Demolition Man Review | WTF Are the Three Seashells?!

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[SPEAKER_05]: And hello, movie lovers, I'm up in the show.

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[SPEAKER_05]: With me, I have Jason from It's Not That Bad Podcast.

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[SPEAKER_05]: We're here to talk about demolition.

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[SPEAKER_05]: The movie that predicted everything, and how did we know that this would actually be the future that we would be looking at?

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[SPEAKER_05]: The plan is the fact that Taco Bell is not the winner of the fast food chain yet.

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[SPEAKER_05]: So that's like maybe the only thing that can amount of gone.

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[SPEAKER_05]: But anyways, let's go ahead.

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[SPEAKER_05]: Let's talk about this.

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[SPEAKER_05]: I'm excited to have Jason back here again.

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[SPEAKER_05]: So let's go ahead.

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[SPEAKER_05]: Let's go home and back.

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[SPEAKER_05]: And hey Jason.

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[SPEAKER_05]: Welcome back.

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[SPEAKER_00]: Greetings and salutations.

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[SPEAKER_00]: John.

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[SPEAKER_00]: How are we doing?

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[SPEAKER_05]: I'm doing fantastic.

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[SPEAKER_05]: Make that.

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[SPEAKER_05]: I'll take that back.

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[SPEAKER_05]: I'm doing fucking fantastic.

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[SPEAKER_05]: Now I'm going to be fine.

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[SPEAKER_05]: One credit.

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[SPEAKER_00]: You have a fine one credit for violation of the mobile well a more over a moral Oh, choose the verbal morality's act there it is.

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[SPEAKER_00]: I apparently I can't speak English today I'm sorry everyone in advance.

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[SPEAKER_05]: It's okay.

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[SPEAKER_05]: We're just gonna have to get For either have to get serious to reboot him or we're gonna have to get a Lexi to reboot this perfectly.

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[SPEAKER_05]: This can be perfectly fine But I just want to say I'll be back.

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[SPEAKER_00]: I'll deal with joy joy feelings right now.

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[SPEAKER_00]: I can't speak English

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[SPEAKER_05]: true, you're all time tied.

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[SPEAKER_05]: But you know what, though, it's always a pleasure to have you on the show.

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[SPEAKER_05]: It's always fun just geeking out with you over movies.

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[SPEAKER_05]: So welcome back once again.

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[SPEAKER_05]: And guys, if you're listening to this podcast last year, we actually covered me in Tamika, we ended up covering Rush Hour 2 for Black History Month.

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[SPEAKER_05]: So go ahead and check that out where we guys get your podcast.

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[SPEAKER_05]: But tonight is Demolition Man.

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[SPEAKER_05]: So my question is this, like, where are you with the first time that you heard about demolition there?

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[SPEAKER_05]: What do you think of it, Nistalgia Glee?

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[SPEAKER_05]: How do you hold this in your heart?

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[SPEAKER_05]: Best out of ten for this.

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[SPEAKER_00]: Okay, I am going to put this right out on the front street and lay my bias out for everyone right now.

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[SPEAKER_00]: This is, in my top five, top three, and maybe my top one, so Vester's alone films of all time.

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[SPEAKER_00]: So that's kind of laying it out there.

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[SPEAKER_00]: If I take a look at my top three, it's probably going to be something like Rocky Four because just the cheese value of it, Oscar, which is an unheralded gem from his filmography, and this, and this stands right above all of those.

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[SPEAKER_00]: Oscar flip-flops with it depends on the mood I'm in.

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[SPEAKER_00]: So looking back at this, I remember when this came out and of course like it's around that time where you've got to alone doing all these,

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[SPEAKER_00]: kind of underrated gems.

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[SPEAKER_00]: You know, this is where the judge dread time as well.

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[SPEAKER_00]: And I still actually really enjoyed that one.

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[SPEAKER_00]: But this one, the fact that it's a lot smarter than people will give us to loan movie credit for.

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[SPEAKER_00]: And the fact that the director really only did like one other major film after this, like it's insane how you just drop the mic.

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[SPEAKER_00]: Here's perfection.

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[SPEAKER_00]: I'm done.

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[SPEAKER_00]: See you by.

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[SPEAKER_05]: Exactly, and you know what I actually agree with you on that though, too, is like the smoothiest mark and it's playing into the future of what we think in the 90s the future of be like and we they also talk about experimentation with freezing bodies and stuff like that.

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[SPEAKER_05]: But this movie is very smart.

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[SPEAKER_05]: It knew what it wanted to be.

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[SPEAKER_05]: It only didn't know what it wanted to be.

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[SPEAKER_05]: But I also feel like Stallone is not really playing like an over the top action star in this one.

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[SPEAKER_05]: I feel like that he's a little bit more grounded to the fact that he understands the formula for this movie.

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[SPEAKER_00]: did there's a certain humility to John Spartan?

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[SPEAKER_00]: There's, it's, yes, there's the muchiest mo of, you know, uh, cinnamon, you have to get a maniac.

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[SPEAKER_00]: There's some, there's some typical, y'all.

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[SPEAKER_00]: super action hero one liners throughout this film.

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[SPEAKER_00]: But John Spartan is actually one of the more relatable action heroes that he has played where you can sit there and you can almost understand why he is the way he is and you can almost appreciate his complete and utter bafflement of this future that he has been thought into.

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[SPEAKER_05]: I can actually say that too because you can actually

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[SPEAKER_05]: And, you know, he used to be this big guy that there people would actually probably look up to him as a demolition man to take down the biggest guy that you can get and then, you know, next thing you know what your career's over with people forgot about you because now you're doing time in prison for something that wasn't technically your fault.

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[SPEAKER_05]: And then your families are over there if they die eventually over time.

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[SPEAKER_05]: your daughter's probably somewhere that you don't even know what she's at.

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[SPEAKER_05]: So you actually get to basically just be able to just a hug him and like, hey, look, I can relate to you.

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[SPEAKER_00]: Mm-hmm.

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[SPEAKER_00]: And I don't want to make you feel old here, right?

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[SPEAKER_00]: I don't want to make anyone feel old here.

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[SPEAKER_00]: But you do realize we are now six years away from John Spartan being thought out.

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[SPEAKER_05]: Yeah, I just realized that I would 2030.

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[SPEAKER_05]: So three years he'll be released again.

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[SPEAKER_00]: We've already like 16 years past the Baker Earthquake.

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[SPEAKER_00]: So.

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[SPEAKER_05]: Right.

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[SPEAKER_05]: So, you know, it's common.

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[SPEAKER_05]: It's probably going to come soon.

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[SPEAKER_02]: No, I don't know yet.

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[SPEAKER_05]: But you know though, like for me, as a kid seen this, and you know what, I still hold this

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[SPEAKER_05]: I don't know what.

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[SPEAKER_00]: I'm still putting this up there.

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[SPEAKER_00]: I think I agree with you.

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[SPEAKER_00]: Like around a nine, maybe a nine point five.

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[SPEAKER_00]: The fact that, you know, how many years after this film comes out and I'm still giddy is all hell to watch this.

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[SPEAKER_00]: Like I'm never not ready to watch demolition man.

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[SPEAKER_00]: If it's on regular TV, I'll watch it with the commercials.

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[SPEAKER_00]: You know, I pull it a DVD.

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[SPEAKER_00]: I'm going to watch the DVD.

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[SPEAKER_00]: So,

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[SPEAKER_00]: It the fact that after all this time, it still has that, you know, that ability to make me smile whenever it comes on.

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[SPEAKER_00]: Like that says something.

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[SPEAKER_05]: It really does because that's something that really captures me is, every single time I would be on on Direct TV, for example.

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[SPEAKER_05]: I would actually watch it on direct TV.

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[SPEAKER_05]: It didn't matter if it was a commercial on USA or even though they screw up the whole entire dialogue winner, he's cousin, which gets on my nerves, but I'll still for I'll still go on ahead and watch it.

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[SPEAKER_05]: If it's on HBO, I'll watch it.

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[SPEAKER_05]: I actually picked this up on 4K.

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[SPEAKER_05]: this recently for the review, just so I can actually have it anytime I want to watch it.

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[SPEAKER_05]: And I still find myself just being giddy.

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[SPEAKER_05]: I find myself laughing at the same jokes.

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[SPEAKER_05]: I only do have a find myself laughing at the same jokes.

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[SPEAKER_05]: I'm also sympathizing with John Spartan through this movie.

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[SPEAKER_05]: There are things that I forgot that happen in the movie because of how long it's been.

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[SPEAKER_05]: But, you know, nostalgicly, I'm a nine.

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[SPEAKER_05]: And also two, I still remember that card,

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[SPEAKER_05]: The Taco Bell Commercials.

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[SPEAKER_05]: this.

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[SPEAKER_05]: I remember seeing Wesley Snipes in the commercial.

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[SPEAKER_05]: I still remember John Spartan coming down from the helicopter and they were having this dialogue, dialogue from the trailer and there's the Taco Bells.

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[SPEAKER_00]: See, it was a little weird for us because I grew up in Ottawa, Ontario, Canada.

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[SPEAKER_00]: And with the time this movie came out, we did not have Taco Bell where we were.

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[SPEAKER_00]: Now, there were Taco Bells in Canada, like the bigger cities like Toronto, you know, so I remember being on the

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[SPEAKER_00]: We don't have that pack home.

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[SPEAKER_00]: This is this is new.

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[SPEAKER_00]: This is moth.

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[SPEAKER_00]: This is cuisine.

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[SPEAKER_00]: We don't get back at home hit me with those burritos You regret it afterwards new all of a sudden wheel is why it's called taco smell But the thing is is that in the international version

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[SPEAKER_00]: That's like the one thing that changed.

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[SPEAKER_00]: They overdubbed everyone's saying Pizza Hut, you know, and they superimposed some signs in there.

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[SPEAKER_00]: The only thing that they couldn't change was the actual Taco Bell logo on the glass, like the frosted logo on the glass.

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[SPEAKER_00]: Everything else, they did their best to say Pizza Hut.

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[SPEAKER_00]: We had pizza Hut, but Taco Bell was more interesting.

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[SPEAKER_05]: Because I can imagine like someone from Canada that never even experienced Taco Bell, it's like, yeah, I experienced pizza plenty of times, but I want to know what it actually tastes like to go to a restaurant Taco Bell.

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[SPEAKER_00]: Right, we're out with hype is we don't have it in no burger.

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[SPEAKER_00]: We don't have a sonic there are a lot we don't have weight castles.

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[SPEAKER_00]: We don't have a lot of the fast food joints that they have in the state.

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[SPEAKER_00]: So, you know, we're kind of missing some food up here, but at least we have our Taco Bells now.

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[SPEAKER_00]: I can enjoy Taco Bell.

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[SPEAKER_05]: And you know what, we actually have Sonic's down here, and no one help burgers down here.

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[SPEAKER_05]: So yeah, now that we talked about this movie, nostalgicly, now we're going to go ahead and rip it apart by talking about it through stripping away the nostalgia and giving you guys a modern day.

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[SPEAKER_05]: So, welcome to the future where toilet paper has three seashells.

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[SPEAKER_05]: Taco Bell has one of the franchise wars, and staying the word murder gets you fine better than in Parkinson's.

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[SPEAKER_05]: That's right, today we're diving into demolishing it.

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[SPEAKER_05]: The movie that's somehow predicted, self-driving culture, cancel culture, and a society where fun is illegal.

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[SPEAKER_05]: I'm your host, John, and Johnemy is the Cypoh Prison of Bad Predictions and even worse fashion choices for asking the big questions.

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[SPEAKER_05]: Out of this movie, no so much.

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[SPEAKER_05]: Why is Wesley Steppes having this the time of his life?

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[SPEAKER_05]: And how does the loan not know how to use toilet paper?

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[SPEAKER_05]: He doesn't know how to use the three sea shells.

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[SPEAKER_05]: So grab your wrap or wrap, wrap out a few verbal orality violations.

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[SPEAKER_05]: But let's, let's thought this bad boy out because today on movie Love's Night we're reviewing demolishing the most polite dystopopia where you put your film, when you put your film on.

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[SPEAKER_05]: So, but that being said, scene one.

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[SPEAKER_05]: In 1996, psychopathic, rare criminal Simon Phoenix, kidnaps a bust load of hostages and takes refusion to be in the building.

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[SPEAKER_05]: LAPD, Sergeant John Spartan, nicknamed the demolition man for the large amounts of collateral damage.

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[SPEAKER_05]: The offense causes an apprehending suspects.

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[SPEAKER_05]: Mounds in unauthorized assault to capture Phoenix.

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[SPEAKER_05]: When a thermal scan of the area reveals no trace of the hostages,

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[SPEAKER_05]: He reads the building and confronts Phoenix.

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[SPEAKER_05]: He sets off an explosive destroys it.

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[SPEAKER_05]: The hostages corpses are later found in the trouble.

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[SPEAKER_05]: In Phoenix claims that Spartan knew about them and intact anyways.

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[SPEAKER_05]: Both men are sentenced to literally termed terms in the city's new California side of Penententiary in a prison in which

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[SPEAKER_05]: but frozen and exposed to subliminal rehabilitation techniques.

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[SPEAKER_05]: So this opening scene, I really love the look of the Hollywood sign burning and this apoptaliptic role in 1997.

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[SPEAKER_05]: And it's kind of weird on how they have this apoptaliptic role in which I would think that it would be more of today's time.

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[SPEAKER_05]: And in 2030, where John is actually thought out,

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[SPEAKER_05]: versus it being 1996, but I'd like to look of the burning sign of Hollywood.

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[SPEAKER_05]: I also like the look of the way that he's going in there, looking around and also to seeing through the realm of vision that there's no hostages.

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[SPEAKER_05]: And we also don't even see any, here's the thing, just as we don't see any hostages.

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[SPEAKER_05]: the loan also doesn't see any hostages either.

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[SPEAKER_05]: So we're wondering, okay, where's this bus load of people because you're expecting to see a bus you're expecting to see everything, but no, it's just Simon there.

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[SPEAKER_05]: And it's just this back and forth banter between the two of them.

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[SPEAKER_05]: But what's the new thing of the opening?

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[SPEAKER_00]: I love the fact that, you know, the world of 1996 LA really feels almost like a red hearing for the rest of the film, right?

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[SPEAKER_00]: It is your typical action scene.

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[SPEAKER_00]: It is your typical, you know, send in the action hero to stop the bad guy and things get blown up and it really is very much every single, like almost like 80s, early 90s action movie.

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[SPEAKER_00]: Yeah, and then you have to really sit there and think, wow, 36 years later, and you have a utopia.

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[SPEAKER_00]: And I'm actually going fast.

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[SPEAKER_00]: Like, can you imagine, I would love to see some kind of whether it be a novel or comic book or graphic novel or something like that that basically shows how we got from 1996 and the hellscape of L.A. as it's ruled by Simon Phoenix.

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[SPEAKER_00]: to 2032, because I mean, in 36 years, things could change, but that's a massive drastic shift.

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[SPEAKER_00]: How like you're changing the entire thought process of the people as opposed to just like, oh yeah, we have new technology, whatever, but the cool thing about this is that for once

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[SPEAKER_00]: the cop who basically does more damage than, you know, the criminals actually worth, actually faces consequences.

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[SPEAKER_00]: This is the biggest thing the people complaining about superhero movies all the time, right?

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[SPEAKER_00]: Batman versus Superman don't have justice.

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[SPEAKER_00]: Exactly how much of a troppoist has to be blown up, but it's the end of the man of steel, right?

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[SPEAKER_00]: How many Avengers films are going to destroy entire cities before people face, you know, a little bit in Civil War

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[SPEAKER_00]: you actually have the fact that he made this explosion.

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[SPEAKER_00]: He accidentally killed the hostages.

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[SPEAKER_00]: There's actual.

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[SPEAKER_00]: consequences for the good guy as well as the bad guy.

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[SPEAKER_00]: So the fact that it actually does that allows you to sit there and go, well, maybe this, this is the catalyst, maybe this is that nexus point in time that starts to change everything towards a utopic 2032.

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[SPEAKER_05]: Right.

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[SPEAKER_05]: And I like the fact that how both men are not innocent and both guilty of something.

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[SPEAKER_05]: You know, and it does definitely does go into the whole consequences thing of now finally the action hero is now on trial for something that he did, even though he didn't mean to do it, even though we're supposed to share them on as buildings are being destroyed, people are dying.

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[SPEAKER_05]: And we finally have consequences where we mentioned bodies that are laid out on the ground.

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[SPEAKER_05]: You know, because before they used to just ignore the whole entire thing.

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[SPEAKER_05]: It was like, uh, this is other casualties.

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[SPEAKER_05]: It's just extras and movies.

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[SPEAKER_05]: It doesn't really matter.

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[SPEAKER_05]: They're just, you know, they're just there for collateral damage.

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[SPEAKER_05]: And they don't even talk about it.

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[SPEAKER_05]: But the fact that they even talk about it and mention them.

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[SPEAKER_05]: Mm-hmm.

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[SPEAKER_05]: And you realize, oh, so a John Spartan should the bed.

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[SPEAKER_00]: How many times you have to sit there and watch an action film and go, Oh, one of the actual body count is.

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[SPEAKER_05]: exactly because I'm wondering too like what's the body count on these people that died and then they tell you and then like oh this is no wonder why they want to freeze him and yes it's Simon and you also have John Sparn who actually have beef with each other but instead of John Sparn's all it's just like he's so wrapped up and trying to get him that he ignores everything else in his main target

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[SPEAKER_05]: Simon Phoenix, and Simon knows that.

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[SPEAKER_05]: If I can get him rolled up enough and pissed off enough, they lure him in here.

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[SPEAKER_05]: I can get exactly what I want out of him.

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[SPEAKER_05]: Just as he can get something out of me, which is myself.

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[SPEAKER_05]: But what's the consequence behind it?

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[SPEAKER_05]: I mean, was it worth, yeah, you got Simon Phoenix, but what was it worth it?

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[SPEAKER_00]: Yeah.

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[SPEAKER_00]: Exactly.

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[SPEAKER_00]: How much property damage was done?

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[SPEAKER_00]: How much is the city going to have to deal with?

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[SPEAKER_00]: The fact that, you know, it clear he's doing this against the will of his own police department.

16:46.875 --> 16:50.480
[SPEAKER_00]: So he's already violating orders, but he did also set up the same parallel.

16:50.941 --> 16:57.369
[SPEAKER_00]: At what point does someone have to pay for how many building Superman destroyers before Lex Luthor is taking in?

16:57.409 --> 16:59.472
[SPEAKER_00]: And you know, he's going to get a prison again.

16:59.492 --> 17:00.834
[SPEAKER_00]: That's the thing here.

17:01.294 --> 17:03.317
[SPEAKER_00]: He's captured Simon Phoenix.

17:03.297 --> 17:04.599
[SPEAKER_00]: Some fixes do it at a present.

17:04.639 --> 17:10.468
[SPEAKER_00]: Yes, he gets cryo frozen whatnot, but how many times is Phoenix been captured and then got out?

17:11.269 --> 17:19.121
[SPEAKER_00]: You have to think that at some point, the salary of the cop is not going to cover the damages of the cop.

17:19.943 --> 17:20.704
[SPEAKER_05]: No, it's not.

