Sabrina / Johnnie Walker Blender's Batch Wine Cask Blend
Bob and Brad wrap up their mini-series of films directed by Billy Wilder with the 1954 romantic comedy classic Sabrina. The hosts pair this classic film with Johnnie Walker Blender's Batch Wine Cask Blend, a blended scotch whisky that has been finished in wine casks.
Throughout the episode, Bob and Brad discuss the themes and performances of "Sabrina," diving deep into the complexities of the characters and the romantic relationships portrayed on screen. They also share their thoughts on the Johnnie Walker Blender's Batch Wine Cask Blend, noting the wine-finished flavor and discussing how it compares to other scotch whiskies they have tried in the past.
Listeners will enjoy the fun banter and witty commentary from Bob and Brad as they share their final analysis of both the film and the whisky. They wrap up the episode with their "Let's Make it a Double" segment, where they recommend other movies for listeners to enjoy.
Timestamps:
0:00 Introduction
06:30 Brad Explains
09:45 Themes and Performances
32:40 Johnnie Walker Blender's Batch Wine Cask Blend review
44:50 Two Facts and a Falsehood
51:45 Final Analysis
1:01:30 Let's Make it a Double
1:04:10 Final Scores
Bob and Brad bring their mini-series of films directed by Billy Wilder to a close with the 1954 romantic comedy classic "Sabrina." This beloved film stars Audrey Hepburn as Sabrina Fairchild, the daughter of a chauffeur who falls in love with the wealthy and charming David Larrabee, played by William Holden. The film also features a standout performance by Humphrey Bogart as David's older brother, Linus.
As always, the hosts provide insightful analysis and thoughtful commentary on the film, discussing the complex themes and relationships that make "Sabrina" such a timeless classic. They also pair the film with the Johnnie Walker Blender's Batch Wine Cask Blend, a blended scotch whisky that has been finished in wine casks to create a unique and complex flavor profile.
Listeners will enjoy the engaging and informative discussion on both the film and the whisky, and the hosts' final analysis will leave them with a deeper appreciation for both. Whether you're a fan of classic romantic comedies or blended scotch whiskies, this episode of Film & Whiskey is sure to please.
Visit Film & Whiskey's website at www.filmwhiskey.com for more episodes and content.
Learn more about Johnnie Walker Blender's Batch Wine Cask Blend at www.johnniewalker.com.
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--- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support00:00:00,100 --> 00:00:03,200
As we get into today's episode,
I just want to take a second,
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remind you that there's a ton of
extra content available to the
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00:00:06,500 --> 00:00:09,900
members of film and whiskey
Nation who support us through
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00:00:09,900 --> 00:00:14,500
our patreon.
Check us out on patreon.com film
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00:00:14,500 --> 00:00:19,500
whiskey.
In 1954 director, Billy Wilder
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00:00:19,500 --> 00:00:21,500
and star.
Audrey Hepburn, gave the world.
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A touching rom-com that dives
deeper than expected in 2023.
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We try a scotch whiskey.
That's a mouthful of a name, but
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isn't a mouth full of flavor.
The film is Sabrina.
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The whiskey is Johnnie Walker
blenders batch and wine, cask
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blend.
I literally almost started
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halfway through that and we'll
review them both.
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This is the film, and Whiskey
podcast,
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welcome to the film and whiskey
podcast.
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00:01:07,500 --> 00:01:10,300
Where each week, we review a
classic movie and a glass of
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00:01:10,300 --> 00:01:13,100
whiskey.
I'm Bob book, I'm Brad G and
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this week Brad is a milestone
week in season Then bom, ba bom.
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It's the first time we've been
able to record in person in
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00:01:21,600 --> 00:01:25,600
season, seven person may be so
we are coming to you from Brad's
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patio.
That's right.
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And beautiful Delaware Ohio.
Hmm.
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What a?
What a great place Bobby I'm
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telling you, you should move
here.
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Is this where we make the big
Bob should move pitch that I
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100%.
If you don't move here then I'm
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not going to do the podcast
anymore.
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Wow.
All right, so it's a milestone
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episode because it is the last
of Philemon whiskey episode
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Folks, you're welcome Hooman,
whiskey Nation.
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So, today we are rounding out
our mini series of films by
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director Billy Wilder.
We started with Sunset
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Boulevard.
Last week, we looked at Stalag
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17 and this week we are looking
at Sabrina.
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So we did back-to-back-to-back
William Holden.
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Billy Wilder, collaborations
also back-to-back-to-back movies
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that start with the letter s.
Wow, I didn't think about that,
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you know, this is why he pay me
the big.
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This is why this is a milestone
episode where so many things.
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All right, so we kind of talked
talked about this a little bit,
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you know, both with Sunset
Boulevard and Stalag 17, that
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Wilder is a very versatile
writer and director.
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And his his film span from
really Bleak film Noir to really
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biting kind of satire to kind of
frothy rom-coms.
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I think that it would be wrong
to call this movie A frothy
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rom-com because it does have
some kind of Darker Billy Wilder
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under currents running through
it.
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Multiple attempted suicides, you
know, no big deal, you know,
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moving on as you do.
But I have to say, I really
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enjoyed the overall palate
cleanser that this movie was
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yeah.
After Sunset Boulevard, I think
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Stalag 17, had a had a nice feel
to it and it was decently funny
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but there's still some elements
of it that didn't quite work for
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me.
Sabrina is an incredible movie
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Bob.
Yeah, Here's, I'm not going to
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bury the lead on this one, Brad.
I have only seen this movie.
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I think maybe once before, and I
think it kind of gets lost in
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the shuffle, in my mind of, like
40s and 50s romantic comedies,
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especially, since it comes just
a year.
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After Audrey, Hepburn's debut,
performance in Roman Holiday.
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And I think I've kind of
confused these two movies, a
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little bit in my mind.
And so, it was really cool to
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revisit this one after, I don't
know how long it's been almost
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20 years.
Probably, since I've seen this
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movie.
Mmm.
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Here's my my big leadoff
question, Brad.
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Is this a perfect movie?
Because I watched this movie and
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I have pretty much no notes on
the script and, you know, the
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I'll get into talking about
Wilders Direction and the camera
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work.
But this is right up there for
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me with the apartment and Double
Indemnity as maybe my new one of
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my new favorite Wilder films.
Bob that could not make me any
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happier because this is a film
that I watched growing up
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multiple times.
Have always Really, really loved
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and was so excited to see that.
You had put on the list for the
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season.
Like this, this would feel like
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if you just put charade randomly
in the podcast, I would be like
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freaking out.
But you know, of course, it took
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me forcing you to let me choose
half movies for a season to get
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that on the list.
That's okay.
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Not bitter about it.
But I'm very glad that you chose
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Sabrina because this is a
daggone good movie.
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It is so good and before we get
into talking about Sabrina, Want
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to say Brad you know, every once
in a while we talk about what
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seems like my very scattershot
approach to putting movies on
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the list.
Would you like to hear a little
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00:04:55,100 --> 00:04:59,100
bit of the film and whiskey
selection strategy that I
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totally know all about?
Because I'm half of the show.
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Yeah, I mean, the people need to
know.
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Oh yes, this is about democracy.
All right, so we've gotten
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through, I would say a majority
of the movies that are on the
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00:05:12,900 --> 00:05:15,100
American Film institute's top
100 list.
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At this point, we still have
Left to knock out.
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But as I look at the movies that
we really still need to tackle
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that I would consider like
anyone who watches Classic
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Movies needs to see these
movies.
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We're getting to a point where
there's like a random one by
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00:05:28,600 --> 00:05:31,800
this director in a random one
with this star and it's either
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00:05:31,800 --> 00:05:34,700
like let's schedule a whole
season of just completely random
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movies.
Or let's try to put some
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semblance around this and I
think with Sabrina and movies
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like Stalag 17, they're not on
the AFI list but they're helping
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us round out what I think would
be a good.
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You know, program of movies for
anyone to see by a director and
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in a lot of cases, these are
movies that are kind of hovering
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around the bottom of the IMDb
top 250 like it would be really
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cool if we got got, you know,
and some point got around to
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00:05:59,100 --> 00:06:03,600
watching most of the top 250.
Let's so like this is a really
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00:06:03,600 --> 00:06:06,700
well regarded movie.
It's not often talked about
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00:06:06,700 --> 00:06:09,600
among Wilders best but I think
it absolutely deserves to be
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discussed here.
Yeah.
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And like you said, the the
strongest point of this film is
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the script.
And then, when you layer in
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Wilders, willingness to allow
silence to happen in his movie,
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where, you know, there's a
certain point at the start of
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the film where I looked my
friend.
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Stephen was like, dude, how many
modern directors would allow
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00:06:30,600 --> 00:06:35,800
there to be 4 to 5 minutes of
their movie happen without a
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single line of dialogue?
And yet Wilder, does that two or
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three times throughout?
Movie to great effect.
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Absolutely.
So I yeah, I'm with you, man.
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I'm excited to get into it.
All right, well, let's get into
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it then.
And then that starts with our
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first segment of the day,
America's favorite segment,
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which we call Brad explains
Brad's gonna give us the movie
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plots with only 60 seconds
ticking on the clock.
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So let's go ahead and do you
take with this little segment
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00:07:01,400 --> 00:07:05,600
that we call Brad explains?
Brad explains is the part of the
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00:07:05,600 --> 00:07:08,500
podcast where Brad breaks down
the plot of the movie.
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We have just watched and usually
a see that he has just watched
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for the first time.
Now, as we know, this was not
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his first time seeing Sabrina
Brad.
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How many times you think you've
seen this so far?
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This was probably somewhere in
the five to seven radio nice
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would be my guess because I know
I remember watching it in my
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mid-20s with my wife and I
probably watched it three or
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four times as a kid.
So probably in that five six,
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maybe seven times area that's
putting it up there in like the
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Brad giri.
Watch ya.
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All time list.
Yeah.
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It's nowhere near.
I can hand Lions.
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But, you know, I mean it, what
can we could be near land?
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Such the greatness.
That is, I'm gonna guess that
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I've seen Secondhand Lions 20
times.
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Wow, I think the director of
Secondhand Lions hasn't even
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seen that I can handle.
I know he's, he's probably
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hasn't.
All right folks.
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00:07:58,400 --> 00:08:01,200
Well, we know that Brad knows
this movie inside and out now
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00:08:01,200 --> 00:08:03,600
and that means that it's time
for him to break down the plot
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00:08:03,600 --> 00:08:05,500
Brad.
You have 60 seconds on the clock
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00:08:05,500 --> 00:08:08,700
to break this down.
And again this is a spoiler
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filled discussion of the movies.
Sabrina, if you have not seen
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Sabrina, I would highly
recommend checking it out
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00:08:14,300 --> 00:08:18,800
because this might be Even at
the end of the season, Brad I
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00:08:18,800 --> 00:08:21,400
might recommend this movie
higher than any other movie.
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00:08:21,500 --> 00:08:24,000
Mmm, that is just who does this
movie?
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00:08:24,000 --> 00:08:29,100
Not work for ya, I'm not sure.
Maybe people who don't like
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capitalism.
All right, commies.
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00:08:32,900 --> 00:08:35,600
You got to check out at this
point but for everyone else,
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00:08:35,600 --> 00:08:38,299
Brad, you have one minute on the
clock and go.
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The film Sabrina centers around
a family, extraordinarily,
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wealthy family, called the
larabee's and their chauffeur.
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His daughter named Sabrina, she
is has her entire life, been
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00:08:51,100 --> 00:08:55,300
interested in the younger.
Son of the Larrabee Clan played
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by William Holden and she goes
off to France to become a chef.
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00:09:01,300 --> 00:09:05,200
And when she comes back, the
William Holden takes notice of
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her, but his notice is not
necessarily welcomed by the
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00:09:09,600 --> 00:09:15,000
family as they're trying to
marry him off for political and
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00:09:15,000 --> 00:09:18,000
power gain as they're trying to.
Do a merger to make a lot of
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00:09:18,000 --> 00:09:20,800
money?
So with this marriage on the
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00:09:20,800 --> 00:09:25,400
Rocks, Humphrey Bogart, the
older brother begins to take
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00:09:25,400 --> 00:09:27,700
Sabrina out on some dates,
trying to get her to fall in
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00:09:27,700 --> 00:09:30,700
love with him so that he could
ship her off back to France and
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seconds and get William Holden
back on track to marry the girl
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that he picked for her.
But as usual things, go awry.
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Hmm, that's Sabrina folks.
That's it baby.
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00:09:43,500 --> 00:09:44,500
Brad, where do you want to
start?
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00:09:44,500 --> 00:09:47,800
Because I have nothing but
praise for this movie.
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00:09:47,800 --> 00:09:49,400
Like I'm just going to be a
broken record.
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00:09:49,600 --> 00:09:54,200
Movie works perfectly for me.
I am shocked that I have not
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00:09:54,200 --> 00:09:57,500
Revisited it in so long because
it is just, it works like
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00:09:57,500 --> 00:10:00,200
gangbusters.
And I have many nice things to
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00:10:00,200 --> 00:10:02,600
say about Billy Wilder and about
his actors.
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00:10:02,600 --> 00:10:04,600
So let's go wherever you want,
man.
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00:10:04,800 --> 00:10:07,300
Yeah, let's start.
I mean, you already pointed it
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00:10:07,300 --> 00:10:08,700
out.
Let's start with the script and
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then move into the performances.
So this script is co-written by
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00:10:12,000 --> 00:10:16,200
Billy Wilder and to other people
because it is an adaptation of a
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00:10:16,200 --> 00:10:18,900
play called Sabrina fair.
