Desperado (1995) Review – Does This 90s Action Classic Still Hold Up?

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[SPEAKER_01]: Hello, movie lovers.

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[SPEAKER_01]: I'm looking to show you today.

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[SPEAKER_01]: I am actually in my good friend Jason from it's not that bad podcast Jason welcome back to the show I know last month.

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[SPEAKER_01]: We ended up doing demolishing man

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[SPEAKER_01]: And now, here we are doing test drive.

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[SPEAKER_00]: How are you doing?

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[SPEAKER_00]: I am doing really good in his taking everything out of me, not reach off camera because, obviously you can't see it, because it's off camera.

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[SPEAKER_00]: But just over there, outside of my camera view is my guitar signal.

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[SPEAKER_00]: And over in my guitar signal is a classical acoustic electric nylon string guitar.

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[SPEAKER_00]: And since we're watching this film, I'm just like, yeah, yeah, I should pick that up again.

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[SPEAKER_01]: That's sexy right there.

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[SPEAKER_01]: That's sexy.

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[SPEAKER_01]: I'm just going to say that, right?

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[SPEAKER_01]: But yeah, I actually, because of Desperado, I decided to pick up guitar.

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[SPEAKER_01]: Guitar lessons and everything is a kid.

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[SPEAKER_00]: I'm not surprised.

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[SPEAKER_00]: There are a lot of movies that are going to inspire.

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[SPEAKER_00]: I mean, I really hope no one wanted to learn the drums after whiplash, but this is one of those films.

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[SPEAKER_00]: It's like this in Crossroads, where it's like, yeah, I would really want to pick up a guitar.

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[SPEAKER_01]: Definitely because don't get me wrong.

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[SPEAKER_01]: I love boy meets world where you actually see Cory and Sean They have their guitars and they're trying to pick up chicks and stuff and so I'm like Okay, so all I got to do is just act like I have a guitar But with this one, it's like I want to learn how to play guitar because of how Tony Menderis is teaching the little kid how to play guitar

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[SPEAKER_00]: You know, well, the fact that he actually did all of the, you know, the on camera guitar work.

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[SPEAKER_00]: I don't, it wasn't him in the recording, but the fact that he did all the on camera guitar work clearly, he actually spent some time and studied what it took to actually play one of those guitars and a lot of actors do that as well.

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[SPEAKER_00]: If you take a look at the most recent flat liners remake, um,

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[SPEAKER_00]: New Dobrev actually sat down with a cellist, like a proper cellist, and learned how to play guitar.

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[SPEAKER_00]: Sorry, not guitar, but I looked at it at a play cello.

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[SPEAKER_01]: That's interesting.

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[SPEAKER_00]: Yeah.

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[SPEAKER_01]: So my question is this, too, though.

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[SPEAKER_01]: Like, when did you hear about this barato?

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[SPEAKER_01]: What was your nostalgia at Ford Desperado?

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[SPEAKER_00]: You know, it's funny.

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[SPEAKER_00]: I had only actually seeing Desperado kind of in passing once.

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[SPEAKER_00]: I I'm, I mean, this in reverse.

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[SPEAKER_00]: So full disclosure, I have still to this day never seen El Mariachi, but I watched the hell out of once upon a time in Mexico.

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[SPEAKER_00]: And the other thing too is that my waive carry is a very big Tarantino and Robert Rodriguez fan.

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[SPEAKER_00]: So of course, we were going to jump into this.

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[SPEAKER_00]: But it's been, it's been a hot mess.

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[SPEAKER_00]: This is I've actually watched anything of Desparado, but once upon a time in Mexico, it was a hot tip for me.

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[SPEAKER_01]: You know what?

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[SPEAKER_01]: I'm actually in the same boat as you, though.

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[SPEAKER_01]: Desparado was my go-to.

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[SPEAKER_01]: I didn't watch Almy art Mariachi or anything.

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[SPEAKER_01]: Desparado was my first go-to.

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[SPEAKER_01]: And then

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[SPEAKER_01]: with, I called the Johnny Depp, the Johnny Depp saga of the thousands, because it was just on role with Pirates of the Caribbean and stuff like that, but there's just something about Desperado with the Tonya Mbanteras and being in Mexico that for me as someone that

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[SPEAKER_01]: watching this movie and being intrigued with it.

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[SPEAKER_01]: I love this.

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[SPEAKER_01]: I mean, I love Steve Hashimi in this.

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[SPEAKER_01]: He was actually the first actor that I've seen that I really was really attached to his character.

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[SPEAKER_01]: And stuff, because that was my introduction to Steve Hashimi was seeing him in Desperado.

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[SPEAKER_01]: And then, she chooses in this movie.

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[SPEAKER_01]: You have a long list, then you also Danny Trejo.

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[SPEAKER_01]: That was my first introduction to Danny.

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[SPEAKER_01]: I've been known about cheese for a long time,

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[SPEAKER_01]: In this movie, I'd really loved it.

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[SPEAKER_01]: I love the action sequences.

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[SPEAKER_01]: I love the guitar, the guitar case opens up to a, into a place that you actually have guns.

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[SPEAKER_01]: And then you also have a Tony Banderis's friends who also have guns in a missile launcher.

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[SPEAKER_01]: It is balls to the wall, just crazy stuffing your Facebook popcorn for an hour and 44 minutes.

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[SPEAKER_01]: And I love it.

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[SPEAKER_01]: I'm here for it.

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[SPEAKER_00]: Yeah, I kind of take a look at this film and pretty much think of it as what if John will made a Zoro film.

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[SPEAKER_00]: That's kind of what it feels like to be because you have a lot of gun ballet going on in this film, much like a John Wu film, but you know, because it's the it's the, it's the, for like a letter from the Lone Disparado, the El Mariachi, the, the, we're avenging, you know, fader for good and justice kind of thing.

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[SPEAKER_00]: Like, and the fact that

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[SPEAKER_00]: guitar case rocket launcher for the frickin' win.

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[SPEAKER_00]: You know, the movie does get to a point where you have to completely and utterly suspend this belief because how many rockets did he have in that guitar case?

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[SPEAKER_00]: I'm pretty sure, pretty sure there were a few more.

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[SPEAKER_00]: It's kind of like a people who like count the bullets in the gun in movies.

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[SPEAKER_00]: Right.

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[SPEAKER_00]: Count the missiles in the guitar case.

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[SPEAKER_00]: Just go on to dry.

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[SPEAKER_01]: Exactly, because I know there was like three or four of them that the missile launchers just shot out of the case and I think that might have been more and then you also have the other one that had Gatlin was like a gutling gun and then there was a remote control car that just shoots up everybody and like you know like a remote control car but it's a guitar case which just shoots up everybody I thought that was really fascinating on how they did that with the bomb.

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[SPEAKER_01]: So, yeah, I really enjoy this movie a lot.

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[SPEAKER_01]: So, this, logically, I'm like an straight up 10 for this.

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[SPEAKER_00]: See, again, my, my nostalgia leans more towards the once pun in time in Mexico.

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[SPEAKER_00]: So, for me, going into the film, it was kind of sitting around a six or seven, but that's because I lean more towards the third film in the Mexico trilogy.

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[SPEAKER_01]: Right.

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[SPEAKER_01]: Which is a great film.

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[SPEAKER_01]: I enjoy once pun in time in Mexico.

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[SPEAKER_01]: And that's actually when inspired me to bring you on here.

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[SPEAKER_01]: was because I heard you and your wife talking about how much you love once point of time makes it go.

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[SPEAKER_00]: Oh, it's so good.

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[SPEAKER_01]: So I'm like, oh, I got my desk for a ride of guy.

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[SPEAKER_01]: OK, I'm going to bring you the next one.

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[SPEAKER_01]: Watch the second movie.

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[SPEAKER_01]: And maybe the first one too.

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[SPEAKER_01]: We'll just do this back first.

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[SPEAKER_01]: Like I did.

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[SPEAKER_01]: Because I didn't watch, I get this.

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[SPEAKER_01]: I have the box set of the Mariachi collection.

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[SPEAKER_01]: But I didn't pick up the first one yet.

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[SPEAKER_01]: So I'm going to have to check out the first one.

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[SPEAKER_00]: see now I want to hear it it's also we should like do to do a complete netter first watch and get first impressions off that yeah well do that we'll do that because that's what I want to do and then go into the third one and then we can rank every rank them all I am totally down any chance I get to rewatch once pun time Mexico account me in okay sounds good

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[SPEAKER_01]: So guys, now that we talked about this movie nostalgicly, really are now going to say, that's just a thing, that's just a mirage.

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[SPEAKER_01]: That's just al-Mariachi shooting his guns off at us, and that's just gonna go away.

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[SPEAKER_01]: So let me ask you a question.

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[SPEAKER_01]: If you guys walked into a bar, carrying a guitar case, what do you think is inside?

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[SPEAKER_01]: There's something to drink.

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[SPEAKER_01]: There's something in the guitar case.

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[SPEAKER_01]: Yeah.

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[SPEAKER_01]: But, like guitar,

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[SPEAKER_01]: And Esparado, that guitar case is filled with enough weapons to start a small war.

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[SPEAKER_01]: What's going on, everybody?

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[SPEAKER_01]: I'm John.

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[SPEAKER_01]: Welcome back to Movie Lovers Night.

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[SPEAKER_01]: It's night, we're talking about one of the coolest most over-the-top action movies of the 90s, directed by Robert Rodriguez.

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[SPEAKER_01]: Starting with Tony Banderas.

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[SPEAKER_01]: This movie basically asked one simple question.

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[SPEAKER_01]: What if a mariachi magician was also the most dangerous man in Mexico?

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[SPEAKER_01]: And somehow, it works.

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[SPEAKER_01]: You've got insane gun fights slow motion action to kill us soaked bar shootouts and saw my high act having a 15 minute sex scene with a Tonya Minderous stealing every scene she's in.

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[SPEAKER_01]: But I'm not breaking this movie down alone joining me tonight is Jason from it's not that bad podcast and we're diving into another

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[SPEAKER_01]: whether Desperado still holds up, or if this is just 90s action chaos.

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[SPEAKER_01]: So, grab a drink, hide your guitar cases, and let's talk Desperado.

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[SPEAKER_01]: So, what I like about this is like the opening scene, it's Steve Hashimi going into the bar, and he's now telling the mythology of Desperado, of the Yal Mariachi.

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[SPEAKER_01]: And I'd like how he's over there, he just walks in.

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[SPEAKER_01]: Because I had to be like this before.

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[SPEAKER_01]: Just not just quite as good as this, but I had it.

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[SPEAKER_01]: And then he starts telling him about how in walks the biggest Mexican that he's ever seen.

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[SPEAKER_01]: Big ass shit.

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[SPEAKER_01]: And then he winds up telling them, hey, look, the Mexican comes in there.

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[SPEAKER_01]: I'm already actually comes in there.

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[SPEAKER_01]: So this is a tar case down and pass it on.

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[SPEAKER_01]: Pets the back of the guitar case like it's his girlfriend.

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[SPEAKER_01]: And then he's like whispers over to the bartender and then I like how she goes with it he say it was Booch and I like how the guys eyes just light up with this.

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[SPEAKER_01]: I also like how they have this thing where you don't see a Tonya bandar as a space it's just like this darkness within like these shadows are just moving with the Tonya

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[SPEAKER_00]: Oh, absolutely.

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[SPEAKER_00]: I mean, it kind of reminds me a little bit of the red eye episode from Calboy B.

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[SPEAKER_00]: Bob, you know, walking into the Mexican bar, you know, and almost kind of like the same look as well.

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[SPEAKER_00]: But this, this opening scene, I freaking love this opening scene.

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[SPEAKER_00]: And if you ever wondered, you know, why Robert Rodriguez and Quentin Tarantino or friends, this script says everything, this script feels like it came straight into the Tarantino film.

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[SPEAKER_00]: and we bushemies delivery like it's very, very methodical the way they shot this in the way he delivers everything.

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[SPEAKER_00]: It's almost like he's stringing them along a little bit a little bit sees he's losing them drops the butcher reference and then continues on in his very bushemmy way it is fascinating to watch not just the progression of the story itself, but also the sinking of

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[SPEAKER_01]: I that's what I like though is like you can definitely tell that where Tarotino got his filming style with Rodriguez like we're introduced to certain characters within this film right like you have to like a little kid that just passes on the street and that's wanting to get into the bar they kick him out of the bar.

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[SPEAKER_01]: stuff and we're not sure where that's going if he's even going to be introduced again.

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[SPEAKER_01]: I like that.

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[SPEAKER_01]: I like that scene, but you're right though, this actually feels like a Tarotino film with Rodriguez.

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[SPEAKER_01]: It just so much layers to actually peel back everything and say, hey, look, this is just as much as a Tarotino film than a Rodriguez film.

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[SPEAKER_01]: But Tarotino is actually in this film as a cameo appearance, which I thought was pretty neat.

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[SPEAKER_00]: Yeah, and that's the nice thing to like you do see the band apart friendship definitely into this into this movie, but I love when you have, you know, a character in a scene, basically telling the story of an entirely different scene and almost feels like a flashback.

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[SPEAKER_00]: You know, they did this really well in Ant-Man, of course, as well as Simon Pegg, also in Sean of the Dead, as he's explaining the plan of how they all ended up at the Winchester, right?

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[SPEAKER_00]: So being able to narrate that and cut back and forth, it really, and as an opening scene,

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[SPEAKER_00]: It drags you right in.

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[SPEAKER_00]: It takes hold of you in a very stylish way, and you are you're captivated with Bushimmi's delivery, but you're also captivated with the stylish way that it's shot as well.

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[SPEAKER_01]: I agree.

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[SPEAKER_01]: It's very stylistic.

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[SPEAKER_01]: It's very atmospheric with the way everything is shot.

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[SPEAKER_01]: And, you know, once we get into that whole entire sequence that we that was talking about, then it goes into the title, it goes into

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[SPEAKER_01]: And I'm like, just get yet this at the back that you have this al-Mariachi and his friends singing and they get up on the bar.

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[SPEAKER_01]: Tony renders us because he sees his other woman they're being assaulted.

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[SPEAKER_01]: He winds up slap hitting this one dude with his guitar and then just wipes the blood off the guitar and then goes back to singing it like it was nothing.

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[SPEAKER_00]: I cringed at this scene, I was wondering because you're a musician I am a musician and any any musician knows that you do not hit anything with your headstock at all that is the most precious part of your guitar but it's also one of the more you know breakable parts of your guitar so if you're whack in someone in the head that hard with your headstock you're not playing that guitar for the rest of the night.

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[SPEAKER_00]: that now it's still in one piece.

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[SPEAKER_00]: So yeah, I I died a little inside watching that scene because I mean, I'm bump my head stalked during a live show and every time I do I start listening like I just thought myself out of tune.

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[SPEAKER_00]: I really hope I didn't knock myself out of tune because I want to have to wait till the end of the song to see if I'm still in tune.

