: Do the way it folded him.

29:38.876 --> 29:44.056
[SPEAKER_01]: I mean, the way that it folded him was great.

29:44.417 --> 29:45.397
[SPEAKER_01]: It was absolutely great.

29:45.477 --> 29:46.317
[SPEAKER_01]: But the brother

29:47.305 --> 29:52.647
[SPEAKER_01]: how he's he's what crawling over to try to get his epipen.

29:53.607 --> 29:57.148
[SPEAKER_01]: And I'm thinking like he's gonna make it.

29:58.149 --> 30:08.912
[SPEAKER_01]: The first of all, I make up was really good that they did on the brother to make him look the way that he looked, just he may see it and then just just dying because he's the peanut.

30:09.673 --> 30:09.933
[SPEAKER_01]: Right.

30:09.973 --> 30:12.294
[SPEAKER_01]: The peanut, you know, alerted to peanuts.

30:13.134 --> 30:16.035
[SPEAKER_01]: That whole thing was just it was a crazy scene.

30:17.563 --> 30:19.964
[SPEAKER_00]: That make up on prosthetics was really good.

30:20.064 --> 30:26.946
[SPEAKER_00]: And then you see the thing that's holding the whenever the nurse comes in and checks on them.

30:26.966 --> 30:27.926
[SPEAKER_00]: Right.

30:28.747 --> 30:34.889
[SPEAKER_00]: And then you see that's part where the spring comes out of the machine and then it hits him in the head and he died.

30:34.909 --> 30:38.190
[SPEAKER_00]: And then you see the little swirling thing going around.

30:40.150 --> 30:45.432
[SPEAKER_01]: And then they'll come in there and saying both of them, himmed up.

30:46.752 --> 30:49.433
[SPEAKER_01]: Yeah, so it's like, okay, so two down, two down.

30:49.493 --> 30:50.794
[SPEAKER_01]: You know, because I mean, you're counting.

30:51.534 --> 30:54.215
[SPEAKER_01]: You know, I mean, for me, I'm counting, okay, that one's gone.

30:54.296 --> 30:55.396
[SPEAKER_01]: How are we going to see this one?

30:55.456 --> 30:56.977
[SPEAKER_01]: And some of them, you didn't even expect.

30:57.497 --> 31:00.718
[SPEAKER_01]: But yeah, the MRI scene was great.

31:01.959 --> 31:02.719
[SPEAKER_00]: I definitely agree.

31:02.959 --> 31:07.782
[SPEAKER_00]: So the garbage truck scene for me and the MRI machine was a two top here once.

31:08.873 --> 31:13.955
[SPEAKER_00]: But I'll let you go in and talk about how the mother dies when they go into act with Iris.

31:15.236 --> 31:16.776
[SPEAKER_01]: Oh, getting this right.

31:16.836 --> 31:26.741
[SPEAKER_01]: So they go back to Iris's house and the mom doesn't the the RV that they're in catches fire.

31:26.761 --> 31:26.841
[SPEAKER_01]: Yeah.

31:28.317 --> 31:29.999
[SPEAKER_01]: Oh, no, it catches fire.

31:30.019 --> 31:31.460
[SPEAKER_01]: It goes underwater.

31:31.560 --> 31:35.423
[SPEAKER_01]: So you have the Stephanie dying underneath the water.

31:35.824 --> 31:36.224
[SPEAKER_01]: The sun.

31:36.504 --> 31:37.405
[SPEAKER_00]: The house blows up.

31:37.785 --> 31:38.426
[SPEAKER_01]: The house blows up.

31:38.446 --> 31:39.407
[SPEAKER_01]: Yeah, the house blows up.

31:40.047 --> 31:41.649
[SPEAKER_01]: The RVs underwater.

31:42.149 --> 31:47.073
[SPEAKER_01]: The mom didn't something go through her head or land on her.

31:47.093 --> 31:47.934
[SPEAKER_00]: Yeah.

