Aug. 31, 2025

SUMMER'S GREATEST SONGS COUNTDOWN: The Go-Go's - "Vacation"

SUMMER'S GREATEST SONGS COUNTDOWN: The Go-Go's - "Vacation"

Welcome back to Hitmaker Chronicles' countdown of the Top 20 Songs of the Summer, as voted by the staff of Caloroga Shark Media! I'm your host, Garrett Fisher. Coming in at number 5, we're diving into The Go-Go's infectious 1982 anthem "Vacation" — a track that captured the pure joy of getting away from it all with irresistible new wave energy and punk-influenced attitude. We'll trace how five women from the LA punk scene created the perfect summer escape song while MTV was revolutionizing music culture and Reagan's America was finding its groove. Pack your sunscreen — we're heading to the beach with rock's most fun-loving pioneers.

Become a premium subscriber! (no ads and no feed drops). For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING. You also get 25+ other series from comedy to paranormal, royals, romance, trivia, politics, movies, music, murder, sports, travel, religion, spirituality, celebrity gossip and feuds, consisting of THOUSANDS OF SHOWS AD-FREE! (it’s only $4.99 a month with a free-trial month) PLUS, subscribers get offers like early show releases and subscriber-only shows. Go to Caloroga.com for all our shows!

Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!

Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories’ with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!


We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there’s free shipping? Get 10% off with code NewMerch10 Go to Caloroga.com


Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

WEBVTT

1
00:00:03.200 --> 00:00:14.000
Kalaroga Shark Media Summer nineteen eighty two. I'm Garrett Fisher,

2
00:00:14.199 --> 00:00:18.000
and America was experiencing something of a cultural reset. The

3
00:00:18.120 --> 00:00:21.879
economic recession was beginning to lift, MTV was transforming how

4
00:00:21.920 --> 00:00:24.719
we discovered and consumed music, and there was a general

5
00:00:24.800 --> 00:00:28.320
sense that maybe, just maybe it was okay to have

6
00:00:28.399 --> 00:00:32.079
some uncomplicated fun again after the heavy political and social

7
00:00:32.159 --> 00:00:36.240
upheavals of the previous decade. Into this moment of cultural

8
00:00:36.240 --> 00:00:40.640
optimism came The Go Gos with Vacation, a song so

9
00:00:40.840 --> 00:00:44.159
purely joyful and unpretentiously fun that it felt like a

10
00:00:44.280 --> 00:00:47.359
musical equivalent of jumping into a swimming pool on the

11
00:00:47.359 --> 00:00:50.280
hottest day of the year. Coming in at number five

12
00:00:50.359 --> 00:00:52.759
on our countdown of the top twenty songs of the summer,

13
00:00:52.880 --> 00:00:56.039
as voted by the staff of Kalaroga Shark Media, the

14
00:00:56.119 --> 00:01:00.439
Go Gos Vacation represents the perfect distillation of early eighties

15
00:01:00.600 --> 00:01:04.120
new wave optimism, proving that sometimes the best summer songs

16
00:01:04.159 --> 00:01:06.280
are the ones that don't try to be anything more

17
00:01:06.319 --> 00:01:12.120
than absolutely irresistibly fun. Before the Go Gos were soundtracking

18
00:01:12.120 --> 00:01:15.799
America's summer fantasies, they were five women from Los Angeles

19
00:01:15.840 --> 00:01:18.359
who had emerged from the city's vibrant punk scene in

20
00:01:18.400 --> 00:01:23.599
the late nineteen seventies. Belinda Carlyle, Jane Wheedland, Charlotte Caffey,

21
00:01:23.879 --> 00:01:28.239
Kathy Valentine, and Gina Shock came together not through industry

22
00:01:28.319 --> 00:01:32.680
machinations or careful planning, but through the organic chemistry and

23
00:01:32.799 --> 00:01:36.840
diy spirit that defined the best of punk culture. What

24
00:01:37.040 --> 00:01:39.799
made the Go Gos remarkable from the beginning was their

25
00:01:39.920 --> 00:01:43.920
authenticity within the punk scene, combined with their natural gift

26
00:01:43.920 --> 00:01:47.920
for melody and hooks that could appeal to mainstream audiences.