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[SPEAKER_00]: I guarantee you that guitar was knocked way ahead of tune after that hit.

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[SPEAKER_00]: But yeah, I looked at the fact that they don't spill it as a dream sequence until the very end, like it's, you know, it's stylus stylishly done, you know, it establishes not just a mariachi, but also the two friends that we get to see a little bit later, but it maintains that vibe as well.

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[SPEAKER_01]: I agree.

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[SPEAKER_01]: And then we also, like you said, we don't know that is a dream sequence up until, you know, Steve Hashimi's like, look, you got to stop what you're doing.

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[SPEAKER_01]: Or, you know, this is not going to bring back your girlfriend.

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[SPEAKER_01]: Well, I had a dream about our last meeting.

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[SPEAKER_01]: I'm like, oh, okay.

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[SPEAKER_01]: So that explains the dream sequence of the very introduction to this.

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[SPEAKER_01]: And I never even picked up on a now up until I started doing the review for it.

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[SPEAKER_01]: I've seen this movie several thousand times.

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[SPEAKER_01]: I

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[SPEAKER_01]: And it just goes to show you how much the rewatchability is for this movie as well.

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[SPEAKER_01]: And, you know, I like how it also goes into the whole fact of how giving us that story of Bootsho killing his his girlfriend.

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[SPEAKER_01]: And it's just good.

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[SPEAKER_01]: It's all what it basically after he shoots her and everything it goes to white.

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[SPEAKER_01]: I just thought that was an interesting take about, okay, now we're actually glued into the gallery actually story itself.

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[SPEAKER_00]: Hmm.

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[SPEAKER_00]: Yeah, so like this opening scene with Bushemi, you're telling the story, we're setting up the menace, like the almost Kaiser's so sayness of El Mariachi, right?

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[SPEAKER_00]: And then you get this flashback sequence, which you have to think.

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[SPEAKER_00]: It is a flashback sequence because this is how we got his handshot of El Mariachi and basically the impetus, the beginning, the embryonic point of his blood feud against Bucha and why he would track him

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[SPEAKER_00]: down.

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[SPEAKER_00]: So we set up, you know, the presence and we set up the motive in two consecutive scenes, stopped around the title card in a really well done way.

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[SPEAKER_01]: I really do.

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[SPEAKER_01]: I like it.

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[SPEAKER_01]: We didn't get movies like this.

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[SPEAKER_01]: That's like a cold open.

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[SPEAKER_01]: And then we get into the regular movie.

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[SPEAKER_01]: Another movie that we reviewed was the departed and it did that didn't the same way.

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[SPEAKER_01]: But this is actually a perfect movie to actually transition from, you know, the introduction of Steve Assimis character.

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[SPEAKER_01]: Now we're being introduced to y'all.

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[SPEAKER_01]: Mario actually to make us care about him.

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[SPEAKER_01]: And yes, I understand some people might have some gripes because of the fact, I want to care about the woman he's avenging.

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[SPEAKER_01]: At the same time, though, I feel like you don't really need it because the fact that you know that anger is there to punish those who actually killed his girlfriend.

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[SPEAKER_00]: Yeah, we got enough backstory so that anyone who's never seen El Mariachi is not going to feel lost after about 10 minutes of this film.

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[SPEAKER_00]: You know exactly what you need to, but it doesn't feel like a like an unnecessary exposition dump.

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[SPEAKER_00]: It's stylishly sets up everything that you need to know about this character.

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[SPEAKER_00]: you know, motive and and dangerousness and you don't need to go too far into who is wife is and how we felt.

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[SPEAKER_00]: Jo had his wife killed that's all you need to know that is not plenty of reason and he is dangerous enough in order to be able to get that revenge.

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[SPEAKER_01]: Exactly.

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[SPEAKER_01]: And I feel like if it was shot today, we would get a 20 minute scene of us being invested into their relationship.

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[SPEAKER_01]: when we can just go ahead and jump into this movie and watch it from what it is.

17:30.664 --> 17:33.996
[SPEAKER_01]: And I feel like this movie moves very quickly.

17:34.415 --> 17:39.420
[SPEAKER_01]: All except, once we get to Busho's house, it kind of slows down a little bit.

17:39.580 --> 17:47.987
[SPEAKER_01]: Once we get into that climax of the film, it kind of slows down, just a tight, tighting bit, because now we are actually in the climax of the film.

17:48.027 --> 17:49.388
[SPEAKER_01]: But we get to that in a few minutes.

17:50.229 --> 17:53.372
[SPEAKER_01]: But I think it's actually perfect the way that you shot this.

17:53.512 --> 18:04.422
[SPEAKER_01]: And then, you know, then after Bashimi's character leaves, down Busho's men are actually on the fence now.

18:04.402 --> 18:20.586
[SPEAKER_01]: I feel like the bar itself is actually a character and its own self as well because we get these characters who are supposed to be there to protect the bar and they're also money laundering and you also have Tarotino that walks in.

18:22.448 --> 18:27.255
[SPEAKER_01]: As well, and he takes the beer and then you also have the other guy that walks in with them.

18:29.158 --> 18:31.742
[SPEAKER_01]: And he turns around and he says this reminds me of a joke.

18:32.701 --> 18:42.714
[SPEAKER_01]: This reminds me of Joe, where this guy walks into a bar, the orders of beer, he winds up to tell a bar to her.

18:42.774 --> 18:47.720
[SPEAKER_01]: I bet you three hundred dollars that I can piss into that glass over there.

18:49.001 --> 18:52.185
[SPEAKER_01]: He goes on ahead, starts thinking to glass to glass to glass to glass to glass.

18:52.586 --> 18:56.751
[SPEAKER_01]: He starts pissing all over the place, all over the bar, all over.

18:57.355 --> 19:06.316
[SPEAKER_01]: All over everybody and he's the bartender just laughing his house and off because and then he just okay, okay, he moves over to the back and he gets the money.

19:07.439 --> 19:12.090
[SPEAKER_01]: Then he gives the money, he gives him the $300 the bartender the $300.

19:14.281 --> 19:20.751
[SPEAKER_01]: And he's like, what are you laughing about because you just goes, well, I just want 300 us.

19:21.111 --> 19:26.540
[SPEAKER_01]: No, I bet those guys are with their 500 that would piss on you piss on everything, but the glass.

19:27.621 --> 19:29.444
[SPEAKER_01]: So he walks away with some of the dollars.

19:29.845 --> 19:36.475
[SPEAKER_01]: What would you think of the joke, whether you think of Tarotino being in this, I love the fact that he has only his own little theme song within the movie itself to.

19:38.328 --> 19:43.836
[SPEAKER_00]: I love the Tarantino's in this because he and Robert Rodriguez are good friends.

19:43.856 --> 19:44.978
[SPEAKER_00]: They worked together for long enough.

19:45.198 --> 19:47.482
[SPEAKER_00]: I mean, you look at them from Dustill Dawn, you look at four rooms.

19:47.863 --> 19:51.127
[SPEAKER_00]: I mean, a band apart is basically those two and everybody else.

19:52.349 --> 20:04.808
[SPEAKER_00]: His delivery reminds me a lot of Jimmy's coffee scene in pulp fiction, the delivery of his whole diet tribe on why he buys the coffee because of his wife buys the coffee.

20:04.828 --> 20:07.272
[SPEAKER_00]: He's going to suck and he wants good coffee.

20:07.252 --> 20:10.498
[SPEAKER_00]: Tarantino unfortunately in this film is also the way this guy in Mexico.

20:11.479 --> 20:20.996
[SPEAKER_00]: It's there but I mean if you're watching a Robert Rodriguez film Tarantino pops up and if you're a fan of either of them you're going to be smiling.

20:21.357 --> 20:27.387
[SPEAKER_00]: Like it's kind of like if Jason Muse directed a film and Kevin Smith pops up.

20:28.531 --> 20:37.667
[SPEAKER_01]: Exactly, that's that's that's a good analogy because you know that Kevin's you know Kevin's going to put all this friends in it But you also know Rod Regus is actually going to do the same thing for Tarotino.

20:38.529 --> 20:44.279
[SPEAKER_01]: Yeah, and I feel like this though, man like I feel like It should have been the other way around.

20:44.319 --> 20:50.630
[SPEAKER_01]: It shouldn't have been the Mexican dude that was actually the cop One that should have been the cop was Tarotino.

20:50.791 --> 20:52.193
[SPEAKER_01]: He stands out like a sore thumb

20:53.540 --> 21:08.081
[SPEAKER_00]: Yeah, but then, you know, if it's Tarantino, then he dies right away, and I don't know if you want that in the, you know, you don't want a cameo from Tarantino to end that soon, you know, let him last a little bit longer.

21:08.482 --> 21:13.529
[SPEAKER_00]: You know, Tarantino's reaction to do getting shot right beside him and getting covered in some brains.

21:14.010 --> 21:16.814
[SPEAKER_00]: That's also a really good Tarantino reaction right there, too.

21:17.835 --> 21:20.059
[SPEAKER_01]: Right, because I like how he goes, I just spent him today.

21:20.079 --> 21:23.023
[SPEAKER_01]: I didn't really know him that well.

21:23.813 --> 21:30.223
[SPEAKER_00]: But also, the fact that he continues jabbering on, like, dude just got whacked right beside him.

21:30.464 --> 21:32.187
[SPEAKER_00]: He's covered in the bodyguard.

21:32.227 --> 21:34.911
[SPEAKER_00]: He's covered in the other guy, you know, little bits of him.

21:35.512 --> 21:37.475
[SPEAKER_00]: And it's almost like that that nervousness.

21:37.535 --> 21:39.479
[SPEAKER_00]: Like, I'm in the wrong place.

21:39.499 --> 21:40.440
[SPEAKER_00]: I've been at the wrong time.

21:40.480 --> 21:43.786
[SPEAKER_00]: This is not the place to be, but yet I pass to somehow I'm still alive.

21:43.806 --> 21:48.994
[SPEAKER_00]: And I'm just gonna keep talking and I'm not gonna stop talking because if I stop talking, then I'm gonna probably

21:48.974 --> 22:18.390
[SPEAKER_00]: Take a look at the dead body beside me and realize that that could have been me and then you you see how that kind of goes on and someone in that situation would probably go into like this verbal diarrhea loop that they can't get out of until they're threatened with the same thing true that you do make a point on that and I do like the his reaction though, because

22:19.248 --> 22:25.460
[SPEAKER_01]: And it's this dirty stall and it comes up as to be a secret passageway for the money laundering the money and stuff.

22:25.600 --> 22:29.948
[SPEAKER_01]: I thought that was pretty cool on how they had their own assignment stuff.

22:29.968 --> 22:38.404
[SPEAKER_01]: Stagement you know I'm talking about yeah and I just love how they did that and then poorest that comes into the bar as well.

22:39.143 --> 22:50.270
[SPEAKER_00]: I have seen clubs with a bathroom that bad, but I have played that and you're like, yeah, I'm going to hold it till I get home.

22:51.533 --> 22:57.186
[SPEAKER_01]: Right, I would definitely be holding it till I'll be holding it all the way home if I had to see that bathroom.

22:57.166 --> 23:06.059
[SPEAKER_01]: Yeah, and then the women are like, then these the other Americans come in to, you know, the women and like I want to complain because this bar does not have a woman's bathroom.

23:06.099 --> 23:08.583
[SPEAKER_01]: I'm like, lady, you should see the men's bathroom.

23:08.603 --> 23:15.553
[SPEAKER_01]: We should not even have a men's bathroom as far to be awesome men Mexican care and enters the bar.

23:16.033 --> 23:19.218
[SPEAKER_01]: Yeah, and I like how she's good.

23:19.238 --> 23:26.008
[SPEAKER_01]: Well, if you don't if you don't be nice to me, I'm not going to ask you out.

23:26.343 --> 23:47.929
[SPEAKER_00]: Yeah, that line is perfect for Change Baron and it's a it's a nice little comedic break to like you don't want this to be all action all the time that's one thing they don't know of Desperado kind of gets a lot of Notice for yes, they're going to get noticed for the gunplay yes, they're going to get noticed for Antonio Benderas and some of high acts performance in this

23:48.128 --> 23:51.738
[SPEAKER_00]: But it also sprinkles in the humor exactly like you want it.

23:51.758 --> 23:56.251
[SPEAKER_00]: Like it's a well-paced film with those fun little breathe moments too.

23:56.411 --> 23:57.936
[SPEAKER_00]: You know, just take a sigh.

23:58.036 --> 23:59.801
[SPEAKER_00]: You just watch a dude get his head blown out.

23:59.821 --> 24:00.322
[SPEAKER_00]: It's okay.

24:00.723 --> 24:03.792
[SPEAKER_00]: Now we're going to laugh at the torso a little bit and then we're going to get back into the action.

24:04.160 --> 24:05.042
[SPEAKER_01]: Which is perfect.

24:05.543 --> 24:09.273
[SPEAKER_01]: I like the little bit of a soness of kind of makes it real right.

24:09.393 --> 24:13.463
[SPEAKER_01]: It doesn't make us feel like this is all money laundering scheming and stuff like that.

24:14.005 --> 24:20.160
[SPEAKER_01]: It makes it almost look like if I was a tourist I would go to a bar if I have what had to use the bathroom.

24:20.697 --> 24:21.438
[SPEAKER_00]: Mm-hmm.

24:21.458 --> 24:21.959
[SPEAKER_00]: You know what I mean?

24:22.439 --> 24:27.866
[SPEAKER_00]: I do wonder because the cowboy be all animated series came at 1998.

24:27.926 --> 24:34.315
[SPEAKER_00]: So it's I do wonder if this film inspired the red eye episode of cowboy bebop.

24:34.976 --> 24:36.277
[SPEAKER_01]: That would be interesting if it did.

24:36.297 --> 24:40.683
[SPEAKER_01]: I would love to know if an inspired cowboy bebop on that.

24:41.204 --> 24:42.165
[SPEAKER_01]: Yeah, so

24:42.905 --> 24:48.214
[SPEAKER_01]: But then we have Al-Mayachi, he arrives in town and he friends a young boy later at the bar.

24:48.334 --> 24:55.086
[SPEAKER_01]: He recognizes by the Patriots out, all of whom work for Bootshow, and is forced to shoot them and hit in self defense.

24:55.607 --> 24:59.053
[SPEAKER_01]: And the process, he saves a beautiful woman before passing out.

24:59.313 --> 25:04.963
[SPEAKER_01]: He later wakes up in a bookstore to find his wounds being tended by the woman who reveals herself as Carolina.

25:06.243 --> 25:09.388
[SPEAKER_01]: And what I like about this is he goes into the bar.

25:09.628 --> 25:12.051
[SPEAKER_01]: Everybody's all tense up now.

25:12.111 --> 25:13.473
[SPEAKER_01]: You have Tarotino in the back.

25:13.714 --> 25:17.680
[SPEAKER_01]: Everything is working in a process here, right?

