Dexter Ressurection S1:EP3 Back Seat Passenger Review
Join John, Anastasia Elfman and Jason Pitts as they break down Episode 3 of Dexter: Resurrection β "Backseat Driver." ππ From Dexter's evolving killer code to the intense cat-and-mouse tension building with Harrison, we dive deep into the twists, themes, and blood-splattered breadcrumbs left behind. Is Dexter slipping back into old habitsβor evolving into something darker?
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[SPEAKER_04]: Hello, movie lovers.
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[SPEAKER_04]: I'm welcome to show today.
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[SPEAKER_04]: I have my very good friend Jason Pits with me, but I also have anesthesia.
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[SPEAKER_04]: I've been with me.
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[SPEAKER_04]: I have an interview here a couple of months back for a bloody bridge.
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[SPEAKER_04]: So let's go and have let's welcome your back.
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[SPEAKER_04]: The show and let's do this guys in.
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[SPEAKER_04]: Hey everyone, welcome back.
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[SPEAKER_04]: Thank you very much.
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[SPEAKER_04]: With this episode, episode three, the Paxi Passinger.
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[SPEAKER_04]: We already know that Dex is only mad because he didn't get his name, I'll be writing it.
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[SPEAKER_04]: Because he actually has got a passinger.
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[SPEAKER_04]: And he didn't like to pick up the serial killer, winded up taking on that persona.
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[SPEAKER_04]: But what did you guys think about him being an Uber driver and him going through New York City and trying to learn what it is to be an Uber driver?
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[SPEAKER_01]: I'll take it, I guess, first high.
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[SPEAKER_01]: So happy to be back.
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[SPEAKER_01]: Thank you.
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[SPEAKER_01]: And what I think about Dexter becoming like a quote unquote, Uber driver, I thought that was very interesting and very committed to the kill.
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[SPEAKER_01]: He's going full method.
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[SPEAKER_04]: Definitely.
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[SPEAKER_00]: Yeah, I agree.
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[SPEAKER_00]: He used himself as bait, but it's also a good way to like get away out of the city and also like he actually makes a point.
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[SPEAKER_00]: I think it might have been in the last episode that it's a good alibi too.
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[SPEAKER_00]: Um, just like, hey, I'm, you know, I'm a new driver.
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[SPEAKER_00]: I'm driving around.
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[SPEAKER_00]: Well, you know, who are you with?
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[SPEAKER_00]: He's like, I don't know how to pick somebody up.
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[SPEAKER_00]: You know, anyway, but I think it'd be, I think it's a good alibi that he can fall back on if he needs to as well.
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[SPEAKER_00]: So yeah, I thought it was a cool plot device of him being the Uber driver.
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[SPEAKER_04]: I love the dark humor with this though, too, because I like the fact that there's other Uber drivers trying to teach them because well, I've got a four point five out of five.
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[SPEAKER_04]: That's not really that bad because are you done driving gears?
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[SPEAKER_04]: Yeah, well, I'm going to have to teach you what's going on here.
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[SPEAKER_04]: First of all, because that's not a good score.
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[SPEAKER_04]: So I like how he's trying to learn his way into the New York lifestyle and trying to teach him what to be an Uber driver.
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[SPEAKER_04]: And then you also have Harrison who's also now being a suspect in the hotel.
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[SPEAKER_04]: And I like how
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[SPEAKER_04]: We already talked about this Jason though, where you actually had the detective who's wearing the headphones and does the staying alive song and she's getting really into her detective mode and stuff like that.
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[SPEAKER_04]: But I like how she's questioning him and he doesn't even have an olive eye.
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[SPEAKER_04]: He doesn't know exactly what to say or anything like that.
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[SPEAKER_04]: He never killed anybody before the size of his own dad, but still even then he's pretty much like
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[SPEAKER_04]: a fish out of water with this.
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[SPEAKER_04]: And, you know, he doesn't know how to dispose of a body very well.
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[SPEAKER_04]: He's also as a primary passion because of the fact that, you know, he rescued somebody from being raped.
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[SPEAKER_04]: And then you have the them questioning him.
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[SPEAKER_04]: And I just thought the way that they questioned him was very, very good.
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[SPEAKER_04]: And then him looking on nervous because, oh crap.
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[SPEAKER_04]: Well, I had a one night stand with somebody.
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[SPEAKER_04]: Well, with her name, Julie, Julie's her name.
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[SPEAKER_04]: So he doesn't quite know how to actually lawyer up or anything he's never been questioned before but I definitely like the fact that you know Harrison is just as charismatic character that he is.
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[SPEAKER_04]: What about for you guys?
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[SPEAKER_00]: Yeah, I like Harrison a lot.
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[SPEAKER_00]: He's definitely in over his head.
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[SPEAKER_00]: But I think he did a pretty good job of staying as cool as he possibly could be in that situation.
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[SPEAKER_00]: And one of the, like, he had to throw her off.
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[SPEAKER_00]: And so he confessed that the one I stand thing and going to the club like that was a lie.
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[SPEAKER_00]: But he fell back on something that was the truth to try to
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[SPEAKER_00]: to try to throw her off, is that he is homeless, he has been living in the hotel.
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[SPEAKER_00]: And I think that's, I think that was really cool way to do it because like when you, he's basically hiding a lie in a truth.
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[SPEAKER_00]: So I think that's, I think there's a lot of layers there that is pretty cool.
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[SPEAKER_00]: Yeah.
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[SPEAKER_04]: What about for you, Institution?
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[SPEAKER_01]: Yeah.
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[SPEAKER_01]: Well, okay, so I'm going to be the odd man out.
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[SPEAKER_01]: I guess or odd lady out.
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[SPEAKER_01]: I don't love the character of Harrison is son.
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[SPEAKER_01]: Nothing against the actor.
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[SPEAKER_01]: I just, I don't know.
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[SPEAKER_01]: I feel like all of that's kind of a necessary.
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[SPEAKER_01]: I just like wish that he could just go back into being a blood analyst because I missed that component on Dexter.
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[SPEAKER_01]: But it's kind of fun that we get like little
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[SPEAKER_01]: little kind of throwbacks to him, you know, analyzing scenes, especially when we saw him go in and figure out Harrison's whole thing, which I thought he did a really good job like covering up his tracks and everything or no like formal training.
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[SPEAKER_04]: Right, exactly.
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[SPEAKER_04]: And I agree with you on that though, to an association where I wish that they would go back to the old school dexter thing of him going and working in forensics, because T.C.
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[SPEAKER_04]: did resurrect him to be able to have a lifestyle again.
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[SPEAKER_01]: Okay, okay.
05:15.990 --> 05:33.257
[SPEAKER_01]: This is my, my, like, view is like how many times does Dexter Morgan need to be accused, like, full on accused of being the Bay Harbor bircher before somebody puts two and seven together and figures out that it's him, you know?
05:33.337 --> 05:33.557
[SPEAKER_01]: Right.
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[SPEAKER_01]: But luckily for us, the fans, at least one more time.
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[SPEAKER_04]: Exactly.
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[SPEAKER_04]: It's always one more chance.
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[SPEAKER_01]: I always get away with it.
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[SPEAKER_04]: Same here because I think that here's the thing.
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[SPEAKER_04]: I think it would be cool if but he's a dust figure it out because it'd be someone that next year is loyal to and so he's going to have to go.
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[SPEAKER_04]: I don't know if you remember on Dexter original sin but he stayed in hammer very close and he felt like Dexter was very loyal to him.
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[SPEAKER_04]: So to find out that he was the Bay Harbor butcher all this time and docks are accusing him, the like, retis of accusing him and stuff like that.
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[SPEAKER_01]: And he brought his mother's fucker.
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[SPEAKER_01]: Exactly.
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[SPEAKER_01]: Or, okay, side point, I would love for like showtime.
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[SPEAKER_01]: And I guess like a paramount plus is now like involved with Dexter.
06:21.817 --> 06:26.780
[SPEAKER_01]: I would love for somebody to come up with a Dexter Morgan fashion line.
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[SPEAKER_01]: Like could you see those like shirts and then like
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[SPEAKER_01]: kind of those funny like pocket pants that guys wear.
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[SPEAKER_01]: And I would love to name it like a creep mother fucker.
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[SPEAKER_01]: Like when that be a great line, like I could buy those clothes and I would wear that and like do like watch parties.
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[SPEAKER_01]: Like there used to when twin peaks was that the return came out that used to be all of these like screening watch parties.
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[SPEAKER_01]: It would be fun to dress up like Morgan.