27
00:01:48.760 --> 00:01:52.560
They weren't trying to sanitize punk for mass consumption. They

28
00:01:52.599 --> 00:01:56.640
were punks who happened to write incredibly catchy songs. This

29
00:01:56.719 --> 00:02:00.799
combination of credibility and accessibility would prove crucial to their

30
00:02:00.840 --> 00:02:05.159
breakthrough success. Their nineteen eighty one debut album, Beauty and

31
00:02:05.239 --> 00:02:07.959
the Beat had already established them as a major force

32
00:02:08.000 --> 00:02:11.039
in American music, becoming the first album by an all

33
00:02:11.080 --> 00:02:13.680
female band that wrote their own songs and played their

34
00:02:13.719 --> 00:02:17.319
own instruments to reach number one on the Billboard two hundred.

35
00:02:18.000 --> 00:02:21.280
The album's success driven by hits like our Lips Are

36
00:02:21.319 --> 00:02:24.520
Sealed and We Got the Beat, proved that there was

37
00:02:24.560 --> 00:02:28.240
a massive appetite for their particular blend of punk, energy

38
00:02:28.319 --> 00:02:32.919
and pop sensibility. Vacation emerged during the sessions for their

39
00:02:33.000 --> 00:02:35.759
nineteen eighty two follow up album of the same name,

40
00:02:36.159 --> 00:02:38.840
created during a period when the band was riding high

41
00:02:38.879 --> 00:02:42.800
on their unexpected success while grappling with the pressures and

42
00:02:42.879 --> 00:02:47.360
opportunities that came with mainstream breakthrough. The song was written

43
00:02:47.400 --> 00:02:51.719
by Charlotte caffe and Jane Weedlan, the band's primary songwriting team,

44
00:02:52.120 --> 00:02:55.919
who had a remarkable gift for transforming simple concepts into

45
00:02:55.960 --> 00:03:00.919
irresistible pop songs. So what made Vacation the perfect summer

46
00:03:00.960 --> 00:03:05.719
anthem for the MTV generation? Let's break it down. Musically,

47
00:03:06.120 --> 00:03:10.280
Vacation represents new wave production at its most joyful and energetic.

48
00:03:10.879 --> 00:03:14.560
The track opens with an immediately recognizable synthesizer riff that

49
00:03:14.680 --> 00:03:19.280
establishes both the song's playful mood and its new wave credentials.

50
00:03:19.800 --> 00:03:23.240
This keyboard work, performed by Charlotte Caffee, creates a sonic

51
00:03:23.319 --> 00:03:27.719
landscape that suggests both sophistication and fun, technical skill and

52
00:03:27.759 --> 00:03:32.159
pure enjoyment. The rhythm section, anchored by Gina Shock's dynamic

53
00:03:32.240 --> 00:03:36.680
drumming and Kathy Valentine's melodic bass work provides a foundation

54
00:03:36.840 --> 00:03:42.319
that's both driving and danceable. Shock's percussion work is particularly noteworthy,

55
00:03:42.759 --> 00:03:46.840
energetic enough to maintain the song's momentum while sophisticated enough

56
00:03:46.879 --> 00:03:50.800
to avoid simple four on the floor monotony. Jane Wheeland's

57
00:03:50.800 --> 00:03:55.680
guitar work adds textural interest without overwhelming the arrangement, demonstrating

58
00:03:55.719 --> 00:03:58.520
the band's understanding of how different instruments could work together

59
00:03:58.840 --> 00:04:02.199
to create a cohesive set. The guitar parts serve the

60
00:04:02.240 --> 00:04:07.360
song rather than showcasing individual virtuosity, reflecting the collaborative spirit

61
00:04:07.400 --> 00:04:11.039
that defined the Gogo's approach to music making. The production,

62
00:04:11.240 --> 00:04:15.000
handled by Richard Gotterer, captures the band's live energy while

63
00:04:15.080 --> 00:04:19.319
adding the polish necessary for radio success. The mix allows

64
00:04:19.360 --> 00:04:22.240
each instrument to be heard clearly while maintaining the kind

65
00:04:22.279 --> 00:04:26.160
of immediacy and excitement that made their concert so compelling.