17:21.084 --> 17:24.850
[SPEAKER_05]: And at this point, it's probably just collateral damage on everything.

17:26.247 --> 17:31.346
[SPEAKER_00]: Yeah, it seems like the perfect trap that Simon Phoenix like he had an excuse ready to go.

17:31.366 --> 17:33.333
[SPEAKER_00]: It's almost like he planned for this to happen.

17:33.714 --> 17:36.966
[SPEAKER_00]: He knew those sausages were already dead.

17:37.452 --> 17:50.285
[SPEAKER_00]: You know, or at least, most of dying, you know, he knew that he could pin it on on on Spartan because of all the damage and all the explosions, no one's in there, no one knows exactly what went down.

17:50.326 --> 17:58.714
[SPEAKER_00]: They don't know that, you know, if Simon Phoenix didn't like, you know, put the knife into the barrels of gasoline and all that they don't know what happened in there.

17:58.754 --> 18:03.139
[SPEAKER_00]: All they can really do is take Simon Phoenix's word.

18:03.676 --> 18:09.476
[SPEAKER_00]: Now they would really want to, but all you see is an exploded building level to the ground.

18:10.399 --> 18:16.740
[SPEAKER_00]: The bodies of the hostages are in the rubble and both are to blame.

18:17.665 --> 18:20.728
[SPEAKER_05]: Exactly, both men are, well, men are to blame for this.

18:21.409 --> 18:42.011
[SPEAKER_05]: And then what I like is the fact of the smack talk that Simon Phoenix does to actually roll him up, because as if he was expecting him and then, you know, I like how he has a blow torch and he's going to go ahead and try to make the building explode, but he doesn't and he allows John Spard to make that move.

18:42.672 --> 18:45.715
[SPEAKER_05]: And I also like the fact that you're dealing with

18:46.623 --> 18:48.005
[SPEAKER_05]: not really dubbed down.

18:48.786 --> 18:49.206
[SPEAKER_00]: Yeah, no.

18:49.747 --> 18:56.935
[SPEAKER_00]: This is the closest you're going to get to the Joker without going full Joker.

18:57.596 --> 19:05.325
[SPEAKER_00]: Simon Phoenix is such a delicious villain and Wesley's time is just dancing his way through this role.

19:05.886 --> 19:08.109
[SPEAKER_00]: He's having fun with it.

19:08.489 --> 19:11.052
[SPEAKER_00]: He's a joy to watch.

19:11.072 --> 19:14.436
[SPEAKER_00]: He's the kind of villain you're like, yeah, get there.

19:14.956 --> 19:20.349
[SPEAKER_05]: Right now, I also like how John is like, you're under arrest phoenix goes a rest shit in your trespassing.

19:22.795 --> 19:27.666
[SPEAKER_05]: So I like how we acted like he's in the right while John's also in the wrong.

19:27.730 --> 19:34.620
[SPEAKER_05]: and everything, it's just that just the position of, you know, these two people together, it's just totally chaos.

19:34.640 --> 19:49.541
[SPEAKER_00]: And it also says the idea that they have, you know, Spartans been chasing him for a long time and as with any, you know, hero villain kind of duo that you're going to get, you know, and I keep drawing parallels to the complex, but let's be honest, it's kind of like a comic book movie.

19:49.601 --> 19:51.223
[SPEAKER_00]: It is Batman and Joker though.

19:51.203 --> 19:52.524
[SPEAKER_00]: I think it is Batman and Joker.

19:52.644 --> 19:54.266
[SPEAKER_00]: It is Superman and Lex Luthor.

19:54.606 --> 19:57.629
[SPEAKER_00]: You know, it is Flash and any one of the Flash's Rogues Gallery.

19:57.909 --> 20:07.278
[SPEAKER_00]: You know, you have someone who, you know, will go to any links to catch the villain and the villain's going to go to any links to trip up the hero.

20:08.439 --> 20:13.283
[SPEAKER_00]: The fact that Simon Phoenix can make Spartan just as bad as him.

20:13.643 --> 20:17.607
[SPEAKER_00]: It's that old line from Batman, the killing joke, right?

20:17.627 --> 20:20.890
[SPEAKER_00]: Where the Joker's like, you're one bad day away from becoming me.

20:21.511 --> 20:22.052
[SPEAKER_05]: Exactly.

20:22.352 --> 20:24.035
[SPEAKER_05]: And that's what I'm getting from this though, too.

20:24.095 --> 20:30.224
[SPEAKER_05]: And then whenever you take a mouth side, right, where we finally get like the back of fourth with the captain, we kept in here.

20:30.304 --> 20:32.387
[SPEAKER_05]: He's like, damn it's Bart, I'm sick of tired of this.

20:32.768 --> 20:33.849
[SPEAKER_05]: Demolition shit.

20:33.869 --> 20:35.091
[SPEAKER_05]: You're not supposed to come down here.

20:35.191 --> 20:38.396
[SPEAKER_05]: You're not supposed to have appeared Simon Phoenix.

20:38.756 --> 20:40.739
[SPEAKER_05]: You're not supposed to blow anything up.

20:40.759 --> 20:41.440
[SPEAKER_05]: It wasn't me.

20:41.601 --> 20:44.565
[SPEAKER_05]: He dumped the gas and he placed the rig to blow.

20:44.748 --> 20:52.499
[SPEAKER_05]: And so, you know, trying to force blame, trying to be innocent, trying to do with a job, yeah, your job was to take them in.

20:52.819 --> 20:59.729
[SPEAKER_05]: It wasn't a job to go ahead, even though your name is demolition man, it doesn't mean that you have to make the buildings explode.

20:59.749 --> 21:00.590
[SPEAKER_05]: But here you are.

21:00.630 --> 21:07.339
[SPEAKER_05]: And then even though he's like, look, I end up skinned the whole building with infrared, and I seen that the building was empty.

21:08.380 --> 21:13.928
[SPEAKER_05]: And then you have Simon over there laughing his ass off

21:14.161 --> 21:16.205
[SPEAKER_00]: Yeah, it's the chess move, right?

21:16.285 --> 21:19.652
[SPEAKER_00]: It's the, oh, I knew you were going to scan this building with X, right?

21:19.672 --> 21:20.874
[SPEAKER_00]: I knew how you were going to come in.

21:21.195 --> 21:25.363
[SPEAKER_00]: So I made sure that you weren't going to find the hostages, even though they are here.

21:25.824 --> 21:29.290
[SPEAKER_00]: You know, it's, it's that chess game, right?

21:29.351 --> 21:36.304
[SPEAKER_00]: And you don't get that without the idea of a villain and a hero or in this case, the criminal on the cop.

21:36.284 --> 21:49.464
[SPEAKER_00]: who have been adversaries and this cat and mouse chase game for Lord knows how long you have to think this is at least two three years in the making building up to this point from their fictional backstory.

21:50.826 --> 21:56.454
[SPEAKER_05]: Right, that's what I'm thinking to even though you don't see the backstory, but you can see the histories there between the two of them as they're talking.

21:57.055 --> 22:01.482
[SPEAKER_05]: But I think less is more with them doing it that way and not having us show everything.

22:01.799 --> 22:12.028
[SPEAKER_05]: Is there actually screening the audience as if they're smart and that's something that I really like about this movie is that living the audience in on everything and instead of like let me show you this.

22:13.830 --> 22:30.304
[SPEAKER_00]: Yeah, no, the script is smart in that, you know, don't bars get to the chorus right so we don't need a backstory we don't need a series of you know, spending rotating newspaper headlines to kind of laid out force dump us right into the middle of the chaos.

22:30.284 --> 22:49.339
[SPEAKER_00]: the audience is smart enough to figure it out and to put two and two together just from the interaction between Phoenix and Spartan and they did it so well in a way that you know everything without being told everything exactly and then also like how we finally get into the prison

22:49.775 --> 22:50.256
[SPEAKER_05]: area.

22:51.056 --> 22:54.180
[SPEAKER_05]: And it's not a normal prison or it's like that.

22:54.740 --> 22:59.686
[SPEAKER_05]: Then you find out, oh, they're going to freeze them until they actually, they're times expired.

23:01.467 --> 23:16.103
[SPEAKER_05]: So you're thinking, OK, this is actually justice because of the fact that, you know, let's say for instance, that Simon has a family, right?

23:17.382 --> 23:18.344
[SPEAKER_05]: He's going to be in the past.

23:18.364 --> 23:20.769
[SPEAKER_05]: No one's going to even remember him like that.

23:21.411 --> 23:22.894
[SPEAKER_05]: Which is also worse for a criminal.

23:23.695 --> 23:24.597
[SPEAKER_05]: He'd be forgotten.

23:25.098 --> 23:26.642
[SPEAKER_00]: And you put it out there.

23:26.662 --> 23:31.352
[SPEAKER_00]: You have to think that there are psychologists profiles on Simon Phoenix before he gets captured.

23:31.933 --> 23:37.264
[SPEAKER_00]: So Simon Phoenix doesn't strike to me is the guy who'd be all

23:37.413 --> 23:49.053
[SPEAKER_00]: you know, teary eyed and blurry eyed because, you know, he's frozen and, you know, 36 years later, you know, his family's got, I don't think he gives a damn about any family that he has if he hasn't already killed them by this point.

23:49.534 --> 23:50.696
[SPEAKER_05]: At this point, it's incredible.

23:51.177 --> 24:01.294
[SPEAKER_00]: Yeah, but for someone like John Spartan, this is a harsher punishment, even though he's getting the same punishment, it's Simon Phoenix, the Simon Phoenix is the one who also was the kidnapping charges on him.

24:01.274 --> 24:06.561
[SPEAKER_00]: You know, this is the one thing where I sit there and go, Spartan, I can see being cryoprosine.

24:06.662 --> 24:14.533
[SPEAKER_00]: And even the fact that the the ward at the time is like, I'm sorry, you know, yeah, he's freezing the cup.

24:14.553 --> 24:15.955
[SPEAKER_00]: He has no choice in the matter.

24:16.635 --> 24:23.866
[SPEAKER_00]: But you can see that there's at least a monochrome of respect as he's going into the into the cryo chamber.

24:24.627 --> 24:27.771
[SPEAKER_00]: Simon Phoenix should have been put to death.

24:27.751 --> 24:32.778
[SPEAKER_00]: I mean, yes, it'd be a shorter movie, we wouldn't be talking about this, but, you know, roll credits.

24:32.798 --> 24:42.911
[SPEAKER_00]: It's a 20 minute movie, but the fact that they put Simon Phoenix into the cryo freeze as well means at some point in time, you're going to release Simon Phoenix.

24:43.853 --> 24:46.416
[SPEAKER_00]: I don't think he's going to change at all.

24:47.097 --> 24:54.687
[SPEAKER_05]: No, he's going to be the same piece of shit that he was

24:54.937 --> 25:00.288
[SPEAKER_05]: And then all they did before is just enhance his behavior coming out of it.

25:01.670 --> 25:05.859
[SPEAKER_05]: So we'll talk about that in a few minutes, but you know, yeah, you're absolutely right.

25:05.919 --> 25:09.927
[SPEAKER_05]: And then we don't know anything about John Spartan until he actually comes out of there.

25:10.448 --> 25:13.975
[SPEAKER_05]: It has been thought out back in 2032.

25:14.208 --> 25:16.192
[SPEAKER_05]: So we don't know that he has a family.

25:16.232 --> 25:24.267
[SPEAKER_05]: We don't know he has a daughter up until the point where they mentioned the fact that he has a wife and he has a daughter and he lost everything because of this.

25:24.627 --> 25:28.875
[SPEAKER_05]: But it's also his own consequences, like you mentioned, that brought him there.

25:29.456 --> 25:36.790
[SPEAKER_05]: And yes, it sucks that this person has to tell him, hey, look, I hate to put you in this freezer, but we're going to have to do this.

25:37.158 --> 26:06.861
[SPEAKER_00]: Yeah, this is one of those things we said there and think that Spartan's consequences are more not necessarily because of the actions that he did, but the worst part is that he knows that he's the one, everything is because of him, you know, he's losing out on any future with his wife and his daughter because of his own actions, because of his own, you know, insane, insatiable need to capture

26:07.263 --> 26:10.047
[SPEAKER_00]: you know Batman is a crazy vigilante kind of thing.

26:10.187 --> 26:14.994
[SPEAKER_00]: He's not going to stop even though he has something to live for.

26:15.515 --> 26:17.197
[SPEAKER_05]: That's actually how I see it there as well.

26:17.277 --> 26:18.519
[SPEAKER_05]: Like he has a lot to lose.

26:18.599 --> 26:20.221
[SPEAKER_05]: Simon doesn't have anything to lose.

26:20.982 --> 26:28.112
[SPEAKER_05]: So really you could just execute the guy put a lethal ejection in his arm or electrocute him in call it a day.

26:28.833 --> 26:33.760
[SPEAKER_05]: But I guess like I for an eye so it

26:34.837 --> 26:41.244
[SPEAKER_00]: I don't know, it's hard to say, but again, like Lizette, we be dealing with a much shorter movie of that with the case.

26:41.845 --> 26:42.285
[SPEAKER_05]: Exactly.

26:42.746 --> 26:57.722
[SPEAKER_05]: So now we're in 232, the city of San Angelus, a mega populous formed from the merger of Los Angeles, San Diego, and Santa Barbara, a seemingly peaceful uptopia, designed and run by Dr. Raymond,

26:57.837 --> 26:59.319
[SPEAKER_05]: Catius.

26:59.379 --> 27:02.182
[SPEAKER_05]: Phoenix is thought for a parole hearing.

27:02.342 --> 27:03.043
[SPEAKER_05]: I don't know why.

27:03.083 --> 27:09.350
[SPEAKER_05]: And it's gay from the Ciro prison by seeing a sicker password without knowing how he had learned it.

27:10.011 --> 27:19.542
[SPEAKER_05]: He sumpturately murders his guards in the warden, making his way into the city where he easily overpowering kills several police officers and have

27:19.522 --> 27:23.228
[SPEAKER_05]: who have never had to deal with violent crime.

27:23.568 --> 27:46.525
[SPEAKER_05]: Lieutenant Lena Huxley, an idolistic officer who is fascinated with the 20th century and learns about a Spartan's career from veteran officers, Zachary Lam, who suggests that the best chance to stop Phoenix is to enlist an officer with the experience and mindset needed to anticipate his actions.

27:46.505 --> 28:00.101
[SPEAKER_05]: So what I like about this is now we actually see the future, we actually see Lena Huxley, who originally was supposed to be played by the woman in the army now, in the entanker role, which is actually happening.

28:00.121 --> 28:00.421
[SPEAKER_02]: Yeah.

28:00.762 --> 28:00.942
[SPEAKER_05]: Yeah.

28:01.563 --> 28:15.499
[SPEAKER_05]: And I can actually see her saying these same lines that Sandra Bullock was, but because of conflicts on the set, I believe, or something like that, she wasn't able to do the, but I do like the delivery of Sandra Bullock doing this.

28:16.289 --> 28:21.515
[SPEAKER_00]: This is, you know, as much as I love this first alone, I really love this for Sandra Bullock.

28:21.575 --> 28:27.382
[SPEAKER_00]: She brought just a sheer innocence to this role.

28:27.662 --> 28:32.207
[SPEAKER_00]: Just a naive, it's hey, you know, Lori Petty's great.

28:33.028 --> 28:36.192
[SPEAKER_00]: I love Tancro, such a fun film.

28:36.212 --> 28:45.823
[SPEAKER_00]: But I think you want some, Lori Petty feels like the kind of character who would be a bit more of a street-wise cop.

28:45.905 --> 29:05.207
[SPEAKER_00]: Yeah, exactly, with Lena Huxley being played by Sandra Bullock, you do get that very naive, very hidden the clouds kind of vibe about what it was like in the 90s and everything that she's remembering and idolizing.

29:05.728 --> 29:14.578
[SPEAKER_00]: It was such a fun performance and almost completely unironically,

29:15.503 --> 29:23.080
[SPEAKER_00]: That's not oblivious, but almost misled by her own here idolizing of the era.

29:24.022 --> 29:26.387
[SPEAKER_05]: Right, because she thinks it's all action.

29:26.487 --> 29:31.318
[SPEAKER_05]: Like it's supposed to be like an action movie in the world of 1996.

29:31.737 --> 29:39.324
[SPEAKER_05]: If you remember the movie member, Bill, yeah, that she has the contraband that she has on her desk, but the late the weapon, three movie and then you also have something else.

29:39.605 --> 29:44.409
[SPEAKER_05]: So according to her, that's what the world is supposed to look like because of the fact there's no crime.

29:44.910 --> 29:51.816
[SPEAKER_05]: And she was born into a society that she doesn't even know what crime actually is and doesn't never experience crime.

29:52.477 --> 29:58.943
[SPEAKER_05]: So I could understand why she would actually relate to maybe 30, 40 years later,

29:59.092 --> 30:01.637
[SPEAKER_05]: because of the fact that she's never experienced it.

30:01.657 --> 30:12.797
[SPEAKER_05]: So the closest thing to it is like lethal weapon, where you have milk Gibson or John Spartan, for example, looking at files and being really like just being horny for it.

30:13.908 --> 30:16.773
[SPEAKER_00]: I mean, this is the other thing too, right?

30:16.793 --> 30:23.484
[SPEAKER_00]: I mean, A, you know, literary, literary heads are going to, you know, sit there and go, oh, Linina Huxie, great brave new world.

30:23.565 --> 30:23.925
[SPEAKER_00]: I get it.

30:23.985 --> 30:24.286
[SPEAKER_00]: I get it.

30:24.727 --> 30:28.513
[SPEAKER_00]: But the other thing too is that how often do you hear the phrase?

30:28.553 --> 30:31.238
[SPEAKER_00]: Like, oh, we're going to make it like the good old days, right?

30:31.278 --> 30:34.363
[SPEAKER_00]: And it's usually about like looking at 30 years ago, roughly.

30:34.748 --> 30:39.949
[SPEAKER_00]: when really when you actually take a look at 30 years ago is was it really that good.

30:40.552 --> 30:45.130
[SPEAKER_00]: It's the same thing here and the funny thing is now we're at this point.

30:45.329 --> 30:53.521
[SPEAKER_00]: We are 30 years after the fictional events that got Simon Phoenix and John Spartan frozen.

30:53.842 --> 31:00.912
[SPEAKER_00]: So you could almost take a look at that from a very accurate time frame of where Lenina Huxley would be.

31:01.373 --> 31:05.699
[SPEAKER_00]: You know, if you take a look back at the 90s, yeah, the music is good, but was the decade that good?

31:06.260 --> 31:07.221
[SPEAKER_00]: Maybe maybe not.

31:08.263 --> 31:13.851
[SPEAKER_05]: Exactly, it's according to how we feel nostalgicly on how we feel about it.

31:14.590 --> 31:20.798
[SPEAKER_05]: Okay, music was good, but was it really as good as we remember it to be, hmm.

31:21.679 --> 31:24.103
[SPEAKER_00]: Yeah, because you have remember graduation glasses on.

31:24.143 --> 31:30.391
[SPEAKER_05]: Right, exactly, because I can remember like I'm looking at old stuff from back when I was a kid from the 90s.

