9 to 5 (1980) : Does This Comedy Still Hit Today?

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[SPEAKER_03]: Hello, movie lovers, welcome to show us a day I have my gift from Beth with me.

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[SPEAKER_03]: We're here to break down nine to five.

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[SPEAKER_03]: So take out your invisible time card.

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[SPEAKER_03]: Let's go ahead and look, walk in, let's try and work nine to five.

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[SPEAKER_03]: Or should I say two to five?

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[SPEAKER_03]: Because it's actually two to five.

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[SPEAKER_03]: It's a full standard time card.

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[SPEAKER_03]: So let's go on ahead and hey, man, welcome back.

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[SPEAKER_04]: Hey, hey, good to be here.

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[SPEAKER_03]: Good to have you.

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[SPEAKER_03]: So today, everyone, we are breaking down nine to five with Dolly Parton.

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[SPEAKER_03]: And this is actually my first time seeing this film.

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[SPEAKER_03]: certain pieces from my childhood, but it wasn't enough for me to say that, you know, I remember every single scene or anything like that.

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[SPEAKER_03]: I just remember that she worked an office base.

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[SPEAKER_03]: I remember that, and that's all I knew.

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[SPEAKER_03]: I didn't know anything, and then it worked in 95.

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[SPEAKER_03]: That's all I know.

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[SPEAKER_03]: So, for you, the back, I have a question.

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[SPEAKER_03]: Where does this land for you?

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[SPEAKER_03]: Best out of 10, I'll go into my Nassauza score in a minute, but I want to get your breakdown on how you

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[SPEAKER_04]: Well, it came out 1980 and I came out in 1988.

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[SPEAKER_04]: So I'm sure I saw it a couple of different times as a kid.

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[SPEAKER_04]: I mean, you know, Jane Taunt will tell him when their time was.

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[SPEAKER_04]: And yeah, so I don't know the last time I actually sat and watched it through, which has been several years, but watching it last night was definitely a fun ride.

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[SPEAKER_03]: So what do you land at this like, out of 10 though for you?

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[SPEAKER_03]: When we look at this film, thisologically.

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[SPEAKER_04]: nostalgicly, I mean, 15, you know, I mean, it's it, I mean, this is a 46 year old movie.

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[SPEAKER_04]: It doesn't necessarily stand in every way, you know, but yeah, no, on a realistic movie scale, I'd say maybe sevenish, you know, sevenish.

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[SPEAKER_03]: Okay, for me, since like I said, I was born in 85, this movie came out in 1980, but

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[SPEAKER_03]: I was not introduced to this film at all.

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[SPEAKER_03]: All I remember was like I said, these women working in their office base and of course, the nine to five songs.

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[SPEAKER_03]: That's all I know.

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[SPEAKER_03]: So I'm going to stoutically as a three because the fact that don't really know that much about it, this is me as a kid that is in terms of things at that time.

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[SPEAKER_03]: So that's where I'm going to land on that.

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[SPEAKER_03]: But let's talk about this.

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[SPEAKER_03]: So you know, nine to five, it taught me

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[SPEAKER_03]: something very important.

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[SPEAKER_03]: Apparently, if your bosses are terrible enough, HR is no longer the answer.

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[SPEAKER_01]: If you ever say another word about me or make another indescent proposal, I'm going to get that gun, and I'm going to change you from a rooster to a hand with one shot.

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[SPEAKER_03]: You've got Dolly Parton, Jane Fonda, and Lily Tomlin dealing with one of the worst bosses in movie history.

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[SPEAKER_03]: And somehow, came up in the man, becomes a perfectly reasonable workplace solution.

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[SPEAKER_00]: Judy, you've got to help me.

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[SPEAKER_00]: The mob is from crazy.

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[SPEAKER_00]: They're trying to kill me.

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[SPEAKER_02]: Why would they want to do a nasty thing like that?

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[SPEAKER_00]: I don't know who I'm not such a bad guy.

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[SPEAKER_02]: There's sexistic, statistical line hypocritical, bigot.

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[SPEAKER_00]: So I have a few false who does that.

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[SPEAKER_03]: Now, I'm not saying anybody's watching this should take notes.

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[SPEAKER_03]: And, in fact, legally, let me go ahead and say, do not take notes.

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[SPEAKER_03]: But today, me and Beck are clocking in, grabbing our imaginary time cards and going back to 1980.

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[SPEAKER_03]: Talk about nine to five.

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[SPEAKER_03]: Does the comedy still hold up?

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[SPEAKER_03]: Was this movie ahead of its time?

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[SPEAKER_03]: And how much of that of what these women were dealing with at work are people still dealing with today.

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[SPEAKER_03]: So grab your coffee high from your boss and whatever you do don't drink the rat poison.

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[SPEAKER_03]: Welcome back to movie lovers night.

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[SPEAKER_03]: Let's talk nine to five.

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[SPEAKER_03]: So, same one.

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[SPEAKER_03]: Judy Bernley is forced to find work about her husband, Dick.

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[SPEAKER_03]: runs off with the secretary.

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[SPEAKER_03]: Judy finds an employment as a secretary at the following data companies.

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[SPEAKER_03]: The senior's office supervisor, Violet Newstead, played by Lily Thompson, Common, introduced Judy to the company and staff including mailroom, Clark, Annie, Margaret Foster, they'd a Pristick boss, Franklin Hart Jr.

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[SPEAKER_03]: So let's talk about this.

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[SPEAKER_03]: I like how the opening scene sequences is like a montage of these women in the workplace

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[SPEAKER_03]: And has that flavor of like this movie knows what it's supposed to be or you also have the nine to five song playing and these women are just trying to get to their place of work and be able to work in this environment.

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[SPEAKER_03]: So I'd like the fact that it's, I would actually say this is like a feminist kind of film if you're looking at it from a 2026 standard, but that's something I really do appreciate with it and they took the time with the focusing on the women walking to work and having be in suits and briefcases and also like how they also do this other thing to you also have lower faces on the men so therefore they're not out front and center it's actually the women out front and center so I actually appreciate that aspect as well.

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[SPEAKER_03]: But what do you think of this title opening?

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[SPEAKER_04]: I mean, honestly, the opening sequence, the montage of, you know, flappin' it a long clock, or in calloffee, stopin' at the newsstand, whatnot.

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[SPEAKER_04]: It reminded me a lot of the opening sequence of the Devil Wars product, because, you know, I watched that one recently, to watch the sequel came out and made.

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[SPEAKER_04]: And, you know, that starts with women, starting off their alarm clock, getting dressed for the day, you know,

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[SPEAKER_04]: And so, but you're right, this is absolutely a finished film, I mean, Jane found and made this to go along with the secretary, the secretary's movement at the time, which you know, the, this was coming off the heels of the 70 fishers and very big on women's liberation, I mean, just the fact that a woman was able to legally get divorced to get a job was revolutionary at the time.

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[SPEAKER_03]: under a valued at workplace rumors, harassment, burnout, and work-life balance are still part of the conversation today.

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[SPEAKER_03]: And that's something that I really think that really is biased to relevant back then it is today.

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[SPEAKER_03]: But I also want to mention what you just talked about was the fact that, you know, it's actually the women in the workplace being able to work in this kind of environment, not in it's also a man's world at this time in the 1980s.

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[SPEAKER_03]: So to have women working in this kind of environment, I thought it was very interesting to take on it, which I really do appreciate with this direction that they went on.

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[SPEAKER_03]: And I also like the introduction that we have here with the main character, which is Judy Burnley.

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[SPEAKER_03]: And at first, you're thinking that this is gonna be dolly's movie because she's the big country star.

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[SPEAKER_03]: But no, it's focused on her.

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[SPEAKER_03]: So I thought that was kind of interesting of the fact that she's not the main person here driving the movie.

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[SPEAKER_03]: It's actually her.

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[SPEAKER_03]: As driving the film at the very first start of it.

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[SPEAKER_03]: So I thought that was an interesting take on that.

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[SPEAKER_03]: But you realize, too, that this woman's going through the fact that her has been dig, which every man in this movie is a bald egg.

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[SPEAKER_04]: But, you know, they're all dead.

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[SPEAKER_03]: There's no redeemable moments.

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[SPEAKER_03]: They are who they are in this film.

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[SPEAKER_03]: There is no lyrics to them and all to change, which I wish that we would have actually done, but they decided to lead them to who they are because that's who they, who we started off with and how we ended with them.

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[SPEAKER_03]: But I do like that fact of she's being introduced to all these women in the workplace and you have Willie Tomlin introducing her to all these people and I really love that it feels like that we're inside this workplace environment and we're being introduced to our coworkers for the first time and we're also going on this tour with her.

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[SPEAKER_03]: So I like I like how they did that.

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[SPEAKER_04]: Yeah, it's definitely first day fish out of water vibes.

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[SPEAKER_03]: But what else could you take from this scene that you really enjoyed with the scene with following her through the work environment of this?

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[SPEAKER_04]: Well, yeah, definitely.

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[SPEAKER_04]: I mean, it's an ensemble cast.

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[SPEAKER_04]: So the three of them were like co-man characters, but definitely opening it up.

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[SPEAKER_04]: It was a good school to introduce us to the office by introducing duty to the office.

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[SPEAKER_04]: So it was definitely, you know, this is who this is.

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[SPEAKER_04]: This is who this is.

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[SPEAKER_04]: And it was a lot of exposition without it being in handholdy.

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[SPEAKER_03]: Right.

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[SPEAKER_03]: I agree.

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[SPEAKER_03]: And then you also have the alcoholic person that's there to Eddie and she's also the man room clerk.

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[SPEAKER_03]: So you can definitely tell this job has taken a toll for her even though it's supposed to be comedic, but at the same time, though, you can tell this job has sucked the life line.

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[SPEAKER_04]: Oh, Margaret.

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[SPEAKER_04]: Yeah.

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[SPEAKER_03]: Yeah.

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[SPEAKER_03]: So you can definitely tell that this woman has been through a lot with this company and she's been there for x y and z.

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[SPEAKER_03]: And then also to like how Lily is over there.

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[SPEAKER_03]: Lily Thompson's over there showing the Xerox room, your shoulder is showing her around there.

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[SPEAKER_03]: But yeah, I thought this was a perfect placement.

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[SPEAKER_03]: And of course, we're not introduced to the boss until about maybe five, maybe 10 minutes into this film, which is fairly interesting on that part too.

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[SPEAKER_03]: Because we're wondering, OK, who is the sleaze ball?

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[SPEAKER_03]: And how bad is this guy going to be?

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[SPEAKER_03]: Because we see all these women

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[SPEAKER_03]: in this workplace, but they're not 100% themselves.

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[SPEAKER_04]: All right.

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[SPEAKER_04]: I will say one thing, speaking of Eddie the Melrum Clark, it was very much a, it was almost kind of a blanket you missed it, but he was one of very few black people working at the office and he was, and he immediately was just like, I'm selecting the Melrum.

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[SPEAKER_04]: I'm never going to get out of here.

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[SPEAKER_04]: So it's kind of a parallel of how women and black folks are being treated at the same time.

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[SPEAKER_03]: That's actually a very good point that I'm going to bring up to because she's like he's like so when are you going to get when are you going to get the promotion and then that's when you know you have Judy she's like well I'm so working on my I'm still working for that position I'm hoping that I get it soon and goes damn at Judy I'm never going to get out of this mail room and who's this that's the administrative assistant and goes good luck.

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[SPEAKER_04]: Yeah, you said you're going to hate it here.

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[SPEAKER_03]: you're going to hate it here.

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[SPEAKER_03]: And she's just one of those first time workers basically what I'm getting out of like the main characters like she sees the good and everything.

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[SPEAKER_03]: So she doesn't really understand how this environment actually is until if you get caught up into it.

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[SPEAKER_03]: And I like how any is like you said it's about how black people are being received and they're also on the low and bar working in the mail room and they'll never get moved up to that position because of that

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[SPEAKER_04]: Exactly, exactly.

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[SPEAKER_04]: Yeah, I mean, it's definitely, you can tell that the boss is rule with an iron fist, so to speak.