66
00:04:27.360 --> 00:04:30.600
What makes the arrangement particularly effective is its balance between

67
00:04:30.639 --> 00:04:36.240
simplicity and sophistication. The song never feels overly complex or pretentious,

68
00:04:36.480 --> 00:04:39.759
but there's enough musical interest to reward repeated listening and

69
00:04:39.839 --> 00:04:44.040
prevent the track from becoming monotonous. The structure of Vacation

70
00:04:44.399 --> 00:04:48.639
follows a relatively straightforward verse chorus format, but with several

71
00:04:48.639 --> 00:04:52.319
elements that enhanced its effectiveness as both a summer anthem

72
00:04:52.439 --> 00:04:55.879
and a showcase for the band's strengths. The song opens

73
00:04:55.879 --> 00:05:00.439
with that distinctive keyboard riff, immediately establishing its character before

74
00:05:00.439 --> 00:05:05.399
Belinda Carlyle's vocals enter with the opening verse. The verses

75
00:05:05.439 --> 00:05:10.120
feature Carlyle's conversational, enthusiastic delivery, painting pictures of escape and

76
00:05:10.199 --> 00:05:13.079
leisure that immediately resonate with anyone who's ever needed a

77
00:05:13.120 --> 00:05:16.920
break from routine. Her vocal approach is friendly and inclusive,

78
00:05:17.160 --> 00:05:19.680
making listeners feel like they're being invited to join the

79
00:05:19.759 --> 00:05:23.600
fun rather than simply observing it. The chorus explodes with

80
00:05:23.800 --> 00:05:27.000
energy and memorability, featuring the kind of hook that gets

81
00:05:27.000 --> 00:05:30.720
stuck in your head for days, while conveying genuine excitement

82
00:05:30.839 --> 00:05:35.639
about the prospect of getting away from everyday responsibilities. The

83
00:05:35.720 --> 00:05:38.920
repetition of key phrases creates sing along moments that work

84
00:05:39.000 --> 00:05:43.439
perfectly for both radio play and live performance. The bridge

85
00:05:43.439 --> 00:05:46.560
section provides a moment of contrast while maintaining the song's

86
00:05:46.680 --> 00:05:50.959
essential energy, allowing the band to showcase their instrumental chemistry

87
00:05:51.079 --> 00:05:55.319
while building toward the final choruses. This dynamic shift keeps

88
00:05:55.319 --> 00:05:58.759
the song engaging throughout its runtime while demonstrating the band's

89
00:05:58.839 --> 00:06:03.360
understanding of how to create complete musical experiences. The song's

90
00:06:03.360 --> 00:06:08.160
structure reflects its origins in punk culture, direct, energetic, and

91
00:06:08.319 --> 00:06:14.319
uninterested in unnecessary complexity, while incorporating the melodic sophistication that

92
00:06:14.439 --> 00:06:18.360
made the Go Gos appealing to mainstream audiences. The lyrics

93
00:06:18.399 --> 00:06:22.519
of Vacation perfectly capture the universal fantasy of escape and

94
00:06:22.600 --> 00:06:27.120
relaxation that defines the best summer anthems. The song celebrates

95
00:06:27.160 --> 00:06:30.560
the simple pleasure of getting away from work, responsibilities and

96
00:06:30.639 --> 00:06:34.480
everyday stress to enjoy sun, fun, and freedom. What makes

97
00:06:34.480 --> 00:06:39.720
the lyrics particularly effective is their specificity, combined with universal appeal.