31:48.014 --> 31:48.715
[SPEAKER_00]: And she died.

31:48.735 --> 31:50.416
[SPEAKER_00]: I want to say yeah.

31:50.937 --> 31:52.298
[SPEAKER_01]: Yes, yes, that.

31:53.767 --> 31:55.569
[SPEAKER_01]: Yeah, and the, let's see.

31:55.589 --> 31:59.872
[SPEAKER_01]: So the brother made it out because he had to save the sister because she was drowning underneath the water.

32:01.494 --> 32:11.482
[SPEAKER_00]: Remember that one rule where it's like, well, your heart has to stop beating in order for, for in order for this thing to work.

32:12.025 --> 32:16.448
[SPEAKER_01]: Yes, and so the sister died, she ended up dying and coming back to life.

32:17.449 --> 32:22.852
[SPEAKER_01]: But then the mom was standing there and then something a projectile or something went right through her or fell on her.

32:23.333 --> 32:24.053
[SPEAKER_01]: It was gruesome.

32:24.714 --> 32:26.335
[SPEAKER_00]: Yeah.

32:26.595 --> 32:27.596
[SPEAKER_01]: It was very gruesome.

32:27.756 --> 32:27.996
[SPEAKER_01]: Yes.

32:29.417 --> 32:31.698
[SPEAKER_01]: So you would say that's definitely escaped death.

32:32.899 --> 32:34.340
[SPEAKER_00]: Well, he's so we think.

32:34.981 --> 32:36.442
[SPEAKER_01]: We think, yes, we think.

32:37.129 --> 32:54.383
[SPEAKER_00]: but come to find out whenever they go and see, it's actually a couple of days later or something like that, they're all thinking that, yeah, I saved her life and everything, because the father is actually a doctor, he goes, no, she was only unconscious for like two seconds.

32:54.924 --> 32:55.724
[SPEAKER_01]: So she didn't die.

32:56.225 --> 33:01.949
[SPEAKER_01]: No, she didn't die, she didn't die, which means she has an escape death.

33:02.290 --> 33:04.992
[SPEAKER_01]: And so how did they end up dying?

33:05.072 --> 33:06.033
[SPEAKER_01]: She ended up dying.

33:06.846 --> 33:11.532
[SPEAKER_00]: Yeah, they both do the brother ended and yes, and yeah, because remember the train.

33:11.552 --> 33:15.576
[SPEAKER_00]: The whole thing that's right, the freaking train.

33:16.414 --> 33:37.552
[SPEAKER_00]: Yeah, because the train winds up the railing because that one woman that Eric seen in the emergency room, who took the wheelchair from the woman, who has the pain, remember if you also buys a lemonade or something like that, we'll have some low girls and so she and so anyways, she loses the penny, the penny and that's what happened.

33:37.990 --> 33:38.451
[SPEAKER_00]: Right.

33:38.531 --> 33:40.896
[SPEAKER_00]: So yeah, that's so basically, too.

33:40.976 --> 33:44.764
[SPEAKER_00]: It's also Eric's full brain, a raccoon with this one woman.

33:45.224 --> 33:46.767
[SPEAKER_00]: Yes, right, right, right.

33:47.469 --> 33:49.272
[SPEAKER_00]: Because because so how many years you have left?

33:50.388 --> 33:52.208
[SPEAKER_00]: And I was just laughing my ass off of that.

33:52.248 --> 33:56.489
[SPEAKER_00]: And then I also liked the other little colony moments where they look at the baby, because you're not going to touch that baby.

33:57.089 --> 33:57.730
[SPEAKER_00]: I'm going to touch it.

33:58.430 --> 33:59.010
[SPEAKER_00]: I'm like, no, no.

33:59.590 --> 34:05.771
[SPEAKER_01]: It's so funny because when they were showing the older woman and just showing her, you know, what she was doing, the lemonade, all that stuff.

34:05.791 --> 34:09.212
[SPEAKER_01]: I'm not thinking about her being any part of it.