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[SPEAKER_03]: Then we also have one's keys, okay, hearts executive assistant, Violet, reveals to Judy that heart is supposedly involved with his, uh, Maxine's security, Dorelle, Rhodes, uh, Dorelle, yeah,

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[SPEAKER_03]: Hardx uploads and mistakes, his females, the burnets with backstabbing and sexist remarks, he takes credit for violence ideas, really yells and threatens Judy on her first day after an equipment malfunction with the Xerox machine.

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[SPEAKER_03]: It's actually a rast, Darlie, Darlie.

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[SPEAKER_03]: It's spreading rumors about an interfere that never happened.

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[SPEAKER_03]: Yeah, but that's also goes to show you of the workplace environment of gossip.

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[SPEAKER_03]: and how far gossip can actually take it because it may appear to be something, but it's really not.

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[SPEAKER_04]: As exactly.

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[SPEAKER_03]: And so I like how they show us the gossip on the outside and the inside, you see the harassment with Dora Lee.

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[SPEAKER_03]: But we'll talk about that in a few minutes.

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[SPEAKER_04]: Well, just say it just reminds me, I work in an environment several years ago, where

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[SPEAKER_04]: by nature of the position I had, I had to have a close-up working relationship with HR and the HR rep that I worked with most closely, her refrain was perception as reality, which means it may or may not be true, such as, you know, Dorlie is in fact not having her relationship with heart, but because he's presenting that issue, I mean, that image and also, because, you know, Dolly herself said she modeled her look after the talent triumph, so, you know,

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[SPEAKER_04]: people will perceive a woman in that kind of way.

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[SPEAKER_04]: And so it was very easy for people to believe that.

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[SPEAKER_04]: And so that perception became that reality of the office environment.

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[SPEAKER_03]: I can definitely see that because, you know, I'd like how she married that married her character off of that.

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[SPEAKER_03]: And then, you know, just the fact that this guy such a sleaze ball to do these cities woman and take advantage of these women like they

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[SPEAKER_03]: And she thinks early is just as blonde stupid woman that's how he looks at her because all the things he's doing pushing the paperwork off the desk to make it and also to make looks at her also to can you go ahead and move to the side because I need because I want to see what you look like no you're a slime ball and for at least too much of a nice type of person to to know what's going on.

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[SPEAKER_04]: Right, you know, which I don't even know that it's just so that she didn't know what was going on.

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[SPEAKER_04]: I like when he was telling her to turn around, she's like, oh, was there something on my dress?

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[SPEAKER_04]: Like, she's trying to, she's trying to give him an out.

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[SPEAKER_04]: I feel like, like, are you really asking for me to turn around so you can look at my back side or you'd be in concern that there's a stain on my clothes.

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[SPEAKER_03]: Right, because she's based off with what I know of this, they've been through this catwalk before.

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[SPEAKER_03]: Remember, he sent her out on certain errands and basically made her go into a hotel with him, and it wasn't even a convention.

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[SPEAKER_04]: Right.

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[SPEAKER_04]: Yeah, if you say next time I go to a convention, I'll make sure it's a convention.

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[SPEAKER_04]: And like I feel like this, the model of this character after Dali and Dali presented an issue of an image of kind of a.

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[SPEAKER_04]: Oh gosh, silly me, and that's very easy for southerners to be received that way too, you know, it's like in sweet home Alabama where he says, I may talk slow, but that that me and I am, you know, and so it's very easy to see southern folks as kind of an all-shock, especially a real pretty woman who dresses the way she does and so I feel like he was well aware of what was going on, but he was definitely.

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[SPEAKER_04]: like she was 100% like she knew what he was trying to do, but she I feel like she was kind of almost trying to give him some applause.

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[SPEAKER_04]: Well, the liability like are you sure?

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[SPEAKER_04]: This is the this is the path you want to go down.

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[SPEAKER_03]: Exactly, because she's like, okay, well if you're going to go down this road and I like how she puts it whenever she tells them about the gun, but we'll talk about that in a few minutes.

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[SPEAKER_03]: Like if you can't do that in a moment, but I also want to mention

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[SPEAKER_03]: We actually do have that scene where the new person arrives, which is Judy, she wins, gets introduced to him and, you know, she goes, well, she, he seems nice, you know, that's where her first impressions are with it, but Violet is like, is like totally different because she's been in this work environment for so long and trying to get that emotion, she's just trying to play nice with everybody.

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[SPEAKER_03]: And she's also got kids of her own and she's also a single mother.

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[SPEAKER_03]: She's has four kids and she's also trying to learn how to set up an automatic garage door open her by herself and she does it and there's no Google at this time.

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[SPEAKER_03]: There's only directions that you get and that's it.

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[SPEAKER_03]: And she managed to do this on her own.

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[SPEAKER_03]: Just as she's also trying to do this on her own to be this president promotion for her

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[SPEAKER_03]: And you know, despite she has passed over for advancement while a man receives the opportunity.

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[SPEAKER_03]: This opens the discussion about the difference between doing valuable work and actually being recognized or rewarded for it.

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[SPEAKER_03]: And employees can still feel overlooked while watching somebody who else received the promotion and credit or opportunity.

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[SPEAKER_04]: And you know, this is back in the day, everything is on a typewriter.

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[SPEAKER_04]: So it's not like she had the file with her to be like, look at the timestamp.

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[SPEAKER_04]: I did this two weeks before he did this, you know, like, so.

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[SPEAKER_04]: Because the, so I think the technology just didn't exist to have a metaphorical paper trail to to show.

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[SPEAKER_03]: The documentation as well, which we've seen him do later on in the film because of the fact with that warehouse that they're trying to blackmail them for because that's also something else he's doing and bezeling.

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[SPEAKER_04]: Yeah, so yeah, I thought I think it was really interesting like when he was being committed for her idea right there in front of her she was just a lab or gas that couldn't get a single word out, you know her geologist drops you say another word for the rest of that thing, you know she was just

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[SPEAKER_04]: I don't think that even if she had said anything that the big boss would have believed or he would have just written her office of his share of a woman.

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[SPEAKER_03]: Right, because remember everybody looks up to this man.

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[SPEAKER_03]: You know, and everything he does, they praise him.

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[SPEAKER_03]: You know, and that's something that I think that

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[SPEAKER_03]: Here's the thing, you can take credit for somebody else's work and even the women in that workplaces are not going to get credit for it because everything is going to be a patterned the back from that big boss, you know, which totally sucks because Franklin Hart is just at much of a slime ball to where, you know, you can go up to the somebody else like on the board members and they're not going to listen to her.

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[SPEAKER_04]: Yeah, for sure.

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[SPEAKER_04]: And like, you know, even when that guy got the promotion over her, he's like, well, he has a family typical to support.

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[SPEAKER_04]: And she's like, so they'll be well, right, exactly.

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[SPEAKER_03]: And he's like, am I not more important than this, not just as important as this man is.

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[SPEAKER_03]: We also have a family, just as I do and just in other kids.

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[SPEAKER_04]: the insult to injury that she had worked there five years longer than him and she had been the one to train the guy which you know I feel like we've all been in that position where we've been passed over for something and like I've literally been in the position where I got passed over for a promotion and had to train the guy who was effectively money supervisor and I hated every minute.

18:27.544 --> 18:32.109
[SPEAKER_03]: Exactly because that's another pet peeve I have with this as well as his woman is

18:33.123 --> 18:39.906
[SPEAKER_03]: Basically, training every single person that you throw at her and doing the job correctly because of her.

18:40.787 --> 18:42.748
[SPEAKER_03]: And they're getting the credit for it.

18:43.308 --> 18:45.309
[SPEAKER_03]: And they're also getting the motions for it.

18:45.769 --> 18:47.650
[SPEAKER_03]: And it's like, what about me?

18:48.051 --> 18:49.772
[SPEAKER_03]: Why can't I have that position?

18:49.812 --> 18:50.832
[SPEAKER_03]: Because I'm the one who trained them.

18:50.872 --> 18:53.013
[SPEAKER_03]: And they every single time that he throws somebody at her.

18:53.353 --> 18:54.114
[SPEAKER_03]: Oh, I trained him.

18:55.595 --> 18:57.776
[SPEAKER_03]: Because of him, he is who he is.

18:58.256 --> 19:00.477
[SPEAKER_03]: Without him, without me, he wouldn't be that.

19:02.642 --> 19:10.306
[SPEAKER_03]: And this is sucks to be passed along like you're nothing and being stuck in that position for five years and still not being able to move up.

19:11.307 --> 19:11.527
[SPEAKER_04]: Yeah.

19:12.568 --> 19:16.470
[SPEAKER_04]: Yeah, because she, I mean, she, at that point, she had probably outlasted heart.

19:16.830 --> 19:21.112
[SPEAKER_04]: So, you know, it just, but it was, it was baked in.

19:21.132 --> 19:22.993
[SPEAKER_04]: That was, that was the way the system was built.

19:23.013 --> 19:26.135
[SPEAKER_04]: You know, it was very much a boys club, even though, you know,

19:32.880 --> 19:33.360
[SPEAKER_03]: exactly.

19:33.440 --> 19:36.702
[SPEAKER_03]: And then we finally get to this point where the gossip is happening.

19:37.703 --> 19:45.107
[SPEAKER_03]: And and she's in then everybody's saying, darling, entering in the office and then you see the whispering going about.

19:45.787 --> 19:52.211
[SPEAKER_03]: And you have Judy who's also telling her telling her that, hey, they've been sleeping together.

19:52.271 --> 19:54.812
[SPEAKER_03]: There's a lot of stuff happening with them too.

19:55.573 --> 19:56.173
[SPEAKER_03]: And she also

19:58.601 --> 20:02.984
[SPEAKER_03]: by a scarf supposedly for his wife, but really it's for Darlie.

20:04.065 --> 20:09.709
[SPEAKER_03]: And, you know, it's just, I'm just, I'm blown by the fact that this man did this.

20:10.310 --> 20:19.216
[SPEAKER_04]: Yeah, and to be so brazen about it, because he had to know he's sending Darlie out of his office wearing that scarf, no one's gonna see the scarf that she bought.

20:20.109 --> 20:24.892
[SPEAKER_04]: And just not completely not caring because he has no white sections, I have no consequences.

20:25.152 --> 20:27.254
[SPEAKER_03]: Exactly, because no one's going to believe them.

20:27.374 --> 20:29.915
[SPEAKER_03]: No one's going to end up coming to their rescue or anything.

20:30.435 --> 20:33.597
[SPEAKER_03]: It's just them out in this jungle habitat for themselves.

20:33.918 --> 20:34.458
[SPEAKER_03]: And that's it.

20:35.499 --> 20:39.861
[SPEAKER_03]: And you know, I like how Judy goes, it's not the scarf that you bought it at his wife.

20:41.262 --> 20:43.143
[SPEAKER_03]: And she just sees it around our league.

20:43.664 --> 20:45.245
[SPEAKER_03]: And because yeah, it is.

20:49.688 --> 20:55.850
[SPEAKER_03]: which I, which I like how we have the inside information and we're actually hanging out.

20:56.130 --> 20:58.070
[SPEAKER_03]: I like how they do this because here's the thing.

20:58.110 --> 21:02.131
[SPEAKER_03]: It makes us feel like that we're inside this office with Dory witnessing this.

21:02.451 --> 21:17.095
[SPEAKER_03]: At the same time, we're also outside the doors with then that whispering amongst everybody and that's something that I really thought that was really fascinating to me was like we're inside this office with Dory and then we're also outside with this gossip

21:19.398 --> 21:33.169
[SPEAKER_03]: I just feel bad for Garlie in this because she's innocent in all of this and she has no idea at this moment that this man had made up rumors about sexually harassing her right and it's like, you know, that's that's one great thing we have about

21:49.430 --> 21:52.252
[SPEAKER_04]: Judy and Violet of Missouri this and be on like, well, how do you like that?

21:52.372 --> 22:09.844
[SPEAKER_04]: And then Dora Lee of the office getting harassed and fighting for her wife, basically to not overstit and get fired because it would be very easy for her to, you know, make him bad by overtly, you know, disrespecting him by, you know, rejecting his advances.