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[SPEAKER_01]: So if anybody needs some creative director ideas, I have a whole bunch of them.
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[SPEAKER_01]: So come on Showtime, hire me, right?
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[SPEAKER_01]: I know.
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[SPEAKER_01]: I would have worn it today, but I went with Robo Cup.
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[SPEAKER_01]: I caught a Jason.
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[SPEAKER_01]: We've got a serial killer, and then we've got a robot.
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[SPEAKER_01]: Thank you.
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[SPEAKER_04]: Oh, thank you.
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[SPEAKER_01]: Yeah, so fun, the episode.
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[SPEAKER_01]: I mean, I kind of like, I guess, maybe I'm jumping ahead a little bit.
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[SPEAKER_01]: But the, like, the staff was like being invited to dinner, like, gonna take a place or whatever.
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[SPEAKER_01]: It kind of feels like almost like in adventures, like, I feel like all of the superheroes, the super killers are gonna meet up.
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[SPEAKER_01]: And I'm a little nervous because it just seems like such a departure from
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[SPEAKER_01]: How intimate the, you know, the first sexer series was with like the murders and everything like that.
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[SPEAKER_01]: And now we've got that one killer.
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[SPEAKER_01]: Right, because he has such a code of ethics.
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[SPEAKER_04]: I definitely agree, but you know what though, you're absolutely right though, in a sense, because I'm like, how does this play into texture?
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[SPEAKER_04]: Because we're always used to texture having the one killer to kill.
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[SPEAKER_04]: during every season.
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[SPEAKER_04]: This is several killers in a room together eating dinner like it's Hannibal Lecter being invited for dinner.
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[SPEAKER_04]: And I'm like, is this like a who done it?
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[SPEAKER_04]: Because I already saw that with Joe Goldberg.
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[SPEAKER_04]: I don't want to have a, I don't want to have a who done it.
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[SPEAKER_04]: Zero killer kind of vibe to it or anything.
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[SPEAKER_04]: So it's just about the delivery on how they approach it.
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[SPEAKER_04]: I'll be sold on it.
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[SPEAKER_04]: But I also find a funny that Dexter takes the identity of a serial killer that it's a vegan.
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[SPEAKER_04]: And it's going to be interesting on how he has to play a vegan at a dinner table.
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[SPEAKER_04]: And everybody else is eating meat.
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[SPEAKER_04]: And he's taken to the persona of another serial killer.
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[SPEAKER_04]: So I think it's just like that dark humor for me that I can't wait to see how that lands.
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[SPEAKER_00]: Hey, I feel like that when they realize that he's not who they invited he'll be he'll be in trouble.
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[SPEAKER_04]: I don't know.
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[SPEAKER_04]: I think that pure dinklage would be like, you know, I got the Bay Harbor butcher over here supposedly.
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[SPEAKER_04]: And he's probably the best serial killer's out of the other serial killer's that he has.
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[SPEAKER_04]: So I think that it would be a step up.
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[SPEAKER_00]: How quick do you think they're going to realize that he's the Bay Harbor butcher?
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[SPEAKER_00]: Like he's not going to tell him.
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[SPEAKER_04]: No, but something's going to be the only he's going to watch in.
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[SPEAKER_01]: Yeah.
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[SPEAKER_04]: No.
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[SPEAKER_04]: But something's going to happen with that body part that he has with that disposable thumb thing that he has because he has to have that thumb with him at all times.
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[SPEAKER_04]: Something's going to happen where he's going to get exposed.
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[SPEAKER_00]: Absolutely.
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[SPEAKER_00]: So I also feel like that this could be a way to give him a list of names and targets to go like depending on how long they want this resurrection series that go, like each season could be another name on the list that he goes after.
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[SPEAKER_04]: don't be like a serial killer for higher kind of thing.
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[SPEAKER_03]: Yeah.
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[SPEAKER_01]: Would be interesting.
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[SPEAKER_01]: Yeah.
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[SPEAKER_01]: I'm not sure where they're going to take this story.
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[SPEAKER_01]: I mean, like what you were talking about with the thumb.
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[SPEAKER_01]: I could see that thumb accidentally falling out on like a plate of food or something.
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[SPEAKER_01]: I mean, obviously, it's going to be a big like cat and mouse game.
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[SPEAKER_01]: There's so many different subplots happening, which I feel like it's a little
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[SPEAKER_01]: I feel like I don't like okay for me for like an OG fan I don't really need all of like this Peter Dinklage all of this stuff I don't need the sun stuff I would like just to have like Morgan and his dad you know like just
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[SPEAKER_01]: You know, doing these revenge kills.
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[SPEAKER_01]: I love that, but I don't know.
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[SPEAKER_01]: I mean, beggars can't be choosers, right?
11:09.961 --> 11:17.567
[SPEAKER_01]: Because I feel so lucky that Michael Seahaw is reprising Dexter and that we're getting this a whole new season.
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[SPEAKER_01]: It's so fun to dip back down into that universe.
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[SPEAKER_01]: So I'm just going to see how it works out.
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[SPEAKER_04]: Right, right.
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[SPEAKER_04]: So with you on that one too, though, I was like, I feel like the stuff with Harrison, he needs to go on ahead and make a move at saying, Hey, son, I'm what been watching you.
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[SPEAKER_04]: You've been making mistakes.
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[SPEAKER_04]: And let's go on ahead.
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[SPEAKER_04]: Let's go a full throttle after that.
11:40.633 --> 11:46.635
[SPEAKER_04]: Because I feel like them focusing on Harrison, them focusing on Dexter's slowing down the series a little bit for me.
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[SPEAKER_01]: It really does for me too.
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[SPEAKER_01]: I mean also it's like all of these people are great actors.
11:53.184 --> 11:59.872
[SPEAKER_01]: I just mean as like on a writer standpoint and for for me as the fan because also we're watching this different.
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[SPEAKER_01]: It's like, well, I guess they're releasing them.
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[SPEAKER_01]: Sometimes I like binge like I binge the first couple.
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[SPEAKER_01]: Did they release them together?
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[SPEAKER_01]: I don't know.
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[SPEAKER_04]: They released two together and then that one's by itself.
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[SPEAKER_01]: So it's like you can see as a fan watching things back to back.
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[SPEAKER_01]: You can see like the little minor flaws, but again, I love the series.
12:18.604 --> 12:29.167
[SPEAKER_01]: So I'm going to kind of, I'm going to allow it, but this is just like if I were to write it, I would kind of make it clearer, more focused, story just on that.
12:29.727 --> 12:38.834
[SPEAKER_01]: You know, just on Dexter stuff because he's the character is so rich and complex and I don't feel like we like I'm not tired of Dexter.
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[SPEAKER_01]: I don't know about you guys.
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[SPEAKER_04]: But here's the thing, I think that it needs to stop the subplots and have dexter that confrontation with Harrison because it slows it down.
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[SPEAKER_04]: Once you have that confrontation between the two of them, then you go into the whole entire dinner thing with the serial killer party and stuff.
13:03.843 --> 13:10.085
[SPEAKER_01]: Yeah, I mean, the new detective, the female new detective, and then the manager at the hotel.
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[SPEAKER_01]: I feel like, and this is nothing against the actors, but I feel like I'm almost watching a soap opera or an opera.
13:17.228 --> 13:21.850
[SPEAKER_01]: I feel like they're mugging a lot, like a very character trick.
13:23.030 --> 13:23.410
[SPEAKER_04]: Right.
13:23.650 --> 13:26.311
[SPEAKER_04]: I actually said this to Jason on the last episode.
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[SPEAKER_04]: It feels like boom.
13:29.477 --> 13:31.639
[SPEAKER_04]: This is what I said that Jason on like the last episode.
13:31.699 --> 13:38.104
[SPEAKER_04]: It felt like very boom doc saints because we have to follow is doing the remember one ever in the first boom doc saints.
13:38.425 --> 13:40.106
[SPEAKER_04]: He's very from buoyant.
13:40.506 --> 13:41.968
[SPEAKER_04]: He's over there doing the whole entire thing.
13:42.008 --> 13:46.431
[SPEAKER_04]: Listen to his headphones and you know orchestrating the whole entire detective thing.
13:46.712 --> 13:50.635
[SPEAKER_04]: Just as how she's also orchestrating this thing by doing state.
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[SPEAKER_04]: Stay alive by the BGs.
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[SPEAKER_04]: So that's how I feel like with her.
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[SPEAKER_04]: And I understand it's good.
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[SPEAKER_04]: They want for like a comedic thing kind of thing for some dark humor.
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[SPEAKER_04]: It doesn't land for me like I want it to.
