May 10, 2026
The Greatest Cover Songs of All-time 5. Sinéad O'Connor - 'Nothing Compares 2 U'
Prince wrote "Nothing Compares 2 U" in 1984, gave it to side project band The Family. 1985: released as album track eight, Paul Peterson sang it beautifully, nobody noticed. The Family disbanded after one album. Five years later, Irish singer Sinéad O'Connor recorded it for her second album with stark production and raw vulnerability. January 1990: released with John Maybury's iconic video—Sinéad's face in extreme close-up against black background, the single tear at 2:40. #1 in seventeen countries, four weeks US #1, biggest-selling single of 1990 worldwide. MTV phenomenon. The tear was real—thinking about her abusive mother. Prince eventually tried to reclaim it, but too late. Garrett Fisher explores generosity, vulnerability, and how Sinéad made Prince's song eternal.
Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!
Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories’ with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!
We now have Merch! FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there’s free shipping? Get 10% off with code NewMerch10 Go to Caloroga.com
Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com
WEBVTT
1
00:00:03.200 --> 00:00:12.960
Kalaroga Shark Media. We're at number five on our countdown
2
00:00:13.000 --> 00:00:15.320
of the top ten best cover songs of all time,
3
00:00:15.599 --> 00:00:18.960
as voted by the staff at Kalaroga Shark Media. We've
4
00:00:19.000 --> 00:00:21.559
crossed the halfway point, and as we climb higher on
5
00:00:21.600 --> 00:00:26.199
the countdown, the stories get bigger, the cultural impact gets deeper,
6
00:00:26.440 --> 00:00:30.120
and the transformations get more profound. This week, we're looking
7
00:00:30.120 --> 00:00:32.560
at a cover that's inseparable from one of the most
8
00:00:32.600 --> 00:00:36.039
powerful music videos ever made. A cover that took a
9
00:00:36.079 --> 00:00:38.479
song by one of the greatest artists of all time
10
00:00:38.840 --> 00:00:41.320
and somehow made it more famous than he ever did.
11
00:00:42.399 --> 00:00:47.840
Nothing Compares to You by Shane O'Connor, That voice, that face,
12
00:00:48.000 --> 00:00:51.119
that single tear running down her cheek, the video that
13
00:00:51.200 --> 00:00:54.520
made you stop whatever you were doing and just watch
14
00:00:55.280 --> 00:00:58.840
the song that became the sound of heartbreak in nineteen ninety,
15
00:00:59.479 --> 00:01:02.119
but before Shane O'Connor made Nothing Compares to You one
16
00:01:02.119 --> 00:01:04.400
of the biggest hits of the decade. It was a
17
00:01:04.480 --> 00:01:07.599
deep album cut by a side project band that almost
18
00:01:07.599 --> 00:01:10.359
nobody had heard of, and the person who wrote it,
19
00:01:10.519 --> 00:01:14.599
the person who gave it away, was Prince. This is
20
00:01:14.680 --> 00:01:17.840
the story of how one of Prince's most Beautiful Songs
21
00:01:17.879 --> 00:01:21.200
sat unknown for five years until an Irish singer with
22
00:01:21.239 --> 00:01:25.280
a shaved head and an uncompromising vision turned it into
23
00:01:25.319 --> 00:01:29.959
a phenomenon. Let's Start. In nineteen eighty four, Prince was
24
00:01:30.040 --> 00:01:33.079
at the absolute peak of his powers. Purple Rain had
25
00:01:33.159 --> 00:01:35.799
just been released. The album would go on to sell
26
00:01:35.840 --> 00:01:39.519
over twenty five million copies worldwide. The film was a
27
00:01:39.560 --> 00:01:45.319
cultural event. Prince was everywhere MTV radio, stadium's magazines. He
28
00:01:45.439 --> 00:01:47.920
was arguably the biggest star in the world, and he
29
00:01:48.040 --> 00:01:52.280
was writing constantly, not just for himself but for other artists.