22:10.505 --> 22:10.765
[SPEAKER_03]: Right.

22:11.706 --> 22:16.009
[SPEAKER_03]: And then you have that whole scene where Dora Lee tells us, well, if you do this

22:20.190 --> 22:28.377
[SPEAKER_03]: Mm-hmm, turn him from a rooster to him with one shot and the way he looks at that office, he pissed himself.

22:29.358 --> 22:29.819
[SPEAKER_04]: Oh, yeah.

22:30.279 --> 22:33.442
[SPEAKER_03]: I love the look on his face is like, oh, I crossed the boundaries here.

22:33.682 --> 22:35.023
[SPEAKER_03]: I was in the fall of this.

22:35.784 --> 22:35.964
[SPEAKER_04]: Right.

22:36.004 --> 22:37.545
[SPEAKER_04]: He was like, oh, I don't got caught.

22:39.227 --> 22:43.350
[SPEAKER_03]: And now he's even more afraid of Dorlie is like, well, now I can't do this to hurry more.

22:43.370 --> 22:45.132
[SPEAKER_03]: I can't slide my little pins.

22:45.542 --> 22:48.103
[SPEAKER_03]: to make her pick him up anymore.

22:48.863 --> 22:53.885
[SPEAKER_03]: So, you know, he's just shell-shocked at this moment that this woman stood up to him.

22:55.026 --> 22:58.507
[SPEAKER_04]: Right, yeah, yeah, he'd never been stood up to before.

22:58.547 --> 23:12.773
[SPEAKER_04]: I mean, like, you know, often back a little bit to the very beginning when he first met Judy, he's giving this big and fancy life in speech, like, oh, girls never got to play baseball or football and that's a shame because that's how you learn teamwork

23:13.648 --> 23:19.773
[SPEAKER_04]: organization and it's just incredibly, you know, just what I'll call them girls there.

23:19.853 --> 23:20.834
[SPEAKER_04]: These are grown women.

23:20.854 --> 23:27.179
[SPEAKER_04]: Some of them are probably even older than him, you know, and he's just being completely, like I said, just this minister of an evangelizing.

23:28.000 --> 23:38.048
[SPEAKER_03]: Definitely because even when we went that moment of like, well, two bed you guys can play football, two bed you guys can place baseball because guess what, that would have taught how you team ethic and you be able to

23:42.423 --> 23:43.203
[SPEAKER_03]: doing.

23:43.584 --> 23:55.750
[SPEAKER_03]: You don't realize the power that these women have over you, who have female dominance inside this office area, and not letting them move it, sheave anything by sitting on their asses, taking phone calls for you.

23:57.353 --> 24:04.399
[SPEAKER_03]: and doing a job and you probably have documents from every single woman in the thing of running this company and you don't have a clue how to run it.

24:05.500 --> 24:16.629
[SPEAKER_03]: And you're just, I wouldn't be surprised if every single woman went over there is doing his job and he's going through the huge file and he's taken care of for each one of their stuff that they're reporting back to him.

24:17.229 --> 24:22.173
[SPEAKER_04]: Well, I said, more than likely, without them the whole place would fall apart if they were to walk out.

24:22.512 --> 24:30.556
[SPEAKER_04]: And I mean, you know, they, they even said that they couldn't have any sign of unionization, just because that would that would undo the entire office structure.

24:30.576 --> 24:38.539
[SPEAKER_04]: They weren't allowed to discuss their pay raise and, you know, then you have Ross, the mole, who is just being in the inside information.

24:38.759 --> 24:49.944
[SPEAKER_04]: Yeah, and just a total, I mean, really don't want to put it as a trader because, you know, she's not terribly far above these other women, she's not getting anything extra aside from

24:50.643 --> 24:59.827
[SPEAKER_04]: You know, his recognition and his favor and probably not even realistically that he's just getting, you know, a pat on the back for being a spy.

25:00.647 --> 25:08.590
[SPEAKER_03]: That's something I don't understand about Ros do is like he basically he's choosing in and the ears out of the bathroom.

25:09.013 --> 25:15.580
[SPEAKER_03]: the gossip in the bathroom, reporting back to him and then firing people if they don't like what he's saying about them.

25:15.880 --> 25:19.384
[SPEAKER_03]: And he's basically probably, again, the same pay is everybody else's.

25:19.604 --> 25:22.147
[SPEAKER_03]: And you would think that she would be more on their side.

25:22.167 --> 25:23.729
[SPEAKER_03]: But instead, she's on his side.

25:23.929 --> 25:28.434
[SPEAKER_03]: God knows what he promised this woman to be able to do during the

25:30.893 --> 25:38.095
[SPEAKER_03]: And I bet if it was a position that she was interested in, she would get passed up and she would be just as pissed off as the rest of them.

25:38.375 --> 25:41.076
[SPEAKER_03]: But no, instead, she winds up being his lackey.

25:41.837 --> 25:42.337
[SPEAKER_03]: Yeah, yeah.

25:42.417 --> 25:51.400
[SPEAKER_04]: I was just going to say, and he's feeding her some line of bullshit, surely, just to be like, oh, you know, maybe next year, maybe next year.

25:52.820 --> 25:54.241
[SPEAKER_03]: Exactly, and next year never happens.

25:54.841 --> 25:55.321
[SPEAKER_04]: Exactly.

25:56.112 --> 26:03.356
[SPEAKER_03]: And, you know, I like this other thing though, too, is where you have Judy and you also have Violet talking.

26:03.857 --> 26:06.718
[SPEAKER_03]: And she's like, you gotta be very, very careful inside the bathrooms.

26:07.158 --> 26:14.423
[SPEAKER_03]: And make sure you look underneath the stalls because she's gonna be because of Ros being in there.

26:15.643 --> 26:16.444
[SPEAKER_03]: And she's like, really?

26:16.484 --> 26:18.205
[SPEAKER_03]: She goes, yeah, you have to be really careful.

26:18.225 --> 26:20.266
[SPEAKER_03]: Otherwise, you're gonna get fire just like this other person did.

26:20.906 --> 26:23.108
[SPEAKER_03]: So, I like how she's getting her insight.

26:23.548 --> 26:24.368
[SPEAKER_03]: If you wanna work here,

26:26.752 --> 26:38.120
[SPEAKER_04]: Yeah, she's she's definitely setting Judy up not necessarily person test because that's not an option, but she's setting her realistic boundaries realistic goals like a this is how it's survived here.

26:39.500 --> 26:39.741
[SPEAKER_03]: Right.

26:39.761 --> 26:46.064
[SPEAKER_03]: And I don't think that she's self sabotaged the Xerox machine to make her feel at all either.

26:46.165 --> 26:51.308
[SPEAKER_03]: I think it was just the fact that she was new and she thought maybe that she would be even

26:52.517 --> 26:53.358
[SPEAKER_04]: Oh, yeah, absolutely.

26:53.458 --> 27:00.503
[SPEAKER_04]: And like, you know, theoretically, that's something that 100% should have been manageable, but it got a little too fast for her.

27:00.583 --> 27:09.909
[SPEAKER_04]: And once you, once it's shut it off, she get the wrong button and sped it up, you know, and if, if it's your first time touching on your piece of equipment, that could very easily happen.

27:10.590 --> 27:17.074
[SPEAKER_03]: Right, it's not Judy's fault that this thing malfunction or anything, but then you have, you know, a ball bag coming in there.

27:17.775 --> 27:19.676
[SPEAKER_03]: You have it coming in Franklin Hart.

27:20.688 --> 27:23.429
[SPEAKER_01]: And you just screwed up the whole time machine.

27:23.749 --> 27:25.269
[SPEAKER_03]: You don't know what you're doing here.

27:25.549 --> 27:25.809
[SPEAKER_04]: Yeah.

27:26.529 --> 27:27.589
[SPEAKER_03]: I'm like, bra.

27:28.790 --> 27:29.510
[SPEAKER_03]: She's new.

27:29.910 --> 27:34.051
[SPEAKER_03]: You just got introduced to this woman about five minutes ago, and you know, she's new.

27:34.491 --> 27:38.711
[SPEAKER_03]: But yeah, you're going to treat her like an employee that's been there for 30 plus years or five plus years.

27:39.532 --> 27:39.792
[SPEAKER_04]: All right.

27:40.352 --> 27:40.972
[SPEAKER_04]: Yeah.

27:41.832 --> 27:43.892
[SPEAKER_04]: Even the boarders don't even speak up against him.

27:44.633 --> 27:45.553
[SPEAKER_04]: Not a shred of grace.

27:46.733 --> 27:46.873
[SPEAKER_03]: No.

27:48.163 --> 27:56.606
[SPEAKER_03]: And so I think that actually sits the tone for what the office area actually is the only thing that I wish they would have focused on because I like darling and her husband.

27:58.747 --> 28:07.930
[SPEAKER_03]: And I wish they would have focused a little bit more on that relationship because I really feel like that that relationship between darling and her husband was really sweet.

28:08.090 --> 28:11.331
[SPEAKER_03]: You get that moment of like, come on darling, just smile for me.

28:11.931 --> 28:17.273
[SPEAKER_03]: Yeah, and I don't feel like that was like that was the only good guy in this movie was the husband.

28:18.518 --> 28:24.581
[SPEAKER_03]: I wanted to see a little bit more of that like I was on yeah, but yeah, I love Sun's a good guy too.

28:25.001 --> 28:31.504
[SPEAKER_04]: Yeah, it's just like your mom have a joint, but I mean, now I will say that Dora Lee's husband.

28:33.065 --> 28:36.066
[SPEAKER_04]: He definitely did not know what was going on at office.

28:36.106 --> 28:40.128
[SPEAKER_04]: She never came home and told him how Frank was acting towards her because he would have been up there with his own shot.

28:46.164 --> 29:04.888
[SPEAKER_04]: He started driving home alone late at night or something like that and, you know, she had never even shot it, which I did ask my wife, what the hell kind of man buys his wife a gun and that teacher I've achieved it, but you know, because that's that's more dangerous than not having it, but the fact of like it's barely haven't been not having it at all.

29:05.048 --> 29:13.490
[SPEAKER_04]: So it's like, yeah, just I might sit, I can see right, yeah, but yeah, I mean, she definitely never told him what Frank was doing or he would have been up there and so.

29:14.362 --> 29:14.802
[SPEAKER_03]: I agree.

29:14.822 --> 29:33.459
[SPEAKER_03]: I just wish that we had more moments like that, because I think that her husband was the most sweetest person that was in this movie aside from Violet's sons, who fully support Violet in every way, because you got to see her, them celebrate that moment with the garage door opener, then of course, hey mom, you need to relax.

29:33.619 --> 29:34.520
[SPEAKER_03]: Here, here's a joint.

29:35.100 --> 29:40.325
[SPEAKER_03]: So I like the balance of showing a little bit of the personal life with these women.

29:41.118 --> 29:42.359
[SPEAKER_03]: and versus the workplace.

29:42.419 --> 29:44.440
[SPEAKER_03]: So it gives a little bit of a separation period.

29:45.140 --> 29:45.440
[SPEAKER_04]: Yeah.

29:45.660 --> 29:52.544
[SPEAKER_04]: And, you know, plus also there was that just a quick line about her say something about your grandmother when they're for you.

29:52.624 --> 29:58.767
[SPEAKER_04]: So that does, you know, give you a little bit of insight that she has her mother care helping with the kids.

29:58.807 --> 30:01.829
[SPEAKER_04]: So we just get another woman getting, you know, thankless labor

30:04.993 --> 30:05.774
[SPEAKER_03]: So let's see here.

30:05.854 --> 30:14.643
[SPEAKER_03]: So now we go into when Violet discovers that the approach she was hoping to receive was instead given to a man because of a sexist hiring practices.

30:14.983 --> 30:23.032
[SPEAKER_03]: She confronts heart about it and as well as the rumors about Darlie who enters hearts office just in time to hear and now she realizes why she was.

30:23.425 --> 30:25.246
[SPEAKER_03]: come on on popular with the other secretaries.

30:25.666 --> 30:39.895
[SPEAKER_03]: While it storms off, starting dating that she needs a drink, Darly takes heart to task about her, his transitions, informing him that she keeps a gun in her purse and will turn him from a rooster to a hen with one shot.