14:07.370 --> 14:13.855
[SPEAKER_04]: If she does it again, I don't want it to be the same snake that we seen in the first the first and second episode.
14:13.975 --> 14:16.316
[SPEAKER_04]: I want them to do away with the headphones soon.
14:17.958 --> 14:19.779
[SPEAKER_04]: You know, otherwise it feels too over the top.
14:20.395 --> 14:38.711
[SPEAKER_00]: Yeah, she's very over the top, but she's, I think she's fun to watch, but she is a little one-dimensional where it's just, you know, like Anna was saying, almost a caricature, not like, she doesn't feel like a real person, just like a very exaggerated stereotype kind of.
14:39.191 --> 14:40.752
[SPEAKER_04]: It kind of turns to the center like a trauma.
14:40.772 --> 14:42.954
[SPEAKER_00]: Right, a hotel manager feels exactly the same way.
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[SPEAKER_04]: The hotel manager's like very bad at his job.
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[SPEAKER_00]: Yeah.
14:48.498 --> 14:52.043
[SPEAKER_01]: It's like, well, it's like one tone.
14:52.764 --> 14:52.984
[SPEAKER_03]: Yeah.
14:53.184 --> 14:53.405
[SPEAKER_01]: Yes.
14:53.605 --> 14:53.885
[SPEAKER_01]: Yeah.
14:53.925 --> 14:57.751
[SPEAKER_01]: I wish they would have more of an, more of an arc with those in it.
14:59.306 --> 15:02.707
[SPEAKER_01]: It's not, I don't take it as the actor's fault.
15:02.767 --> 15:04.828
[SPEAKER_04]: It's just the way it's laid out in the way it's written.
15:04.848 --> 15:05.888
[SPEAKER_04]: It's the way it's written here.
15:06.689 --> 15:17.672
[SPEAKER_00]: Man, I, we talked about in the last episode, how I felt, I felt like that, that he was going to kill the dark passenger either in the next episode of the next episode for that.
15:18.273 --> 15:19.113
[SPEAKER_00]: I freaking called it.
15:20.814 --> 15:26.936
[SPEAKER_00]: And then, and then they were going to move into the story with like Peter Dinkley and, and
15:28.489 --> 15:31.430
[SPEAKER_00]: Man, I'm digging it so far.
15:32.350 --> 15:37.511
[SPEAKER_00]: Like Anna said, there's like little things here and there with the other characters.
15:38.831 --> 15:45.733
[SPEAKER_00]: I also think feel like that the side plot with Harrison is taking a little bit too long.
15:45.813 --> 15:47.393
[SPEAKER_00]: And I actually mentioned that last time too.
15:47.413 --> 15:56.175
[SPEAKER_00]: I was like he, like his soul purpose for getting better and getting out of the hospital and
15:58.996 --> 16:25.457
[SPEAKER_00]: you know getting around but he's to was to go be there for a son and then he gets there and he chickens out that's not like dexter right even Harry's like what are you doing your he goes well he's gonna date it's not a reason not to be there for your son dexter I hate you on the hand and check on him yeah I hate all of that but I do get it I mean you got to create the tension and stretch it out um but um like
16:26.573 --> 16:31.916
[SPEAKER_00]: for story, like for story and a character development, it doesn't work for me.
16:32.837 --> 16:34.958
[SPEAKER_00]: That part of the series doesn't work for me.
16:35.759 --> 16:38.461
[SPEAKER_00]: Stretching that confrontation with Harrison out, I don't like it.
16:39.541 --> 16:40.682
[SPEAKER_00]: But everything else I'm digging.
16:41.423 --> 16:43.544
[SPEAKER_00]: I like the Batista aspect.
16:44.685 --> 16:49.047
[SPEAKER_00]: I feel like he definitely knows, and it's just a matter of proving it.
16:49.748 --> 16:49.928
[SPEAKER_00]: Right.
16:51.689 --> 16:55.492
[SPEAKER_04]: But I definitely like having seen how cold it is in New York.
16:55.972 --> 16:57.873
[SPEAKER_04]: And then we get into Miami.
16:58.834 --> 17:03.257
[SPEAKER_04]: And you know, you had the Suca back, you had Joe back in there.
17:03.277 --> 17:06.780
[SPEAKER_04]: It feels like dexter or moment.
17:08.010 --> 17:11.374
[SPEAKER_00]: I think that they changed the color palette like it's it was a little bit more orange.
17:12.095 --> 17:21.064
[SPEAKER_04]: Yeah, it was a little bit more orangey in the other seasons of Dexter this one captures more than five of Miami in the winter time a little bit.
17:21.845 --> 17:25.008
[SPEAKER_04]: So you had that little winery kind of vibe to it that they're trying to set up.
17:25.929 --> 17:31.051
[SPEAKER_04]: for this, but I definitely like how Patisse is like, well, you guys will know whenever the time comes.
17:31.151 --> 17:34.513
[SPEAKER_04]: So he already knows that Dexter is the Beethoven butcher.
17:35.553 --> 17:38.175
[SPEAKER_04]: He also wants to take Dexter in and have that confession.
17:38.195 --> 17:43.557
[SPEAKER_04]: And it seems like he's like working as a PI versus, because he's also now can be retired.
17:43.597 --> 17:43.777
[SPEAKER_03]: Yeah.
17:44.317 --> 17:44.477
[SPEAKER_04]: Yeah.
17:44.998 --> 17:47.339
[SPEAKER_04]: So it's kind of like that detective that never left work.
17:47.619 --> 17:55.122
[SPEAKER_04]: You're retired, but you're still going to go to work and work as a PI and try to investigate this whole thing with Dexter.
17:55.693 --> 17:56.835
[SPEAKER_00]: Yeah, still working the case.
17:57.155 --> 18:00.140
[SPEAKER_00]: That one case that you can't shake.
18:02.443 --> 18:06.489
[SPEAKER_04]: But whatever for you in a station does the stuff in Miami work for you, what do you think of it?
18:06.509 --> 18:10.375
[SPEAKER_04]: Because I know I was geeking out when I saw Missuka and Joe and stuff.
18:11.080 --> 18:20.402
[SPEAKER_01]: I mean, it's always like a chef's kiss because I want all of those because those are part of those are some of the subplots that really work for me in the original.
18:20.502 --> 18:23.423
[SPEAKER_01]: All of those characters, those actors are so on point.
18:23.483 --> 18:29.424
[SPEAKER_01]: And I mean, I love going through this series just to see who's going to pop up.
18:29.724 --> 18:31.325
[SPEAKER_01]: It's so fun for me.
18:31.345 --> 18:35.025
[SPEAKER_01]: So yeah, it works for me.
18:35.045 --> 18:36.606
[SPEAKER_01]: And you know, like I love
18:38.647 --> 18:40.689
[SPEAKER_01]: Quinn, and I loved that actor.
18:40.709 --> 18:44.934
[SPEAKER_01]: He was like in Gochev, which he did a crazy, great job.
18:45.335 --> 18:46.916
[SPEAKER_01]: Isn't it a wonderful film?
18:47.197 --> 18:49.399
[SPEAKER_01]: Nobody talks about it, but it's killer.
18:49.419 --> 18:50.540
[SPEAKER_01]: I love that film.
18:51.622 --> 18:58.429
[SPEAKER_04]: Yes, the opening scene of the Gochev is one of the iconic horror movies that I've seen in a while.
18:58.629 --> 18:59.110
[SPEAKER_04]: I really like it.
18:59.543 --> 19:02.085
[SPEAKER_01]: Yes, yes, and the ending is so good.
19:02.165 --> 19:02.745
[SPEAKER_01]: I want to see.
19:02.765 --> 19:04.387
[SPEAKER_01]: Well, let's get a sequel going.
19:04.407 --> 19:07.809
[SPEAKER_04]: We're going to set up a thing online later on.
19:08.009 --> 19:09.090
[SPEAKER_04]: We'll try and get that worked out.
19:09.370 --> 19:10.351
[SPEAKER_01]: Yes, perfect.
19:10.691 --> 19:12.012
[SPEAKER_01]: Let's deep dive go ship.
19:13.393 --> 19:13.894
[SPEAKER_04]: We'll do it.
19:13.974 --> 19:14.374
[SPEAKER_04]: We'll do it.
19:16.140 --> 19:17.261
[SPEAKER_04]: But let's see here.
19:17.301 --> 19:20.302
[SPEAKER_04]: I'm trying to think because we talked to us all at the stuff about Joey Quinn.