30
00:01:52.760 --> 00:01:58.000
Prince had this incredible generosity or maybe it was restlessness
31
00:01:58.120 --> 00:02:01.959
or abundance or all three three, where he'd write songs
32
00:02:02.000 --> 00:02:05.239
and then give them away to other artists. Sometimes these
33
00:02:05.239 --> 00:02:07.840
were songs he thought would work better for someone else's
34
00:02:07.920 --> 00:02:11.479
voice or style. Sometimes they were just songs he'd written
35
00:02:11.520 --> 00:02:14.159
and moved on from because he was already onto the
36
00:02:14.199 --> 00:02:17.639
next thing. In nineteen eighty four, Prince wrote a song
37
00:02:17.680 --> 00:02:21.520
called Nothing Compares to You. The story goes that he
38
00:02:21.560 --> 00:02:23.960
wrote it after a relationship ended with one of his
39
00:02:24.039 --> 00:02:27.599
longtime collaborators, Susan Moonsey, who was part of a girl
40
00:02:27.599 --> 00:02:32.199
group called Apollonia six that Prince had created. The song
41
00:02:32.360 --> 00:02:36.599
was deeply personal, achingly vulnerable. It was about the kind
42
00:02:36.639 --> 00:02:40.719
of heartbreak where nothing, not flowers, not being alone, not
43
00:02:40.840 --> 00:02:44.319
spending time with friends, can fill the void left by
44
00:02:44.319 --> 00:02:48.039
losing someone you love. Prince recorded a version himself, but
45
00:02:48.280 --> 00:02:51.039
he didn't release it. Instead, he gave it to a
46
00:02:51.080 --> 00:02:54.800
band called The Family. The Family was one of Prince's
47
00:02:54.879 --> 00:02:59.240
side projects. He was constantly creating these satellite acts bands
48
00:02:59.240 --> 00:03:02.800
that he would write for, produce, sometimes play on anonymously.
49
00:03:03.759 --> 00:03:07.199
The Family consisted of Paul Peterson on vocals, along with
50
00:03:07.240 --> 00:03:13.080
Susanna Melvoyn, Jellybean Johnson, and Eric Leads. They were talented musicians,
51
00:03:13.240 --> 00:03:16.520
part of the extended Minneapolis scene that revolved around Prince
52
00:03:16.599 --> 00:03:20.639
and Paisley Park. In nineteen eighty five, the Family released
53
00:03:20.680 --> 00:03:24.719
their self titled album on Paisley Park Records. Nothing Compares
54
00:03:24.759 --> 00:03:28.879
to You was track eight. Paul Peterson sang it beautifully,
55
00:03:29.120 --> 00:03:33.240
a smooth, soulful vocal over a sparse arrangement with synthesizers,
56
00:03:33.400 --> 00:03:38.680
program drums, and that distinctive mid eighties production that Prince perfected.
57
00:03:39.599 --> 00:03:42.680
The album came out. The single from it was the
58
00:03:42.759 --> 00:03:47.520
Screams of Passion, which got some attention, but Nothing Compares
59
00:03:47.599 --> 00:03:50.840
to You was just an album track. It wasn't promoted,
60
00:03:51.280 --> 00:03:55.120
it wasn't released as a single, Very few people heard it.
61
00:03:55.560 --> 00:03:58.879
The family disbanded after one album. Paul Peterson went on
62
00:03:58.919 --> 00:04:01.800
to work with other artists. The album became a footnote
63
00:04:01.879 --> 00:04:06.199
in Prince's vast catalog of productions, and Nothing Compares to
64
00:04:06.240 --> 00:04:09.879
You remained unknown to most of the world. That could
65
00:04:09.919 --> 00:04:12.840
have been the end of the story. Prince wrote a
66
00:04:12.960 --> 00:04:16.079
beautiful song, gave it to a side project band. The
67
00:04:16.120 --> 00:04:20.279
band released it, nobody noticed. Everyone moved on. But five
68
00:04:20.360 --> 00:04:23.800
years later, an Irish singer named Shanai O'Connor was working
69
00:04:23.800 --> 00:04:27.399
on her second album. SHANEI had released her debut album,
70
00:04:27.560 --> 00:04:30.680
The Lion and the Cobra in nineteen eighty seven. It
71
00:04:30.720 --> 00:04:34.839
had gotten critical acclaim and modest commercial success. She was
72
00:04:34.920 --> 00:04:38.720
known for her shaved head, her uncompromising artistic vision, and
73
00:04:38.759 --> 00:04:42.480
a voice that could shift from whispersoft vulnerability to primal
74
00:04:42.519 --> 00:04:48.279
scream intensity. She wasn't a typical pop star. She was confrontational, political,
75
00:04:48.439 --> 00:04:52.160
deeply spiritual, and utterly unwilling to compromise her vision for
76
00:04:52.199 --> 00:04:56.160
commercial success. For her second album, I Do Not Want
77
00:04:56.160 --> 00:04:59.759
What I haven't got. Shaney was looking for material she
78
00:05:00.040 --> 00:05:02.560
on its songs that matched the emotional honesty she was
79
00:05:02.600 --> 00:05:06.879
bringing to her own writing. Her manager suggested Nothing Compares
80
00:05:06.920 --> 00:05:10.600
to You. She listened to the Family's version, and she
81
00:05:10.680 --> 00:05:14.160
knew immediately that she had to record it. Shine's version
82
00:05:14.199 --> 00:05:17.240
of Nothing Compares to You was recorded with producer Nellie
83
00:05:17.279 --> 00:05:21.639
Hooper and Chris Barquette. The arrangement was completely different from
84
00:05:21.720 --> 00:05:25.839
the Family's version. It started with a simple program drum beat,
85
00:05:26.279 --> 00:05:31.360
that distinctive opening pattern that's now instantly recognizable, then keyboards.