31:30.551 --> 31:35.738
[SPEAKER_05]: I do this sometimes looking through YouTube, looking through old nostalgia stuff.

31:36.140 --> 31:38.924
[SPEAKER_05]: And I'm like, man, I wish I lived in those days of the kid.

31:39.545 --> 31:42.629
[SPEAKER_05]: And I'm like, wait, what was my parents going through?

31:42.649 --> 31:46.354
[SPEAKER_05]: Because now I'm thinking as an adult, I go from childhood to adulthood, really quick.

31:46.855 --> 31:48.658
[SPEAKER_05]: I'm like, what was my parents' deal?

31:49.659 --> 31:50.861
[SPEAKER_05]: Was it really good for them?

31:51.121 --> 31:53.905
[SPEAKER_05]: Or was it just good for me at this time?

31:53.985 --> 31:58.211
[SPEAKER_05]: I'm saying, because I'm like, hey, I'm experienced things differently than what my parents are.

31:58.812 --> 32:04.560
[SPEAKER_05]: So I'm thinking I'm having nothing about a good time to quote poison.

32:06.464 --> 32:35.678
[SPEAKER_05]: a queen, my bad, but no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

32:35.894 --> 32:37.798
[SPEAKER_00]: happiness of everybody.

32:37.818 --> 32:42.728
[SPEAKER_00]: And this is the start contrast to 36 years prior.

32:43.510 --> 32:55.995
[SPEAKER_00]: And you get the idea of what the, you know, the cocktail plan is, you know, everyone is, you know, non-contact, non-convertational, non-violent, you know, everything not today.

32:55.975 --> 32:59.962
[SPEAKER_00]: So it's one of those things where how did they get there?

33:00.282 --> 33:04.690
[SPEAKER_00]: I mean, obviously, you can take a look at the big earthquake from 2010 that they referenced in here.

33:04.730 --> 33:20.717
[SPEAKER_00]: And obviously, something had to change, but you still have little snippets here that you can see through networks, like maybe not everything is as peachy-king, perfect, and commercial jingle-happy as everything is made out to be.

33:21.052 --> 33:21.332
[SPEAKER_05]: Right.

33:21.853 --> 33:25.758
[SPEAKER_05]: And you know, what though I do like the police station, everybody's all friendly.

33:25.798 --> 33:27.720
[SPEAKER_05]: They're not on edge or anything.

33:28.201 --> 33:36.031
[SPEAKER_05]: They're just basically fire, like 1960s firefighters, taking kittens out of trees at this point.

33:36.051 --> 33:36.872
[SPEAKER_00]: Mm-hmm.

33:36.892 --> 33:37.653
[SPEAKER_05]: If you think of it.

33:38.094 --> 33:39.656
[SPEAKER_00]: It's Andy of Mayberry all over again.

33:39.676 --> 33:40.377
[SPEAKER_05]: Yeah.

33:40.397 --> 33:49.388
[SPEAKER_05]: It's just in 2030 instead.

33:50.178 --> 33:58.839
[SPEAKER_05]: trying to I think that Rob was just basically trying to figure out what kind of accurate he wanted to be or try to pick certain roles that would actually paid the bills.

33:59.460 --> 34:02.989
[SPEAKER_05]: But I do like seeing Rob in there for this for this comedic role.

34:03.897 --> 34:10.026
[SPEAKER_00]: This is actually one of the better Rob Schneider roles, I find judge dread his character kind of got a little annoying.

34:10.526 --> 34:21.001
[SPEAKER_00]: I'll be very honest, but here it's almost like the perfect amount of Rob Schneider for this film because you don't want to take away from the main characters.

34:21.021 --> 34:27.209
[SPEAKER_00]: Of course, the main characters, at least on the good guy side, being the lone Sandra Bullock and Benjamin Bratt.

34:27.490 --> 34:32.757
[SPEAKER_00]: Those are the three that are actually your main, you know, good guys that you're going to follow.

34:32.787 --> 34:37.794
[SPEAKER_00]: just a little bit of Rob Schneider to put in that snark, and that's about it.

34:38.155 --> 34:39.076
[SPEAKER_00]: It's all you need them for.

34:40.638 --> 34:41.159
[SPEAKER_05]: Exactly.

34:41.439 --> 34:45.966
[SPEAKER_05]: And I think Rob went over the top like he did in Judge Dred.

34:46.066 --> 34:48.529
[SPEAKER_05]: It would be where Rob is here.

34:49.210 --> 34:51.033
[SPEAKER_05]: Bullock is here at a medium.

34:51.934 --> 34:54.017
[SPEAKER_05]: He's always trying to overplay everybody.

34:54.558 --> 34:56.901
[SPEAKER_05]: This is just a more of a settledness to it.

34:56.921 --> 34:58.263
[SPEAKER_05]: It's like just co-workers.

34:58.704 --> 35:00.246
[SPEAKER_05]: Hey, good morning.

35:00.580 --> 35:02.443
[SPEAKER_05]: You know, doing their little hand thing that they do.

35:03.565 --> 35:06.050
[SPEAKER_05]: And just greeting one another.

35:06.070 --> 35:06.190
[SPEAKER_02]: Yeah.

35:06.210 --> 35:12.241
[SPEAKER_05]: And then, you know, I just love the fact that, you know, you've had this police department that's just all friendly.

35:13.483 --> 35:16.448
[SPEAKER_05]: It all except the sergeant, of course, the captain, he was really up the time.

35:16.469 --> 35:19.093
[SPEAKER_05]: Of course, you always have to add one of those and actually.

35:19.254 --> 35:19.534
[SPEAKER_00]: Right.

35:20.493 --> 35:36.595
[SPEAKER_00]: But I do like the internet or yeah, probably with the best Rob Schneider line in this whole thing, you know, aside from, you know, making fun of still a little bit of three C shells is when he's on the headset when taking a call, it's like, if you'd rather talk to a recording, please press one and like, yeah, that would probably be this future.

35:37.836 --> 35:38.417
[SPEAKER_05]: Yep, definitely.

35:38.457 --> 35:42.703
[SPEAKER_05]: And I also like how Lena is actually kind of born with her job.

35:43.173 --> 35:48.378
[SPEAKER_05]: As you even has to check in with the governor or whatever to say, hey, look, is everything okay.

35:49.680 --> 35:50.300
[SPEAKER_05]: Is there any crime?

35:50.541 --> 35:51.522
[SPEAKER_05]: No, there's no crime.

35:52.182 --> 35:53.023
[SPEAKER_05]: Okay, this.

35:54.384 --> 35:55.726
[SPEAKER_05]: It's not what she thought it was going to be.

35:56.507 --> 35:56.947
[SPEAKER_00]: Yeah.

35:56.967 --> 35:57.908
[SPEAKER_05]: What there was graffiti?

35:57.948 --> 35:59.550
[SPEAKER_05]: Why wasn't there an all-points bulletin?

36:00.330 --> 36:03.854
[SPEAKER_05]: And then, yeah, then all of a sudden it just disappears, right?

36:03.874 --> 36:04.735
[SPEAKER_05]: It was life sucks.

36:04.755 --> 36:06.357
[SPEAKER_05]: I'm like, wow, wait a send a message.

36:06.877 --> 36:12.623
[SPEAKER_00]: You couldn't think of anything else

36:12.974 --> 36:20.102
[SPEAKER_05]: Right, then I also like how we have Simon Phoenix finally getting out of prison.

36:20.622 --> 36:23.766
[SPEAKER_05]: I do like the actual sequences in that that the bike horror or the feast still works.

36:24.206 --> 36:28.691
[SPEAKER_05]: Also like how he ends up on the past where he doesn't even know how it is because shit, I wish I knew.

36:28.711 --> 36:30.954
[SPEAKER_05]: I don't know what I'm doing.

36:30.974 --> 36:32.436
[SPEAKER_05]: He's just making it up as he goes.

36:33.257 --> 36:34.458
[SPEAKER_00]: Mmm.

36:34.478 --> 36:36.040
[SPEAKER_00]: That's where this movie gets it right, too.

36:36.440 --> 36:38.222
[SPEAKER_00]: Yeah, it doesn't.

36:38.303 --> 36:39.545
[SPEAKER_00]: spoon feature right away.

36:39.565 --> 36:53.688
[SPEAKER_00]: It gives you a little bit along the way, event will you figure out how he knows so much and why he is, you know, much more dangerous than he was 36 years ago, but it doesn't throw a ton of exposition at you.

36:53.728 --> 36:56.192
[SPEAKER_00]: It lets you discover that along the way.

36:56.773 --> 37:04.986
[SPEAKER_00]: This film, aside from being like, you know, really smart and really fun.

37:04.966 --> 37:11.458
[SPEAKER_00]: It doesn't overload you and feel like it feels like it has to tell you everything that's going to happen before it happens.

37:11.558 --> 37:29.370
[SPEAKER_00]: No, this film, much like the very opening scene from 1996, this film takes the, or at least gives the, the viewer a lot of credit for being able to figure things out for themselves or not you allow them to be able to discover it along the way.

37:29.823 --> 37:46.009
[SPEAKER_05]: I agree and I also like how he takes the he is I'm talking Spanish to them as well talking smack and Spanish repeating everything that the word is saying and then he winds up taking the eyeball to scan the eyeball to get out of prison.

37:46.495 --> 38:01.728
[SPEAKER_05]: And then he just walks off and then he drives somebody else's car out of there and then lean Huxley realizes there's actually a notification going on Rob Schneider screen and she's like, what's going on over the over at the freezer plan?

38:01.788 --> 38:03.812
[SPEAKER_05]: I forgot what it's called, but yeah.

38:04.315 --> 38:08.060
[SPEAKER_05]: But, you know, and to like, oh, there's murder death kills.

38:08.360 --> 38:10.963
[SPEAKER_05]: Well, there's a man, murder death kills and it's not at all at all.

38:10.983 --> 38:16.470
[SPEAKER_05]: Well, guess what, now it's your lucky day because you're about to experience things that you never experienced.

38:17.932 --> 38:18.773
[SPEAKER_00]: We're police officers.

38:18.833 --> 38:21.256
[SPEAKER_00]: We're not, we're not training to handle this violence.

38:21.277 --> 38:22.338
[SPEAKER_04]: We're not training for this.

38:25.121 --> 38:30.068
[SPEAKER_04]: And I like how foul they are, whatever they find Phoenix's car and they stop it.

38:30.909 --> 38:31.910
[SPEAKER_04]: And like, good job.

38:32.270 --> 38:33.512
[SPEAKER_04]: Yeah, good job.

38:34.370 --> 38:40.799
[SPEAKER_00]: the fact that Simon Phoenix has to interrupt a guy getting his daily affirmations from this computer.

38:40.819 --> 38:54.859
[SPEAKER_00]: And then this is going to what I was talking about too, where how what kind of, you know, the world isn't exactly as joy joy feeling as you make it out to be, because here's someone who's just not feeling 100% and they have to go to this terminal.

38:54.839 --> 38:57.743
[SPEAKER_00]: for a daily affirmation of you will.

38:58.304 --> 39:05.235
[SPEAKER_00]: If this is supposed to be such a utopic society, why does someone need to be reassured that they look great?

39:05.576 --> 39:08.260
[SPEAKER_00]: And they inspire joy joy feelings in everyone they meet.

39:09.161 --> 39:12.226
[SPEAKER_00]: You shouldn't need that, but somehow you have people who do.

39:12.887 --> 39:16.813
[SPEAKER_04]: Right, and basically that's chatGPT, if you think about it.

39:17.975 --> 39:21.719
[SPEAKER_05]: Because think about it, we are actually, instead of going to a terminal, we have it on our cell phones.

39:22.340 --> 39:26.905
[SPEAKER_05]: But we can actually ask chatGPT, how can I share my cell, how can I share my cell phone?

39:27.406 --> 39:28.547
[SPEAKER_05]: I'm feeling kind of down today.

39:28.948 --> 39:30.330
[SPEAKER_05]: What advice do you have for me?

39:31.611 --> 39:40.962
[SPEAKER_00]: If chatGPT returns with you look great and inspire joy, joy, feelings in everyone you meet, then chatGPT should stop watching demolition man.

39:41.363 --> 39:41.884
[SPEAKER_05]: Exactly.

39:41.944 --> 39:50.441
[SPEAKER_05]: I'm not even going to listen to any kind of vice chat GPT offers me even though I don't wasn't anything that it offers me anyways.

39:51.102 --> 39:55.370
[SPEAKER_05]: But you know, I just think it's, I told my wife I said, that's chat GPT right there.

39:55.932 --> 40:01.262
[SPEAKER_00]: Yeah, clearly someone has subscribed to the cocktail plan part of chat GPT.

40:01.580 --> 40:14.676
[SPEAKER_05]: Yeah, it had a little too much, but I do like how Simon winds up going over there and he basically kicks him out of the booth because I'm not done well you're for done now and then the cops come up behind him.

40:15.156 --> 40:16.338
[SPEAKER_05]: Okay, what do I do now?

40:17.259 --> 40:19.381
[SPEAKER_05]: Well, now you need to read him is right.

40:20.322 --> 40:23.066
[SPEAKER_05]: Simon Phoenix, what your hands up?

40:24.748 --> 40:25.288
[SPEAKER_05]: That worked.

40:27.811 --> 40:29.393
[SPEAKER_04]: What else do I do?

40:30.284 --> 40:32.147
[SPEAKER_00]: right.

40:32.167 --> 40:38.618
[SPEAKER_00]: That just goes to show it in a utopic society, the police are probably the least effective people there, right?

40:38.638 --> 40:46.692
[SPEAKER_00]: They haven't had to tell someone to, you know, lay down on the ground with their hands over their heads at a long time, if ever, at that point.

40:46.972 --> 40:53.203
[SPEAKER_00]: So you are dealing with a quote unquote police force that hasn't had to do police stuff.

40:53.757 --> 40:57.721
[SPEAKER_00]: Probably, for most of their service career.

40:58.181 --> 41:06.669
[SPEAKER_00]: And now it's like, all right, well, now I need chatGPT to actually tell me about this too, you know, please add or else, come on.

41:07.290 --> 41:11.994
[SPEAKER_05]: Right, and have a stern voice, but you're whipping down.

41:12.975 --> 41:22.684
[SPEAKER_05]: Okay, now what else you got?

41:23.913 --> 41:30.662
[SPEAKER_05]: And it's just this whole chaos and then finally, you know, after he kicks everyone's ass, they're like, okay, now what do we do?

41:31.984 --> 41:36.189
[SPEAKER_05]: Now they realize they and all they have to get the demolition man back on track.

41:36.210 --> 41:49.928
[SPEAKER_00]: Yeah, all the, in that fight scene, there's the one where he tries to go one on one, the guy's got his face up and you know, he goes to punch Simon Phoenix and he's too afraid to punch him because clearly it's a no contact society.

41:49.948 --> 41:52.992
[SPEAKER_00]: And you can see that too in the early scene

41:52.972 --> 41:56.856
[SPEAKER_00]: In the police station where everyone's giving high fives, but they don't actually touch.

41:56.876 --> 42:02.261
[SPEAKER_00]: They just kind of the handcuffs up and in the exactly they went so much.

42:02.661 --> 42:04.763
[SPEAKER_00]: So you have a non-contact society.

42:04.803 --> 42:10.289
[SPEAKER_00]: You have something that's where violence is so not part of the equation.

42:10.549 --> 42:16.235
[SPEAKER_00]: You know, even a high five, it's percussive, you know, again, you know, high five someone too hard and they'll feel it.

42:17.115 --> 42:18.777
[SPEAKER_00]: So clearly,

42:18.757 --> 42:22.141
[SPEAKER_00]: You know, anything that is bad for you is deemed illegal.

42:22.522 --> 42:25.125
[SPEAKER_00]: So full contact must be deemed illegal.

42:25.726 --> 42:30.352
[SPEAKER_00]: So for a cop to actually do their job against the someone like Simon Phoenix, they have to do the illegal thing.

42:30.392 --> 42:34.558
[SPEAKER_05]: Yeah, the physically they have to break the law themselves in order to do the law that they need to do.

42:35.059 --> 42:48.156
[SPEAKER_00]: Yeah, but it tells you so much about the ineffectiveness of the general police force, just in that one scene.

42:48.136 --> 42:52.603
[SPEAKER_00]: take in any sharpness out of the bite of anyone in 2032.

42:53.845 --> 42:54.066
[SPEAKER_05]: Right.

42:54.667 --> 43:02.380
[SPEAKER_05]: And you know what though I made jokes like back in Cook, when COVID happened, I said, pretty soon we're going to be having to do this to high five each other.

43:02.880 --> 43:03.441
[SPEAKER_02]: Yep.

43:03.461 --> 43:05.905
[SPEAKER_04]: Or say hi because that's basically what it was like.

43:05.966 --> 43:06.246
[SPEAKER_04]: It's like,

43:06.648 --> 43:10.017
[SPEAKER_04]: up, or something.

43:10.037 --> 43:11.341
[SPEAKER_00]: All through Zoom screen, yes.

43:11.621 --> 43:12.544
[SPEAKER_05]: Right, exactly.

43:12.564 --> 43:20.505
[SPEAKER_05]: So that was, I figured that was like a beta version of why they had to go through, in a sense.

43:20.688 --> 43:25.393
[SPEAKER_00]: Yeah, but it also goes to show because Simon Phoenix has not changed.

43:25.493 --> 43:28.637
[SPEAKER_00]: You know, he's just become more worthless and more dangerous.

43:29.077 --> 43:38.788
[SPEAKER_00]: So in a world that is exactly as the 2032 version of this world is, he should be able to take it over with it about four or five days.

43:39.289 --> 43:42.332
[SPEAKER_00]: The entire city, you know, and we're in a crime syndicate.

43:42.693 --> 43:46.577
[SPEAKER_00]: You know, he is now the most dangerous person in the world.

43:47.502 --> 43:48.003
[SPEAKER_05]: Exactly.

43:48.023 --> 43:51.669
[SPEAKER_05]: And I would love to see more buildings destroy or something five Simon.

43:52.089 --> 43:57.839
[SPEAKER_05]: But instead, he just lives underground going after this one guy that they set up, which we get into a few minutes.

43:59.421 --> 44:07.274
[SPEAKER_05]: I would love to see more of a danger to expect to it as well to make people feel like they're actually afraid of him.

44:07.795 --> 44:14.185
[SPEAKER_05]: Yeah, like civilians even though he throws us a billion together to go get a gun out.

44:14.485 --> 44:15.747
[SPEAKER_00]: Oh, at the museum scene, yeah.

44:15.767 --> 44:16.347
[SPEAKER_05]: At the museum.

44:16.888 --> 44:18.410
[SPEAKER_05]: But I want more.

44:18.670 --> 44:21.674
[SPEAKER_05]: Like I'm like, I just want innocent people to die.

44:21.774 --> 44:22.855
[SPEAKER_05]: I don't want that happen.

44:23.236 --> 44:34.890
[SPEAKER_05]: But I just want to feel like I said audience to have civilian life be that much more afraid of him than to have the underground bio dome.

44:35.073 --> 44:43.489
[SPEAKER_00]: Yeah, but this is also where we get this little bit of the subliminal programming that happens while they're in the cryopresden.