This was a pretty successful
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00:10:18,900 --> 00:10:21,800
play on Broadway.
Ed way that wilder than adapted
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00:10:21,800 --> 00:10:24,500
and it's hard for me to know
Brad because I've never seen or
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00:10:24,500 --> 00:10:28,000
read the script to Sabrina Fair.
What parts of this script are
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00:10:28,000 --> 00:10:30,500
completely Wilder inventions and
which ones are not?
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00:10:30,700 --> 00:10:35,400
But from a structural standpoint
I think this is like you could
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00:10:35,400 --> 00:10:39,100
teach the structure of this in
romantic comedy. 101.
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00:10:39,500 --> 00:10:43,200
It like it is, it has everything
you want from multiple love
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00:10:43,200 --> 00:10:46,800
interests and a love triangle to
complicating issues in the
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00:10:46,800 --> 00:10:48,900
second half of the movie where
the girl gets heartbroken and
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00:10:48,900 --> 00:10:52,800
the guy has Her back and
everything from dramatic moments
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00:10:52,800 --> 00:10:55,500
to really light-hearted almost
slapstick comedy.
200
00:10:55,900 --> 00:10:59,800
It just the way it unfolds even
before we get into the dialogue
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00:10:59,800 --> 00:11:01,900
in the funny moments.
I want to talk about the
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00:11:01,900 --> 00:11:04,800
structure of it because I don't
know that I would change a
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00:11:04,800 --> 00:11:07,100
single thing about the way this
movie is structured.
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00:11:07,600 --> 00:11:11,900
As I say, the only movie we've
talked about on this level, in
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the, in the rom-com.
Space would be When Harry Met
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Sally.
Yeah.
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And I guess I'd ask, would you
say that in a similar sense?
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Like, it feels like When Harry
Met Sally set the formula for
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modern rom-coms, would you say
that this did the same in 1954?
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I mean, it's hard to say that
because there's been such a long
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history of romantic comedies,
like, even before this movie.
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But I think, you know, it's kind
of like when they talk about the
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history of punk, rock bands,
like the Ramones invented it,
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and the Sex Pistols perfected,
it in The Clash popularized.
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It, I think this might just be
the point where the rom-com
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script gets perfected in Classic
Hollywood because you like,
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There is even elements of it for
me where I was like, oh, I think
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that Billy Wilder is referencing
Shakespeare here.
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I think that this is like a
Romeo and Juliet when she finds
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the two tickets to the ship, and
it really reminded me of that
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ending of Romeo and Juliet
where, you know, one of them
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wakes up and sees the others
poison and then they drink the
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poison and then the other one
wakes up and they stab
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themselves.
It's just like, there's a
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complicating issue here.
Surrounding this kind of
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MacGuffin thing that you only
get in those kind of classic
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Shakespeare, dramas and
comedies.
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Yeah, I'm glad you brought up
Shakespeare because I feel Feel
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like this almost has a case of
mistaken identity feel to it,
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even though I like everybody
knows who everybody is, but the
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when Humphrey Bogart kisses
Audrey Hepburn and like tells
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her like, well, we're just
keeping it in the family.
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See, like, what's that?
Is that your Bogart?
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That I think that was more of a
Jimmy Stewart.
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Jimmy Stewart, being Edwards.
V Robinson.
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Yes.
Okay.
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That's what I was shooting for.
Thank you, very little, you
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nailed it, man.
When he's told her that they
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want to keep it in the family,
it almost turns into this like
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I'm in love with David, the
younger son.
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And yet, I have to put up with
the older brother for a time in
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order to get to him and it just
has a very deeply Shakespearean,
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feel about it and I think that's
what makes it such a classic
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that can stand the test of time.
Well, I think at its heart, you
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know, the obvious read on this
movie is What if we took the
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Cinderella story and put it in
1950s America and it's not that
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it follows the same beats of
Cinderella obviously but it's
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like you start off with the you
know, the poor quote unquote,
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like waifish girl who then goes
off and gets prettified at the
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ball and comes back and then at
now everybody wants her right.
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But what I love about this movie
is that it doesn't follow those
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beets and the majority of the
movie is okay, what happens
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after Sabrina comes back from
Paris.
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Now everyone's interested in
her, And I think if there is a
255
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flaw to the movie, I wish there
had been just slightly more.
256
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Like, I don't know that once a
condemnation but I wish that
257
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they had dulled a little bit
deeper into.
258
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Why does everybody only want me
now?
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Now that I'm pretty now that I'm
because Sabrina so willingly,
260
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Dives back into wanting to be
with David and putting up with
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00:14:10,200 --> 00:14:12,200
the entire layer.
Be families BS.
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That it's almost like we as the
audience are worried for her,
263
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because she is so clearly
disregarding it, but the fact
264
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that it never really comes back
to bite her in a meaningful way.
265
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I do wish that Wilder had gone
just a little bit more into his,
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like, Sunset Boulevard to
implicate.
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Those rich people in this a
little bit.
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Yeah, I think that he sets
Audrey Hepburn up for failure in
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the sense that Sabrina is such.
Yeah, I don't want to, I don't
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00:14:46,200 --> 00:14:52,600
want to apply 2023 standards to
a movie 1954 but she just, she
271
00:14:52,600 --> 00:14:58,200
just as a silly young child who
wants to kill herself over her
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00:14:58,200 --> 00:15:01,700
love interest.
And even when she comes back
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00:15:01,700 --> 00:15:05,600
after two years, and in the
quote unquote world and learning
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00:15:05,600 --> 00:15:09,500
about herself and like growing
and maturing, and then Falls
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00:15:09,500 --> 00:15:14,100
immediately back into her bad
habits, if he well, and I think
276
00:15:14,100 --> 00:15:18,300
that's For me, is the weakest
part of the film that I wish she
277
00:15:18,300 --> 00:15:23,500
had a little more gumption and
let Spa by the end, you know,
278
00:15:23,500 --> 00:15:27,700
when she comes back and it
stands up for herself but I
279
00:15:27,700 --> 00:15:31,000
don't know man.
And even the way William Holden
280
00:15:31,000 --> 00:15:34,800
plays it it's almost as if she
cast a spell on him.
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00:15:35,400 --> 00:15:39,300
And so there's certain parts of
his role that feels slap sticky
282
00:15:40,100 --> 00:15:43,200
and I'm not sure how I feel it.
Fits with the overall tone of
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00:15:43,200 --> 00:15:45,800
the movie, especially See, when
you compare it to Humphrey,
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00:15:45,800 --> 00:15:50,000
Bogart, who just looks angry,
that anything is not making him
285
00:15:50,000 --> 00:15:52,400
money.
So here's the thing, like I feel
286
00:15:52,400 --> 00:15:55,800
like our read on the script is
bleeding into our read on the
287
00:15:55,808 --> 00:15:58,300
performances but I want to go
back just for a second to what
288
00:15:58,300 --> 00:16:00,700
you're saying about William
Holden, because what happens
289
00:16:00,700 --> 00:16:03,500
with his character, I think is
pretty emblematic with the
290
00:16:03,500 --> 00:16:07,700
script, which is that it has a
lot of big reveals about the
291
00:16:07,700 --> 00:16:11,400
characters, but it never
portrays them as like, haha.
292
00:16:11,400 --> 00:16:14,100
It's a big reveal.
It comes out, very organically.
293
00:16:14,500 --> 00:16:17,800
I think for me a lot of those
reveals work really well but
294
00:16:17,800 --> 00:16:22,100
with William Holden's character
in particular your read on him
295
00:16:22,100 --> 00:16:25,400
as a member of the audience for
the first, say, our of the movie
296
00:16:25,700 --> 00:16:29,100
is that he's just a Playboy and
then he treats every woman as
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00:16:29,100 --> 00:16:32,100
disposable and he's just kind of
banging his way across Long
298
00:16:32,100 --> 00:16:35,000
Island.
And what you come to find out
299
00:16:35,000 --> 00:16:38,500
about him is that he's actually
just a hopeless romantic and he
300
00:16:38,500 --> 00:16:41,100
falls in love too easily and
he's been married too many times
301
00:16:41,100 --> 00:16:44,100
as a result of that, not because
their marriages of convenience.
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00:16:44,400 --> 00:16:46,700
And in fact, they're very
inconvenient for his family.
303
00:16:47,200 --> 00:16:50,500
And what I wish they had done
with his character, a little bit
304
00:16:50,500 --> 00:16:54,100
more is really underline and
emphasize.
305
00:16:54,100 --> 00:16:57,900
He is not a bad guy.
He is not, I mean, he looks like
306
00:16:57,900 --> 00:17:01,200
a Playboy, but it's because he's
actually as much of a silly
307
00:17:01,200 --> 00:17:04,900
romantic as Audrey Hepburn's
character is and I don't know
308
00:17:04,900 --> 00:17:07,300
that that's necessarily apparent
on the surface.
309
00:17:07,300 --> 00:17:09,800
Unless you like really pay
attention to that one kind of
310
00:17:09,808 --> 00:17:13,500
crucial scene where he gets
cornered by his dad and his
311
00:17:13,500 --> 00:17:16,400
brother and their Trying to get
him to stop seeing Sabrina.
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00:17:17,200 --> 00:17:20,500
I mean I think it's also kind of
revealed at the end of the film
313
00:17:20,500 --> 00:17:23,800
when he returns to the board
meeting because he's such a
314
00:17:23,800 --> 00:17:27,099
hopeless romantic that he
finally kind of sees outside of
315
00:17:27,099 --> 00:17:30,400
himself for a moment.
And goes, oh, holy crap, like my
316
00:17:30,400 --> 00:17:33,800
brother has fallen in love with
this beautiful young woman.
317
00:17:34,200 --> 00:17:38,500
I'm going to help him accomplish
that in any way that I can, and
318
00:17:38,500 --> 00:17:40,900
I think that's the moment of
redemption for him.
319
00:17:40,900 --> 00:17:46,100
Where you realize like you said,
he's not Really doing it just
320
00:17:46,100 --> 00:17:49,100
because he wants to get laid.
He's doing it because he
321
00:17:49,100 --> 00:17:52,000
genuinely, is yeah, hopeless,
romantic.
322
00:17:52,000 --> 00:17:53,200
That's the best way of putting
it.
323
00:17:53,400 --> 00:17:54,700
Okay.
Before we dive into the
324
00:17:54,700 --> 00:17:57,900
performances in Earnest, I want
to keep talking about the script
325
00:17:57,900 --> 00:18:02,400
a little bit because Billy
Wilder is known for having just
326
00:18:02,900 --> 00:18:05,500
fantastic.
Like, if his scripts were an
327
00:18:05,500 --> 00:18:08,600
article they'd have the best
pull quotes ever because there's
328
00:18:08,600 --> 00:18:12,200
just so many great one-liners
and this movie is just full of
329
00:18:12,200 --> 00:18:14,100
moments.
That made me laugh out loud.
330
00:18:14,100 --> 00:18:16,800
I thought Some of the one-liners
in this movie, whether they were
331
00:18:16,800 --> 00:18:19,600
written by Wilder or if they
came from the original play.
332
00:18:20,000 --> 00:18:23,300
I thought they were just
absolutely perfect and Brad, I'm
333
00:18:23,300 --> 00:18:26,400
wondering what lines in
particular stood out to you.
334
00:18:27,000 --> 00:18:32,900
Oh man I love when she's in
Paris and the the older
335
00:18:32,900 --> 00:18:37,000
gentleman who makes a perfect
soufflé tells her you know he
336
00:18:37,000 --> 00:18:40,800
guesses that she is unhappily in
love and he says something along
337
00:18:40,800 --> 00:18:43,500
the lines of like a woman who's
happily in love.
338
00:18:43,500 --> 00:18:46,700
She burns the Souffle.
But the woman unhappily in love,
339
00:18:46,700 --> 00:18:50,700
she forgets to turn on the oven
but it's just it's just such a
340
00:18:50,700 --> 00:18:53,600
clever line that I that really
sticks with me.
341
00:18:54,000 --> 00:18:55,500
You know.
For me the more I think about
342
00:18:55,500 --> 00:18:58,200
it, the more I realized that
most of the lines that worked
343
00:18:58,200 --> 00:19:01,500
perfectly for me come out of
Bogaerts mouth and I don't think
344
00:19:01,500 --> 00:19:04,600
Bogart really gets enough credit
as a comedic actor because he
345
00:19:04,600 --> 00:19:06,700
didn't do a lot of straight
comedies and even in the
346
00:19:06,708 --> 00:19:09,000
comedies he's in he's always
playing kind of like the
347
00:19:09,000 --> 00:19:14,200
straight man but his timing is
just perfect in some of these
348
00:19:14,700 --> 00:19:17,100
There's a line towards the end
of the movie where they're in
349
00:19:17,100 --> 00:19:20,300
that boardroom, and he has
called everyone together because
350
00:19:20,300 --> 00:19:24,100
he's trying to send his brother
David off with Sabrina to Paris.
351
00:19:24,300 --> 00:19:27,900
And so David's fiancé is in the
room and talking about how she
352
00:19:27,900 --> 00:19:29,800
bought these.
Like, I don't know what it was,
353
00:19:29,800 --> 00:19:33,700
like, these Hawaiian or
Tahitian, or something cloths.
354
00:19:33,700 --> 00:19:36,400
And then you just hear him
mutter under his breath.
355
00:19:36,400 --> 00:19:39,600
I hope they're returnable and
it's just little moments like
356
00:19:39,600 --> 00:19:41,600
that.
There's a great moment where
357
00:19:41,600 --> 00:19:44,100
after William.