25:17.880 --> 25:19.803
[SPEAKER_01]: Where you have the background is busy.

25:19.843 --> 25:24.910
[SPEAKER_01]: Now the front end is now busy because now I'll walks into the bar.

25:25.278 --> 25:34.871
[SPEAKER_01]: And everybody's eyeing him because of the guitar case because of what machine he's mentioned and you goes, I like how she goes so within the guitar guitar case.

25:34.891 --> 25:43.102
[SPEAKER_01]: Yeah, I get to our case guitar and I see and the guys open it up it's a guitar.

25:44.844 --> 25:51.112
[SPEAKER_01]: And then after that the guitar actually opens up and you see the guns that's inside the guitar case.

25:52.434 --> 25:53.175
[SPEAKER_00]: Is it me.

25:54.505 --> 26:04.568
[SPEAKER_00]: This is, this is where we, we start to fall into for a lack of a term stormtrooper syndrome because Boochos men can't hit a damn thing with bullets.

26:04.689 --> 26:06.974
[SPEAKER_01]: No, they can't.

26:06.994 --> 26:12.126
[SPEAKER_01]: And also too, can I just mention that these are the most stupidest henchmen that he has working for them.

26:13.338 --> 26:16.041
[SPEAKER_00]: It's almost like the idiot plot, right?

26:16.301 --> 26:20.805
[SPEAKER_00]: The movie continues because everyone in the film is an idiot, right?

26:20.886 --> 26:21.426
[SPEAKER_00]: Exactly.

26:21.446 --> 26:31.616
[SPEAKER_00]: All Boocho needs is one guy who can, you know, get a little further into the arm movement before he pulls the trigger and this film is over in 20 minutes.

26:32.397 --> 26:32.617
[SPEAKER_01]: Right.

26:32.637 --> 26:38.383
[SPEAKER_01]: The only one that I could say that actually had a fighting chance was the kid that they had at the tryouts that broke his leg.

26:39.967 --> 26:46.496
[SPEAKER_00]: Oh, no, no, no, no, no, what we needed was Zamira to actually do something.

26:46.516 --> 26:54.147
[SPEAKER_00]: This is the female henchmen that's right beside Boot Show and also how does we stuff we do on the side as well.

26:55.089 --> 26:58.494
[SPEAKER_01]: Right, she didn't do something besides there sit there with the gun.

26:59.054 --> 27:00.336
[SPEAKER_01]: Yeah, you didn't really do anything.

27:01.157 --> 27:02.279
[SPEAKER_00]: That's the problem too.

27:02.599 --> 27:05.263
[SPEAKER_00]: And this reminds, oh my God, this reminds me of some bad movies.

27:05.644 --> 27:09.349
[SPEAKER_00]: So I don't know if you have ever watched Samurai Cup,

27:10.055 --> 27:10.736
[SPEAKER_00]: I've heard of it.

27:11.237 --> 27:11.598
[SPEAKER_00]: Okay.

27:12.359 --> 27:12.900
[SPEAKER_00]: Save yourself.

27:13.220 --> 27:22.075
[SPEAKER_00]: But there's a there's a red-headed henchwoman and she barely says a damn word, but yet she's supposed to be all terrifyingly badass.

27:22.456 --> 27:29.368
[SPEAKER_00]: But also have you seen the 1989 Punisher film starring Ralph Lundgren.

27:29.608 --> 27:29.969
[SPEAKER_00]: Okay.

27:29.989 --> 27:32.974
[SPEAKER_00]: So this is basically Tanaka's daughter.

27:33.916 --> 27:34.497
[SPEAKER_00]: Oh, wow.

27:35.420 --> 27:35.520
[SPEAKER_00]: Okay.

27:35.540 --> 27:41.836
[SPEAKER_00]: The blonde that never says a damn thing, but at least Tanaga's daughter is a little more vicious.

27:42.117 --> 27:45.124
[SPEAKER_00]: And, you know, can hold her own in a fight.

27:46.032 --> 27:58.502
[SPEAKER_01]: I can definitely see that and I've wish that they would give her more to do because I would actually like to see her go to toe toe with the Tonya Binderis did it's pet we get these henchmen and I do love the action sequence in this though.

27:59.063 --> 28:15.837
[SPEAKER_01]: I like how Tonya Binderis is like okay okay it's me it's me it's me not yet and then all of the guns just pop out and he starts shooting everybody he spends one guy around and bullets start

28:16.272 --> 28:32.996
[SPEAKER_01]: Then he winds up I like the other gunplay though to where they both run out of guns I run out of ammo right and they're both trying to figure out a way to kill each other and they're just getting that much pissed off in each other because they can't find a gun that has ammunition at it.

28:34.057 --> 28:44.592
[SPEAKER_00]: If this scene is is paste so well because it's not just consistent like bang bang gun play there's a little bit of humor in this and it makes it it's almost like.

28:44.993 --> 29:04.639
[SPEAKER_00]: If Jackie Chan were to, you know, to script, you know, at least or choreograph some kind of kung fu gunplay kind of film because Jackie Chan would do that, there would be these moments that are kind of lighthearted in the fight sequence itself, but it still makes sense in the fight sequence exactly.

29:05.277 --> 29:16.869
[SPEAKER_01]: And, you know, just how L just goes on ahead, kicks the guy up in the air and then shoots him as he's as he's going up in the air.

29:16.969 --> 29:18.210
[SPEAKER_01]: I love that's that part.

29:18.230 --> 29:26.278
[SPEAKER_01]: And then, of course, you got to hear a Tino now who's looking at the cameras, the camera as well with all the guys shooting, but you don't see L anywhere.

29:26.319 --> 29:32.685
[SPEAKER_01]: So it still has that mythology of, is there really an Al Mariachi killing people are not?

29:33.037 --> 29:47.357
[SPEAKER_01]: But like how they do that camera angle of like that they know that they see somebody shootings somebody, shooting at somebody, but they don't know who it is because even with the camera, they still don't see L. They just see their own men.

29:47.457 --> 29:53.846
[SPEAKER_01]: So the camera angle to see who is in the bar and everything is also horrible for the henchmen as well.

29:53.866 --> 29:53.966
[SPEAKER_00]: Yeah.

29:53.986 --> 30:02.959
[SPEAKER_00]: And the fact that the instantly think that Tarantino was tailed or allowed himself to be tailed by El Mariachi,

30:03.057 --> 30:06.202
[SPEAKER_01]: Right, because at this point, he goes, look, I don't know what's going on.

30:06.322 --> 30:07.804
[SPEAKER_01]: This I don't know what's happening right here.

30:07.864 --> 30:09.427
[SPEAKER_01]: I don't have no idea what's fucking going on.

30:09.948 --> 30:11.670
[SPEAKER_01]: And all of a sudden, bam, you guys killed.

30:13.333 --> 30:14.675
[SPEAKER_01]: Yeah, I'm like, wow.

30:15.436 --> 30:21.285
[SPEAKER_01]: And I, and I love the, like you said, if he would have got killed off sooner and stuff.

30:22.295 --> 30:26.119
[SPEAKER_01]: It would we wouldn't have that great those great lines those great moments with here at you know.

30:26.139 --> 30:27.000
[SPEAKER_01]: Yeah, that's moved.

30:27.381 --> 30:28.042
[SPEAKER_00]: Oh, absolutely.

30:28.142 --> 30:28.582
[SPEAKER_00]: Yeah.

30:28.602 --> 30:31.446
[SPEAKER_00]: I mean, you don't want to carry this character on too long, right?

30:31.886 --> 30:38.614
[SPEAKER_00]: He it was funny and small doses and subsequently dealt with and we didn't need anything more than that.

30:38.694 --> 30:42.779
[SPEAKER_00]: It was a fun little cameo was fun well last said, but now let's turn the page.

30:44.461 --> 30:44.901
[SPEAKER_01]: Exactly.

30:44.941 --> 30:50.648
[SPEAKER_01]: And then then we finally get the other

30:52.265 --> 30:57.054
[SPEAKER_01]: And you're thinking, oh my gosh, are they going, is he going to catch up with L?

30:58.336 --> 31:01.942
[SPEAKER_01]: Because of how close he is to actually killing him.

31:02.804 --> 31:06.811
[SPEAKER_01]: And then you have Carolina that's, we have beautiful summer high act.

31:06.831 --> 31:10.157
[SPEAKER_01]: This is actually my first Latino crush that I had when I was a kid.

31:11.219 --> 31:15.707
[SPEAKER_01]: And this is actually the first movie I've seen with summer high act and it made me fall in love with her.

31:15.772 --> 31:21.659
[SPEAKER_01]: And then I seem to, and then after that, I seem from Dustle Law and I'm like, OK, this child's play compared to that movie.

31:24.683 --> 31:31.071
[SPEAKER_01]: But still, then he winds up taking his gun, puts Carolina down and shoots him.

31:31.352 --> 31:33.054
[SPEAKER_01]: And I just love it.

31:33.174 --> 31:34.215
[SPEAKER_01]: I just love this scene.

31:34.255 --> 31:35.697
[SPEAKER_01]: It's just high intensity.

31:36.178 --> 31:37.399
[SPEAKER_01]: It's tension built up.

31:37.620 --> 31:39.602
[SPEAKER_01]: I think that it works really well.

31:39.751 --> 31:49.927
[SPEAKER_00]: Yeah, the fact that they allow him to be able to recognize that someone's behind him because of Carolina's reaction and it makes more sense because of that, you know.

31:49.947 --> 31:57.439
[SPEAKER_00]: So it's clearly, he just got out of the bar, you know, he figures he's killed everybody and, you know,

31:57.419 --> 31:59.583
[SPEAKER_00]: He's not quite safe yet.

31:59.663 --> 32:08.718
[SPEAKER_00]: So the fact that it's Carolina, they kind of, you know, accidentally tips him off, like not intentionally tips him off, you know, it leads to a good reaction moment.

32:08.998 --> 32:21.199
[SPEAKER_00]: But it also shows why in a bar full of Mexican stormtroopers, you have to have someone with able to sneak up on them to even get a chance of getting a shot off at El Mariachi.

32:21.888 --> 32:35.362
[SPEAKER_01]: Exactly, and it just shows you how good he is as a shooter as someone has paying attention to detail in how he's able to take someone down and then you also have, you know, Danny Trello's character coming in to town.

32:35.422 --> 32:39.171
[SPEAKER_01]: And I love this.

32:40.062 --> 32:53.939
[SPEAKER_00]: But is he sent a kill, but is he sent a kill or is he sent to kill Ermalia El Mariachi, because, you know, with, with all crime bosses, there's always a bigger boss somewhere, because that's, that's who Boochio was talking to and and saying that he could do it.

32:53.959 --> 33:08.297
[SPEAKER_00]: So clearly, you know, this bigger boss has sent in a trade home, in order to be able to clean up the mess the Boochio has kind of left there, because Boochio apparently can't flush the toilet like a big boy, Danny Trio.

33:09.796 --> 33:17.786
[SPEAKER_00]: Is there ever been a nicer guy consistently cast in badass roles?

33:18.887 --> 33:19.388
[SPEAKER_01]: I agree.

33:19.808 --> 33:28.979
[SPEAKER_01]: Like you got my shit day and then you also have him on bubble boy you have him in Michael Meyer like in the new Halloween Rob Zombie movie as well.

33:30.020 --> 33:32.984
[SPEAKER_00]: But yeah, let's look at the opening scene of Anna Konda.

33:34.005 --> 33:37.069
[SPEAKER_01]: Oh, yeah, I forgot all about that to be honest with you.

33:38.517 --> 33:46.418
[SPEAKER_01]: But yeah, Danny is just this good guy and then he just had places badass roles and he's a guy who wants up for higher.

33:46.955 --> 33:50.160
[SPEAKER_01]: It take, you know what though, I don't think I'm going to go into an agreement with you.

33:50.180 --> 33:55.168
[SPEAKER_01]: I think he is there to take down the Al-Mariachi, which is in Hyram.

33:55.188 --> 34:06.465
[SPEAKER_00]: Yeah, because he's clearly, he's clearly following the blood trail that Al-Mariachi is leaving behind him and eventually catching up to the chaos that he is causing.

34:07.006 --> 34:08.608
[SPEAKER_00]: You know, and of course like, you know,

34:08.588 --> 34:12.373
[SPEAKER_00]: Everybody kind of has to have their own way of fighting, right?

34:12.413 --> 34:16.217
[SPEAKER_00]: So with Trejo, it's the knives, right?

34:17.098 --> 34:19.281
[SPEAKER_00]: Everything has to be a knife fight kind of thing.

34:19.862 --> 34:25.609
[SPEAKER_00]: I mean, it's a little kind of cliche, it's a little, it's almost like a video game, right?

34:25.629 --> 34:25.989
[SPEAKER_00]: Okay.

34:26.009 --> 34:29.193
[SPEAKER_00]: Well, you now hit like this level boss and he fights with knives.

34:29.213 --> 34:36.402
[SPEAKER_00]: So you need to be able to duck and hit X and O at the same time when L1 nor to be able to duck all the knives before you move on to the next class level.

34:36.382 --> 34:39.166
[SPEAKER_01]: or basically pulled the knives out of your own body.

34:39.827 --> 34:40.288
[SPEAKER_00]: Right.

34:41.910 --> 34:42.331
[SPEAKER_00]: Oh, I got it.

34:42.531 --> 34:47.518
[SPEAKER_00]: Or just hit the IDD QD code from doom and just go full God mode.

34:48.019 --> 34:48.520
[SPEAKER_01]: There you go.

34:48.720 --> 34:52.466
[SPEAKER_01]: Just rip that shit out and throw it at any tray.

34:52.646 --> 34:53.006
[SPEAKER_01]: That's all.

34:53.147 --> 34:53.727
[SPEAKER_01]: And then kill them.

34:54.188 --> 34:56.952
[SPEAKER_00]: Also, how old is doom and why did I still remember that code?

34:58.254 --> 34:58.955
[SPEAKER_01]: Well, that's just like me.

34:58.995 --> 35:01.579
[SPEAKER_01]: I still remember the Wolfens dying 3D code.

35:01.947 --> 35:02.689
[SPEAKER_03]: Hmm.

35:02.709 --> 35:04.553
[SPEAKER_01]: They had with the Gatling gun and stuff.

35:04.573 --> 35:05.194
[SPEAKER_01]: I still have that.

35:05.274 --> 35:07.199
[SPEAKER_01]: Hold down MLK or something like that.

35:07.760 --> 35:09.444
[SPEAKER_01]: Yeah, I can actually tell you.

35:09.644 --> 35:19.045
[SPEAKER_01]: Well, I would actually probably know that once I get off the gear, but you know, I still remember that code and I don't know why that's imprinted in my brain still.

35:19.278 --> 35:25.667
[SPEAKER_00]: Yeah, it's the same people who remember the country was like, like, it was up, up, down, down, left, right, left, right, right.

35:26.728 --> 35:27.509
[SPEAKER_00]: A, B, A, B.