98
00:06:40.360 --> 00:06:44.439
References to beaches, dancing, and care free enjoyment create vivid

99
00:06:44.480 --> 00:06:48.519
mental images while speaking to experiences that virtually everyone can

100
00:06:48.560 --> 00:06:52.560
relate to, whether they're actually planning a vacation or just

101
00:06:52.720 --> 00:06:56.480
dreaming about one. The song's approach to its subject matter

102
00:06:56.680 --> 00:07:00.800
is refreshingly uncomplicated. This isn't a meditation on the deeper

103
00:07:00.839 --> 00:07:04.160
meaning of leisure or a critique of work culture. But

104
00:07:04.279 --> 00:07:08.560
simply a celebration of fun for fun's sake. This directness

105
00:07:08.680 --> 00:07:10.959
was part of what made the Go Gos so appealing

106
00:07:10.959 --> 00:07:14.639
and authentic. Throughout the lyrics, there's a sense of invitation

107
00:07:14.759 --> 00:07:18.399
and inclusion that reflects the band's communal spirit and punk roots.

108
00:07:19.120 --> 00:07:22.680
The song doesn't present vacation as an exclusive privilege, but

109
00:07:22.759 --> 00:07:26.240
as a universal desire and right, making it feel democratic

110
00:07:26.319 --> 00:07:31.120
and accessible rather than elitist. The lyrical content also reflects

111
00:07:31.199 --> 00:07:35.240
the optimistic spirit of early nineteen eighties America, when economic

112
00:07:35.279 --> 00:07:39.000
recovery and cultural confidence were creating space for pure enjoyment

113
00:07:39.279 --> 00:07:45.079
without guilt or extensive justification. What truly makes Vacation special

114
00:07:45.360 --> 00:07:50.279
is Belinda Carlyle's charismatic vocal performance, which perfectly embodies the

115
00:07:50.319 --> 00:07:55.120
song's spirit of joyful escape. Her delivery combines technical skill

116
00:07:55.240 --> 00:07:59.759
with genuine enthusiasm, creating a performance that feels both polished

117
00:07:59.839 --> 00:08:04.000
and and spontaneous. Carlyle's voice has a natural warmth and

118
00:08:04.160 --> 00:08:08.120
friendliness that makes the song's invitation to fun feel genuine

119
00:08:08.120 --> 00:08:12.439
and appealing. She never over sings or forces emotion, instead

120
00:08:12.560 --> 00:08:15.079
allowing the natural joy of the music to come through

121
00:08:15.120 --> 00:08:19.360
her relaxed but energetic delivery. The backing vocals from the

122
00:08:19.439 --> 00:08:23.800
other band members add depth and harmony while reinforcing the

123
00:08:23.800 --> 00:08:27.959
communal spirit that defined the Go Gos. When all five

124
00:08:28.040 --> 00:08:32.200
voices come together, particularly during the chorus, they create a

125
00:08:32.240 --> 00:08:36.600
wall of sound that's both powerful and inclusive. The overall

126
00:08:36.679 --> 00:08:40.600
vocal arrangement demonstrates the band's understanding of how individual talents

127
00:08:40.600 --> 00:08:44.120
could serve collective goals, with each member contributing to a

128
00:08:44.200 --> 00:08:46.279
sound that was greater than the sum of its parts

129
00:08:47.720 --> 00:09:00.879
More in a moment. Vacation was released in July nineteen

130
00:09:00.919 --> 00:09:05.080
eighty two and became a substantial hit, reaching number eight

131
00:09:05.159 --> 00:09:08.639
on the Billboard Hot one hundred and becoming one of

132
00:09:08.679 --> 00:09:13.679
the summer's most popular songs. The track's success was enhanced

133
00:09:13.679 --> 00:09:16.480
by its music video, which featured the band performing on

134
00:09:16.519 --> 00:09:19.399
a cruise ship and perfectly captured the song's themes of