86
00:05:32.319 --> 00:05:34.920
There was no attempt to smooth out her vocal, no
87
00:05:34.959 --> 00:05:38.519
attempt to make it pretty in a conventional sense. Shine
88
00:05:38.720 --> 00:05:42.759
sang with total vulnerability. Her voice cracked in places. She
89
00:05:42.879 --> 00:05:45.800
let the emotion overwhelm the technique. When she sang about
90
00:05:45.800 --> 00:05:48.759
how nothing compares to the person she lost, you believed
91
00:05:48.800 --> 00:05:52.439
every word, You felt it in your chest. The production
92
00:05:52.759 --> 00:05:57.160
was sparse. There were no big instrumental flourishes, no attempt
93
00:05:57.160 --> 00:06:00.480
to build to some massive climax. The song song just
94
00:06:00.560 --> 00:06:04.399
existed in this space of raw heartbreak, and Shanai's voice
95
00:06:04.439 --> 00:06:07.800
carried all of it. Nothing Compares to You was released
96
00:06:07.800 --> 00:06:10.839
as a single in January nineteen ninety, and then the
97
00:06:10.959 --> 00:06:14.439
music video came out. The video was directed by John Maybury.
98
00:06:14.680 --> 00:06:17.839
It's one of the simplest, most powerful music videos ever made.
99
00:06:18.000 --> 00:06:21.240
Shane's face in extreme close up against a black background.
100
00:06:21.680 --> 00:06:25.519
That's it. No narrative, no special effects, no cuts to
101
00:06:25.560 --> 00:06:29.079
other scenes, just her face, singing directly to the camera
102
00:06:29.240 --> 00:06:33.480
for the entire song. You watch her eyes, you watch
103
00:06:33.519 --> 00:06:36.560
the emotions cross her face, and about two minutes and
104
00:06:36.600 --> 00:06:39.839
forty seconds into the video, a single tear rolls down
105
00:06:39.879 --> 00:06:43.279
her left cheek. That tear became one of the most
106
00:06:43.480 --> 00:06:47.160
iconic moments in music video history because you couldn't tell
107
00:06:47.160 --> 00:06:50.519
if it was performance or if Shane was actually crying.
108
00:06:50.879 --> 00:06:55.279
It felt real. It felt like you were witnessing genuine heartbreak,
109
00:06:55.519 --> 00:06:59.720
not someone acting heartbroken. Years later, Shane revealed that the
110
00:06:59.759 --> 00:07:03.240
tear was real, but it wasn't about romantic heartbreak. She
111
00:07:03.399 --> 00:07:05.920
was thinking about her mother, who had died when Shine
112
00:07:05.959 --> 00:07:09.000
was young, who had abused her, and about the complicated
113
00:07:09.040 --> 00:07:12.040
grief of losing someone you loved but who also hurt you.