35:28.310 --> 35:28.791
[SPEAKER_01]: Exactly.

35:28.831 --> 35:38.264
[SPEAKER_01]: But, you know, then you see the fact that, you know, now he's passed out, Alice passed out, then Bootcho's man, kill, trade.

35:39.686 --> 35:43.311
[SPEAKER_01]: And then, because remember, he's at war with the Colombians, too.

35:44.202 --> 35:51.669
[SPEAKER_00]: And that's the thing, you know, when Boot Joe's men see Trejo, they don't, they haven't seen Omar after this point.

35:51.689 --> 35:53.030
[SPEAKER_00]: They don't know what he looks like.

35:53.050 --> 35:56.813
[SPEAKER_00]: You know, Omar actually is just this, you know, he is this Kaiser Sose.

35:56.873 --> 36:00.697
[SPEAKER_00]: He's this boogey man that push him, he has been spreading stories around.

36:00.957 --> 36:07.063
[SPEAKER_00]: So they bump into Trejo who's clearly badass and clearly armed and to the teeth and ready to fight.

36:07.483 --> 36:11.847
[SPEAKER_00]: Of course, they go after him, this reminds me a little bit of spawn.

36:12.839 --> 36:15.643
[SPEAKER_01]: You know what it does kind of remind you of spawn a little bit.

36:15.663 --> 36:26.878
[SPEAKER_00]: Yeah, because when the guy sends in like this like the cyborg guy into into the into the alley is to try to find spawn and you know the spawn kind of sends it back on a thing.

36:26.918 --> 36:38.053
[SPEAKER_00]: It's like, yeah, no, it's it's a little bit like that not entirely like that, but you can see how like there is this early level bad guy kind of thing to get sent in to deal to do the damage.

36:39.755 --> 36:47.414
[SPEAKER_01]: Yeah, I can definitely see that to be honest with you and then, you know, they finally get over to, they finally take the body over to Bucho.

36:47.494 --> 36:50.622
[SPEAKER_01]: And now also too, Danny Trejo put up a damn good fight.

36:50.662 --> 36:54.151
[SPEAKER_01]: He's over there attacking the bulletproof limousine that he had.

36:55.515 --> 36:56.076
[SPEAKER_01]: Remember that.

36:56.461 --> 37:14.638
[SPEAKER_01]: And he's over there, he gets up on top of the limousine just starts talking knives at them and killing them one by one and they are actually probably guns to a night fight and you mean to tell me that they couldn't take this down this one Mexican that that has all these knives.

37:14.838 --> 37:15.439
[SPEAKER_00]: You know, it's funny.

37:15.459 --> 37:31.473
[SPEAKER_00]: The more we talk about this film, so we actually just recently recorded an episode on Love Hurtz, which came in last year starring Kiki Kwan, and there there are so many similarities from Desperado to Love Hurtz.

37:31.913 --> 37:42.803
[SPEAKER_00]: You know, you've got Mustafa Ishkar, I can remember his last name off the top of my head, as the Raven, who was actually

37:42.783 --> 37:51.658
[SPEAKER_00]: Netflix series and he's the the bad guy that gets sent in to deal with key he quans character and he happens to be a nice guy.

37:51.678 --> 37:57.487
[SPEAKER_00]: It's like, oh, come on, guys, if you like this, bro, you'll probably like love her.

37:57.507 --> 37:59.611
[SPEAKER_00]: It's but you're going to see a lot of similarities.

38:00.112 --> 38:01.173
[SPEAKER_01]: I'm at the check that one out.

38:01.193 --> 38:03.357
[SPEAKER_01]: I haven't seen that one.

38:03.590 --> 38:27.488
[SPEAKER_01]: So, but you know, it just cracks me up because now all of a sudden they finally kill him, they're bringing them over to Bucho, Bucho calls up a guy and said, okay, what does he look like, he goes, okay, I got that brown and tan that pretty mesh narrows it.

38:28.514 --> 38:31.341
[SPEAKER_01]: His best, there it is, the tattoo of woman, okay?

38:31.803 --> 38:33.607
[SPEAKER_01]: When else, okay, he's got throwing knives.

38:34.329 --> 38:38.921
[SPEAKER_01]: Okay, he's also got money to call whoever it is that hired him.

38:39.863 --> 38:40.345
[SPEAKER_01]: Oh, there it is.

38:40.766 --> 38:41.688
[SPEAKER_01]: Guys, okay, we got him.

38:42.470 --> 38:43.232
[SPEAKER_01]: Thank you.

38:44.140 --> 38:52.392
[SPEAKER_00]: I love the way a one-sided phone conversation can be just pure comedy and again, just brought out this as well, right?

38:52.412 --> 38:56.198
[SPEAKER_00]: You have this big fight scene and then let's sprinkle a little comedy.

38:56.218 --> 38:57.400
[SPEAKER_00]: Let's get that breath in there.

38:57.740 --> 38:58.962
[SPEAKER_00]: This scene is hilarious.

38:59.683 --> 39:02.487
[SPEAKER_00]: This might be one of the funniest scenes in the whole film.

39:02.855 --> 39:05.158
[SPEAKER_01]: It's like a little kid playing pretend.

39:05.178 --> 39:07.161
[SPEAKER_01]: It's like, okay, what does he look like?

39:07.181 --> 39:09.484
[SPEAKER_01]: Okay, yeah, good job.

39:09.544 --> 39:10.265
[SPEAKER_01]: You got the guy.

39:10.605 --> 39:11.587
[SPEAKER_01]: Okay, thank you.

39:12.248 --> 39:16.273
[SPEAKER_01]: Hangs up, but I'm really loving it.

39:16.313 --> 39:17.475
[SPEAKER_01]: Well, I'm eating this up.

39:17.515 --> 39:20.659
[SPEAKER_01]: I'm cracking up still at the scenes that I just still love.

39:21.320 --> 39:27.869
[SPEAKER_01]: And then not to mention, like, they don't even know is not, butro's number in their own limousine.

39:27.889 --> 39:29.571
[SPEAKER_01]: Butro don't even know his own cell phone number.

39:31.238 --> 39:47.975
[SPEAKER_01]: Again, I'm not that solid comedic moment for like this film is funnier than most people will give a credit for it really because it's like okay what's my egg what's the number for my limo I don't know It's like talk of your kids, right?

39:48.375 --> 39:58.005
[SPEAKER_01]: It's like hey what's the number for I don't know it's you have so what do you mean you don't know You're the one who ended up ordering me the one that's in with the

39:58.559 --> 40:02.183
[SPEAKER_01]: with the bulletproof specialty and everything else.

40:02.383 --> 40:05.567
[SPEAKER_01]: You mean to tell me you don't know what my cell phone number is?

40:08.770 --> 40:12.714
[SPEAKER_00]: Again, I get reminded of other films along the way.

40:12.754 --> 40:19.182
[SPEAKER_00]: This is almost like a Wapo in three amigos going, would you say I have a plethora of sweater?

40:19.202 --> 40:27.891
[SPEAKER_01]: Oh my gosh, I haven't seen three amigos at long time.

40:28.192 --> 40:31.116
[SPEAKER_01]: But it's just so the writing for this is good.

40:31.377 --> 40:37.386
[SPEAKER_01]: I've heard them to add in some dark humor with this with Boochau and I just want to humanize them for him.

40:37.506 --> 40:39.749
[SPEAKER_01]: He's not such a bad guy in a way.

40:39.769 --> 40:42.754
[SPEAKER_01]: He built a bookstore for somebody.

40:42.814 --> 40:44.997
[SPEAKER_01]: He actually has a bar.

40:45.618 --> 40:47.281
[SPEAKER_01]: He's got employees working.

40:47.321 --> 40:50.205
[SPEAKER_01]: So he's not as bad.

40:50.245 --> 40:51.747
[SPEAKER_01]: He just killed somebody's girlfriend.

40:51.767 --> 40:53.490
[SPEAKER_01]: That's all.

40:53.875 --> 41:01.927
[SPEAKER_00]: It just happens to kill, you know, it's weather alert, happens to kill his brothers, you know, we're all friends, right, but but also that book store.

41:02.428 --> 41:07.415
[SPEAKER_00]: Okay, obviously, you know, this podcast is also on YouTube, right?

41:07.435 --> 41:15.667
[SPEAKER_00]: So people can see that I have a platter of book behind me and you are only seeing one or two shelves of that book collection.

41:15.787 --> 41:18.010
[SPEAKER_00]: It expands down the wall.

41:18.070 --> 41:23.258
[SPEAKER_00]: So to see that bookstorms like, yep, yep, I need that.

41:23.390 --> 41:29.236
[SPEAKER_01]: Even the cash register, no, yeah, I like the old fashion cash registers like that.

41:29.457 --> 41:37.485
[SPEAKER_01]: But then I killed the American Amun's, I'll marry actually before being shot by Bootsman who suspect him of being Colombian double agent.

41:37.846 --> 41:39.127
[SPEAKER_01]: They soon realized how about that.

41:39.227 --> 41:42.471
[SPEAKER_01]: He had actually been sent to Bootshoes superior to the killer.

41:42.491 --> 41:43.051
[SPEAKER_01]: I'm married.

41:43.071 --> 41:43.732
[SPEAKER_01]: I want you that night.

41:43.912 --> 41:48.277
[SPEAKER_01]: I'm a Russia returns to Carolina who tenses wounds and it has sex with them.

41:49.999 --> 41:51.000
[SPEAKER_00]: Like a lot of it.

41:51.149 --> 41:56.516
[SPEAKER_01]: Yeah, my life goes really, I'm like, it's for a plot.

41:57.297 --> 42:02.544
[SPEAKER_00]: I mean, two, two point out to like, you do a little bit of research as you're watching these films kind of thing.

42:03.085 --> 42:15.442
[SPEAKER_00]: And to hear how gracious Robert Rodriguez and Antonio Benderas were because, you know, this was a hard scene for some a high act to to film because it was her first nude scene in a film.

42:15.522 --> 42:17.224
[SPEAKER_00]: So clearly, you know,

42:17.204 --> 42:18.566
[SPEAKER_00]: this is on Wikipedia.

42:18.586 --> 42:19.488
[SPEAKER_00]: It's on the IMDB.

42:19.528 --> 42:21.711
[SPEAKER_00]: Like she's freaking out a little bit during the scene.

42:21.791 --> 42:24.535
[SPEAKER_00]: So, but she was saying like no one pressured her.

42:24.936 --> 42:26.198
[SPEAKER_00]: Everyone took their time.

42:26.238 --> 42:30.384
[SPEAKER_00]: They had no problems going into overtime to shooting the scene to make her feel comfortable.

42:30.805 --> 42:38.617
[SPEAKER_00]: I love hearing stories about that because, you know, for someone's first nude scene, that's got to be really intimidating.

42:39.639 --> 42:42.503
[SPEAKER_01]: It really is because you have a whole room full of people.

42:43.006 --> 42:51.537
[SPEAKER_01]: including your own cast member that you have a tournament there is and you have a boom someone holding a boom handle over you.

42:51.557 --> 42:52.398
[SPEAKER_01]: Yeah.

42:52.418 --> 42:56.122
[SPEAKER_01]: And a bunch of men standing over you while you're doing this.

42:57.544 --> 43:01.729
[SPEAKER_01]: And it's so intimidating to the fact is, can I actually do this or not?

43:02.350 --> 43:05.394
[SPEAKER_01]: Or am I going to be able to be able to focus on what I have to do?

43:05.414 --> 43:08.878
[SPEAKER_01]: Or am I going to notice people watching me do this?

43:08.977 --> 43:14.185
[SPEAKER_00]: Yeah, this love scene was way more tastefully done than Tommy Wise O's in the room.

43:16.007 --> 43:17.910
[SPEAKER_01]: I haven't seen the room.

43:18.471 --> 43:19.352
[SPEAKER_00]: But you haven't seen the room?

43:19.973 --> 43:24.680
[SPEAKER_01]: No, I might actually try and do that one with you because I wanted to give it to you.

43:24.700 --> 43:32.772
[SPEAKER_00]: If you go down the room real good, I will go down that road with you again because oh my God, the room is, it's the unicorn of bad films.

43:33.473 --> 43:36.317
[SPEAKER_01]: Okay, I've seen the biopic of it.

43:36.517 --> 43:37.719
[SPEAKER_00]: Yes, disaster artists.

43:37.739 --> 43:37.880
[SPEAKER_00]: Yes.

43:38.060 --> 43:43.610
[SPEAKER_01]: Yeah, I think the disaster artists, which is inspiring in a sense, but in the wrong kind of way of being inspiring.

43:44.532 --> 43:46.656
[SPEAKER_00]: I've watched the original.

43:46.736 --> 43:51.324
[SPEAKER_00]: I watched the disaster artists and I read the actual book, the disaster artists as well.

43:51.384 --> 43:56.013
[SPEAKER_00]: So I am deep into that film only because it is so bad.

43:56.073 --> 43:57.315
[SPEAKER_00]: It defies description.

43:58.057 --> 43:58.778
[SPEAKER_01]: I got you.

43:59.230 --> 44:06.100
[SPEAKER_01]: But, you know, I think it's kind of funny though that she's actually using his bird to actually go across his ass.

44:06.620 --> 44:08.202
[SPEAKER_01]: I'm like, what's?

44:09.925 --> 44:12.388
[SPEAKER_01]: With the sexy and I'm like, this is actually erotica.

44:12.649 --> 44:18.657
[SPEAKER_01]: This is because even with the music itself, it's so 90s, but also feels like soft core porn.

44:19.868 --> 44:29.105
[SPEAKER_00]: But the thing too is that the actual scenes where you see all of Selma Highak, those in this montage are few and far between.

44:29.486 --> 44:31.931
[SPEAKER_00]: It's a lot of close ups, it's a lot of inference.

44:32.452 --> 44:35.538
[SPEAKER_00]: It is actually very tastefully shot.

44:36.339 --> 44:38.383
[SPEAKER_01]: I have to say, I really, it is tasteful.

44:38.784 --> 44:40.527
[SPEAKER_01]: I enjoyed it.

44:40.608 --> 44:41.309
[SPEAKER_01]: and stuff.

44:41.750 --> 44:45.355
[SPEAKER_01]: And I'm just laughing at like the use of the spurs and stuff like that.

44:45.835 --> 44:51.664
[SPEAKER_01]: But it's it's a good scene because of the fact that we actually do believe that these two are actually in love with each other.

44:53.005 --> 44:54.708
[SPEAKER_00]: Oh, there's no love at this point.

44:54.768 --> 44:59.174
[SPEAKER_00]: This is this is like that that trauma trauma hump at that point.

44:59.555 --> 44:59.775
[SPEAKER_01]: Right.

45:00.216 --> 45:00.776
[SPEAKER_00]: Right.

45:00.977 --> 45:04.081
[SPEAKER_00]: We just survived a near death experience.