30:40.455 --> 30:46.038
[SPEAKER_03]: If his sexist behavior continues, she then also leaves staying that she needs a drink.

30:46.519 --> 30:48.600
[SPEAKER_03]: And then you have the other secretary goes, that at girl.

30:50.952 --> 30:53.993
[SPEAKER_04]: Yeah, she's just like, well, I'll have a drink right here at my desk for you.

30:54.153 --> 30:55.614
[SPEAKER_04]: Just if you add it off.

30:55.894 --> 31:01.535
[SPEAKER_03]: I also like how she opens up the locker and then they're just also drinking.

31:02.235 --> 31:03.196
[SPEAKER_04]: There's no.

31:03.656 --> 31:04.796
[UNKNOWN]: Right.

31:04.996 --> 31:06.577
[SPEAKER_04]: Which, you know, working with all this.

31:06.997 --> 31:07.637
[SPEAKER_04]: Don't doubt it.

31:08.457 --> 31:08.657
[SPEAKER_03]: Right.

31:08.697 --> 31:09.277
[SPEAKER_03]: Exactly.

31:09.678 --> 31:12.158
[SPEAKER_03]: But like how you have violet, darling.

31:12.378 --> 31:13.479
[SPEAKER_03]: It's like, you know what, screw this.

31:13.679 --> 31:14.299
[SPEAKER_03]: I need a drink.

31:14.379 --> 31:15.739
[SPEAKER_03]: And then you also have now.

31:17.300 --> 31:18.600
[SPEAKER_03]: Now you also have.

31:19.305 --> 31:24.489
[SPEAKER_03]: Judy, who also goes into the bar to fall along with them to make sure she they're okay.

31:25.009 --> 31:32.415
[SPEAKER_03]: No, I'm like the fact now you have these women now crossing boundaries with each other to have a woman chat in the bar.

31:33.175 --> 31:45.845
[SPEAKER_03]: So I'm like how it was going from talking about Darlie really bad to now everybody's now related to this whole entire situation where everybody had a different experience with the slime ball and something that's been done.

31:46.727 --> 31:55.409
[SPEAKER_04]: Yeah, they definitely immediately were like, oh, shit, my bad and bonded over over all be a mutual administrative by him.

31:57.790 --> 31:58.710
[SPEAKER_03]: And I like the talk.

31:58.770 --> 32:00.331
[SPEAKER_03]: I mean, I like how they do this.

32:00.371 --> 32:03.111
[SPEAKER_03]: They find out talking in the bar until closing.

32:03.191 --> 32:08.973
[SPEAKER_03]: Well, not to closing, but then you have violence because well, I got this and it's actually the joint that our son gave her.

32:09.777 --> 32:13.879
[SPEAKER_03]: Yeah, and I like how Darley goes, I don't even see what the big deal is about this anyways.

32:14.059 --> 32:16.600
[SPEAKER_03]: I can never get high off of a spooking a joint.

32:17.200 --> 32:19.241
[SPEAKER_03]: Yeah, I don't see the big deal.

32:20.041 --> 32:24.022
[SPEAKER_04]: Yeah, Judy said she tried it once and then the next thing, you know, she's rolling on the floor.

32:26.003 --> 32:28.164
[SPEAKER_03]: They're they're picking out on ribs.

32:28.544 --> 32:30.885
[SPEAKER_03]: They're having a great time with each other.

32:31.385 --> 32:35.146
[SPEAKER_03]: I really love this and each one of them also has their own story of what they would actually do.

32:40.040 --> 33:01.627
[SPEAKER_04]: It was hilarious because like my wife had never seen this movie so all she knew was added involved in office and so like from the time that they got high and started having these wild you know western and you know hunting and and Disney fantasies, she's just like what the hell are we watching?

33:01.847 --> 33:04.268
[SPEAKER_04]: It's like it was just a fever during that

33:06.090 --> 33:20.762
[SPEAKER_03]: Right, and then, you know, Judy's upset over the firing of Maria, and then indicate that's why that makes that's what gives her a reason to go over to the bars because of the fact that Judy's upset over the firing of Maria, right, because she was just like this pilot, know about this, where's pilot, I have to go to violet.

33:21.602 --> 33:32.271
[SPEAKER_03]: Right, and new to an infraction of her heard by Ross, who had been east dropping in the ladies room joins violet in Darley and storming out of the office in the three women.

33:35.698 --> 33:41.721
[SPEAKER_03]: at the local bar before retiring to Dora Lee's house, this local joint, given them Violet, her teenager.

33:42.121 --> 33:47.804
[SPEAKER_03]: While they're beginning of their friendship forms, they share fantasies of getting revenge on Mr. Hart.

33:48.364 --> 33:53.286
[SPEAKER_03]: Judy wants to hurt him down, hunt him down like an animal in a classic mobster scenario.

33:53.666 --> 34:00.249
[SPEAKER_03]: Dora Lee wants to rope him like a stir in a western scenario, and Violet wants to poison him in a twisted,

34:04.767 --> 34:07.509
[SPEAKER_03]: So I'd like how everybody, I love this scenario.

34:07.749 --> 34:08.309
[SPEAKER_03]: I really do.

34:08.490 --> 34:14.914
[SPEAKER_03]: I like how we get one thing of this mob scene, but I also like how we have Darleys version though.

34:15.574 --> 34:22.919
[SPEAKER_03]: Where she gets on the horse, ropes and down, ties him down, shoots him, and goes, where do you think you're going, cowboy?

34:23.480 --> 34:27.843
[SPEAKER_03]: She gets the rope, and Lassos him, and pulls him back into the office.

34:28.143 --> 34:30.184
[SPEAKER_03]: I also like how she tells him, okay, turn this way.

34:31.025 --> 34:31.265
[SPEAKER_04]: Yep.

34:31.884 --> 34:45.676
[SPEAKER_04]: I guess to get that get back and down with that power play and you know, you know, make him uncomfortable, make him realize that you know, oh, it's not necessarily nice to have, you know, unwanted or unrequited advances.

34:46.957 --> 34:49.099
[SPEAKER_03]: Right, and also like how she goes, what's the name of that column?

34:49.119 --> 35:00.428
[SPEAKER_04]: Do you, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're, you're

35:01.447 --> 35:16.550
[SPEAKER_03]: But then you had to know white bit, which I thought was pretty interesting that we had that and I thought that was an interesting play is like, okay, so white is got poisoned, but she's the one who's doing the poisoning to Mr Hart, so I thought that was really interesting.

35:17.530 --> 35:23.872
[SPEAKER_04]: Also, you know, it's fun because some of those little critters that were running around with her looks like they were straight out of the old animated.

35:25.740 --> 35:28.763
[SPEAKER_04]: Robin had it with the fox's stuff like that.

35:28.843 --> 35:31.885
[SPEAKER_04]: I'm almost 100% sure that little rap with the wooden sword.

35:31.945 --> 35:34.087
[SPEAKER_04]: I'm almost 100% sure he was in Robin had it.

35:34.507 --> 35:49.160
[SPEAKER_03]: I could definitely see that especially whenever they were mentioning like thumper at the when were they were getting high for Bambi and like you know talking about Disney movies and then this is a part of that talked about Disney's associated with Disney.

35:50.121 --> 35:52.222
[SPEAKER_03]: a big funny like as the credits are playing.

35:52.242 --> 35:57.665
[SPEAKER_03]: This thing is not involved any type of murder.

35:57.685 --> 35:59.045
[SPEAKER_04]: We'll see why a disclaimer.

35:59.646 --> 36:02.647
[SPEAKER_03]: But with an angel like, like about this scene, these scenes.

36:03.988 --> 36:05.809
[SPEAKER_04]: Like I said, she was just flabbergasted.

36:05.829 --> 36:14.173
[SPEAKER_04]: She said she enjoyed it, but like if he had no clue what any given plots, which was going to be like after a certain point, if he had no

36:15.167 --> 36:18.729
[SPEAKER_04]: vague, vague idea of what the next scene was going to be.

36:18.809 --> 36:23.711
[SPEAKER_04]: Like she had no idea it involved everything and all the wildness that it did.

36:23.731 --> 36:26.973
[SPEAKER_04]: So it was it was fun to watch her watch it.

36:26.993 --> 36:34.897
[SPEAKER_04]: I'm like we had to pause a couple of times like let the dogs out of they started barking and so I'll check in with her and she and she also you just unmedicated ADHD.

36:34.917 --> 36:39.899
[SPEAKER_04]: So she has a hard time watching movies sometimes and I'm like are you in that Jesus was like I'm locked in.

36:40.139 --> 36:40.620
[SPEAKER_04]: Turn it back

36:42.660 --> 36:52.826
[SPEAKER_03]: This is definitely an angel of movie because I know your wife for so long, I knew that way that this was an angel of type because she loves silly comedy itself, you know.

36:54.147 --> 36:55.828
[SPEAKER_03]: But heart turns up the net.

36:55.908 --> 36:56.488
[SPEAKER_03]: Okay, hold on.

36:58.249 --> 36:58.850
[SPEAKER_04]: Last place.

36:59.530 --> 37:01.972
[SPEAKER_03]: Yeah, the following day and mix up leads.

37:03.853 --> 37:08.896
[SPEAKER_03]: Okay, the following day and mix up leads violet to accidentally spiking heart's coffee.

37:09.413 --> 37:10.234
[SPEAKER_03]: and rap poison.

37:10.354 --> 37:20.303
[SPEAKER_03]: However, before he can shrink the tainted coffee, heart falls out of his desk chair and hiss his head on the desk, which knocks him out cold.

37:20.884 --> 37:29.292
[SPEAKER_03]: On hearing he has been rushed to the hospital, Violet thinking he is sick from the external poisoning, Russia's to the hospital with Judy and Darley and Tau.

37:30.935 --> 37:37.139
[SPEAKER_03]: At the hospital, Hart who has regained consciousness leaves on his own without being seen.

37:37.499 --> 37:42.322
[SPEAKER_03]: And three mistake, a dead, basically sneak out of dead body.

37:42.862 --> 37:47.785
[SPEAKER_03]: Then you have the police who misdicts a police witness for their boss.

37:48.386 --> 37:52.128
[SPEAKER_03]: They steal the body who's been in autopsy, stash it in the trunk and drive-offs soon.

37:52.428 --> 37:57.551
[SPEAKER_03]: They discover they've stolen the wrong body so they smuggled back into the hospital.

38:00.859 --> 38:06.220
[SPEAKER_03]: She's actually thinking subconsciously, violet is of what she would really love to do with Mr. Hart.

38:07.120 --> 38:11.921
[SPEAKER_03]: And she actually does put the poison into the coffee.

38:12.121 --> 38:17.063
[SPEAKER_03]: And then he winds up falling back on that chair that needs to be fixed.

38:17.083 --> 38:20.803
[SPEAKER_03]: So I wonder if the maintenance department is really bad as well as just as he is.

38:21.203 --> 38:23.204
[SPEAKER_03]: But that chair needs to be repaired.

38:23.364 --> 38:28.205
[SPEAKER_03]: He falls backwards because we haven't seen this gag over and over again for like the last five minutes of this fall.

38:29.489 --> 38:45.172
[SPEAKER_03]: And then finally, it pays off with him being knocked out and then they're wondering, oh, snap, how do we need to go in ahead and remove the body from the board so there's no autopsy, but I like how they're they're in this panic mode, meanwhile, it's totally the opposite of what they're thinking.

38:45.872 --> 38:53.494
[SPEAKER_03]: So I really love this kind of mouse game that they're playing right now because of the fact they're panicking, but also to do something really that's happening really happening.

38:54.950 --> 39:12.752
[SPEAKER_04]: Yeah, I mean, it goes from an office comedy to a murder mystery for you, but yeah, and it's it's really interesting because like there's a lot of foreshadowing in the movie like a lot of little check all's guns, you know, like with the chair keeps the climbing back on exactly what you know the chair breaks is what box of mover or.