114
00:07:13.519 --> 00:07:16.879
But viewers didn't know that. They just saw someone breaking
115
00:07:16.920 --> 00:07:20.800
down on camera, being completely vulnerable, showing you what it
116
00:07:20.879 --> 00:07:23.759
actually looks like when you're trying to hold it together
117
00:07:24.120 --> 00:07:28.720
and you can't quite manage it. MTV played the video constantly.
118
00:07:29.199 --> 00:07:33.560
Vh one played it constantly. It was unavoidable, and every
119
00:07:33.560 --> 00:07:36.759
time it played, people stopped what they were doing and watched.
120
00:07:37.639 --> 00:07:40.920
The song went to number one in seventeen countries. In
121
00:07:40.959 --> 00:07:44.000
the United States, it topped the Billboard Hot one hundred
122
00:07:44.000 --> 00:07:47.279
for four consecutive weeks. In the UK, it stayed at
123
00:07:47.360 --> 00:07:51.639
number one for four weeks. In Canada, New Zealand, Australia,
124
00:07:51.720 --> 00:07:55.600
across Europe, everywhere it was number one. It became the
125
00:07:55.639 --> 00:07:59.639
biggest selling single of nineteen ninety worldwide. It won a
126
00:07:59.639 --> 00:08:03.560
Grammy nomination for Record of the Year. It was certified
127
00:08:03.600 --> 00:08:08.040
platinum multiple times over. It made Shanee O'Connor a global superstar,
128
00:08:08.560 --> 00:08:12.120
and almost nobody knew it was a cover. Almost nobody
129
00:08:12.199 --> 00:08:14.879
knew Prince had written it five years earlier for a
130
00:08:14.920 --> 00:08:18.920
band that had broken up after one album. We'll be
131
00:08:19.079 --> 00:08:29.319
right back. So what makes Shane's version so much more
132
00:08:29.319 --> 00:08:32.559
successful than the families? Why did this song sit unknown
133
00:08:32.639 --> 00:08:34.960
for five years and then suddenly become one of the
134
00:08:34.960 --> 00:08:37.840
biggest hits of the decade. Part of it is the
135
00:08:37.919 --> 00:08:41.559
vocal performance. Paul Peterson sang it beautifully, but he sang
136
00:08:41.600 --> 00:08:47.360
it as a soul ballad, smooth, controlled, polished. Shane sang
137
00:08:47.399 --> 00:08:50.240
it like someone who was barely holding herself together. The
138
00:08:50.320 --> 00:08:53.440
vulnerability in her voice was almost uncomfortable to listen to.
139
00:08:54.080 --> 00:08:57.519
It felt too raw, too exposed, and that rawn has
140
00:08:57.559 --> 00:09:01.399
made it impossible to ignore. Part of it is the production.
141
00:09:02.000 --> 00:09:05.200
The Family's version had that mid eighties synthesizer production that
142
00:09:05.320 --> 00:09:09.279
was already starting to sound dated by nineteen ninety. Shane's
143
00:09:09.360 --> 00:09:12.759
version had a starker, more timeless production that let the
144
00:09:12.879 --> 00:09:16.440
vocal take center stage. But the biggest part of it
145
00:09:16.559 --> 00:09:21.120
is the video. That close up of Shaneai's face, that tear.
146
00:09:21.679 --> 00:09:25.679
That's what made the song a phenomenon. MTV was at
147
00:09:25.720 --> 00:09:30.399
its peak in nineteen ninety. Videos could make or break careers,
148
00:09:30.759 --> 00:09:33.759
and this video was unlike anything else on the channel.
149
00:09:34.360 --> 00:09:38.679
Most music videos in nineteen ninety were narratives, performances, heavily
150
00:09:38.759 --> 00:09:44.519
choreographed productions. Shanei's video was just her face, and somehow
151
00:09:44.559 --> 00:09:48.000
that simplicity made it more powerful than anything with elaborate
152
00:09:48.000 --> 00:09:52.399
sets or special effects. You couldn't look away, and because
153
00:09:52.440 --> 00:09:55.840
you couldn't look away. You heard every word she was singing,
154
00:09:56.200 --> 00:10:01.039
You felt every emotion. The song in the video became inseparable.