19:20.342 --> 19:29.986
[SPEAKER_04]: We talked about Masuka the joking around with them was one of my favorite things out to because yeah, that was a really good idea like that stripping we you had that you said that was a good idea.
19:36.019 --> 19:47.064
[SPEAKER_04]: But then we also get into this thing with the detective once again, dismembering the body, finding out how Harrison disposes the body and putting pieces together, even though we're the witnesses to it.
19:47.644 --> 19:52.907
[SPEAKER_04]: But as we're witnessing this, we're also witnessing her putting pieces together.
19:54.047 --> 19:55.908
[SPEAKER_04]: And let's do you guys think about that?
19:56.008 --> 19:57.409
[SPEAKER_04]: I mean, about the whole entire thing.
19:57.429 --> 20:04.272
[SPEAKER_04]: I know we talked about it a little bit, but I was just wondering if there's anything else that you wanted to talk about as far as I have to go.
20:07.327 --> 20:27.647
[SPEAKER_00]: The only thing for that that I have that we haven't already talked about is I I liked it on on the one level that she would have caught him if Dexter hadn't had gotten their first and saw the blood on the ceiling like that she would have seen that and and so it was good to show us that she would have found it if he hadn't
20:28.828 --> 20:29.849
[SPEAKER_00]: say Harry's in there.
20:30.069 --> 20:32.311
[SPEAKER_00]: So I thought that was cool and well done.
20:32.391 --> 20:40.297
[SPEAKER_04]: I agree because that's what texture was saying because even when never you see the lever go up with the detective and I like how it's doing the beat to
20:41.855 --> 20:46.496
[SPEAKER_04]: that song for staying alive, as everybody's working, they're going with the beat of it and it's very instinct.
20:46.996 --> 20:51.417
[SPEAKER_04]: But you could also see where the sale and tile is at and how Dexter cleaned it.
20:52.037 --> 20:54.358
[SPEAKER_04]: If he didn't, it would have actually been that pleasant letter up there.
20:55.258 --> 21:05.640
[SPEAKER_04]: But as far as, let's see, with Harrison and stuff, we talked about how that pacing was, okay, what did you think about him getting Dexter getting Alka Pantre and stuff?
21:06.581 --> 21:07.441
[SPEAKER_00]: That was weird for me.
21:09.091 --> 21:10.152
[SPEAKER_04]: What about for you, Anastasia?
21:10.192 --> 21:15.437
[SPEAKER_04]: Like where he's on the basement and the daughter of the other uber driver.
21:15.457 --> 21:16.158
[SPEAKER_04]: It's okay.
21:16.258 --> 21:21.283
[SPEAKER_04]: It's actually the part where the uber driver's daughter is giving him the alka punchers.
21:21.723 --> 21:26.448
[SPEAKER_04]: He's hurting and then he asks his dad, does it hurt?
21:26.828 --> 21:28.089
[SPEAKER_04]: How does it feel being old?
21:28.149 --> 21:30.071
[SPEAKER_04]: Because well, I never done old for a while.
21:30.111 --> 21:30.432
[SPEAKER_04]: Remember?
21:31.372 --> 21:43.615
[SPEAKER_04]: So you have a little community thing back and forth, but still, I wish that they would have actually done a lot more with other things besides wasting your time with certain parts.
21:44.456 --> 21:51.818
[SPEAKER_00]: I don't really understand the point of that scene other than just, yeah, I don't know, but what I do think I do like that.
21:53.698 --> 22:13.773
[SPEAKER_00]: It does go with dexter's personality because he is open to trying new things like he always has been he kind of just goes with the flow with whatever anyone is around him other you know than the killing stuff but yeah he's always just been like okay then let's do this or whatever I guess we're doing this now that's fine
22:14.233 --> 22:20.157
[SPEAKER_00]: So like the acupuncture thing on one level, it was weird for me, but on another level, he is open.
22:20.297 --> 22:21.278
[SPEAKER_00]: He's always been open to me.
22:21.618 --> 22:22.719
[SPEAKER_00]: He's just trying the thing.
22:22.799 --> 22:25.821
[SPEAKER_00]: So it kind of worked on that level.
22:25.841 --> 22:28.002
[SPEAKER_00]: But it was, it was a weird scene for me.
22:30.183 --> 22:34.226
[SPEAKER_04]: But I also like, and it would probably be back in a minute.
22:34.266 --> 22:35.747
[SPEAKER_04]: She probably has to redo some of them.
22:36.467 --> 22:47.896
[SPEAKER_04]: But the other thing I have to say that I enjoyed as well with this is you know the part where he actually gets his thing for the shots.
22:49.744 --> 22:52.366
[SPEAKER_04]: You know, and now it's he says, well, welcome back, doctor.
22:53.387 --> 22:59.311
[SPEAKER_04]: And so now he's actually getting the stuff to actually knock out the vaccine passenger.
22:59.331 --> 23:04.075
[SPEAKER_04]: I liked how the vaccine passengers are over there trying to threaten texture.
23:04.135 --> 23:12.341
[SPEAKER_04]: Dexter actually drops the syringe because another driver thought that he was that they were his driver and turned out it wasn't.
23:13.342 --> 23:16.884
[SPEAKER_04]: And then he was going to have him that computation.
23:17.766 --> 23:29.352
[SPEAKER_04]: So I'd like that conversation between what is your son think of what you're doing and stuff because to be honest, you and my son, um, don't really have a close relationship with my son.
23:32.113 --> 23:32.814
[SPEAKER_01]: Hey, I'm back.
23:32.894 --> 23:33.194
[SPEAKER_01]: Sorry.
23:33.235 --> 23:34.676
[SPEAKER_01]: I'm going to come on my phone.
23:34.997 --> 23:36.138
[SPEAKER_01]: Does it work for you guys?
23:36.579 --> 23:36.859
[SPEAKER_04]: Yes.
23:36.999 --> 23:37.680
[SPEAKER_04]: It's working good.
23:37.740 --> 23:38.461
[SPEAKER_01]: It might be better.
23:38.481 --> 23:38.561
[SPEAKER_01]: Okay.
23:39.362 --> 23:40.443
[SPEAKER_04]: Yeah.
23:41.124 --> 23:41.364
[SPEAKER_04]: Okay.
23:41.385 --> 23:43.067
[SPEAKER_04]: It's working great.
23:43.467 --> 23:43.747
[SPEAKER_04]: No, no.
23:43.807 --> 23:44.689
[SPEAKER_04]: It's probably fine.
23:44.869 --> 23:46.070
[SPEAKER_04]: Stuff like this happens on live.
23:46.090 --> 23:49.214
[SPEAKER_04]: So I don't and I can actually fix whatever it is in the audio and stuff.
23:49.875 --> 23:50.716
[SPEAKER_04]: So I'm talking about.
23:51.217 --> 23:51.377
[SPEAKER_04]: Okay.
23:52.340 --> 24:06.989
[SPEAKER_04]: So we were just talking about the confrontation in the app with the Bexie passenger and about how the texture is talking to the killer and he's like, the killer's telling him well, how does it feel to be killed?
24:10.393 --> 24:12.914
[SPEAKER_04]: What was your, what was your son say about what you're doing?
24:13.474 --> 24:14.615
[SPEAKER_04]: And when would the, what do you think?
24:14.635 --> 24:17.256
[SPEAKER_04]: Because to be honest with you, I don't know.
24:17.276 --> 24:18.716
[SPEAKER_04]: I'm jumping back and forth a little bit.
24:19.076 --> 24:25.899
[SPEAKER_04]: But there's a part where the Uber driver that's actually trained backster on and what to do it and stuff as well.
24:26.079 --> 24:29.760
[SPEAKER_04]: And he's like, oh, all my photos got burnt up in a, burnt up.
24:29.820 --> 24:33.341
[SPEAKER_04]: Like why can you just say my son and I just don't have that good relationship?
24:34.102 --> 24:35.262
[SPEAKER_04]: And therefore I don't have that.
24:35.942 --> 24:37.763
[SPEAKER_04]: So therefore I don't have that many pictures of him.
24:40.174 --> 24:42.836
[SPEAKER_04]: being that could have been better than my house burnt up.
24:43.536 --> 24:47.839
[SPEAKER_04]: Because actually, you know, Batista's going to come over there and he's going to ruin that whole entire thing.
24:47.859 --> 24:52.982
[SPEAKER_04]: That's fine.
24:53.102 --> 24:57.685
[SPEAKER_04]: But with you guys think about the confrontation and any of the other stuff I mentioned.
24:59.978 --> 25:08.764
[SPEAKER_01]: Yeah, I thought it was funny when Dexter was talking about in his car with the dark passenger.
