May 23, 2023

Zero Dark Thirty / David Nicholson Reserve Bourbon

Zero Dark Thirty / David Nicholson Reserve Bourbon
Zero Dark Thirty / David Nicholson Reserve Bourbon
Film & Whiskey
Zero Dark Thirty / David Nicholson Reserve Bourbon

In this episode, Bob and Brad continue their exploration of films directed by Kathryn Bigelow with the intense 2012 thriller Zero Dark Thirty. As they delve into the suspenseful narrative surrounding the hunt for Osama bin Laden, they complement the film with the distinct flavors of David Nicholson Reserve, a high-rye bourbon that adds depth to the experience.

The hosts kick off the episode with an in-depth analysis of the performances and direction in "Zero Dark Thirty." They dissect the compelling portrayals and Bigelow's masterful storytelling, highlighting the film's tension, realism, and thought-provoking themes.

In the second part of the episode, Bob and Brad dive into a comprehensive review of David Nicholson Reserve, exploring its aroma, flavor profile, and overall quality. They provide their tasting notes, discussing the unique characteristics that make this high-rye bourbon stand out.

The hosts conclude the episode with a thought-provoking exploration of the themes presented in "Zero Dark Thirty" and share their final analysis and scores.

Timestamps:

0:00: Introduction

06:00: Brad Explains

09:55: Performances and Direction

32:15: David Nicholson Reserve review

43:45: Two Facts and a Falsehood

48:35: Themes and Final Analysis

1:03:20: Let's Make it a Double

1:06:30: Final Scores

In this thrilling episode of Film & Whiskey, Bob and Brad continue their journey through Kathryn Bigelow's filmography with the riveting 2012 thriller "Zero Dark Thirty." As they immerse themselves in the high-stakes narrative centered around the hunt for Osama bin Laden, they pair the film with the robust flavors of David Nicholson Reserve, a high-rye bourbon that adds a layer of complexity to the experience.

Bob and Brad kick off the episode with a dive into the performances and direction, dissecting the nuanced portrayals and Bigelow's skillful storytelling, which creates an atmosphere of tension, realism, and intrigue.

In the second part of the episode, the hosts turn their attention to David Nicholson Reserve, a high-rye bourbon from Lux Row Distillers. They guide listeners through a comprehensive review, exploring the whiskey's aroma, flavor profile, and overall quality.

The episode wouldn't be complete without the entertaining game of "Two Facts and a Falsehood," where the hosts challenge each other with trivia related to the film and the whiskey, providing an enjoyable and informative segment for listeners.

As the episode reaches its conclusion, Bob and Brad dive into a thought-provoking exploration of the themes presented in "Zero Dark Thirty," discussing its significance and impact on the cinematic landscape. They conclude the episode by sharing their final analysis and scores, leaving listeners with a well-rounded understanding of both the film and the whiskey.

Visit Film & Whiskey's website at www.filmwhiskey.com for more episodes and exclusive content. Discover the range of whiskies from Lux Row, including David Nicholson Reserve, at www.luxrowdistillers.com.

Film & Whiskey Podcast. New episodes every Tuesday.

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1
00:00:00,500 --> 00:00:03,900
So, here's the deal everybody.
We just absolutely love

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producing as much content as
possible for film and whiskey

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Pleasure, check us out on
patreon.com film.

8
00:00:23,400 --> 00:00:28,500
Whiskey in 2012, director,
Kathryn Bigelow and starred.

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00:00:28,500 --> 00:00:32,400
Jessica Chastain gave The world.
A gritty Manhunt biopic that

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00:00:32,400 --> 00:00:37,600
culminates in the death of the
world's most hunted man in 2023

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we try a sourced bourbon that
fittingly comes from an

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00:00:40,600 --> 00:00:44,800
undisclosed location.
Oh the film is Zero.

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Dark Thirty.
The whiskey is David Nicholson

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reserve and more review them
both.

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00:00:50,100 --> 00:00:54,300
This is the film and whiskey
podcast.

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00:01:12,000 --> 00:01:14,400
Welcome to the film and whiskey
podcast, where each week, we

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00:01:14,400 --> 00:01:17,100
review a classic movie and a
glass of whiskey.

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00:01:17,500 --> 00:01:20,900
I'm Bob book, I'm Reggie and
this week we are looking at

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2012's Zero Dark.
Thirty one of objectively.

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The coolest sounding movie names
of the last 25 years Yes, Brad.

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00:01:30,400 --> 00:01:33,000
Oh dude.
There is something about the

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title that you're just like, I
feel like I'm on SEAL Team Six

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time in.
Yeah, I'm just, I have I'm

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bought into the movie before
anything else.

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Yeah dude.
Yeah, directors can't

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underestimate a good title.
No.

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So this is our second film.
Speaking of directors, from

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director Kathryn Bigelow.
Last week, we looked at 2009's

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The Hurt Locker or I guess
2008's, The Hurt Locker, I don't

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know.
There's some, there's some

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controversy who's to say, right?
Go I can listen to that if you

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want us to suss out what year
that was released in.

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But continuing on the
controversy train, Brad, we're

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looking at Zero Dark Thirty a
movie that is not without

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controversy of its own.
I was going to say, I think it

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is universally beloved by
military folks.

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The common public, the political
figures in our world, like

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nobody had an issue with this
movie.

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No, not at all.
I mean, it's basically, like,

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you know, this movie, and It's a
Wonderful Life, are the ones

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that bring up the Fondest
Memories for everyone.

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Yeah, that's it, man.
All right, Brad, I have not sat

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down and counted but this has to
be like, I don't know.

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The fourth fifth movie we've
done from the year 2012 at this

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point. 2012 is one of the most
slept on great movie years ever.

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And if you wouldn't mind, while
I'm vamping Brad, do me a favor,

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just Google real quick.
Best Picture nominees from the

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2013 Oscars, come on it because
it is just a really, really

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great list of movies.
All right so 2013 Oscars.

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We have our go a more Beasts of
the Southern Wild Django

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Unchained.
Les Miserables Life of Pi,

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Lincoln Silver, Linings Playbook
and Zero, Dark Thirty.

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So this is at least our 4th 2012
movie.

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I think we also did the eighth
Harry Potter movie, which came

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out in 2012.
There's probably another one

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floating around out there
somewhere that I can't think of

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off the top of my head.
But is a more, the French movie

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that I did.
That's the one that you do.

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Not like yeah, yeah, significant
movie year, you know?

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Yeah, yeah.
I would say.

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So I've actually seen every
single movie on here except for

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Lincoln and Beasts of the
Southern Wild.

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Oh man.
Okay, that's what you had a

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white wing credit and I would
have expected that you would

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have seen Lincoln by.
Now as I say, I've seen a more

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and I had not linking, not the
Steven Spielberg movie of the

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bunch, I love it.
I mean, if I'm being honest with

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you, Bob I think a more was the
first movie on this list that I

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saw chronologically in my life.
Wow, the tell me that I'm not a

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cinephile.
Bob True film, bro.

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Brad gee.
Bob you never mentioned.

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This is our 200th movie.
Brad, I totally forgot until

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just now.
And here's the crazy thing is,

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I've had this marked on my
calendar and on are like Google

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sheet for months.
This is is written it like on

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your hand.
This is our 200th regular

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episode of film and whiskey.
I am, dude, I'm just like I'm so

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grateful for this.
I can't believe.

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I'm 200 movies.
Yeah, I am blown away myself.

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Like, you know, like I grew up
watching movies and going to the

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theaters was something of a past
time with my family.

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We probably did it once a month
or so.

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And so to be able to sit down
and take seriously the art of

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watching Homes and just have a
blast with my best friend doing

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it for two hundred episodes.
Now like that's just really cool

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00:05:07,700 --> 00:05:10,500
and I'm really thankful for all
of our listeners that that

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continue to tune in to hear us
ramble on about movies like from

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Gone With the Wind to Zero Dark
Thirty honestly.

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Like you know I know this is
gonna sound super selfish but at

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the end of the day the drive of
this podcast is like I get to

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00:05:26,700 --> 00:05:29,700
introduce one of my best friends
in the world to something.

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I love more than almost anything
and that is like these movies

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and the facts that I have, like,
I just feel like I've tricked

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00:05:36,900 --> 00:05:38,800
you into doing that.
Like, I can't believe this is

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worked for two hundred straight
weeks Brad.

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00:05:40,700 --> 00:05:44,400
But, yeah, the crate, like you
have gone from not having seen

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hardly any Classic Movies to
probably more than 99% of the

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population at this point.
And, and we've gone all the way

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00:05:50,900 --> 00:05:53,300
back to movies in the 30s.
We're going to look at silent

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00:05:53,300 --> 00:05:57,400
movies here in a couple weeks.
Like, yeah, it's really cool to

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be able to continue, to
introduce you to these things.

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And to see like just how far
we've been able to come in, what

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00:06:04,200 --> 00:06:06,700
we can talk about and the
references that I can make that

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00:06:06,700 --> 00:06:10,400
you now understand?
Yeah, I'm rocketing up the

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00:06:10,400 --> 00:06:17,900
percentile chart of movies
watched among Americans and I'm

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00:06:17,900 --> 00:06:20,000
I'm proud of myself.
Bob, I'm kind of awesome.

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00:06:20,100 --> 00:06:21,400
But you are a kind of awesome
man.

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All right man let's get into
talking about Zero Dark Thirty a

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little bit and in order to do
that, we have to throw over to

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our first segment of the day.
Which we call Brad explains

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that's gonna give us the movie
plot with only 60 seconds

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ticking on the clock.
So let's go ahead and do you

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take with this little segment
that we call?

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Brad explains rad explains is
the part of the podcast, where

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Brad breaks down the plot of the
film that he has just seen often

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for the first time.
Brad, was this your first time

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with Zero Dark Thirty?
Sure was.

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Wow.
Okay.

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Yeah, very first time I'd never
seen it.

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It's one of those movies that I
was always Rigged by, you know,

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partially because, you know, the
hunt of Osama bin Laden, I

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wouldn't say it was like a
formative part of our life, but

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00:07:08,800 --> 00:07:14,400
we were 10.
When the Twin Towers fell and

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therefore, we were, you know,
around 20 ish when he got

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caught.
Yeah.

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00:07:18,300 --> 00:07:21,900
And so spoiler alert, he didn't
get caught.

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Well, I mean, they caught him
with a bullet.

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Yeah.
Very.

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Very, very different.
Those and what happened with

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Saddam Hussein, you know what I
mean?

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Like, yeah, every kind of catch,
but yes, to your point, I

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understand what you're saying.
I'm just surprised that this is

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your first time seeing it
because of the three Downs in

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the Kathryn.
Bigelow, bunch here.

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I would have thought this would
be the one that had come across

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00:07:45,800 --> 00:07:48,600
your radar a little quicker.
Yeah, no.

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I like I said, it's been on my
radar for a while but just never

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got around to it.
And I will say like, after

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watching it I sat down and
watched Obama's 10 minute speech

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on on.
Catching him read a few articles

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about, you know, some of the
what was going on in the cabin,

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in the president's cabinet is
they're making decisions and it

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definitely struck me about what
a huge moment.

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It was in our society when he
was killed.

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Yeah for sure.
All right.

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00:08:19,700 --> 00:08:21,200
Brad.
Well now you have to break down

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00:08:21,200 --> 00:08:23,100
the plot of the movie.
The way that this works is that

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00:08:23,100 --> 00:08:26,500
we put 60 seconds on the clock
for Brad to explain the whole

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00:08:26,500 --> 00:08:28,500
plot of the film.
If he doesn't make it through,

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00:08:28,500 --> 00:08:31,600
we just cut him off and These
are left just on a cliffhanger,

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00:08:32,500 --> 00:08:34,400
if you've not seen Zero Dark
Thirty.

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00:08:34,400 --> 00:08:36,500
Something tells me you already
know how it ends.

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00:08:36,500 --> 00:08:40,100
So I'll give mild spoiler
warnings but, like, the spoilers

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00:08:40,100 --> 00:08:42,500
are public knowledge.
So, folks, if, you know, go

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00:08:42,500 --> 00:08:44,900
watch the movie.
But this is probably the first

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00:08:44,900 --> 00:08:47,500
time in a few weeks Brad, that,
I would say you can get the

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00:08:47,500 --> 00:08:50,200
movie spoiled for you, and
listen to us, talk about it

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00:08:50,200 --> 00:08:52,500
before you watch the movie, and
I think you could still enjoy

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00:08:52,500 --> 00:08:56,000
it.
Yeah. 100%, the, the movie

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00:08:56,400 --> 00:08:59,700
obviously does not key.
It's not an omelet.

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00:08:59,900 --> 00:09:03,100
M Night, Shyamalan movie, we'll
just say that.

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00:09:04,000 --> 00:09:05,800
All right.
Brad, you have one minute on the

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clock and go Zero.
Dark Thirty is a movie about a

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00:09:10,500 --> 00:09:16,700
CIA analyst played by Jessica
Chastain named Maya and her hunt

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00:09:16,700 --> 00:09:23,500
for Ohama host Hama bin Laden.
And her hunt for Osama Bin,

166
00:09:23,500 --> 00:09:27,500
Laden, it, follows her from her
early days, in the CIA.

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As she's squeamish about torture
all the way through to the very

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00:09:30,900 --> 00:09:37,700
end as she's being attacked in
in her Pakistani Embassy and her

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willingness to go to Every
length possible to find and kill

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00:09:42,600 --> 00:09:46,500
Osama Bin Laden.
I I don't know what else to say

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00:09:46,500 --> 00:09:48,200
Bob.
No not really.

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00:09:48,200 --> 00:09:50,500
I mean that's that's the plot
thickens.

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00:09:50,900 --> 00:09:54,800
Yeah, it's about Her.
And she has a drive to find and

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00:09:54,800 --> 00:09:57,100
kill him.
Have it, have somebody else

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00:09:57,100 --> 00:09:59,700
finding kill him.
She'll find him or in Brad's

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00:09:59,700 --> 00:10:01,900
terms.
Catch him, catch him.

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00:10:03,000 --> 00:10:08,200
Have you ever seen the bad man?
Like CollegeHumor video?

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00:10:08,200 --> 00:10:10,900
Yeah.
There's the one where he's

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00:10:10,900 --> 00:10:13,900
talking about how he doesn't
kill anybody.

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00:10:13,900 --> 00:10:19,400
Yes, they just go to sleep.
That's what they did with it

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00:10:19,400 --> 00:10:21,600
with us Ava.
That's on the historical.

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00:10:21,800 --> 00:10:24,800
At this point?
Yeah, all right man.

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00:10:24,800 --> 00:10:26,500
I think may be the place to
start.

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00:10:27,400 --> 00:10:29,600
Is comparing this directly to
the film.

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00:10:29,600 --> 00:10:31,800
That we just came out of, which
is The Hurt Locker.

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00:10:32,300 --> 00:10:36,300
And I think it's very clear a.
I mean, just looking at this

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00:10:36,300 --> 00:10:41,100
movie, the scope of this movie
is just enormous compared to The

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00:10:41,100 --> 00:10:42,200
Hurt Locker.
Yeah.