155
00:10:01.759 --> 00:10:07.039
Prince's response to Shane's success with his song was complicated. Initially,
156
00:10:07.080 --> 00:10:10.279
he was pleased she'd taken something he'd written and made
157
00:10:10.320 --> 00:10:14.200
it huge. She'd honored the song. The royalties from it
158
00:10:14.240 --> 00:10:17.799
were substantial. As the songwriter, he was making money every
159
00:10:17.799 --> 00:10:22.000
time it was played, purchased, performed. But Prince also had
160
00:10:22.080 --> 00:10:25.519
mixed feelings about someone else having the definitive version of
161
00:10:25.600 --> 00:10:29.879
his song. He was competitive, he was a perfectionist. He
162
00:10:29.919 --> 00:10:34.000
eventually recorded his own version, performed it in concert, tried
163
00:10:34.039 --> 00:10:39.559
to reclaim it, but it was too late. Nothing compares
164
00:10:39.639 --> 00:10:43.480
to You belonged to Shane Now. When people thought of
165
00:10:43.519 --> 00:10:46.679
the song, they thought of her face, her voice, that tear.
166
00:10:47.200 --> 00:10:51.039
Prince's version, the one he eventually released, was received as
167
00:10:51.080 --> 00:10:54.799
Prince covering Shanee O'Connor, even though he'd written it. That's
168
00:10:54.919 --> 00:10:58.679
the power of a truly transformative cover. It doesn't matter
169
00:10:58.720 --> 00:11:01.759
who wrote it. It does doesn't matter who recorded it first.
170
00:11:02.080 --> 00:11:06.840
What matters is who made it unforgettable. Shinai O'Connor's career
171
00:11:06.960 --> 00:11:10.000
was never the same After Nothing Compares to You, she
172
00:11:10.159 --> 00:11:12.840
became one of the most famous musicians in the world.
173
00:11:13.399 --> 00:11:17.159
Her second album went multi platinum. She was on magazine covers,
174
00:11:17.279 --> 00:11:22.399
winning awards, selling out arenas, but fame made her deeply uncomfortable.
175
00:11:22.799 --> 00:11:26.360
She was outspoken about the Catholic Church, about child abuse,
176
00:11:26.600 --> 00:11:30.360
about Ireland's treatment of women. In nineteen ninety two, she
177
00:11:30.480 --> 00:11:32.759
tore up a picture of Pope John Paul the Second
178
00:11:32.879 --> 00:11:36.200
on Saturday Night Live, ending her mainstream career in America
179
00:11:36.360 --> 00:11:40.600
essentially overnight. She continued making music, speaking out on issues
180
00:11:40.639 --> 00:11:43.480
she cared about, refusing to compromise even when it cost
181
00:11:43.519 --> 00:11:48.039
her commercially. She had a complicated relationship with Nothing Compares
182
00:11:48.080 --> 00:11:50.759
to You. It was the song that made her famous,
183
00:11:50.919 --> 00:11:53.320
but it was also a reminder of a moment when
184
00:11:53.320 --> 00:11:56.240
the world paid attention to her voice before deciding it
185
00:11:56.240 --> 00:11:59.600
didn't like what she had to say. Shine O'Connor passed
186
00:11:59.600 --> 00:12:02.600
away in July twenty twenty three, at age fifty six.
187
00:12:03.240 --> 00:12:07.519
The tributes that poured in all mentioned Nothing Compares to You.