44:44.171 --> 44:55.052
[SPEAKER_00]: So you have that, you hear that the voice of Raymond Cockdo as he's hacking into the computer system is, you know, don't you have someone to kill Mr. Edgar Friendly.

44:55.513 --> 44:56.575
[SPEAKER_00]: So

44:56.555 --> 45:01.704
[SPEAKER_00]: Simon Phoenix is out because cocktail needs to get rid of Edgar Friendly.

45:01.744 --> 45:04.529
[SPEAKER_00]: So he's reprogrammed him subliminally.

45:04.889 --> 45:11.160
[SPEAKER_00]: You know, he's basically a woken, a sleeping giant that he will not be able to take care of afterwards.

45:12.142 --> 45:19.474
[SPEAKER_00]: But the thing here is that because of that subliminal programming, that's probably why we don't

45:19.454 --> 45:25.762
[SPEAKER_00]: Or at least more of the taking over the city crime syndicate kind of destruction that you would expect out of assignment phoenix.

45:26.303 --> 45:32.611
[SPEAKER_00]: Yeah, you know, as he needs a gun because he has a mission to do, you know, we don't know what's going to happen after that mission.

45:33.152 --> 45:46.609
[SPEAKER_00]: You know, had he killed Edgar Friendly, you know, then you could wonder what assignment phoenix let loose in the city would be like, but because he's subliminally focused on that mission, he's got a stick to the plan.

45:46.724 --> 45:49.487
[SPEAKER_05]: Okay, that actually makes more sense, though.

45:49.507 --> 45:54.654
[SPEAKER_05]: Because, yeah, he has to have a mission in order and is actually the assassinate Edgar Friendly.

45:55.555 --> 45:58.138
[SPEAKER_05]: And he doesn't even, so basically, that's his one mission.

45:58.178 --> 46:03.945
[SPEAKER_05]: His mission is to get a gun, kill him, and then mission's over, then he goes back into the cryo lab problem.

46:03.965 --> 46:05.667
[SPEAKER_00]: Yeah, for the prime director right there.

46:06.829 --> 46:10.493
[SPEAKER_05]: Or, they wind up killing him afterwards.

46:11.114 --> 46:12.516
[SPEAKER_05]: And make themselves look like the hero.

46:13.237 --> 46:13.457
[SPEAKER_02]: Yeah.

46:14.348 --> 46:20.015
[SPEAKER_05]: One of the other, either way it goes, they still look like the hero, while the cops are still trying to figure out what to do with Simon.

46:22.238 --> 46:24.501
[SPEAKER_00]: Like, yeah, they do nothing with Simon.

46:24.521 --> 46:25.742
[SPEAKER_00]: Simon's in charge.

46:26.003 --> 46:26.523
[SPEAKER_00]: They just don't.

46:26.543 --> 46:26.864
[SPEAKER_00]: Exactly.

46:27.725 --> 46:34.353
[SPEAKER_05]: But then I like how you finally have John Spartan out of the cryo lab.

46:34.514 --> 46:38.078
[SPEAKER_05]: And then you have Huxley who's trying to break everything down to him.

46:39.475 --> 46:40.036
[SPEAKER_05]: and stuff.

46:40.657 --> 46:45.345
[SPEAKER_05]: And I just love the fact that she goes, well, welcome back to earth, John Spartan.

46:46.327 --> 46:48.451
[SPEAKER_05]: Everything's changed since last time you've been here.

46:49.873 --> 46:55.243
[SPEAKER_05]: And then there's that banter between the police officers and stuff like that.

46:56.004 --> 47:01.714
[SPEAKER_05]: And there's also the other thing too, where she mentions the fact that his wife died, that sucks.

47:01.975 --> 47:03.357
[SPEAKER_05]: It kind of reminds me of Robocop.

47:04.231 --> 47:10.061
[SPEAKER_05]: where everything that Murphy knew is now gone, just as John Spartan, everything that John Spartan knew is gone.

47:10.102 --> 47:12.566
[SPEAKER_05]: And he goes, well, what am I going to do?

47:12.706 --> 47:15.331
[SPEAKER_05]: Well, I don't, I don't, I don't have to have an interrupts them.

47:15.611 --> 47:17.054
[SPEAKER_05]: Because we're not here to talk about your family.

47:17.355 --> 47:20.360
[SPEAKER_05]: So after your family, we're going to take down Simon Phoenix.

47:20.761 --> 47:23.826
[SPEAKER_05]: As well as your fault that you let him out of his ice box.

47:24.528 --> 47:27.032
[SPEAKER_05]: Now you want me to go on ahead and try to help you.

47:27.350 --> 47:28.572
[SPEAKER_05]: when you're the one who froze me.

47:29.173 --> 47:32.277
[SPEAKER_05]: So once again, throwing blame over something he did.

47:32.598 --> 47:37.905
[SPEAKER_05]: Well, also there's more things to worry about than that, because Simon's now out on the loose.

47:38.406 --> 47:39.347
[SPEAKER_00]: Yeah.

47:39.367 --> 47:42.352
[SPEAKER_00]: This is that John Spartan fish out of water moment, right?

47:42.392 --> 47:48.541
[SPEAKER_00]: Where he's just discovering how much the world has changed, even going to the wash from the three seashells.

47:49.662 --> 47:53.268
[SPEAKER_00]: What have you figured out how the three seashells work?

47:53.288 --> 47:55.551
[SPEAKER_00]: Now, do you know how the three seashells work?

47:56.678 --> 47:57.484
[SPEAKER_05]: And I love that.

47:57.786 --> 47:58.955
[SPEAKER_05]: I love the whole entire thing.

47:58.975 --> 48:00.023
[SPEAKER_00]: I was like, he doesn't know how.

48:00.661 --> 48:02.523
[SPEAKER_00]: He doesn't know how three seashells work.

48:03.124 --> 48:06.929
[SPEAKER_00]: I have a theory as to how the three seashells work.

48:06.949 --> 48:07.510
[SPEAKER_00]: I do too.

48:08.151 --> 48:10.694
[SPEAKER_04]: I want to, I want to get there anything.

48:10.934 --> 48:11.135
[SPEAKER_00]: Okay.

48:11.755 --> 48:13.918
[SPEAKER_00]: You have three controls here, okay?

48:14.299 --> 48:18.064
[SPEAKER_00]: So the first word of course has to be the flushing mechanism.

48:18.104 --> 48:20.046
[SPEAKER_00]: So this is just a touch to flush kind of thing.

48:20.447 --> 48:21.949
[SPEAKER_00]: But it's not fully touch, right?

48:21.969 --> 48:26.955
[SPEAKER_00]: This is one of those just hover your hand over because

48:26.935 --> 48:29.122
[SPEAKER_00]: everything is, is, is, is pleasant.

48:29.142 --> 48:30.346
[SPEAKER_00]: Everything is awesome.

48:30.366 --> 48:31.850
[SPEAKER_00]: So the first one you just flush.

48:32.251 --> 48:36.304
[SPEAKER_00]: The second one is the day controls.

48:36.824 --> 48:46.183
[SPEAKER_00]: day because obviously they're not using toilet paper, but you have to flush first before you be day because if you be day before you flush, but then your flush will dirty water and it's just that's just gross.

48:46.724 --> 48:57.246
[SPEAKER_00]: Of course, the how you hold your hand over the shell dictates not just temperature, but also a strength of flow.

48:57.226 --> 48:57.646
[SPEAKER_00]: Right.

48:58.147 --> 49:00.990
[SPEAKER_00]: And then the third one, it's an air dryer.

49:01.511 --> 49:07.218
[SPEAKER_00]: Same theory, just hold your hand over it, dealing with temperature and strength of air flow to dry.

49:07.258 --> 49:08.679
[SPEAKER_00]: Okay.

49:09.500 --> 49:15.227
[SPEAKER_05]: That's actually an interesting there because I was thinking, well, one C shell is just shit in and then you put the other one on top of it.

49:15.567 --> 49:18.291
[SPEAKER_05]: Then after that, you use the other one to air dry.

49:18.931 --> 49:20.213
[SPEAKER_05]: It's basically what I was thinking.

49:22.576 --> 49:23.757
[SPEAKER_00]: So.

49:23.737 --> 49:27.582
[SPEAKER_00]: I mean, at least you've got to use you to scrape out what's there, right?

49:27.602 --> 49:28.804
[SPEAKER_05]: Yeah, that's the other thing.

49:28.984 --> 49:32.608
[SPEAKER_05]: Like, I would actually use that actually makes more sense though to use the bin day.

49:33.449 --> 49:36.513
[SPEAKER_05]: And it is to actually use the, she seeshells to do it.

49:36.533 --> 49:45.825
[SPEAKER_05]: So yeah, you would actually have to shit in it then use the bin day and then go on ahead and just basically use the other sea shell to just go ahead and air dry.

49:46.226 --> 49:48.809
[SPEAKER_00]: Yeah, flush, bid day, air dry.

49:49.130 --> 49:50.151
[SPEAKER_00]: There's your three sea shells.

49:50.652 --> 49:51.372
[SPEAKER_05]: There you go, guys.

49:51.553 --> 49:52.354
[SPEAKER_05]: We finally broke it down.

49:52.394 --> 49:53.355
[SPEAKER_05]: We finally figured it right.

49:55.259 --> 50:00.068
[SPEAKER_00]: But you know, just just violate the verbal morality exact and get enough toilet paper to take care of business.

50:00.809 --> 50:01.230
[SPEAKER_05]: Exactly.

50:01.290 --> 50:08.844
[SPEAKER_05]: And then flood the whole entire pipes in the new just new future that you just sucks to be 2032.

50:09.906 --> 50:10.146
[SPEAKER_00]: Yep.

50:11.290 --> 50:20.699
[SPEAKER_05]: But I do have to, I do like the banter between everyone inside the police station because, because there's, oh, that's just how people used to talk back then, the uncertainty, each other.

50:21.860 --> 50:22.000
[SPEAKER_00]: Mm-hmm.

50:22.020 --> 50:24.662
[SPEAKER_00]: Yeah, with the scene was Zach Lam, played by Bill Cobbs.

50:25.103 --> 50:35.392
[SPEAKER_00]: But the fact that you had Zach Lam as well in 1996, so you do get that callback, you know, it's like the one cop that's still there or 36 years later.

50:35.432 --> 50:38.395
[SPEAKER_05]: And then I like how, too, like,

50:38.543 --> 50:39.105
[SPEAKER_05]: pull out.

50:39.125 --> 50:41.833
[SPEAKER_05]: And then he hears when he goes, well, what the fuck is that?

50:42.034 --> 50:48.654
[SPEAKER_05]: And the next thing you know, it keeps on giving him citations over and over again of him breaking the lie.

50:48.674 --> 50:50.439
[SPEAKER_05]: Because what is, what the hell is this?

50:50.459 --> 50:52.806
[SPEAKER_05]: Oh, you can't cuss or anything.

50:54.338 --> 50:57.661
[SPEAKER_05]: And we'll see, at game frequencies, I love to have movie.

50:57.761 --> 50:59.382
[SPEAKER_05]: I had it on VHS as kid.

51:00.023 --> 51:00.483
[SPEAKER_05]: I did too.

51:00.603 --> 51:01.804
[SPEAKER_05]: I had it on VHS.

51:01.824 --> 51:04.266
[SPEAKER_05]: Now I, it probably only on 4K as well.

51:04.407 --> 51:06.909
[SPEAKER_00]: So this is a multi format movie.

51:06.969 --> 51:07.789
[SPEAKER_00]: It's that good.

51:08.330 --> 51:09.871
[SPEAKER_05]: Yes, I had a buy for the $20.

51:11.292 --> 51:15.896
[SPEAKER_05]: But I just love the chemistry with all these police officers.

51:16.277 --> 51:23.603
[SPEAKER_05]: I actually do feel like I'm actually part of this crew, even though that we also feel like John Spartan

51:24.241 --> 51:26.845
[SPEAKER_05]: as well, well, we actually feel like we're part of that.

51:27.266 --> 51:35.418
[SPEAKER_05]: And I love this journey that we go on with him, especially whenever they get in the car and is now driverless cars, who says, we also have driverless cars.

51:36.200 --> 51:45.634
[SPEAKER_05]: Now, all except one thing that doesn't touch your weight or anything like that, but it does tell you that you can actually drive driverless those.

51:45.935 --> 51:49.320
[SPEAKER_05]: And basically, if you think about that series XM, but the show too,

51:50.431 --> 51:51.112
[SPEAKER_00]: Yeah.

51:51.132 --> 51:59.581
[SPEAKER_00]: Well, one of these days, series X and I don't know if they've ever done this, but if series X and I was listening, here's what you got to do.

51:59.641 --> 52:07.590
[SPEAKER_00]: Just whenever the anniversary of this movie comes on, you need to create a special station that's just commercial jingles.

52:08.371 --> 52:16.860
[SPEAKER_00]: And I guarantee you people are going to listen, especially if every now and then you throw one hot dogs on our hot dogs.

52:17.549 --> 52:21.334
[SPEAKER_05]: My wife is rolling her eyes because she cannot stay in that scene.

52:21.354 --> 52:23.017
[SPEAKER_05]: She goes, this is so cringe.

52:23.037 --> 52:27.723
[SPEAKER_05]: I was like, well, it's supposed to be because we're actually supposed to be able to stay in emotion as John Spartan.

52:28.324 --> 52:31.348
[SPEAKER_05]: So it actually matches with the personality of John Spartan.

52:31.889 --> 52:42.404
[SPEAKER_05]: But yes, it is cringe and then game-freeness also says, I remember my dad didn't know if the code was teddy bear or teddy man.

52:43.265 --> 52:44.046
[SPEAKER_05]: Damn I'm old.

52:46.203 --> 52:48.025
[SPEAKER_00]: Why is this feeling, what's the safe word?

52:48.266 --> 52:49.547
[SPEAKER_00]: What's the safe word?

52:49.607 --> 52:51.750
[SPEAKER_00]: Teddy, Teddy, man.

52:51.971 --> 52:52.712
[SPEAKER_04]: No, never mind.

52:53.172 --> 52:55.095
[SPEAKER_00]: That's not the code.

52:55.235 --> 52:55.916
[SPEAKER_00]: That's the code for us.

52:55.936 --> 52:56.857
[SPEAKER_00]: A way different.

52:57.378 --> 52:58.699
[SPEAKER_00]: Right, that's for 50 shades.

53:03.706 --> 53:10.415
[SPEAKER_05]: But I did like this whole entire deal with this thing with the satellite and also to John Spartan was to drive in the future.

53:10.455 --> 53:12.177
[SPEAKER_05]: He's never drove in in the future.

53:12.427 --> 53:16.598
[SPEAKER_05]: Yeah, I think it's just like driving a bicycle, right, driving a bicycle, it's not.

53:17.320 --> 53:23.636
[SPEAKER_05]: And then now we actually don't know that but the police tells them, hey, look, he's after a gun.

53:24.097 --> 53:25.521
[SPEAKER_05]: That's what Simon Phoenix is after.

53:25.581 --> 53:26.824
[SPEAKER_00]: Yeah.

53:27.142 --> 53:33.176
[SPEAKER_00]: And that's the interesting thing, too, is that John Spartan is clearly a cop that's always run on instinct.

53:33.336 --> 53:34.499
[SPEAKER_00]: His gut instinct.

53:34.539 --> 53:38.107
[SPEAKER_00]: So he's going to be, you know, he's going to be in the driver's seat.

53:38.368 --> 53:40.593
[SPEAKER_00]: He's got an idea of what Simon Phoenix is going to do.

53:40.693 --> 53:43.159
[SPEAKER_00]: He's going to do what he thinks he needs to be done.

53:43.139 --> 53:51.335
[SPEAKER_00]: So, of course, his first instinct is to go into the driver's seat and be the one to go to where they need to go.

53:51.395 --> 53:56.124
[SPEAKER_00]: Even though it's 232, you don't know where anything is anymore John Spartan.

53:56.144 --> 54:00.372
[SPEAKER_00]: So, probably just get in the back and let Lenina drive, which eventually he does.

54:00.773 --> 54:17.271
[SPEAKER_00]: but buying biometric settings in a car has to go in the list with the back to the future self-times, sneakers, and so many in the hoverboards, so many futuristic devices that we should had by now according to movie logic.

54:18.892 --> 54:21.875
[SPEAKER_05]: Right, and it makes perfectly sense for this dystopia.

54:22.416 --> 54:25.279
[SPEAKER_05]: I mean, it really does.

54:25.732 --> 54:38.052
[SPEAKER_05]: but then we after that happens, anticipating that Phoenix will attempt to secure firearms, Barnes leads Huggsley to a museum and finds Phoenix looting an exhibit of weapons.

54:38.592 --> 54:50.912
[SPEAKER_05]: As Barnes surprised Phoenix is even deadlier than before, exhibiting expert level proficiency and extra extensive range of skills, including martial arts and the computer hacking, Phoenix escapes and holds

54:51.061 --> 55:20.190
[SPEAKER_05]: onto at gunpoint, but is unable to kill him as us to had an implanted a, I mean, in the rehabilitation program to prevent him from doing so, caught to instead orders Phoenix to kill Edgar friendly, the leader of the resistance group called the scraps, who refused to confront to Cytos moral ideals and who live in the underground of the ruins of Los Angeles.

55:20.727 --> 55:23.654
[SPEAKER_05]: I like how he is where Simon basically asked him.

55:24.035 --> 55:25.218
[SPEAKER_05]: So that's this one guy.

55:25.318 --> 55:31.272
[SPEAKER_05]: So how much are you way away about 120, you know, and he's also trying to take the glass to before that.

55:31.794 --> 55:37.808
[SPEAKER_05]: And but he was a tossing the guy into the exhibit and he wants up getting a gut.

55:37.788 --> 55:59.897
[SPEAKER_00]: Yeah, and not just any gum, but there's a series of guns that we get, and of course this is also the only time that we see with them with a futuristic gun with that that pulse rifle or whatever it is that that he was able to use, but had to wait two and a half minutes for it to charge up, I'm kind of glad that they didn't have too much in the way of futuristic technology in the

55:59.877 --> 56:23.556
[SPEAKER_00]: You know, in the armory because if 2032 is supposed to be as peaceful peace loving and pacifist as they make it out to be, then there be no need for laser rifles and the like so it makes sense that it's really just a museum item and everyone else is just using the the the the stun glow rods that they have.

56:23.975 --> 56:24.516
[SPEAKER_05]: I agree.

56:24.616 --> 56:32.447
[SPEAKER_05]: I think that if you're going to have this dystopia future, and then you're not supposed to have guns or anything like that, you need at least one futuristic gun in this.

56:32.467 --> 56:44.404
[SPEAKER_05]: So it might as well be a gun that you have to charge up, which probably didn't even clear the police station or anything like that because it's like, okay, so I have 20 minutes before I can actually use this thing before it touches up.

56:44.524 --> 56:46.747
[SPEAKER_05]: So I'm, no, this is not going to be good for us.

56:46.927 --> 56:48.970
[SPEAKER_05]: So let's just go ahead and do a wave with it.

56:49.085 --> 57:12.992
[SPEAKER_00]: Yeah, but to the same joke as well, you know, if there was such a giant earthquake in 2010 that basically decimated Los Angeles and turned it into San Angeles, you know, you have to think that the years shortly after that earthquake and trying to restore maintain and cultivate order, you know, now you're talking like a 22 year stretch.