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00:10:42,200 --> 00:10:46,800
And it's a decade-long my film,
and just, you know, the cast is

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00:10:46,800 --> 00:10:49,300
incredibly stacked.
You can see the budget on the

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00:10:49,300 --> 00:10:52,100
screen.
I always love it when like a

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00:10:52,100 --> 00:10:54,100
filmmakers next movie gets a
much bigger.

193
00:10:54,100 --> 00:10:57,300
Budget is almost like when I
watched the first Godfather, ER,

194
00:10:57,300 --> 00:11:00,400
and then the Godfather Part 2
and like know, this clearly had

195
00:11:00,400 --> 00:11:03,000
at least twice the budget and,
you know, in the case of The

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00:11:03,008 --> 00:11:05,700
Hurt Locker, it had between four
and five times the budget.

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And I think just just in looking
at it you can tell ya that's

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that's what winning an Oscar
will do for you.

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Bob?
Yeah.

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00:11:14,400 --> 00:11:17,900
No.
You can definitely see the you

201
00:11:17,900 --> 00:11:20,200
can see where the money goes
like that.

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Like that's something we talked
about every once in a while.

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00:11:22,000 --> 00:11:24,000
On the podcast you can see the
money in this.

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There's a lot more special
effects a lot more.

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00:11:27,300 --> 00:11:32,300
Just like big showy scenes and
there's just a lot more movie to

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watch their step.
Certainly, as it's a long movie,

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it's a really long movie, man.
And that's one of the

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detractions, I would give this
film, is it?

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00:11:41,200 --> 00:11:44,400
It's a little bit too long.
I have not watched this movie

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00:11:44,400 --> 00:11:46,700
front to back since the first
time I watched it, which I guess

211
00:11:46,700 --> 00:11:49,400
would have been in 2013 after
the Oscars.

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00:11:50,200 --> 00:11:54,400
But I gave it a 10 out of 10 at
the time and I hope I say how

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00:11:54,400 --> 00:11:58,000
life update I'm not giving us
movie A 10/10 now Now that's

214
00:11:58,400 --> 00:12:00,900
Bob, I was really worried that
we're going to come into this

215
00:12:01,400 --> 00:12:05,500
and I was going to give it like
an 8 or something and you'd be

216
00:12:05,500 --> 00:12:08,100
like what are you doing?
No.

217
00:12:08,100 --> 00:12:11,200
I mean like I think I'm kind of
in that range now not to spoil

218
00:12:11,200 --> 00:12:14,300
my final scores but it will
definitely be taking a step

219
00:12:14,300 --> 00:12:16,300
back.
It's not a perfect movie, it

220
00:12:16,300 --> 00:12:18,200
like, it has some pacing issues
for me.

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But I think even as I get into
talking about pacing issues, the

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00:12:22,600 --> 00:12:25,400
whole reason I brought up the
comparison to The Hurt Locker is

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00:12:25,400 --> 00:12:29,100
that in addition to being like,
Just massive in terms of scope

224
00:12:29,100 --> 00:12:32,900
and scale and ambition.
It's also a completely different

225
00:12:32,900 --> 00:12:35,800
kind of movie.
Like the fact that both of these

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00:12:35,800 --> 00:12:38,300
movies are set in the Middle
East is about the only thing

227
00:12:38,300 --> 00:12:43,000
they have in common from like a
narrative storytelling

228
00:12:43,000 --> 00:12:44,800
standpoint.
I would put this movie in a

229
00:12:44,800 --> 00:12:47,400
completely different genre from
The Hurt Locker.

230
00:12:48,200 --> 00:12:49,900
I don't want to like totally
nitpick.

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00:12:49,900 --> 00:12:51,700
What would we consider,
Pakistan?

232
00:12:51,700 --> 00:12:55,400
The Middle East.
Now that's true, are they ever

233
00:12:55,400 --> 00:12:57,700
in the other in Afghanistan?
It's, um, Point in the movie,

234
00:12:57,700 --> 00:12:59,600
right?
Because they go to the, the CIA

235
00:12:59,600 --> 00:13:02,500
Black Ops base on in
Afghanistan.

236
00:13:02,700 --> 00:13:05,000
Yeah.
Anyway, there's Middle East

237
00:13:05,000 --> 00:13:06,900
element.
Just okay.

238
00:13:08,900 --> 00:13:13,300
I like geography, man.
Fair Point what I'm trying to

239
00:13:13,300 --> 00:13:17,600
say is, you know, I watch The
Hurt Locker and like, obviously

240
00:13:17,600 --> 00:13:21,000
yes, it's a war movie in this
one's not a war movie but it

241
00:13:21,000 --> 00:13:24,400
tells a very conventional
narrative story.

242
00:13:24,400 --> 00:13:26,800
There is like a narrative Arc.
There's tension builds.

243
00:13:26,800 --> 00:13:29,400
There's a Solution.
This movie is much more

244
00:13:29,400 --> 00:13:32,000
episodic.
And as I tried to, like,

245
00:13:32,000 --> 00:13:34,600
categorize what even is the
genre of this movie?

246
00:13:34,900 --> 00:13:37,500
The only kinds of films that I
can really compare it to our

247
00:13:37,500 --> 00:13:41,300
like journalists movies, you
know, like a procedural about

248
00:13:41,300 --> 00:13:44,800
like All the President's Men or
Spotlight has a lot in common

249
00:13:44,800 --> 00:13:47,900
with the way this movie unfolds.
It's just that instead of trying

250
00:13:47,900 --> 00:13:50,700
to break a story, they're trying
to catch the world's most

251
00:13:50,700 --> 00:13:54,300
infamous criminal, but it has
that same sort of, almost like

252
00:13:54,300 --> 00:13:58,400
police procedural element to it.
Yeah, 100%.

253
00:13:58,400 --> 00:14:04,000
And and yet it also has a bit of
like a Jason Bourne movie, mmm?

254
00:14:04,100 --> 00:14:08,200
Like, for me the vibe of the
lighting in the movie reminded

255
00:14:08,200 --> 00:14:13,100
me of the Bourne movies.
And and the way that they have,

256
00:14:13,100 --> 00:14:19,300
like a gritty realism vibe to
the foreign countries that they

257
00:14:19,300 --> 00:14:21,400
Place their characters in
footnote 4.

258
00:14:21,400 --> 00:14:25,700
In, if you are from the US,
obviously just felt very similar

259
00:14:25,700 --> 00:14:28,300
to me.
Like I Found myself often

260
00:14:28,300 --> 00:14:31,700
throughout the movie thinking
that like, this is a much more

261
00:14:31,700 --> 00:14:35,100
serious.
Jason Bourne asked movie.

262
00:14:35,200 --> 00:14:37,200
Yeah.
That and that like, that's what

263
00:14:37,200 --> 00:14:41,100
really stuck with me in a good
way, like I think that the look

264
00:14:41,100 --> 00:14:45,000
and the feel of this movie, all
right?

265
00:14:45,000 --> 00:14:47,500
Like AI think it's the right
tone that they should have

266
00:14:47,500 --> 00:14:51,000
struck and be like they kept it
consistent throughout the entire

267
00:14:51,000 --> 00:14:53,300
film and that was really well
done.

268
00:14:53,600 --> 00:14:55,900
I'm really glad you agree with
me on this because I was worried

269
00:14:55,900 --> 00:14:57,000
that we were going to end up
getting in.

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00:14:57,100 --> 00:15:00,000
In a debate about it.
Like when I looked at the genre

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00:15:00,000 --> 00:15:03,100
of the movie online, it's
categorized as a political

272
00:15:03,100 --> 00:15:05,200
thriller.
And I feel like that's one of

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00:15:05,200 --> 00:15:08,000
those kinds of genres that
there's a huge umbrella for what

274
00:15:08,000 --> 00:15:10,600
you can call a political
thriller and that's everything

275
00:15:10,600 --> 00:15:12,800
from like, you know, Manchurian
Candidate.

276
00:15:12,800 --> 00:15:15,100
Exactly.
Like I'm being chased by,

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00:15:15,100 --> 00:15:18,400
there's a conspiracy against me.
And it's an action-thriller all

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00:15:18,400 --> 00:15:23,000
the way down to like this kind
of, you know, backroom political

279
00:15:23,000 --> 00:15:26,900
Intrigue kind of thing, which I
met Aaron, Sorkin West Wing

280
00:15:26,900 --> 00:15:29,400
week.
Operates on a much different

281
00:15:29,400 --> 00:15:32,400
kind of Rhythm.
And so, like I guess the thing,

282
00:15:32,400 --> 00:15:34,000
you know, just to kick things
off here.

283
00:15:34,100 --> 00:15:37,200
My observation is, this is a
very different movie Than The

284
00:15:37,200 --> 00:15:38,900
Hurt Locker.
Yeah.

285
00:15:38,900 --> 00:15:43,700
And it's, it's fascinating.
How Bigelow is working in the

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00:15:43,700 --> 00:15:51,900
same era of like history, like,
she's making historical fiction,

287
00:15:51,900 --> 00:15:56,500
ish, mmm, movies.
And like, I don't know, I'm very

288
00:15:56,500 --> 00:15:57,000
curious.
Why?

289
00:15:57,100 --> 00:16:00,300
Why she is a director was drawn
to this era?

290
00:16:01,500 --> 00:16:05,100
I mean, obviously she's making
these movies as the things are

291
00:16:05,100 --> 00:16:08,500
happening like Zero Dark Thirty
originally was supposed to be a

292
00:16:08,508 --> 00:16:10,700
movie about the failed Manhunt.
Yeah.

293
00:16:10,700 --> 00:16:13,200
Sama Bin Laden.
And then they found him and

294
00:16:13,200 --> 00:16:14,600
killed him.
There are sorry.

295
00:16:14,600 --> 00:16:20,200
They found in caught him caught
it and they completely rewrote

296
00:16:20,200 --> 00:16:23,800
the script to fit the catching
of Osama bin Laden.

297
00:16:24,400 --> 00:16:27,500
Do you think this is a good time
to get into like the whole Mercy

298
00:16:27,500 --> 00:16:29,000
or should we save that for a
little bit later?

299
00:16:30,000 --> 00:16:31,500
Yeah, let's just get it out of
the way.

300
00:16:31,500 --> 00:16:37,200
Okay, so they waterboard people
that here's the, I will say, one

301
00:16:37,200 --> 00:16:41,500
of the best lines I've ever
heard in a movie is when the the

302
00:16:41,500 --> 00:16:46,200
CIA agent that trains, Jessica
Chastain and the field on how to

303
00:16:46,200 --> 00:16:50,500
torture, people is leaving and
he's like telling her to be

304
00:16:50,500 --> 00:16:52,100
careful.
He's like, you know, times are

305
00:16:52,100 --> 00:16:54,300
changing.
They're not letting us do what

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00:16:54,300 --> 00:16:58,100
we need to do and then he goes,
you Don't want to be the last

307
00:16:58,100 --> 00:17:02,500
one found holding the dog
collar, the dog collar.

308
00:17:03,000 --> 00:17:06,000
And I'm like, oh, I don't like
that.

309
00:17:06,000 --> 00:17:09,000
Yeah, but it's a great like
crazy thing is, like, that's not

310
00:17:09,000 --> 00:17:10,900
a euphemism, that's not a
metaphor.

311
00:17:10,900 --> 00:17:12,900
That is snow.
He's being literal.

312
00:17:13,300 --> 00:17:16,400
Describing what they did to
prisoners, 100%.

313
00:17:16,500 --> 00:17:18,599
So I will say, go ahead in the
movie.

314
00:17:18,900 --> 00:17:21,599
I have not read about what they
actually did.

315
00:17:22,500 --> 00:17:25,300
I will just comment on what they
portrayed in the movie.

316
00:17:25,300 --> 00:17:28,600
What they portrayed in the movie
is effed up, bro.

317
00:17:28,700 --> 00:17:31,300
Yeah, it's horrific.
Well, and I was going to say the

318
00:17:31,300 --> 00:17:34,200
funny thing is this movie is so
controversial that there are

319
00:17:34,200 --> 00:17:37,600
controversies off of the
controversies and yep, when I

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00:17:37,600 --> 00:17:38,900
said like let's talk about the
controversy.

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00:17:38,900 --> 00:17:42,000
I wasn't even thinking about the
torture element of it which in

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00:17:42,000 --> 00:17:45,600
itself was very controversial.
And a lot of people movie

323
00:17:45,600 --> 00:17:49,300
critics that did not like this
movie really went in on it.

324
00:17:49,300 --> 00:17:54,500
And basically said, essentially
the Ark of the Story is if not

325
00:17:54,500 --> 00:17:56,100
for the torture of these
prisoners.

326
00:17:56,100 --> 00:17:59,600
We would not have caught Osama
Bin Laden, right?

327
00:18:00,000 --> 00:18:02,500
Yeah, we being Americans, right?
We are Americans.

328
00:18:02,500 --> 00:18:06,500
I, you know, sorry, I'm using
the, the, the formal we here.

329
00:18:06,500 --> 00:18:09,800
Yeah.
I think you mean merkins.

330
00:18:09,800 --> 00:18:10,800
Yes.
Exactly.

331
00:18:11,200 --> 00:18:13,900
But it's, and so, the point
they're essentially making is

332
00:18:14,300 --> 00:18:17,600
whether Kathryn Bigelow, and the
screenwriter Mark boal?

333
00:18:17,900 --> 00:18:20,900
Understand it or not, they're
essentially condoning what's

334
00:18:20,900 --> 00:18:23,600
being portrayed on screen and So
it became this big back and

335
00:18:23,600 --> 00:18:26,500
forth with markable saying, like
you're misreading, the film, if

336
00:18:26,500 --> 00:18:29,200
that's what you think.
But, I mean, those elements are

337
00:18:29,200 --> 00:18:33,200
there and the controversy Brad
that I was referring to though

338
00:18:33,200 --> 00:18:36,700
is the fact that this movie
essentially ends up getting

339
00:18:36,700 --> 00:18:42,500
accused of stealing CIA secrets
that, like, how could they have

340
00:18:42,500 --> 00:18:46,000
known how this operation went
down less than a year after it

341
00:18:46,000 --> 00:18:47,800
happened.
Unless somebody was feeding them

342
00:18:47,800 --> 00:18:50,800
information about it.
And so, you know, Mark boal has

343
00:18:50,800 --> 00:18:55,200
come out and said like He got
his information from and, and

344
00:18:55,200 --> 00:18:58,700
then, the funny thing is, like,
after the movie comes out, it's

345
00:18:58,700 --> 00:19:01,600
getting investigated, they
opened a senate investigation

346
00:19:01,600 --> 00:19:05,200
against this movie, to figure
out what you like, how they got

347
00:19:05,200 --> 00:19:07,100
their information.
And at the same time, they're

348
00:19:07,100 --> 00:19:10,000
investigating it for stealing
CIA Secrets.