Holden's character sit.
358
00:19:44,300 --> 00:19:47,600
He's on a champagne glass and
gets glass all up in his, but
359
00:19:48,000 --> 00:19:51,300
they have to do, they have to do
surgery on him and there's this
360
00:19:51,300 --> 00:19:55,600
great visual gag of bogey, gets
a hammock made for him with a
361
00:19:55,608 --> 00:19:58,000
but cut out of it.
So that his but can sit down in
362
00:19:58,000 --> 00:20:00,200
the hole.
And as he's helping William
363
00:20:00,200 --> 00:20:02,500
Holden over to the hammock,
William Holden's.
364
00:20:02,500 --> 00:20:05,600
Like, you know, I've been trying
to write a poem for Sabrina and
365
00:20:05,600 --> 00:20:08,600
I can't quite finish it.
What rhymes with glass and
366
00:20:08,600 --> 00:20:13,800
there's just this giant like ask
cut out of the hammock that they
367
00:20:14,400 --> 00:20:19,300
It's just lingering there and
Bogaerts, like, how about alas?
368
00:20:19,400 --> 00:20:23,300
Yep, there's I mean, like, I
could go on, and on, man, the
369
00:20:23,300 --> 00:20:25,100
lines in this movie are
fantastic.
370
00:20:25,500 --> 00:20:31,600
Yeah, or when the father is
talking to Linus and Linus is
371
00:20:31,600 --> 00:20:34,000
something along the lines of
like it, like if you want or
372
00:20:34,000 --> 00:20:37,000
just take her, like, this is the
20th century and the dad goes,
373
00:20:37,000 --> 00:20:39,600
the 20th century.
I could pick a better Century
374
00:20:39,600 --> 00:20:43,900
out of a hat blindfolded.
And it's just, it's clever.
375
00:20:44,100 --> 00:20:49,100
Its It's funny and even in that
like there's a few really great
376
00:20:49,600 --> 00:20:52,900
little tiny monologues
especially by her dad.
377
00:20:53,000 --> 00:20:55,300
Yeah the the chauffeur
Fairchild.
378
00:20:55,700 --> 00:20:58,800
Like when he's talking about
democracy being a wickedly
379
00:20:58,800 --> 00:21:04,600
unfair thing and what's the line
after that about nobody poor
380
00:21:05,000 --> 00:21:08,200
they basically it's like they
never call anyone poor
381
00:21:08,300 --> 00:21:10,000
Democratic for marrying Rich.
Yeah.
382
00:21:10,000 --> 00:21:12,300
They only call rich people
Democratic for marrying poor.
383
00:21:12,600 --> 00:21:16,900
Yes, yeah, exactly.
And Like he just has some really
384
00:21:16,900 --> 00:21:23,200
insightful lines about the
culture of financial stardom.
385
00:21:23,400 --> 00:21:27,200
I guess you could say, which is,
if you're anywhere on YouTube,
386
00:21:27,200 --> 00:21:30,300
nowadays, you see, all the
financial Bros out there.
387
00:21:30,700 --> 00:21:32,700
I'm like I think we'll Wilder
would have something to say to
388
00:21:32,700 --> 00:21:34,700
them.
Oh, for sure what I think,
389
00:21:34,700 --> 00:21:37,200
that's why this movie works on
so many levels for me because
390
00:21:37,200 --> 00:21:41,100
there is some really biting
satire and not even satire, but
391
00:21:41,100 --> 00:21:45,700
just kind of really withering.
Auctions about class in this
392
00:21:45,700 --> 00:21:47,700
movie.
He doesn't go too far into it
393
00:21:47,700 --> 00:21:50,000
and I think if he did, it would
have taken away from the romance
394
00:21:50,000 --> 00:21:53,100
of it all.
But there's a moment where it's
395
00:21:53,100 --> 00:21:55,200
when Audrey Hepburn.
First comes back from Paris, and
396
00:21:55,200 --> 00:21:58,300
she's gotten her Cinderella
makeover, and she's dancing with
397
00:21:58,300 --> 00:22:00,900
William Holden out.
You know, behind the house and
398
00:22:00,900 --> 00:22:05,900
at this party and the mother of
the family comes up and is just
399
00:22:05,900 --> 00:22:10,300
super dismissive to Sabrina.
And she has this line where she
400
00:22:10,300 --> 00:22:13,600
says, oh, you'll have to come
over and cook for us sometime.
401
00:22:13,800 --> 00:22:18,300
And it is Like like as ice as I
watch that I was like you are
402
00:22:18,300 --> 00:22:21,000
the worst.
That's like her only real moment
403
00:22:21,000 --> 00:22:23,700
in the movie and you're like,
oh, you suck.
404
00:22:23,700 --> 00:22:27,300
Yeah, but it works, but I guess
what I'm saying is, I think that
405
00:22:27,300 --> 00:22:29,500
there's different levels of
Comedy to this movie.
406
00:22:29,500 --> 00:22:31,600
If you want to look at it as
kind of a dark comedy, there's
407
00:22:31,600 --> 00:22:34,400
dark comedy stuff in here if you
want to look at it, a satire
408
00:22:34,400 --> 00:22:37,400
their satire in here and then
there's, you know, visual gags
409
00:22:37,400 --> 00:22:40,900
where a guy's butt is stuck in a
hammock, like it just, there's a
410
00:22:40,908 --> 00:22:44,100
moment at the end of the movie.
When Audrey, huh?
411
00:22:44,300 --> 00:22:48,000
It burn and bogey are in his
office suite and they decide not
412
00:22:48,000 --> 00:22:49,900
to go out to dinner, and she's
going to cook for him because
413
00:22:49,900 --> 00:22:52,900
his office has a little
kitchenette and he has this
414
00:22:52,900 --> 00:22:56,800
throwaway line where he says,
you know, one time my secretary
415
00:22:56,800 --> 00:23:00,500
tried to cook dinner for the
board of directors and we all
416
00:23:00,500 --> 00:23:03,800
adjourned after the first the
first item on the list and it
417
00:23:03,800 --> 00:23:07,200
passed unanimously.
It's a diarrhea joke.
418
00:23:07,300 --> 00:23:09,200
Yeah.
The dinner passed unanimously?
419
00:23:09,200 --> 00:23:10,700
Yeah, I love it.
I love that.
420
00:23:10,700 --> 00:23:14,000
We have put jokes in movies in
1954 here.
421
00:23:14,300 --> 00:23:18,800
Here's a question for you the
the capitalism speech that that
422
00:23:18,800 --> 00:23:22,500
Linus gives when he's you know
I'm talking about when he's
423
00:23:22,500 --> 00:23:27,800
talking to David know which one
so I'll give you some of the
424
00:23:27,800 --> 00:23:30,800
quote when he's talking about
like a new product has been
425
00:23:30,800 --> 00:23:32,300
found something of use to the
world.
426
00:23:32,300 --> 00:23:35,000
So a new industry moves into an
undeveloped area factories go
427
00:23:35,000 --> 00:23:36,900
up.
Machines are brought in and and
428
00:23:36,900 --> 00:23:39,300
it ends with saying, you know,
what's wrong with cat?
429
00:23:39,300 --> 00:23:41,400
The kind of urge that gives
people libraries hospitals,
430
00:23:41,400 --> 00:23:43,800
baseball diamonds and movies on
a Saturday night.
431
00:23:44,200 --> 00:23:47,400
Do you think he's seriously like
do you think Wilder is meaning
432
00:23:47,400 --> 00:23:52,200
that as a critique?
Or I was just curious your feel
433
00:23:52,200 --> 00:23:55,600
on that line because I don't
know if I've ever heard out of
434
00:23:55,600 --> 00:23:57,300
Hollywood.
Yeah, which is, you know,
435
00:23:57,300 --> 00:24:01,200
famously left of center.
I don't know if I've ever heard
436
00:24:01,200 --> 00:24:05,200
a more Pro capitalism speech.
Yeah, that's a hard one because
437
00:24:05,200 --> 00:24:09,400
I don't think there's anything
necessarily in that speech that
438
00:24:09,400 --> 00:24:12,400
Wilder would condemn and
especially like as an immigrant
439
00:24:12,500 --> 00:24:16,100
like he as much as he kind of
crapped on American culture a
440
00:24:16,100 --> 00:24:18,300
lot like he bought into it a
little bit.
441
00:24:18,700 --> 00:24:21,300
However, I do think you got to
kind of trace the character's
442
00:24:21,300 --> 00:24:23,300
development through that movie
which is at the end of the
443
00:24:23,300 --> 00:24:25,000
movie.
He cancels a 20 million dollar
444
00:24:25,000 --> 00:24:27,200
merger or tries to write, you
know.
445
00:24:27,200 --> 00:24:29,000
And at the beginning of the
movie, The Way They introduce
446
00:24:29,000 --> 00:24:33,900
him is by saying that he was
voted by his Collegiate peers as
447
00:24:33,900 --> 00:24:36,400
most likely to leave his alma
mater, 50 million dollars.
448
00:24:36,500 --> 00:24:40,300
Mmm.
So I do think that Even though
449
00:24:40,400 --> 00:24:44,100
bogie is trying to paint it in
the most positive possible
450
00:24:44,100 --> 00:24:47,500
terms, the fact that he ends up
also becoming a hopeless
451
00:24:47,500 --> 00:24:50,600
romantic means that, you know,
Wilder doesn't ultimately see
452
00:24:50,600 --> 00:24:54,300
that as like the way to go.
Yeah, love wins out in the end.
453
00:24:54,300 --> 00:24:58,900
Bob as it as it always does as
it always does in the movies.
454
00:24:59,800 --> 00:25:01,300
Let's talk about performances,
man.
455
00:25:01,500 --> 00:25:03,500
We're who do you want to start
with you want to start at the
456
00:25:03,500 --> 00:25:06,600
bottom with William Holden or do
you just want to start with
457
00:25:06,600 --> 00:25:08,600
Audrey?
Let's start with Audrey.
458
00:25:08,600 --> 00:25:11,100
We've barely talked about her
and the movies named after her.
459
00:25:11,700 --> 00:25:15,000
So, this is, I mean, really
early on, in her film career.
460
00:25:15,000 --> 00:25:17,800
I talked about how she wins an
Oscar for Roman Holiday and then
461
00:25:17,800 --> 00:25:20,500
she makes this movie.
And so Billy Wilder is working
462
00:25:20,500 --> 00:25:25,100
with William Holden who wins the
best actor, Oscar in 53, and
463
00:25:25,200 --> 00:25:27,800
Audrey Hepburn, who wins the
Best Actress Oscar in 53.
464
00:25:27,800 --> 00:25:29,500
And like, this is their big
follow-up.
465
00:25:29,600 --> 00:25:33,500
This is a huge deal like this
movie coming out when it did and
466
00:25:33,500 --> 00:25:37,300
I think she is just as good here
as she is in Roman Holiday.
467
00:25:37,800 --> 00:25:40,100
And I've seen a lot of people
kind of comments on this movie
468
00:25:40,100 --> 00:25:42,400
that this seems much more slight
and they don't give her as much
469
00:25:42,400 --> 00:25:46,900
to do, but I think it kind of
underestimates who Audrey
470
00:25:46,900 --> 00:25:53,000
Hepburn is and her very specific
appeal that a character.
471
00:25:53,000 --> 00:25:59,100
As I don't know, slight as
Sabrina is, mmm is given so many
472
00:25:59,100 --> 00:26:02,000
layers through this performance.
I don't think there's anyone
473
00:26:02,000 --> 00:26:04,900
else in Hollywood in 1954.
That could have pulled this roll
474
00:26:04,900 --> 00:26:06,600
off.
You could have tried a steak
475
00:26:06,600 --> 00:26:09,300
like a grayscale.
In here but Grace Kelly just
476
00:26:09,300 --> 00:26:12,500
doesn't seem like she would
exude that sort of girlishness
477
00:26:12,500 --> 00:26:15,000
that this role calls for.
Yeah.
478
00:26:15,000 --> 00:26:20,500
And it has a Grace Kelly is too
polished to play a show for his
479
00:26:20,500 --> 00:26:21,900
daughter.
Well, that's a great thing about
480
00:26:21,900 --> 00:26:25,100
Hepburn is like she.
She looks incredible in this
481
00:26:25,100 --> 00:26:28,300
movie and she looks polished,
but she's also able to walk that
482
00:26:28,300 --> 00:26:32,200
fine line of innocence and
girlishness as well, without
483
00:26:32,200 --> 00:26:34,700
making it seem demeaning either.
And I think that's really the
484
00:26:34,700 --> 00:26:36,700
key here, because there's a way
to play this.
485
00:26:36,700 --> 00:26:39,800
That is like Like I am, did see,
I don't?
486
00:26:39,800 --> 00:26:43,500
I mean I'm I'm behaving as if
I'm 12 and I'm 25.
487
00:26:43,600 --> 00:26:46,800
I think you really do get the
sense that she's a 25 year old
488
00:26:46,800 --> 00:26:49,800
who still has a girlish crush on
somebody but that doesn't make
489
00:26:49,800 --> 00:26:54,300
her stupid.
Yeah, 100% well mostly doesn't
490
00:26:54,300 --> 00:26:57,000
make her stupid.
Oh hot chicks.
491
00:26:57,100 --> 00:27:00,600
She tries to kill herself Bob.
Yeah.
492
00:27:00,800 --> 00:27:03,600
Okay let me say you talk about
that or how you kicking back to
493
00:27:03,600 --> 00:27:06,700
the suicide thing.
It's rough man.
494
00:27:06,700 --> 00:27:08,400
This year Minutes into the
movie.