34:09.492 --> 34:16.033
[SPEAKER_01]: But with these movies, you're like, okay, at some point, you're like, uh, she's going to be involved.

34:16.073 --> 34:17.914
[SPEAKER_01]: But I, I totally spaced that.

34:17.974 --> 34:18.154
[SPEAKER_01]: Yes.

34:19.226 --> 34:24.630
[SPEAKER_00]: Yeah, because first we're thinking, okay, this is going to be a woman that's in the ER and that's it.

34:24.690 --> 34:27.651
[SPEAKER_00]: That's going to be the end of her because that's all they used her for.

34:28.052 --> 34:32.114
[SPEAKER_00]: But no, they put her in that position now where she's on the train.

34:32.495 --> 34:34.216
[SPEAKER_00]: Yes, and the trained the real.

34:34.636 --> 34:37.038
[SPEAKER_00]: Yes, then as that crane is dereling.

34:38.142 --> 34:41.025
[SPEAKER_00]: It's actually going after the brother and sister, right?

34:41.826 --> 34:52.376
[SPEAKER_01]: You know, it basically the movie can come back and go on and on and on and on and on because there are so many people that are listed that haven't gotten there just Jews, I guess.

34:52.456 --> 34:59.763
[SPEAKER_00]: I mean, well, don't forget, there's also that whole entire timeline that's definitely behind where these people were not supposed to be born, but they weren't.

34:59.803 --> 35:00.944
[SPEAKER_00]: Yes, and they weren't.

35:00.984 --> 35:01.885
[SPEAKER_01]: That's what I'm talking about.

35:02.165 --> 35:02.466
[SPEAKER_01]: That's it.

35:03.046 --> 35:03.246
[SPEAKER_00]: Yes.

35:03.526 --> 35:07.969
[SPEAKER_00]: So, you know, there's bad, but I thought that the plot line was really good.

35:08.009 --> 35:11.651
[SPEAKER_00]: I also thought the same thing that you asked me, I'm like, okay, this can be another B-rated thing.

35:11.671 --> 35:17.294
[SPEAKER_00]: Next thing, you know, we're going to final destination on Voodoo and also on Strington streaming.

35:18.294 --> 35:18.535
[SPEAKER_00]: Yeah.

35:18.675 --> 35:25.478
[SPEAKER_00]: And maybe be invested in these characters, even though they're one dimensional, but they're also going to be readable in a sense, though, too.

35:25.939 --> 35:31.962
[SPEAKER_00]: But make us care enough to wonder who, how they're going to die, when are they going to die, how are they going to die?

35:32.645 --> 35:32.865
[SPEAKER_00]: Right.

35:33.145 --> 35:36.046
[SPEAKER_00]: And that's the, that's why you go see these movies.

35:36.066 --> 35:38.286
[SPEAKER_00]: You don't really in a sense see it from what.

35:38.726 --> 35:39.527
[SPEAKER_00]: Yeah.

35:39.547 --> 35:44.888
[SPEAKER_00]: You want to see how the plot is established to where I make us care about it, but that's the thing.

35:44.908 --> 35:45.868
[SPEAKER_01]: Joy keep it is coming up.

35:45.928 --> 35:46.708
[SPEAKER_01]: I still enjoy this.

35:46.728 --> 35:50.489
[SPEAKER_01]: I still enjoy it, especially the opening was great.

35:50.529 --> 35:53.830
[SPEAKER_01]: Yeah, but I just want to see people die in my final destination.

35:55.750 --> 35:56.631
[SPEAKER_00]: Let's see.

35:56.671 --> 35:58.612
[SPEAKER_00]: Let's see.

35:58.632 --> 36:04.737
[SPEAKER_00]: Nice camera real says the question I have for y'all is do we need another one and what is your favorite in order?

36:06.096 --> 36:12.380
[SPEAKER_01]: Um, my favorite one was, um, I think what's final destination to, I really enjoyed that one.