45:04.582 --> 45:06.244
[SPEAKER_00]: Let's get it home.

45:06.477 --> 45:33.227
[SPEAKER_01]: Right, because remember, this is actually after Buccio winds up coming into the bookstore to interrogate remember and I love whenever he's they she carries up pushes him off of the table while she's trying to do the incisions.

45:33.629 --> 45:38.736
[SPEAKER_01]: You know, this stupid thing is the cash register that she knocks over.

45:38.756 --> 45:39.817
[SPEAKER_01]: That's heavy a shit.

45:40.518 --> 45:41.439
[SPEAKER_00]: Mm-hmm.

45:41.459 --> 45:46.226
[SPEAKER_00]: Like, tell me though, because, you know, the last time we, you know, I was on the show, we were talking about demolition man.

45:46.606 --> 45:54.737
[SPEAKER_00]: Tell me before this scene, like, as he's starting to play the guitar again, and she's stuck it right in, it almost feels like you need Sandra Bullock going.

45:54.757 --> 46:03.028
[SPEAKER_00]: Studies have shown that people who experience a junior traumatic experience

46:03.008 --> 46:04.090
[SPEAKER_00]: most definitely.

46:05.192 --> 46:07.196
[SPEAKER_01]: I think that's how I typically prove and stand drop.

46:07.837 --> 46:08.498
[SPEAKER_01]: I think it is.

46:09.821 --> 46:26.451
[SPEAKER_01]: Oh man, I do like the fact that when we see Bucho, he's over there talking to Sama, Sama High and Carolina, and then you have L over there loading up his guns and I like how it's this tense moment of him trying to be quiet.

46:26.819 --> 46:36.863
[SPEAKER_01]: Knowing that he can't be quiet while he's doing it and hoping that Pucho doesn't wind up noticing the fact that there's something going on.

46:37.248 --> 46:37.889
[SPEAKER_00]: Yeah.

46:37.909 --> 46:43.037
[SPEAKER_00]: Some of my butcher was going to recognize the sound of a gun being loaded.

46:43.118 --> 46:52.813
[SPEAKER_00]: So the fact that he's doing this as slowly and methodically and quietly as possible, it builds all the tension that you need to build.

46:54.135 --> 46:56.239
[SPEAKER_00]: This is a lower budget film.

46:56.259 --> 46:58.182
[SPEAKER_00]: You know, it didn't have a big budget.

46:58.202 --> 47:01.247
[SPEAKER_00]: You know, anyone who's read rebel with a crew,

47:02.105 --> 47:05.330
[SPEAKER_00]: knows that these are kind of on-shoe string budgets.

47:05.711 --> 47:18.711
[SPEAKER_00]: So you lean into good dialogue and well-paced scenes in order to be able to maximize your screen time and this scene sells a lot of tension in a small amount of effort.

47:19.933 --> 47:29.108
[SPEAKER_01]: Most definitely and it's so good and like you mentioned

47:29.442 --> 47:31.545
[SPEAKER_01]: They barely had anything to rarely work with.

47:31.905 --> 47:32.586
[SPEAKER_01]: You'd think about it.

47:34.489 --> 47:34.689
[SPEAKER_01]: Yeah.

47:34.709 --> 47:42.038
[SPEAKER_01]: And the fact that they were able to do as much as they did, just goes to show you how good how they used their budget wisely.

47:42.078 --> 47:47.405
[SPEAKER_01]: And then you get that once they're done making love, once we see that.

47:48.106 --> 47:53.273
[SPEAKER_01]: And then she's over there thinking, and she's on top with the guitar.

47:54.603 --> 48:04.339
[SPEAKER_01]: And then you see the goons coming up the staircase and then it's then he winds up seeing where the where the goons are actually going towards.

48:05.861 --> 48:13.894
[SPEAKER_01]: At this point, we realize that boochow told them to burn down the bookstore and also to kill Carolina in hand.

48:15.663 --> 48:34.718
[SPEAKER_01]: But I do like how he winds up hiring up throwing her off with him and then they they go on ahead and they start running down the steers and then they find out that there's a fire downstairs after they go get on shooting the people upstairs and then I like how she winds up getting your shot off the sod off shotgun.

48:36.352 --> 48:44.908
[SPEAKER_00]: Yeah, and really care when they can't take care of herself even though she's running around in the Harley Quinn color match of high heels.

48:45.529 --> 48:48.053
[SPEAKER_01]: Thank you.

48:48.154 --> 48:52.361
[SPEAKER_01]: I'm glad I'm not the only one that thought of Harley Quinn, which they put on those shoes.

48:52.642 --> 48:53.844
[SPEAKER_01]: I'm like that's Harley Quinn.

48:54.305 --> 48:58.292
[SPEAKER_01]: This one is a song independent woman with heels.

48:58.272 --> 49:02.638
[SPEAKER_00]: also continues the cliche of women running in heels.

49:03.338 --> 49:06.222
[SPEAKER_00]: Yes, had tip to Bryce Dallas Howard from Jurassic World.

49:06.863 --> 49:15.474
[SPEAKER_01]: Right, but I think that's some I did a better job because she was able to kill somebody and try to jump off the building with high heels on even though she took off her heels.

49:15.994 --> 49:19.639
[SPEAKER_00]: See, I don't know, Bryce Dallas Howard out ran a T-Rex in heels, so

49:19.990 --> 49:20.971
[SPEAKER_01]: to shame.

49:21.552 --> 49:25.657
[SPEAKER_00]: I can see it while holding a flare, luring the T-rex behind her.

49:26.338 --> 49:30.342
[SPEAKER_00]: I'm going to give points to Brace Dallas Howard on this one.

49:31.243 --> 49:35.228
[SPEAKER_01]: You know what, I'm going to have to give a props to the right head with that because it is hard.

49:35.909 --> 49:40.935
[SPEAKER_01]: To actually do a flare, have high heels on and chase by a T-rex.

49:41.506 --> 49:45.391
[SPEAKER_01]: Also, I did was have high heels and had a soft off shotgun.

49:45.411 --> 49:45.731
[SPEAKER_01]: Yeah, good.

49:45.751 --> 49:45.891
[SPEAKER_01]: Right.

49:45.951 --> 49:47.073
[SPEAKER_01]: There's more of a challenge.

49:47.093 --> 49:47.373
[SPEAKER_00]: Yep.

49:47.393 --> 49:47.873
[SPEAKER_00]: Exactly.

49:49.636 --> 49:54.061
[SPEAKER_00]: And remember both price Dallas Howard and Robert Rodriguez directed episodes of the Mandalorian.

49:54.521 --> 49:54.922
[SPEAKER_01]: That's right.

49:55.082 --> 49:55.663
[SPEAKER_01]: I remember that.

49:57.345 --> 50:03.632
[SPEAKER_01]: But still, I'd love to see where now she gets she fits off the bill that comes off the building.

50:03.933 --> 50:07.348
[SPEAKER_01]: L winds up jumping backwards off the building.

50:07.408 --> 50:10.602
[SPEAKER_01]: And my wife turns around and she's, this is where it falls apart from me.

50:10.703 --> 50:11.406
[SPEAKER_01]: I'm like, really?

50:11.707 --> 50:12.812
[SPEAKER_01]: This is where it falls apart.

50:13.973 --> 50:14.754
[SPEAKER_01]: I'm like, why?

50:14.774 --> 50:17.297
[SPEAKER_01]: I was like, because it's not realistic.

50:17.317 --> 50:18.619
[SPEAKER_01]: I said, I don't care about realistic.

50:18.679 --> 50:21.062
[SPEAKER_01]: Just give me my movie that I paid for.

50:21.202 --> 50:22.644
[SPEAKER_01]: And this is everything that I want.

50:22.865 --> 50:27.270
[SPEAKER_01]: Let me stop popcorn my face for my brain offer an hour and 44 minutes.

50:27.671 --> 50:28.913
[SPEAKER_01]: I'll let me enjoy some gunplay.

50:29.333 --> 50:30.234
[SPEAKER_01]: And that's what I got.

50:30.795 --> 50:32.017
[SPEAKER_00]: But, but she's not wrong.

50:32.137 --> 50:38.445
[SPEAKER_00]: This is the point where where desperate

50:38.425 --> 50:45.174
[SPEAKER_00]: You know, low budget revenge flick to straight up Superman popcorn flick.

50:46.356 --> 50:48.839
[SPEAKER_01]: Like he can't be hurt because he's not a match.

50:50.341 --> 50:53.686
[SPEAKER_01]: But all those other times he was able to get hurt, right?

50:54.086 --> 50:58.432
[SPEAKER_01]: But the with the knives, gun wounds, that's something that that was okay.

50:58.693 --> 51:02.198
[SPEAKER_01]: But him jumping off a building, you know, that's a different story.

51:02.658 --> 51:04.901
[SPEAKER_00]: And I heard that and he gets wounded though.

51:05.362 --> 51:07.605
[SPEAKER_00]: It's because he's caught off guard.

51:08.800 --> 51:14.192
[SPEAKER_01]: And that should have been a time when he was caught off guard because he's not looking at the building that he's jumping off of.

51:14.994 --> 51:18.242
[SPEAKER_01]: Yeah, but he's also throws his guitar case off the roof.

51:18.302 --> 51:20.266
[SPEAKER_01]: He also throws throws.

51:21.870 --> 51:28.024
[SPEAKER_01]: He also winds up throwing himself off the roof and then he winds up landing on the building on top of the building.

51:28.291 --> 51:35.198
[SPEAKER_00]: Yeah, this movie has an extreme amount of violence against guitars in it, and I'm not here for that at all.

51:35.878 --> 51:39.922
[SPEAKER_01]: I was, I, you know, as I was watching this, I'm like, I feel bad for Jason right now.

51:41.003 --> 51:55.918
[SPEAKER_01]: I'm like, I want to ring if he's noticing if maybe I don't even hear his might not be playing the guitar or if he's lip syncing or if there's any harm to guitars because I know he's probably rioting right now and can't

51:56.472 --> 52:08.486
[SPEAKER_00]: Right, you know, showed it to John Hyatt for his song perfectly good guitar where he's thinking about smashing the group a perfectly good guitar and it was like, yeah, that that song may as well have been written for this film.

52:09.428 --> 52:18.058
[SPEAKER_01]: I agree and it matter fact I actually own the soundtrack to this because I love the opening song also like the soundtrack and the music in this movie as well.

52:18.579 --> 52:23.965
[SPEAKER_01]: So I actually owned the soundtrack to this and also owned it on DVD and now I just re-bought it again, but.

52:24.198 --> 52:35.514
[SPEAKER_01]: I do like how this was an accidental explosion thing that happened, where, you know, the slowmo and then behind them and explodes, that was an accident because that wasn't supposed to happen.

52:36.736 --> 52:40.401
[SPEAKER_01]: And I like the fact that everybody tried to replicate it after that.

52:41.683 --> 52:46.290
[SPEAKER_01]: It became like the standard, the goal standard of action movies all the sudden.

52:46.388 --> 52:49.993
[SPEAKER_00]: Yeah, walk away slowly from the big explosion.

52:50.313 --> 53:01.969
[SPEAKER_00]: The fact that they made fun of it, and what was that but Tista film, where we plays the agent who's got to look after the kid, and like, you know, my spy, that's what it was.

53:02.529 --> 53:07.536
[SPEAKER_00]: And you know, he's like teaching her to properly walk away from an explosion in slowmo.

53:09.473 --> 53:11.757
[SPEAKER_01]: Yeah, that's actually where that's actually a good example of it.

53:12.177 --> 53:18.588
[SPEAKER_01]: I do, um, so now we have the next day, pooched men's ambush the couple and blows out the bookstore.

53:18.608 --> 53:29.907
[SPEAKER_01]: We talked about that, but the two escape through the return from there, I'm not actually aims on, aims one of his guns at pooched down on the ground, but suddenly hesitates and puts the gun away and seeing his face.

53:30.528 --> 53:33.152
[SPEAKER_01]: Now, this is the part that I don't get, okay?

53:33.393 --> 53:34.755
[SPEAKER_01]: I understand that's your brother.

53:34.870 --> 53:42.898
[SPEAKER_01]: But you're there to kill him because he killed your girlfriend at this point where like an hour and nine minutes probably into the movie.

53:44.099 --> 53:47.482
[SPEAKER_01]: I'm like that's to me if you wind up killing him at this point.

53:48.363 --> 53:51.426
[SPEAKER_01]: I understand it's kind of like the coward's way of actually ending a movie.

53:52.987 --> 54:03.898
[SPEAKER_01]: But if you have done play and action sequences with those men on the ground, you can actually end this movie.

54:04.807 --> 54:11.935
[SPEAKER_00]: I can't remember they actually explained this or not in the film, but clearly he recognizes his brother, which is why he didn't shoot.

54:12.195 --> 54:14.998
[SPEAKER_00]: Did he not know that his brother was Bucho?

54:15.238 --> 54:30.414
[SPEAKER_00]: I mean, I get and we kind of learn when you get to that and show down at Bucho's ranch that Elmariachi was the the the disappointing brother, the one who wanted to be Amariachi, didn't want to get into the family business.

54:31.295 --> 54:34.138
[SPEAKER_00]: How did he not know Bucho was his brother?

54:34.422 --> 54:40.264
[SPEAKER_01]: Exactly, because I'm wondering like, okay, maybe Bootsho might be the gang leader name and not his actual name.

54:42.033 --> 54:49.283
[SPEAKER_01]: So what if we say that is Roger and they didn't want to be called Roger anymore because it's just a basic name.

54:49.323 --> 54:51.847
[SPEAKER_01]: So it's like, you know what, I want to be called poochow now.

54:54.571 --> 55:00.820
[SPEAKER_00]: It's what you mentioned Roger because the the name of the character, the Raven in love hurts is Roger.

55:01.060 --> 55:02.923
[SPEAKER_00]: So it kind of makes it.

55:02.943 --> 55:06.808
[SPEAKER_00]: But I mean the thing is it's a small town right.

55:08.071 --> 55:12.319
[SPEAKER_00]: how many crime lords could be called bucho in this small town?

55:12.800 --> 55:14.803
[SPEAKER_00]: He's got to know it's his brother.

55:15.364 --> 55:21.796
[SPEAKER_00]: I can understand if it gets to the point where he's got him dead to rights, you know, he can end the movie right there.

55:21.856 --> 55:25.202
[SPEAKER_00]: And but there's this

55:25.182 --> 55:26.384
[SPEAKER_00]: thing inside him.

55:26.704 --> 55:31.832
[SPEAKER_00]: And I don't know if it's he wants to look but you'll dead in the eye.

55:31.853 --> 55:38.824
[SPEAKER_00]: So he can, you know, he can know why that that that was El Mariachi who's hunting him down.

55:38.864 --> 55:47.277
[SPEAKER_00]: Or if it's just one of those things where like asthma's three laws of robotics just kicked in and he can't hurt it, you know, can't hurt his brother for some reason.