349
00:19:10,200 --> 00:19:13,700
There's a whole section of
Congress, especially people like

350
00:19:13,700 --> 00:19:17,600
John McCain Dianne Feinstein who
are accusing the movie of being

351
00:19:17,600 --> 00:19:20,300
grossly inaccurate.
So it's like, okay, well, if

352
00:19:20,300 --> 00:19:22,300
they stole Secrets then they
clearly.

353
00:19:22,400 --> 00:19:24,800
I didn't use them because you're
saying none of this happened.

354
00:19:24,800 --> 00:19:29,600
So like it was caught in between
all of these kind of hot-button

355
00:19:29,600 --> 00:19:32,300
controversies.
It came out in an election year,

356
00:19:32,500 --> 00:19:36,400
people accused it of trying to
be released so that it would

357
00:19:36,400 --> 00:19:39,100
influence the, you know, people
in favor of voting for Obama

358
00:19:39,100 --> 00:19:42,500
even though it hardly mentions
Obama, it really just did become

359
00:19:42,500 --> 00:19:45,200
a political lightning rod for a
few months there.

360
00:19:45,800 --> 00:19:49,300
And yeah, that's interesting Bob
because technically this movie

361
00:19:49,500 --> 00:19:52,000
was supposed to come out in
2012.

362
00:19:52,500 --> 00:19:56,200
It ended up coming out and
really early 2013 because they

363
00:19:56,200 --> 00:19:59,200
didn't want to affect the
election.

364
00:19:59,200 --> 00:20:02,000
I guess I didn't.
And I said, giving this movie a

365
00:20:02,008 --> 00:20:05,100
lot of credit to assume that
like so many people are going to

366
00:20:05,100 --> 00:20:09,500
go see this movie and attribute.
All of this to Barack Obama that

367
00:20:09,500 --> 00:20:12,100
it will sway an American
election.

368
00:20:12,500 --> 00:20:16,700
Yeah well and and if we're being
honest like in the end at the

369
00:20:16,700 --> 00:20:21,500
end of the day, Barack Obama was
the president who gave the order

370
00:20:21,500 --> 00:20:22,300
to the?
Yeah.

371
00:20:22,400 --> 00:20:26,600
Hundred percent like giving
credit where credit's due and

372
00:20:26,800 --> 00:20:28,900
like that's fine.
Like he was the president.

373
00:20:28,900 --> 00:20:33,800
It's whoever is the quarterback
of the team gets the W or the L.

374
00:20:33,800 --> 00:20:36,500
Yep.
Like so if Obama gets the W-4

375
00:20:36,500 --> 00:20:39,300
that then he gets the W-4 that
that's, I don't know.

376
00:20:39,300 --> 00:20:41,800
That just seems like a silly
talking point but I know we're

377
00:20:41,800 --> 00:20:44,200
talking about American politics
where nothing is silly and

378
00:20:44,200 --> 00:20:48,800
everything is important.
So you know, you know, Bob we

379
00:20:48,800 --> 00:20:51,500
should probably just talk about
politics this entire episode.

380
00:20:51,500 --> 00:20:53,600
I was actually hoping Thing,
that we could just pivot the

381
00:20:53,600 --> 00:20:56,200
show to, like, film and
politics.

382
00:20:56,400 --> 00:20:59,800
Oh, no, this exact whiskey.
Yeah, it's Gotta Be.

383
00:20:59,800 --> 00:21:04,300
Yeah, there we go.
In the logo will get rid of the

384
00:21:04,300 --> 00:21:08,300
film reel, and just put an
American flag, or like the

385
00:21:08,300 --> 00:21:11,700
judicial scales.
Yeah, that's a good one.

386
00:21:11,700 --> 00:21:13,300
Yeah, Statue of Liberty.
Yes?

387
00:21:13,300 --> 00:21:15,500
Yes, yes, yes.
All right, man, let's talk about

388
00:21:15,500 --> 00:21:18,400
the movie itself and I want to
start with Jessica Chastain

389
00:21:18,400 --> 00:21:21,800
because it's her movie.
Jessica Chastain is such an

390
00:21:21,800 --> 00:21:26,200
interesting case study in
stardom because she was, you

391
00:21:26,200 --> 00:21:28,400
know, a working actress, she had
been in a few movies.

392
00:21:28,700 --> 00:21:31,600
Like, in 2010, she comes out
with this movie called The Debt

393
00:21:31,700 --> 00:21:34,500
where she plays a supporting
role and so, like she's working

394
00:21:34,500 --> 00:21:39,200
her way up through, you know,
the the food chain in Hollywood

395
00:21:39,500 --> 00:21:42,300
and she makes a love the.
I love the phrase working

396
00:21:42,300 --> 00:21:44,800
actress though.
As if like Meryl, Streep isn't

397
00:21:44,800 --> 00:21:48,100
working, she's just like
floating on clouds around the

398
00:21:48,100 --> 00:21:48,800
set.
Meryl.

399
00:21:48,800 --> 00:21:52,100
Streep is gigging.
At this point, she doesn't need

400
00:21:52,100 --> 00:21:53,100
steady work.
Come on.

401
00:21:53,700 --> 00:21:58,900
That's true.
So chasteen films like six or

402
00:21:58,900 --> 00:22:02,500
seven movies that all like some
of them get shelved for a few

403
00:22:02,500 --> 00:22:04,900
months, some of them get rushed
into post-production.

404
00:22:04,900 --> 00:22:09,000
And in the year 2011 she has one
two, three, four, five, six.

405
00:22:09,000 --> 00:22:11,500
Movies.
Come out and like at least four

406
00:22:11,500 --> 00:22:15,400
of them are either like really
beloved by critics or become

407
00:22:15,400 --> 00:22:18,100
really big hits.
So she makes a movie with Ray

408
00:22:18,100 --> 00:22:19,800
finds that he directs.
It's an adaptation.

409
00:22:19,900 --> 00:22:23,300
And of the Shakespeare play
coriolanus, she's in the movie,

410
00:22:23,300 --> 00:22:27,100
take shelter with Michael
Shannon, which is, I mean, a

411
00:22:27,100 --> 00:22:29,300
phenomenal movie.
I love that film.

412
00:22:29,500 --> 00:22:32,600
She makes the Tree of Life where
she is like co-starring opposite

413
00:22:32,600 --> 00:22:36,600
Brad Pitt in a Terrence Malick
movie like and Sean Penn and

414
00:22:37,000 --> 00:22:41,200
then don't forget him and then
the one that really kind of puts

415
00:22:41,200 --> 00:22:44,100
her on the map, is the movie.
The Help The Help gets nominated

416
00:22:44,100 --> 00:22:46,400
for a bunch of oscars.
I believe she gets nominated for

417
00:22:46,400 --> 00:22:47,700
best supporting actress for the
help.

418
00:22:47,700 --> 00:22:51,100
And so, from relative obscurity,
T to the end of that year.

419
00:22:51,100 --> 00:22:54,100
She's like one of the biggest
names in Hollywood and then what

420
00:22:54,100 --> 00:22:56,000
does she have coming out the
following year?

421
00:22:56,000 --> 00:22:58,200
Oh just Zero Dark.
Thirty like it.

422
00:22:58,200 --> 00:23:00,700
Yeah.
It's so crazy to think how

423
00:23:00,700 --> 00:23:02,600
quickly this kind of thing can
happen.

424
00:23:03,100 --> 00:23:04,900
Yeah.
And Chilean like interest

425
00:23:04,900 --> 00:23:06,600
Interstellar.
Just a year or two later.

426
00:23:06,700 --> 00:23:09,200
Yeah, exactly.
Like yeah, she had a really nice

427
00:23:09,200 --> 00:23:11,700
run there for a while and you
know she finally has won her

428
00:23:11,700 --> 00:23:14,800
Oscar just a little over a year
ago for the movie The Eyes of

429
00:23:14,808 --> 00:23:17,000
Tammy Faye.
It's just crazy because I feel

430
00:23:17,000 --> 00:23:19,700
like she's been a fixture in
Hollywood for so long.

431
00:23:19,900 --> 00:23:23,300
But there was a time when from
one year to the next nobody knew

432
00:23:23,300 --> 00:23:26,200
her and then she was, you know,
the hottest thing in town.

433
00:23:26,800 --> 00:23:29,400
Yeah stardom thrust upon her
quickly.

434
00:23:29,600 --> 00:23:32,800
So what's gonna happen to us
baby that we're going to hit the

435
00:23:32,800 --> 00:23:35,700
big time Bob.
And what?

436
00:23:35,700 --> 00:23:38,000
I don't know what is the big
time even look like for a

437
00:23:38,000 --> 00:23:42,300
podcast not Jessica Chastain's
career, it's like that.

438
00:23:42,600 --> 00:23:45,700
Okay, we're not going to be
making millions of dollars.

439
00:23:45,700 --> 00:23:50,100
If we couldn't hit the level of
Fame, she had before 2011, Evan

440
00:23:50,800 --> 00:23:53,200
will be like gods in the
podcasting world.

441
00:23:53,200 --> 00:23:56,000
Yeah, yeah.
We probably would need an well,

442
00:23:56,000 --> 00:23:59,300
here's here's the becoming gods
of the podcasting world.

443
00:23:59,700 --> 00:24:03,100
So, Chastain in this movie,
pretty incredible, Brad.

444
00:24:03,200 --> 00:24:06,600
Yeah, she's like you said, she
is the driving force of this

445
00:24:06,600 --> 00:24:12,100
film.
Like her emotional engine keeps

446
00:24:12,100 --> 00:24:16,100
this thing moving and boy does
this movie need it because it is

447
00:24:16,100 --> 00:24:23,100
long like, I II And I emphasize
this enough, Bob, I checked, I

448
00:24:23,100 --> 00:24:28,100
try my hardest to not check
where I'm at in a movie like

449
00:24:28,100 --> 00:24:30,800
you're not meant to know it when
you're sitting in the theater,

450
00:24:31,300 --> 00:24:35,100
there's nothing you can't just
like, you know, check to see how

451
00:24:35,100 --> 00:24:37,500
much time you have left.
You can't put on subtitles.

452
00:24:37,700 --> 00:24:41,000
I've returned to a place where I
try to watch movies as much.

453
00:24:41,000 --> 00:24:42,700
Like I'm in the theater as
possible.

454
00:24:43,600 --> 00:24:47,500
This one I checked at one point
I was like oh dear God, I have

455
00:24:47,500 --> 00:24:49,700
an hour and 20 minutes left.
I'm not even halfway.

456
00:24:49,800 --> 00:24:54,300
I checked one more time and I
was like, oh man, there's 53

457
00:24:54,300 --> 00:24:57,200
minutes left.
This is really rough man.

458
00:24:57,400 --> 00:24:59,400
I'm not gonna lie to you man
will get back to chest and a

459
00:24:59,408 --> 00:25:01,300
second.
I did the same thing like

460
00:25:01,300 --> 00:25:04,400
multiple times throughout this
movie because again, this is

461
00:25:04,400 --> 00:25:08,200
kind of I don't see the downfall
but it is an inherent feature of

462
00:25:08,200 --> 00:25:12,500
this kind of episodic procedural
movie that because there is not

463
00:25:12,500 --> 00:25:15,500
a traditional narrative Arc even
though there's kind of the

464
00:25:15,500 --> 00:25:18,900
built-in, like the hunt and then
the catch at the end of the

465
00:25:18,908 --> 00:25:23,100
movie.
So there is like a kind of Arc,

466
00:25:23,100 --> 00:25:26,000
but it's so episodic and so stop
start.

467
00:25:26,000 --> 00:25:28,000
And then, you know, one step
forward, two steps back.

468
00:25:28,000 --> 00:25:32,800
Because of the nature of this
case that you really can't tell

469
00:25:32,800 --> 00:25:36,500
how far you are into the movie
at any point, and it sounds very

470
00:25:36,500 --> 00:25:39,900
endless and repetitive.
And again that's that's the

471
00:25:39,900 --> 00:25:41,900
nature of what it was like to do
this.

472
00:25:41,900 --> 00:25:46,800
However, you know, I got like a
half hour into the movie and I

473
00:25:46,800 --> 00:25:49,400
couldn't remember if all of the
torture stuff was just like an

474
00:25:49,400 --> 00:25:50,900
extended.
Did prologue to what was going

475
00:25:50,900 --> 00:25:53,100
to happen and it's like, no,
it's not really a prologue.

476
00:25:53,100 --> 00:25:57,500
It's just like one chapter of
this film and then she goes off

477
00:25:57,500 --> 00:26:00,000
and does another thing.
And then she gets shot at by

478
00:26:00,000 --> 00:26:03,900
some people and then she's with
SEAL Team Six and I don't know,

479
00:26:03,900 --> 00:26:07,500
man, I'm with you and I hit the
point where there's that

480
00:26:07,500 --> 00:26:10,100
assassination attempt on her,
one of many, where she's getting

481
00:26:10,100 --> 00:26:12,400
shot at, you know, and she's
still like drive backwards

482
00:26:12,400 --> 00:26:15,000
behind that gate and I press
pause.

483
00:26:15,200 --> 00:26:18,000
And it was like, at the hour and
a half-ish mark.

484
00:26:18,000 --> 00:26:20,700
Yep.
Oh, they're still All our left

485
00:26:20,700 --> 00:26:23,000
in this movie and I feel like
I've been watching it for at

486
00:26:23,000 --> 00:26:26,000
least 2.5 hours.
Yeah, it's pretty much the same

487
00:26:26,000 --> 00:26:28,000
as the ending of The Return of
the King.

488
00:26:28,200 --> 00:26:32,100
Hmm.
My like it's episodic.

489
00:26:32,100 --> 00:26:36,200
There's like seven different
episodes to the ending and every

490
00:26:36,200 --> 00:26:38,400
single one is better than the
last.

491
00:26:40,000 --> 00:26:42,000
So Becca, back to Jessica
Chastain.

492
00:26:42,000 --> 00:26:43,700
Let's get back to Jessica for a
second.

493
00:26:44,000 --> 00:26:49,600
I think what makes her work as a
character is the way she slowly.

494
00:26:49,700 --> 00:26:54,100
Lee unravels throughout the
movie.

495
00:26:54,400 --> 00:26:59,500
That at the very start you have
a fresh-faced like, right out of

496
00:26:59,500 --> 00:27:03,600
school, recruit who, you know,
shows a lot of promise.

497
00:27:04,500 --> 00:27:09,500
And by the time you get like 45
to 60 minutes into the film, you

498
00:27:09,500 --> 00:27:15,000
hear her asking Prisoners, the
same questions that her trainer

499
00:27:15,000 --> 00:27:18,200
was asking and using the same
phrases and you're kind of like

500
00:27:18,300 --> 00:27:22,600
oh she's like She's like and now
she's bought into the what

501
00:27:22,600 --> 00:27:26,900
they're doing and then from
there you see the physical

502
00:27:26,900 --> 00:27:30,600
transformation happen and she
gets you know, her hair gets

503
00:27:30,600 --> 00:27:32,700
more and more unkempt and she
doesn't care.