39:13.473 --> 39:38.787
[SPEAKER_04]: You know, she talks about don't gossip in the bathroom or Roswell over here and you and that's how Maria got fired and then, you know, that's how Roswell heard them accidentally talking in and it definitely made them sound guilty as hell, because, you know, with the, with the, with the way the conversation in the bathroom was definitely sounded awful, but what, like, one, one thing that stood out to me is though,

39:39.894 --> 39:47.796
[SPEAKER_04]: There was a woman who watched her make heart's coffee with the rat poison, and like I just wonder if he didn't notice.

39:48.036 --> 39:53.778
[SPEAKER_04]: Oh, that was rat poison, not skimmy and sweet and which is like, I'm getting on my business.

39:54.398 --> 39:58.239
[SPEAKER_03]: That would be funny though, like, I'm good.

39:58.900 --> 40:01.360
[SPEAKER_04]: Yeah, I see nothing.

40:02.841 --> 40:06.582
[SPEAKER_03]: I don't know nothing about no poison, don't know don't want anything to know about no voices.

40:07.290 --> 40:12.111
[SPEAKER_04]: Who said, oh, Logan's here, that has the guy's like, I don't know nothing.

40:12.171 --> 40:12.612
[SPEAKER_04]: No, nothing.

40:15.713 --> 40:18.233
[SPEAKER_04]: So I have my own business.

40:20.114 --> 40:23.975
[SPEAKER_03]: But then you have them going into the hospital and then they want to take them.

40:24.535 --> 40:27.696
[SPEAKER_03]: They want to take in the body and violence, like, okay.

40:28.396 --> 40:31.217
[SPEAKER_03]: She, how he's up, goes into this one room, takes the doctor's coat.

40:35.180 --> 40:38.141
[SPEAKER_03]: and she treats the employee really bad.

40:38.641 --> 40:39.261
[SPEAKER_03]: I am a doctor.

40:39.281 --> 40:41.022
[SPEAKER_03]: Why the hell am I fucking talking about yourself?

40:41.062 --> 40:43.563
[SPEAKER_03]: Right, because she's like, well, do you know where the break from is?

40:43.783 --> 40:44.463
[SPEAKER_03]: No, I'm new here.

40:44.543 --> 40:45.223
[SPEAKER_03]: I'm new here too.

40:45.803 --> 40:46.784
[SPEAKER_03]: Wait, you're a doctor.

40:47.024 --> 40:48.164
[SPEAKER_03]: Yeah, I am a doctor.

40:49.084 --> 40:51.565
[SPEAKER_03]: Then why the hell am I talking to you?

40:51.865 --> 40:53.506
[SPEAKER_03]: She just moves it along.

40:53.886 --> 40:57.667
[SPEAKER_03]: Then you have, then you have a dolly part in them.

40:57.747 --> 41:00.648
[SPEAKER_03]: They wind up going, taking the body with them.

41:01.779 --> 41:05.985
[SPEAKER_03]: And I think it's just funny because at this moment, they're like, are you really taking this dead body?

41:06.026 --> 41:07.227
[SPEAKER_03]: Yeah, we're really doing this.

41:08.670 --> 41:17.343
[SPEAKER_04]: And like, and she's apparently watching many mob movies or self because she's like, we're going to hang a great block and throw off the beer.

41:18.263 --> 41:21.446
[SPEAKER_03]: Right, where they can identify the body or anything, it won't fall back up.

41:21.686 --> 41:24.068
[SPEAKER_03]: We'll just tie her to the cement block, and we're good to go.

41:24.348 --> 41:26.711
[SPEAKER_03]: And at this moment, she's driving like a maniac.

41:26.931 --> 41:27.471
[SPEAKER_03]: She's older.

41:27.591 --> 41:31.895
[SPEAKER_03]: And like, do you want to get pulled over and leave over the body in the trunk?

41:33.096 --> 41:35.398
[SPEAKER_03]: And she's like, I have no time to talk right now.

41:35.698 --> 41:38.501
[SPEAKER_03]: We have to get rid of this body right now.

41:39.001 --> 41:42.965
[SPEAKER_03]: And then, all of a sudden, you see the cop and time to find out,

41:44.537 --> 41:45.137
[SPEAKER_03]: They're all panning.

41:45.377 --> 41:47.839
[SPEAKER_03]: What if we find the, what if we find the body?

41:47.859 --> 41:48.559
[SPEAKER_03]: Well, I have a gun.

41:48.759 --> 41:49.479
[SPEAKER_03]: Put the gun away.

41:49.539 --> 41:50.380
[SPEAKER_03]: We don't need the gun.

41:50.940 --> 41:53.721
[SPEAKER_04]: But that was one slide off the end.

41:53.741 --> 41:56.403
[SPEAKER_04]: We'll have that slide.

41:56.583 --> 41:57.123
[SPEAKER_04]: Orally.

41:58.684 --> 42:04.347
[SPEAKER_03]: And then you have the cop goes, well, I didn't pull you over because you were speeding or anything.

42:04.387 --> 42:06.247
[SPEAKER_03]: It's because of the factors that broke into your life.

42:07.088 --> 42:11.450
[SPEAKER_03]: And it might have just came undone when you probably got groceries out of the trunk or something.

42:12.128 --> 42:12.608
[SPEAKER_03]: Why don't I.

42:12.868 --> 42:14.810
[SPEAKER_03]: Why don't we go to the truck and we can reconnect.

42:14.850 --> 42:16.671
[SPEAKER_03]: No, um, I'm good.

42:16.691 --> 42:18.072
[SPEAKER_03]: We have an American merit mercy.

42:18.172 --> 42:18.672
[SPEAKER_03]: They're sick.

42:18.772 --> 42:19.233
[SPEAKER_03]: Who's sick?

42:19.353 --> 42:20.033
[SPEAKER_03]: They're both sick.

42:21.294 --> 42:22.254
[SPEAKER_04]: Because what do you want?

42:22.495 --> 42:23.035
[SPEAKER_04]: Replacing.

42:23.355 --> 42:24.036
[SPEAKER_04]: Yeah.

42:25.416 --> 42:26.917
[SPEAKER_03]: I thought it was getting sweet.

42:28.919 --> 42:29.439
[SPEAKER_03]: And they're both.

42:29.459 --> 42:31.640
[SPEAKER_03]: This is the same that they're both sick at the same time.

42:31.660 --> 42:32.821
[SPEAKER_03]: And they both sick.

42:32.941 --> 42:33.221
[SPEAKER_04]: I am.

42:33.582 --> 42:34.102
[SPEAKER_04]: She is.

42:36.524 --> 42:39.445
[SPEAKER_04]: It was like clearly someone's unwell here.

42:40.026 --> 42:40.306
[SPEAKER_03]: Right.

42:41.156 --> 42:43.978
[SPEAKER_03]: And then they go back and here's how are we going to explain this?

42:44.018 --> 42:46.719
[SPEAKER_03]: How are we going to explain that we have a dead body in the trunk?

42:47.660 --> 42:48.700
[SPEAKER_03]: Well, it was just a mistake.

42:48.720 --> 42:50.021
[SPEAKER_03]: I'm sure it happens all the time.

42:50.041 --> 42:53.983
[SPEAKER_04]: Thanks to them all for snapping.

42:54.544 --> 42:54.824
[SPEAKER_03]: Right.

42:54.984 --> 43:00.667
[SPEAKER_04]: I work what I I just want to know how they got it in the wheelchair and back into the hospital to get it.

43:03.195 --> 43:07.578
[SPEAKER_03]: And then I like how to win or you see them get drop it off, but you don't know what happened.

43:07.918 --> 43:09.820
[SPEAKER_03]: I'm like, oh, we're good now, we can go.

43:09.840 --> 43:16.364
[SPEAKER_03]: Then you find out from the housekeepers that they put it in the wheelchair and I like how these are, well, we got another one.

43:17.185 --> 43:19.366
[SPEAKER_04]: Yep, there's another stiff in the John.

43:19.386 --> 43:22.028
[SPEAKER_03]: Yeah, it happens every Tuesday.

43:22.829 --> 43:27.992
[SPEAKER_04]: I mean, it must, I don't know.

43:28.132 --> 43:29.753
[SPEAKER_04]: I've done, I've done custodia work.

43:29.793 --> 43:32.095
[SPEAKER_04]: It's not all, it's, you find things, man.

43:33.512 --> 43:34.413
[SPEAKER_03]: I don't even want to know.

43:35.374 --> 43:36.635
[SPEAKER_04]: I don't really know.

43:38.216 --> 43:41.419
[SPEAKER_03]: I'll give this band to you.

43:41.479 --> 43:43.521
[SPEAKER_03]: I just thought the banter was really good with this.

43:43.601 --> 43:48.105
[SPEAKER_04]: I really felt like it was one of those moments of like, oh crap, are they really going to get caught?

43:48.185 --> 43:49.346
[SPEAKER_03]: Because I never seen this movie.

43:49.686 --> 43:50.507
[SPEAKER_03]: And I seen this movie.

43:50.527 --> 43:52.408
[SPEAKER_03]: I wouldn't be panic just as much as they are.

43:53.029 --> 43:54.590
[SPEAKER_03]: But I'm panicking with them.

43:55.050 --> 43:55.751
[SPEAKER_04]: At your seat.

43:55.891 --> 43:56.432
[SPEAKER_04]: And that's right.

43:56.452 --> 43:57.893
[SPEAKER_04]: That's going to be a 40-6-year-old.

43:58.834 --> 43:59.294
[SPEAKER_03]: Exactly.

43:59.354 --> 44:01.396
[SPEAKER_03]: I'm like, how the hell are they going to get away with this?

44:03.341 --> 44:08.003
[SPEAKER_03]: And they do get away with it because the caught and goes, I like how the cop goes, well, I can also give you a police escort.

44:08.263 --> 44:10.344
[SPEAKER_03]: No, we don't need a police escort, we're good.

44:10.364 --> 44:12.345
[SPEAKER_04]: Yeah, there's no time.

44:12.965 --> 44:23.030
[SPEAKER_04]: No, I'm going to rush as an emergency by takes off and which you know today, if that happened, he would have back up there on the way.

44:26.135 --> 44:42.010
[SPEAKER_03]: By then, after that, we have hard curns up the next morning, much to the shock of Violet Dorley and Judy during a break in the ladies room, the three speculate on what could have happened, but ultimate decide to consider themselves lucky.

44:42.670 --> 44:44.051
[SPEAKER_03]: Simply forget the whole matter.

44:44.192 --> 44:48.616
[SPEAKER_03]: However, Ross holding in one of the stalls was hiding one of the stalls.

44:49.136 --> 44:52.980
[SPEAKER_03]: Over here's them in the conversation too hard.

44:53.600 --> 45:03.629
[SPEAKER_03]: He confronts Darlie about the hospital incidents and demands that she spent the midnight at his house or he'll have all three of them prosecuted and attempted for murder.

45:05.811 --> 45:07.293
[SPEAKER_03]: So what do you think of this scene?

45:08.424 --> 45:09.384
[SPEAKER_04]: He snapped.

45:09.464 --> 45:12.045
[SPEAKER_04]: She's just like, I'm not freaking play in this game.

45:13.645 --> 45:27.208
[SPEAKER_04]: I mean, you know, so it is kind of funny because as it progresses, they all three won't keep it to play out their fantasies because Lily Tomlin, the pilot accidentally poisoned some of the rap boys in like she dreamed about.

45:28.248 --> 45:33.289
[SPEAKER_04]: Not like it's a hard time, like she dreamed about, you know, with the phone cord ripping it out of the wall.

45:33.310 --> 45:33.570
[SPEAKER_04]: She told

45:36.210 --> 45:44.197
[SPEAKER_04]: And then Judy, you know, he got to take a shot at him, which I don't know how they didn't find any bullets in the office later.

45:44.217 --> 45:47.901
[SPEAKER_03]: I mean, I was going to live in some gun smoke residue or something.

45:48.321 --> 45:49.662
[SPEAKER_04]: Or to you know, Casey.

45:49.783 --> 45:50.884
[SPEAKER_03]: Right.

45:51.044 --> 45:54.987
[SPEAKER_04]: Well, no, it was it was a revolver, but still they did.