57:13.032 --> 57:15.835
[SPEAKER_00]: So you have to think that some of those early years,

57:15.815 --> 57:22.132
[SPEAKER_00]: are going to be a little bit more violent and a little bit harsher than, you know, the current future.

57:22.192 --> 57:30.094
[SPEAKER_00]: So it makes sense that a laser gun exists, but it also makes sense that now it's just a museum item.

57:30.412 --> 57:54.664
[SPEAKER_05]: Right, and I also like that idea of like you have normalized weapons mixed in with this one gun and it only allows us to see how the future has changed as far as the weapon area goes, so if you like how they play around with that it's not OP or anything they just use it for one time for this one thing and that's it so I like that and then I just want to mention this game Freakness says they must have a huge taco built

57:55.268 --> 58:02.599
[SPEAKER_05]: for the movie yet they did we talked about that at the very beginning where I remember as a child that they actually had a Taco Bell deal.

58:03.641 --> 58:21.327
[SPEAKER_05]: And so they incorporated the couple of scenes from the movie into the Taco Bell commercial and stuff like that but we'll get into the whole entire Taco Bell thing in a minute because yeah because I do want to talk about that on how fascinating I think that is that there's only one restaurant that

58:21.610 --> 58:28.359
[SPEAKER_05]: actually, outsell every single fast food restaurant and it happened to be Taco Bell.

58:28.379 --> 58:28.519
[SPEAKER_00]: Mm-hmm.

58:28.539 --> 58:40.996
[SPEAKER_00]: Yeah, there are, there's a fascinating stretch of time in the demolition man timeline of things that I would love for them to somehow go back and explore through novels.

58:41.076 --> 58:44.921
[SPEAKER_00]: Like, I'd love to know about the fast food wars.

58:45.001 --> 58:47.905
[SPEAKER_00]: I'd love to know about, you know,

58:47.885 --> 58:58.879
[SPEAKER_00]: efforts that took to create this utopic society, and again, you have to narrow it down to that 22-year stretch of time from the big one of 2010 to 2032.

59:00.701 --> 59:02.464
[SPEAKER_00]: What happened during that time?

59:02.684 --> 59:03.425
[SPEAKER_00]: What did it take?

59:03.505 --> 59:10.534
[SPEAKER_00]: What did the police force have to evolve to become in order to be able to

59:10.514 --> 59:11.576
[SPEAKER_00]: get to this point.

59:12.097 --> 59:23.359
[SPEAKER_00]: And the story of Raymond Cockdo, like how was it that he was able to influence an entire nation in order to become this, you know, teamuversion of the good place?

59:24.401 --> 59:32.337
[SPEAKER_05]: So my question is, would you say that maybe Psych2 is probably Steve Zuckerberg, like socialism?

59:33.160 --> 59:34.703
[SPEAKER_00]: No, I don't think so.

59:34.723 --> 59:38.068
[SPEAKER_00]: I don't think it has anything to do with technology.

59:38.910 --> 59:45.241
[SPEAKER_00]: You know, if you take a look at some of more spiritual leaders, actually, you know, like this.

59:45.261 --> 59:48.486
[SPEAKER_00]: Yeah, this is more of the,

59:48.466 --> 59:50.008
[SPEAKER_00]: Gandhi types, right?

59:50.909 --> 59:55.596
[SPEAKER_00]: Or if you watch a documentary, I think it's like, blah, blah, west on Netflix.

59:56.097 --> 01:00:10.337
[SPEAKER_00]: And even though that one got a little cold dish and went the probably opposite way, you have to think that this is someone who became a spiritual leader and wasn't, you know, he clearly didn't make a cult, but he made a society that people needed.

01:00:10.377 --> 01:00:18.388
[SPEAKER_00]: And if the 2010 earthquake is supposed to have been so

01:00:19.448 --> 01:00:25.401
[SPEAKER_00]: People in the aftermath of that are probably looking for someone to lead them towards a better future.

01:00:25.461 --> 01:00:31.034
[SPEAKER_00]: So you have, and make sense for someone like a Raymond Cockto to be able to come in.

01:00:31.094 --> 01:00:38.470
[SPEAKER_00]: And basically be the Pied Piper for all for the people who are looking to kind of get back on their feet.

01:00:38.703 --> 01:00:44.712
[SPEAKER_05]: That actually makes sense because when something tragic happens, we always want to lean on something to actually get us through something.

01:00:45.332 --> 01:00:45.473
[SPEAKER_02]: Mm-hmm.

01:00:45.493 --> 01:00:46.975
[SPEAKER_05]: So it just happens to me.

01:00:46.995 --> 01:00:47.215
[SPEAKER_05]: Yeah.

01:00:47.756 --> 01:00:51.161
[SPEAKER_05]: So therefore the psycho guy is basically this.

01:00:51.982 --> 01:00:55.707
[SPEAKER_05]: Religion is kind of guy that is be all in all.

01:00:56.709 --> 01:00:59.833
[SPEAKER_05]: Person that can manipulate people in the way they think.

01:01:00.294 --> 01:01:07.444
[SPEAKER_05]: And if you think if you don't think the same way, he can just ask,

01:01:07.643 --> 01:01:11.428
[SPEAKER_05]: right now with this other underground thing just happening.

01:01:11.668 --> 01:01:18.838
[SPEAKER_05]: But, you know, thing you have Arthau, which is the guy from Beal juice, the same hacker, just happened on Arthau.

01:01:19.419 --> 01:01:28.311
[SPEAKER_05]: But he actually represents that Zinn as well because he plays off of this follower type to psycho.

01:01:28.331 --> 01:01:29.613
[SPEAKER_02]: Yeah.

01:01:29.633 --> 01:01:31.736
[SPEAKER_05]: So it doesn't very good job at that, too.

01:01:32.457 --> 01:01:36.402
[SPEAKER_00]: Yeah.

01:01:37.664 --> 01:01:48.675
[SPEAKER_00]: The early days, it was probably very much a, you know, they're to help, they're to lead, they're to be, you know, for the people, right?

01:01:48.896 --> 01:02:05.933
[SPEAKER_00]: And then of course, you know, when the time came to redevelop some kind of leadership structure or government structure, of course, if Dr. Cocktoe is so well known for being, probably on the ground and hands on and helping people, then yeah, and yeah, associate Bob, yeah,

01:02:05.913 --> 01:02:14.263
[SPEAKER_00]: You know, it's kind of a fun character because he's such a bootleg, but it's, it's a fun dynamic between the two of them.

01:02:15.204 --> 01:02:15.444
[SPEAKER_05]: Right.

01:02:15.484 --> 01:02:20.790
[SPEAKER_05]: And then he sells Simon that hey, look, you're supposed to kill Edgar.

01:02:21.651 --> 01:02:22.212
[SPEAKER_05]: What are you doing?

01:02:22.232 --> 01:02:23.433
[SPEAKER_05]: And he goes, well, I'm going to kill you.

01:02:23.473 --> 01:02:26.998
[SPEAKER_05]: Then all of a sudden it turns into Robocop once again.

01:02:27.018 --> 01:02:27.558
[SPEAKER_05]: Yes.

01:02:27.718 --> 01:02:34.266
[SPEAKER_05]: Now there's rules there that you cannot kill someone that you're

01:02:35.731 --> 01:02:41.038
[SPEAKER_05]: So now Simon has their choice, but the bow down to him for now and do what he just told to do.

01:02:41.098 --> 01:02:46.965
[SPEAKER_05]: So he goes into the underground trying to look for him even though Sean is burning them.

01:02:47.005 --> 01:02:52.272
[SPEAKER_05]: Don't know about that, but he goes up to Plato and he tells them, oh, thank you so much.

01:02:52.292 --> 01:02:54.735
[SPEAKER_05]: You saved my life just for that.

01:02:54.895 --> 01:02:56.878
[SPEAKER_05]: I'm going to go to Taco Bell.

01:02:58.681 --> 01:03:04.832
[SPEAKER_05]: and just wait, so what makes this guy so great that he has to go in and treat me to Taco Bell?

01:03:05.313 --> 01:03:13.728
[SPEAKER_05]: And he's, you know, if this was us in the future in 1996, which I was probably thinking of right through window, we're thinking of the dollar menu.

01:03:13.789 --> 01:03:21.162
[SPEAKER_05]: We're thinking, why do you see it this guy who is supposed to be the zen trying to treat me to a cheap ass meal?

01:03:22.711 --> 01:03:27.353
[SPEAKER_05]: when he supposedly I saved his life, but did I really save his life?

01:03:27.373 --> 01:03:31.331
[SPEAKER_05]: And why does he think that I owe him something when I don't owe him?

01:03:31.352 --> 01:03:31.472
[SPEAKER_00]: Yeah.

01:03:32.296 --> 01:03:40.203
[SPEAKER_00]: I all admit that this is one of those, there are sometimes when you get a movie that has some subtle repetitive lines.

01:03:40.724 --> 01:03:44.387
[SPEAKER_00]: I don't know how many times I've been like, they take you to Taco Bell.

01:03:45.007 --> 01:03:46.168
[SPEAKER_00]: It's just a waste.

01:03:46.229 --> 01:03:49.652
[SPEAKER_00]: It's like, he says Taco Bell was such evidence.

01:03:50.392 --> 01:04:02.303
[SPEAKER_00]: And obviously, John Spartans still being of 1996 mentality, it's like, yeah, you're looking at like, you know, Chalupas and, you know,

01:04:02.283 --> 01:04:21.590
[SPEAKER_00]: But the fact that it has become the sole source of fine cuisine in 2032, you know, and then when you get to the Taco Bell itself, and you see these, you know, oak cuisine kind of portions, it's like, oh, I thought Taco Bell was small beforehand.

01:04:22.250 --> 01:04:32.104
[SPEAKER_00]: And you get this, it's such a fun spoof on everything.

01:04:33.063 --> 01:04:40.610
[SPEAKER_00]: You know, the cellular I'm looking for an analogy of the fast food wars that we get today, right?

01:04:40.930 --> 01:04:49.718
[SPEAKER_00]: Obviously, the biggest one being McDonald's and Burger King, you know, going head to head and trying to get people to actually sell the, you know, get the get the most burger sales and whatnot.

01:04:49.738 --> 01:04:53.361
[SPEAKER_00]: And here comes Taco Bell is the the last people standing.

01:04:54.502 --> 01:04:55.323
[SPEAKER_00]: It's it's brilliant.

01:04:55.683 --> 01:05:02.749
[SPEAKER_00]: But the funny thing is it's really weird when you watch the

01:05:03.117 --> 01:05:04.639
[SPEAKER_05]: which is totally different.

01:05:05.160 --> 01:05:09.647
[SPEAKER_05]: And at that time, if you think about it, we're going to gain forgiveness in a second.

01:05:10.268 --> 01:05:15.175
[SPEAKER_05]: But, you know, at that time though, Pizza Hut was just a dining restaurant.

01:05:16.397 --> 01:05:16.898
[SPEAKER_05]: You know what I mean?

01:05:17.098 --> 01:05:20.183
[SPEAKER_05]: It was more fancier than Taco Bell.

01:05:20.383 --> 01:05:28.315
[SPEAKER_05]: So a winning win can, I winning win put that as a drive-through place, like a fast food restaurant in a sense, even though there is a drive-through window.

01:05:29.307 --> 01:05:32.311
[SPEAKER_05]: It's more of your dining restaurant at that time.

01:05:32.592 --> 01:05:33.473
[SPEAKER_05]: First of all, yeah.

01:05:33.994 --> 01:05:37.379
[SPEAKER_00]: I miss E in Pizza Hut, like so much.

01:05:37.399 --> 01:05:41.064
[SPEAKER_00]: I wish there was more of the morale that just aren't anymore.

01:05:41.204 --> 01:05:43.548
[SPEAKER_05]: No, there's actually one here where I live at.

01:05:44.810 --> 01:05:45.430
[SPEAKER_05]: And I love it.

01:05:45.551 --> 01:05:49.196
[SPEAKER_05]: I love the fact that you can go in and sit down and look at the buffet and stuff.

01:05:49.316 --> 01:05:51.579
[SPEAKER_05]: And I feel like I'm actually 10 years old again.

01:05:52.200 --> 01:05:53.562
[SPEAKER_05]: I think it was the bomb.

01:05:54.083 --> 01:05:54.724
[SPEAKER_05]: Yes.

01:05:55.632 --> 01:05:57.637
[SPEAKER_05]: But let's see, game frequencies.

01:05:57.677 --> 01:06:00.142
[SPEAKER_05]: They also find for freedom of speech.

01:06:00.243 --> 01:06:01.165
[SPEAKER_05]: So there goes America.

01:06:01.686 --> 01:06:05.615
[SPEAKER_05]: L-O-L. Yep, there it goes.

01:06:05.635 --> 01:06:13.894
[SPEAKER_05]: Fine, you know, and then after that happens if they go talk about you get the baby grand piano, you also find out that Arnold Schwarzenegger has a museum.

01:06:14.465 --> 01:06:18.593
[SPEAKER_05]: uh, as well for himself and there's also that, the process of music with that.

01:06:18.613 --> 01:06:19.194
[SPEAKER_05]: Yeah.

01:06:19.214 --> 01:06:31.917
[SPEAKER_05]: Yeah, and I thought that was interesting since towards Nager was our show governor of California and then that was way before he ran for governor of California and I like how it's kind of meta now thinking about it.

01:06:32.487 --> 01:06:48.708
[SPEAKER_05]: And then next thing you know what Lena Huxley is actually hot for John Spartan because of the fact he took down all those underground Mad Max underground villains supposedly because that's what I want to call them they'd like to thunder don't if you think about it.

01:06:51.131 --> 01:06:56.858
[SPEAKER_00]: Yeah, especially when you take a look at their outfits and you realize that those are like tire trends that they're using a shoulder pads.

01:06:57.563 --> 01:06:57.924
[SPEAKER_05]: Right.

01:06:58.004 --> 01:07:01.489
[SPEAKER_05]: So it reminds me of the Dundered Mad Max Dunder dome for some reason.

01:07:01.749 --> 01:07:21.339
[SPEAKER_05]: I mean, it's just has I feel to it, but this is a pop galactic thing mixed in with this utopia universe where you are creating it's like darkness into likeness, even though they're in this city is dark, but just because the, just because there's a lot of lights and a lot of flashy things, it does not mean that it's actually friendly.

01:07:21.599 --> 01:07:22.941
[SPEAKER_05]: It's actually dark.

01:07:23.783 --> 01:07:24.043
[SPEAKER_03]: Yeah.

01:07:24.614 --> 01:07:32.877
[SPEAKER_05]: But then he wants to have sex with Lena and you find out that he, they can't even have sex, they have to have it through VR.

01:07:34.040 --> 01:07:37.830
[SPEAKER_05]: And he goes, can we just do it the old fashioned way, old fashioned way?

01:07:39.818 --> 01:07:51.072
[SPEAKER_00]: with the fluid transfers, yes, described so, so romantically, right, but the funny thing too is that, again, this falls under the non-contact thing.

01:07:51.452 --> 01:07:57.620
[SPEAKER_00]: You know, obviously technology has made it very sterile for lack of better term.

01:07:57.900 --> 01:08:07.952
[SPEAKER_00]: The fact that you actually have to go and get a license in order to be able to have kids and all that, and it's probably done in a very non-sexual

01:08:07.932 --> 01:08:24.895
[SPEAKER_00]: you're taking the 1996 sensibilities and putting them into this society where contact is just not and it's again it's a it's a fun, funny scene, you know, not great if you got seizures and you know

01:08:24.875 --> 01:08:31.494
[SPEAKER_00]: there's a lot of flashing lights during that scene, but it's also, again, a funny scene for Sandra Bulk as well.

01:08:31.514 --> 01:08:36.889
[SPEAKER_00]: Her her comedic timing in this movie is, yeah, it's unheralded.

01:08:36.949 --> 01:08:39.897
[SPEAKER_05]: Like it's, it's one of those things where it's gonna lick some ass.

01:08:39.877 --> 01:08:48.011
[SPEAKER_00]: I mean, you take a look at the, it's going back to the museum scene for a second where we're Spartan and Phoenix are fighting.

01:08:48.391 --> 01:08:51.677
[SPEAKER_00]: There's a lot of bad cheesy one liners in that scene.

01:08:51.737 --> 01:08:55.383
[SPEAKER_00]: The whole swinging around the, the tell us that you're on TV.

01:08:55.423 --> 01:08:57.066
[SPEAKER_00]: It's like, really, did you need to say that?

01:08:57.306 --> 01:08:58.408
[SPEAKER_00]: That's, that's.

01:08:58.388 --> 01:09:01.853
[SPEAKER_00]: that that that that's peak 80's bad one liners there.

01:09:02.253 --> 01:09:06.319
[SPEAKER_00]: But I'm glad it's kind of confined to that moment.

01:09:07.059 --> 01:09:10.003
[SPEAKER_00]: It's the only cheesy part I would say in this film.

01:09:11.045 --> 01:09:20.658
[SPEAKER_00]: Santa Bullocks, one liners in this, because they're delivered with such an honest naïve, it's a about them.

01:09:20.798 --> 01:09:22.540
[SPEAKER_05]: And just

01:09:22.520 --> 01:09:28.287
[SPEAKER_00]: Yeah, exactly, you said they're going, oh, you so just don't know, but it's cute.

01:09:28.307 --> 01:09:29.068
[SPEAKER_00]: So it's all good.

01:09:29.108 --> 01:09:35.415
[SPEAKER_05]: You kind of reminds me of the rabbit from Zootopia where everything is all fine and everything.

01:09:35.455 --> 01:09:37.658
[SPEAKER_05]: Then you realize it's not fine.

01:09:38.019 --> 01:09:39.060
[SPEAKER_04]: That's what you reminds me of.

01:09:39.961 --> 01:09:41.903
[SPEAKER_00]: Oh, because you compared to Zootopia.

01:09:44.406 --> 01:09:46.228
[SPEAKER_04]: It's a perfect analogy, at least in my mind.

01:09:46.529 --> 01:09:48.471
[SPEAKER_00]: I'm absolutely you're not wrong.

01:09:48.591 --> 01:09:50.113
[SPEAKER_00]: I just wind it fast.

01:09:52.405 --> 01:10:00.923
[SPEAKER_05]: Emolution man the zoo to be a day, but you know, uh, didn't we talked about the VR thing of us thing into myself.

01:10:00.983 --> 01:10:02.065
[SPEAKER_05]: What if that there's lagging?

01:10:02.606 --> 01:10:12.186
[SPEAKER_05]: When it was if she blames him for coming to early and there's like a lag, so just their VR bodies just stay there the whole time or what?

01:10:12.841 --> 01:10:14.903
[SPEAKER_04]: I mean, that's the only thing to do with technology.

01:10:14.923 --> 01:10:16.044
[SPEAKER_04]: Don't get technology.

01:10:16.124 --> 01:10:16.865
[SPEAKER_04]: That's our baby.

01:10:16.925 --> 01:10:17.486
[SPEAKER_04]: It wasn't me.