504
00:27:32,700 --> 00:27:36,400
Quite as much about her makeup
anymore and and you see her kind

505
00:27:36,400 --> 00:27:38,700
of slowly lose it throughout the
film.

506
00:27:39,100 --> 00:27:42,000
And I think that's the thing
that keeps the film.

507
00:27:42,000 --> 00:27:46,800
Moving is how her emotional
energy becomes more ragged as

508
00:27:46,800 --> 00:27:49,600
the film goes further and
further along well.

509
00:27:49,700 --> 00:27:50,700
Yeah.
And I think the great thing

510
00:27:50,700 --> 00:27:53,200
about it is that they kind of
establish at the beginning of

511
00:27:53,200 --> 00:27:55,600
the film, that this is all she
has.

512
00:27:55,600 --> 00:27:58,500
This is all she does.
She has no life outside of this.

513
00:27:58,500 --> 00:28:01,200
We never find out her last name
and that's because this is a

514
00:28:01,200 --> 00:28:03,400
fictional character.
There's I mean, based on real

515
00:28:03,400 --> 00:28:07,600
CIA operatives but we only know
her as Maya and anyone only

516
00:28:07,600 --> 00:28:09,200
knows her.
As my I don't think they ever

517
00:28:09,200 --> 00:28:13,000
use a last name for her in this
movie and it gets to a point

518
00:28:13,000 --> 00:28:16,200
where one of her colleagues asks
her do you have any friends and

519
00:28:16,200 --> 00:28:19,100
she just doesn't answer and it's
pretty obvious that she doesn't

520
00:28:19,800 --> 00:28:23,000
So, when you get to the end of
the film and Brad, I love the

521
00:28:23,000 --> 00:28:26,700
ending of this film, and that
last shot of the movie has stuck

522
00:28:26,700 --> 00:28:29,800
with me for, you know, 11 years
now.

523
00:28:30,100 --> 00:28:32,800
It's 45.
Probably second shot.

524
00:28:32,800 --> 00:28:36,300
That is just a close-up on her
face because they've killed Bin

525
00:28:36,300 --> 00:28:40,500
Laden and they put her on a
plane and the guy says like hey

526
00:28:40,500 --> 00:28:43,300
must be pretty important.
You're the only person here so

527
00:28:43,300 --> 00:28:46,100
you it's echoing her isolation
and then he says where do you

528
00:28:46,100 --> 00:28:49,100
want to go?
And she has no answer and up to

529
00:28:49,100 --> 00:28:50,900
play and start.
It's too kind of just Meander

530
00:28:50,900 --> 00:28:55,600
down, you know, the taxiway, and
she's crying and she's

531
00:28:56,000 --> 00:28:58,900
understanding, like, where do I
go from here?

532
00:28:59,100 --> 00:29:02,200
Kathryn, Bigelow, in an
interview was talking about how

533
00:29:02,400 --> 00:29:05,400
she loved this ending, because
she wanted the audience to

534
00:29:05,400 --> 00:29:07,500
understand that this is not just
where do I go from here?

535
00:29:07,500 --> 00:29:10,700
But, where do we go from here?
Like, as Americans?

536
00:29:11,400 --> 00:29:15,700
We were hoping that someday we
could catch and or kill Osama

537
00:29:15,700 --> 00:29:18,000
Bin Laden and then it happened.
And it's like, okay, what?

538
00:29:18,000 --> 00:29:20,900
Now there's this, they're All
this emptiness there's still

539
00:29:20,900 --> 00:29:25,300
this loss that we feel from 9/11
and that void is not been filled

540
00:29:25,600 --> 00:29:27,900
and so she's a really great
representation of that and I

541
00:29:27,900 --> 00:29:30,300
think Chastain just freaking
knocks it out of the park in

542
00:29:30,308 --> 00:29:32,400
that scene man.
Yeah she does.

543
00:29:32,400 --> 00:29:36,800
I mean honestly it reminds me a
ton of the ending of The Social

544
00:29:36,800 --> 00:29:39,400
Network.
Mmm, we're like, you're just

545
00:29:39,400 --> 00:29:41,700
sitting with the character and
it's like, all right, we just

546
00:29:41,700 --> 00:29:45,500
accomplished all this stuff.
We did all these great things.

547
00:29:47,100 --> 00:29:51,000
But who am I at the end of this
was like, what's next?

548
00:29:51,000 --> 00:29:52,700
What did, what am I going to
turn into?

549
00:29:53,100 --> 00:29:58,200
And I think that that's like
Probably one of my favorite, I

550
00:29:58,200 --> 00:30:00,800
don't know.
I'm gonna call it a Trope, like,

551
00:30:00,900 --> 00:30:04,500
one of my favorite tropes from
Hollywood is like, okay, we

552
00:30:04,500 --> 00:30:07,400
obviously made this movie about
a specific event because that's

553
00:30:07,400 --> 00:30:11,900
what's interesting, but as with
everybody's life, there's going

554
00:30:11,900 --> 00:30:14,500
to be really interesting parts
of our lives.

555
00:30:15,500 --> 00:30:17,300
But those times are going to
end.

556
00:30:17,300 --> 00:30:21,600
Like at a certain point the
honeymoon, you know, if you get

557
00:30:21,600 --> 00:30:25,400
married your honeymoon ends and
you go back to work and you

558
00:30:25,400 --> 00:30:29,500
learn how to live with you or
now spouse and and like the the

559
00:30:29,500 --> 00:30:31,400
rest of time is trying to figure
out.

560
00:30:31,400 --> 00:30:33,900
Okay what do we do next?
And I think that's a really

561
00:30:33,900 --> 00:30:36,700
important question that we
should be asking ourselves as

562
00:30:36,700 --> 00:30:39,900
human beings.
That a lot of times I try to run

563
00:30:39,900 --> 00:30:43,700
away from, I don't want to think
about like the boringness of

564
00:30:43,700 --> 00:30:45,900
life, it date.
To day life.

565
00:30:45,900 --> 00:30:49,200
But but movies like this kind of
force you to reckon with that of

566
00:30:49,200 --> 00:30:51,100
like, okay, this important thing
ended.

567
00:30:52,000 --> 00:30:53,900
Who am I?
Where am I going?

568
00:30:53,900 --> 00:30:56,400
What am I doing?
And what's next?

569
00:30:56,400 --> 00:30:57,700
You're absolutely right though,
man.

570
00:30:57,700 --> 00:31:02,200
Like the sub genre of movie,
that is, you know, ambiguous

571
00:31:02,200 --> 00:31:05,100
ending where the character is
now morally lost and doesn't

572
00:31:05,100 --> 00:31:08,100
know where to go from here.
Yeah, he is like, you know,

573
00:31:08,100 --> 00:31:10,600
because obviously it reminded me
of the end of up in the air

574
00:31:10,700 --> 00:31:13,800
because it's set on a plane.
But that, you know, when when

575
00:31:13,800 --> 00:31:16,400
the pilot finally comes out,
Tells George Clooney, like

576
00:31:16,400 --> 00:31:18,300
you're in the Diamond Club, now,
or whatever.

577
00:31:18,300 --> 00:31:20,700
Where do you want to go?
And he just doesn't know what to

578
00:31:20,708 --> 00:31:24,800
say and then the movie ends with
him looking at that board of

579
00:31:24,800 --> 00:31:28,200
departures at the airport and
just being like, you know, one

580
00:31:28,200 --> 00:31:30,600
of the lights that you see above
you tonight will be my wing tip

581
00:31:30,600 --> 00:31:32,400
and you just don't know where
he's going to go from here.

582
00:31:32,800 --> 00:31:36,300
Yeah, and I do, I love movies
like this man because it's

583
00:31:36,300 --> 00:31:40,400
always like, just such a gut
punch at to end the film.

584
00:31:40,900 --> 00:31:43,700
And like I said, man, Chastain
gets nominated for best actress

585
00:31:43,700 --> 00:31:46,600
for this movie and she She
absolutely deserves it.

586
00:31:46,600 --> 00:31:48,800
It's a great performance.
Yeah.

587
00:31:48,800 --> 00:31:51,300
Do you know who won that year
for actress?

588
00:31:52,100 --> 00:31:54,300
Who won that year for actors
like that?

589
00:31:54,500 --> 00:31:56,000
Jennifer Lawrence.
Oh yeah.

590
00:31:56,000 --> 00:31:57,100
For Silver.
Linings Playbook.

591
00:31:57,100 --> 00:32:01,800
Yeah, which I have seen.
I think I'd lean towards

592
00:32:01,800 --> 00:32:07,400
Chastain and oh, I agree 100%.
Yeah or a manual Reva in a more

593
00:32:07,400 --> 00:32:08,600
obviously.
Yes.

594
00:32:08,600 --> 00:32:10,700
And she also gets caught at the
end of that movie.

595
00:32:10,900 --> 00:32:14,800
Shit.
All right.

596
00:32:14,800 --> 00:32:16,700
Brad.
It's time for us to hit pause at

597
00:32:16,708 --> 00:32:18,900
this point because this is going
to go off the rails.

598
00:32:19,100 --> 00:32:21,100
I'll very quickly if we don't
stop here.

599
00:32:21,500 --> 00:32:24,500
Let's drink some whiskey, man.
It's time we get into this David

600
00:32:24,500 --> 00:32:29,900
Nicholson Reserve, what do you
say that caught with a pillow?

601
00:32:30,200 --> 00:32:34,300
140.
You got me.

602
00:32:34,300 --> 00:32:36,300
Good with that.
Let's go drink some whiskey.

603
00:32:43,600 --> 00:32:47,500
Alright so today we are checking
out David Nicholson Reserve,

604
00:32:47,600 --> 00:32:50,800
this is a 100 Proof bourbon
whiskey, that comes to us from

605
00:32:50,800 --> 00:32:53,500
the Luxe.
Go company also known as Lux

606
00:32:53,500 --> 00:32:56,200
row.
Lux Co built a Distillery back

607
00:32:56,200 --> 00:33:00,700
in and 2017. 2018 2019,
somewhere in there, called Lux

608
00:33:00,700 --> 00:33:05,000
row, they already twenty twenty
Twenty-One twenty-two who it is.

609
00:33:05,100 --> 00:33:09,100
Who's to say who's to say?
They produce one of our favorite

610
00:33:09,200 --> 00:33:13,500
lines of whiskey, which is Rebel
bourbon mirror Dear to my heart,

611
00:33:13,500 --> 00:33:16,800
my favorite brand of whiskey
pound for pound on the market.

612
00:33:17,300 --> 00:33:20,500
And this is another of their
sourced products.

613
00:33:20,500 --> 00:33:21,900
So they didn't start distilling
their own stuff.

614
00:33:21,900 --> 00:33:24,600
Until just a couple years ago,
they have been rumored to have

615
00:33:24,600 --> 00:33:26,500
just the best relationship with
Heaven Hill.

616
00:33:26,500 --> 00:33:31,400
Most of their sourced stuff
reportedly reputedly comes from

617
00:33:31,800 --> 00:33:34,300
Heaven Hill and this is among
those.

618
00:33:34,500 --> 00:33:37,800
So David Nicholson is a brand
that was apparently very

619
00:33:37,800 --> 00:33:41,400
Regional and it has like a kind
of a BS marketing story behind

620
00:33:41,400 --> 00:33:44,500
it of like, oh this, this Man
made his own whiskey and passed

621
00:33:44,500 --> 00:33:48,800
his recipe down for generations.
And so they took this brand that

622
00:33:48,800 --> 00:33:50,600
was I think in the st.
Louis region.

623
00:33:51,800 --> 00:33:54,800
They expanded it to National
Distribution and they're

624
00:33:54,800 --> 00:33:58,100
sourcing likely Heaven Hill,
whiskey to do it.

625
00:33:58,300 --> 00:34:00,800
There's two Whiskey's bottled
under the David Nicholson.

626
00:34:00,800 --> 00:34:04,700
Label one is called, I believe
1843, that is a weeded Bourbon.

627
00:34:05,000 --> 00:34:07,200
And then, there is the David
Nicholson Reserve, which is what

628
00:34:07,200 --> 00:34:10,699
we're drinking today.
This is a high ribe Urban Brad.

629
00:34:10,900 --> 00:34:13,900
But again, we have no idea where
it comes from wink, wink.

630
00:34:13,900 --> 00:34:16,600
We have no idea what the mash
bill is for real, for real.

631
00:34:16,699 --> 00:34:18,400
So, that's all I have to say
about it.

632
00:34:18,400 --> 00:34:23,400
Brad I like that.
You're caveats are wink, wink.

633
00:34:23,400 --> 00:34:29,600
And for real for real, keeping
it classy here at the filming,

634
00:34:29,600 --> 00:34:32,300
whiskey podcast.
This might be a first for the

635
00:34:32,300 --> 00:34:35,000
season Brad, you.
And I are both trying this live,

636
00:34:35,000 --> 00:34:37,000
usually you drink yours before
we hit record.

637
00:34:37,000 --> 00:34:39,699
I like to just kind of do mine
in the moment and just kind of

638
00:34:39,699 --> 00:34:42,800
feeling feel nice and loose
about it, but we're both doing

639
00:34:42,800 --> 00:34:46,400
this right now in the moment.
I'm nosing this and I really

640
00:34:46,400 --> 00:34:49,600
love the nose on this man.
Oh yeah, I think it's a really

641
00:34:49,699 --> 00:34:52,800
Solid nose for me, it's a little
bit nutty.

642
00:34:53,199 --> 00:34:56,400
There's some cherry that comes
through a little bit of like an

643
00:34:56,400 --> 00:34:59,900
allspice and then like, the the
longer I've sat with it, the

644
00:34:59,900 --> 00:35:02,600
more you get some of those
caramel and vanilla notes coming

645
00:35:02,600 --> 00:35:04,800
out?
I think it's, I think it's

646
00:35:04,800 --> 00:35:08,900
pretty solid not complex enough
for me to give it a high score,

647
00:35:08,900 --> 00:35:12,900
but I'll give it a 7 out of 10.
This is a complete aside, but

648
00:35:12,900 --> 00:35:17,100
right now, I'm tasting out of a,
like a mini Glencairn a we

649
00:35:17,100 --> 00:35:19,500
Glencairn as they're called a
weekend.

650
00:35:19,700 --> 00:35:22,100
It's what we got when we went to
the Kentucky Bourbon Festival

651
00:35:22,100 --> 00:35:25,300
last year, Brad, and my aside is
to ask you this.

652
00:35:25,300 --> 00:35:28,200
Have you noticed a difference in
The Taste when you drink out of

653
00:35:28,200 --> 00:35:31,300
a regular sized Glencairn versus
the we Glencairn?

654
00:35:32,400 --> 00:35:34,800
I'm going to be really snobby
for a second Bob.

655
00:35:35,300 --> 00:35:37,900
I don't drink whiskey out of
anything other than a Glencairn.

656
00:35:38,900 --> 00:35:41,100
Well, this is the Glencairn.
It's just mini-sized man.