45:55.007 --> 46:01.133
[SPEAKER_04]: There was a bullet, there was some bullet holes, surely because they broke the window, which you saw the guy replace in the window that it's morning, but

46:01.924 --> 46:04.505
[SPEAKER_04]: Yeah, I don't I don't know let's just say this.

46:04.525 --> 46:18.268
[SPEAKER_03]: That's the fastest I ever seen the maintenance department work to get a window replaced Because it doesn't matter where you are the maintenance department or the IT department are the two departments that are really slow at what they're doing.

46:18.748 --> 46:20.149
[SPEAKER_03]: That's actually the fastest.

46:20.289 --> 46:21.929
[SPEAKER_03]: That's what that person needs a race.

46:24.190 --> 46:24.970
[SPEAKER_03]: Because we just want that.

46:31.955 --> 46:55.040
[SPEAKER_03]: But like I like that though, like you said, every single person has their moment of being able to have their dream come true and like how Judy get up where everybody has that moment and then, of course, you have the where they tie his hands together with the telephone wires because he threatens to call the cops and then Judy's a Judy takes a shot at him and this is all during the closing hours of the office.

46:55.100 --> 46:57.981
[SPEAKER_03]: So there's no one around to really back anything up.

46:58.931 --> 47:05.607
[SPEAKER_04]: You know, I guess it's a really good thing everybody these five is, you know, Dora Lee went in his office like, hey, it's five o'clock, you wanted to see me?

47:05.687 --> 47:07.291
[SPEAKER_04]: And everybody's already gone.

47:08.368 --> 47:11.470
[SPEAKER_03]: But yeah, then that happens.

47:11.590 --> 47:20.635
[SPEAKER_03]: We have the three can app him in, bring him to the tutor style mansion, keeping him prisoner in his bedroom, while they find a way to blackmail him.

47:20.935 --> 47:27.379
[SPEAKER_03]: The three women discovering an emissive scheme and must keep heart tied up at home while they collect evidence on it.

47:27.479 --> 47:35.184
[SPEAKER_03]: The women use hearts absence to affect numerous changes around the office in his name, including

47:36.030 --> 48:01.169
[SPEAKER_03]: including but not limited to flexibility of work hours equal pay for meal and female employees a job sharing program and even an on-site daycare center for employees with children parts so hated around their office by meal and female employees alike that the only person to question his absence is rods whom violet sends away from multi-week training exercise and friends.

48:03.481 --> 48:13.512
[SPEAKER_04]: I thought it was really interesting that everybody was just like, you know what, it's nice to not see the guy, you know, and so they were just accepting all these changes sight and seeing which.

48:14.502 --> 48:25.410
[SPEAKER_04]: You know, having worked in a corporate office situation, I don't know how well that I actually would have gone over for him, but I mean, you know, at the same time, the guy upstairs said, this is your for run it as you like.

48:25.470 --> 48:33.976
[SPEAKER_04]: And so they were just passing along his memo, his memo's and the signature as long as you have is okay, you're good to go.

48:43.404 --> 48:50.969
[SPEAKER_03]: Okay, they had it tied up for about six weeks and it doesn't even look like he's it looks like he just got on the bat.

48:51.149 --> 48:54.832
[SPEAKER_03]: It looks like the dude doesn't really have any hygiene problems at all.

48:55.592 --> 49:02.917
[SPEAKER_04]: But yeah exactly like they took the racers he's perfectly shamed he's got his mustache as groomed you know, which I know me if I don't

49:11.421 --> 49:13.722
[SPEAKER_03]: Also do the boxers don't have crap stains in on it.

49:13.902 --> 49:18.564
[SPEAKER_03]: Although they Well, he didn't have a little bit of flexibility with the chain.

49:19.104 --> 49:19.404
[SPEAKER_03]: Right.

49:19.924 --> 49:22.165
[SPEAKER_03]: But like how they dress up up like a BDSM.

49:24.406 --> 49:32.269
[SPEAKER_04]: Play with a foot shower Which like what kind of Jerry Reagan?

49:34.889 --> 49:38.871
[SPEAKER_03]: Don't we get the door the garage door opener that they use whenever they get

49:41.620 --> 49:53.408
[SPEAKER_03]: I tied this man up to the garage door opener, attached with the chain to the dog collar, so if he gets out of control, so it's hard to this to the paragliding artist.

49:54.248 --> 49:57.250
[SPEAKER_04]: And you know, didn't normally say they used this charge card for all.

49:57.630 --> 50:01.473
[SPEAKER_04]: Yeah, they used this charge card so all that and his name.

50:04.155 --> 50:14.181
[SPEAKER_03]: like to insult the injury time and knowing him being the man that he is his wife doesn't not have any control over his money or his spending funds or anything.

50:14.441 --> 50:25.206
[SPEAKER_03]: So he has a paper trail to basically look and see oh my husband bought up dog home and a garage door opener and why are partuses?

50:25.747 --> 50:31.269
[SPEAKER_04]: Because I mean I'm pretty sure what it like 1976 that when we were able to open their own bakery counts, you know.

50:33.515 --> 50:33.895
[SPEAKER_04]: Exactly.

50:33.915 --> 50:35.676
[SPEAKER_04]: And plus, you know, she's out of the country.

50:35.696 --> 50:42.899
[SPEAKER_04]: They sent her all the crews and, you know, it, you know, she planned the screws and then blew up at her.

50:42.919 --> 50:45.540
[SPEAKER_04]: Like, I can't go for a six week vacation.

50:45.600 --> 50:48.621
[SPEAKER_04]: And so she's just like, here it was.

50:50.022 --> 50:50.242
[SPEAKER_03]: Right.

50:50.602 --> 50:54.604
[SPEAKER_03]: Because she, because they do the crews, they give her flowers in his name.

50:55.304 --> 50:56.024
[SPEAKER_03]: And she goes away.

50:56.384 --> 51:01.186
[SPEAKER_03]: Ros goes on a trip to France to to learn stuff.

51:01.206 --> 51:02.247
[SPEAKER_03]: I don't know.

51:03.089 --> 51:09.974
[SPEAKER_04]: Yeah, they send, they send us like a language of university or something to learn for instance, they said they were going to open an office overseas.

51:11.055 --> 51:16.078
[SPEAKER_03]: But when I like about this is though, like everybody's against this guy, Mr. Hart, right?

51:16.638 --> 51:30.052
[SPEAKER_03]: So I like how the men are also against him just as the women are against him and they're doing all this stuff at the daycare center and also to nobody has to work nine to five it's actually free range hours work whatever you can get in.

51:30.072 --> 51:36.099
[SPEAKER_03]: So everybody's having this freedom around the workplace without the boss they basically weekend at earnings him.

51:37.253 --> 51:39.334
[SPEAKER_03]: It's like, yeah, exactly.

51:39.734 --> 51:43.136
[SPEAKER_03]: Except for one thing, the dude is telling.

51:43.697 --> 51:47.439
[SPEAKER_04]: Yeah, it's more, it's more puppeteering, you know?

51:47.479 --> 51:50.800
[SPEAKER_04]: I would say, especially because he's literally on the street.

51:51.000 --> 51:51.541
[UNKNOWN]: Right.

51:51.801 --> 51:52.061
[UNKNOWN]: Right.

51:52.761 --> 51:54.963
[SPEAKER_03]: So yeah, they basically were, we get a Bernie's him.

51:55.363 --> 52:02.907
[SPEAKER_03]: And then we finally get, meanwhile, as Judy is got him Mr. Hart, her ex-husband Dick shows up, comes to ask her to stalk him.

52:03.660 --> 52:07.342
[SPEAKER_03]: Yeah, begging with his tail in between his legs.

52:07.502 --> 52:08.342
[SPEAKER_04]: I'm so sorry.

52:08.442 --> 52:09.423
[SPEAKER_04]: I made him his dick.

52:09.463 --> 52:12.224
[SPEAKER_03]: My secretary that ran off with broke up with me.

52:12.604 --> 52:14.525
[SPEAKER_03]: It didn't mean anything to me, dude.

52:14.785 --> 52:15.225
[SPEAKER_03]: Shout out.

52:15.905 --> 52:19.647
[SPEAKER_04]: And what he said, he'd been chasing the house out for three days.

52:19.667 --> 52:24.849
[SPEAKER_04]: So he's literally stalking his life, which that's a whole other shenanigans.

52:25.429 --> 52:25.630
[SPEAKER_03]: Right.

52:25.690 --> 52:27.550
[SPEAKER_03]: And he goes, oh, I thought you were living with somebody.

52:27.570 --> 52:29.331
[SPEAKER_03]: I was just chasing the house.

52:29.991 --> 52:31.072
[SPEAKER_03]: Dude, it doesn't matter.

52:31.132 --> 52:33.233
[SPEAKER_03]: You have your secretary that you cheated on your wife

52:34.810 --> 52:36.591
[SPEAKER_03]: And he already divorced.

52:37.091 --> 52:38.032
[SPEAKER_03]: Right, you're already divorced.

52:38.052 --> 52:40.573
[SPEAKER_03]: You gave her the walking papers at the very beginning of this film.

52:41.654 --> 52:43.495
[SPEAKER_03]: And you got what you wanted.

52:43.875 --> 52:46.416
[SPEAKER_03]: Judy doesn't have anything that she wanted.

52:47.957 --> 52:50.738
[SPEAKER_03]: Other than this job now with her friends that she now has friends.

52:50.778 --> 52:52.800
[SPEAKER_03]: And now she's also tougher than white.

52:53.480 --> 52:55.381
[SPEAKER_03]: I have to say, I think the kidnapping actually helped her.

52:56.101 --> 52:56.922
[SPEAKER_04]: Yeah.

52:57.502 --> 53:02.124
[SPEAKER_04]: She gained a lot of confidence and more important to you

53:03.374 --> 53:06.215
[SPEAKER_04]: Like it was beginning, you know, this is her first job ever.

53:06.275 --> 53:10.918
[SPEAKER_04]: Like when she's getting her paperwork on, it's like she's never worked a job in her life.

53:11.218 --> 53:14.879
[SPEAKER_04]: And she said, I've only ever been a housewife, like not even to stay at home on.

53:14.899 --> 53:16.420
[SPEAKER_04]: I don't think her and Dick added against.

53:16.880 --> 53:27.225
[SPEAKER_04]: He was just like, just a housewife, which I know there's a lot of labor that goes into that, you know, but yeah, so she didn't have any real life skills outside of the home.

53:27.445 --> 53:30.787
[SPEAKER_04]: And so this, this was kind of a trial by fire.

53:34.076 --> 53:36.897
[SPEAKER_04]: be an adult even as she was a criminal.

53:37.157 --> 53:42.419
[SPEAKER_03]: All you have to do is go ahead and can have somebody in gain confidence at the same time.

53:42.439 --> 53:43.099
[SPEAKER_04]: I don't know what you said.

53:43.119 --> 53:44.580
[SPEAKER_04]: It was just kind of a trial by fire.

53:44.600 --> 53:45.921
[SPEAKER_04]: It's just like you were done.

53:45.981 --> 53:47.541
[SPEAKER_03]: You were done, right?

53:48.001 --> 53:52.823
[SPEAKER_03]: But you know, I like how she tells them, because Dick, you need to go.

53:53.704 --> 53:54.884
[SPEAKER_03]: You cannot be here.

53:56.379 --> 54:02.744
[SPEAKER_03]: And there's, okay, I'll make coffee or tea for you and then you can go and then he hears the noise upstairs.

54:02.824 --> 54:03.665
[SPEAKER_03]: No, it's probably the cat.

54:03.685 --> 54:04.846
[SPEAKER_03]: I'll go and see what's going on.

54:07.068 --> 54:12.472
[SPEAKER_03]: And then it's, it's, it's, you know, it's actually Mr. Hart.

54:12.692 --> 54:21.159
[SPEAKER_03]: He's trying to get out of those BDSM cups because he's got like the nail file and he's got one of the undone already.

54:21.179 --> 54:21.439
[SPEAKER_03]: He's been

54:26.365 --> 54:29.347
[SPEAKER_03]: And then she comes out there, she was, Mr. Hart, what are you doing?