25:08.784 --> 25:12.646
[SPEAKER_01]: The dark passenger was like, what the fuck does that mean?
25:12.726 --> 25:16.669
[SPEAKER_01]: And I just always felt hilarious because I was like, yeah, I literally started laughing.
25:16.709 --> 25:18.630
[SPEAKER_01]: I was like, yeah, what are you talking about, Dexter?
25:18.650 --> 25:24.334
[SPEAKER_01]: This is like so, like, I get it as a fan, but like, he's not gonna get it.
25:25.945 --> 25:30.666
[SPEAKER_04]: He's like, okay, a serial killer with no personality got it.
25:31.367 --> 25:32.607
[SPEAKER_04]: It doesn't have no sense of humor.
25:32.627 --> 25:36.408
[SPEAKER_01]: Yeah, I found that really funny actually.
25:38.289 --> 25:48.992
[SPEAKER_04]: And then he's over there just taking the, taking the thing and just trying to slice his throat with it and then you realize that he has that little slice of metal around his neck to actually help him.
25:50.284 --> 25:57.208
[SPEAKER_01]: I mean, I thought like it was very foreshadowed when he was, because I was, I was watching him when he was in the car and he dropped his surrender.
25:57.228 --> 25:59.109
[SPEAKER_01]: And I was like, why is he so stiff?
25:59.349 --> 26:04.331
[SPEAKER_01]: You know, like he's acting when he like heard his neck, what's going on?
26:04.351 --> 26:14.576
[SPEAKER_01]: And also it was like, I was kind of like, okay, so he's wearing a tank top, they're foreshadowing to like that aluminum sighting or whatever that, I don't know, I'm not a construction person.
26:14.616 --> 26:16.097
[SPEAKER_01]: So whatever that stuff is,
26:16.617 --> 26:19.158
[SPEAKER_01]: Like, okay, they're like, they're trying to spoon feed us.
26:19.238 --> 26:22.479
[SPEAKER_01]: I get it before it was even, you know, I think.
26:23.700 --> 26:30.863
[SPEAKER_04]: Right, because it was even one of the Uber driver that was training him was actually using it using it on his house.
26:30.883 --> 26:33.104
[SPEAKER_04]: So Dexter kind of figured it out figured it out.
26:33.124 --> 26:35.105
[SPEAKER_04]: I'm like, okay, well, I'll just put this around my neck.
26:36.190 --> 26:39.613
[SPEAKER_04]: And when he tries to go on ahead and try to kill me, I'll just use that.
26:39.933 --> 26:51.902
[SPEAKER_04]: But I thought the kill was pretty pretty interesting, him getting the money from the serial killer dinner invitation and stuff like that was pretty good.
26:52.683 --> 27:00.529
[SPEAKER_04]: But yeah, overall the episode was okay, not the greatest, but that the first two episodes were the best right now, but that's just how I feel.
27:02.215 --> 27:06.579
[SPEAKER_04]: Like you said, though, in a stage, it's not disrespect to the actors or actresses playing these roles.
27:06.719 --> 27:10.241
[SPEAKER_04]: It's just the writing in itself that just doesn't win for me.
27:10.401 --> 27:13.624
[SPEAKER_04]: But as far as their acting goes, they're doing what the script is telling them.
27:14.258 --> 27:19.522
[SPEAKER_01]: Yeah, and again, it's like as a fan, I'm going through seven as a with like a fine tooth comb.
27:19.662 --> 27:23.485
[SPEAKER_01]: It's like how I would like to say just because I've had, you know, it's like us fans.
27:23.506 --> 27:28.069
[SPEAKER_01]: We've had so much time with this character and know how we would love to see it executed.
27:28.109 --> 27:36.216
[SPEAKER_01]: So I'm a little bit more pressure with my critiques, but again, I'm so happy and thankful to be in this universe again.
27:37.637 --> 27:40.360
[SPEAKER_01]: You know, because it's like, you rewatch, I mean, I do.
27:40.380 --> 27:48.308
[SPEAKER_01]: I just kind of rewatch the whole original Dexter series and it's like, I always want something more, you know, I want something to do.
27:48.348 --> 27:49.209
[SPEAKER_01]: So it's so great.
27:49.249 --> 27:52.012
[SPEAKER_01]: And I find Michael Seahaw, he is like,
27:53.171 --> 27:56.352
[SPEAKER_01]: One of our greatest living actors, I love him so much.
27:56.412 --> 28:00.073
[SPEAKER_01]: He has so much depth and nuanced.
28:01.314 --> 28:03.555
[SPEAKER_01]: He's so brilliant in my book.
28:04.735 --> 28:14.118
[SPEAKER_01]: I just think it's great that he's totally, you know, that he loves this character, texture as well, and that he's willing to reprise it over and over again.
28:14.138 --> 28:17.299
[SPEAKER_01]: We're still lucky as fans, and he shares all of his talent.
28:17.339 --> 28:17.679
[SPEAKER_01]: Right.
28:18.200 --> 28:18.840
[SPEAKER_01]: You know, because of that.
28:19.957 --> 28:22.618
[SPEAKER_01]: I mean, I don't find out because I'm an actor too.
28:22.638 --> 28:31.762
[SPEAKER_01]: I don't, I would love to go back and reprise roles, but there's some actors that feel kind of pigeonholed and they don't want to redo them.
28:32.122 --> 28:35.764
[SPEAKER_01]: And so I find, I feel that we're so lucky, you know, that he's.
28:35.784 --> 28:36.344
[SPEAKER_01]: I do too.
28:36.424 --> 28:37.105
[SPEAKER_01]: I feel like you're.
28:37.925 --> 28:49.595
[SPEAKER_04]: Right, because I feel like to that we're like, yes, fans to be able to say, hey, look, I have a little bit more extra in mean to be able to bring out the texture and have more layers to hand than what we had in the other Dexter series, and stuff like that.
28:49.615 --> 28:52.818
[SPEAKER_04]: And maybe I'm not satisfied with the way that they sent me off.
28:52.878 --> 29:00.245
[SPEAKER_04]: So therefore, I want to try to get capture the send off that I properly that Dexter properly deserves.
29:00.925 --> 29:03.612
[SPEAKER_04]: So that's also another key thing to I think.
29:04.293 --> 29:09.646
[SPEAKER_04]: But you know, I just like to how and I actually interviewed the camera man from Dexter.
29:11.245 --> 29:14.646
[SPEAKER_04]: And yeah, I did this about maybe two or three years ago.
29:14.666 --> 29:16.486
[SPEAKER_04]: I ended up interviewing Eric Fletcher.
29:17.086 --> 29:22.567
[SPEAKER_04]: And him and Eric would actually have conversations about how the kilom should look, the movements around it.
29:22.988 --> 29:29.849
[SPEAKER_04]: So I'd like an actor that is self-aware of where things should go and how it should be layered out.
29:30.629 --> 29:34.310
[SPEAKER_04]: And given the camera may have turned key elements on what to work with,
29:34.850 --> 29:45.640
[SPEAKER_04]: So that's something I really liked with Michael C. Hall when it comes down to his layering as an actor, but not only his layering, but also to his whole direction of where he thinks that the character should go.
29:47.373 --> 29:52.456
[SPEAKER_01]: Yeah, he obviously loves this character to put in so much work and fine-tune it.
29:52.616 --> 29:55.277
[SPEAKER_01]: And, you know, he's brilliant.
29:55.797 --> 29:57.918
[SPEAKER_01]: And he has this character so much.
29:57.958 --> 30:01.500
[SPEAKER_01]: I mean, every movement, you know, and he's such a hands-actor.
30:01.580 --> 30:15.607
[SPEAKER_01]: I love how he uses, you know, it's like the, when he was doing this, you know, I'm very into, like, pan to mind, and I'm a dancers while, so I love seeing that when I care of what that actor totally embraces.
30:16.702 --> 30:39.993
[SPEAKER_01]: you know, the physicality and choices and also like when when I was watching because I watched that the episode that we're talking about again and seeing him in the his car with that restraint I was like oh gosh, he's so good like because he's totally foreshadowing that moment for us that we don't know yet, but that you know that he's like
30:41.265 --> 30:42.225
[SPEAKER_01]: It's like he's very stiff.
30:42.245 --> 30:44.887
[SPEAKER_04]: He can't move his neck down to pick up the syringe.
30:45.267 --> 30:45.867
[SPEAKER_01]: Yeah.
30:45.887 --> 30:46.587
[SPEAKER_01]: That was great.