657
00:35:41,300 --> 00:35:44,100
Yeah, I that's not a Glencairn
Bob, it's like all those

658
00:35:44,100 --> 00:35:47,000
pictures in like, when Andre the
Giant would have like a beer can

659
00:35:47,000 --> 00:35:48,400
in his hand.
That's what I feel like right

660
00:35:48,400 --> 00:35:53,900
now with Yes, 100%.
So anyway, I say all that

661
00:35:53,900 --> 00:35:56,400
because the notes that I'm
getting on, the nose of this are

662
00:35:56,400 --> 00:35:58,400
very different than the ones
you're getting, and I'm getting

663
00:35:58,400 --> 00:36:01,100
a lot more of the brighter
fruity notes.

664
00:36:01,100 --> 00:36:04,400
There's a ton of green apple on
this for me and actually got a

665
00:36:04,400 --> 00:36:08,800
really specific candy memory and
it's those Sweet Tarts.

666
00:36:08,900 --> 00:36:12,400
Like the chewy Sweet Tarts that
have like the inside of them as

667
00:36:12,400 --> 00:36:14,400
white.
Those are the best.

668
00:36:14,600 --> 00:36:19,400
There is like a very specific
almost sour powdery fruitiness

669
00:36:19,400 --> 00:36:21,800
to this that I really really
dig.

670
00:36:21,800 --> 00:36:25,500
The only thing is for being a
reportedly High Rye bourbon.

671
00:36:25,500 --> 00:36:27,400
I get almost no Rye on this
nose.

672
00:36:28,200 --> 00:36:31,700
Yeah, I don't get it either.
Bob, I do have a question for

673
00:36:31,700 --> 00:36:32,500
you.
Mmm.

674
00:36:32,700 --> 00:36:36,500
Do you own a Glencairn?
Oh, I own like 15 Glen Karen's

675
00:36:36,900 --> 00:36:38,800
then why aren't you drinking out
of one of those?

676
00:36:38,800 --> 00:36:41,600
Because dude is just next to my
computer.

677
00:36:45,100 --> 00:36:48,400
I'm just curious.
I like if you had like two in

678
00:36:48,400 --> 00:36:50,700
there, both in the washer.
But all right, let me go get a

679
00:36:50,707 --> 00:36:53,800
Glencairn while you while you
Vamp and give us more.

680
00:36:55,100 --> 00:36:59,000
Oh man.
So yeah, so the palette here is

681
00:36:59,100 --> 00:37:03,800
really interesting for me it
Dives very heavily into the

682
00:37:03,800 --> 00:37:10,000
world of cherry and I'm honestly
not getting very much Riot.

683
00:37:10,000 --> 00:37:14,400
All like Bob I know that you
said that this is a high ride

684
00:37:14,500 --> 00:37:19,500
bourbon but for me It's almost
like a cherry cordial like a

685
00:37:19,500 --> 00:37:25,200
chocolate cherry cordial.
There's a little bit of vanilla

686
00:37:25,200 --> 00:37:27,600
that pops in.
It's nice and creamy.

687
00:37:28,200 --> 00:37:31,900
I like this flavor a lot.
I'm a little annoyed that it's a

688
00:37:31,908 --> 00:37:34,000
high Ryan.
I'm not getting really any Rye

689
00:37:34,000 --> 00:37:36,500
because I like Rye a lot.
I think.

690
00:37:36,500 --> 00:37:38,500
I'll give it a seven and a half
on the taste.

691
00:37:38,600 --> 00:37:42,400
It's solid.
I like what's going on here, but

692
00:37:42,400 --> 00:37:44,800
nothing that's like really
standing out for me.

693
00:37:44,900 --> 00:37:48,100
This is by far our most chaotic
Whiskey Review of all time.

694
00:37:48,100 --> 00:37:50,500
I really did get up and go get a
Glencairn.

695
00:37:50,700 --> 00:37:53,700
And so I came back when you were
halfway through talking and I

696
00:37:53,700 --> 00:37:57,300
heard chocolate cherry cordial,
that was the first thing I heard

697
00:37:57,500 --> 00:38:00,800
now, I'm still nosing this and I
get that a lot in a Glencairn.

698
00:38:00,900 --> 00:38:02,200
I really it's like milk
chocolate.

699
00:38:02,200 --> 00:38:04,500
With that kind of sickly syrupy.
Sweet.

700
00:38:04,500 --> 00:38:07,200
Cherry thing inside of it.
I will say Brad.

701
00:38:07,200 --> 00:38:10,800
Neither of us actually gave this
a score on the nose yet so I

702
00:38:10,808 --> 00:38:11,700
did.
I give it a 7.

703
00:38:11,800 --> 00:38:13,300
You give it a seven.
Alright, I'm going to give it a

704
00:38:13,300 --> 00:38:16,600
seven and a half on the nose.
I'm going to take a sip so that

705
00:38:16,600 --> 00:38:19,600
I I'm finally give it a taste
score but to prevent our

706
00:38:19,600 --> 00:38:22,400
listeners from being bored,
listening to me, smack my lips,

707
00:38:22,500 --> 00:38:24,500
go ahead and give it your finish
score.

708
00:38:24,600 --> 00:38:26,400
And then I'll come in and give
Casey and finish.

709
00:38:27,700 --> 00:38:33,200
For me, on the finish.
It kind of So ours is not the

710
00:38:33,200 --> 00:38:38,100
right word so ours is a very
specific feeling that you know

711
00:38:38,100 --> 00:38:42,700
it when you taste it I feel like
when whiskeys are overly oked

712
00:38:42,700 --> 00:38:45,800
they kind of sour at the end.
That's not what's happening

713
00:38:45,800 --> 00:38:50,100
here.
I guess it Bob that when you

714
00:38:50,100 --> 00:38:53,600
described it as that kind of
sickly Sweet Cherry interior.

715
00:38:54,000 --> 00:38:58,300
I feel like that is just
lingering on your palette and

716
00:38:58,300 --> 00:39:02,700
I'm not a huge fan.
I think I'll give it a six out

717
00:39:02,700 --> 00:39:06,300
of ten on the finish.
So on the taste, everything you

718
00:39:06,300 --> 00:39:08,000
got.
I'm getting like, I get the, the

719
00:39:08,000 --> 00:39:10,300
milk chocolate.
I get the like, the whole cherry

720
00:39:10,300 --> 00:39:11,800
cordial thing is really
prominent here.

721
00:39:11,800 --> 00:39:14,300
There's a little bit of vanilla,
but it's almost like an

722
00:39:14,300 --> 00:39:16,200
artificial vanilla extract for
me.

723
00:39:16,800 --> 00:39:19,500
A lot of that fruitiness went
away and it is kind of in that

724
00:39:19,500 --> 00:39:23,200
more milk chocolate range.
When you go to swallow and on

725
00:39:23,200 --> 00:39:28,300
the Finish it's got a ton of Oak
and Char on it like a lot and

726
00:39:28,300 --> 00:39:31,300
rad I don't know if it's just
that like you know I Kind of

727
00:39:31,300 --> 00:39:33,500
took a break from drinking
whiskey in the month between

728
00:39:33,500 --> 00:39:37,600
Seasons, but I feel like, I
don't know, like five or six of

729
00:39:37,600 --> 00:39:40,800
the nine whiskies we've had at
this point have had that really,

730
00:39:40,800 --> 00:39:45,400
really strong Oak Char character
to them and I will say that

731
00:39:45,400 --> 00:39:49,600
among them, this one doesn't
lean into just like, hey,

732
00:39:49,900 --> 00:39:53,500
cigarette, Ash on your tongue.
This one like it has that, but

733
00:39:53,500 --> 00:39:56,700
then, it kind of undercuts it
with that sickly syrupy, Sweet

734
00:39:56,800 --> 00:40:00,100
Cherry so that, it almost in the
balance ends up tasting kind of

735
00:40:00,100 --> 00:40:03,600
like the The lingering
aftertaste of like, Robitussin.

736
00:40:04,100 --> 00:40:06,300
Hmm, like a little bit sweeter
though.

737
00:40:06,500 --> 00:40:09,200
I don't hate it.
And I really thought that I

738
00:40:09,200 --> 00:40:12,300
would I'm gonna give it a seven
and a half on the taste.

739
00:40:12,300 --> 00:40:13,900
I'm going to give it a seven on
the Finish.

740
00:40:14,600 --> 00:40:20,100
Yeah, honestly, this weirdly
reminds me of the Nomad out land

741
00:40:20,400 --> 00:40:24,900
which is not as good.
Like the like The Nomad Outland

742
00:40:24,900 --> 00:40:29,000
had a weirdly sweet cherry
flavor to it and it was

743
00:40:29,000 --> 00:40:32,100
incredible.
This one feels Similar but just

744
00:40:32,100 --> 00:40:33,900
doesn't quite pull it off as
well.

745
00:40:34,400 --> 00:40:37,700
I think for balance, I'll give
it a six and a half, like there

746
00:40:37,700 --> 00:40:39,700
are some good flavors going on
here.

747
00:40:40,100 --> 00:40:44,200
I just don't know if they're all
mixing super well, especially as

748
00:40:44,200 --> 00:40:47,500
I take a step back and just
consider the flavors that are

749
00:40:47,500 --> 00:40:51,700
left on my palate.
It's decent, but not great.

750
00:40:52,000 --> 00:40:54,500
I'm also going to give it a six
and a half on balance and I know

751
00:40:54,500 --> 00:40:57,800
that it sounds weird because I
gave each component a higher

752
00:40:57,800 --> 00:41:01,000
score than this but I think when
you take the sum of the The

753
00:41:01,008 --> 00:41:04,100
parts and ends up being less
than each of them, you know what

754
00:41:04,100 --> 00:41:06,000
I mean?
Like it's just an okay, whiskey,

755
00:41:06,000 --> 00:41:09,400
it's pretty good.
On second sip, that finish gets

756
00:41:09,400 --> 00:41:12,300
a little bit more bitter and a
little bit less palatable.

757
00:41:12,900 --> 00:41:15,600
I'm not going to go back and
amend my finish score but in

758
00:41:15,600 --> 00:41:18,700
terms of overall balance, I
think the whole experience, you

759
00:41:18,700 --> 00:41:21,600
know, taken as a cohesive whole
is just a 6 and a half for me.

760
00:41:22,400 --> 00:41:24,300
Yeah, it's a little bit
disappointing.

761
00:41:24,800 --> 00:41:29,200
When you come to Value, this
bottle will can be sold in the

762
00:41:29,200 --> 00:41:31,300
state of Ohio for $40.
H.

763
00:41:31,300 --> 00:41:36,700
Hm. and I, Bob, this isn't a 40
dollar whisk.

764
00:41:36,700 --> 00:41:38,700
No, it's not.
I mean, here's the thing.

765
00:41:38,700 --> 00:41:41,900
Like if we knew a little bit
more about it maybe we could

766
00:41:41,900 --> 00:41:45,300
justify the price a bit like.
How old is this whiskey?

767
00:41:45,400 --> 00:41:47,200
We don't know.
I mean, it's got to be at least

768
00:41:47,200 --> 00:41:49,500
4 years old because I don't see
an age statement on this bottle.

769
00:41:49,900 --> 00:41:53,900
But, you know, if it was like a
six to eight year bourbon, I'd

770
00:41:53,900 --> 00:41:57,600
be like okay $40 makes more
sense, it's a hundred proof so

771
00:41:57,600 --> 00:42:00,000
like I get that but it's not
bottled in bond, it's just a

772
00:42:00,000 --> 00:42:02,400
hundred proof.
So that tells me that they're

773
00:42:02,400 --> 00:42:05,100
blending a whole bunch of stuff
together to Come out with this

774
00:42:05,500 --> 00:42:08,600
and at the you know, at that
price point I just you can get a

775
00:42:08,607 --> 00:42:11,400
lot better stuff for $40.
I think when it first came out

776
00:42:11,400 --> 00:42:15,800
it was retailing at 35 and that
made it kind of like a oh this

777
00:42:15,800 --> 00:42:18,800
is something different from Lux
row that an approachable price

778
00:42:18,800 --> 00:42:21,300
in mind, paying a little bit
more to get something kind of

779
00:42:21,300 --> 00:42:24,600
off the beaten path but at 40
it's just a little bit.

780
00:42:24,600 --> 00:42:28,200
It has better competition.
I'm going to give this a five

781
00:42:28,200 --> 00:42:31,200
and a half on value.
Yeah I give it a four and a half

782
00:42:31,200 --> 00:42:32,400
on value.
Wow.

783
00:42:33,400 --> 00:42:38,100
Bob my toe.
What is coming out to a 31.5 out

784
00:42:38,100 --> 00:42:41,400
of 50?
Brad, I'm going to 34 out of 50

785
00:42:41,400 --> 00:42:48,000
so we're only coming out to a
65.5 out of 100 or a 32 point 75

786
00:42:48,000 --> 00:42:51,000
out of 50.
I think that's a pretty like a

787
00:42:51,000 --> 00:42:54,400
pretty accurate score honestly.
Yeah, it's like right at the

788
00:42:54,400 --> 00:42:57,400
point where it's not bad, it's
not a bad whiskey.

789
00:42:57,400 --> 00:43:00,200
I just don't think I'm going to
recommend it because it doesn't

790
00:43:00,200 --> 00:43:04,400
really do anything to stand out.
Whether it's on the nose, As the

791
00:43:04,400 --> 00:43:08,000
taste of finish, there's no real
component of this that I would

792
00:43:08,100 --> 00:43:11,800
recommend to somebody even if
it's not a bad whiskey.

793
00:43:12,700 --> 00:43:16,600
Yeah, I would put it in the
category of like a cc + whiskey

794
00:43:16,600 --> 00:43:21,200
that you don't need to spend $40
on and you don't need to spend

795
00:43:21,200 --> 00:43:23,800
six bucks on it for a poor of
the bar either.

796
00:43:24,300 --> 00:43:26,700
Yeah, I mean it's like yeah,
it's a two and a half Star

797
00:43:26,700 --> 00:43:29,600
movie, you know, it's like yeah
you don't, you don't really

798
00:43:29,600 --> 00:43:32,900
regret spending your money on it
and it was pleasant enough.

799
00:43:32,900 --> 00:43:34,600
But you know that by the time
you Get home.

800
00:43:34,600 --> 00:43:36,500
You're going to forget about it,
just one of those.

801
00:43:37,700 --> 00:43:41,600
Yeah, good drink rubble.
Go drink Rebel every day, all

802
00:43:41,600 --> 00:43:45,000
day every day.
Yeah man, I won't say that.

803
00:43:45,000 --> 00:43:48,200
I'm disappointed.
Like it, like, it was fine but I

804
00:43:48,200 --> 00:43:50,000
yeah, I'm with you.
I'm not going to recommend it.

805
00:43:50,300 --> 00:43:52,200
All right, Brad, let's get back
into talking about Zero.

806
00:43:52,200 --> 00:43:53,600
Dark.
Thirty, what do you say?