01:10:17.546 --> 01:10:18.286
[SPEAKER_04]: There was a lag.

01:10:18.827 --> 01:10:19.207
[SPEAKER_01]: Right.

01:10:19.267 --> 01:10:23.251
[SPEAKER_05]: Imagine up because we always outrage whenever there's lag in our video games, right?

01:10:23.512 --> 01:10:24.413
[SPEAKER_05]: It's like, it's not me.

01:10:24.573 --> 01:10:25.313
[SPEAKER_05]: It was lagging.

01:10:26.995 --> 01:10:27.556
[SPEAKER_00]: I'm sorry, baby.

01:10:27.576 --> 01:10:28.296
[SPEAKER_00]: I'm just buffering.

01:10:28.336 --> 01:10:28.697
[SPEAKER_00]: Sorry.

01:10:28.817 --> 01:10:32.020
[SPEAKER_05]: There was a connection.

01:10:32.060 --> 01:10:35.784
[SPEAKER_05]: I should have upgraded to the other pro plan instead of this basic plan.

01:10:35.984 --> 01:10:37.466
[SPEAKER_05]: That's all I could afford is 3G.

01:10:38.026 --> 01:10:38.967
[SPEAKER_05]: I'm sorry.

01:10:40.212 --> 01:10:42.034
[SPEAKER_00]: I'm sorry, this has been interrupted by an ad.

01:10:42.214 --> 01:10:43.676
[SPEAKER_00]: Just hold on for a second.

01:10:43.916 --> 01:10:46.058
[SPEAKER_00]: 18, 18, 18, 18, 18, 18, 18.

01:10:48.161 --> 01:10:49.122
[SPEAKER_00]: What are you doing?

01:10:49.142 --> 01:10:53.326
[SPEAKER_00]: Wait, we now interrupt this love make you session for a quick word from the Jolly Green Giant.

01:10:54.288 --> 01:10:55.749
[SPEAKER_00]: Good things from the valley.

01:11:00.014 --> 01:11:00.134
[UNKNOWN]: Uh-uh.

01:11:00.154 --> 01:11:00.254
[SPEAKER_04]: Yeah.

01:11:00.274 --> 01:11:00.374
[SPEAKER_04]: Yeah.

01:11:00.394 --> 01:11:01.956
[SPEAKER_05]: And we're right back into the action.

01:11:04.639 --> 01:11:05.600
[SPEAKER_05]: It's what happened, I'm sorry.

01:11:05.660 --> 01:11:10.185
[SPEAKER_05]: I didn't pay my premium.

01:11:11.971 --> 01:11:29.895
[SPEAKER_05]: But unless you hear game freakness as also the Simon set up, they may no sense to me, Simon says, oh yeah, oh yeah, also the Simon says only minor script annoyances with some of the one liners in this movie, but I mean,

01:11:29.875 --> 01:11:32.278
[SPEAKER_00]: you're looking for action dialogue.

01:11:32.298 --> 01:11:37.464
[SPEAKER_00]: You're looking for something that would sound natural coming near to the most of us are still low in and Wesley Snipes.

01:11:37.524 --> 01:11:41.349
[SPEAKER_00]: And sometimes it's going to lean into like the the corny one liners.

01:11:41.549 --> 01:11:44.252
[SPEAKER_00]: I still think Sandra Bullock gets the best lines in this film.

01:11:44.272 --> 01:11:44.713
[SPEAKER_05]: I do too.

01:11:44.873 --> 01:11:45.574
[SPEAKER_05]: I think so too.

01:11:45.694 --> 01:11:47.737
[SPEAKER_05]: She is the MVP of this movie.

01:11:48.297 --> 01:11:49.018
[SPEAKER_00]: Oh, absolutely.

01:11:49.138 --> 01:11:49.299
[SPEAKER_00]: Yeah.

01:11:49.319 --> 01:11:54.865
[SPEAKER_05]: When it comes, I know you do the MVP, but I'm giving her I'm actually going to give her the MVP one.

01:11:54.885 --> 01:11:55.426
[SPEAKER_05]: Right.

01:11:55.746 --> 01:11:57.148
[SPEAKER_05]: She's just she's just great.

01:11:57.736 --> 01:12:02.368
[SPEAKER_05]: But I think the fact of his, they're trying to play up the narrative of, oh, his name is Simon.

01:12:02.588 --> 01:12:04.694
[SPEAKER_05]: So let's go ahead and put in Simon's says.

01:12:05.195 --> 01:12:06.097
[SPEAKER_05]: I think it would be funny.

01:12:06.138 --> 01:12:11.952
[SPEAKER_05]: It's kind of like having Michael Bay right your script for you because he thinks he's the most funny as person at the barbecue, when he's not.

01:12:12.674 --> 01:12:14.158
[SPEAKER_05]: But anyways.

01:12:14.138 --> 01:12:20.588
[SPEAKER_05]: Um, but yeah, and then after that, we have anticipated that Phoenix will attempt to secure firearms.

01:12:20.688 --> 01:12:22.591
[SPEAKER_05]: Luckily, okay, so we already talked about that.

01:12:22.992 --> 01:12:42.222
[SPEAKER_05]: Yeah, so then Spartan and Huxley witnessed the exchange on security cameras and reviewed that Psycho prison records and discovered that Phoenix's rehabilitation program was tailored by Psycho to make him even more dangerous than he was in 1980, so it's a pretty

01:12:42.202 --> 01:12:54.760
[SPEAKER_05]: And we also talked about the fact that he's targeting persuasive psychos release additional cyber cyber prisoners for his gang and leads them into an underground pursuit friendly.

01:12:55.162 --> 01:13:24.662
[SPEAKER_05]: having previously encountered the straps turning a food raid at a restaurant's Spartan and Huxley venture underground and safe friendly from an assassination attempt by Phoenix Phoenix taunts Spartan with the revelation that he had frames Spartan for the that's in 1996 who were already did before the building exploded Phoenix escapes to the

01:13:25.587 --> 01:13:28.371
[SPEAKER_05]: I like how we actually have the underground there now.

01:13:29.492 --> 01:13:43.111
[SPEAKER_05]: It kind of reminds me of Super Mario Brothers movie a little bit, but I like how there's a rat burger and he's like, oh, is that, yeah, you've ever seen any cows around here, just what is this?

01:13:43.331 --> 01:13:44.593
[SPEAKER_05]: And she goes, it's a rat burger.

01:13:48.518 --> 01:13:49.980
[SPEAKER_00]: At least there's no making beer.

01:13:50.020 --> 01:13:50.621
[SPEAKER_00]: So that's good.

01:13:51.322 --> 01:13:51.542
[SPEAKER_00]: Right.

01:13:51.582 --> 01:13:52.002
[SPEAKER_00]: That's it.

01:13:52.022 --> 01:13:52.964
[SPEAKER_00]: Well, is it though?

01:13:53.725 --> 01:13:54.666
[SPEAKER_05]: It could be piss.

01:13:56.097 --> 01:13:56.918
[SPEAKER_00]: it's so bud.

01:13:57.819 --> 01:13:58.019
[SPEAKER_05]: Yeah.

01:13:58.119 --> 01:13:58.980
[SPEAKER_00]: It could be the same.

01:13:59.300 --> 01:13:59.920
[SPEAKER_00]: It could be the same.

01:13:59.981 --> 01:14:00.941
[SPEAKER_00]: It could be the same.

01:14:01.702 --> 01:14:04.785
[SPEAKER_05]: Well, you know, it could be the same Mexican beer that we had from Desperado.

01:14:06.366 --> 01:14:06.687
[SPEAKER_00]: Fair.

01:14:08.428 --> 01:14:09.489
[SPEAKER_00]: I just love the fact.

01:14:09.589 --> 01:14:16.496
[SPEAKER_00]: And when they get to, you know, they spot the car, you know, that that gorgeous car, right?

01:14:16.836 --> 01:14:21.881
[SPEAKER_00]: And then Edgar pops up with all of his, his little minions there and they, they're holding the guns and everyone.

01:14:21.901 --> 01:14:23.522
[SPEAKER_00]: If you look very closely,

01:14:24.869 --> 01:14:32.417
[SPEAKER_00]: Right beside, not right beside, but like round, Edgar Friendly in that scene is a very young Jack Black.

01:14:33.819 --> 01:14:35.661
[SPEAKER_00]: I didn't even notice Jack to be on.

01:14:35.681 --> 01:14:36.301
[SPEAKER_00]: He's in there.

01:14:36.362 --> 01:14:43.710
[SPEAKER_00]: You only really see him from the side angle where Friendly's kind of holding the gun on Spartan and they're kind of having this phase up.

01:14:43.750 --> 01:14:46.212
[SPEAKER_00]: Yeah, you have a very young Jack Black in that scene.

01:14:46.232 --> 01:14:48.895
[SPEAKER_00]: He's got no lines, but he's there.

01:14:48.915 --> 01:14:50.177
[SPEAKER_05]: Oh, wow.

01:14:50.257 --> 01:14:54.201
[SPEAKER_05]: I'm gonna have to look very closely at that scene because I never noticed that before.

01:14:54.434 --> 01:14:58.318
[SPEAKER_00]: See, you have another reason to go watch Demolition Man in 4K.

01:14:58.879 --> 01:15:00.741
[SPEAKER_00]: Right, maybe in 4K I'll actually know.

01:15:01.001 --> 01:15:04.365
[SPEAKER_00]: But I didn't even notice.

01:15:04.805 --> 01:15:16.438
[SPEAKER_00]: Yeah, but there's the other thing too, is that, you know, this whole scene, we saw it earlier, of course, with the rate on the Taco Bell, and he was fighting them and all that, and he'd realize that they're just trying to steal food.

01:15:16.858 --> 01:15:20.222
[SPEAKER_00]: You know, and Spartans like, well, you're just hungry.

01:15:20.202 --> 01:15:20.522
[SPEAKER_00]: Right.

01:15:20.542 --> 01:15:23.866
[SPEAKER_00]: So this is where we get to see the humanity of John Spartan.

01:15:23.886 --> 01:15:30.652
[SPEAKER_00]: This isn't just, you know, guns ablaze and gung-ho laser focus just on Simon Phoenix.

01:15:30.672 --> 01:15:37.459
[SPEAKER_00]: You know, he understands that when people are hungry, people are starving, then they're going to do what they need in order to be able to eat.

01:15:37.799 --> 01:15:39.641
[SPEAKER_00]: So he doesn't hate the scraps.

01:15:39.841 --> 01:15:41.422
[SPEAKER_00]: He doesn't really hate anybody.

01:15:41.443 --> 01:15:49.230
[SPEAKER_00]: He's still a copy,

01:15:49.210 --> 01:15:52.215
[SPEAKER_00]: kind of siding with Edgar Friendly makes sense.

01:15:52.255 --> 01:15:56.603
[SPEAKER_00]: Also, it's one of those the enemy of my enemy is my friend or at least my not my enemy.

01:15:57.605 --> 01:15:57.985
[SPEAKER_05]: Exactly.

01:15:58.045 --> 01:16:02.413
[SPEAKER_05]: I can see that and he has no reason or no beef with this man.

01:16:02.453 --> 01:16:04.857
[SPEAKER_05]: He's just trying to protect him from getting killed.

01:16:05.528 --> 01:16:19.132
[SPEAKER_05]: because of the fact that he wants to live underground and he's trying to make his people survive by having food and when you don't have food, you're going to do any means necessary like you said to survive and they're nothing funny or dangerous.

01:16:19.313 --> 01:16:29.511
[SPEAKER_05]: I felt someone trying to survive to actually help their families, especially when you're living underground because you because who knows, maybe because of the fact that this

01:16:29.491 --> 01:16:32.215
[SPEAKER_05]: the topia future, took away their homes.

01:16:32.575 --> 01:16:34.278
[SPEAKER_05]: So now they're forced to live underground.

01:16:34.658 --> 01:16:39.685
[SPEAKER_05]: That's also another possibility, and this man happens to be their leader to help them through this.

01:16:40.206 --> 01:16:49.018
[SPEAKER_05]: Just as psychedote is the man upstairs to be able to help other people, because the destruction of this earthquake that happened in 2010.

01:16:49.505 --> 01:16:50.146
[SPEAKER_00]: Exactly.

01:16:50.787 --> 01:16:52.489
[SPEAKER_00]: Also, we get to this scene, right?

01:16:52.929 --> 01:16:59.678
[SPEAKER_00]: Minus the Dennis Leary straight from his stand up routine rant that he goes on, which is kind of the reason why he got the role in the first place.

01:17:00.719 --> 01:17:02.762
[SPEAKER_00]: It's after that rant, right?

01:17:02.802 --> 01:17:06.166
[SPEAKER_00]: And you enjoy it because we all remember the asshole song, right?

01:17:06.227 --> 01:17:08.209
[SPEAKER_00]: It was a great song with that rant in it.

01:17:08.529 --> 01:17:11.493
[SPEAKER_00]: But then you get to see the actual Dennis Leary acting.

01:17:11.694 --> 01:17:13.997
[SPEAKER_00]: The whole, like I'm not a leader, kind of seen.

01:17:14.437 --> 01:17:15.158
[SPEAKER_00]: That's

01:17:15.813 --> 01:17:19.398
[SPEAKER_00]: It's a reminder of this, Larry is actually a really, really good actor.

01:17:19.839 --> 01:17:21.602
[SPEAKER_00]: The ref is one of those.

01:17:22.082 --> 01:17:25.327
[SPEAKER_00]: Yes, Louise that has a lot more heart than you expect out of him.

01:17:25.788 --> 01:17:32.177
[SPEAKER_00]: Obviously, there was the rescue meat TV series that he was a part of being in the Mason Spider-Man.

01:17:32.197 --> 01:17:34.721
[SPEAKER_00]: You know, he is a really good actor.

01:17:35.021 --> 01:17:41.010
[SPEAKER_00]: And when given those moments, he really brings it with the dramatic acting.

01:17:41.513 --> 01:17:42.254
[SPEAKER_05]: He really does.

01:17:42.314 --> 01:17:44.538
[SPEAKER_05]: He knows how to actually do dramatic roles.

01:17:44.579 --> 01:17:44.919
[SPEAKER_05]: Only that.

01:17:44.939 --> 01:17:48.586
[SPEAKER_05]: But there was also this other romantic comedy or that he was in the 90s as well.

01:17:49.367 --> 01:17:57.021
[SPEAKER_05]: Where they're from Boston, him and his girlfriend are trying to our trying to escape because I think either the mob is after them or they're.

01:17:57.702 --> 01:18:00.788
[SPEAKER_05]: Was the two if by C. Yep, two if I see.

01:18:01.325 --> 01:18:04.792
[SPEAKER_05]: That was also one of my other favorite ones, but the riff, no one talks about the riff dude.

01:18:05.313 --> 01:18:06.415
[SPEAKER_05]: I love the riff!

01:18:07.177 --> 01:18:07.558
[SPEAKER_05]: Me too.

01:18:07.758 --> 01:18:08.901
[SPEAKER_05]: I wanna review that movie.

01:18:09.923 --> 01:18:13.891
[SPEAKER_05]: It's a Christmas time with you, because it's underrated, everybody talks about the Santa Claus.

01:18:13.931 --> 01:18:14.973
[SPEAKER_05]: They talk about everything else.

01:18:15.334 --> 01:18:18.140
[SPEAKER_05]: They're the only ones that I know of, that mention that movie.

01:18:18.841 --> 01:18:20.785
[SPEAKER_05]: So I'm happy that you mentioned that.

01:18:20.849 --> 01:18:25.443
[SPEAKER_00]: Oh, Christmas time we will tell you about the raf I will be here with Slay Bells on.

01:18:26.045 --> 01:18:27.348
[SPEAKER_00]: Yes, I want to see that.

01:18:27.830 --> 01:18:27.950
[SPEAKER_05]: Right.

01:18:28.652 --> 01:18:29.535
[SPEAKER_05]: Yeah, you're absolutely right.

01:18:29.555 --> 01:18:32.243
[SPEAKER_05]: There's a reason why Dennis Larry is in this movie.

01:18:32.594 --> 01:18:57.191
[SPEAKER_05]: He's great with his comedic timing, not only is he great with his comedic timing, but he's also great at being able to ramble off his lines and also make us care about him at the same time and realize, oh, this is not a lear, this is someone that's just trying to provide for other people, even though they may look to him as a lear, he doesn't see himself as exactly, he's he's desperate, everyone underground is desperate.

01:18:59.314 --> 01:19:01.858
[SPEAKER_05]: Exactly, they're just desperate enough to survive.

01:19:02.024 --> 01:19:05.287
[SPEAKER_05]: You know, and that's all they can want to do is try and survive this thing.

01:19:06.108 --> 01:19:14.037
[SPEAKER_05]: But yeah, a freaky gamer game Freakness do me a favor email me at movie loves unite at gmail.com and we'll try and set something up.

01:19:14.057 --> 01:19:15.158
[SPEAKER_05]: That's the way you come on the show.

01:19:15.498 --> 01:19:16.359
[SPEAKER_05]: We'll be glad to have you.

01:19:17.120 --> 01:19:27.711
[SPEAKER_05]: But yeah, I just think that he actually a body's this guy that is just trying to do good first people, as even though his people also sees up over.

01:19:28.636 --> 01:19:28.996
[SPEAKER_00]: Mm-hmm.

01:19:29.017 --> 01:19:36.006
[SPEAKER_00]: And that's the other thing too, is that just the very demeanor from John Spartan towards, again, for Edgar Friendly, right?

01:19:36.427 --> 01:19:39.871
[SPEAKER_00]: It allows, like Benjamin Brath's character to kind of relax a little bit.

01:19:39.891 --> 01:19:43.717
[SPEAKER_00]: It allows Lillina Huxley to relax a little bit, right?

01:19:44.057 --> 01:19:50.866
[SPEAKER_00]: Because if Spartans not concerned, they shouldn't be exactly.

01:19:51.207 --> 01:19:52.969
[SPEAKER_05]: There's no danger.

01:19:53.210 --> 01:19:54.391
[SPEAKER_05]: There's nothing to worry about.

01:19:54.411 --> 01:19:55.673
[SPEAKER_05]: Mm-hmm.

01:19:56.834 --> 01:20:01.944
[SPEAKER_05]: Then we also find out, too, that Simon is actually doing martial arts.

01:20:01.984 --> 01:20:04.068
[SPEAKER_05]: He's computer hacking as knowledge.

01:20:04.148 --> 01:20:09.058
[SPEAKER_05]: And meanwhile, you have Spartan who ends up getting something for Huxley.

01:20:09.439 --> 01:20:12.605
[SPEAKER_05]: And he's like, wait, I ended up getting this.

01:20:12.865 --> 01:20:18.336
[SPEAKER_05]: And this guy gets to be martial artists and gets to go around hacking stuff.

01:20:18.316 --> 01:20:21.380
[SPEAKER_05]: He got the shit in the stick on that.

01:20:21.400 --> 01:20:22.662
[SPEAKER_00]: He Spartan gets to knit.

01:20:23.203 --> 01:20:25.646
[SPEAKER_00]: He gets the big sweaters and scarves.

01:20:26.487 --> 01:20:36.181
[SPEAKER_00]: But to the same token as well, that would be something that would probably be in the cocktail plan version of the rehabilitation program, right?