135
00:09:19.519 --> 00:09:23.480
escape and fun. The video success on MTV was crucial

136
00:09:23.519 --> 00:09:26.919
to the song's impact, demonstrating how the still new medium

137
00:09:26.960 --> 00:09:30.399
could amplify songs that understood how to combine audio and

138
00:09:30.559 --> 00:09:35.399
visual elements effectively. The Go Gos's natural charisma and obvious

139
00:09:35.480 --> 00:09:39.679
enjoyment translated perfectly to the video format to fully appreciate

140
00:09:39.720 --> 00:09:42.639
the impact of vacation, we need to examine the cultural

141
00:09:42.720 --> 00:09:45.919
landscape of summer nineteen eighty two, a season when America

142
00:09:46.039 --> 00:09:49.919
was emerging from recession, MTV was reshaping music culture, and

143
00:09:50.000 --> 00:09:52.840
there was a general sense of optimism about the future.

144
00:09:53.639 --> 00:09:56.919
The summer movie season was dominated by E T the

145
00:09:57.080 --> 00:10:01.559
Extra Terrestrial, Steven Spielberg's heart warming tale of friendship and

146
00:10:01.639 --> 00:10:04.519
Wonder that became the highest grossing film of all time.

147
00:10:05.360 --> 00:10:10.679
Other major releases included Tron, which pioneered computer graphics, Poltergeist,

148
00:10:10.919 --> 00:10:14.600
and Blade Runner, demonstrating Hollywood's embrace of both high tech

149
00:10:14.639 --> 00:10:19.720
spectacle and intimate storytelling. Musically, nineteen eighty two was a

150
00:10:19.759 --> 00:10:22.759
transition year when new wave was reaching its commercial peak

151
00:10:22.799 --> 00:10:27.120
while maintaining its underground credibility. Artists like Duran Duran, The

152
00:10:27.200 --> 00:10:31.080
Human League, and Soft Cell were achieving massive success, while

153
00:10:31.200 --> 00:10:34.720
established acts like The Beatles with their final single Love

154
00:10:34.799 --> 00:10:39.679
Me Do reissue, and Paul McCartney were also prominent. MTV

155
00:10:39.879 --> 00:10:42.960
was having an enormous impact on how music was consumed

156
00:10:43.000 --> 00:10:46.679
and promoted, with artists who understood the medium's visual requirements

157
00:10:46.720 --> 00:10:50.200
achieving success that might not have been possible through radio alone.

158
00:10:50.519 --> 00:10:53.240
The Go Gos were perfectly positioned to take advantage of

159
00:10:53.279 --> 00:10:57.240
this new landscape. Politically, Ronald Reagan was in his second

160
00:10:57.320 --> 00:11:01.039
year as president, pursuing policies of economic dedas regulation and

161
00:11:01.159 --> 00:11:05.440
cultural conservatism. However, the summer of nineteen eighty two also

162
00:11:05.480 --> 00:11:08.919
saw some economic recovery in a general sense that the

163
00:11:08.919 --> 00:11:12.120
country was finding its footing after the difficulties of the

164
00:11:12.200 --> 00:11:16.559
late nineteen seventies. This was the context in which Vacation

165
00:11:16.799 --> 00:11:20.000
achieved its success, a moment when Americans were ready for

166
00:11:20.120 --> 00:11:24.519
uncomplicated fun, and the Go Gos provided exactly that, with

167
00:11:24.679 --> 00:11:28.679
enough style and substance to avoid seeming trivial or manufactured.

168
00:11:30.039 --> 00:11:34.320
For the Go Goos themselves, Vacation represented both continued commercial

169
00:11:34.399 --> 00:11:38.559
success and validation of their ability to evolve while maintaining

170
00:11:38.559 --> 00:11:42.639
their essential character. The song proved they weren't just a

171
00:11:42.759 --> 00:11:47.039
novelty act, but artists capable of sustained creativity and appeal.