807
00:43:54,200 --> 00:44:00,900
Let's get to it.
All right, everybody that was

808
00:44:00,900 --> 00:44:05,000
David Nicholson reserve a
whiskey that you can reserve

809
00:44:05,000 --> 00:44:10,200
spending your money on The Bob
you know what it's time for.

810
00:44:10,200 --> 00:44:15,200
Right now it's time for Bob's
checkbooks favorite segment.

811
00:44:15,200 --> 00:44:20,100
Our patreon plug plug in the
patreon plug in the patreon,

812
00:44:20,100 --> 00:44:21,900
guys.
If you like what we're doing

813
00:44:21,900 --> 00:44:25,000
here at the film and whiskey
podcast and you want to spend

814
00:44:25,000 --> 00:44:26,900
some of your Hard earned money.
Our way.

815
00:44:27,300 --> 00:44:30,600
We absolutely love you guys.
We love producing this content

816
00:44:30,600 --> 00:44:32,600
but it isn't free as everybody
knows.

817
00:44:32,600 --> 00:44:37,200
We try to bring the best
possible material to you guys.

818
00:44:37,500 --> 00:44:40,700
And so we have a patreon.
If you want to check it out,

819
00:44:40,700 --> 00:44:44,600
it's patreon.com film whiskey.
There are three different tiers,

820
00:44:44,600 --> 00:44:47,400
three five and seven dollars a
month at each tier.

821
00:44:47,400 --> 00:44:51,700
You get some pretty cool stuff.
There's bonus content.

822
00:44:51,700 --> 00:44:55,300
There's a channel on our Discord
that is solely dedicated to our

823
00:44:55,300 --> 00:44:57,100
page.
Hands, where we spend time every

824
00:44:57,100 --> 00:45:00,300
day talking to you guys.
So if you want to check it out,

825
00:45:00,300 --> 00:45:04,700
go to patreon.com/scishow.
Um, whiskey and consider, you

826
00:45:04,700 --> 00:45:06,100
know, thrown a few bucks.
Our way.

827
00:45:06,400 --> 00:45:09,300
We really do try to give them as
much content as we possibly can

828
00:45:09,300 --> 00:45:12,000
to like, yeah, you know, we're
making episode specifically for

829
00:45:12,000 --> 00:45:13,800
them.
Brad, I've got a thing lined up

830
00:45:13,800 --> 00:45:16,000
with a PR Company.
Right now that's sending me

831
00:45:16,000 --> 00:45:19,200
digital codes for movies to give
away and you know, a couple

832
00:45:19,200 --> 00:45:22,500
months ago, we did do a giveaway
for like the broader public but

833
00:45:22,500 --> 00:45:24,100
there's also going to be a
couple months where I'm like,

834
00:45:24,100 --> 00:45:26,800
hey, I have five copies of Of
the new Dungeons and Dragons

835
00:45:26,800 --> 00:45:28,400
movie.
I'm gonna give him to patrons.

836
00:45:28,400 --> 00:45:30,400
You know what I mean?
Like, it's wants it exactly.

837
00:45:30,700 --> 00:45:33,600
So if you'd like some of these
perks, consider joining us at

838
00:45:33,600 --> 00:45:38,600
patreon.com film whiskey.
All right, Bob, that was your

839
00:45:38,600 --> 00:45:40,700
favorite segments.
Now it's time for Canada's

840
00:45:40,700 --> 00:45:46,200
favorite segments to fax in a
falsehood is gonna try to stop

841
00:45:46,200 --> 00:45:51,000
you ball, all right.
And what is wrong?

842
00:45:52,300 --> 00:45:56,500
Two facts and a falsehood to
facts in a Third is the part of

843
00:45:56,500 --> 00:46:00,600
the podcast where Brad presents
three items to me as fact, one

844
00:46:00,600 --> 00:46:03,900
of which he has completely made
up and it's my job to figure out

845
00:46:03,900 --> 00:46:08,800
which one is the LIE Brad, there
is, I feel like we both had to

846
00:46:08,800 --> 00:46:12,000
do at least some amount of
research on this movie just to

847
00:46:12,000 --> 00:46:14,500
understand the context into
which it was released.

848
00:46:14,600 --> 00:46:17,800
Like we both seem pretty
familiar with the controversies

849
00:46:17,800 --> 00:46:20,200
surrounding it.
So I'm really interested to see

850
00:46:20,200 --> 00:46:22,000
what you're going to pull out
for your two facts in a

851
00:46:22,008 --> 00:46:25,400
falsehood.
Well just just you wait.

852
00:46:25,500 --> 00:46:28,900
Bob they're pretty incredible
facts.

853
00:46:28,900 --> 00:46:33,100
Number one, the man who killed
Bin Laden, Robert O'Neill wrote

854
00:46:33,100 --> 00:46:36,800
in his autobiography, the
operator that the real-life CIA

855
00:46:36,800 --> 00:46:39,900
operative that Jessica Chastain
Petraeus was the bravest woman.

856
00:46:39,900 --> 00:46:43,300
He has ever met fact.
Number two, Jessica Chastain's

857
00:46:43,300 --> 00:46:46,900
character was based on a
real-life CIA analyst who was

858
00:46:46,900 --> 00:46:49,400
single-minded in her Devotion to
finding Bin Laden.

859
00:46:49,600 --> 00:46:52,400
But was actually killed in a
raid on the US Embassy in

860
00:46:52,400 --> 00:46:55,100
Pakistan before, the job was
finished.

861
00:46:56,100 --> 00:46:58,800
Fact, number 3, Jessica
Chastain's agents originally

862
00:46:58,800 --> 00:47:01,500
declined, the role of Maya for
her producer.

863
00:47:01,500 --> 00:47:05,300
Megan Ellison who had worked
with Chastain on Lawless, gave

864
00:47:05,300 --> 00:47:08,200
Kathryn Bigelow Chastain's phone
number, so that she could

865
00:47:08,200 --> 00:47:11,700
personally offer the roll.
Oh, interesting.

866
00:47:13,500 --> 00:47:19,600
Hmm, I do remember reading that
somebody had been identified as

867
00:47:19,900 --> 00:47:25,000
the source, or at least one of
the sources for Maya in this

868
00:47:25,000 --> 00:47:27,100
movie.
I don't remember reading that

869
00:47:27,100 --> 00:47:31,800
she had been killed, so to
immediately jumps out to me as a

870
00:47:31,800 --> 00:47:34,700
potential falsehood.
Number three, sounds pretty

871
00:47:34,700 --> 00:47:37,200
plausible number once,
definitely sounds plausible.

872
00:47:37,500 --> 00:47:39,500
Although I don't know the name
of the guy who actually killed

873
00:47:39,500 --> 00:47:41,700
Bin Laden so maybe You made that
up who's to say?

874
00:47:42,100 --> 00:47:44,900
I think I'm going to just go
with my gut on this one Brad and

875
00:47:44,900 --> 00:47:48,900
say that to is the falsehood
just because I don't remember

876
00:47:48,900 --> 00:47:56,100
reading that that person had
died Bob you are 100% correct.

877
00:47:56,200 --> 00:48:00,100
All right yeah I'm telling you
what man the victories this

878
00:48:00,100 --> 00:48:03,200
season have been hard fought and
few and far between.

879
00:48:03,200 --> 00:48:05,200
So I will take one when I can
get one.

880
00:48:05,600 --> 00:48:09,000
Yeah, I say this is what our
third season of doing two facts

881
00:48:09,000 --> 00:48:12,400
in a falsehood, I think, so,
Yes, I'm getting.

882
00:48:12,400 --> 00:48:14,200
I'm a seasoned veteran at this
point Bob.

883
00:48:14,700 --> 00:48:17,200
I'm not squeamish anymore about
the torture that you put me

884
00:48:17,200 --> 00:48:22,500
through, there it is.
Yeah, I watched a few videos of

885
00:48:22,500 --> 00:48:25,900
Robert O'Neill.
The the gentleman who killed

886
00:48:26,200 --> 00:48:33,200
there are sorry who caught Osama
Bin Laden, and he is a very

887
00:48:33,200 --> 00:48:36,600
interesting human being and he
like, I don't know.

888
00:48:36,600 --> 00:48:38,400
There's part of me that, you
know, we talked about the

889
00:48:38,400 --> 00:48:41,900
controversy earlier about, you
know, how our, how were they

890
00:48:41,900 --> 00:48:45,100
able to find out the things they
found out about what happened?

891
00:48:45,400 --> 00:48:48,300
This students just out there
like, yeah, after I, after I

892
00:48:48,300 --> 00:48:51,700
caught Osama, I like, picked up
his two-year-old son and gave

893
00:48:51,700 --> 00:48:55,100
him to his mom.
And I'm like, oh, you're like

894
00:48:55,100 --> 00:48:58,200
just a lot to talk about
anything at this point, you

895
00:48:58,207 --> 00:49:00,100
know, it's funny.
You say that because and I

896
00:49:00,107 --> 00:49:02,500
wasn't able to go far enough
down the rabbit hole in

897
00:49:02,500 --> 00:49:06,800
researching this out, but I feel
like the existence of this

898
00:49:06,800 --> 00:49:10,600
movie, kind of accelerated, how
quickly?

899
00:49:10,800 --> 00:49:16,200
They Declassified this story
because like I remember every

900
00:49:16,200 --> 00:49:19,100
single person in Seal Team Six
wrote a book at some point.

901
00:49:19,100 --> 00:49:20,900
Like it just it seemed like for
a year.

902
00:49:21,300 --> 00:49:22,800
It was like they Declassified
it.

903
00:49:22,800 --> 00:49:25,300
And then everybody wrote a book
about SEAL Team Six and what

904
00:49:25,300 --> 00:49:26,100
they did.
Yeah.

905
00:49:26,300 --> 00:49:30,400
And I can't help but think that
that's pretty much solely

906
00:49:30,400 --> 00:49:33,200
because this movie came out and
they needed to either

907
00:49:33,200 --> 00:49:36,500
corroborate, it or refute.
It, it's just interesting to me

908
00:49:36,500 --> 00:49:40,500
that like a movie like this kind
of drove policy in that way not

909
00:49:40,500 --> 00:49:41,000
possible.
Policy.

910
00:49:41,000 --> 00:49:44,100
Now, you know what I mean?
Like the the the classification

911
00:49:44,400 --> 00:49:47,700
of highly sensitive materials
and whether or not the public

912
00:49:47,700 --> 00:49:50,100
would get to know any of it.
Yeah.

913
00:49:50,200 --> 00:49:52,300
Well I mean, as we know, with
with mr.

914
00:49:52,300 --> 00:49:54,900
Trump and mr.
Biden president could just

915
00:49:54,900 --> 00:49:58,200
declassify whatever he wants,
just anything and everything

916
00:49:58,200 --> 00:50:01,200
will even classified.
Absolutely Osama.

917
00:50:01,200 --> 00:50:04,400
Bin Laden Declassified.
All right, Brad.

918
00:50:04,400 --> 00:50:06,600
I think we should talk a little
bit about the other actors in

919
00:50:06,600 --> 00:50:08,300
this movie.
And it's going to be pretty

920
00:50:08,300 --> 00:50:10,200
quick because everybody kind of
plays.

921
00:50:10,200 --> 00:50:14,500
They're Little role in, what is
essentially, my has bigger

922
00:50:14,500 --> 00:50:18,600
story, but it's worth noting
that a lot of these actors were

923
00:50:18,600 --> 00:50:21,300
either like semi-famous or just
getting famous.

924
00:50:21,300 --> 00:50:24,600
Like, you know, Chris Pratt.
I remember, like, I vividly

925
00:50:24,600 --> 00:50:28,300
remember seeing the trailer for
this movie in front of every

926
00:50:28,300 --> 00:50:31,700
important movie in 2012.
And there's a moment where they

927
00:50:31,700 --> 00:50:36,000
clip out the him saying like you
really think it's him Osama bin

928
00:50:36,000 --> 00:50:38,400
ladin and it's the way he says
Bin Laden.

929
00:50:38,800 --> 00:50:41,600
It is like edged into my Braille
Bilal Be on my deathbed.

930
00:50:41,900 --> 00:50:44,100
Yeah, forgetting the names of
everyone in my family and I'll

931
00:50:44,100 --> 00:50:46,500
be thinking about Chris Pratt
saying that stupid line.

932
00:50:47,300 --> 00:50:51,100
But no, man, ever seen the movie
and like, I didn't really know

933
00:50:51,100 --> 00:50:53,800
who he was at that point because
I didn't watch Parks and Rec.

934
00:50:53,800 --> 00:50:56,200
When it first came out, I caught
up with Parks and Rec later,

935
00:50:56,400 --> 00:50:57,500
right?
Before it ended.

936
00:50:57,900 --> 00:51:01,100
And so I didn't know, Chris
Pratt, Joel Edgerton, I had only

937
00:51:01,100 --> 00:51:03,900
seen in a couple movies to that
point, I think Warrior had just

938
00:51:03,900 --> 00:51:05,800
come out a year before that
maybe.

939
00:51:06,000 --> 00:51:09,300
So I kind of knew Joel,
Edgerton, Mark Strong, the very

940
00:51:09,300 --> 00:51:12,400
famous British actor.
You know, I kind of recognized

941
00:51:12,400 --> 00:51:14,100
him as like, oh, is that all
British guy?

942
00:51:14,400 --> 00:51:18,100
But honestly, it was only people
like Kyle Chandler and James

943
00:51:18,100 --> 00:51:20,500
Gandolfini that I even
recognized in this movie.

944
00:51:20,600 --> 00:51:23,600
And now I say go back and watch
it and I'm like, oh, I recognize

945
00:51:23,600 --> 00:51:28,300
probably 13 people in this
movie, I go back and I recognize

946
00:51:28,300 --> 00:51:33,500
Chris Pratt and Jessica Chastain
and Kyle Chandler because I

947
00:51:33,500 --> 00:51:36,300
watch Friday Night Lights,
that's okay.

948
00:51:36,300 --> 00:51:40,000
Hello and Harold Perrineau who
was in long-lost.

949
00:51:40,000 --> 00:51:43,800
Yeah. well, okay, so the person
I wanted to call out was James

950
00:51:43,800 --> 00:51:46,600
Gandolfini, because I thought
that it was is we've never

951
00:51:46,600 --> 00:51:49,400
talked about him on this show
and it really sucks because he's

952
00:51:49,400 --> 00:51:53,200
like, one of our great actors
and Gone Too Soon, it was so

953
00:51:53,200 --> 00:51:56,100
good to see him pop up in a
movie and I just, I love

954
00:51:56,100 --> 00:51:59,000
watching that guy act, but are
you saying that you did not

955
00:51:59,000 --> 00:52:04,200
recognize James Gandolfini Bob,
I'm looking at the cast on IMDb

956
00:52:04,200 --> 00:52:07,200
right now, he doesn't even pop
up on the cast, like the main

957
00:52:07,200 --> 00:52:11,200
cast list, if you have to click
see all too, CJ.

958
00:52:11,200 --> 00:52:14,300
I mean he is a very small role
but like you what I'm asking you

959
00:52:14,300 --> 00:52:17,600
is like when you saw him on
screen, did you know who he is?