54:30.208 --> 54:31.729
[SPEAKER_04]: And he starts to get stuck there.

54:31.749 --> 54:35.832
[SPEAKER_04]: It looks like a dog that's getting out of his can of all.

54:35.872 --> 54:42.457
[SPEAKER_03]: So she presses the bunny, he goes up like Peter Pan and and she takes care of him.

54:42.637 --> 54:50.603
[SPEAKER_03]: Ever that she closes the door, Dick is still there and he goes, is that a person goes, yes, are you into this BDSM?

54:50.743 --> 54:51.323
[SPEAKER_03]: Yes, I am.

54:51.464 --> 54:52.885
[SPEAKER_03]: This is the kind of person I am now.

54:53.165 --> 54:54.586
[SPEAKER_03]: Because yes, this is who I am.

54:55.226 --> 55:00.368
[SPEAKER_03]: And if I want to go ahead and have BDSM SNM sweet and low, it don't matter.

55:00.388 --> 55:04.010
[SPEAKER_04]: I don't know if she says sweet and low, but she's she makes stuff.

55:04.030 --> 55:04.290
[SPEAKER_04]: That's it.

55:04.470 --> 55:10.172
[SPEAKER_04]: And then she said, I'll go have him and then he's like, yeah, I know something you don't.

55:13.274 --> 55:17.095
[SPEAKER_04]: Which I mean, if you didn't know what it was, and you all didn't do that.

55:17.135 --> 55:18.516
[SPEAKER_04]: It does look like supply time.

55:19.396 --> 55:20.056
[SPEAKER_03]: It really does.

55:20.116 --> 55:22.277
[SPEAKER_03]: It looks like a, especially in the mansion part.

55:22.317 --> 55:23.858
[SPEAKER_03]: It kind of looks like a Hugh Heffner.

55:24.540 --> 55:25.961
[SPEAKER_03]: Manchin playboy.

55:26.401 --> 55:28.301
[SPEAKER_04]: No, this is 50 shades occurring at this point.

55:28.602 --> 55:29.342
[SPEAKER_03]: Yeah, that's true.

55:29.462 --> 55:32.103
[SPEAKER_03]: That's the shades of great, definitely in the 80s.

55:34.023 --> 55:36.284
[SPEAKER_03]: Then putting this woman's plan to her jeopardy.

55:36.364 --> 55:51.330
[SPEAKER_03]: And heart managers to break free and return to the stolen items back to the warehouse, then he escorts the woman to the office again point heart appeal the charges which have been made in his absence but receives an unexpected visit from Russell

55:52.617 --> 56:04.906
[SPEAKER_03]: And the company, Chairman, who has come, been gradually hard, who looks like freaking Colonel Sanders, or increasingly in product activity and numerous other activities.

56:05.026 --> 56:09.829
[SPEAKER_03]: However, he was the equal pay eliminated.

56:10.270 --> 56:12.471
[SPEAKER_03]: Roger Fossler's no longer an alcoholic.

56:12.651 --> 56:14.993
[SPEAKER_03]: Thanks to the company's alcohol rehab program.

56:15.333 --> 56:19.176
[SPEAKER_03]: I'm re-as-backed with the company on a part-time basis in sharing her work.

56:19.695 --> 56:22.537
[SPEAKER_03]: load without another employee, right?

56:22.637 --> 56:33.785
[SPEAKER_03]: Tens were the, were the so impressed that the recruits heart to work at cause all the days in Brazil, Brazil operates for the next few, next four years.

56:34.225 --> 56:41.370
[SPEAKER_03]: Ros returns from her training in his stunt to discover Violet Judy in Dora Lee, Dora Lee, so I'll bring in Hart's office.

56:42.331 --> 56:46.594
[SPEAKER_04]: Yeah, and with a nice little, get by the sensors,

56:48.976 --> 56:54.458
[SPEAKER_03]: Right, but you know what though I like this moment of like heart is the type of person that wants to take credit for everything.

56:54.898 --> 57:04.761
[SPEAKER_03]: So I like how the women are at first being kind of pissed off because they're taking credit for the daycare and being in order again, but the same time though, heart is also digging his own hole.

57:05.435 --> 57:08.956
[SPEAKER_04]: You have to go ahead and take that credit if you want.

57:08.976 --> 57:10.796
[SPEAKER_03]: So, right.

57:11.056 --> 57:12.356
[SPEAKER_03]: So, take your whole little bit more.

57:12.376 --> 57:15.157
[SPEAKER_03]: And then, you're just going to have to tell me how you do this.

57:15.517 --> 57:16.317
[SPEAKER_03]: How did you do this?

57:16.657 --> 57:17.617
[SPEAKER_03]: And it just came to me.

57:17.637 --> 57:21.418
[SPEAKER_04]: It looks like, well, Violet, you worked on this.

57:21.958 --> 57:24.018
[SPEAKER_04]: Why don't you get the rundown?

57:24.418 --> 57:28.279
[SPEAKER_04]: Oh, this is Violet News that my senior staff, whatever, don't know.

57:28.299 --> 57:30.760
[SPEAKER_04]: President, my senior president for the company.

57:31.240 --> 57:31.540
[SPEAKER_04]: Yeah.

57:31.580 --> 57:33.000
[SPEAKER_04]: Yeah, I mean, she became it.

57:33.500 --> 57:50.937
[SPEAKER_04]: But like, well, I did want to, I know where we, we ran, but we changed rabbits, but I did want to mention one thing that was really interesting not only did they change the environment of the office because they started allowing personal touches and items on the desk and went on it looked like they added a lot of color to it.

57:51.338 --> 57:53.780
[SPEAKER_04]: It went from very days to like bright.

57:54.296 --> 58:08.341
[SPEAKER_04]: Well, which bright for early, so it's like orange and brown, but if like, you know, it added color to it, they're also seem to be a lot more diversity in the office because either there were, there were his panicking color of black and more working up in the office face.

58:08.361 --> 58:12.003
[SPEAKER_04]: There was even a man in the wheelchair, which we hadn't seen that before.

58:12.043 --> 58:14.344
[SPEAKER_03]: Right, because that's the first thing you see is the man in the wheelchair.

58:14.604 --> 58:15.844
[SPEAKER_03]: And he's like, how is this?

58:16.645 --> 58:17.605
[SPEAKER_04]: Yeah, so like, it's

58:19.255 --> 58:36.852
[SPEAKER_04]: They were able to, you know, bring about diversity and issues which in early ages, absolutely not heard of, you know, even today, disabled people have hard time getting steady work, especially because, which I'm not gonna go on a soapbox, but like, you know, you can't work and get this ability at the same time.

58:36.892 --> 58:39.095
[SPEAKER_04]: So, you know, we're just trapped financially.

58:39.715 --> 58:41.137
[SPEAKER_04]: So, it was just that was,

58:42.180 --> 58:48.762
[SPEAKER_04]: You know, it was just a lot of not only, like I said, not even environmental changes, but personnel changes.

58:48.782 --> 58:49.583
[SPEAKER_04]: It was right.

58:49.623 --> 58:54.364
[SPEAKER_03]: A lot of, I think that there was a lot of positive with this, because you made for your opinion, grow.

58:55.765 --> 58:58.286
[SPEAKER_03]: I think you said 30% went up about 30 or 40%.

58:58.346 --> 59:02.647
[SPEAKER_03]: That's what employed people with who have disabilities.

59:03.007 --> 59:09.650
[SPEAKER_03]: You gave them a reason to work and reason to live and a reason to play paid their bills without having to go through

59:11.151 --> 59:22.457
[SPEAKER_03]: So like that moment and that's like you said, it is hard for people with disabilities to be able to work in the work environment and have a good financial thing without without it going into the government stuff.

59:29.253 --> 59:34.636
[SPEAKER_04]: And so, you know, just because this is the a wheelchair user employed just as much as everybody else.

59:34.676 --> 59:39.139
[SPEAKER_04]: And like I said, you know, the fact that there were, you know, not just white folks working there anymore.

59:39.319 --> 59:47.864
[SPEAKER_04]: So, you know, it was Maria and the black woman were both doing the job share and they were able to one work some morning, one works afternoon and more flexible hours.

59:48.164 --> 59:52.907
[SPEAKER_04]: So that working parents can take care of their kids and they have the day care center.

59:52.947 --> 59:56.209
[SPEAKER_04]: So they don't have to, you know, watch be kids or whatever.

59:56.309 --> 59:57.850
[SPEAKER_04]: So that was, that was just really great.

59:58.932 --> 01:00:07.175
[SPEAKER_03]: Right, that also eliminates the pay for daycare centers when they have a daycare center inside the office area, and then worry about rush hour traffic.

01:00:07.795 --> 01:00:12.537
[SPEAKER_03]: It's a perfect work environment and it's working, but yet art doesn't like it.

01:00:12.557 --> 01:00:18.739
[SPEAKER_03]: He wants to do away with it up until the point where Colonel Sanders, which is, that's what I'm calling this guy.

01:00:19.119 --> 01:00:21.500
[SPEAKER_04]: Yeah, definitely Sanders.

01:00:22.253 --> 01:00:31.839
[SPEAKER_03]: But he winds up telling him, well, you did such a great job here, son, I'm going to go out ahead and you're going to work at Brazil for years Brazil for years.

01:00:32.579 --> 01:00:37.982
[SPEAKER_03]: Yeah, I don't think so, man, I'm not the type of person that says no.

01:00:38.682 --> 01:00:41.624
[SPEAKER_04]: Yeah, he basically say this is not an ass.

01:00:41.664 --> 01:00:42.365
[SPEAKER_04]: This is a tail.

01:00:43.745 --> 01:00:44.446
[SPEAKER_03]: So you're taking it.

01:00:45.526 --> 01:00:47.187
[SPEAKER_03]: And the woman's like, I went ahead.

01:00:47.648 --> 01:00:47.968
[SPEAKER_03]: Take it.

01:00:48.756 --> 01:00:49.297
[SPEAKER_04]: Yeah.

01:00:49.357 --> 01:00:50.718
[SPEAKER_04]: Good job.

01:00:50.758 --> 01:00:52.159
[SPEAKER_04]: Congratulations.

01:00:54.402 --> 01:00:55.723
[SPEAKER_04]: You're good.

01:00:55.763 --> 01:00:55.963
[SPEAKER_03]: Right.

01:00:56.023 --> 01:00:57.605
[SPEAKER_03]: You're in this great job, buddy.

01:00:58.125 --> 01:01:08.516
[SPEAKER_03]: But then we finally had like the last, then when Ross shows up, I like how's that old shit moment of like, you know what I'm saying is like, wait, why is.

01:01:09.209 --> 01:01:10.329
[SPEAKER_03]: Why are these women celebrating?

01:01:10.389 --> 01:01:29.615
[SPEAKER_03]: Why are they opening up a champagne bottle which is the same champagne bottle that the administrator who's over everything gave them Who owns the company and now they're all toasting they all have their promotions everything's working out all except for Mr. Hart And Yeah, yeah, it is revealed

01:01:35.811 --> 01:01:40.833
[SPEAKER_03]: that Violet finally got promoted to Hart's job, in which Ross must not answer to her.

01:01:41.413 --> 01:01:45.635
[SPEAKER_03]: Ross, Judy falls in love with him, and Maristice, a Xerox person, represented him.

01:01:46.055 --> 01:01:49.796
[SPEAKER_03]: Garley quits consolidated and becomes a country of Western singer.

01:01:50.437 --> 01:01:55.399
[SPEAKER_03]: And Hart's abducted by Amazon's in the Brazilian jungle, and is never heard from again.

01:01:57.719 --> 01:02:04.402
[SPEAKER_03]: So it all worked out in the wash for all these women, all except Hart, which is the perfect revenge plot for this movie.

01:02:04.799 --> 01:02:06.861
[SPEAKER_03]: because it could have gone the bad way up.

01:02:07.281 --> 01:02:12.565
[SPEAKER_03]: These women are going to have to go do time because it's a man's world, but they have to find a way to get it.

01:02:13.005 --> 01:02:18.690
[SPEAKER_03]: Basically, we already know this man is bad, but for us, the audience is like, we've been sharing these women on.