495
00:27:08,400 --> 00:27:13,000
It's a very weird statement for
me to make America but, you
496
00:27:13,000 --> 00:27:16,200
know, we've dealt with suicide
and threatened suicide and
497
00:27:16,200 --> 00:27:19,000
attempted suicide in a good deal
of Billy Wilder movies at this
498
00:27:19,000 --> 00:27:21,600
point.
Yeah, and it's definitely a
499
00:27:21,800 --> 00:27:25,800
sub-theme for him.
I have to say, though, like, in
500
00:27:25,800 --> 00:27:28,800
a few instances, we've talked
about how those scenes are
501
00:27:28,800 --> 00:27:32,300
supposed to be Darkly funny, not
always, but in some of the
502
00:27:32,300 --> 00:27:34,100
instances they are.
This is the only one where I
503
00:27:34,108 --> 00:27:36,400
feel like it really works on
both levels where there is
504
00:27:36,400 --> 00:27:38,500
another level of Of funniness to
it.
505
00:27:38,500 --> 00:27:41,400
Not that the, I mean, the, the
botched suicide attempt itself
506
00:27:41,400 --> 00:27:46,000
is kind of funny, but especially
just seeing her react.
507
00:27:46,000 --> 00:27:48,900
The way a teenage girl would
react which is like, I can't
508
00:27:48,900 --> 00:27:50,700
have this guy.
So I'm going to kill myself.
509
00:27:51,000 --> 00:27:53,500
And then she writes this note,
this suicide note that she
510
00:27:53,500 --> 00:27:57,400
thinks is like really nice and
Polished and then remembers PS.
511
00:27:57,800 --> 00:28:01,200
Don't invite David to my funeral
and it just it has the energy of
512
00:28:01,200 --> 00:28:04,300
like don't come in my room mom.
Yes, it's so great.
513
00:28:04,300 --> 00:28:07,500
And I think having those touches
where first of all, it's And
514
00:28:07,500 --> 00:28:09,100
then it's into the movie.
You know, she's not going to
515
00:28:09,100 --> 00:28:12,700
kill herself but I think it adds
to the character a little bit.
516
00:28:12,700 --> 00:28:17,200
And so as if I'm power ranking,
Billy Wilder suicide attempts
517
00:28:17,200 --> 00:28:21,400
here, this is this is preferably
and again, here's the weird
518
00:28:21,400 --> 00:28:25,600
quote, this is probably the most
successful suicide attempts in
519
00:28:25,600 --> 00:28:29,100
Billy Wilder.
That's the one we need to pull
520
00:28:29,100 --> 00:28:31,600
for the therefore there's the
there's the clip for the airs,
521
00:28:31,600 --> 00:28:36,900
the clip for the episode
ranking, Billy Wilder suicide
522
00:28:36,900 --> 00:28:44,400
attempt Here's the thing.
The only reason that her suicide
523
00:28:44,400 --> 00:28:51,100
attempt works Fill, in a cinema
graphic sense.
524
00:28:51,200 --> 00:28:55,500
In this film, is the fact that
it actually ends up connecting
525
00:28:55,500 --> 00:28:59,500
her with Bogart, whose character
also tried, you know, thought
526
00:28:59,500 --> 00:29:04,800
about attempting suicide in, you
know, earlier in his life.
527
00:29:05,000 --> 00:29:09,300
And it, it's one of the best
written moments of connection.
528
00:29:09,300 --> 00:29:13,300
I've ever seen in a rom-com,
where, you know, early in the
529
00:29:13,300 --> 00:29:15,400
film.
She tries to kill herself and
530
00:29:15,400 --> 00:29:19,100
Humphrey, clearly knows.
She is trying to kill herself
531
00:29:19,600 --> 00:29:23,700
and yet kind of gives her the
out of say, you know, like kind
532
00:29:23,700 --> 00:29:27,700
of making fun of her just a
little bit and very gently and
533
00:29:27,700 --> 00:29:30,800
it, he does it in such a way,
that doesn't make sense at the
534
00:29:30,800 --> 00:29:34,900
time until you hit later in the
movie and you find out that he
535
00:29:34,900 --> 00:29:39,100
was spurned by someone, he loved
ones, and he also thought about
536
00:29:39,100 --> 00:29:41,700
killing himself.
And I think that like really
537
00:29:41,700 --> 00:29:47,200
draws the characters together in
a way that is kind of touching.
538
00:29:47,300 --> 00:29:51,000
You and you know, it's different
than all of his other movies.
539
00:29:51,000 --> 00:29:56,600
I feel like all of his other
suicide attempts are don't
540
00:29:56,600 --> 00:29:58,700
necessarily add to the movie for
me.
541
00:29:58,800 --> 00:30:00,300
Yeah.
I think especially like Sunset
542
00:30:00,300 --> 00:30:02,500
Boulevard.
That's a hard one for me to
543
00:30:02,500 --> 00:30:05,500
evaluate because that character
is known for being overly
544
00:30:05,500 --> 00:30:08,600
dramatic anyway.
But even in the context of that
545
00:30:08,600 --> 00:30:11,000
movie, it's like, well, this
came out of left field a little
546
00:30:11,000 --> 00:30:13,800
bit and it doesn't always
dramatically work for me.
547
00:30:14,100 --> 00:30:18,100
It worked in the apartment, like
it, the apartment, I That is one
548
00:30:18,100 --> 00:30:20,600
of the most crucial elements of
that story, that Shirley
549
00:30:20,600 --> 00:30:24,500
MacLaine tries to kill herself.
And, you know, just as an aside
550
00:30:24,500 --> 00:30:27,800
Brad, I think that I saw so many
parallels between the way that
551
00:30:27,800 --> 00:30:31,100
Hepburn plays Sabrina and the
way Shirley MacLaine played
552
00:30:31,100 --> 00:30:33,000
Frankie Bullock in the
apartment.
553
00:30:33,200 --> 00:30:37,200
Even to the point where, when
she's getting very visibly hurt
554
00:30:37,200 --> 00:30:38,700
by things that are being said to
her.
555
00:30:38,700 --> 00:30:43,000
She does the like, almost like
whisper, like I'm internalizing
556
00:30:43,000 --> 00:30:44,600
this and that was something
McLain.
557
00:30:44,600 --> 00:30:46,400
Did you know ten years?
Sorry.
558
00:30:46,400 --> 00:30:48,400
Seven years after This in the
apartment.
559
00:30:48,400 --> 00:30:50,300
So I don't know if it's
something that Wilder is
560
00:30:50,300 --> 00:30:53,800
specifically directing.
His female leads to behave that
561
00:30:53,800 --> 00:30:56,000
way but I'll tell you what man
it works really well.
562
00:30:56,700 --> 00:31:00,900
Yeah and and if we can kind of
pull back for half a second, I
563
00:31:00,900 --> 00:31:04,600
think it's fascinating.
That Wilder is talking about
564
00:31:04,600 --> 00:31:09,800
such a delicate subject in the
nineteen, you know, 40s and 50s.
565
00:31:10,200 --> 00:31:15,000
Like it's something that our
society struggles to talk about
566
00:31:15,000 --> 00:31:19,600
in 2023.
So, for Wilder, to take on such
567
00:31:19,600 --> 00:31:24,100
a heavy subject.
So much earlier in American
568
00:31:24,100 --> 00:31:28,700
society, I think it's really
Brave of him and I guess I'm
569
00:31:28,700 --> 00:31:30,600
curious.
If you think he handles the
570
00:31:30,608 --> 00:31:33,100
subject well throughout his
filmography.
571
00:31:33,500 --> 00:31:35,600
I mean, I think you have to
remember that he kind of has one
572
00:31:35,600 --> 00:31:38,000
foot in the theater and that's
not to say that he was a theater
573
00:31:38,000 --> 00:31:41,900
writer but a lot of his movies
are adaptations of plays and I
574
00:31:41,900 --> 00:31:45,000
think just on the stage, people
love to kill themselves but
575
00:31:45,000 --> 00:31:47,100
yeah, it has no yeah, that's
true.
576
00:31:47,700 --> 00:31:52,400
So, there is that element to it,
but I think that he knows when
577
00:31:52,400 --> 00:31:55,800
to use it to really up the
stakes of what's going on in his
578
00:31:55,800 --> 00:31:59,500
movies, whether it's for
dramatic purposes or not, you
579
00:31:59,500 --> 00:32:02,500
know, in a movie like the
apartment, no one's going to get
580
00:32:02,500 --> 00:32:03,700
murdered.
You're not going to have the
581
00:32:03,700 --> 00:32:05,900
double indemnity thing hanging
over you, right?
582
00:32:06,200 --> 00:32:09,100
But the fact that Frank Cuba
like, has been used and tossed
583
00:32:09,100 --> 00:32:13,800
around this boy's club and then
she tries to commit suicide.
584
00:32:13,800 --> 00:32:17,400
That's the moment where it
clicks for Jack Lemmon, These
585
00:32:17,400 --> 00:32:20,100
are real humans that I'm like
screwing with their lives right
586
00:32:20,100 --> 00:32:20,800
now.
Yeah.
587
00:32:20,800 --> 00:32:26,200
And so I think Wilder knows when
to use suicide and went to
588
00:32:26,200 --> 00:32:29,400
threaten suicide to up the
stakes and for the most part it
589
00:32:29,400 --> 00:32:32,400
really, really works, hmm.
Well, I don't know how to
590
00:32:32,400 --> 00:32:34,500
transition to that from that in
the whiskey.
591
00:32:34,500 --> 00:32:38,800
But all right, let's press pause
because we still have to talk
592
00:32:38,800 --> 00:32:40,400
about the two male leads of this
movie.
593
00:32:40,400 --> 00:32:42,000
And I have lots of thoughts on
both of them.
594
00:32:42,000 --> 00:32:43,800
And from what we've said off are
Brad.
595
00:32:43,800 --> 00:32:45,700
It sounds like you do, too.
Yeah.
596
00:32:45,900 --> 00:32:48,000
So let's yeah, let's do it.
Let's press pause.
597
00:32:48,000 --> 00:32:50,100
Let's try this Johnnie Walker
blenders.
598
00:32:50,100 --> 00:32:52,800
Batch wine, cask blend.
What do you say?
599
00:32:53,000 --> 00:33:00,900
Let's get to it.
All right, everybody.
600
00:33:00,900 --> 00:33:04,900
Today we are drinking Johnnie
Walker blenders batch wine.
601
00:33:04,900 --> 00:33:08,300
Cask blend the greatest name for
whiskey that's ever been thought
602
00:33:08,300 --> 00:33:11,200
of.
Yes, and ice, ice shortened.
603
00:33:11,200 --> 00:33:13,200
Yeah.
Right to the point, right to the
604
00:33:13,200 --> 00:33:16,400
point.
And I know absolutely nothing
605
00:33:16,400 --> 00:33:17,200
about it.
Bob.
606
00:33:17,500 --> 00:33:19,400
Yeah, so here's what I know
about it.
607
00:33:19,400 --> 00:33:21,900
Brad.
I know that it was released in
608
00:33:21,900 --> 00:33:25,700
2017 and that I believe it has
now been discontinued.
609
00:33:25,900 --> 00:33:29,300
And so, we picked this bottle up
off the shelf in Ohio that they
610
00:33:29,300 --> 00:33:31,400
call.
Last call because Ohio don't
611
00:33:31,400 --> 00:33:35,800
sell it no more and it was
marked down and I said, I like
612
00:33:35,800 --> 00:33:38,900
Johnnie Walker.
I like wine, cask Blends, let's
613
00:33:38,900 --> 00:33:41,800
pick this, like CH I like
whiskey, that's cheap, you know.
614
00:33:42,300 --> 00:33:45,800
So here's the thing sometimes we
will buy these kind of Whiskey's
615
00:33:45,800 --> 00:33:48,600
because it's a win-win like
it's, it's cheap and it's
616
00:33:48,600 --> 00:33:51,000
discounted but because it's been
discounted.
617
00:33:51,000 --> 00:33:54,200
That means that you can look
around at the stores around you
618
00:33:54,400 --> 00:33:58,100
where it is very likely to still
be sold because this was not
619
00:33:58,100 --> 00:34:01,400
like a super high seller for
Johnnie Walker if it was they'd
620
00:34:01,400 --> 00:34:05,100
still be making it and so you
can usually find these things
621
00:34:05,100 --> 00:34:08,100
discounted if you just like are
out and about and see one on the
622
00:34:08,100 --> 00:34:10,000
Shelf.
So it's kind of like we're going
623
00:34:10,000 --> 00:34:13,100
to give you a recommendation for
a whiskey that no one really
624
00:34:13,100 --> 00:34:15,400
ever get to try again.
And you can be one of the last
625
00:34:15,400 --> 00:34:17,699
people to buy it at a really
reasonable price.
626
00:34:18,199 --> 00:34:20,000
Yeah.
If anything, this is kind of
627
00:34:20,000 --> 00:34:23,300
Representative of last call type
of whiskeys.
628
00:34:23,800 --> 00:34:27,199
Okay, go try them.
It's a fun way to try different.
629
00:34:27,199 --> 00:34:29,600
Whiskeys that you might not
normally gravitate.
630
00:34:29,800 --> 00:34:32,900
Towards at a cheaper price than
they'd sell for normally.
631
00:34:33,000 --> 00:34:34,199
Yeah.
All right.
632
00:34:34,199 --> 00:34:36,500
So a little bit more about this,
it's 80 proof.
633
00:34:36,699 --> 00:34:39,100
It is again, it's Johnny Walker
but it's one of the cheaper
634
00:34:39,100 --> 00:34:41,199
Blends.