188
00:12:08.000 --> 00:12:11.639
The video was played millions of times. People who'd seen
189
00:12:11.639 --> 00:12:14.039
it when it first came out in nineteen ninety watched
190
00:12:14.080 --> 00:12:18.960
it again and cried. The song became her eulogy, her legacy,
191
00:12:19.360 --> 00:12:23.639
the thing people would remember forever, and Prince, who'd written
192
00:12:23.679 --> 00:12:26.519
it in nineteen eighty four and given it away, who'd
193
00:12:26.559 --> 00:12:29.679
watched it, become huge for someone else who tried to
194
00:12:29.720 --> 00:12:34.399
reclaim it. Prince passed away in twenty sixteen. His catalog
195
00:12:34.480 --> 00:12:38.279
of work is astonishing, hundreds of songs, dozens of albums,
196
00:12:38.440 --> 00:12:43.080
innovations in music and performance that changed popular culture. But
197
00:12:43.320 --> 00:12:47.360
Nothing Compares to You remains one of his most famous compositions,
198
00:12:47.840 --> 00:12:51.960
not because of his version, because of Shinai's That's why
199
00:12:52.279 --> 00:12:55.240
Nothing Compares to You is number five on our countdown
200
00:12:55.759 --> 00:12:58.320
because it's a perfect example of a great songwriter being
201
00:12:58.360 --> 00:13:01.279
generous enough to give away a master piece, Because it
202
00:13:01.360 --> 00:13:04.000
shows that sometimes the person who writes a song isn't
203
00:13:04.039 --> 00:13:07.679
the person who can best communicate its emotional truth. Because
204
00:13:07.679 --> 00:13:09.919
that music video is one of the most powerful four
205
00:13:10.000 --> 00:13:13.639
minutes ever put on television, and because Shanai O'Connor took
206
00:13:13.639 --> 00:13:16.440
a song about romantic heartbreak and made it about every
207
00:13:16.559 --> 00:13:20.240
kind of loss, every kind of grief, every moment when
208
00:13:20.279 --> 00:13:24.279
you realize that nothing, absolutely nothing can fill the space
209
00:13:24.399 --> 00:13:27.919
left by someone who's gone Prince wrote a beautiful song.
210
00:13:28.360 --> 00:13:32.840
Shanee O'Connor made it eternal. This is Garrett Fisher and
211
00:13:32.960 --> 00:13:36.720
this is the hit Maker Chronicles. Join us next Sunday
212
00:13:36.759 --> 00:13:39.240
for number four on our countdown of the top ten
213
00:13:39.320 --> 00:13:40.759
best cover songs of all time.
1
00:00:03.200 --> 00:00:12.960
2
00:00:13.000 --> 00:00:15.320
3
00:00:15.599 --> 00:00:18.960
4
00:00:19.000 --> 00:00:21.559
5
00:00:21.600 --> 00:00:26.199
6
00:00:26.440 --> 00:00:30.120
7
00:00:30.120 --> 00:00:32.560
8
00:00:32.600 --> 00:00:36.039
9
00:00:36.079 --> 00:00:38.479
10
00:00:38.840 --> 00:00:41.320
11
00:00:42.399 --> 00:00:47.840
12
00:00:48.000 --> 00:00:51.119
13
00:00:51.200 --> 00:00:54.520
14
00:00:55.280 --> 00:00:58.840
15
00:00:59.479 --> 00:01:02.119
16
00:01:02.119 --> 00:01:04.400
17
00:01:04.480 --> 00:01:07.599
18
00:01:07.599 --> 00:01:10.359
19
00:01:10.519 --> 00:01:14.599
20
00:01:14.680 --> 00:01:17.840
21
00:01:17.879 --> 00:01:21.200
22
00:01:21.239 --> 00:01:25.280
23
00:01:25.319 --> 00:01:29.959
24
00:01:30.040 --> 00:01:33.079
25