30:47.348 --> 30:53.410
[SPEAKER_04]: But it also, it's also too like given the serial killer control because he's a serial killer himself.
30:53.911 --> 30:57.872
[SPEAKER_04]: So he's given the serial killer as if he's in control of the whole situation.
30:58.012 --> 30:58.993
[SPEAKER_04]: All sets of control.
30:59.013 --> 30:59.893
[SPEAKER_04]: Right.
31:00.473 --> 31:00.674
[SPEAKER_01]: Yeah.
31:00.694 --> 31:02.895
[SPEAKER_01]: So which is very important, right?
31:02.955 --> 31:03.255
[SPEAKER_04]: Yeah.
31:03.515 --> 31:03.755
[SPEAKER_04]: Right.
31:04.715 --> 31:07.977
[SPEAKER_04]: So with him trying to get the syringe, the killer's like, what the hell you doing?
31:08.586 --> 31:10.127
[SPEAKER_01]: Yeah, he's like dragging out.
31:10.167 --> 31:11.727
[SPEAKER_01]: He's like, okay, how do I get this?
31:12.047 --> 31:16.829
[SPEAKER_01]: I guess I'll just talk about my son and just try to stall him as much as I can.
31:17.329 --> 31:18.130
[SPEAKER_01]: Relationship.
31:18.150 --> 31:19.630
[SPEAKER_01]: Yeah, he's like, I'm dexter.
31:19.650 --> 31:22.511
[SPEAKER_04]: Oh, what are you talking about?
31:22.952 --> 31:23.432
[UNKNOWN]: Yeah.
31:24.352 --> 31:27.933
[SPEAKER_01]: I'm wearing it.
31:27.973 --> 31:31.555
[SPEAKER_04]: And I'm the only one that can use the dark passenger.
31:32.446 --> 31:36.588
[SPEAKER_01]: Yeah, he's a little protective over that.
31:36.908 --> 31:38.188
[SPEAKER_04]: Absolutely.
31:38.208 --> 31:40.909
[SPEAKER_04]: He's very salty to the guy like this is like them.
31:42.570 --> 31:45.351
[SPEAKER_01]: It's almost like an older sibling like, hey, that's mine.
31:45.511 --> 31:49.292
[SPEAKER_01]: You're not a lot of use my shirt.
31:49.753 --> 31:52.214
[SPEAKER_00]: It brings up an interesting point that I've kind of thought about.
31:54.698 --> 32:05.806
[SPEAKER_00]: If the serial killer comes along, but isn't using that name, does Dexter change his focus from his son to the serial killer like he did?
32:05.826 --> 32:16.153
[SPEAKER_00]: Because he came into York for his son, but then he hears about the serial killer using his name, and then his focus completely changes to the serial killer.
32:16.173 --> 32:20.276
[SPEAKER_00]: I feel like it's largely part because he's using his name.
32:21.282 --> 32:27.126
[SPEAKER_04]: Right, but also, too, if you think about it, though, remember of the Trinity killer thing, during Thanksgiving, that's all it was fixated on.
32:27.426 --> 32:28.647
[SPEAKER_04]: That's another example.
32:29.267 --> 32:33.070
[SPEAKER_04]: And the whole thing was with the Trinity killer, he was only after him.
32:33.170 --> 32:37.472
[SPEAKER_04]: He didn't care about Thanksgiving dinner with his wife, with his coworkers or anything.
32:37.713 --> 32:40.755
[SPEAKER_04]: He kept on making a billion exclusives to why he needs to leave.
32:41.727 --> 32:50.953
[SPEAKER_04]: And to get the Trinity just as with this, it's like I need to go on ahead and take down this serial killer that has my name because that's all I'm going to be fixated on.
32:51.293 --> 32:56.777
[SPEAKER_04]: I can work about my son later, but I need to be fixated on this right now, not my son.
32:57.597 --> 33:03.581
[SPEAKER_04]: It's like those little moments of him trying needs to be the one to take down a certain killer like he's working for forensics again.
33:05.154 --> 33:26.683
[SPEAKER_01]: Yeah, I think he definitely would have gone after the dark passenger serial killer either way, even if that wasn't his name, just because out of his code of ethics, like one of his finds, like somebody who's doing a wrong and it's not justified, then that like that doesn't sit right with him and he has like an urge he has to go, you know,
33:27.583 --> 33:33.509
[SPEAKER_01]: Phil filled that need for him because this is the problem that he has, you know, his entire life, right?
33:33.549 --> 33:46.342
[SPEAKER_01]: Then he has to go kill and it's these urges and so he's trying to use them for positive, you know, for good deeds in a way, you know, these righteous kills, let's say.
33:46.362 --> 33:48.143
[SPEAKER_01]: Right.
33:48.203 --> 33:51.467
[SPEAKER_01]: So yeah, I think it didn't, wouldn't matter who he heard about
33:53.268 --> 33:58.990
[SPEAKER_01]: But I think that he's a little bit more motivated because now he's just getting back into it.
34:00.811 --> 34:05.493
[SPEAKER_01]: I mean, this is his first kind of outing since he came out of a coma, right?
34:05.533 --> 34:07.834
[SPEAKER_01]: So he's like kind of like fighting for his life.
34:08.414 --> 34:14.697
[SPEAKER_01]: He's trying to run away from his past and he's just getting settled into a new city.
34:15.217 --> 34:15.878
[SPEAKER_01]: And so yeah.
34:16.598 --> 34:24.767
[SPEAKER_01]: I definitely he would and he's just we're just lucky that it was somebody using his name because there's a world where drama on their line.
34:24.987 --> 34:28.951
[SPEAKER_00]: And so, like an extra level of pissing him off.
34:29.932 --> 34:30.953
[SPEAKER_01]: Yeah, what I think is fine.
34:31.014 --> 34:33.857
[SPEAKER_01]: And I love the banter between him and his dad.
34:34.357 --> 34:35.458
[SPEAKER_01]: I love that actor.
34:36.765 --> 34:47.729
[SPEAKER_01]: I thought that that was great on the first series, you know, and I love that we get these old characters like Conrad died when they find a way to come back.
34:48.430 --> 34:50.851
[SPEAKER_01]: You know, imagination.
34:51.967 --> 35:07.953
[SPEAKER_04]: Right, even with Deb coming back in Newblood as well with her with the wood shipper and stuff like that and mentioning everybody that he killed and put in the arms and the wood shipper and the and Dexter Newblood and then with this, the dark humor between Harry and him is always great.
35:07.993 --> 35:09.474
[SPEAKER_04]: I love the banter between them too.
35:10.474 --> 35:15.896
[SPEAKER_04]: Even seeing the Trinity killer and Dose come back and that goes like, comment state was actually pretty cool too.
35:17.161 --> 35:23.325
[SPEAKER_01]: Yeah, I mean, for me, the only little quib is like, I wish that it wasn't so goofy, like they're really hamming it up.
35:23.725 --> 35:25.847
[SPEAKER_01]: They'll be like with the goofiness with the dad.
35:26.147 --> 35:29.849
[SPEAKER_01]: And I wish it was more like, you know, meaningful.
35:30.930 --> 35:34.592
[SPEAKER_01]: But I guess I guess they're like, we've already done that.
35:34.952 --> 35:36.273
[SPEAKER_01]: You know, we've got to try something.
35:36.313 --> 35:37.814
[SPEAKER_01]: Let's do a new stick.
35:39.574 --> 35:39.834
[SPEAKER_04]: Right.
35:40.254 --> 35:42.495
[SPEAKER_04]: It's like, OK, well, we already played those beats before.
35:42.895 --> 35:45.396
[SPEAKER_04]: Everybody knows what this character is and who he is.
35:45.476 --> 35:48.337
[SPEAKER_04]: So we don't need to really take it that seriously, like before.
35:48.897 --> 35:56.859
[SPEAKER_04]: But I feel like they do need to tone it down to and have that little bit of seriousness with Dexter, even though Harry is being in serious about his son situation.
35:57.399 --> 36:02.561
[SPEAKER_04]: So that's one thing that I have to say that Harry is trying to guide Dexter, but it's not going anywhere.
36:03.301 --> 36:03.581
[SPEAKER_04]: Yeah.
36:04.181 --> 36:06.562
[SPEAKER_01]: I hope that we get like another flashback.
36:06.642 --> 36:08.503
[SPEAKER_01]: I loved it when they did a flashback of
36:09.658 --> 36:17.345
[SPEAKER_01]: I've decked and dab as like teenagers and I want him to do another flashback of himself as a teenager if I played by him.