172
00:11:47.799 --> 00:11:50.720
The track's influence on subsequent pop and rock music has

173
00:11:50.759 --> 00:11:55.320
been significant, particularly in demonstrating how punk energy could be

174
00:11:55.399 --> 00:12:01.000
channeled into mainstream success without losing authenticity. Aless female bands

175
00:12:01.000 --> 00:12:04.480
have cited the Go Gos as influences both musically and

176
00:12:04.519 --> 00:12:09.000
as role models for maintaining independence and creative control. Vacation

177
00:12:09.279 --> 00:12:13.200
has enjoyed remarkable longevity as a summer anthem, appearing in

178
00:12:13.279 --> 00:12:17.399
numerous films, television shows, and commercials, while continuing to find

179
00:12:17.440 --> 00:12:21.799
new audiences through its pure, infectious joy. Its themes of

180
00:12:21.919 --> 00:12:24.799
escape and fund remain as relevant today as they were

181
00:12:24.799 --> 00:12:29.639
in nineteen eighty two. Looking back on Vacation today, it

182
00:12:29.679 --> 00:12:34.080
represents a perfect moment in American pop culture when optimism, energy,

183
00:12:34.120 --> 00:12:37.759
and craftsmanship combined to create something that was both entertaining

184
00:12:37.799 --> 00:12:42.159
and enduring. What makes Vacation the quintessential new wave summer

185
00:12:42.200 --> 00:12:45.240
anthem is its understanding that sometimes the best songs are

186
00:12:45.279 --> 00:12:47.879
the ones that don't try to be profound or complicated.

187
00:12:48.399 --> 00:12:52.039
They just try to make you feel good and succeed completely.

188
00:12:52.759 --> 00:12:57.000
The track's combination of musical sophistication and emotional directness created

189
00:12:57.000 --> 00:13:01.039
something that worked for both casual listeners and serious music fans.

190
00:13:01.840 --> 00:13:05.200
The song also demonstrates The Go Go's remarkable achievement in

191
00:13:05.240 --> 00:13:10.440
creating music that was simultaneously punk and pop, underground and mainstream,

192
00:13:10.600 --> 00:13:14.600
serious and fun. This balance was incredibly difficult to achieve,

193
00:13:14.720 --> 00:13:18.159
and few bands managed it as successfully So as we

194
00:13:18.240 --> 00:13:20.559
continue our countdown of the top twenty songs of the

195
00:13:20.600 --> 00:13:23.919
summer at number five, turn up Vacation and let the

196
00:13:23.960 --> 00:13:27.200
Go Go's infectious energy. Remind you that sometimes the best

197
00:13:27.320 --> 00:13:30.159
escape is just a song away, and that joy can

198
00:13:30.200 --> 00:13:35.440
be both simple and sophisticated, immediate and lasting, because vacation

199
00:13:35.759 --> 00:13:38.639
isn't just a song. It's a three and a half

200
00:13:38.679 --> 00:13:42.440
minute holiday from whatever's weighing you down, a masterclass in

201
00:13:42.480 --> 00:13:46.159
how to transform punk energy into pop perfection, and a

202
00:13:46.240 --> 00:13:49.840
reminder that the best summer anthems make every day feel

203
00:13:49.879 --> 00:13:53.360
like the first day of vacation. Forty years later, it

204
00:13:53.480 --> 00:13:55.559
still has the power to make any moment feel like

205
00:13:55.559 --> 00:13:58.480
a party, which is why it deserves its place and

206
00:13:58.519 --> 00:14:03.000
our summer song's pantheon. This is Garrett Fisher for hit

207
00:14:03.080 --> 00:14:06.240
Maker Chronicles counting down the top twenty songs of the summer,

208
00:14:06.639 --> 00:14:10.120
as voted by the staff of Calaroga Shark Media. Keep

209
00:14:10.120 --> 00:14:13.039
that new wave vacation energy alive and join me next

210
00:14:13.039 --> 00:14:15.519
week as we continue our countdown with number four.