It's a bunch of blended Scotch
635
00:34:41,600 --> 00:34:45,600
the full name on the bottle.
Johnnie Walker blenders, batch
636
00:34:45,600 --> 00:34:47,800
wine.
Cask, blend blended Scotch,
637
00:34:47,800 --> 00:34:49,400
whisky.
That is the full name of this
638
00:34:49,400 --> 00:34:53,300
product.
So, Johnny Walker back in 2017,
639
00:34:53,500 --> 00:34:56,500
launched this new line, that
they called blenders batch.
640
00:34:56,699 --> 00:35:00,200
And it was basically like we're
taking Blended It's whiskey.
641
00:35:00,200 --> 00:35:02,200
And we're finishing it in a
couple different things.
642
00:35:02,200 --> 00:35:05,500
So they did a wine, cask finish.
They did a rum Cask finish and
643
00:35:05,500 --> 00:35:08,300
then they did an espresso
finished one as well.
644
00:35:08,800 --> 00:35:11,300
The wine cask finished.
One is super interesting Brad
645
00:35:11,300 --> 00:35:14,300
because they got our friend
Andre Houston, Mac to help do
646
00:35:14,300 --> 00:35:16,500
some promo for it.
I don't think that he had any
647
00:35:16,500 --> 00:35:19,800
part in the production of it,
but when I look online and I
648
00:35:19,800 --> 00:35:23,700
read notes about it, I have no
idea how this was actually made.
649
00:35:23,900 --> 00:35:28,500
So one website says that it was
blended whiskey, That Was Then
650
00:35:28,500 --> 00:35:32,500
finished in over did 50
different types of wine casks.
651
00:35:33,200 --> 00:35:37,200
And then I look at the tag on
the bottle and it just says,
652
00:35:37,800 --> 00:35:40,900
let's see.
This is an experimental blend of
653
00:35:40,900 --> 00:35:45,200
grain and malt whiskies
including some matured in wine
654
00:35:45,200 --> 00:35:47,700
casks.
So that would suggest that a lot
655
00:35:47,700 --> 00:35:50,900
of what went into the blend.
The blend happened, after they
656
00:35:50,900 --> 00:35:53,700
already pulled it out of the
wine casks and not before they
657
00:35:53,700 --> 00:35:56,900
put it into the wine casks.
So I don't frickin know man,
658
00:35:56,900 --> 00:35:59,800
it's Cheap whiskey.
It's blended Scotch there's Um
659
00:35:59,800 --> 00:36:01,900
sort of wine flavoring going on
here.
660
00:36:02,000 --> 00:36:05,700
Let's dive into it.
Yeah on the nose here it's a
661
00:36:05,700 --> 00:36:08,500
really interesting knows because
you don't get as much of the
662
00:36:08,500 --> 00:36:13,100
barley as you normally get on a
scotch for me.
663
00:36:13,100 --> 00:36:17,000
This might be one of the most
floral noses that I've ever
664
00:36:17,000 --> 00:36:20,000
gotten.
Like it just reminds me almost
665
00:36:20,000 --> 00:36:24,600
have like a white wine and
peaches.
666
00:36:24,600 --> 00:36:28,600
Maybe it's a little bit light
fruity.
667
00:36:29,200 --> 00:36:31,300
Yeah.
Looks like peaches and cream.
668
00:36:31,300 --> 00:36:32,900
Maybe hmm.
I don't know.
669
00:36:32,900 --> 00:36:35,900
Where are you at?
Yeah I like it it has the really
670
00:36:35,900 --> 00:36:38,800
bright notes that we get on
Irish whiskey and blended
671
00:36:38,800 --> 00:36:41,600
Scotch.
A lot of the times with not much
672
00:36:41,600 --> 00:36:45,600
of the The Malt underlying it
and definitely not any of that
673
00:36:45,600 --> 00:36:48,900
sort of like grain forward miss
that, we usually get with cheap
674
00:36:48,900 --> 00:36:51,000
Whiskey's.
It's really just bright and
675
00:36:51,000 --> 00:36:55,300
fruity and to me, it smells like
remember the little boxes of
676
00:36:55,300 --> 00:36:58,700
raisins that we would get in our
lunch boxes as kids like yeah,
677
00:36:58,800 --> 00:37:01,100
cardboard.
Boxes that you would have to pry
678
00:37:01,100 --> 00:37:02,600
open with your bare, little
fingers.
679
00:37:02,800 --> 00:37:05,500
It smells like the inside of one
of those boxes.
680
00:37:05,500 --> 00:37:08,900
It smells like a box of raisins
or like a fresh cracked thing of
681
00:37:08,900 --> 00:37:12,000
prunes.
It is really, really strongly
682
00:37:12,600 --> 00:37:14,800
dried fruit and I like it a lot,
man.
683
00:37:14,800 --> 00:37:16,700
I'm actually going to give it a
seven and a half on the nose.
684
00:37:17,200 --> 00:37:21,500
Yeah, I'm in a similar place, a
little cooler than you, but I'll
685
00:37:21,500 --> 00:37:24,300
give it a 7 out of 10.
The longer I stay with the more
686
00:37:24,300 --> 00:37:27,500
I do get a few more traditional,
like, honey, notes, kind of
687
00:37:27,500 --> 00:37:29,600
coming through, which I make me
excited.
688
00:37:29,700 --> 00:37:33,000
Did but yeah we'll see let's
let's get into the palette.
689
00:37:33,300 --> 00:37:37,000
So I took a swig here and I'll
say this much about.
690
00:37:37,000 --> 00:37:41,900
It is really really thin.
Like it is very watery and
691
00:37:41,900 --> 00:37:43,600
really really light on the
palate.
692
00:37:44,100 --> 00:37:48,500
However it has like a pretty
strong smokiness to it.
693
00:37:48,500 --> 00:37:54,000
It's not Pete, but it's almost
like cigarette, Ash smoke and I
694
00:37:54,000 --> 00:37:56,100
don't get a ton of fruit.
I get a little bit of, like,
695
00:37:56,100 --> 00:37:59,500
creaminess a little bit of Honey
on this, but not a ton of fruit.
696
00:37:59,600 --> 00:38:01,900
Oats and certainly know why
notes on this.
697
00:38:01,900 --> 00:38:04,400
I'm actually pretty disappointed
in this palette Brad.
698
00:38:05,000 --> 00:38:08,800
Huh I think maybe on the finish.
I start to get a little bit of
699
00:38:08,808 --> 00:38:13,000
that cigarette Ash you talking
about for me, mid palate.
700
00:38:13,000 --> 00:38:17,400
I get a little bit of raspberry
the peaches flavor has stuck
701
00:38:17,400 --> 00:38:20,300
around from the nose but it's
definitely very light.
702
00:38:20,500 --> 00:38:24,400
Honestly, this kind of reminds
me of like a really delicate
703
00:38:24,400 --> 00:38:27,800
white wine.
I do like a sauvignon blanc type
704
00:38:27,800 --> 00:38:33,400
of feel it.
Very light, very airy and I
705
00:38:33,400 --> 00:38:37,400
guess, I don't know.
I'm so used to finishing
706
00:38:37,400 --> 00:38:43,300
whiskies in red, wines, and cabs
and you know, Pinot Noir is and
707
00:38:43,300 --> 00:38:45,800
things like that.
I think that they used white
708
00:38:45,800 --> 00:38:47,900
wine in this.
Sorry.
709
00:38:48,200 --> 00:38:49,500
Not that they Blended white
wine.
710
00:38:49,500 --> 00:38:53,900
And I think they used white wine
casks in this like there's just
711
00:38:53,900 --> 00:38:58,300
too much going on, that's light
and Airy and floral for me to
712
00:38:58,300 --> 00:39:00,900
think that this has a lot of Red
wine influence.
713
00:39:01,000 --> 00:39:02,800
You know, I don't I'm not going
to disagree with you there and
714
00:39:02,800 --> 00:39:04,600
you certainly know wine better
than I do.
715
00:39:04,600 --> 00:39:09,100
But I think that the Grain on
this manifests in like a very
716
00:39:09,100 --> 00:39:12,600
immediately, bitter way.
Like I just took a second sip of
717
00:39:12,600 --> 00:39:16,100
it and I mean, like tip of my
tongue it's like, hey, I'm gonna
718
00:39:16,100 --> 00:39:17,900
put this cigarette out on your
tongue now.
719
00:39:18,400 --> 00:39:21,000
It's like it's really grain
forward.
720
00:39:21,000 --> 00:39:23,700
It tastes young.
It tastes harsh.
721
00:39:23,700 --> 00:39:27,000
Not a stringent but like it just
doesn't have a like, a
722
00:39:27,008 --> 00:39:30,600
well-roundedness to it.
And any That sort of light
723
00:39:30,600 --> 00:39:33,100
effervescence that we that I
kind of pick up on it.
724
00:39:33,100 --> 00:39:37,200
Like almost like a champagne,
kind of feel to this is
725
00:39:37,200 --> 00:39:42,400
immediately just like stomped
out by This overbearingly Bitter
726
00:39:42,400 --> 00:39:45,200
smokiness to.
I don't like this man.
727
00:39:45,200 --> 00:39:48,700
I'm gonna give it a 5 out of 10
on the taste, huh.
728
00:39:48,800 --> 00:39:51,400
Yeah, for me I actually kind of
like the palette.
729
00:39:51,400 --> 00:39:54,700
It's light and Airy I'm down
with it.
730
00:39:54,700 --> 00:39:58,000
I'll give it a seven and a half
out of ten on the palate.
731
00:39:58,300 --> 00:39:59,500
All right, that takes us to
finish.
732
00:39:59,600 --> 00:40:02,700
I think the Finish is better
than the palette is, but that's
733
00:40:02,700 --> 00:40:04,100
because it's a really short
finish.
734
00:40:04,800 --> 00:40:09,000
It's an 80 proof, whiskey, that
the things that stick around on
735
00:40:09,008 --> 00:40:10,900
your palette.
I think, are those lighter
736
00:40:10,900 --> 00:40:14,400
brighter white wine notes?
I do think there is a sense of
737
00:40:14,400 --> 00:40:16,900
like effervescence.
Here it is.
738
00:40:16,900 --> 00:40:19,600
For me, it's a little bit closer
to a dryer, white wine on the
739
00:40:19,600 --> 00:40:23,600
Finish than it is a sweet one
and I don't mind it but it's 80
740
00:40:23,600 --> 00:40:26,100
proof.
It's thin not much left on the
741
00:40:26,100 --> 00:40:29,100
palate.
I think I'm impressed by that
742
00:40:29,100 --> 00:40:31,400
because I didn't like the
palette but I don't know that
743
00:40:31,400 --> 00:40:32,900
this is an objectively good
finish.
744
00:40:32,900 --> 00:40:34,200
I'll just give it a six out of
ten.
745
00:40:34,800 --> 00:40:36,200
Yeah, I'll give it a six and a
half.
746
00:40:36,200 --> 00:40:38,600
It comes down a little bit on
the finish.
747
00:40:39,000 --> 00:40:42,000
The cigarette Ash comes through
at the end which I'm not a fan
748
00:40:42,000 --> 00:40:46,800
of, and it just loses.
A lot of its flavor in the end.
749
00:40:47,100 --> 00:40:49,300
So six and a half for me on the
Finish.
750
00:40:49,800 --> 00:40:53,100
Balance wise, I think I'll give
this a 6 out of 10.
751
00:40:53,500 --> 00:40:56,700
It's not an incredibly
well-balanced whiskey, it
752
00:40:56,700 --> 00:41:00,300
definitely.
Some sharp edges that I don't
753
00:41:00,300 --> 00:41:03,500
know.
Normally blending curves off.
754
00:41:03,900 --> 00:41:07,900
Yeah, but it didn't hear.
Yeah, I guess I'll do the same 6
755
00:41:07,900 --> 00:41:09,800
out of 10.
I kind of want to give it lower
756
00:41:09,800 --> 00:41:14,200
than that because from the nose
to the immediate harsh strong
757
00:41:14,200 --> 00:41:18,100
drop off of the palette.
I mean it was like drastic for
758
00:41:18,100 --> 00:41:21,200
me.
Bob did you know that you could
759
00:41:21,200 --> 00:41:25,700
give it a lower score than six?
That is that is well within your
760
00:41:25,700 --> 00:41:28,600
purview.
I think Because I know that it
761
00:41:28,600 --> 00:41:32,700
is a cheap whiskey, I'm not
going to give it lower than a 6,
762
00:41:33,600 --> 00:41:35,800
but when it comes to Value, this
is where things get tricky.
763
00:41:35,800 --> 00:41:39,000
Because if you can still find it
at the recommended price, which
764
00:41:39,000 --> 00:41:42,800
I think I picked this up for
like $25, I don't know what SRP
765
00:41:42,800 --> 00:41:45,100
on this is.
Let's like let's just say for
766
00:41:45,100 --> 00:41:49,900
the sake of argument Brad that
MSRP on this was like, I don't
767
00:41:49,900 --> 00:41:54,200
know. $40 well, here's the thing
I'm looking, I've looked on a
768
00:41:54,207 --> 00:41:58,900
few review websites and one of
them says, and I'm quoting and
769
00:41:58,900 --> 00:42:02,500
the best part, it's going for a
bargain price of $69.
770
00:42:02,600 --> 00:42:05,500
Nice.
We suggest filing shopping carts
771
00:42:05,500 --> 00:42:10,500
with them or sorry, filling we
suggest filling shopping carts
772
00:42:10,500 --> 00:42:13,000
with them.