55:47.878 --> 55:49.941
[SPEAKER_01]: All of a sudden he's now became like robocop.

55:50.292 --> 55:57.694
[SPEAKER_01]: Right, or it became Simon Phoenix is like, oh, I cannot harm you because you're my brother and I've been implanted that's that's my brother.

55:59.118 --> 56:04.133
[SPEAKER_00]: Wait, why does a Carolina take the gut and finish the job is she can she's a good shot apparently.

56:05.108 --> 56:05.669
[SPEAKER_01]: I agree.

56:05.709 --> 56:09.132
[SPEAKER_01]: She should have went on ahead and finished the job on it.

56:09.232 --> 56:10.673
[SPEAKER_01]: It's like, okay, well, I'll do the job.

56:11.054 --> 56:12.735
[SPEAKER_01]: You can't do since that's your brother.

56:13.076 --> 56:22.445
[SPEAKER_01]: I have no correlation with a no connection to this guy, Pucho, other than the fact that he owns a, he helped me with my bookstore and I've been fronting money and help and stuff.

56:22.865 --> 56:23.806
[SPEAKER_01]: So I'll go ahead.

56:23.826 --> 56:24.327
[SPEAKER_01]: I'll do that.

56:25.868 --> 56:25.968
[SPEAKER_00]: Yeah.

56:25.988 --> 56:30.172
[SPEAKER_00]: I mean, clearly, she doesn't like, you know, Pucho's advance is to begin with because that was kind of creepy.

56:31.053 --> 56:33.175
[SPEAKER_00]: So I'm sure she wouldn't mind putting a bullet in him.

56:33.593 --> 56:39.741
[SPEAKER_01]: Right, because that just shows you how much control he has over the city, though, to it's like, I am power.

56:40.002 --> 56:42.152
[SPEAKER_01]: I'll go and hit and make out with this woman.

56:43.263 --> 56:48.773
[SPEAKER_00]: But this also lends into the idea that if you kill Boucho, you create a power vacuum.

56:49.174 --> 56:54.945
[SPEAKER_00]: Now, Boucho is clearly invested money into the town in making sure that everyone, you know, that he owns everyone.

56:55.446 --> 56:57.269
[SPEAKER_00]: You know, what happens if Boucho was gone?

56:57.389 --> 56:59.333
[SPEAKER_00]: Who fills the power vacuum at that point?

56:59.734 --> 57:06.486
[SPEAKER_00]: Obviously, that's not the problem at hand here, but it could lead into why others wouldn't want to kill Boucho.

57:06.922 --> 57:07.302
[SPEAKER_01]: Right.

57:08.524 --> 57:11.186
[SPEAKER_01]: And that's, that's just the control that he has over everybody.

57:11.647 --> 57:13.348
[SPEAKER_01]: I think that's been lean more into that.

57:13.368 --> 57:17.092
[SPEAKER_01]: And I wish that there was more of the business side of what Bucha was doing.

57:17.132 --> 57:18.934
[SPEAKER_01]: Show us a larger than life thing.

57:18.974 --> 57:20.375
[SPEAKER_01]: Here's don't get me wrong.

57:20.496 --> 57:25.340
[SPEAKER_01]: We see a little bit of it in the bar, but we don't ever see any more of it.

57:25.381 --> 57:26.341
[SPEAKER_01]: We don't see cocaine.

57:26.361 --> 57:29.304
[SPEAKER_01]: We see the cocaine thing with the, with the little boy.

57:29.365 --> 57:34.870
[SPEAKER_01]: Whenever you see L hanging out

57:34.934 --> 57:37.038
[SPEAKER_01]: The guitar, and we see him.

57:37.078 --> 57:38.340
[SPEAKER_00]: I think it's a great guitar.

57:39.722 --> 57:41.926
[SPEAKER_01]: Yeah, because yeah, all my dad does.

57:42.346 --> 57:44.250
[SPEAKER_01]: He just sits down, watch his TV all day.

57:45.912 --> 57:46.393
[SPEAKER_00]: And that's it.

57:46.994 --> 57:49.298
[SPEAKER_00]: But Elmari actually smashed another guitar.

57:49.318 --> 57:53.425
[SPEAKER_00]: You have a burning bookstore and multiple hurt guitars in this.

57:56.450 --> 57:59.575
[SPEAKER_00]: Like this movie hurt me to my soul in ways I wasn't ready for.

58:00.854 --> 58:02.798
[SPEAKER_00]: I'm sorry Jason, I'll try to do a bit of job.

58:02.818 --> 58:05.544
[SPEAKER_00]: I'm sorry Jason, I'll try to do a bit of job.

58:05.564 --> 58:06.586
[SPEAKER_00]: I'm sorry Jason, I'll try to do a bit of job.

58:06.606 --> 58:08.050
[SPEAKER_00]: I'm sorry Jason, I'll try to do a bit of job.

58:08.130 --> 58:09.393
[SPEAKER_00]: I'm sorry Jason, I'll try to do a bit of job.

58:09.413 --> 58:11.196
[SPEAKER_00]: I'm sorry Jason, I'll try to do a bit of job.

58:11.216 --> 58:13.161
[SPEAKER_01]: I'm sorry Jason, I'll try to do a bit of job.

58:13.181 --> 58:14.925
[SPEAKER_01]: I'm sorry Jason, I'll try to do a bit of job.

58:14.945 --> 58:16.067
[SPEAKER_01]: I'm sorry Jason, I'll try to do a bit of job.

58:16.167 --> 58:17.811
[SPEAKER_01]: I'm sorry Jason, I'll try to do a bit of job.

58:17.831 --> 58:18.973
[SPEAKER_01]: I'm sorry Jason, I'll try to do a bit of job.

58:18.993 --> 58:19.935
[SPEAKER_01]: I'm sorry Jason, I'll try to do a bit of job.

58:19.955 --> 58:21.078
[SPEAKER_01]: I'm sorry Jason, I'll try to do a bit of job.

58:21.098 --> 58:21.158
[SPEAKER_01]: I'm

58:21.560 --> 58:26.848
[SPEAKER_01]: she can leave the village and use the money she had stashed to start a new life.

58:26.868 --> 58:30.293
[SPEAKER_01]: But she tells them that the money was hitting the books that were burned out.

58:31.235 --> 58:40.229
[SPEAKER_01]: Then calls his friends, Kappa and Quino, who meet up with him and go to a deserted part of town for a showdown with poochos men.

58:41.030 --> 58:44.535
[SPEAKER_01]: The three mariachi's men is to wipe out the thugs.

58:44.776 --> 58:47.500
[SPEAKER_01]: So, Kappa and Quino are killed in the battle.

58:47.480 --> 58:53.489
[SPEAKER_01]: However, I'm already actually discussed with a little boy from earlier who has been shot and I'm going to say this.

58:53.589 --> 58:59.739
[SPEAKER_01]: I think I think his friends accidentally killed a little boy in the crossfire, the Gatlin gun.

59:00.199 --> 59:04.666
[SPEAKER_00]: Yeah, because I mean, there were, there were way too many bullets fired from camping in Quino.

59:04.947 --> 59:08.933
[SPEAKER_00]: Then it, then there were from Boochos cards because again stormtroopers syndrome.

59:09.033 --> 59:11.817
[SPEAKER_00]: We know that the Boochos cards can't hit the damn thing.

59:12.573 --> 59:13.134
[SPEAKER_01]: Exactly.

59:13.234 --> 59:25.470
[SPEAKER_01]: And it just goes to show you how good of a shot that, you know, that the heroes of this film actually are, even though they have bad aim with this because they kill the little kid on accident.

59:27.372 --> 59:35.923
[SPEAKER_00]: I guess we're not how many people like took their acoustic guitar cases and went them up on their shoulder after this movie came in and said, look at me, I'm going to hit you with the rocket launcher.

59:36.664 --> 59:39.087
[SPEAKER_01]: You know what, I'm surprised

59:39.404 --> 59:50.679
[SPEAKER_01]: Marks for Disparado, where action figures, or like toy to get to our cases, just don't forget, this is the 90s before they put band on stuff.

59:50.699 --> 59:51.760
[SPEAKER_02]: Yeah.

59:51.780 --> 59:56.686
[SPEAKER_01]: So I'm sure I said, didn't have like no toy rocket launcher, Nerf didn't do anything or anything like that.

59:56.947 --> 59:58.308
[SPEAKER_00]: I'm going to take my base cases.

59:58.328 --> 01:00:02.133
[SPEAKER_00]: I'm going to put a sticker on it saying, you know, enemy, hell, enemy face forward.

01:00:04.897 --> 01:00:05.578
[SPEAKER_01]: That'll be great.

01:00:05.958 --> 01:00:06.559
[SPEAKER_00]: Right.

01:00:07.315 --> 01:00:15.440
[SPEAKER_01]: But then you find out that, oh, Carolina can't go anywhere because the, because the money that was dash was actually in the books.

01:00:17.827 --> 01:00:21.578
[SPEAKER_01]: And so, you know, and then I like also to this back and forth it.

01:00:21.777 --> 01:00:31.649
[SPEAKER_01]: Before that though, where's like, well, this is not going to bring your brother, your girlfriend back or anything like that what's done is done, but then he's like, well, they killed the she me, which is actually the character's name.

01:00:31.669 --> 01:00:33.311
[SPEAKER_01]: I looked up IMDB.

01:00:33.751 --> 01:00:35.714
[SPEAKER_01]: He's actually his name is Bashimi.

01:00:35.734 --> 01:00:38.977
[SPEAKER_00]: Yeah, because the character was ready for him right.

01:00:39.858 --> 01:00:47.127
[SPEAKER_01]: So he gets so basically now he's taking revenge on the fact that they killed his friends.

01:00:49.267 --> 01:00:49.728
[SPEAKER_01]: as well.

01:00:49.949 --> 01:00:54.421
[SPEAKER_01]: So there's like vengeance on top of vengeance and feeding the machine up vengeance.

01:00:55.785 --> 01:00:57.991
[SPEAKER_00]: Yeah, there's no one left in this down by the end of this film.

01:00:58.532 --> 01:01:04.930
[SPEAKER_01]: No, this town is obliterated because of L and his crew for revenge.

01:01:06.597 --> 01:01:26.426
[SPEAKER_01]: But I do like the whole, like I don't we talked about it earlier, Jason, where we both like the Gatlin guns, we both like the guitar case, the remote control guitar case with the ball, you know what I'm saying with the bomb, where it slides under the car and then also through the missile launcher, winds up hitting the limousine as well, I like it.

01:01:26.547 --> 01:01:34.258
[SPEAKER_01]: I really love the scene, then we get into the other thing now where now L winds up taking the little boy to the ER.

01:01:35.943 --> 01:01:40.671
[SPEAKER_01]: And I feel like if they killed Boot Show, they could have connected these scenes together.

01:01:42.194 --> 01:01:47.963
[SPEAKER_01]: Where the boy actually gets killed, then we find out, oh, wait, the boy is going to be fine.

01:01:48.785 --> 01:01:54.154
[SPEAKER_01]: Then you can actually look at some of the high, I can have walking out of the hospital where we're going.

01:01:54.995 --> 01:01:59.319
[SPEAKER_00]: Yeah, I mean, you can't kill a kid, you just can't, you know, we've done enough damage with the guitars.

01:01:59.539 --> 01:02:21.981
[SPEAKER_00]: You can't kill the kid, but, but this is also a really interesting turning point though, because when you realize, like, he stops to the middle of the fight to go save the kid, make sure that the kids okay or at least still breathing kind of thing, you know, they finish off the last of the of Boot Joe's men, and then they go right to the hospital, a place where sell my high accent, you don't want to go to the hospital here, but they went to the hospital.

01:02:21.961 --> 01:02:28.308
[SPEAKER_00]: Because apparently, Caroleen lost all of her medical books in the burning library, oh my god, the burning bookstore.

01:02:28.328 --> 01:02:38.338
[SPEAKER_00]: But the thing is though, it's an important point in the film, because at this point, and of course, El Mariachi knows who Bucho is.

01:02:38.799 --> 01:02:41.061
[SPEAKER_00]: So that's why he knows where to go.

01:02:41.101 --> 01:02:44.725
[SPEAKER_00]: So clearly at this point now, he's like, no more digging around.

01:02:44.845 --> 01:02:50.331
[SPEAKER_00]: It is time to end this

01:02:50.311 --> 01:03:08.353
[SPEAKER_00]: You know, so it's almost like that this kid is the inbox because up to this point, it's been I will kill anyone in my way and I don't care who gets in my way now this innocent, you know, who, you know, wants to learn how to play the guitar just like I'm already at you right like there's a there's a connection there.

01:03:08.485 --> 01:03:21.370
[SPEAKER_01]: Right, you know, and he feels bad for the kid, too, because his dad is strong out on drugs because of pooch, and, you know, there's that connection, like you said, that he wants to become the best out of Mariachi player.

01:03:21.410 --> 01:03:24.115
[SPEAKER_01]: So he sees a little bit of himself in that kid.

01:03:24.213 --> 01:03:24.533
[SPEAKER_00]: Yeah.

01:03:25.034 --> 01:03:34.204
[SPEAKER_00]: And the other thing too is that he knows that if this kid lives, he needs to make sure that he doesn't end up the same way that El Mariachi does.

01:03:34.525 --> 01:03:40.151
[SPEAKER_00]: You know, so clearly it's time to deal with Buccio one on one and not deal with, you know, just go straight to the source.

01:03:40.832 --> 01:03:41.052
[SPEAKER_01]: Right.

01:03:41.713 --> 01:03:52.465
[SPEAKER_01]: And take him out and I just fell back for the kid now because he might have syphilis because he went to this hospital, but you know, at least you get, you know,

01:03:52.445 --> 01:03:56.515
[SPEAKER_00]: Yeah, if you still use the RMA afterwards, put it all on.

01:03:57.355 --> 01:04:07.006
[SPEAKER_01]: Sorry kid, good news is you're you're going to live the bad news is yeah, you have an STD now, but also the bad news is I'll Mara, she smashed one of your guitar.

01:04:07.046 --> 01:04:10.530
[SPEAKER_00]: So get the gorilla glue once your arm was back to working, you know, working later.

01:04:10.870 --> 01:04:14.515
[SPEAKER_01]: Give you a prosthetic.

01:04:17.498 --> 01:04:23.565
[SPEAKER_01]: You don't be funny like have like a little glove that just holds his nub and he just drums the guitar with that.

01:04:24.102 --> 01:04:31.101
[SPEAKER_00]: Hey, you know what, if if Tony and we can play with two missing fingers on his hand, anyone can do anything.

01:04:31.382 --> 01:04:31.843
[SPEAKER_01]: Exactly.

01:04:32.485 --> 01:04:35.192
[SPEAKER_01]: So now, if we go into the whole entire show now.

01:04:35.847 --> 01:04:40.375
[SPEAKER_01]: where now we have Idris Rio that Amariachi and Bucho are actually brothers.