36:12.480 --> 36:14.602
[SPEAKER_01]: Um, you know, I like them all.

36:14.622 --> 36:15.502
[SPEAKER_01]: I mean, there were somewhere.

36:15.542 --> 36:19.765
[SPEAKER_01]: I was like, uh, you know, it's final destination, but I did enjoy too.

36:20.085 --> 36:22.006
[SPEAKER_01]: Um, and I really enjoyed bloodlines.

36:22.707 --> 36:25.829
[SPEAKER_01]: I personally think that they can, we can stop.

36:25.929 --> 36:32.233
[SPEAKER_01]: I mean, I don't think that we, that, like it can end here, you know, for me.

36:33.155 --> 36:33.855
[SPEAKER_01]: What about you here?

36:34.456 --> 36:36.136
[SPEAKER_00]: I feel the same way with every single destination.

36:36.176 --> 36:37.517
[SPEAKER_00]: I'm like, OK, it can end here.

36:37.697 --> 36:38.197
[SPEAKER_00]: Yeah, right.

36:38.257 --> 36:38.877
[SPEAKER_00]: Here's the thing.

36:39.258 --> 36:44.120
[SPEAKER_00]: There was a point when they really said, trailer, I'm not sold on it, but then when I watch it, I'm like, I'm not going to see more.

36:44.600 --> 36:44.840
[SPEAKER_01]: Right.

36:45.060 --> 36:54.264
[SPEAKER_00]: And it's always that back and forth game with me of being a, you know, I'm saying, being invested into this franchise and always calls me back for a scene more.

36:55.244 --> 36:55.844
[SPEAKER_00]: And yeah.

36:56.285 --> 36:56.505
[SPEAKER_00]: Yeah.

36:56.905 --> 36:58.145
[SPEAKER_00]: But do you know, another one?

36:58.886 --> 37:00.887
[SPEAKER_00]: The question is, do we need any movie?

37:00.987 --> 37:01.247
[SPEAKER_00]: Really?

37:03.713 --> 37:05.678
[SPEAKER_00]: But to be honest with you, be okay.

37:05.718 --> 37:06.760
[SPEAKER_00]: I think came up with another one.

37:06.780 --> 37:10.589
[SPEAKER_00]: I'll be interested on what new ways they can learn how to kill someone.

37:11.090 --> 37:11.351
[SPEAKER_01]: Yeah.

37:11.932 --> 37:12.774
[SPEAKER_00]: Well, that does.

37:13.818 --> 37:15.500
[SPEAKER_00]: But yes, the argument one.

37:15.820 --> 37:16.801
[SPEAKER_00]: Yeah, I knew that.

37:17.742 --> 37:19.744
[SPEAKER_00]: That one didn't take me seven times just by the way.

37:21.025 --> 37:22.607
[SPEAKER_01]: They're making a one of those.

37:22.687 --> 37:23.227
[SPEAKER_01]: Oh, they are.

37:23.347 --> 37:35.519
[SPEAKER_01]: Well, you figure the way that that, you know, like John said with the board of the people that weren't born yet, you know, or weren't supposed to be born.

37:36.381 --> 37:41.370
[SPEAKER_01]: And so yeah, seeing that alone is like, okay, well, they have a story that they could continue.

37:41.870 --> 37:46.579
[SPEAKER_01]: My thing is is with the deaths, you know, how many other ways?

37:47.770 --> 37:50.472
[SPEAKER_01]: to keep us interested, could they use it?

37:50.512 --> 37:51.973
[SPEAKER_00]: Why can they do now to up the end?

37:52.013 --> 38:01.158
[SPEAKER_01]: Yeah, I thought with this one that they would struggle with that, but every new way the fake killed someone, it was like, okay, that was good.

38:01.198 --> 38:02.339
[SPEAKER_01]: That was different.

38:02.379 --> 38:04.360
[SPEAKER_01]: The MRI, you know, wouldn't have thought about that.

38:04.820 --> 38:06.722
[SPEAKER_01]: You know, the garbage truck, that was good.