So that's really funny because
773
00:42:13,000 --> 00:42:16,500
I'm looking on total wines
website and Total Wine is one of
774
00:42:16,500 --> 00:42:19,200
the biggest you know, retail
stores in America that sells
775
00:42:19,400 --> 00:42:22,000
Liquor and they have it listed
at 2599.
776
00:42:22,100 --> 00:42:23,900
Now again, they're not carrying
it anymore because it's
777
00:42:23,900 --> 00:42:27,300
discontinued, but they sold it
at 25 and that's around what I
778
00:42:27,308 --> 00:42:31,500
got at for, on the last call.
So I have no idea what to price
779
00:42:31,500 --> 00:42:34,600
this at Brad.
You're seeing it, SRP for it at
780
00:42:34,600 --> 00:42:36,600
60.
Something dollars I'm seeing SRP
781
00:42:36,600 --> 00:42:42,300
on this at $26.
Let's just call it $40, because
782
00:42:42,600 --> 00:42:46,100
my whole point was going to be
when you Google it now, you
783
00:42:46,100 --> 00:42:48,100
can't get it cheaper than like
$70.
784
00:42:48,200 --> 00:42:52,500
So you would have to Find this
in the wild to make it a bargain
785
00:42:52,600 --> 00:42:56,200
anyway.
And I think even at $40 this is
786
00:42:56,200 --> 00:43:00,800
not a good value, I appreciate
the craft that went into it, but
787
00:43:00,800 --> 00:43:02,600
let's be frank here.
It's not like they're doing this
788
00:43:02,600 --> 00:43:06,000
with like a really small batch.
This is just huge Vats of
789
00:43:06,000 --> 00:43:10,100
whiskey that they are using tons
and tons and tons of casks of
790
00:43:10,100 --> 00:43:11,900
wine.
And because they're using so
791
00:43:11,900 --> 00:43:14,000
many casks of wine to finish it
in there.
792
00:43:14,000 --> 00:43:17,600
Hoping that they can blend out
any imperfections there to this
793
00:43:17,600 --> 00:43:20,200
is like you know this is a
conglomerate Talking about.
794
00:43:21,400 --> 00:43:24,200
I'm gonna give it a 2 out of 10
on value.
795
00:43:25,400 --> 00:43:26,900
I think I'll give it a 4 out of
10.
796
00:43:26,900 --> 00:43:31,500
I think that, what's in the
bottle is like, decent Scotch,
797
00:43:31,600 --> 00:43:37,000
it's okay, mmm, maybe just
barely above average, so I'll
798
00:43:37,000 --> 00:43:39,900
give it a 4 out of 10 on value.
I don't think it's the worst
799
00:43:39,900 --> 00:43:42,500
thing you could buy, but it's
definitely below average on
800
00:43:42,500 --> 00:43:44,900
value.
Well, I am for some reason
801
00:43:44,900 --> 00:43:47,800
coming out slightly above
average, not even above average,
802
00:43:47,800 --> 00:43:50,900
I'm above the Midway point.
Ain't on my final score here.
803
00:43:50,900 --> 00:43:54,600
I met a 26.5 out of 50.
Brad, what are you coming out
804
00:43:54,600 --> 00:43:56,300
to?
I'm A Little Higher.
805
00:43:56,300 --> 00:43:58,400
I'm a 31 out of 50.
Wow!
806
00:43:58,400 --> 00:44:02,300
31 okay.
So that brings us to a 57.5 out
807
00:44:02,300 --> 00:44:06,200
of 100 or a twenty eight point
seven five out of 50.
808
00:44:06,500 --> 00:44:10,500
I do not recommend buying, I do
not recommend trying, I can see
809
00:44:10,500 --> 00:44:13,500
why this was discontinued and I
don't mean to be harsh here
810
00:44:13,500 --> 00:44:16,200
because like, you know,
typically Brad we don't, we
811
00:44:16,200 --> 00:44:18,100
don't look down on.
We don't talk crap about
812
00:44:18,100 --> 00:44:20,400
Whiskey's on this podcast.
But I just don't think this is
813
00:44:20,400 --> 00:44:23,400
good and like it makes a lot of
sense.
814
00:44:23,700 --> 00:44:25,200
Why?
This is not being carried
815
00:44:25,200 --> 00:44:27,700
anymore?
Yeah, no 100%.
816
00:44:27,700 --> 00:44:30,200
I'm with you.
I like I think this is okay.
817
00:44:30,200 --> 00:44:32,600
It's fine.
I wouldn't recommend getting it.
818
00:44:32,800 --> 00:44:36,000
Unless if you could get it for
25 bucks, I'd say go for it.
819
00:44:36,400 --> 00:44:40,800
But where it's at now, unless
you're like a big, Johnny Walker
820
00:44:40,800 --> 00:44:44,500
Stan, and you just want to try
all their stuff then like sure
821
00:44:44,500 --> 00:44:47,300
go for it, but if that's the
case, you probably already tried
822
00:44:47,300 --> 00:44:49,200
it.
So, all right, Brad.
823
00:44:49,300 --> 00:44:51,900
Well, I tried to pair this up
with something like fun and
824
00:44:51,908 --> 00:44:56,000
bubbly to go with Sabrina.
But I have once again, Fallen
825
00:44:56,000 --> 00:44:58,100
right on my face.
So I'm going to say let's just
826
00:44:58,107 --> 00:45:00,300
talk about Audrey Hepburn.
Yeah, man, let's get back into
827
00:45:00,300 --> 00:45:01,800
talking about Sabrina.
What do you say?
828
00:45:01,800 --> 00:45:06,000
Let's get to it.
So, here's the deal everybody.
829
00:45:06,000 --> 00:45:09,900
We just absolutely love
producing as much content as
830
00:45:09,900 --> 00:45:11,700
possible for film and whiskey
Nation.
831
00:45:11,700 --> 00:45:14,600
But if our regular episodes
aren't enough for you, then you
832
00:45:14,600 --> 00:45:18,200
can head on over to patreon.com
film, whiskey.
833
00:45:18,200 --> 00:45:21,000
Sign up for one of Of our
memberships and you will get a
834
00:45:21,000 --> 00:45:23,400
slew of extra content for your
listening.
835
00:45:23,400 --> 00:45:28,200
Pleasure, check us out on
patreon.com film whiskey.
836
00:45:31,400 --> 00:45:34,300
All right, everybody, that was
Johnny Walker something,
837
00:45:34,300 --> 00:45:37,800
something something wine, that's
it.
838
00:45:38,400 --> 00:45:40,800
And that's all I have to say
about, I don't like that whiskey
839
00:45:40,800 --> 00:45:42,800
bread.
Yeah, it was okay.
840
00:45:43,300 --> 00:45:46,400
I think I'm finally getting
comfortable enough, you know,
841
00:45:46,400 --> 00:45:49,800
it's season 7 of the podcast
where I'm like, I can say that I
842
00:45:49,800 --> 00:45:52,000
didn't like something and that
doesn't mean that this brand
843
00:45:52,000 --> 00:45:53,900
will never sponsor us or work
with us.
844
00:45:53,900 --> 00:45:57,000
Like and even if they do, like
the thing about it is Johnnie
845
00:45:57,000 --> 00:45:59,900
Walker is not hurting because I
said I don't like one.
846
00:46:00,100 --> 00:46:03,100
Of these whiskeys now.
I are they a Diageo brand?
847
00:46:03,600 --> 00:46:05,600
I think so.
They're like, one of the big,
848
00:46:06,100 --> 00:46:07,700
yeah, there.
I don't know, man.
849
00:46:07,700 --> 00:46:10,800
They, they might be coming after
us with legal action.
850
00:46:11,300 --> 00:46:14,200
Some some live only are there.
The Disney Corporation of
851
00:46:14,200 --> 00:46:17,800
whiskey?
Oh man.
852
00:46:17,800 --> 00:46:20,400
Well, putting that Fiasco behind
us.
853
00:46:20,500 --> 00:46:24,400
Let's talk about Canada's
favorite segment, two, facts.
854
00:46:24,400 --> 00:46:28,000
And a falsehood is gonna try to
stop you.
855
00:46:28,000 --> 00:46:34,900
Bob All right.
And what is wrong to fax in a
856
00:46:34,900 --> 00:46:37,400
faucet to fax in?
A falsehood, is the part of the
857
00:46:37,400 --> 00:46:41,400
podcast where Brad presents
three items to me, as fact,
858
00:46:41,400 --> 00:46:44,400
typically about the making of
this movie, one of which, is a
859
00:46:44,400 --> 00:46:47,300
complete lie and Fabrication on
his part.
860
00:46:47,500 --> 00:46:50,900
And it's my job to figure out
which one is the falsehood Brad.
861
00:46:50,900 --> 00:46:53,400
I'm very excited for this
because, I don't know a ton
862
00:46:53,400 --> 00:46:56,400
about the making of Sabrina.
I came straight down to your
863
00:46:56,400 --> 00:46:58,400
house this morning before I got
a chance to look at all the
864
00:46:58,400 --> 00:47:00,700
Billy Wilder books.
I checked out of the Library.
865
00:47:00,900 --> 00:47:03,600
So I don't really have a ton of
knowledge about this and I'm
866
00:47:03,600 --> 00:47:06,900
going to be winging it.
That's good to hear, Bob because
867
00:47:06,900 --> 00:47:13,600
I have three of the longest
facts I have ever pulled out for
868
00:47:14,000 --> 00:47:15,700
two facts in a falsehood
history.
869
00:47:15,700 --> 00:47:17,200
All right man, let's hear them
fact.
870
00:47:17,200 --> 00:47:21,400
Number one, Humphrey Bogart was
a last-minute replacement for.
871
00:47:21,900 --> 00:47:26,000
This is my personal injection.
My favorite actor Cary Grant,
872
00:47:26,300 --> 00:47:29,200
supposedly Grant rejected the
part because he did not want to
873
00:47:29,200 --> 00:47:32,100
carry an umbrella.
On screen Bogart and William
874
00:47:32,100 --> 00:47:34,200
Holden couldn't stand.
Each other Bogart.
875
00:47:34,200 --> 00:47:37,000
Also, disapproved of Audrey
Hepburn, as he preferred his
876
00:47:37,000 --> 00:47:40,800
wife Lauren Bacall in the role
while Holden fell in love with
877
00:47:40,800 --> 00:47:42,900
Audrey.
Bogart was paid, three hundred
878
00:47:42,900 --> 00:47:46,100
thousand dollars to the movie,
holding was paid 150 thousand
879
00:47:46,100 --> 00:47:50,000
dollars and in the most sexist
thing I've ever heard all at
880
00:47:50,000 --> 00:47:53,800
least today, Hepburn was paid.
15,000 dollar.
881
00:47:53,800 --> 00:47:55,900
Wow.
Ask how he liked working with
882
00:47:55,900 --> 00:47:58,000
Hepburn, Bogart replied.
It's okay.
883
00:47:58,000 --> 00:48:02,200
If you don't mind a few dozen
takes X dang, that's fact number
884
00:48:02,200 --> 00:48:02,800
one.
Okay.
885
00:48:03,300 --> 00:48:06,900
Fact, number two, William Holden
tired of working with Billy
886
00:48:06,900 --> 00:48:11,500
Wilder after Sunset Boulevard
and Stalag 17 leaned into his
887
00:48:11,500 --> 00:48:15,200
Playboy character, and would
show up late to set ad-lib his
888
00:48:15,200 --> 00:48:18,000
lines.
And be a general nuisance, this
889
00:48:18,000 --> 00:48:20,800
led to an extended period of
Disconnect between the two until
890
00:48:20,800 --> 00:48:25,100
they collaborated one last time
in 1978 fedora.
891
00:48:26,500 --> 00:48:31,300
Fact number 3, although few Bear
DE Givenchy and I know I'm
892
00:48:31,300 --> 00:48:33,800
saying that wrong jeevan.
Say jeeva.
893
00:48:33,800 --> 00:48:37,900
Say thank you Danny.
He provided Audrey Hepburn's
894
00:48:37,900 --> 00:48:40,100
wardrobe.
Edith, Head won the Oscar for
895
00:48:40,100 --> 00:48:44,700
best costumes as give.
O'Shea Is uncredited head as the
896
00:48:44,700 --> 00:48:47,200
film's official costume designer
was given credit for the
897
00:48:47,200 --> 00:48:49,000
costumes.
Although the Academy's votes
898
00:48:49,000 --> 00:48:52,200
were obviously for heparins.
Attire head did not refuse the
899
00:48:52,200 --> 00:48:56,700
Oscar and in 1974 interview.
She stated that she was Possible
900
00:48:56,700 --> 00:49:00,700
for creating the dresses with
some inspiration from given,
901
00:49:00,700 --> 00:49:04,100
given Shay Javon.
She, I'm just going to keep
902
00:49:04,100 --> 00:49:07,200
buttering it designs that happen
lights, but that she made
903
00:49:07,200 --> 00:49:09,800
important changes in the dresses
were not by Zevon.
904
00:49:09,800 --> 00:49:13,600
She after her death, those
Yvonne she stated that Sabrina's
905
00:49:13,600 --> 00:49:16,700
iconic, black cocktail dress was
produced at Paramount Under head
906
00:49:16,700 --> 00:49:20,600
supervision, but it was 100% his
design.
907
00:49:21,900 --> 00:49:26,900
Brad like you, I did have time
to peruse the Sabrina Wikipedia
908
00:49:26,900 --> 00:49:27,900
page.
Hmm.
909
00:49:28,300 --> 00:49:32,200
And so, I know that number three
is true.
910
00:49:32,600 --> 00:49:34,400
However, let me ask you this
before.