01:04:40.656 --> 01:04:48.690
[SPEAKER_01]: Our Bucho is angered by a killing as betrayal and friends to kill or even to even the score with El Mariachi killing his men.

01:04:49.151 --> 01:04:55.903
[SPEAKER_01]: Amariachi then reluctantly shoots Bucho dead and then a face to white or no appear reason.

01:04:56.424 --> 01:04:58.227
[SPEAKER_01]: And I do not like this.

01:04:58.392 --> 01:05:00.855
[SPEAKER_00]: Okay, so there is actually a reason for this.

01:05:01.416 --> 01:05:09.906
[SPEAKER_00]: So they filmed this massive gun battle at the ranch after Al-Mariachi shoots Buccio, right?

01:05:10.306 --> 01:05:16.794
[SPEAKER_00]: Like this film, when it was submitted to the MPAA, it was rated NC 17 mostly for the violence.

01:05:17.395 --> 01:05:23.902
[SPEAKER_00]: So they needed to cut down quite a bit in order to be able to get it down to the R rating.

01:05:23.922 --> 01:05:27.927
[SPEAKER_00]: So they could release it into theaters.

01:05:27.907 --> 01:05:48.765
[SPEAKER_00]: I guess probably one of the notes was like, you might want to cut down like 17 minutes of gunplay or whatever, because they actually did use almost like pink balls in the guns, but it made it a bit more unrealistic of a blood splatter when it hits as opposed to using squibs that they normally use for stunt work, right?

01:05:49.286 --> 01:05:57.913
[SPEAKER_00]: So it looked a little too realistic and a little too

01:05:57.893 --> 01:06:01.637
[SPEAKER_00]: They took this scene because we saw Boochodai, right?

01:06:01.738 --> 01:06:05.101
[SPEAKER_00]: We know the Boochos that we know that El Mariachi has has done his job.

01:06:05.382 --> 01:06:11.609
[SPEAKER_00]: And the fact that we fade back up to seeing the kid back in the hospital and coming to out of his surgery.

01:06:12.070 --> 01:06:14.633
[SPEAKER_00]: So we know that El Mariachi lives.

01:06:14.993 --> 01:06:22.602
[SPEAKER_00]: So it's almost like after killing Boochos, anything after that is almost anti-climactic.

01:06:22.902 --> 01:06:23.643
[SPEAKER_01]: I agree.

01:06:23.683 --> 01:06:25.425
[SPEAKER_01]: This is anti climatic as you get.

01:06:25.465 --> 01:06:36.438
[SPEAKER_01]: You would think that they would have a problem with the nudity versus the gun fire, but it just goes, you know, I'm saying I love to sing which I'm a high act.

01:06:36.458 --> 01:06:43.527
[SPEAKER_01]: I love you know 15 minute, I don't mind that, but I'm just saying like that's with a nitpicky about his blood splatter.

01:06:44.030 --> 01:06:47.737
[SPEAKER_00]: Well, I mean, this kind of goes back to Team America world police, right?

01:06:48.198 --> 01:06:53.309
[SPEAKER_00]: The puppet sex scene, there was way more that they shot for that.

01:06:53.369 --> 01:06:56.976
[SPEAKER_00]: And they basically thought up every single potential

01:06:57.631 --> 01:07:04.258
[SPEAKER_00]: horrendous, hideous, depraved sex act that you could do with two Marionettes, and they put it into the film.

01:07:04.478 --> 01:07:09.243
[SPEAKER_00]: So when they gave it to the NBA, they're like, you can't show this.

01:07:09.523 --> 01:07:12.686
[SPEAKER_00]: So they basically had these scenes ready to be pulled out.

01:07:13.046 --> 01:07:18.372
[SPEAKER_00]: So they could still leave some of the scenes in like the poop scene, like the peeing on her scene kind of thing.

01:07:18.392 --> 01:07:27.621
[SPEAKER_00]: So the Marionette scene is still kind of depraved, but can you imagine with that initial cut problem we looked like, Oh my gosh, I can just

01:07:27.601 --> 01:07:28.682
[SPEAKER_01]: They what they did.

01:07:30.184 --> 01:07:38.014
[SPEAKER_01]: It's like this is like scary movie one with the cream coming up in the guy going up in the ceiling.

01:07:38.034 --> 01:07:48.066
[SPEAKER_00]: Which is so like, but there are some things where you're like, and that made it past right exactly, but I understand like if they're saying they're saying, well, it's too violent.

01:07:48.106 --> 01:07:50.269
[SPEAKER_00]: Let's lose a couple minutes of the violence.

01:07:51.010 --> 01:07:52.031
[SPEAKER_00]: You've already killed Boochau.

01:07:52.812 --> 01:07:52.992
[SPEAKER_00]: Right.

01:07:53.013 --> 01:07:55.836
[SPEAKER_00]: So everything after that is just gunpla.

01:07:55.968 --> 01:08:13.737
[SPEAKER_00]: Right exactly, who chose the last guide kill, then you need to leave everything in, but because they killed Buccio first, okay, you can cut out the rest and say we've seen him survive everything else, or yeah, or you can shoot him and enter him and him run off.

01:08:13.757 --> 01:08:19.006
[SPEAKER_01]: And the rest of the body guards and everything are shooting after L and also Carolina.

01:08:19.546 --> 01:08:21.790
[SPEAKER_01]: So you can still have your gunplay.

01:08:22.327 --> 01:08:41.483
[SPEAKER_01]: It's just that you needed to execute it better than what you did because I felt like there was finally we get that moment and I feel like it's been taken away from us because we don't get to see what the accountability is afterwards because we're supposed to think that Carolina in Hamburg are able to take down all these people but just them too.

01:08:41.750 --> 01:08:42.371
[SPEAKER_00]: by themselves.

01:08:42.711 --> 01:08:45.073
[SPEAKER_00]: Well, the other thing too is like what happens afterwards?

01:08:45.113 --> 01:08:55.983
[SPEAKER_00]: Like did they, you know, did it turn into a shoot it, or was it one of those things where, with Boochogon, you know, like what are they worth fighting for?

01:08:56.003 --> 01:09:08.955
[SPEAKER_00]: I think the biggest problem with this scene is it takes away from a potential scene where Zamira could have been used to full effectiveness because they played her up to be this total badass and we didn't get to see any of it.

01:09:09.121 --> 01:09:11.390
[SPEAKER_01]: No, we didn't, and that's why I don't like descending.

01:09:11.410 --> 01:09:15.426
[SPEAKER_01]: I feel like there should be a director's kite for this film.

01:09:16.811 --> 01:09:17.755
[SPEAKER_01]: It's not, let's see here.

01:09:17.916 --> 01:09:19.000
[SPEAKER_01]: This movie came out, what?

01:09:19.241 --> 01:09:20.245
[SPEAKER_01]: 95.

01:09:20.309 --> 01:09:29.920
[SPEAKER_01]: 95 now is 31 years ago, same year as hackers, which I'm going to be reviewing, but they have a 31 year one year edition.

01:09:30.401 --> 01:09:44.177
[SPEAKER_01]: You're going to tell me you can not give us an anniversary edition to where you can give us an extended kite, make us choose between an extended kite and a regular kite of the film, make us as the audience decide on which one we want to watch.

01:09:45.458 --> 01:09:48.021
[SPEAKER_01]: And let us

01:09:48.254 --> 01:09:52.181
[SPEAKER_00]: But the thing is the revenge ends, the minute pooch was dead.

01:09:52.622 --> 01:09:56.149
[SPEAKER_00]: So if you're going to fade to white anywhere, this is probably the way to do it.

01:09:56.569 --> 01:10:01.138
[SPEAKER_00]: This is the second thing that got put cut from this film that I kind of wish was in it though.

01:10:01.418 --> 01:10:03.522
[SPEAKER_00]: Because yeah, another gun placing would have been fine.

01:10:03.542 --> 01:10:06.147
[SPEAKER_00]: But I'm okay with it, right?

01:10:06.167 --> 01:10:07.470
[SPEAKER_00]: Because we've had our revenge moment.

01:10:08.792 --> 01:10:11.477
[SPEAKER_00]: Robert Rodriguez's band, Schingon.

01:10:11.457 --> 01:10:14.665
[SPEAKER_00]: recorded a version of the song, my galena cellarosa.

01:10:15.086 --> 01:10:18.073
[SPEAKER_00]: And it was supposed to be for this film, but never made the cut.

01:10:18.514 --> 01:10:23.526
[SPEAKER_00]: It ended up being the end credit music for Kill Bill volume two.

01:10:24.603 --> 01:10:34.634
[SPEAKER_00]: And if you've ever heard this this version of my galena cellarosa, it is the superior version to ever event sevenfold even did a cover of this of this song.

01:10:34.655 --> 01:10:35.135
[SPEAKER_01]: That's right.

01:10:35.155 --> 01:10:35.976
[SPEAKER_01]: I did listen to that.

01:10:36.376 --> 01:10:37.438
[SPEAKER_01]: I listen to that.

01:10:37.458 --> 01:10:39.860
[SPEAKER_00]: The shing gone version is far superior.

01:10:39.881 --> 01:10:42.323
[SPEAKER_00]: And that is not taking anything away from a bench sevenfold.

01:10:42.343 --> 01:10:50.813
[SPEAKER_00]: I'm sure they would even tip their hats to Robert Rodriguez and shing on because Robert Rodriguez is a fan freaking tastic guitarist.

01:10:50.793 --> 01:10:54.977
[SPEAKER_00]: There's a performance at the Kill Bill launch party.

01:10:55.718 --> 01:10:58.761
[SPEAKER_00]: Tarantino's there and Uma Thurman's there and Shengan is playing.

01:10:59.142 --> 01:11:00.623
[SPEAKER_00]: You can find that video on YouTube.

01:11:00.703 --> 01:11:02.225
[SPEAKER_00]: It is fantastic.

01:11:02.265 --> 01:11:04.988
[SPEAKER_00]: I highly recommend seeing this performed.

01:11:06.049 --> 01:11:11.815
[SPEAKER_01]: I'm going to have to check that out because I like Robert Rodriguez, but I didn't know he plays guitar like that.

01:11:12.095 --> 01:11:12.996
[SPEAKER_02]: Oh, yeah.

01:11:13.757 --> 01:11:16.480
[SPEAKER_01]: OK, I mean, you sold me big time.

01:11:17.928 --> 01:11:32.359
[SPEAKER_01]: But then finally we got the final scene with Carolina later picks up how Mariachi on the highway and the middle of the desert and the couple kids passionately as they drive into the sunset and now we have once upon a time in the next go so bye.

01:11:33.554 --> 01:11:39.901
[SPEAKER_01]: You know, the thing that I think that's interesting about this movie is it's has like a kung fu style movie, right?

01:11:40.782 --> 01:11:49.132
[SPEAKER_01]: Just remember the TV series kung fu where the guy goes in from city to city, any was a kicking ass, everywhere he goes.

01:11:49.452 --> 01:11:51.434
[SPEAKER_00]: Yes, they would care to him, build himself.

01:11:51.915 --> 01:11:56.440
[SPEAKER_01]: Yes, I think it's a I think that this is tips to hat to him.

01:11:58.259 --> 01:11:59.801
[SPEAKER_00]: I mean, it wouldn't be surprised, right?

01:11:59.821 --> 01:12:05.086
[SPEAKER_00]: Like, it has that, you know, that long gunmen kind of feel to it.

01:12:05.406 --> 01:12:17.118
[SPEAKER_00]: I love the fact that when somebody picks him up, it's like, I want you to think me right now, because that was kind of the impetus to them having the very tastefully shot sexy, right?

01:12:17.158 --> 01:12:20.361
[SPEAKER_00]: Like, you know, this is his way of thanking her kind of thing.

01:12:20.401 --> 01:12:24.486
[SPEAKER_00]: So I kind of like that and get it brings the humor back a little bit.

01:12:25.006 --> 01:12:26.848
[SPEAKER_00]: And this film is,

01:12:27.402 --> 01:12:31.326
[SPEAKER_00]: I think I enjoyed this script more than the gunplay in this because it is.

01:12:31.386 --> 01:12:32.707
[SPEAKER_00]: It's a smart fun script.

01:12:33.588 --> 01:12:35.590
[SPEAKER_01]: It is a fun smart script script.

01:12:35.610 --> 01:12:39.313
[SPEAKER_01]: I think like you said, I think the script is better than the movie when you're looking at it.

01:12:40.034 --> 01:12:47.081
[SPEAKER_01]: But when you actually see it as a whole with the climax and stuff like that, it falls apart.

01:12:47.722 --> 01:12:53.427
[SPEAKER_01]: And I also feel like once we get over to boochos, place it kind of slows it down a little bit.

01:12:53.845 --> 01:12:54.947
[SPEAKER_00]: a little bit.

01:12:54.967 --> 01:12:57.032
[SPEAKER_00]: I mean, obviously, this is supposed to be the emotional moment, right?

01:12:57.052 --> 01:13:01.602
[SPEAKER_00]: Where we, we, we, we, we discover that boochow is El Mariachi's brother.

01:13:01.682 --> 01:13:03.346
[SPEAKER_00]: Like this is supposed to be the big reveal.

01:13:04.148 --> 01:13:06.032
[SPEAKER_00]: And we have a quick out.

01:13:06.113 --> 01:13:28.847
[SPEAKER_00]: on this right like okay so he didn't kill his brother but now he's got to kill his brother and boom they do wait look I understand that there are times when you just have to end the movie right Stephen King's a stand kind of felt that way right if you've ever read the book of Stephen King's a book I just haven't had a chance to read it I have a bunch of Stephen King books

01:13:28.827 --> 01:13:30.932
[SPEAKER_00]: Yeah, that that book is not just a novel.

01:13:31.052 --> 01:13:32.134
[SPEAKER_00]: It's it's a lethal weapon.

01:13:32.255 --> 01:13:33.337
[SPEAKER_00]: It's that pick of a book.

01:13:33.738 --> 01:13:34.940
[SPEAKER_00]: Especially if you have the hard cover.

01:13:35.361 --> 01:13:39.110
[SPEAKER_00]: But I mean, like, it got to the point where it's like, how the hell we're going to end this?

01:13:39.130 --> 01:13:39.470
[SPEAKER_00]: I don't know.

01:13:39.510 --> 01:13:42.016
[SPEAKER_00]: Hand of God comes down and touches off a bomb and Las Vegas.

01:13:42.036 --> 01:13:42.938
[SPEAKER_00]: That's how you end it.

01:13:43.920 --> 01:13:44.261
[SPEAKER_00]: Really?

01:13:44.301 --> 01:13:46.907
[SPEAKER_00]: At this point, you've gotten to the point.

01:13:47.428 --> 01:13:48.490
[SPEAKER_00]: My brother is dead.

01:13:49.668 --> 01:13:52.293
[SPEAKER_00]: I mean, oh, Mariachi doesn't want a power play though.