960
00:52:18,300 --> 00:52:23,000
Now I know what his name is.
I couldn't pick him out of a

961
00:52:23,000 --> 00:52:25,000
lineup.
I don't know what he's been in.

962
00:52:25,800 --> 00:52:28,800
I'm not even going to say what?
Like Brad.

963
00:52:30,700 --> 00:52:33,900
I'm so excited so bad at you,
right?

964
00:52:34,000 --> 00:52:37,000
Can you click on him?
Click on his IMDb and then you

965
00:52:37,000 --> 00:52:41,700
go find it and then you'll go.
I'm like, oh I'm like scrolling

966
00:52:41,700 --> 00:52:47,900
through the IMDb actor page.
There's 112 results and I can't

967
00:52:47,900 --> 00:52:52,200
find every time I think that
like do plans learned things by

968
00:52:52,200 --> 00:52:56,100
being on this podcast, with me,
you come back with like, oh, I

969
00:52:56,100 --> 00:53:00,300
don't know who Tony Soprano is.
I don't know what the television

970
00:53:00,300 --> 00:53:02,300
show.
The seminal piece of

971
00:53:02,300 --> 00:53:05,300
entertainment.
That is The Sopranos is like, I

972
00:53:05,300 --> 00:53:06,500
mean, I've heard of The
Sopranos.

973
00:53:06,500 --> 00:53:11,400
Oh my God, blow my mind, man.
Why would I watch The Sopranos?

974
00:53:12,000 --> 00:53:13,800
They know what?
No, don't push me there today.

975
00:53:13,800 --> 00:53:16,300
Brad, we're not good.
I just wanted to say I like to

976
00:53:16,300 --> 00:53:19,300
see him James Gandolfini.
I'm gonna, is he Sopranos as

977
00:53:19,300 --> 00:53:22,600
good as Breaking Bad.
It is, it is widely regarded,

978
00:53:22,800 --> 00:53:26,600
like, along with breaking bad as
possibly the greatest television

979
00:53:26,600 --> 00:53:29,000
show ever made.
I mean, if it's right there with

980
00:53:29,000 --> 00:53:31,600
Breaking Bad, I'm sure to watch
it anyway.

981
00:53:32,500 --> 00:53:36,800
Brad who are some other people
in this movie that you would

982
00:53:36,800 --> 00:53:38,600
like to call out for their
performances.

983
00:53:38,700 --> 00:53:43,500
However, All they might be.
Um, I really liked.

984
00:53:46,000 --> 00:53:49,600
The British guy that you talked
about, he doesn't he play kind

985
00:53:49,600 --> 00:53:54,800
of like the, the chief who she
keeps writing on his window.

986
00:53:54,800 --> 00:53:57,200
Mark Strong.
Thank you, Mark Strong.

987
00:53:57,200 --> 00:53:59,900
I liked him in this.
I think that he does a great job

988
00:53:59,900 --> 00:54:05,100
of illustrating the like the
plight of middle management.

989
00:54:06,700 --> 00:54:11,900
We're like he's he is 100% on my
aside and drying harness.

990
00:54:11,900 --> 00:54:15,100
He's like yeah, he's like an
Area 51 at one point and then

991
00:54:15,100 --> 00:54:16,800
fly.
Going back to Pakistan and she's

992
00:54:16,800 --> 00:54:18,900
just playing really writing on
his window.

993
00:54:19,400 --> 00:54:21,700
Yeah.
And like she but he's like not

994
00:54:21,700 --> 00:54:25,100
allowed to show her that he's
doing everything he can to get

995
00:54:25,100 --> 00:54:27,500
this investigated.
Like he might not fully believe

996
00:54:27,500 --> 00:54:30,400
that Bin Laden's there but he
knows something's up and so I

997
00:54:30,400 --> 00:54:33,400
just I loved his performance
because he just plays that

998
00:54:33,400 --> 00:54:36,900
middle manager role.
So incredibly well where he's

999
00:54:36,900 --> 00:54:41,000
keeping her at Bay and yet also
fighting his butt off to try and

1000
00:54:41,000 --> 00:54:45,000
get the stuff she's figured out
investigating so I really liked

1001
00:54:45,000 --> 00:54:47,800
him a lot.
Lat, I didn't like Chris Pratt

1002
00:54:48,500 --> 00:54:55,200
like he's just too fluffy for me
to believe that he's on Seal

1003
00:54:55,200 --> 00:54:59,400
Team 6.
I don't know if that's like body

1004
00:54:59,400 --> 00:55:02,100
shaming or something but I'm
just like looking at him.

1005
00:55:02,100 --> 00:55:05,500
I'm like well yeah I don't think
he would, you know, like

1006
00:55:05,500 --> 00:55:10,800
Star-Lord level Chris Pratt
could be unsealed Team 6, but

1007
00:55:10,800 --> 00:55:15,500
like Parks and Rec Chris and
Pratt could not be unsealed Team

1008
00:55:15,500 --> 00:55:19,200
Six.
I'm not even gonna go there with

1009
00:55:19,200 --> 00:55:23,400
that way, but I had Jason Clarke
cuz I didn't like him.

1010
00:55:23,600 --> 00:55:26,900
Jason Clarke is an interesting
actor because like he's in this

1011
00:55:26,900 --> 00:55:28,400
movie.
See, he's in one of the, the new

1012
00:55:28,400 --> 00:55:31,200
Planet of the Apes movies.
He does a few indie films that

1013
00:55:31,207 --> 00:55:35,600
are like really well regarded.
And then he's like poised to get

1014
00:55:35,600 --> 00:55:39,200
really big and then he just kind
of doesn't and I've always

1015
00:55:39,200 --> 00:55:41,700
really liked him as an actor.
I think he makes super

1016
00:55:41,700 --> 00:55:45,600
interesting choices and in this
movie He plays a very I don't

1017
00:55:45,600 --> 00:55:47,800
even want to know if I want to
call him a complicated character

1018
00:55:47,800 --> 00:55:51,200
because he's kind of
uncomplicated and very Steely.

1019
00:55:51,200 --> 00:55:55,700
But it's interesting to go back
now because when I first watched

1020
00:55:55,700 --> 00:55:57,100
this I was like that guy is
gonna be a movie.

1021
00:55:57,200 --> 00:56:00,300
Star and it just like, never
really happened for him.

1022
00:56:01,000 --> 00:56:04,000
Hmm.
Yeah, I think he's interesting

1023
00:56:04,000 --> 00:56:06,100
in this.
I think his most interesting

1024
00:56:06,100 --> 00:56:11,500
moment is like completely
overlooked and it's when he

1025
00:56:11,600 --> 00:56:17,000
disagrees with Maya in like the
big bang with with Tony Soprano

1026
00:56:17,800 --> 00:56:23,900
and and he says 60% and like
Maya kind of looks at him and

1027
00:56:23,900 --> 00:56:27,000
then they never talk about it
again and I'm like that, like

1028
00:56:27,700 --> 00:56:32,400
That to me is a moment of
character development and it's

1029
00:56:32,400 --> 00:56:35,000
just completely glossed over
because they have to get

1030
00:56:35,000 --> 00:56:36,400
finished with their two
half-hour.

1031
00:56:36,400 --> 00:56:37,800
Yeah, buddy.
That's a great point.

1032
00:56:37,800 --> 00:56:41,900
I yeah, I think that is kind of
the stuff of why I think the

1033
00:56:41,900 --> 00:56:45,500
pacing is off in this film is
you don't get enough character

1034
00:56:45,500 --> 00:56:48,000
interaction between her and
people they've established as

1035
00:56:48,000 --> 00:56:52,600
important like even even coach.
What's his face from Friday

1036
00:56:52,600 --> 00:56:55,000
Night Lights?
Like they just kind of get rid

1037
00:56:55,000 --> 00:56:58,200
of him halfway through the movie
and And he gets shipped off back

1038
00:56:58,200 --> 00:56:59,900
to America and you don't really
see him again.

1039
00:56:59,900 --> 00:57:02,500
And I'm like, why?
Like I want to see Jessica

1040
00:57:02,500 --> 00:57:05,500
Chastain like bounce off of
people more often.

1041
00:57:05,600 --> 00:57:07,000
That's what she's most
interesting.

1042
00:57:07,000 --> 00:57:08,700
And yet, they keep taking people
out of her way.

1043
00:57:08,700 --> 00:57:13,300
And they finally put a, put a
CIA Chief and tan like, in

1044
00:57:13,300 --> 00:57:16,300
charge of her that just says,
yeah, I learned that you should

1045
00:57:16,300 --> 00:57:18,500
do whatever you want.
So, go for it.

1046
00:57:19,800 --> 00:57:22,100
Okay.
Brad, I love it when I can tell

1047
00:57:22,100 --> 00:57:24,700
that you're starting to get
either upset with the movie or

1048
00:57:24,700 --> 00:57:27,200
just kind of digging your heels
in on a point that you've made

1049
00:57:27,200 --> 00:57:30,100
because it start doubling down
on certain behaviors.

1050
00:57:30,100 --> 00:57:33,400
And one of those behaviors is
like you're not even trying to

1051
00:57:33,400 --> 00:57:36,200
say people's names anymore.
Like you just referred to Mark

1052
00:57:36,200 --> 00:57:39,900
Strong as that British guy.
You mentioned and you refer to

1053
00:57:39,900 --> 00:57:42,300
Kyle Chandler as coach.
What's his face?

1054
00:57:42,900 --> 00:57:45,800
Well, I don't remember his name,
which is even better because not

1055
00:57:45,800 --> 00:57:48,500
only did you not call him by his
real human name?

1056
00:57:48,700 --> 00:57:51,700
But But the thing you actually
associate him with which is

1057
00:57:51,700 --> 00:57:54,100
Friday Night Lights, you don't
even remember his name from that

1058
00:57:54,200 --> 00:57:55,800
and you can't be bothered to
look up.

1059
00:57:55,800 --> 00:57:59,100
Either of those things you just
say coach, what's his name?

1060
00:57:59,300 --> 00:58:01,800
And you know that I know who
you're talking about.

1061
00:58:02,700 --> 00:58:04,200
Oh Bob, I'm in the middle of a
rain.

1062
00:58:04,200 --> 00:58:06,300
I don't have time to be clicking
through.

1063
00:58:06,300 --> 00:58:10,700
I am DB ohm and remember what
his name is in Friday Night

1064
00:58:10,700 --> 00:58:14,500
Lights.
All right, man before we get out

1065
00:58:14,500 --> 00:58:16,900
of here, and before we paired,
this movie up with, let's make

1066
00:58:16,900 --> 00:58:19,100
it a double.
I want to talk really briefly

1067
00:58:19,100 --> 00:58:21,400
about Kathryn Bigelow's
directing style.

1068
00:58:21,600 --> 00:58:24,700
So we're two movies in with her.
We're going to throw it all the

1069
00:58:24,700 --> 00:58:27,600
way back to 1992 with Point
Break next week.

1070
00:58:27,700 --> 00:58:29,900
Which is a much more
conventional, you know, kind of

1071
00:58:29,900 --> 00:58:31,600
in the vein of The Hurt Locker
it tells a much more

1072
00:58:31,600 --> 00:58:35,100
conventional narrative story and
it is much more Hollywood.

1073
00:58:35,100 --> 00:58:39,000
I used in terms of its look and
feel even in The Hurt Locker is

1074
00:58:39,400 --> 00:58:41,900
and so I guess I'm wondering
Brad after two movies.

1075
00:58:41,900 --> 00:58:48,100
Do you feel like you have a
grasp on her style on her themes

1076
00:58:48,300 --> 00:58:51,100
like on her?
Dual sense as a director yet or

1077
00:58:51,100 --> 00:58:54,100
do you think you need another
movie to try to make that

1078
00:58:54,100 --> 00:58:57,200
determination?
Yeah, I feel like it's hard to

1079
00:58:57,200 --> 00:58:59,200
say that.
I would have a grasp on it

1080
00:59:00,000 --> 00:59:06,900
because of how specific her Furs
to movies are like even though.

1081
00:59:06,900 --> 00:59:11,700
Yes they are different genres.
Like 100% hurt locker and this

1082
00:59:11,700 --> 00:59:14,700
one as you said to the the top
of this episode are very

1083
00:59:14,700 --> 00:59:19,600
different, genre movies.
And yet they are both about the

1084
00:59:19,600 --> 00:59:22,300
same thing.
They're both about the results

1085
00:59:22,300 --> 00:59:26,800
of 9/11 and what America did in
response to that.

1086
00:59:26,800 --> 00:59:29,400
And so I feel like they're both
similar enough in that sense.

1087
00:59:29,400 --> 00:59:35,600
That the idea that this woman
also directed a movie about

1088
00:59:35,600 --> 00:59:37,800
surfers who commit bank
robberies.

1089
00:59:39,500 --> 00:59:42,200
I mean, let's just say I'm
intrigued to see the hard left.

1090
00:59:42,200 --> 00:59:48,300
Turn were I'm to take also.
His name is coach Taylor so

1091
00:59:48,300 --> 00:59:49,800
there it is.
Yeah you're welcome.

1092
00:59:49,800 --> 00:59:51,500
It was better when it was coach.
What's his face?

1093
00:59:52,700 --> 00:59:56,200
So Kathryn Bigelow does not get
nominated for best director in

1094
00:59:56,200 --> 00:59:58,900
this year, for zero-dark,
thirty, which I think is really

1095
00:59:58,900 --> 01:00:01,100
fascinating.
This was the subject again of

1096
01:00:01,100 --> 01:00:03,600
some controversy.
And I don't know if you've

1097
01:00:03,600 --> 01:00:06,300
talked about this Brad, but this
was the year that are go, came

1098
01:00:06,300 --> 01:00:08,400
out and Argo goes on to win best
picture.

1099
01:00:08,900 --> 01:00:11,700
Ben Affleck.
This was like his big comeback

1100
01:00:11,700 --> 01:00:14,800
movie as a director and people
were starting to give him his

1101
01:00:14,800 --> 01:00:17,800
flowers and then he wins like
the Directors Guild award.

1102
01:00:17,800 --> 01:00:20,900
And then for some reason, he
doesn't even get nominated for

1103
01:00:20,900 --> 01:00:24,800
the Oscar and that's kind of how
our go takes pole position.

1104
01:00:24,800 --> 01:00:28,500
At the Oscars is that people
were rallying around Ben Affleck

1105
01:00:28,500 --> 01:00:30,400
and basically being like, well
if it's not going to win best

1106
01:00:30,400 --> 01:00:33,700
director, like let's give it
best picture and so I can't

1107
01:00:33,700 --> 01:00:38,400
remember a year where there were
two bigger omissions in the best

1108
01:00:38,500 --> 01:00:41,900
director category because I'm
looking at the list now and a

1109
01:00:41,900 --> 01:00:43,900
couple of these people.
I'm like, yes, I absolutely

1110
01:00:43,900 --> 01:00:47,000
think they belong here but to
leave Kathryn.