01:02:18.810 --> 01:02:22.913
[SPEAKER_03]: We don't want this movie to end this way where these women are having to go to prison.

01:02:23.213 --> 01:02:27.436
[SPEAKER_03]: They are has to be a reason to stop him in his tracks to not do this.

01:02:28.677 --> 01:02:32.640
[SPEAKER_04]: One thing I did think was interesting for a solicitor when they found out

01:02:35.626 --> 01:02:46.839
[SPEAKER_04]: uh missy hard his wife call indorally and be like I know you sent me the flowers and so this was kind of a moment of another woman being like I'm not as dumb as I would and so.

01:02:48.641 --> 01:02:50.203
[SPEAKER_04]: I wish there had been a little.

01:02:50.667 --> 01:03:19.796
[SPEAKER_03]: It's further development of that conversation because that was kind of a loose end, you know what I mean I feel you on that one because of the fact is like that old crap moment where caught she knows everything and they're now panicking again, which is also another comedic thing, but at the first thing time though, do we really need that comedic thing now because now everything's being tied together, you know, I feel like it would have been more, I think it would have been better if she arrived with the person of the company, the person that owns it.

01:03:20.827 --> 01:03:32.109
[SPEAKER_03]: Yeah, and tell her, tell them what she knows about what her husband's been doing right, which yeah, it was just then get the promotion over to finally.

01:03:33.469 --> 01:03:40.991
[SPEAKER_04]: Yeah, and it's just, you know, the fact that he actually was just like, oh, you should see the exercise he's got set up his arm at you.

01:03:42.251 --> 01:03:42.971
[SPEAKER_04]: I just love it.

01:03:43.891 --> 01:03:47.292
[SPEAKER_04]: And the fact that he's he's still lying to his life.

01:03:47.312 --> 01:03:48.852
[SPEAKER_04]: He's still making up excuses.

01:03:49.787 --> 01:03:53.108
[SPEAKER_04]: rather than admit that he's been had, you know?

01:03:53.748 --> 01:03:55.149
[SPEAKER_03]: But this man is who we is.

01:03:55.169 --> 01:03:56.129
[SPEAKER_03]: There's no change in him.

01:03:56.749 --> 01:04:00.710
[SPEAKER_03]: You wouldn't have changed about, I think the kidnapping would have changed them, but it didn't.

01:04:00.850 --> 01:04:03.411
[SPEAKER_03]: You wouldn't have not read through anything with the gun.

01:04:03.511 --> 01:04:04.751
[SPEAKER_03]: That would have changed them, but no.

01:04:05.592 --> 01:04:10.853
[SPEAKER_03]: This man isn't refusing to change his ways, which also made them do what they had to do.

01:04:11.593 --> 01:04:13.974
[SPEAKER_04]: So, did they try to reason with them?

01:04:14.014 --> 01:04:16.735
[SPEAKER_04]: They were like, they tried to tell them, like, look, this was...

01:04:17.492 --> 01:04:20.513
[SPEAKER_04]: all the big misunderstanding and he's just like no one jail.

01:04:20.633 --> 01:04:25.715
[SPEAKER_04]: I'm going to get free of I have to kill one of you and they're like, oh, well, you know, good luck with that buddy.

01:04:27.296 --> 01:04:27.636
[SPEAKER_03]: I agree.

01:04:28.136 --> 01:04:30.117
[SPEAKER_04]: So now that we've never learned and grew.

01:04:30.838 --> 01:04:33.078
[SPEAKER_03]: No, there's no reasoning with him.

01:04:33.118 --> 01:04:35.099
[SPEAKER_03]: It's kind of like a, I, you can't reason with him.

01:04:35.219 --> 01:04:37.140
[SPEAKER_03]: You can't do anything with this man.

01:04:37.340 --> 01:04:38.161
[SPEAKER_03]: He is who he is.

01:04:38.881 --> 01:04:44.343
[SPEAKER_03]: So yeah, so my question for you now that we dissected this movie, seen by scene and gave this thing

01:04:48.392 --> 01:05:04.945
[SPEAKER_04]: Well, like I said, I feel like on the basis of movie making, like I said, seven and a half to an eight, but just for the classic comedy, just that it's, you don't get slapstick like this anymore, you know?

01:05:05.706 --> 01:05:08.988
[SPEAKER_04]: And, you know, the, the nostalgia rating, that's a 15.

01:05:09.008 --> 01:05:11.250
[SPEAKER_04]: So that just doubles the score, you know what I'm saying?

01:05:12.030 --> 01:05:14.492
[SPEAKER_04]: But like, I mean, this was Dali's first movie,

01:05:15.381 --> 01:05:17.322
[SPEAKER_04]: In some bits of performance you can sell that.

01:05:17.442 --> 01:05:18.822
[SPEAKER_04]: It's a little rough around the edges.

01:05:19.282 --> 01:05:25.764
[SPEAKER_04]: You know, I saw this thing about how Jane Fonda and Lily Tomlin were making this movie.

01:05:25.784 --> 01:05:28.285
[SPEAKER_04]: They knew they wanted it to be a three piece ensemble.

01:05:28.885 --> 01:05:35.127
[SPEAKER_04]: They just weren't sure who was going to round them out and then she heard Dally on the radio's like that's her that's who we need.

01:05:35.567 --> 01:05:37.887
[SPEAKER_03]: That's a perfect casting choice to be honest with you.

01:05:37.927 --> 01:05:38.648
[SPEAKER_03]: Exactly.

01:05:39.488 --> 01:05:40.068
[SPEAKER_04]: Well, they.

01:05:40.417 --> 01:05:55.270
[SPEAKER_04]: They wrote the character gorely around Ali, so they had kind of a vague idea in place, but then once they cast Ali, they made it a character of Ali, you know, and so it was just, it was a perfect choice, but like I said, you know,

01:06:02.918 --> 01:06:04.979
[SPEAKER_04]: by he still did a wonderful job.

01:06:05.019 --> 01:06:07.281
[SPEAKER_04]: She was a performer, do her core.

01:06:07.361 --> 01:06:10.403
[SPEAKER_04]: She was, I mean, she was comedically brilliant.

01:06:10.523 --> 01:06:10.863
[SPEAKER_04]: I'd say.

01:06:11.464 --> 01:06:20.850
[SPEAKER_03]: She has great comedic timing and also too, the way they wrapped it up at the end with the epilogue, making her the country singer is very down and initially very dolly and very classic dolly.

01:06:21.130 --> 01:06:25.513
[SPEAKER_03]: So I think they managed to understand her humor and her personality.

01:06:25.553 --> 01:06:27.234
[SPEAKER_03]: I think they managed to mesh it up really well.

01:06:27.738 --> 01:06:29.880
[SPEAKER_03]: I've really do love this movie.

01:06:29.940 --> 01:06:35.545
[SPEAKER_03]: I really like the empowerment of women working in the workplace and also standing up through their grounds to the man.

01:06:35.785 --> 01:06:36.586
[SPEAKER_03]: So I like that.

01:06:37.367 --> 01:06:48.376
[SPEAKER_03]: And for me, I'm gonna have to give this at least at a 7.5 out of 10 because I've been from three, not an aesthetically now up to a 7.5, which means that I'm gonna actually read and watch this movie again.

01:06:48.877 --> 01:06:52.200
[SPEAKER_03]: And see if there's any other small details that I might have missed along the way.

01:06:52.800 --> 01:06:57.361
[SPEAKER_03]: But still overall, great fun movie, but I also want to talk about this before we close up.

01:06:57.701 --> 01:07:09.164
[SPEAKER_03]: But I think that's why I think that nine to five still works, the close change, the technology change, the office change, but some of the conversations this movie was having in 1980, our conversations were having still today.

01:07:09.484 --> 01:07:12.824
[SPEAKER_03]: And that's what makes the companies still hit differently all these years later.

01:07:13.585 --> 01:07:16.565
[SPEAKER_03]: And, you know, we don't have even one of our

01:07:20.967 --> 01:07:22.028
[SPEAKER_03]: Where do you punch in and out at?

01:07:22.608 --> 01:07:23.529
[SPEAKER_03]: We don't do that anymore.

01:07:23.549 --> 01:07:24.770
[SPEAKER_03]: We don't have the punch cards anymore.

01:07:24.790 --> 01:07:26.211
[SPEAKER_03]: Now it's all technology.

01:07:26.612 --> 01:07:32.796
[SPEAKER_03]: So that's another thing that's different than what it is inside the work environment itself as far as the office place goes.

01:07:33.257 --> 01:07:35.078
[SPEAKER_03]: But still, I think this movie still fits.

01:07:35.158 --> 01:07:39.842
[SPEAKER_03]: I still think this movie is still surprisingly revelated today.

01:07:40.863 --> 01:07:45.847
[SPEAKER_03]: And yeah, so my question for you guys is do you think that nine to five was ahead of its time or

01:07:46.647 --> 01:07:49.209
[SPEAKER_03]: are just workplaces still trying to catch up.

01:07:49.589 --> 01:07:53.572
[SPEAKER_03]: Which character do you relate to most Violet, Darlie or Judy?

01:07:53.933 --> 01:07:57.475
[SPEAKER_03]: Which of the workplaces change changes in the movie surprise you the most?

01:07:57.855 --> 01:07:59.777
[SPEAKER_03]: And does this comedy still hold up for you today?

01:08:00.077 --> 01:08:02.879
[SPEAKER_03]: Let us know in the comments below and tell me what your thoughts are.

01:08:03.179 --> 01:08:06.342
[SPEAKER_03]: We would like to know I'll get out with you later on if you're still watching this.

01:08:06.762 --> 01:08:09.904
[SPEAKER_03]: And thank you everyone for loving and supporting movie loves night back.

01:08:10.025 --> 01:08:11.746
[SPEAKER_03]: Thank you for coming on this show.

01:08:12.226 --> 01:08:13.147
[SPEAKER_03]: I do appreciate it.

01:08:13.367 --> 01:08:14.528
[SPEAKER_03]: I always enjoy having you.

01:08:15.620 --> 01:08:16.081
[SPEAKER_04]: My pleasure.

01:08:16.401 --> 01:08:19.684
[SPEAKER_04]: Before we do before we wrap up, I have to share the shirt that I'm wearing.

01:08:20.165 --> 01:08:21.366
[SPEAKER_04]: It says, I'll take your part.

01:08:23.848 --> 01:08:24.289
[SPEAKER_03]: I love it.

01:08:24.649 --> 01:08:25.089
[SPEAKER_03]: I love that.

01:08:25.109 --> 01:08:26.971
[SPEAKER_04]: This is actually my wife shirt, but I'm already for this.

01:08:27.712 --> 01:08:28.713
[SPEAKER_03]: Hey, I'm fine with that.

01:08:28.753 --> 01:08:32.156
[SPEAKER_03]: I'm glad that we have something that's dolly related because I don't have anything.

01:08:32.517 --> 01:08:36.661
[SPEAKER_03]: I actually went off to on dolly wood, went to dolly wood back when I was a grade.

01:08:36.981 --> 01:08:37.842
[SPEAKER_03]: So I have nothing.

01:08:38.735 --> 01:08:45.239
[SPEAKER_04]: I've been there a couple of times and I will say that was that's I enjoy darling with more than I'd always say that.

01:08:45.299 --> 01:08:46.020
[SPEAKER_03]: I can say that.

01:08:46.160 --> 01:08:47.921
[SPEAKER_03]: I actually is most relaxing.

01:08:47.941 --> 01:08:49.842
[SPEAKER_04]: It's bad chill.

01:08:50.062 --> 01:08:51.123
[SPEAKER_04]: Like it's it's big.

01:08:51.183 --> 01:08:54.886
[SPEAKER_04]: There's there's fun sticks or it's also very unique.

01:08:54.926 --> 01:08:56.266
[SPEAKER_04]: You can tell it's it's southern.

01:08:56.547 --> 01:08:59.569
[SPEAKER_04]: Yeah, it's very very home.

01:09:00.469 --> 01:09:00.829
[SPEAKER_03]: I agree.

01:09:01.910 --> 01:09:03.191
[SPEAKER_03]: But always up to next time guys.