911
00:49:34,400 --> 00:49:37,800
I make a final decision here.
Okay, these were very log facts.
912
00:49:37,800 --> 00:49:40,500
Yes.
Now, you would not do such a
913
00:49:40,500 --> 00:49:42,900
thing, as to like, change one
minut detail.
914
00:49:42,900 --> 00:49:47,000
Like, the, the entire basis of
the fact would be false, right?
915
00:49:47,000 --> 00:49:50,300
Yes.
The, the, the one that I made up
916
00:49:50,800 --> 00:49:52,500
is, A maid.
Okay.
917
00:49:52,900 --> 00:49:55,100
Yeah, here's a little
background.
918
00:49:55,900 --> 00:50:00,500
I do not look up a single fact
about the movie before I write
919
00:50:00,500 --> 00:50:04,000
my falsehood.
No, yeah, really 100%.
920
00:50:04,000 --> 00:50:06,500
Oh, my gosh.
Yeah, that's that's news to me.
921
00:50:06,500 --> 00:50:08,100
Yeah.
All right.
922
00:50:08,100 --> 00:50:11,000
So here's what I'll say because
I did peruse the Wikipedia page.
923
00:50:11,000 --> 00:50:14,400
I know that the thing about
Edith Head who is perhaps the
924
00:50:14,400 --> 00:50:18,700
most iconic costume designer in
Hollywood history and shivaji,
925
00:50:18,900 --> 00:50:23,000
who is one of the most iconic
Haute Who are designers in
926
00:50:23,200 --> 00:50:24,900
Parisian history?
I know.
927
00:50:24,900 --> 00:50:27,200
That's a fact.
I know number one, for the most
928
00:50:27,200 --> 00:50:28,700
part, for the most part, is a
fact.
929
00:50:28,700 --> 00:50:32,300
I didn't know about the quote
that Humphrey Bogart said, but
930
00:50:32,400 --> 00:50:35,700
Humphrey Bogart was generally
kind of a grump on this set and
931
00:50:35,700 --> 00:50:40,000
didn't get along with wilder and
thought that Hepburn was super
932
00:50:40,000 --> 00:50:43,600
inexperienced and kind of
amateurish and didn't apologize.
933
00:50:43,600 --> 00:50:47,100
Until years later about what
happened on set here.
934
00:50:47,100 --> 00:50:49,300
And said, basically, I was going
through some issues issues in my
935
00:50:49,300 --> 00:50:51,300
personal life.
This may have been around the
936
00:50:51,300 --> 00:50:54,000
time That Bogart found out he
had cancer because he dies like
937
00:50:54,000 --> 00:50:55,600
three years after this.
Hmm.
938
00:50:56,200 --> 00:50:59,600
So I know that for the most
part, number one is a fact, I'm
939
00:50:59,600 --> 00:51:01,600
gonna go ahead and say number
two is the falsehood.
940
00:51:01,900 --> 00:51:05,500
I had no idea about the William
Holden thing and it definitely
941
00:51:05,500 --> 00:51:07,200
hasn't come up anything.
I've read so far.
942
00:51:07,400 --> 00:51:10,700
So, I'm gonna go ahead and say
that Holden, and Wilder were
943
00:51:10,700 --> 00:51:14,800
boys all the way through to
1978, and I'll say to the
944
00:51:14,808 --> 00:51:19,900
falsehood Bob, I love that you
opened this segment with, I
945
00:51:19,900 --> 00:51:23,900
haven't read a single thing.
About this movie and then you
946
00:51:23,900 --> 00:51:27,300
proceeded to say but based on
the things I have read about the
947
00:51:27,300 --> 00:51:31,000
movie, I'm going to go ahead and
say to the pulse it, right?
948
00:51:31,800 --> 00:51:36,200
I'm going to say that.
You are a shyster and that you
949
00:51:36,200 --> 00:51:39,900
don't deserve this win.
So, here's first of all, I mean,
950
00:51:39,900 --> 00:51:42,400
I'm allowed to read things about
the making of the movie.
951
00:51:42,400 --> 00:51:45,200
Are you before, before we
record.
952
00:51:46,800 --> 00:51:48,500
Let me, let me add a wrinkle to
this.
953
00:51:50,000 --> 00:51:52,800
When I read a Wikipedia page.
And they state facts about a
954
00:51:52,808 --> 00:51:55,000
movie.
I generally take those to be
955
00:51:55,000 --> 00:51:58,000
like the most well known facts
about the movie.
956
00:51:58,300 --> 00:51:59,600
Hmm.
Like oh, hey.
957
00:51:59,600 --> 00:52:02,600
Did you know that James Cameron
invented new technology to make
958
00:52:02,600 --> 00:52:04,900
Avatar.
So then if you come in and
959
00:52:04,900 --> 00:52:07,900
you're like, fact number one,
James Cameron invented new tech
960
00:52:07,900 --> 00:52:09,200
that like that's common
knowledge.
961
00:52:09,200 --> 00:52:12,000
My guy, I did not read the
Wikipedia page about him.
962
00:52:12,800 --> 00:52:14,500
Okay.
Well, I did and they were on
963
00:52:14,500 --> 00:52:16,900
there and so I will claim my
victory.
964
00:52:17,000 --> 00:52:19,000
We are saying that number two,
is the falsehood, right?
965
00:52:19,100 --> 00:52:19,900
Yeah.
It's the false.
966
00:52:19,900 --> 00:52:22,500
I get a victory.
Boom.
967
00:52:24,000 --> 00:52:26,600
All right.
Talk to me about William Holden
968
00:52:26,600 --> 00:52:29,800
and our boy bogey who do want to
start with.
969
00:52:31,600 --> 00:52:34,300
Let's talk about Humphrey.
Let's do it.
970
00:52:34,600 --> 00:52:36,700
Because I don't think you're a
big fan of him in this movie.
971
00:52:37,000 --> 00:52:39,700
I think that I didn't.
Once again, I didn't read this
972
00:52:39,700 --> 00:52:41,900
fact to later.
I think Cary Grant would have
973
00:52:41,900 --> 00:52:47,000
been a million times better of a
choice for this role, you know,
974
00:52:47,000 --> 00:52:50,000
I weirdly disagree.
I think the Cary Grant would
975
00:52:50,000 --> 00:52:53,200
have given the movie A much more
lighthearted energy all the way
976
00:52:53,200 --> 00:52:55,300
through.
Mmm, I don't know if he would
977
00:52:55,300 --> 00:52:58,900
have been able to balance, the,
the romance and the darker
978
00:52:58,900 --> 00:53:00,600
aspects, as well as bogey does
here.
979
00:53:00,600 --> 00:53:03,700
Bogey like the thing that
Humphrey Bogart is doing in this
980
00:53:03,700 --> 00:53:07,800
movie is so similar to the way.
He played Rick in Casablanca
981
00:53:07,800 --> 00:53:12,300
that super guarded emotion
almost emotionless, but then you
982
00:53:12,300 --> 00:53:17,300
find out what's driving his hurt
and I think it works.
983
00:53:17,300 --> 00:53:19,800
So so well, I think the thing,
if there's anything, we really
984
00:53:19,800 --> 00:53:22,100
didn't talk about, it's the age
Gap because Cuz it's so
985
00:53:22,100 --> 00:53:24,200
apparent.
Because, you know, bogeys over
986
00:53:24,200 --> 00:53:27,700
50 years old and he looks over
50 years old in this movie and
987
00:53:27,700 --> 00:53:30,500
Audrey Hepburn is although,
according to network.
988
00:53:30,500 --> 00:53:34,600
That's just a middle-aged man.
That's true and heparins like
989
00:53:34,600 --> 00:53:38,000
25.
But playing 17, do you know what
990
00:53:38,000 --> 00:53:40,300
I mean?
Like, personality-wise.
991
00:53:40,600 --> 00:53:43,700
So here's what I'll say.
I was so excited to see a movie
992
00:53:43,700 --> 00:53:45,800
with Humphrey Bogart in it
again, because we haven't
993
00:53:45,800 --> 00:53:50,100
watched a movie with him in it
since the African queen.
994
00:53:50,900 --> 00:53:53,900
And then, you know, the two that
we did back in like season one
995
00:53:53,900 --> 00:53:56,000
and two.
And so it's been a long time
996
00:53:56,000 --> 00:53:57,400
since we've had Bogart on
screen.
997
00:53:57,800 --> 00:54:00,400
And I got to say, man, I haven't
watched a Humphrey Bogart movie
998
00:54:00,400 --> 00:54:03,300
in a long time.
The guy is just electric and
999
00:54:03,300 --> 00:54:06,100
there's a scene where, you know,
it's the scene where they're in
1000
00:54:06,100 --> 00:54:07,900
his office suite.
And she finds out that he's
1001
00:54:07,900 --> 00:54:11,800
basically been screwing her over
and it's a two shot, a medium
1002
00:54:11,800 --> 00:54:15,400
shot with both of them in it and
she's crying and facing away
1003
00:54:15,400 --> 00:54:18,000
from him and he's behind her and
just staring at the back of her
1004
00:54:18,000 --> 00:54:21,500
head and darned.
If this guy By Humphrey Bogart
1005
00:54:21,500 --> 00:54:26,100
didn't pull my entire gaze away
from Audrey Hepburn.
1006
00:54:26,100 --> 00:54:30,300
And all he was doing was looking
at the back of her head and I
1007
00:54:30,300 --> 00:54:34,500
kind of realized I think the
superpower of Bogart as a
1008
00:54:34,500 --> 00:54:37,200
romantic lead because it doesn't
make sense that this guy would
1009
00:54:37,200 --> 00:54:40,300
be romantically like he's not
conventionally attractive, he's
1010
00:54:40,300 --> 00:54:44,500
like five foot nothing and he
looks like, you know, he was
1011
00:54:44,500 --> 00:54:47,800
made out of wax and got melted a
little bit like it's just, it
1012
00:54:47,800 --> 00:54:51,800
doesn't make sense but he has
his Be in his scenes with Audrey
1013
00:54:51,800 --> 00:54:55,500
Hepburn.
Two, I think better than any
1014
00:54:55,500 --> 00:54:59,400
other actor to make you feel
like he is paying complete and
1015
00:54:59,400 --> 00:55:03,100
total attention to you.
The way he locks in on his
1016
00:55:03,100 --> 00:55:06,900
co-stars it's like he's capable
of creating chemistry with,
1017
00:55:06,900 --> 00:55:09,400
almost anybody.
Like male-female.
1018
00:55:09,400 --> 00:55:13,300
I'm not just talking romantic
chemistry, but like he pulls you
1019
00:55:13,300 --> 00:55:17,600
in as a viewer in a way that
very, very few other actors have
1020
00:55:17,600 --> 00:55:20,800
ever been able to accomplish and
I think that says, a lot about
1021
00:55:20,800 --> 00:55:24,200
him because there's nothing in
this character Or or in him as a
1022
00:55:24,200 --> 00:55:25,900
person, that would make, you
think?
1023
00:55:25,900 --> 00:55:28,900
Yes, this man is clearly,
romantically compatible with
1024
00:55:28,900 --> 00:55:32,200
Audrey, Hepburn and darned.
If I didn't buy it by the end of
1025
00:55:32,200 --> 00:55:35,400
the movie and that, I think that
for me, is the issue.
1026
00:55:35,700 --> 00:55:38,700
I never bought it.
Hmm, I never bought that.
1027
00:55:38,700 --> 00:55:42,200
He actually fell in love with
her, and I don't know if it's
1028
00:55:42,200 --> 00:55:46,400
Humphrey, Bogart, the Grump, who
wished that Lauren Bacall was
1029
00:55:46,400 --> 00:55:50,600
his co-lead bleeding, through,
into his performance.
1030
00:55:51,000 --> 00:55:54,300
But I never once believed that
he Actually fell in love with
1031
00:55:54,300 --> 00:55:57,200
her or that she actually fell in
love with him.
1032
00:55:57,800 --> 00:56:02,600
And I think that's the Crux for
me as to why this movie didn't
1033
00:56:02,600 --> 00:56:05,500
quite work as well for me as it
used to.
1034
00:56:06,000 --> 00:56:09,500
There's still so much to love
about this movie, but I don't
1035
00:56:09,500 --> 00:56:12,200
think that there's enough
Chemistry Between Bogart and
1036
00:56:12,200 --> 00:56:15,400
Hepburn, man.
Well, I disagree and you're
1037
00:56:15,400 --> 00:56:17,900
wrong.
So let's talk William Holden
1038
00:56:18,000 --> 00:56:20,800
because I think if there's
anyone who kind of gets shafted
1039
00:56:20,800 --> 00:56:22,700
by this movie a little bit, it's
William Holden.
1040
00:56:23,100 --> 00:56:26,300
Although I will say back to the
structure thing, I love that
1041
00:56:26,300 --> 00:56:30,700
this movie basically puts
Megastar Humphrey Bogart on the
1042
00:56:30,700 --> 00:56:33,900
complete back burner until like,
the one hour mark and then
1043
00:56:33,900 --> 00:56:36,500
they're like, all right now,
it's time for William Holden to
1044
00:56:36,500 --> 00:56:41,400
take a backseat to this guy, but
it never feels forced to me.
1045
00:56:41,500 --> 00:56:43,200
Like, it's just like, Hey, we're
going to introduce this new
1046
00:56:43,200 --> 00:56:46,400
character and we're going to let
this love, triangle, develop,
1047
00:56:46,400 --> 00:56:49,400
really organically and I love
that they aren't constantly
1048
00:56:49,400 --> 00:56:52,800
undercutting the dramatic Stakes
of Bogart.