1111
01:00:47,000 --> 01:00:50,200
Bigelow out of this I think, is
kind of a staggering Omission

1112
01:00:50,200 --> 01:00:53,900
because this is as well.
Directed, if not better.

1113
01:00:53,900 --> 01:00:57,600
Well, if not better directed,
then The Hurt Locker was.

1114
01:00:58,200 --> 01:01:01,900
Yeah, I think it is.
Well, I don't know if I think it

1115
01:01:01,900 --> 01:01:05,200
is.
Maybe I need to ponder that Bob.

1116
01:01:05,900 --> 01:01:07,300
She should have at least been
nominated.

1117
01:01:07,300 --> 01:01:10,100
I guess is what I'm saying?
No, I'm with you.

1118
01:01:10,100 --> 01:01:13,000
This is a high enough quality
movie that it deserves a

1119
01:01:13,000 --> 01:01:16,900
nomination.
I think that 2010 was a weaker

1120
01:01:16,900 --> 01:01:20,300
year for the Oscars.
And so I think that makes sense

1121
01:01:20,300 --> 01:01:23,400
that she would win that year as
opposed to this year.

1122
01:01:27,500 --> 01:01:31,200
Do I think that this is better
directed than I?

1123
01:01:31,207 --> 01:01:35,000
Just think when you think about
like she said they shot two

1124
01:01:35,000 --> 01:01:38,400
million feet of film on this
movie and like who all of the

1125
01:01:38,400 --> 01:01:42,000
tiny little scenes that they had
to do like an entire, you know,

1126
01:01:42,000 --> 01:01:45,500
get an entire crowd shot, just
for like a five-second insert of

1127
01:01:45,700 --> 01:01:48,700
somebody getting followed
through a crowd or all of the

1128
01:01:48,700 --> 01:01:51,200
Drone footage.
All of the night-vision footage

1129
01:01:51,200 --> 01:01:56,600
like the the entire half hour
long assault on that complex is

1130
01:01:56,600 --> 01:01:58,800
such a way.
Well, directed piece of action

1131
01:01:58,800 --> 01:02:01,600
Cinema.
Like, I just yeah, I don't know,

1132
01:02:01,600 --> 01:02:03,500
man.
Like I think sometimes we look

1133
01:02:03,500 --> 01:02:06,200
at action movies, especially
movies like this that are very

1134
01:02:06,200 --> 01:02:09,300
big in scope and we don't, we
don't really think about just

1135
01:02:09,300 --> 01:02:14,200
how big the scope is.
I've, I have now seen after last

1136
01:02:14,200 --> 01:02:17,900
week, I have now seen the movie
Top Gun Maverick five times in

1137
01:02:17,900 --> 01:02:22,100
theaters Brad, and I'm like,
it's quite a few times.

1138
01:02:22,100 --> 01:02:24,800
This is one of the best directed
movies I've seen in a long time

1139
01:02:24,800 --> 01:02:27,900
and certainly one of the best
edited because there's just A

1140
01:02:27,900 --> 01:02:31,000
mountain of stuff to stitch
together and the fact that it

1141
01:02:31,000 --> 01:02:33,000
even can be coherent at the end
of it.

1142
01:02:33,400 --> 01:02:36,600
I think is like a miracle in
itself and I kind of feel that

1143
01:02:36,600 --> 01:02:40,800
way with this movie too.
Yeah, I think you're probably

1144
01:02:40,800 --> 01:02:43,500
right.
I think that I'm holding the

1145
01:02:43,500 --> 01:02:47,300
length of the movie against it,
but when you break down each

1146
01:02:47,300 --> 01:02:53,100
individual sketch, if you will,
and I will say the, the whole

1147
01:02:53,100 --> 01:02:57,400
naming each like, yeah, crime of
that.

1148
01:02:57,700 --> 01:03:00,900
Not a fan at all.
Like honestly I wish that they

1149
01:03:00,900 --> 01:03:04,900
just put up the year like now
it's now it's 2006.

1150
01:03:04,900 --> 01:03:07,300
Yep.
You know Pat a Pockets down with

1151
01:03:07,300 --> 01:03:09,600
that's where we are now.
Like That would have been much

1152
01:03:09,600 --> 01:03:14,400
better, but when you, when you
look at each individual little

1153
01:03:14,700 --> 01:03:18,300
vignette, they're pretty
incredible dude.

1154
01:03:18,500 --> 01:03:20,000
Yeah.
And I think this would be a

1155
01:03:20,008 --> 01:03:23,700
movie worth watching in two
sittings and I feel like I would

1156
01:03:23,700 --> 01:03:26,500
rarely say that but this is one
where like, when you hit the end

1157
01:03:26,500 --> 01:03:29,100
of one of the vignettes like
halfway through, I think it

1158
01:03:29,100 --> 01:03:32,800
would almost be worth taking a
night off and finishing it the

1159
01:03:32,800 --> 01:03:35,100
next day.
Yeah, I'm actually I'm right

1160
01:03:35,100 --> 01:03:38,300
there with you and I think that
is a perfect segue into our

1161
01:03:38,300 --> 01:03:41,700
final Women of the day which we
call, let's make it a double we

1162
01:03:41,700 --> 01:03:45,100
near the end of the episode.
So thanks for listening to the

1163
01:03:45,100 --> 01:03:47,800
film and whiskey show.
Let's pair another film with

1164
01:03:47,800 --> 01:03:49,400
this one.
Even if it's struggle, it's a

1165
01:03:49,400 --> 01:03:52,400
final segment of the day.
Now let's make it a double.

1166
01:03:52,500 --> 01:03:54,900
Let's make it a double as the
part of the show, where we pick

1167
01:03:54,900 --> 01:03:58,300
a movie to pair up with this one
to make the perfect double

1168
01:03:58,300 --> 01:04:01,100
feature.
Brad, I'll let you go first, but

1169
01:04:01,100 --> 01:04:03,900
I D, I do think I have a couple
of movies in mind for this one.

1170
01:04:04,900 --> 01:04:09,400
And I am, I'm not going to lie,
I think I'm pretty incredible

1171
01:04:09,500 --> 01:04:12,200
at.
Let's make it a double this

1172
01:04:12,200 --> 01:04:14,100
week.
I'm coming up short.

1173
01:04:15,000 --> 01:04:19,000
I literally can't think of a
movie that I'm just, like hands

1174
01:04:19,000 --> 01:04:21,200
down.
This is a perfect fit for this

1175
01:04:21,900 --> 01:04:26,900
as it is.
I think I'm going to go with the

1176
01:04:26,900 --> 01:04:30,600
Jason Bourne, The Bourne
Identity?

1177
01:04:30,800 --> 01:04:33,800
Hmm.
I do think that it is, you know,

1178
01:04:33,808 --> 01:04:36,400
the Bourne Identity.
Is much more of a classic

1179
01:04:36,400 --> 01:04:41,800
Thriller drama type of movie.
But I think that there's enough

1180
01:04:42,400 --> 01:04:45,800
of the same blood running
through its veins, that it would

1181
01:04:45,800 --> 01:04:50,800
make for a really fun night to
go from this into a little bit.

1182
01:04:50,800 --> 01:04:53,400
Lighter hearted Bourne,
Identity, Mmm.

1183
01:04:54,100 --> 01:04:55,400
Yeah, man.
I think it's a great pic.

1184
01:04:55,500 --> 01:04:57,700
I, you know, I, when I was
watching this movie, once again,

1185
01:04:57,700 --> 01:05:03,200
I was really blown away at what
a matter of fact, filmmaker

1186
01:05:03,400 --> 01:05:06,400
Kathryn Bigelow.
It's like the way she shoots the

1187
01:05:06,400 --> 01:05:10,500
action in this movie is very
rarely like I want to say

1188
01:05:10,500 --> 01:05:14,100
artistic, but it's not like,
it's not meant to be aesthetic.

1189
01:05:14,100 --> 01:05:17,100
It's meant to be functional.
And I think once again I said

1190
01:05:17,100 --> 01:05:20,300
this last week, she reminds me a
lot of Ridley Scott in the way

1191
01:05:20,300 --> 01:05:22,200
that she shoot some of her
action scenes and that, and

1192
01:05:22,200 --> 01:05:25,300
Black Hawk Down, I think is
really like a pretty major

1193
01:05:25,300 --> 01:05:28,400
influence on this movie.
I'm not going to go with Black

1194
01:05:28,400 --> 01:05:30,400
Hawk Down though.
I think the movie that I've that

1195
01:05:30,400 --> 01:05:31,400
would make them more
interesting.

1196
01:05:31,400 --> 01:05:34,300
Double feature is a movie by
Steven.

1197
01:05:34,600 --> 01:05:37,900
Soderberg called traffic
smoothie came out in the year

1198
01:05:37,900 --> 01:05:42,000
2000 and it is one of the first
kind of like shaky cam movies,

1199
01:05:42,000 --> 01:05:48,400
but it also tells this huge
episodic Anthology almost and

1200
01:05:48,400 --> 01:05:52,100
it's about the war against drugs
in America and in the Mexican

1201
01:05:52,100 --> 01:05:55,700
cartels and it follows like
three or four different groups

1202
01:05:55,700 --> 01:05:58,300
of people.
And I think that the way that

1203
01:05:58,300 --> 01:06:03,200
movie is structured, the rhythm
of that movie is so similar to

1204
01:06:03,200 --> 01:06:05,400
Zero.
Dark Thirty They tell completely

1205
01:06:05,400 --> 01:06:10,200
different stories but they're so
similar like rhythmically that I

1206
01:06:10,200 --> 01:06:12,300
think that would make a really,
really interesting double

1207
01:06:12,300 --> 01:06:16,000
feature brother I'm looking at
the cast for traffic.

1208
01:06:16,000 --> 01:06:19,100
It is like Peak 2000.
So it's a great, Michael

1209
01:06:19,100 --> 01:06:23,400
Michael, Douglas, Catherine
Zeta-Jones, Dennis Quaid, like

1210
01:06:23,400 --> 01:06:26,500
that needs to be dealt or a man
Benicio.

1211
01:06:27,000 --> 01:06:29,500
Don Cheadle, that's a lineup
right there, man.

1212
01:06:29,600 --> 01:06:31,600
It's a good movie.
Yeah, I'm down.

1213
01:06:31,700 --> 01:06:32,600
Let's watch it.
Sometime.

1214
01:06:33,100 --> 01:06:34,500
All right, so that's what we
have for Less.

1215
01:06:34,600 --> 01:06:37,100
Make it a double Brad's going
with the Bourne Identity.

1216
01:06:37,100 --> 01:06:41,700
I am going with traffic and now
it's time for our final scores,

1217
01:06:42,000 --> 01:06:43,400
Brad.
I don't think we need to belabor

1218
01:06:43,400 --> 01:06:45,800
this point anymore.
I'm going to give it an eight

1219
01:06:45,800 --> 01:06:49,400
and a half.
I think that Part of me wants to

1220
01:06:49,400 --> 01:06:53,300
give it an eight but I respect
the swing of this movie and I

1221
01:06:53,308 --> 01:06:58,900
respect how much the sheer
volume of this movie is so much

1222
01:06:58,900 --> 01:07:02,500
greater than The Hurt Locker.
And I think The Hurt Locker

1223
01:07:02,500 --> 01:07:05,300
might be slightly more effective
at what it's trying to do.

1224
01:07:05,800 --> 01:07:08,500
But I also think that movies in
this genre that we're

1225
01:07:08,500 --> 01:07:12,100
identifying kind of have a
ceiling for how entertaining

1226
01:07:12,100 --> 01:07:13,700
they can be, if that makes
sense.

1227
01:07:14,100 --> 01:07:16,600
Yeah, like a movie, like
Spotlight is a really well-made

1228
01:07:16,600 --> 01:07:20,500
movie but I'm not.
Always like riveted by what's

1229
01:07:20,500 --> 01:07:23,300
happening.
It's more just like I appreciate

1230
01:07:23,300 --> 01:07:24,700
the work.
These people went through to

1231
01:07:24,700 --> 01:07:27,500
chase down their story and I
kind of feel like that would

1232
01:07:27,500 --> 01:07:30,000
Zero Dark Thirty.
I appreciate watching these

1233
01:07:30,000 --> 01:07:33,600
people track a guy halfway
across the world for two and a

1234
01:07:33,607 --> 01:07:37,300
half hours so I'm going to give
it an eight and a half, I'll

1235
01:07:37,300 --> 01:07:40,400
give it an eight.
I think that this is like a

1236
01:07:40,400 --> 01:07:46,600
pretty entertaining if I will
say, Bob the first 30 minutes of

1237
01:07:46,600 --> 01:07:50,600
the film they have like three
Sure scenes that each last like,

1238
01:07:50,600 --> 01:07:53,200
eight minutes long.
Yep, it's rough.

1239
01:07:53,200 --> 01:07:55,800
Dude.
Like that was definitely a bit

1240
01:07:55,800 --> 01:08:00,800
of a struggle for me but once we
got past that I think the movie

1241
01:08:01,500 --> 01:08:04,100
definitely moved along at a
pretty good clip.

1242
01:08:04,600 --> 01:08:07,100
Yeah I think it's an 8 out of 10
movie.

1243
01:08:07,900 --> 01:08:09,400
Alright.
So we are coming out to an eight

1244
01:08:09,400 --> 01:08:12,900
point two five out of ten but
we'd like to know what you think

1245
01:08:12,900 --> 01:08:16,000
is Zero Dark Thirty the better
movie or is The Hurt Locker.

1246
01:08:16,300 --> 01:08:18,500
You can let us know on Facebook,
Twitter.

1247
01:08:18,899 --> 01:08:23,000
Instagram or Tick-Tock at film
whiskey or jump onto the

1248
01:08:23,000 --> 01:08:25,600
Discord.
We are on there every single day

1249
01:08:25,600 --> 01:08:28,500
talking to you guys, the fans of
the film and whiskey podcast.

1250
01:08:28,500 --> 01:08:31,100
So if you want to join the
conversation, you can find a

1251
01:08:31,108 --> 01:08:33,200
link to our Discord.
At the end of every single one

1252
01:08:33,200 --> 01:08:37,100
of our show notes.
Next week, we are rounding out

1253
01:08:37,200 --> 01:08:40,899
our discussion of Kathryn
Bigelow with just the most

1254
01:08:40,899 --> 01:08:44,100
Surfer a movie of all time.
Patrick Swayze Keanu.

1255
01:08:44,100 --> 01:08:47,500
Reeves in Point Break, I'm
excited for that one, Brad

1256
01:08:47,500 --> 01:08:50,600
because spoiler Alert.
I have never seen it.

1257
01:08:51,000 --> 01:08:53,800
Oh, oh, man, that's exciting.
Yeah, man.

1258
01:08:53,800 --> 01:08:56,200
I'm pretty pumped for it.
So we'll be back next week with

1259
01:08:56,200 --> 01:09:00,399
Point Break but until then, I'm
Bob book, I'm Reggie and we'll

1260
01:09:00,399 --> 01:09:01,300
see you next time.