38:06.922 --> 38:13.966
[SPEAKER_01]: So, but hey, if they have another one coming out, I will watch because I'm a fan of, you know, the final destination movie.

38:14.006 --> 38:15.647
[SPEAKER_01]: So I totally watch again.

38:16.384 --> 38:16.724
[SPEAKER_00]: They're here.

38:16.944 --> 38:17.605
[SPEAKER_00]: They're here as well.

38:18.405 --> 38:20.526
[SPEAKER_00]: Pickle my jam says finalization.

38:20.546 --> 38:22.067
[SPEAKER_00]: Number one finalization one.

38:24.428 --> 38:24.768
[SPEAKER_00]: Okay.

38:24.848 --> 38:25.889
[SPEAKER_00]: So here's the thing.

38:25.909 --> 38:32.092
[SPEAKER_00]: It's been a long time since I've watched all these final destination movies to the point where I can't rank them right now.

38:32.692 --> 38:35.474
[SPEAKER_00]: Maybe during Halloween season or something like that, Rossy.

38:35.494 --> 38:36.574
[SPEAKER_00]: Maybe we can do it.

38:36.994 --> 38:37.214
[SPEAKER_01]: Yeah.

38:37.875 --> 38:43.278
[SPEAKER_00]: Cold and tired marathon of nothing but final destination and what you were ranking of all that would be cool.

38:43.298 --> 38:43.858
[SPEAKER_01]: We should do that.

38:44.818 --> 38:46.158
[SPEAKER_01]: But definitely do that.

38:47.099 --> 38:55.942
[SPEAKER_00]: If I have to do this, I would have to do finalizations one finalization two, just to actually have it connect.

38:56.702 --> 39:03.485
[SPEAKER_00]: I want to go with the one that has that surprise ending and I forgot which number that was just and I know that you know it.

39:04.332 --> 39:08.175
[SPEAKER_00]: But there's a surprise ending that we get as connected to the first one.

39:08.515 --> 39:16.341
[SPEAKER_00]: But I feel like if you connect those three movies, you will have one complete set for that one for that first one.

39:16.541 --> 39:19.484
[SPEAKER_00]: And then it just goes on a hand and continues off with other people.

39:19.904 --> 39:20.084
[SPEAKER_00]: Right.

39:20.204 --> 39:24.327
[SPEAKER_00]: So I think that's by order for right now, but I need to go ahead and see more.

39:24.928 --> 39:26.469
[SPEAKER_01]: Yeah, we'll have to do that for you guys.

39:26.489 --> 39:31.172
[SPEAKER_01]: We'll have to do rewatch and rankings of the final destination.

39:31.232 --> 39:33.094
[SPEAKER_01]: So coming in October, guys.

39:37.016 --> 39:37.736
[SPEAKER_00]: I'm not going to agree.

39:37.757 --> 39:39.939
[SPEAKER_00]: I agree to disagree.

39:40.820 --> 39:42.722
[SPEAKER_01]: That the final destination is the worst one.

39:42.742 --> 39:44.123
[SPEAKER_01]: No, no, no.

39:44.864 --> 39:45.004
[SPEAKER_01]: No.

39:50.452 --> 39:52.152
[SPEAKER_00]: It was a situation when it's crazy.

39:52.372 --> 39:54.593
[SPEAKER_00]: Now, yeah, yeah, looking back.

39:54.613 --> 39:56.753
[SPEAKER_00]: For the time though, that's what I'm talking about.

39:56.773 --> 39:57.493
[SPEAKER_00]: Yeah, yeah.

39:57.693 --> 40:00.054
[SPEAKER_00]: It was like busy trying to clean up his messes.

40:00.674 --> 40:03.395
[SPEAKER_00]: You know, I'm going to hang Todd.

40:03.735 --> 40:05.135
[SPEAKER_00]: Let me clean this up.

40:05.875 --> 40:07.395
[SPEAKER_00]: I am so sorry, Todd.