01:13:52.313 --> 01:13:54.798
[SPEAKER_00]: He doesn't want to fill the power vacuum.

01:13:55.640 --> 01:14:00.831
[SPEAKER_00]: So the question becomes, and then that's, I don't mind a film that ends its speculation, right?

01:14:01.212 --> 01:14:10.731
[SPEAKER_01]: It means, or, you know, this is, conversation, this is why we do what we do because it gives us a chance to actually speculate and use our imaginations on what we think that might happen.

01:14:10.711 --> 01:14:14.925
[SPEAKER_00]: Yeah, I mean, this is great for dinner and a movie, right?

01:14:14.945 --> 01:14:21.266
[SPEAKER_00]: Your potato seed to see Desperado and the new take her over dinner afterwards and it's like, so what do you think happen?

01:14:22.390 --> 01:14:22.932
[SPEAKER_01]: Exactly.

01:14:23.283 --> 01:14:53.290
[SPEAKER_01]: And I like stuff like that where you can actually be interacting with your date after a dinner and just talk about a film I think this is what that movie does and allows you to have conversation as well, but for me I'm I'm married I can't I didn't take my life out so I'm just a nature but you know what that being said I'm going to have to give this even though I enjoyed these scenes I enjoyed the movie I'm stuff in my face with popcorn and does slow down a little bit the end I quite mad at thing.

01:14:53.270 --> 01:14:54.993
[SPEAKER_01]: not to down for me a little bit.

01:14:55.894 --> 01:14:57.918
[SPEAKER_01]: So I'm going to lease with an 8.5.

01:14:58.759 --> 01:15:06.372
[SPEAKER_00]: See, and I would come up to an 8.5 because I was reminded how much I enjoyed the script and the fun moments in this film.

01:15:06.893 --> 01:15:11.120
[SPEAKER_00]: But before we even get to the end of this episode, John, I'm going to have to ask you, right?

01:15:12.382 --> 01:15:13.103
[SPEAKER_00]: They fade to white.

01:15:14.125 --> 01:15:15.447
[SPEAKER_00]: What do you think happened?

01:15:16.085 --> 01:15:26.861
[SPEAKER_01]: I'm thinking that somehow or another, he got that cock of gun that he had and shot everybody with his cock.

01:15:26.881 --> 01:15:30.145
[SPEAKER_01]: He just kind of like, that was one of the scenes that got cut.

01:15:30.926 --> 01:15:31.227
[SPEAKER_01]: Right.

01:15:31.507 --> 01:15:32.308
[SPEAKER_01]: Oh, wow.

01:15:32.388 --> 01:15:33.109
[SPEAKER_01]: I didn't even know that.

01:15:33.350 --> 01:15:41.822
[SPEAKER_00]: Yeah, apparently there was a scene where he was supposed to have it on kind of thing and it accidentally goes off while he's around Carolina.

01:15:41.802 --> 01:16:07.135
[SPEAKER_00]: So that scene got cut and then the the cauccan then came out I think was in a planet terror well also too it came out again over at a dustle dawn yes Because well I guess we're going to make that property by as well use it properly right exactly went care for your feet I here's my opinion on this here's my theory on this is that Mariachi shoots poochau

01:16:07.925 --> 01:16:09.688
[SPEAKER_00]: Right, and then we fade to white, right?

01:16:09.708 --> 01:16:16.497
[SPEAKER_00]: But what we don't see is everyone pulls their guns and it becomes, you know, for lack of a better analogy, a Mexican standoff.

01:16:16.958 --> 01:16:19.201
[SPEAKER_00]: Everyone's got the guns pointed at each other kind of thing.

01:16:20.843 --> 01:16:26.612
[SPEAKER_00]: My, my theory on this is that no one else dies.

01:16:27.994 --> 01:16:28.975
[SPEAKER_00]: There's no big gun battle.

01:16:30.838 --> 01:16:36.666
[SPEAKER_00]: Zamira comes in and fills the power vacuum left by Boucho.

01:16:38.182 --> 01:16:40.189
[SPEAKER_01]: Okay, so she takes over his business.

01:16:40.655 --> 01:16:40.918
[SPEAKER_00]: Yeah.

01:16:41.455 --> 01:16:46.443
[SPEAKER_01]: Okay, because my, I'm glad you said that because I'm like, well, guys, it's been nice knowing.

01:16:46.463 --> 01:16:47.665
[SPEAKER_01]: Yeah, but you're dead.

01:16:49.988 --> 01:16:52.352
[SPEAKER_01]: You know, I think I could go out for a couple of beers now.

01:16:52.573 --> 01:16:54.355
[SPEAKER_01]: Oh, wait, remember, you're thinking about this, right?

01:16:55.016 --> 01:16:56.579
[SPEAKER_00]: El Mariachi is butchers brother.

01:16:56.779 --> 01:17:01.266
[SPEAKER_00]: So logically, he should be the one taking over the family business, right?

01:17:01.567 --> 01:17:08.678
[SPEAKER_00]: We, as you have to think that's probably their father, who is the guy on the other end of the phone that sent Danny Trejo in to clean up the mess.

01:17:08.658 --> 01:17:09.039
[SPEAKER_00]: right?

01:17:09.079 --> 01:17:14.214
[SPEAKER_00]: So now, oh, Mariachi, the brother has returned, but he doesn't want anything to do with the business.

01:17:14.696 --> 01:17:20.473
[SPEAKER_01]: So this is where someone like Zamira, who just steps in as a henchman is like, you know what, I'm going to take it over now.

01:17:20.656 --> 01:17:31.810
[SPEAKER_00]: Yeah, because you have to think Zamir is probably the one who would walk right up to El Mariachi with a gun, like because they built her up to be so bad ass and so terrifying in her own kind of way.

01:17:32.491 --> 01:17:45.668
[SPEAKER_00]: And if El Mariachi just watches, I don't want this, I don't want this, you know, I walked away from this life and I'm going to walk away from this again and Zamir probably just let him leave because she realized at that moment the business was hers.

01:17:46.019 --> 01:17:52.108
[SPEAKER_01]: Right, and I could just hear going, look, if you come back here again, I will kill you in Carolina to go.

01:17:52.689 --> 01:17:53.631
[SPEAKER_01]: Yeah, you have the chance.

01:17:55.533 --> 01:17:57.216
[SPEAKER_00]: Yeah, that makes total sense to me.

01:17:58.017 --> 01:17:59.259
[SPEAKER_01]: Okay, I like your theory.

01:17:59.620 --> 01:18:05.128
[SPEAKER_00]: Okay, right, but at least, I mean, obviously that's not where they shot it because they had to cut somebody's things out, right?

01:18:05.168 --> 01:18:08.533
[SPEAKER_01]: If you have played a bombs around that place, somehow or something.

01:18:09.779 --> 01:18:12.492
[SPEAKER_00]: He couldn't even get guys to fight properly.

01:18:13.035 --> 01:18:14.301
[SPEAKER_01]: Never mind.

01:18:16.412 --> 01:18:18.743
[SPEAKER_00]: The stormtroopers would have messed that one up, too.

01:18:19.702 --> 01:18:25.552
[SPEAKER_01]: But, you know, I was just saying it didn't like maybe I'll probably plan it some bombs and maybe That's what happened.

01:18:25.592 --> 01:18:26.955
[SPEAKER_01]: But then again, it's a compound.

01:18:27.095 --> 01:18:29.760
[SPEAKER_01]: It's hard to do do something like that within the compound.

01:18:29.960 --> 01:18:31.322
[SPEAKER_00]: Yeah, because there was no hesitation.

01:18:31.362 --> 01:18:32.705
[SPEAKER_00]: Exactly where you need to go.

01:18:33.025 --> 01:18:36.391
[SPEAKER_00]: This was this was a one on one confrontation that needed to happen.

01:18:36.892 --> 01:18:40.258
[SPEAKER_00]: So no, no trickery, no nothing just.

01:18:41.707 --> 01:18:43.671
[SPEAKER_00]: You know, brother against brother kind of thing.

01:18:44.052 --> 01:18:55.193
[SPEAKER_00]: So yeah, I recognize that Rodriguez shot it differently and with this big gun placing and all that, but in my heart of hearts, I think that Zamira ended up taking over the business.

01:18:55.915 --> 01:18:56.896
[SPEAKER_01]: I like that idea.

01:18:57.257 --> 01:19:00.260
[SPEAKER_01]: Okay, woman in control in the 90s strong end of been a woman.

01:19:00.320 --> 01:19:00.801
[SPEAKER_01]: I like that.

01:19:01.141 --> 01:19:01.641
[SPEAKER_00]: Why not?

01:19:01.702 --> 01:19:04.645
[SPEAKER_01]: Yeah, saw my had a live I had a book store.

01:19:04.765 --> 01:19:08.529
[SPEAKER_00]: So yeah, if we can have barbed wire then Zimiro could take over the business.

01:19:08.950 --> 01:19:10.772
[SPEAKER_00]: Hell yeah, barbed wire.

01:19:13.415 --> 01:19:14.336
[SPEAKER_01]: But you know what though, man?

01:19:14.476 --> 01:19:24.167
[SPEAKER_01]: I love reading letter box reviews just to see what people say about this movie versus

01:19:25.295 --> 01:19:34.301
[SPEAKER_01]: One person said, sex on wheels, baby, me, beaming with joy, all the sight of Steve Assimi.

01:19:34.421 --> 01:19:38.072
[SPEAKER_01]: It's my husband, my husband, excuse me.

01:19:39.115 --> 01:19:51.311
[SPEAKER_00]: Yeah, but we showed me was a ton of fun in this and it reminds you just how good he can be like and he strings it along so well any time Bush and me gets a chance to have a dialogue driven scene.

01:19:51.711 --> 01:19:54.775
[SPEAKER_00]: He's going to rope you in there's actually a fantastic film.

01:19:54.795 --> 01:20:07.772
[SPEAKER_00]: They was released in 2007 called the interviews him and seen a Miller and yeah, and it plays like a stage play between the two of them and

01:20:07.752 --> 01:20:11.556
[SPEAKER_00]: just choose into that dialogue, but see it on Miller's really good in it too.

01:20:12.297 --> 01:20:13.478
[SPEAKER_01]: Okay.

01:20:13.498 --> 01:20:28.635
[SPEAKER_01]: But you know, what though, what I have this in my notes as well, what if Steve just goes around town and town, telling the story of the Al Mariachi to different people and traveling with him, just to do this.

01:20:28.835 --> 01:20:33.540
[SPEAKER_01]: Like, I was wondering like in my head, like how many years did he have to travel?

01:20:33.689 --> 01:20:47.921
[SPEAKER_01]: to get to where Boucho is and stuff like I was making my own origin story about how Hashimi got got to know L and I was like maybe the story that he was telling was actually the origin story of how they met.

01:20:49.825 --> 01:20:53.453
[SPEAKER_00]: It's feels like if Bouchemi was basically Tom Hanks' role news of the world.

01:20:55.238 --> 01:20:57.562
[SPEAKER_01]: like that in all this.

01:20:58.042 --> 01:20:58.643
[SPEAKER_01]: You know what though?

01:20:58.864 --> 01:21:00.667
[SPEAKER_01]: I had a great time reviewing this with you.

01:21:00.687 --> 01:21:01.348
[SPEAKER_01]: I really do.

01:21:01.428 --> 01:21:02.890
[SPEAKER_01]: I always enjoy having you on here.

01:21:03.371 --> 01:21:09.661
[SPEAKER_01]: You have anything that you want to pitch out to me or anything like that as far as what you're doing for your channel.

01:21:10.522 --> 01:21:11.644
[SPEAKER_01]: Stuff up and like to know.

01:21:11.692 --> 01:21:12.813
[SPEAKER_00]: Well, dude, thank you so much.

01:21:12.874 --> 01:21:28.454
[SPEAKER_00]: We actually are just wrapping up, at the time we were recording this week, we're just wrapping up our Razzies month, the Grading on a Curve, came out where we went through all five worst film nominees at the Razzies this year and ranked them in amongst themselves.

01:21:28.474 --> 01:21:31.117
[SPEAKER_00]: And we're getting ready for a couple of other things that are coming up later this year.

01:21:31.658 --> 01:21:34.762
[SPEAKER_00]: Also, my music podcast, there can only be one has now come back.

01:21:34.962 --> 01:21:36.484
[SPEAKER_00]: We have new episodes up.

01:21:36.464 --> 01:21:39.549
[SPEAKER_00]: and we have a bunch of episodes already in the works.

01:21:40.170 --> 01:21:42.354
[SPEAKER_00]: You can find that one at only one cast on social media.

01:21:42.374 --> 01:21:45.920
[SPEAKER_00]: You can find everything at our website not that badcast.com.

01:21:46.521 --> 01:21:46.841
[SPEAKER_01]: Okay.

01:21:47.523 --> 01:21:51.469
[SPEAKER_01]: Well, guys, I'm going to be doing my hackers review sometime this month.

01:21:51.549 --> 01:21:58.401
[SPEAKER_01]: I'm also going to be doing my Edward Siser hands review with Zo from Backlook Cinema Podcast.

01:21:58.441 --> 01:22:00.244
[SPEAKER_01]: I can't wait to have them back on the show again.

01:22:00.477 --> 01:22:01.278
[SPEAKER_01]: talk about that.

01:22:02.060 --> 01:22:04.484
[SPEAKER_01]: So we're going to talk about does Edward have a penis?

01:22:04.524 --> 01:22:05.545
[SPEAKER_01]: Does he not have a penis?

01:22:05.585 --> 01:22:06.587
[SPEAKER_01]: How does that even work?

01:22:07.028 --> 01:22:11.175
[SPEAKER_01]: So we're going to talk about all that penis talking more on Edward's hands for years.

01:22:11.195 --> 01:22:12.797
[SPEAKER_00]: He does, but it's a spatula.

01:22:13.719 --> 01:22:16.584
[SPEAKER_01]: That's kind of suck.

01:22:16.604 --> 01:22:19.228
[SPEAKER_01]: Okay, let me make you some flat jacks.

01:22:20.137 --> 01:22:22.083
[SPEAKER_01]: But anyways, Jason, thank you so much.

01:22:22.184 --> 01:22:27.240
[SPEAKER_01]: I do appreciate you as always guys going to check out his podcast It's an awesome podcast.

01:22:27.260 --> 01:22:28.926
[SPEAKER_01]: We're just left doing an excellent job over there.

01:22:29.006 --> 01:22:29.789
[SPEAKER_01]: It's not that bad.

01:22:29.809 --> 01:22:30.872
[SPEAKER_01]: I've been on your show before

01:22:31.139 --> 01:22:43.828
[SPEAKER_01]: It's great also to don't forget to give me a five star review on Spotify, Apple podcast for you guys can podcast from and always until next time guys have a good good day and also to practice some guitar and don't eat please for loving God.

01:22:43.848 --> 01:22:50.683
[SPEAKER_01]: You don't break any guitars for chasing someone.