36:17.485 --> 36:21.128
[SPEAKER_01]: But like long period when that we fun to have a new one.
36:21.148 --> 36:21.769
[SPEAKER_01]: I love.
36:21.809 --> 36:23.751
[SPEAKER_01]: Yes, I would like to be a flashback.
36:24.852 --> 36:27.054
[SPEAKER_04]: But I look back on him as a team right.
36:27.134 --> 36:28.595
[SPEAKER_01]: Yeah, yeah, I love that.
36:29.915 --> 36:32.457
[SPEAKER_04]: Yeah, all in all, good, good episode.
36:32.557 --> 36:35.840
[SPEAKER_04]: Okay, episode, but you know, I'm still going to check this out.
36:35.880 --> 36:37.361
[SPEAKER_04]: I'm still excited about Dexter.
36:37.381 --> 36:40.643
[SPEAKER_04]: One episode is not going to slow me down from not enjoying the rest of it.
36:40.823 --> 36:44.766
[SPEAKER_04]: So, with the things, I think I liked it more than you.
36:45.227 --> 36:48.509
[SPEAKER_00]: I mean, it wasn't as good as the first two episodes, but I still like it.
36:50.010 --> 36:50.231
[SPEAKER_04]: Right.
36:51.191 --> 36:51.832
[SPEAKER_04]: For you, Anastasia.
36:52.802 --> 37:01.292
[SPEAKER_01]: Yeah, I mean, I'm just so happy to be here, you know, like with the series, so I'm kind of just like I feel like I'm going to Disneyland every time.
37:02.554 --> 37:11.785
[SPEAKER_01]: So I'm so happy, but yeah, I mean, obviously, I feel like in every series, there's like filler episodes or filler scenes where they're just trying to get the story or like.
37:13.240 --> 37:14.741
[SPEAKER_01]: just trying to get it going.
37:15.681 --> 37:27.725
[SPEAKER_01]: But yeah, I mean, for the first two, it's kind of like we were just like kicked into this new world for him, being alive and, you know, him creating this new life.
37:27.865 --> 37:31.567
[SPEAKER_01]: Now we're kind of used to the new version of Dexter.
37:32.087 --> 37:37.669
[SPEAKER_01]: And so now we're just waiting to see what is going on with these other serial colors.
37:37.709 --> 37:40.510
[SPEAKER_01]: And I hope he's going to bring enough syringes because he's going to be like,
37:40.990 --> 37:42.631
[SPEAKER_01]: fire me on.
37:42.691 --> 37:45.191
[SPEAKER_04]: He's throwing syringes at people.
37:45.532 --> 37:46.772
[SPEAKER_01]: Exactly.
37:46.792 --> 37:49.173
[SPEAKER_01]: They're not going to know what hit them because get out.
37:49.233 --> 37:56.155
[SPEAKER_01]: He's I, I, I fully believe in his powers, his villain powers.
37:56.455 --> 38:00.856
[SPEAKER_04]: I'm going to see him like at night here in this whole entire thing with him staying in that man.
38:00.916 --> 38:02.917
[SPEAKER_04]: And he's just going to syringe everybody while they're sleeping.
38:04.655 --> 38:09.339
[SPEAKER_01]: Yeah, I imagine him showing up, like, I didn't have you seeing death becomes her.
38:09.359 --> 38:15.885
[SPEAKER_01]: Like, like, you're like, taking and she's got her little bereaved and then she's like doing her like covert ops.
38:16.326 --> 38:22.171
[SPEAKER_01]: I imagine like, Dexter doing that, like, you know, getting the lay of the land before he goes and visits.
38:22.491 --> 38:25.914
[SPEAKER_01]: And then we've got like Peter Dinklage watching him.
38:27.396 --> 38:29.218
[SPEAKER_01]: I'm like the surveillance camera.
38:29.258 --> 38:30.840
[SPEAKER_00]: Like what the heck is this guy doing?
38:31.041 --> 38:33.784
[SPEAKER_01]: The dark passenger doing, you know what I mean?
38:33.984 --> 38:34.685
[SPEAKER_01]: They don't know.
38:34.765 --> 38:36.267
[SPEAKER_01]: And I know it's a big room for a chair.
38:36.367 --> 38:36.928
[SPEAKER_01]: Nobody does.
38:40.161 --> 38:52.784
[SPEAKER_04]: But yeah, guys, if you guys, if anyone that's watching right now, what's your favorite scenes in this episode of Dexter or the last two episodes of Dexter, or the rest of the series, tell me what you guys think.
38:53.404 --> 39:00.065
[SPEAKER_04]: Also, too, Jason, do you have anything coming out as far as what you want to pitch to the audience or anything?
39:01.605 --> 39:09.567
[SPEAKER_00]: Just that my movie's still out on Amazon Prime, the force to the trees, check it out, demon cult movie, a lot of fun.
39:10.950 --> 39:11.971
[SPEAKER_04]: It was definitely a great movie.
39:11.991 --> 39:13.172
[SPEAKER_04]: Definitely recommend it.
39:14.714 --> 39:20.640
[SPEAKER_04]: But uh, and say to anything else that you want to mention as well, as far as you're anything that you have coming out.
39:21.360 --> 39:29.488
[SPEAKER_01]: Okay, yes, but real quick, um, about, uh, Michael C. Call it, you guys know that he's like in a band, right?
39:29.989 --> 39:30.289
[SPEAKER_01]: Yeah.
39:30.329 --> 39:30.870
[SPEAKER_01]: Just go, go.
39:33.948 --> 39:40.255
[SPEAKER_01]: Incredible incredible and then that they like featured one of the songs and like one of the textures as well.
39:40.335 --> 39:42.237
[SPEAKER_01]: I think like kind of mine or something like that.
39:42.257 --> 39:42.857
[SPEAKER_04]: Yeah, kind of mine.
39:43.058 --> 39:43.258
[SPEAKER_04]: Yep.
39:43.438 --> 39:45.480
[SPEAKER_01]: That's how I just never know the band.
39:46.041 --> 39:47.122
[SPEAKER_01]: Do you guys have a film?
39:47.662 --> 39:47.963
[SPEAKER_01]: Yeah.
39:48.543 --> 39:49.925
[SPEAKER_01]: What's your favorite song do you have one?
39:50.476 --> 39:55.740
[SPEAKER_04]: Academy and right now of ketamine to be honest with you like that song I can actually have it on my playlist.
39:56.301 --> 40:08.431
[SPEAKER_04]: I listen to that like almost every morning just going through because it's just one of those songs is so deep and the emotional aspect of that song with Michael C. Hall's singing it.
40:09.511 --> 40:11.173
[SPEAKER_04]: It's it's a perfect song for texture.
40:11.593 --> 40:12.294
[SPEAKER_04]: I'm just going to say it.
40:13.124 --> 40:14.425
[SPEAKER_01]: Yeah, it was so good.
40:14.445 --> 40:19.468
[SPEAKER_01]: I love, um, his band, uh, Eden eraser.
40:19.508 --> 40:20.309
[SPEAKER_01]: Have you heard that one?
40:20.369 --> 40:25.532
[SPEAKER_01]: I've been playing that one like non-stop and like coming up with like different dances and stuff.
40:26.193 --> 40:27.453
[SPEAKER_01]: I love it so much.
40:27.854 --> 40:33.958
[SPEAKER_01]: And then, okay, also, I want to mention, I don't know if you guys know, but he does a great narration.
40:34.818 --> 40:37.922
[SPEAKER_01]: of streaming kings, pets cemetery on audible.
40:38.483 --> 40:41.065
[SPEAKER_01]: And if you have not listened, you should check it out.
40:41.266 --> 40:42.147
[SPEAKER_01]: It's interesting.
40:42.467 --> 40:50.496
[SPEAKER_01]: He does all of the voices, you know, even the kids voices, and it's so wonderful.
40:51.117 --> 40:52.278
[SPEAKER_01]: So go check it out.
40:52.933 --> 40:58.576
[SPEAKER_04]: You have me at Michael C. Hall and Stephen King because he's he's at a couple.
40:59.216 --> 41:02.918
[SPEAKER_01]: I think he did something on his like, graveyard shift.
41:03.418 --> 41:07.640
[SPEAKER_01]: So I had that one out, but I've just been listening because I love pet cemetery.
41:07.660 --> 41:08.920
[SPEAKER_01]: I love the novel.
41:08.940 --> 41:10.161
[SPEAKER_01]: That's one of my favorites.
41:10.261 --> 41:12.962
[SPEAKER_00]: Yeah, I love pet cemeteries.