40:07.415 --> 40:08.976
[SPEAKER_00]: I am so clumsy.

40:09.576 --> 40:10.136
[SPEAKER_00]: My bad.

40:10.576 --> 40:12.076
[SPEAKER_00]: Oh, I didn't mean to burn your teacher.

40:12.136 --> 40:15.017
[SPEAKER_00]: Let me, let me go on ahead and it's playing sound.

40:16.223 --> 40:22.125
[SPEAKER_00]: But, you know, it's corny, it's cringy, but I need to see it now that I'm older.

40:22.465 --> 40:25.206
[SPEAKER_00]: Because during the time when I was a teenager, I was even just up.

40:25.826 --> 40:27.527
[SPEAKER_01]: Like, I was like, I loved that.

40:28.007 --> 40:28.227
[SPEAKER_01]: Right.

40:28.847 --> 40:33.509
[SPEAKER_01]: Yeah, I mean, because I love horror films and a little gory film.

40:33.569 --> 40:36.290
[SPEAKER_01]: So, you know, I love films that are set up like that, you know.

40:36.410 --> 40:38.571
[SPEAKER_01]: So, I enjoyed the first one.

40:38.631 --> 40:39.571
[SPEAKER_01]: I enjoyed the second one.

40:39.631 --> 40:44.753
[SPEAKER_01]: I watched them all, you know, but there were some where at a point, it was like a, you know, same old thing.

40:45.553 --> 41:03.171
[SPEAKER_01]: still watch still watch wasn't expecting anything major just want it you know the story to somewhat make sense and you know and at that point too it's like well this is final destination this is this is what they do like it's it's you know that not Oscar worthy or you know I think

41:04.792 --> 41:14.054
[SPEAKER_00]: Robert Eber was talking about this before he passed away or whatever, but I remember watching some of the bonus material because I'm a huge nerd.

41:14.974 --> 41:18.915
[SPEAKER_00]: But I remember saying, look, you don't go in for plight.

41:18.995 --> 41:19.935
[SPEAKER_00]: You don't go in.

41:20.756 --> 41:22.756
[SPEAKER_00]: You are there to see teens die.

41:22.916 --> 41:24.356
[SPEAKER_00]: And that's what you're there for.

41:25.477 --> 41:27.297
[SPEAKER_00]: And so I have to agree with them on that.

41:27.497 --> 41:27.717
[SPEAKER_01]: Yeah.

41:29.158 --> 41:30.338
[SPEAKER_01]: And that's pretty much it.

41:30.898 --> 41:30.978
[SPEAKER_01]: Yep.

41:31.611 --> 41:32.572
[SPEAKER_01]: Who's going to die?

41:32.612 --> 41:34.653
[SPEAKER_01]: What's the order and how is it going to happen?

41:35.253 --> 41:38.516
[SPEAKER_01]: Let me see that and movies over with and there you go.

41:39.516 --> 41:39.937
[SPEAKER_01]: Backlight.

41:40.497 --> 41:44.760
[SPEAKER_00]: Ninety minutes and I'm glad that this is not a two hour movie as well.

41:45.981 --> 41:48.763
[SPEAKER_00]: I'm glad this is a ninety minute minute movie nerd.

41:48.943 --> 41:49.983
[SPEAKER_00]: Yes, I am Justin.

41:50.183 --> 41:50.624
[SPEAKER_00]: Come at me.

41:53.194 --> 41:56.296
[SPEAKER_00]: But yeah, man, I enjoyed these movies.

41:56.316 --> 41:58.717
[SPEAKER_00]: I'm glad it's only an hour movie.

41:59.097 --> 41:59.918
[SPEAKER_00]: I was some more minutes.

42:00.218 --> 42:02.179
[SPEAKER_00]: I mean, it's perfect for this type of movie.

42:02.419 --> 42:02.619
[SPEAKER_00]: Yes.