00:01:33.159 --> 00:01:35.799
26
00:01:35.840 --> 00:01:39.519
27
00:01:39.560 --> 00:01:45.319
28
00:01:45.439 --> 00:01:47.920
29
00:01:48.040 --> 00:01:52.280
30
00:01:52.760 --> 00:01:58.000
31
00:01:58.120 --> 00:02:01.959
32
00:02:02.000 --> 00:02:05.239
33
00:02:05.239 --> 00:02:07.840
34
00:02:07.920 --> 00:02:11.479
35
00:02:11.520 --> 00:02:14.159
36
00:02:14.199 --> 00:02:17.639
37
00:02:17.680 --> 00:02:21.520
38
00:02:21.560 --> 00:02:23.960
39
00:02:24.039 --> 00:02:27.599
40
00:02:27.599 --> 00:02:32.199
41
00:02:32.360 --> 00:02:36.599
42
00:02:36.639 --> 00:02:40.719
43
00:02:40.840 --> 00:02:44.319
44
00:02:44.319 --> 00:02:48.039
45
00:02:48.280 --> 00:02:51.039
46
00:02:51.080 --> 00:02:54.800
47
00:02:54.879 --> 00:02:59.240
48
00:02:59.240 --> 00:03:02.800
49
00:03:03.759 --> 00:03:07.199
50
00:03:07.240 --> 00:03:13.080
51
00:03:13.240 --> 00:03:16.520
52
00:03:16.599 --> 00:03:20.639
53
00:03:20.680 --> 00:03:24.719
54
00:03:24.759 --> 00:03:28.879
55
00:03:29.120 --> 00:03:33.240
56
00:03:33.400 --> 00:03:38.680
57
00:03:39.599 --> 00:03:42.680
58
00:03:42.759 --> 00:03:47.520
59
00:03:47.599 --> 00:03:50.840
60
00:03:51.280 --> 00:03:55.120
61
00:03:55.560 --> 00:03:58.879
62
00:03:58.919 --> 00:04:01.800
63
00:04:01.879 --> 00:04:06.199
64
00:04:06.240 --> 00:04:09.879
65
00:04:09.919 --> 00:04:12.840
66
00:04:12.960 --> 00:04:16.079
67
00:04:16.120 --> 00:04:20.279
68
00:04:20.360 --> 00:04:23.800
69
00:04:23.800 --> 00:04:27.399
70
00:04:27.560 --> 00:04:30.680
71
00:04:30.720 --> 00:04:34.839
72
00:04:34.920 --> 00:04:38.720
73
00:04:38.759 --> 00:04:42.480
74
00:04:42.519 --> 00:04:48.279
75
00:04:48.439 --> 00:04:52.160
76
00:04:52.199 --> 00:04:56.160
77
00:04:56.160 --> 00:04:59.759
78
00:05:00.040 --> 00:05:02.560
79
00:05:02.600 --> 00:05:06.879
80
00:05:06.920 --> 00:05:10.600
81
00:05:10.680 --> 00:05:14.160
82
00:05:14.199 --> 00:05:17.240
83
00:05:17.279 --> 00:05:21.639
84
00:05:21.720 --> 00:05:25.839
85
00:05:26.279 --> 00:05:31.360
86
00:05:32.319 --> 00:05:34.920
87
00:05:34.959 --> 00:05:38.519
88
00:05:38.720 --> 00:05:42.759
89
00:05:42.879 --> 00:05:45.800
90
00:05:45.800 --> 00:05:48.759
91
00:05:48.800 --> 00:05:52.439
92
00:05:52.759 --> 00:05:57.160
93
00:05:57.160 --> 00:06:00.480
94
00:06:00.560 --> 00:06:04.399
95
00:06:04.439 --> 00:06:07.800
96
00:06:07.800 --> 00:06:10.839
97
00:06:10.959 --> 00:06:14.439
98
00:06:14.680 --> 00:06:17.839
99
00:06:18.000 --> 00:06:21.240
100
00:06:21.680 --> 00:06:25.519
101
00:06:25.560 --> 00:06:29.079
102
00:06:29.240 --> 00:06:33.480
103
00:06:33.519 --> 00:06:36.560
104
00:06:36.600 --> 00:06:39.839
105
00:06:39.879 --> 00:06:43.279
106
00:06:43.480 --> 00:06:47.160
107
00:06:47.160 --> 00:06:50.519
108
00:06:50.879 --> 00:06:55.279
109
00:06:55.519 --> 00:06:59.720
110
00:06:59.759 --> 00:07:03.240
111
00:07:03.399 --> 00:07:05.920
112
00:07:05.959 --> 00:07:09.000
113
00:07:09.040 --> 00:07:12.040
114
00:07:13.519 --> 00:07:16.879
115
00:07:16.920 --> 00:07:20.800
116
00:07:20.879 --> 00:07:23.759
117
00:07:24.120 --> 00:07:28.720
118
00:07:29.199 --> 00:07:33.560
119
00:07:33.560 --> 00:07:36.759
120
00:07:37.639 --> 00:07:40.920