01:20:36.261 --> 01:20:39.345
[SPEAKER_00]: It's one of those things where what's a great

01:20:39.325 --> 01:20:48.704
[SPEAKER_00]: calm, passive kind of thing that you could actually teach someone and then they would be useful in society.

01:20:48.945 --> 01:20:50.849
[SPEAKER_00]: Knitting's good and passive, that would do.

01:20:51.610 --> 01:20:51.771
[SPEAKER_05]: Right.

01:20:52.372 --> 01:20:55.939
[SPEAKER_05]: The calm him down to make him not want to kill anybody.

01:20:57.082 --> 01:20:57.182
[UNKNOWN]: Yeah.

01:20:57.517 --> 01:21:13.770
[SPEAKER_05]: You know, and I like the like when you're singing and knit right he doesn't know how he's knitting, but he's just knitting as he's watching this thing go down where you actually say toe and Phoenix and he's just knitting and he's acting like he's done this forever.

01:21:15.623 --> 01:21:19.993
[SPEAKER_00]: Yeah, watch the security camera footage and yeah, it's it's very much muscle memory at that point.

01:21:20.474 --> 01:21:25.867
[SPEAKER_00]: It's like any musician who has played a song a hundred of times and they don't have to look at there.

01:21:25.907 --> 01:21:27.190
[SPEAKER_00]: They're guitar anymore.

01:21:27.230 --> 01:21:29.274
[SPEAKER_00]: The fingers know where to go.

01:21:29.675 --> 01:21:33.885
[SPEAKER_00]: Like he know is what he's doing subconsciously.

01:21:35.148 --> 01:21:50.962
[SPEAKER_05]: Exactly, because he feels like he's natural to him that there actually feels like that he's done this all his life, even though we hasn't done it just has Phoenix has been hacking and he doesn't know how he's hacking, but he knows how to whip because he's flexing that muscle and his brain that's been implanted there.

01:21:51.262 --> 01:22:03.433
[SPEAKER_05]: So yeah.

01:22:06.198 --> 01:22:08.360
[SPEAKER_05]: a luminate on a luminate off.

01:22:11.483 --> 01:22:14.125
[SPEAKER_00]: But he's so giddy in that scene too.

01:22:14.185 --> 01:22:21.552
[SPEAKER_00]: Like he's just enjoying like seeing that chair and just having the upper hand on everybody in everything in luminate.

01:22:22.393 --> 01:22:25.235
[SPEAKER_05]: I just love that because he knows he can hack into stuff.

01:22:25.255 --> 01:22:29.179
[SPEAKER_05]: So because he's a hacker, he just hacks into anything because he knows he can do it.

01:22:30.400 --> 01:22:35.665
[SPEAKER_05]: So why not mess with Alexa's lights?

01:22:37.400 --> 01:22:51.580
[SPEAKER_05]: But yeah, I definitely like this whole tie-back and fourth thing, and then you also have Saito-Wazah releasing the additional SIO prisoners for the gang and leads them underground, like we said.

01:22:51.620 --> 01:22:57.068
[SPEAKER_05]: And then we have, actually, ventures underground and saves from leave from an assassination attempt.

01:22:57.609 --> 01:23:00.353
[SPEAKER_05]: Phoenix Todd's Spartan,

01:23:00.333 --> 01:23:06.743
[SPEAKER_05]: So now we're unable to harm Psycho, Phoenix has gang members kill him instead, which is smart.

01:23:07.184 --> 01:23:11.671
[SPEAKER_05]: So let's go ahead, use this stuff against him and when I want.

01:23:13.073 --> 01:23:14.936
[SPEAKER_05]: And get these gang members to kill him.

01:23:15.277 --> 01:23:16.980
[SPEAKER_05]: So that way, I touch him.

01:23:17.681 --> 01:23:27.336
[SPEAKER_00]: This reminds me of a sea for one of my, um, one of those movies that that kind of low key is on my, I'll watch it any time list sneakers.

01:23:27.502 --> 01:23:31.369
[SPEAKER_00]: There's this cool thing off such a good movie, but it is.

01:23:31.429 --> 01:23:33.051
[SPEAKER_00]: It's one of those kind of under the radar ones.

01:23:33.112 --> 01:23:36.798
[SPEAKER_00]: It's not going to jump off your DVD shelf or I'd add you.

01:23:36.818 --> 01:23:40.724
[SPEAKER_00]: Like, I don't think anyone goes down and says, I really need to see sneakers this week.

01:23:40.744 --> 01:23:43.149
[SPEAKER_00]: But if it's on, you're like, hey, I don't mind watching sneakers.

01:23:43.569 --> 01:23:50.882
[SPEAKER_00]: Whether there's this scene where Ben Kingsley is, you know, has people kind of locked in a room and kind of things.

01:23:50.982 --> 01:23:52.885
[SPEAKER_00]: I can't kill my friend.

01:23:53.050 --> 01:23:57.494
[SPEAKER_00]: Joe, my friend, just like, that's basically the scene.

01:23:57.534 --> 01:23:59.016
[SPEAKER_05]: It really is.

01:23:59.036 --> 01:24:00.697
[SPEAKER_05]: It's like, I'm not going to kill you, right?

01:24:01.138 --> 01:24:04.501
[SPEAKER_05]: It also kind of reminds me of Scarface a little bit, because I'm not going to kill you.

01:24:05.642 --> 01:24:06.543
[SPEAKER_02]: I'm not going to kill you free.

01:24:07.524 --> 01:24:08.285
[SPEAKER_05]: He's going to kill you.

01:24:09.466 --> 01:24:10.727
[SPEAKER_05]: And then he was, I'm killing him.

01:24:10.747 --> 01:24:13.410
[SPEAKER_05]: But I like to mentally win because it makes me laugh.

01:24:14.471 --> 01:24:17.394
[SPEAKER_05]: And also the delivery of the line of, I'm not going to kill my friend.

01:24:18.435 --> 01:24:19.716
[SPEAKER_05]: I'm going to get him to do it.

01:24:19.865 --> 01:24:43.932
[SPEAKER_05]: So I like I like that a lot better than Starface, but it's also not a late 80s early 90s action film of Jesse Ventura isn't it isn't it's true, but then also to now we have now where spark basically if you think about it, Phoenix is like, no, what I have side toes, then with me now, which is also.

01:24:45.177 --> 01:24:53.533
[SPEAKER_05]: I and I'm going to go ahead and I'm going to get him to use this technology and guess what now we're going to go on ahead and we're going to take down this whole entire city.

01:24:54.762 --> 01:25:00.070
[SPEAKER_05]: Now you actually see the chaos now that I'm actually and now remembered and sort of things too.

01:25:00.590 --> 01:25:03.014
[SPEAKER_05]: I'm like, it actually makes sense for that to be the climax of it.

01:25:03.234 --> 01:25:07.661
[SPEAKER_05]: Like, okay, I got the one guy that was in my way from doing harm to this whole entire city.

01:25:08.141 --> 01:25:12.568
[SPEAKER_05]: Now I can actually do harm to that city and no one's gonna stop me other than John Spartan.

01:25:13.028 --> 01:25:24.465
[SPEAKER_05]: So I wouldn't doubt if it was gonna replay again where something's gonna happen to John Spartan again and he has to be frozen.

01:25:25.508 --> 01:25:29.674
[SPEAKER_00]: Yeah, so gone is the actual source of the voice in his head.

01:25:30.075 --> 01:25:37.727
[SPEAKER_00]: You know, Dr. Cockto is now a char baby, you know, roasting gently by the open fire.

01:25:37.747 --> 01:25:43.095
[SPEAKER_00]: And you have to think that the death of Cockto

01:25:43.075 --> 01:25:46.759
[SPEAKER_00]: and the subliminal voice in the head to basically deal with Edgar Friendly.

01:25:47.100 --> 01:25:49.623
[SPEAKER_00]: That doesn't mean he's not still going to want to deal with Edgar Friendly.

01:25:49.663 --> 01:25:55.650
[SPEAKER_00]: That's probably still kind of programmed with in him and will probably still stay there until he actually does deal with them.

01:25:55.670 --> 01:26:00.275
[SPEAKER_00]: But there's nothing stopping him from actually doing it his way at this point.

01:26:00.295 --> 01:26:04.380
[SPEAKER_00]: So yeah, of course he's going to bust his buddies out of cryoperson.

01:26:04.400 --> 01:26:06.282
[SPEAKER_00]: Of course he's going to find

01:26:06.413 --> 01:26:10.597
[SPEAKER_00]: the worst of the worse because that is what the Joker would do.

01:26:11.158 --> 01:26:22.309
[SPEAKER_00]: And if he's basically this world's Joker, then absolutely he made the kind of person to bust out like the likes of like a clay face and the ridler and the penguin and all those kind of characters from his from Arkham asylum.

01:26:22.349 --> 01:26:26.113
[SPEAKER_00]: So this is basically, sorry, basically that kind of scene right there.

01:26:27.174 --> 01:26:27.814
[SPEAKER_05]: I can see that.

01:26:28.014 --> 01:26:31.678
[SPEAKER_05]: That's actually makes sense though with him breaking out of

01:26:32.013 --> 01:26:35.437
[SPEAKER_05]: breaking the amount of like arcom and stuff so that doesn't make sense.

01:26:36.058 --> 01:26:43.367
[SPEAKER_05]: But also like how I know that we got this one part where he thought where John's farm was going to be not with Saito and talk to him.

01:26:43.667 --> 01:26:49.674
[SPEAKER_05]: And he wants to have shooting his gun in the in that area and just kills all the TVs.

01:26:50.055 --> 01:27:00.147
[SPEAKER_05]: And then you see this is the zinc character, which we know well, where was the character saying you said?

01:27:01.038 --> 01:27:08.873
[SPEAKER_05]: So it makes me laugh on that part, but, you know, so to know that he's going to be the one to help Phoenix.

01:27:09.194 --> 01:27:10.356
[SPEAKER_05]: I just think that's hilarious.

01:27:10.376 --> 01:27:12.040
[SPEAKER_05]: He'll just attach himself to anybody.

01:27:12.280 --> 01:27:13.041
[SPEAKER_05]: He doesn't care.

01:27:13.062 --> 01:27:17.410
[SPEAKER_05]: We attach himself onto as long as he's saving his own ass.

01:27:17.727 --> 01:27:31.317
[SPEAKER_00]: Yeah, so Zimbabwe's an interesting character because in a society that's so utopic where everyone has their place and everyone has a job and everyone is supposed to feel good.

01:27:31.357 --> 01:27:36.529
[SPEAKER_00]: And again, we saw it earlier with the guy doing the daily affirmations at the computer terminal.

01:27:36.509 --> 01:27:46.897
[SPEAKER_00]: and you have Lenin Huxley, who's unhappy with the lack of adventure, and then you have a associate, Bob, who doesn't really feel like anything unless he's actually serving somebody.

01:27:47.298 --> 01:27:51.970
[SPEAKER_00]: So the cocktail plan for lack of a better term,

01:27:51.950 --> 01:28:03.844
[SPEAKER_00]: You know, this utopic society where everyone has their place and everyone's happy and and everyone's sitting in care of, well, it's just not if you have people living on a ground who are starving and they are raiding Taco Bells for food.

01:28:04.325 --> 01:28:14.937
[SPEAKER_00]: If you have people who live above ground, but don't feel fulfilled and don't feel like a part of the actual societal plan,

01:28:15.271 --> 01:28:19.835
[SPEAKER_00]: It's a facade is basically what this utopic society is like.

01:28:20.296 --> 01:28:23.799
[SPEAKER_00]: And there's this underlying sadness.

01:28:24.319 --> 01:28:33.628
[SPEAKER_00]: Not an anger, not a destructive need to break free from the confines of not being able to give a high five properly.

01:28:34.128 --> 01:28:36.510
[SPEAKER_00]: You know, there's just an underlying sadness.

01:28:37.151 --> 01:28:45.278
[SPEAKER_00]: And Simon Phoenix then becomes almost the, you know, the unleasher of more of that.

01:28:45.258 --> 01:28:55.255
[SPEAKER_00]: We're talking about someone who probably has absolute zero self-esteem in zero self-worth unless he is, you know, someone's lucky.

01:28:56.137 --> 01:28:56.658
[SPEAKER_05]: Exactly.

01:28:56.698 --> 01:29:06.554
[SPEAKER_05]: Who can't think for himself or anything like that, he finds himself weak, but yet if he's around someone like Cyto, he feels powerful, just as powerful as he does.

01:29:08.297 --> 01:29:10.962
[SPEAKER_05]: Then we actually had the climax of the film now.

01:29:11.347 --> 01:29:32.308
[SPEAKER_05]: So Spartan incapitates Huxley for her safety and fights Phoenix breaking a vile of Ciro, Genic, chemical that rapidly freezes Phoenix's body, solids, Spartan kicks his head off, shattering it in escapes as the uncontrolled quick-freezing effect triggered the in explosion that destroys the Ciro prison.

01:29:32.709 --> 01:29:39.936
[SPEAKER_05]: The police fear that the loss of Cito in the Ciro prison will end society as they know it.

01:29:39.916 --> 01:29:50.494
[SPEAKER_05]: but it's part and suggest that they end the scraps for a parade to combine the best aspects of order and personal freedom, e. Kisses, hoxley, and they leave together.

01:29:50.514 --> 01:30:03.156
[SPEAKER_00]: Yeah, so this is the interesting thing too, and this just goes to show the fragility of the society, because cocktos dead,

01:30:03.575 --> 01:30:04.496
[SPEAKER_00]: but they're leaderless.

01:30:05.217 --> 01:30:06.840
[SPEAKER_00]: You know, associate Bob is going to take control.

01:30:06.920 --> 01:30:08.623
[SPEAKER_00]: And that's not going to happen, you know.

01:30:09.203 --> 01:30:22.343
[SPEAKER_00]: And you see the captain who's really prior to this scene, you know, he was, you know, rough and calling John Spartan of Barbarian and really kind of,

01:30:22.525 --> 01:30:23.747
[SPEAKER_00]: Snoody, but the whole thing.

01:30:24.268 --> 01:30:26.071
[SPEAKER_00]: You can't really say he's angry or mad.

01:30:26.091 --> 01:30:27.874
[SPEAKER_00]: He's just Snoody, because that's what he would be.

01:30:28.435 --> 01:30:33.623
[SPEAKER_00]: But the minute he realizes that Cocoa's gone, which means their government is basically gone.

01:30:33.643 --> 01:30:35.086
[SPEAKER_00]: Their leadership is gone.

01:30:35.867 --> 01:30:38.832
[SPEAKER_00]: It's almost like saying, Angela, it's kind of like a cult, right?

01:30:39.273 --> 01:30:40.635
[SPEAKER_00]: What do you do?

01:30:40.666 --> 01:30:53.882
[SPEAKER_00]: You know, the very figure head that you all put so high up on this pedestal of leading the way into a idealic future is gone and.

01:30:54.588 --> 01:30:55.269
[SPEAKER_00]: They're lost.

01:30:55.790 --> 01:30:56.430
[SPEAKER_00]: They don't know.

01:30:56.450 --> 01:31:01.697
[SPEAKER_05]: They're just as lost as, they're just as lost as a, as a, as a lackey, because that was like what do we do?

01:31:01.737 --> 01:31:02.939
[SPEAKER_05]: We can't think for ourselves.

01:31:03.419 --> 01:31:06.283
[SPEAKER_05]: So now we have to figure out who will, who we latch on to.

01:31:06.964 --> 01:31:07.064
[SPEAKER_00]: Yeah.

01:31:07.084 --> 01:31:11.129
[SPEAKER_00]: And now, yeah, which also makes you wonder exactly how lost with the people after the earthquake.

01:31:12.051 --> 01:31:22.384
[SPEAKER_00]: Again, it really does pose a lot of really interesting questions as to what society would be like, if, everything they knew, like, if everything had a broke down.

01:31:22.364 --> 01:31:23.646
[SPEAKER_00]: did society break down.

01:31:23.967 --> 01:31:25.509
[SPEAKER_00]: You know, they kind of alluded to it.

01:31:26.070 --> 01:31:41.436
[SPEAKER_00]: You know, when they were talking with Taco Bell, when Caucta was explaining what happened after the earthquake, they alluded to society was was in a rough spot, even the the basement scene at the at the museum that shows this,

01:31:42.614 --> 01:31:50.345
[SPEAKER_00]: Basically destroyed little street corner with broken cars and stores with, you know, the gates up in front of it.

01:31:50.906 --> 01:31:54.732
[SPEAKER_00]: It shows what probably happened after the 2010 earthquake.

01:31:56.034 --> 01:32:03.525
[SPEAKER_00]: That's again, that's a fascinating era of this movie that I think could be explored.

01:32:03.505 --> 01:32:07.091
[SPEAKER_00]: through literature, through novels, through expanding the universe.

01:32:08.073 --> 01:32:12.580
[SPEAKER_00]: But I say that knowing that I also don't want to demolish in two, or demolish them into.

01:32:12.640 --> 01:32:13.201
[SPEAKER_00]: I really don't.

01:32:13.221 --> 01:32:16.387
[SPEAKER_05]: Even though they are planning on it, they are planning on a demolition man too.

01:32:16.828 --> 01:32:17.809
[SPEAKER_05]: I don't want one though.

01:32:17.970 --> 01:32:24.180
[SPEAKER_05]: And, and having Wesley Snipes come back, I'm like, how the hell do you get Wesley Snipes come back from that?

01:32:25.257 --> 01:32:25.899
[SPEAKER_00]: Exactly.

01:32:25.939 --> 01:32:29.290
[SPEAKER_00]: There are some movies that don't need a sequel.

01:32:29.792 --> 01:32:30.574
[SPEAKER_00]: They just don't.

01:32:31.036 --> 01:32:33.243
[SPEAKER_05]: This is a perfect as a one-off and that's it.

01:32:33.764 --> 01:32:38.018
[SPEAKER_05]: It was a movie that knew what its identity, knew what it was, knew its target audience.

01:32:38.437 --> 01:32:40.659
[SPEAKER_05]: and made money back then.

01:32:40.859 --> 01:32:43.222
[SPEAKER_05]: This movie is not going to do well.

01:32:43.242 --> 01:32:47.246
[SPEAKER_05]: We've seen movies that gets remade over 40 years and that bombs.

01:32:47.707 --> 01:32:52.551
[SPEAKER_05]: This movie is going to bomb and it's going to feel because look how old the Stallone is now.

01:32:52.812 --> 01:32:54.934
[SPEAKER_05]: Look how old Wesley Stips is now.

01:32:54.954 --> 01:32:56.796
[SPEAKER_05]: They're not in their prime like they used to.

01:32:56.876 --> 01:32:57.937
[SPEAKER_05]: Is it going to be AI?

01:32:57.957 --> 01:33:03.803
[SPEAKER_05]: It's going to be the entertainment button effect

01:33:04.390 --> 01:33:07.576
[SPEAKER_05]: I'd rather it just be this one-off and be done with it.

01:33:07.596 --> 01:33:08.398
[SPEAKER_05]: Yes, that's what it is.

01:33:08.779 --> 01:33:14.210
[SPEAKER_00]: This perfect little package of a movie that it wasn't part of a franchise.