41:12.982 --> 41:14.343
[SPEAKER_00]: One of my favorites by Stephen King.
41:15.373 --> 41:16.054
[SPEAKER_01]: Mine too.
41:16.154 --> 41:20.938
[SPEAKER_01]: I mean, it might be shadow because I love listening to Michael C. Hall and Eric.
41:21.678 --> 41:24.100
[SPEAKER_01]: I knew on performer.
41:26.102 --> 41:37.571
[SPEAKER_01]: But I love the novel and I feel like from reading like reading the novel to watching that film so many important plot points were just like scattered to the wind.
41:37.591 --> 41:39.453
[SPEAKER_00]: You're original film.
41:39.913 --> 41:41.514
[SPEAKER_01]: Yeah, well, yeah, obviously.
41:41.534 --> 41:41.615
[SPEAKER_01]: Yeah.
41:44.388 --> 41:52.810
[SPEAKER_01]: And this the the the the the the the the prequel and the remake wanted like totally crazy.
41:54.211 --> 41:55.311
[SPEAKER_01]: Like where's Norma.
41:55.371 --> 41:58.692
[SPEAKER_01]: She's like she's a big character like where she.
41:58.712 --> 42:01.152
[SPEAKER_04]: Yeah, it kind of sides.
42:01.232 --> 42:01.672
[SPEAKER_04]: My pair.
42:02.613 --> 42:06.094
[SPEAKER_01]: In the way there's like almost no mention of the window go.
42:08.168 --> 42:08.408
[SPEAKER_03]: Yeah.
42:08.668 --> 42:09.648
[SPEAKER_01]: But yeah, don't give me sorry.
42:09.708 --> 42:10.569
[SPEAKER_01]: I love heads of care.
42:10.629 --> 42:16.510
[SPEAKER_01]: And that was one dimension for any Michael C. Hall fans that he is so good.
42:16.810 --> 42:24.092
[SPEAKER_01]: And one day I want to write a script where he plays the lead character in a new film.
42:24.132 --> 42:25.053
[SPEAKER_01]: So I want to do that.
42:26.633 --> 42:27.894
[SPEAKER_01]: He's so that character.
42:27.994 --> 42:32.395
[SPEAKER_01]: I mean, in a really great way, he's he embodies that character so much.
42:32.735 --> 42:33.095
[SPEAKER_01]: I love it.
42:33.852 --> 42:34.252
[SPEAKER_04]: And it too.
42:35.233 --> 42:42.456
[SPEAKER_04]: Um, yeah, we're going to have to do a deep dive on ghost ship in the stage of your night and don't don't run me with a fun time.
42:42.476 --> 42:43.077
[SPEAKER_01]: I love it.
42:43.097 --> 42:45.718
[SPEAKER_04]: I'm like, I'm never just a fun time.
42:45.758 --> 42:47.219
[SPEAKER_01]: He's only done a couple of films.
42:47.259 --> 42:52.922
[SPEAKER_01]: We got to get him creating again, like we need these great creators to keep on going.
42:53.450 --> 42:53.910
[SPEAKER_04]: Exactly.
42:53.950 --> 42:57.691
[SPEAKER_04]: If we can actually do this, do this review and have a research and farm, that would be great.
42:58.211 --> 43:01.752
[SPEAKER_01]: That's what I'm trying to do with, like, I don't know if you know the film Monkey Bounds.
43:01.832 --> 43:07.213
[SPEAKER_01]: I've been doing a lot of different, like interviews about Henry Celeste Monkey Bones.
43:07.253 --> 43:08.113
[SPEAKER_02]: I love Monkey Bones.
43:08.474 --> 43:09.694
[SPEAKER_01]: I just heard a lot.
43:09.754 --> 43:18.376
[SPEAKER_01]: Bridget Fonda stars in it with Brendan Fraser, and I'm like trying to get a re-release of it, like we need a four K. I want more.
43:19.737 --> 43:21.458
[SPEAKER_01]: like, I want more interviews.
43:21.718 --> 43:22.759
[SPEAKER_01]: I want all of this stuff.
43:22.799 --> 43:30.884
[SPEAKER_01]: I'm like trying to like use my like crazy monster kid powers like fandom powers to get these things going.
43:31.184 --> 43:39.370
[SPEAKER_01]: I'm actually like I was talking to one of the crew members whose friends with like Henry Salig and I'm like, let's let's put something together.
43:42.052 --> 43:45.034
[SPEAKER_01]: So again, yes, for no chef, let's do it.
43:45.054 --> 43:46.114
[SPEAKER_04]: Okay, let's do it.
43:46.415 --> 43:47.795
[SPEAKER_04]: We'll work something else soon.
43:47.855 --> 43:48.376
[SPEAKER_04]: I promise you.
43:49.891 --> 43:51.052
[SPEAKER_01]: Okay, super fun.
43:51.072 --> 43:52.272
[SPEAKER_01]: All right.
43:52.372 --> 43:53.393
[SPEAKER_01]: Well, totally fun.
43:53.473 --> 43:54.634
[SPEAKER_01]: Thank you so much.
43:54.714 --> 43:55.234
[SPEAKER_04]: One problem.
43:55.274 --> 43:55.634
[SPEAKER_04]: Thank you.
43:55.654 --> 43:57.255
[SPEAKER_04]: Why do you appreciate you, Anastasia?
43:57.295 --> 44:00.337
[SPEAKER_04]: If you want to come back for next Sunday or whatever, too, you're more than welcome to.
44:00.357 --> 44:01.197
[SPEAKER_01]: Oh, my God.
44:01.237 --> 44:02.418
[SPEAKER_01]: I would love to.
44:02.438 --> 44:02.518
[SPEAKER_01]: Yeah.
44:02.858 --> 44:03.579
[SPEAKER_01]: Yeah.
44:03.619 --> 44:05.119
[SPEAKER_01]: You need you, Jason.
44:05.139 --> 44:06.360
[SPEAKER_00]: Nice meeting you, too.
44:06.700 --> 44:07.821
[SPEAKER_01]: This is so fun.
44:08.001 --> 44:08.441
[SPEAKER_00]: Very fun.
44:08.501 --> 44:08.761
[SPEAKER_00]: Yes.
44:10.322 --> 44:14.265
[SPEAKER_04]: But guys, I'll have comedian Josh pray on next month.
44:14.305 --> 44:16.746
[SPEAKER_04]: We're going to be doing the naked gun review for the remake of it.
44:17.434 --> 44:20.715
[SPEAKER_04]: Then he'll be back again with another topic that we're going to be talking about.
44:20.795 --> 44:22.095
[SPEAKER_04]: Rossi and I going to be talking about that.
44:22.795 --> 44:23.615
[SPEAKER_04]: Who asked for this?
44:23.695 --> 44:25.196
[SPEAKER_04]: Like who asked for different sequels?
44:25.216 --> 44:27.036
[SPEAKER_04]: Who asked for different things like that?
44:27.416 --> 44:30.757
[SPEAKER_04]: So it's going to be a fun time just asking us who asked for this?
44:31.317 --> 44:35.538
[SPEAKER_04]: Then we have doom generation coming on for doom generation podcasts.
44:35.558 --> 44:38.279
[SPEAKER_04]: They're going to be coming back on on the twentieth I believe of August.
44:38.739 --> 44:40.759
[SPEAKER_04]: We're going to be doing airborne.
44:41.020 --> 44:44.320
[SPEAKER_04]: We're going to be talking about the nineties airborne movie.
44:44.480 --> 44:46.961
[SPEAKER_04]: So going to check that out whenever we go on and release that.
44:47.601 --> 44:49.682
[SPEAKER_04]: So yeah, that's everything here at MovieThumbs Night.
44:49.883 --> 44:50.963
[SPEAKER_04]: Jason, thank you for joining me.
44:51.223 --> 44:51.964
[SPEAKER_04]: I do appreciate it.
44:52.304 --> 44:53.685
[SPEAKER_04]: And a stage I thank you so much.
44:54.105 --> 44:58.308
[SPEAKER_04]: And you know what, you can just be a continual guest for this Dexter Resurrection.
44:58.328 --> 44:59.008
[SPEAKER_04]: How about that?
45:02.190 --> 45:02.531
[SPEAKER_04]: Okay.
45:03.291 --> 45:03.791
[SPEAKER_04]: All right, guys.
45:03.851 --> 45:07.494
[SPEAKER_04]: Well, we're going to be out and have a great day in the safe afternoon and we'll put you guys on the next one.
45:07.554 --> 45:08.034
[SPEAKER_04]: There you guys.
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