121
00:07:40.959 --> 00:07:44.000
122
00:07:44.000 --> 00:07:47.279
123
00:07:47.360 --> 00:07:51.639
124
00:07:51.720 --> 00:07:55.600
125
00:07:55.639 --> 00:07:59.639
126
00:07:59.639 --> 00:08:03.560
127
00:08:03.600 --> 00:08:08.040
128
00:08:08.560 --> 00:08:12.120
129
00:08:12.199 --> 00:08:14.879
130
00:08:14.920 --> 00:08:18.920
131
00:08:19.079 --> 00:08:29.319
132
00:08:29.319 --> 00:08:32.559
133
00:08:32.639 --> 00:08:34.960
134
00:08:34.960 --> 00:08:37.840
135
00:08:37.919 --> 00:08:41.559
136
00:08:41.600 --> 00:08:47.360
137
00:08:47.399 --> 00:08:50.240
138
00:08:50.320 --> 00:08:53.440
139
00:08:54.080 --> 00:08:57.519
140
00:08:57.559 --> 00:09:01.399
141
00:09:02.000 --> 00:09:05.200
142
00:09:05.320 --> 00:09:09.279
143
00:09:09.360 --> 00:09:12.759
144
00:09:12.879 --> 00:09:16.440
145
00:09:16.559 --> 00:09:21.120
146
00:09:21.679 --> 00:09:25.679
147
00:09:25.720 --> 00:09:30.399
148
00:09:30.759 --> 00:09:33.759
149
00:09:34.360 --> 00:09:38.679
150
00:09:38.759 --> 00:09:44.519
151
00:09:44.559 --> 00:09:48.000
152
00:09:48.000 --> 00:09:52.399
153
00:09:52.440 --> 00:09:55.840
154
00:09:56.200 --> 00:10:01.039
155
00:10:01.759 --> 00:10:07.039
156
00:10:07.080 --> 00:10:10.279
157
00:10:10.320 --> 00:10:14.200
158
00:10:14.240 --> 00:10:17.799
159
00:10:17.799 --> 00:10:22.000
160
00:10:22.080 --> 00:10:25.519
161
00:10:25.600 --> 00:10:29.879
162
00:10:29.919 --> 00:10:34.000
163
00:10:34.039 --> 00:10:39.559
164
00:10:39.639 --> 00:10:43.480
165
00:10:43.519 --> 00:10:46.679
166
00:10:47.200 --> 00:10:51.039
167
00:10:51.080 --> 00:10:54.799
168
00:10:54.919 --> 00:10:58.679
169
00:10:58.720 --> 00:11:01.759
170
00:11:02.080 --> 00:11:06.840
171
00:11:06.960 --> 00:11:10.000
172
00:11:10.159 --> 00:11:12.840
173
00:11:13.399 --> 00:11:17.159
174
00:11:17.279 --> 00:11:22.399
175
00:11:22.799 --> 00:11:26.360
176
00:11:26.600 --> 00:11:30.360
177
00:11:30.480 --> 00:11:32.759
178
00:11:32.879 --> 00:11:36.200
179
00:11:36.360 --> 00:11:40.600
180
00:11:40.639 --> 00:11:43.480
181
00:11:43.519 --> 00:11:48.039
182
00:11:48.080 --> 00:11:50.759
183
00:11:50.919 --> 00:11:53.320
184
00:11:53.320 --> 00:11:56.240
185
00:11:56.240 --> 00:11:59.600
186
00:11:59.600 --> 00:12:02.600
187
00:12:03.240 --> 00:12:07.519
188
00:12:08.000 --> 00:12:11.639
189
00:12:11.639 --> 00:12:14.039
190
00:12:14.080 --> 00:12:18.960
191
00:12:19.360 --> 00:12:23.639
192
00:12:23.679 --> 00:12:26.519
193
00:12:26.559 --> 00:12:29.679
194
00:12:29.720 --> 00:12:34.399
195
00:12:34.480 --> 00:12:38.279
196
00:12:38.440 --> 00:12:43.080
197
00:12:43.320 --> 00:12:47.360
198
00:12:47.840 --> 00:12:51.960
199
00:12:52.279 --> 00:12:55.240
200
00:12:55.759 --> 00:12:58.320
201
00:12:58.360 --> 00:13:01.279
202
00:13:01.360 --> 00:13:04.000
203
00:13:04.039 --> 00:13:07.679
204
00:13:07.679 --> 00:13:09.919
205
00:13:10.000 --> 00:13:13.639
206
00:13:13.639 --> 00:13:16.440
207
00:13:16.559 --> 00:13:20.240
208
00:13:20.279 --> 00:13:24.279
209
00:13:24.399 --> 00:13:27.919
210
00:13:28.360 --> 00:13:32.840
211
00:13:32.960 --> 00:13:36.720
212
00:13:36.759 --> 00:13:39.240
213
00:13:39.320 --> 00:13:40.759