01:33:14.510 --> 01:33:16.755
[SPEAKER_00]: You know, it wasn't part of some bigger world.

01:33:17.536 --> 01:33:21.925
[SPEAKER_00]: It's this nice little pocket of its own universe.

01:33:22.647 --> 01:33:25.352
[SPEAKER_00]: And to make a sequel,

01:33:25.332 --> 01:33:28.840
[SPEAKER_00]: You then have to sit there and say, OK, or are we focusing on Sean's partner?

01:33:28.880 --> 01:33:30.805
[SPEAKER_00]: We focusing on Simon Phoenix, obviously not.

01:33:31.186 --> 01:33:32.830
[SPEAKER_00]: Are we focusing on leaving a hook statement?

01:33:32.850 --> 01:33:34.413
[SPEAKER_00]: Sandra Bullock probably still pull it off.

01:33:35.676 --> 01:33:36.338
[SPEAKER_00]: But.

01:33:36.858 --> 01:33:38.600
[SPEAKER_00]: Well, it's good at what he's doing right now.

01:33:38.961 --> 01:33:41.604
[SPEAKER_00]: Paul, where do you go with this, right?

01:33:41.704 --> 01:33:44.708
[SPEAKER_00]: Like the idea of the demolition man is done.

01:33:45.189 --> 01:33:46.971
[SPEAKER_00]: Simon Phoenix is dead.

01:33:47.211 --> 01:33:49.995
[SPEAKER_00]: Like Terminator 2 styles dead and he's done a liquid metal man.

01:33:50.015 --> 01:33:51.016
[SPEAKER_00]: So he ain't coming back.

01:33:51.517 --> 01:33:56.824
[SPEAKER_00]: You know, this is one of those things where you have something wrapped up so nicely.

01:33:57.479 --> 01:34:00.183
[SPEAKER_00]: don't, don't come back to it for a payday.

01:34:00.243 --> 01:34:03.929
[SPEAKER_00]: Don't come back to it to milk the nostalgia cow dry.

01:34:04.851 --> 01:34:05.612
[SPEAKER_00]: Let it be.

01:34:05.652 --> 01:34:10.099
[SPEAKER_00]: If you want to re-release it in theaters, great.

01:34:10.300 --> 01:34:10.881
[SPEAKER_00]: It's perfectly fine.

01:34:11.301 --> 01:34:12.022
[SPEAKER_00]: Yeah, exactly.

01:34:12.383 --> 01:34:14.847
[SPEAKER_00]: Or if you want to do a film,

01:34:14.827 --> 01:34:29.504
[SPEAKER_00]: that is set in the post 2010 earthquake world and the the give me a give me a doctor cocktail prequel and I might actually be interested in that but don't call it demolition man.

01:34:30.044 --> 01:34:35.931
[SPEAKER_00]: No, no, make it in a way that you know the movie soldier starring Kurt Russell.

01:34:36.392 --> 01:34:40.176
[SPEAKER_00]: Yeah, it's a spiritual sequel to the original Blade Runner film.

01:34:41.573 --> 01:34:42.294
[SPEAKER_05]: That's all you need.

01:34:42.694 --> 01:34:57.731
[SPEAKER_05]: And all you can do is just do like plant like little Easter eggs or something like that that you made this film and just borrow the identity of what demolition it man is or the formula, but don't try and re do the formula that was once demolitioned.

01:34:58.431 --> 01:35:02.396
[SPEAKER_00]: Yeah, and the spell wrong you're going to you're going to mess it up.

01:35:02.836 --> 01:35:06.400
[SPEAKER_00]: And sometimes let it be one in done.

01:35:06.498 --> 01:35:07.019
[SPEAKER_05]: Exactly.

01:35:07.519 --> 01:35:08.761
[SPEAKER_05]: And I do like this ending.

01:35:08.921 --> 01:35:10.643
[SPEAKER_05]: I do like the how it everything wraps up.

01:35:10.703 --> 01:35:15.790
[SPEAKER_05]: I do like how Spartan is like, look, I'm going to go ahead and take Simon out myself.

01:35:16.371 --> 01:35:19.214
[SPEAKER_05]: I'm going to leave Huxley alone because this means way to dangerous.

01:35:19.234 --> 01:35:22.379
[SPEAKER_05]: She's not capable of taking someone down like Phoenix.

01:35:23.059 --> 01:35:25.823
[SPEAKER_05]: So I'm going to go ahead and knock her out with the baton thing that I have.

01:35:26.562 --> 01:35:33.249
[SPEAKER_05]: And then I'd do like how the frozen material is with Phoenix and how he's able to just take him down like that.

01:35:34.110 --> 01:35:36.433
[SPEAKER_05]: So I definitely like the special effects for that still.

01:35:36.813 --> 01:35:43.761
[SPEAKER_05]: So, you know, with that, I'm think I'm going to get this release of all of 10 because of how I just.

01:35:43.781 --> 01:35:49.127
[SPEAKER_00]: Yeah, I mean, if we're sitting here in, you know, 2026.

01:35:49.445 --> 01:35:56.600
[SPEAKER_00]: Saying this film is so good that you don't want anything to come after and ruin it, that tells you everything you need to know.

01:35:56.640 --> 01:35:58.443
[SPEAKER_00]: It's kind of like the princess bride, right?

01:35:58.564 --> 01:36:00.247
[SPEAKER_00]: Well, don't remake it.

01:36:00.748 --> 01:36:01.951
[SPEAKER_00]: Don't do a follow up.

01:36:02.452 --> 01:36:03.073
[SPEAKER_00]: Nothing.

01:36:03.093 --> 01:36:03.594
[SPEAKER_00]: Nothing.

01:36:03.614 --> 01:36:04.376
[SPEAKER_00]: Believe it be.

01:36:05.638 --> 01:36:06.019
[SPEAKER_05]: I agree.

01:36:06.995 --> 01:36:10.940
[SPEAKER_05]: uh, and game-freakness is actually trying to give Hollywood some ideas.

01:36:11.161 --> 01:36:14.245
[SPEAKER_05]: They cloned them and took the DNA when they implemented what he could do.

01:36:14.705 --> 01:36:18.450
[SPEAKER_05]: It's a possibility, but then you have to think of it like this.

01:36:18.831 --> 01:36:20.053
[SPEAKER_05]: Do you how do they de-age them?

01:36:20.113 --> 01:36:21.154
[SPEAKER_05]: Do you use defect?

01:36:21.214 --> 01:36:35.854
[SPEAKER_05]: Do you go ahead and make Stallone in Snipes, sign it an AI contract, where it's okay for them to use it for that one movie, and make money off of it even though they're not really in there.

01:36:36.813 --> 01:36:40.102
[SPEAKER_00]: The de-aging thing, it can be hidden mess.

01:36:40.122 --> 01:36:43.933
[SPEAKER_00]: Like in small doses, it can be okay.

01:36:44.555 --> 01:36:48.426
[SPEAKER_00]: But an overuse of it and just leaning on it,

01:36:49.030 --> 01:36:51.413
[SPEAKER_00]: I'm not too sure, right?

01:36:51.753 --> 01:36:53.555
[SPEAKER_00]: The the the cloning idea.

01:36:53.575 --> 01:36:57.680
[SPEAKER_00]: I mean, sure, you could go down a cloning road.

01:36:57.840 --> 01:37:04.508
[SPEAKER_00]: We'd be far enough into the future that that that could be a possibility to someone want to clone Simon Phoenix and bring him back.

01:37:04.688 --> 01:37:07.251
[SPEAKER_00]: I don't know why they what I have no idea.

01:37:07.291 --> 01:37:10.735
[SPEAKER_00]: But it's one of them.

01:37:11.795 --> 01:37:19.550
[SPEAKER_00]: I don't want another John Spartan being a demolishing man kind of story, but then it negates the idea of an entire demolition man, too.

01:37:20.211 --> 01:37:33.297
[SPEAKER_05]: Right, and also, too, what does the, to the hope it's future looks like, I mean, what does that look like after Or it could be a group, but either way is the defacon, which yeah, exactly, unless they're going to try and do what they're doing with.

01:37:33.412 --> 01:37:44.147
[SPEAKER_05]: For example, with Rambo, where they're trying to do a prequel movie for that and recast someone that looks like him, even though it's not and you're not going to get the same flavor that you would get if it was alone.

01:37:44.828 --> 01:37:55.943
[SPEAKER_05]: So yeah, I just say, just leave a be let it be this 34 year old movie a 40 year old movie and just enjoy it stop popcorn in your face for an hour and 40 minutes and be done.

01:37:56.193 --> 01:38:17.779
[SPEAKER_00]: Yeah, I mean, the other idea, of course, is that you have the son or daughter of Spartan and Huxley, and there were cop now, and maybe Lenina is the captain of the precinct and John Spartan is retired, and he's gone on to create a knitting symposium or whatever.

01:38:17.759 --> 01:38:23.988
[SPEAKER_00]: And you know, making sweaters for the scraps and whatnot, sure, okay, why not, right?

01:38:24.269 --> 01:38:37.268
[SPEAKER_00]: But then you have a criminal who remembers or has done their research, you know, and looks at those times like the Linina Huxley looked at those times and goes against the Utopic Society.

01:38:37.288 --> 01:38:47.563
[SPEAKER_00]: So now it's up to the to the child of John and Linina having to save the world from

01:38:47.915 --> 01:38:48.696
[SPEAKER_05]: John's daughter.

01:38:49.518 --> 01:38:49.658
[SPEAKER_05]: Sure.

01:38:50.460 --> 01:38:51.001
[SPEAKER_05]: She runs.

01:38:51.582 --> 01:38:51.782
[SPEAKER_05]: Watch.

01:38:51.802 --> 01:38:53.966
[SPEAKER_05]: She tries to kick some of Phoenix's ass.

01:38:54.747 --> 01:38:55.148
[SPEAKER_05]: Watch.

01:38:55.809 --> 01:38:56.010
[SPEAKER_05]: As.

01:38:56.310 --> 01:38:57.132
[SPEAKER_05]: Jesus.

01:38:58.714 --> 01:38:58.855
[SPEAKER_05]: Yeah.

01:38:58.875 --> 01:39:00.538
[SPEAKER_05]: I just don't see him playing now.

01:39:00.558 --> 01:39:03.243
[SPEAKER_00]: Eat your popcorn out of your home nits what are bucket.

01:39:04.545 --> 01:39:08.472
[SPEAKER_05]: Coming soon to with area you summer, 2030.

01:39:10.662 --> 01:39:11.964
[SPEAKER_00]: I mean, there's the other thing too.

01:39:12.004 --> 01:39:13.907
[SPEAKER_00]: Do you wait till 2032 to put a movie?

01:39:13.927 --> 01:39:17.011
[SPEAKER_04]: That would actually perfect to be honest with you.

01:39:17.292 --> 01:39:19.956
[SPEAKER_04]: Is the anniversary of Simon Phoenix.

01:39:21.518 --> 01:39:22.019
[SPEAKER_00]: Oh my god.

01:39:22.039 --> 01:39:26.145
[SPEAKER_00]: Okay, if we're still podcasting in 2032 and they released them, and listen, man, too.

01:39:26.245 --> 01:39:28.448
[SPEAKER_00]: You know what we have to do.

01:39:28.468 --> 01:39:29.850
[SPEAKER_00]: Do an anniversary edition.

01:39:30.771 --> 01:39:34.577
[SPEAKER_04]: It's only six years away, but it's crazy to think that, right?

01:39:35.300 --> 01:39:45.824
[SPEAKER_00]: Oh, I mean, I remember doing an episode on my podcast about, you know, movies of futures past, right, you know, where it would sit in the future, but now, you know, where we are now, it's in the past.

01:39:46.225 --> 01:39:49.152
[SPEAKER_00]: And we're not that far away from this, we're not there.

01:39:49.873 --> 01:39:50.555
[SPEAKER_00]: Crazy man.

01:39:50.675 --> 01:39:51.958
[SPEAKER_05]: It's really crazy.

01:39:51.938 --> 01:40:00.208
[SPEAKER_00]: Yeah, it's kind of like when you watch like the old transformers the movie and you hear the voice or it is the year 2005 like oh geez, I missed a few years there.

01:40:02.231 --> 01:40:12.023
[SPEAKER_05]: Let's see game Freakness says so here's an idea he was clone and he's back and they have to kill him again and destroy the DNA so they can clone him again so it's demolition man demolition man.

01:40:12.627 --> 01:40:13.088
[SPEAKER_00]: Oh God.

01:40:14.650 --> 01:40:14.750
[SPEAKER_00]: Okay.

01:40:14.770 --> 01:40:16.352
[SPEAKER_00]: I'm just going to tell you right now, game for you.

01:40:16.772 --> 01:40:17.894
[SPEAKER_00]: You got to go to the movie theaters.

01:40:17.914 --> 01:40:22.600
[SPEAKER_00]: There's a movie that came out this weekend called Good Luck Have Fun Don't Die.

01:40:24.422 --> 01:40:32.372
[SPEAKER_00]: Go watch that film because they do deal with cloning in that film in a way that it's you could be cloned over and over.

01:40:32.673 --> 01:40:36.998
[SPEAKER_00]: It's almost like you're you're pitching altered carbon to become the next demolition man.

01:40:38.682 --> 01:40:39.543
[SPEAKER_00]: Just get re-sleeved.

01:40:39.703 --> 01:40:40.184
[SPEAKER_00]: It's all good.

01:40:40.744 --> 01:40:41.445
[SPEAKER_05]: But I have a question.

01:40:41.565 --> 01:40:48.753
[SPEAKER_05]: So now that we talked about this, uh, non-estatically now, even though we were like a nine, this sounds like I'm a 10 now, what are you?

01:40:49.634 --> 01:41:02.687
[SPEAKER_00]: I'm still a 9.5 and I say that mainly because there's there's still a couple of those lines from that fight in the museum where I'm just like, oh, yeah, she's there with a little bit, but it's not enough to knock it down lower than a 9.5.

01:41:02.807 --> 01:41:04.369
[SPEAKER_00]: This is still

01:41:04.349 --> 01:41:05.811
[SPEAKER_00]: my favorites to the loan film.

01:41:06.231 --> 01:41:08.755
[SPEAKER_00]: It's maybe my favorite Sandra Bullock film.

01:41:09.396 --> 01:41:13.160
[SPEAKER_00]: I don't know what's my favorite Wesley's thanks film because you know, Blade exists.

01:41:13.681 --> 01:41:15.584
[SPEAKER_00]: So there's that and Dennis Leary.

01:41:15.644 --> 01:41:16.925
[SPEAKER_00]: Well, the rough exists.

01:41:16.945 --> 01:41:17.626
[SPEAKER_00]: So there's that.

01:41:19.088 --> 01:41:26.037
[SPEAKER_00]: But there's a lot of actors where this is the peak of their photography, at least in my books.

01:41:26.017 --> 01:41:26.938
[SPEAKER_00]: I agree.

01:41:27.658 --> 01:41:29.060
[SPEAKER_05]: Okay, I'm sticking with my 10.

01:41:29.260 --> 01:41:32.643
[SPEAKER_05]: So there you go for game frequencies.

01:41:32.683 --> 01:41:34.584
[SPEAKER_05]: They remind don't do the clone thing.

01:41:34.664 --> 01:41:37.187
[SPEAKER_05]: They did it in the sixth day with honest horse digger.

01:41:37.347 --> 01:41:39.409
[SPEAKER_05]: Yep, I forgot all about that movie too myself.

01:41:40.309 --> 01:41:40.870
[SPEAKER_00]: So did we?

01:41:41.330 --> 01:41:42.351
[SPEAKER_00]: And so did us.

01:41:42.371 --> 01:41:46.234
[SPEAKER_05]: So that was before the days of him becoming governor.

01:41:46.535 --> 01:41:47.435
[SPEAKER_05]: So there you go.

01:41:48.096 --> 01:41:48.336
[SPEAKER_00]: Right.

01:41:48.536 --> 01:41:49.818
[SPEAKER_00]: With also the end of days.

01:41:50.058 --> 01:41:51.799
[SPEAKER_00]: Anyways, we forgot about that movie too.

01:41:52.420 --> 01:41:52.660
[SPEAKER_05]: Right.

01:41:53.541 --> 01:41:55.062
[SPEAKER_05]: But anyways, guys,

01:41:55.683 --> 01:42:05.496
[SPEAKER_05]: Tell them about your podcast Jason, I would love for them to be able to follow you and tell them about keep watch past, whatever you need to tell them, this is your change.

01:42:05.516 --> 01:42:17.853
[SPEAKER_00]: Okay, so I host two different podcasts, the first being it's not that bad where we take a look at unfairly malign movies movies with a less than 60% score on rotten tomatoes and we try to find good things to say about it.

01:42:18.634 --> 01:42:24.222
[SPEAKER_00]: On Mondays, we also release keep watch pass, which is basically the Mary Buffkill movie

01:42:24.202 --> 01:42:31.874
[SPEAKER_00]: And three times a year, we do our grading on a curve specials where we'll take five movies in a category and rank them in amongst themselves.

01:42:31.894 --> 01:42:35.760
[SPEAKER_00]: You can find all of those on social media at not that bad cast.

01:42:36.141 --> 01:42:37.543
[SPEAKER_00]: There's also my music podcast.

01:42:37.683 --> 01:42:44.033
[SPEAKER_00]: They're going to only be one where we take the Discography of an artist and we go through and we make a playlist of our favorite songs, but

01:42:44.013 --> 01:42:47.116
[SPEAKER_00]: You're only allowed one song per album.

01:42:47.336 --> 01:42:49.798
[SPEAKER_00]: So that's a 15 album discovery.

01:42:49.838 --> 01:42:51.440
[SPEAKER_00]: That's a 15 song playlist.

01:42:52.040 --> 01:42:54.802
[SPEAKER_00]: And then you have to pick one song from those 15.

01:42:55.383 --> 01:42:57.385
[SPEAKER_00]: And again, we also do a little sub show on that.

01:42:57.425 --> 01:42:58.986
[SPEAKER_00]: And we are the recalled Spinshuffle Skip.

01:42:59.467 --> 01:43:01.168
[SPEAKER_00]: Same thing, Mary Buffkill.

01:43:01.188 --> 01:43:06.353
[SPEAKER_00]: I'm saying Buff because I do not want to be find one credit for violation of the verbal morality exact.

01:43:06.813 --> 01:43:08.815
[SPEAKER_00]: So you can find that at only one cast.

01:43:08.835 --> 01:43:12.518
[SPEAKER_00]: But you can find everything at not that badcast.com.

01:43:12.987 --> 01:43:13.988
[SPEAKER_05]: Okay, here you go.

01:43:14.489 --> 01:43:15.591
[SPEAKER_05]: But yeah, that's gonna be it.

01:43:15.611 --> 01:43:16.632
[SPEAKER_05]: Thank you Jason for joining me.

01:43:16.953 --> 01:43:18.695
[SPEAKER_05]: You appreciate it as always, me.

01:43:18.715 --> 01:43:19.536
[SPEAKER_00]: Be well, John.

01:43:20.177 --> 01:43:37.963
[SPEAKER_05]: Be well, Jason.

01:43:37.983 --> 01:43:38.083
[UNKNOWN]: Yeah.