42:02.639 --> 42:06.941
[SPEAKER_00]: I don't need to over saturate it with two hours of runtime for no reason.

42:07.402 --> 42:07.642
[SPEAKER_00]: Right.

42:09.150 --> 42:09.950
[SPEAKER_01]: It was in and out.

42:10.050 --> 42:11.151
[SPEAKER_01]: Everything happened fast.

42:11.251 --> 42:15.432
[SPEAKER_01]: I mean, I didn't feel like I wasn't born at any point in watching the film.

42:15.992 --> 42:20.053
[SPEAKER_01]: I was probably popcorn in hand in hand and you're laughing at some of the deaths.

42:20.113 --> 42:21.293
[SPEAKER_01]: I mean, you really are.

42:21.353 --> 42:22.654
[SPEAKER_01]: It is what it is.

42:23.394 --> 42:24.915
[SPEAKER_01]: But yeah, it was quick.

42:25.015 --> 42:25.715
[SPEAKER_01]: It happened quick.

42:25.815 --> 42:27.575
[SPEAKER_01]: The movie didn't drag on.

42:27.715 --> 42:28.856
[SPEAKER_01]: It was, it happened fast.

42:29.116 --> 42:29.996
[SPEAKER_01]: Boom, boom, boom.

42:30.096 --> 42:30.496
[SPEAKER_01]: We're done.

42:30.856 --> 42:31.336
[SPEAKER_01]: Good film.

42:31.356 --> 42:31.736
[SPEAKER_00]: Exactly.

42:32.097 --> 42:32.257
[SPEAKER_01]: Yeah.

42:34.403 --> 42:37.545
[SPEAKER_00]: I think that's everything that we wanted to talk about as far as this goes, right Rousey?

42:37.565 --> 42:38.986
[SPEAKER_00]: Do you have anything else you want to add?

42:41.048 --> 42:42.889
[SPEAKER_01]: No, I think we covered everything.

42:42.909 --> 42:43.549
[SPEAKER_00]: Yeah.

42:43.650 --> 42:44.130
[SPEAKER_00]: Check it out.

42:44.150 --> 42:45.951
[SPEAKER_01]: If you guys haven't watched it, go check it out.

42:46.031 --> 42:47.052
[SPEAKER_01]: It's a fun one to watch.

42:47.772 --> 42:47.973
[SPEAKER_00]: Yeah.

42:48.113 --> 42:48.773
[SPEAKER_00]: It's a fun one.

42:48.853 --> 42:50.554
[SPEAKER_00]: I wasn't expecting my wife to watch this.

42:50.815 --> 42:52.476
[SPEAKER_00]: I wasn't expecting Randy to watch this.

42:52.696 --> 42:53.597
[SPEAKER_01]: What's up, Jay?

42:53.797 --> 42:54.337
[SPEAKER_01]: What's up?

42:54.357 --> 42:54.837
[SPEAKER_00]: Hey, Jay.

42:56.078 --> 42:57.279
[SPEAKER_01]: Jay says, yeah, it was pretty good.

42:57.319 --> 42:57.760
[SPEAKER_01]: Yeah.

42:57.860 --> 42:59.000
[SPEAKER_00]: I look pretty with you.

42:59.020 --> 42:59.701
[SPEAKER_01]: Yeah.

43:00.677 --> 43:02.438
[SPEAKER_00]: Well, guys, that's the end of our announcements.

43:02.498 --> 43:05.200
[SPEAKER_00]: And then we have a lot of announcements, but hey, don't hit.

43:05.340 --> 43:10.363
[SPEAKER_00]: Don't tell you to do because we want you guys to celebrate what we do and always the next.

43:10.424 --> 43:11.444
[SPEAKER_00]: And guys have a great day tonight.

43:11.744 --> 43:14.866
[SPEAKER_00]: And please don't pick up any pennies on the road.

43:15.047 --> 43:15.747
[SPEAKER_01]: Don't guys.

43:16.127 --> 43:17.328
[SPEAKER_01]: That's what yeah.