1049
00:56:52,800 --> 00:56:54,200
Bye.
Bringing William Holden into it
1050
00:56:54,200 --> 00:56:55,700
a bunch.
Like he comes back in a few
1051
00:56:55,700 --> 00:56:58,500
scenes, but then he's not really
a huge fixture in the movie
1052
00:56:58,500 --> 00:57:01,000
until the end of the movie
again, I guess.
1053
00:57:01,000 --> 00:57:03,600
Brad.
I'm wondering like, hey, what
1054
00:57:03,600 --> 00:57:04,800
did you think of his
performance?
1055
00:57:04,800 --> 00:57:08,400
But B also knowing that he's
coming off of a best actor win
1056
00:57:08,800 --> 00:57:12,700
and then he's essentially
playing like third fiddle to
1057
00:57:12,700 --> 00:57:16,300
Hepburn and Bogart here.
What do you make of that?
1058
00:57:16,700 --> 00:57:22,900
I think that Holden is the
slapstick comedy in this film.
1059
00:57:23,000 --> 00:57:27,100
And it just feels weird coming
off of Sunset and Stalag.
1060
00:57:27,600 --> 00:57:34,500
Like he has such a I don't know
the poorest role where he's just
1061
00:57:34,500 --> 00:57:39,100
kind of floating around and I
don't know, he just doesn't have
1062
00:57:39,100 --> 00:57:41,900
a lot of substance to him
throughout the film even at the
1063
00:57:41,900 --> 00:57:45,300
end like when he gets punched by
Bogart and he like does a
1064
00:57:45,300 --> 00:57:49,300
reverse somersault onto the
table and like kicks his legs
1065
00:57:49,300 --> 00:57:51,600
out and he's like you're in love
with her.
1066
00:57:52,000 --> 00:57:57,400
It just Doesn't feel real enough
and and I don't know if I'm
1067
00:57:57,400 --> 00:58:02,000
asking for too much out of a
rom-com but it feels like even
1068
00:58:02,000 --> 00:58:08,200
at the end he just is kind of
ethereal and not a real person
1069
00:58:08,200 --> 00:58:12,700
in a way that would make you
understand why Sabrina would
1070
00:58:12,700 --> 00:58:15,900
love him and then you know maybe
that's kind of the whole point
1071
00:58:15,900 --> 00:58:18,800
is that she falls out of love
with him because he doesn't have
1072
00:58:18,800 --> 00:58:23,400
any substance.
But at the very least, I thought
1073
00:58:23,400 --> 00:58:26,200
he was fine.
It was it's just so different
1074
00:58:26,200 --> 00:58:28,500
than the two movies.
We just watched him and that it
1075
00:58:28,500 --> 00:58:31,300
felt jarring.
I guess, first thing I notice
1076
00:58:31,300 --> 00:58:33,500
about William Holden in this
movie, is that he's much more
1077
00:58:33,500 --> 00:58:35,900
blond than he was in either of
the first two movies.
1078
00:58:35,900 --> 00:58:38,200
Yes, he looks so much different.
They yeah.
1079
00:58:38,200 --> 00:58:42,300
They young them up a little bit.
Which I'm cool with he reminded
1080
00:58:42,300 --> 00:58:46,000
me in his demeanor and in his
look because of the blond wig or
1081
00:58:46,000 --> 00:58:49,500
dire whatever they did.
He reminded me so much of the
1082
00:58:49,500 --> 00:58:53,600
way that Joseph Cotten played.
And Wells.
1083
00:58:53,600 --> 00:58:55,900
Best friend in Citizen Kane.
Yes.
1084
00:58:55,900 --> 00:58:57,900
I was literally thinking the
exact same thing.
1085
00:58:57,900 --> 00:58:59,300
Okay, here's the crazy thing,
right?
1086
00:58:59,300 --> 00:59:02,400
So I didn't know anything about
this after I watched the movie
1087
00:59:02,400 --> 00:59:04,500
and I started reading on
Wikipedia and I saw about, you
1088
00:59:04,500 --> 00:59:06,700
know, Sabrina Fair because you
didn't read anything about the
1089
00:59:06,700 --> 00:59:08,200
film not before I watched it.
Yeah.
1090
00:59:08,200 --> 00:59:09,200
No.
Huh number?
1091
00:59:09,200 --> 00:59:12,900
So I clicked, I clicked on the
Wikipedia page to Sabrina Fair,
1092
00:59:12,900 --> 00:59:15,100
the play.
This was based on Guess Who
1093
00:59:15,100 --> 00:59:18,800
starred in place Sabrina Fair.
Joseph house.
1094
00:59:18,900 --> 00:59:20,500
No Joseph Cotten, but he was
play.
1095
00:59:20,500 --> 00:59:23,500
Stop it.
But he was playing the Bogart
1096
00:59:23,500 --> 00:59:25,800
character in that movie career
in that plane because I know
1097
00:59:25,800 --> 00:59:28,500
he's older at that point but
it's just crazy to me because I
1098
00:59:28,508 --> 00:59:30,500
was like, man, I wonder what
this would have been like if it
1099
00:59:30,500 --> 00:59:33,800
was Joseph cotton and lo and
behold Joseph Cotten had his
1100
00:59:33,800 --> 00:59:36,600
fingerprints all over this.
It's in some ways that's
1101
00:59:36,600 --> 00:59:38,900
incredible.
Yeah I really love that because
1102
00:59:38,900 --> 00:59:42,800
I'm with you.
He I think it's his hair and the
1103
00:59:42,800 --> 00:59:47,100
way he talks that just comes
across so much like Cotton's
1104
00:59:47,100 --> 00:59:50,100
performance in Kane.
I honestly think this might be
1105
00:59:50,100 --> 00:59:52,900
my favorite of the three William
Holden performances we've looked
1106
00:59:52,900 --> 00:59:56,800
at The last three weeks.
I just nice to see him be a
1107
00:59:56,800 --> 00:59:59,600
little more loose and like kind
of goofy.
1108
00:59:59,600 --> 01:00:03,900
Not even just yeah, Goofy too
but like I feel like Sunset
1109
01:00:03,900 --> 01:00:08,300
Boulevard could have used an
ounce of charm and I was left
1110
01:00:08,300 --> 01:00:10,600
wondering, like does William
Holden just not have a lot of
1111
01:00:10,607 --> 01:00:14,200
charm and in this movie it's
like oh he totally did, they
1112
01:00:14,200 --> 01:00:16,700
just didn't use it in Sunset
Boulevard?
1113
01:00:16,700 --> 01:00:21,900
Yeah, I think that his charm
works here and that like that's
1114
01:00:21,900 --> 01:00:26,000
the one reason I like him is
because he is so Charming
1115
01:00:26,000 --> 01:00:29,200
throughout.
But like I said, I just wish his
1116
01:00:29,200 --> 01:00:31,900
character had a little more
depth to it, but I think it's A
1117
01:00:31,908 --> 01:00:34,600
good performance, I think.
I like him a little more in
1118
01:00:34,600 --> 01:00:39,400
Stalag 17, but I like him in
both of these films for
1119
01:00:39,400 --> 01:00:42,100
different reasons.
All right, so before we get out
1120
01:00:42,100 --> 01:00:45,200
of here, let's give some final
thoughts on Billy Wilder, as a
1121
01:00:45,207 --> 01:00:48,000
director across these three
movies because I'm looking at
1122
01:00:48,000 --> 01:00:52,300
his filmography here, and of
course, I closed out the tab,
1123
01:00:52,300 --> 01:00:55,200
Brad, but I'm going to try to
Rattle these off from the top of
1124
01:00:55,200 --> 01:01:00,500
my head.
Just from 1950 to 1960, he does
1125
01:01:00,800 --> 01:01:03,200
Sunset Boulevard.
He does a movie called Ace in
1126
01:01:03,207 --> 01:01:08,800
the Hole which is now considered
a classic Stalag 17 Sabrina.
1127
01:01:09,200 --> 01:01:13,100
He does The Seven Year Itch with
Marilyn Monroe.
1128
01:01:13,500 --> 01:01:16,100
He does.
I think three movies in 1957,
1129
01:01:16,200 --> 01:01:18,900
one of which is witness for the
prosecution, which gets
1130
01:01:18,900 --> 01:01:23,000
nominated for best picture.
He does Some Like It Hot and
1131
01:01:23,000 --> 01:01:26,200
then he closes it out in 1960
with the apartment dude.
1132
01:01:26,300 --> 01:01:29,700
I think between 1950 and 1960,
he's nominated for best director
1133
01:01:29,700 --> 01:01:33,600
five times.
Like what a freaking run, man.
1134
01:01:33,600 --> 01:01:37,500
I just say has Spielberg or
Scorsese ever come close to a
1135
01:01:37,500 --> 01:01:39,200
run like that.
I don't thinking like, one
1136
01:01:39,200 --> 01:01:42,900
decade anyone, you know, there
you'd have to go back to Classic
1137
01:01:42,900 --> 01:01:45,000
Hollywood to find someone
nominated five times in a
1138
01:01:45,008 --> 01:01:46,300
decade.
That's crazy.
1139
01:01:46,400 --> 01:01:49,100
I think Coppola did it.
Four times in the 70s.
1140
01:01:50,100 --> 01:01:53,400
But five is crazy.
Yeah, that's nutty man.
1141
01:01:53,400 --> 01:01:57,500
He truly is one of the greatest
directors of all time and I'm
1142
01:01:57,500 --> 01:01:59,700
really thankful that we chose
these three movies.
1143
01:02:00,000 --> 01:02:02,200
Like I think it's important, we
got Sunset Boulevard out of the
1144
01:02:02,207 --> 01:02:07,300
way and then you know, Stalag 17
and now Sabrina I think they
1145
01:02:07,300 --> 01:02:10,800
show his versatility in a really
cool ways.
1146
01:02:11,000 --> 01:02:13,200
I totally agree, man.
All right, it's time for us to
1147
01:02:13,200 --> 01:02:15,800
get into our last few segments
of the day and the first of
1148
01:02:15,800 --> 01:02:19,100
which is one that we call, let's
make it a double we near the end
1149
01:02:19,100 --> 01:02:20,400
of the episode.
I sewed.
1150
01:02:20,400 --> 01:02:23,700
So thanks for listening to the
film and whiskey, show the spare
1151
01:02:23,700 --> 01:02:26,000
another film with this one.
Even if it's struggle, it's a
1152
01:02:26,008 --> 01:02:28,800
final segment of the day.
Now let's make it a double.
1153
01:02:28,800 --> 01:02:30,200
Let's make it.
A double is the part of the
1154
01:02:30,200 --> 01:02:34,700
show, where we pick the perfect
pairing to go with this movie to
1155
01:02:34,700 --> 01:02:38,100
create a double feature.
Brad, I have not given this one
1156
01:02:38,100 --> 01:02:39,700
second of thought before right
now.
1157
01:02:40,000 --> 01:02:42,600
So I'm hoping you have cuz I'm
going to let you speak.
1158
01:02:42,600 --> 01:02:44,500
While I try to think, I sure
have Bob.
1159
01:02:44,500 --> 01:02:49,000
I am going to pick a older
rom-com.
1160
01:02:50,000 --> 01:02:53,800
From 1940, I think that this
would pair incredibly well with
1161
01:02:53,800 --> 01:02:55,500
the Philadelphia Story.
Hmm.
1162
01:02:56,800 --> 01:02:59,200
You know, I was thinking about
the Philadelphia Story when I
1163
01:02:59,200 --> 01:03:03,000
brought up the whole William
Holden thing because very
1164
01:03:03,000 --> 01:03:07,800
famously, Jimmy Stewart does not
win the Oscar in 39 for mr.
1165
01:03:07,800 --> 01:03:10,400
Smith Goes to Washington and
then he makes the Philadelphia
1166
01:03:10,400 --> 01:03:13,000
Story where he's very clearly,
the third banana and that movie
1167
01:03:13,400 --> 01:03:15,100
and wins the Oscar for best
actor.
1168
01:03:15,600 --> 01:03:18,800
And it's kind of inverted here
where Holden wins for Stalag 17,
1169
01:03:18,800 --> 01:03:20,500
but then goes and makes a
romantic comedy.
1170
01:03:20,500 --> 01:03:22,700
The next year where he's
basically playing the Jimmy
1171
01:03:22,700 --> 01:03:25,500
Stewart character.
Yeah, I think it's a great
1172
01:03:25,500 --> 01:03:28,400
pairing man.
Yeah, I think that both movies
1173
01:03:28,400 --> 01:03:33,900
have a lot of spunk and just
fun.
1174
01:03:34,400 --> 01:03:38,600
There's just a lot of life in
both of the movies and both of
1175
01:03:38,607 --> 01:03:41,000
them, have absolutely incredible
casts.
1176
01:03:41,000 --> 01:03:43,600
So I think Philadelphia Story is
an easy one.
1177
01:03:43,600 --> 01:03:48,800
If you're looking for just some
really fun, witty older movies
1178
01:03:48,800 --> 01:03:51,500
with great dialogue.
I don't think you can go wrong
1179
01:03:51,500 --> 01:03:54,100
with Philadelphia Story and
Sabrina.
1180
01:03:54,700 --> 01:03:56,400
I'm kind of in between two
movies for mine.
1181
01:03:56,600 --> 01:04:01,600
One of them would be the 1957
musical funny face that Audrey
1182
01:04:01,600 --> 01:04:03,800
Hepburn makes with Fred Astaire.
Mmm.
1183
01:04:03,800 --> 01:04:06,700
And it's because there's a ton
of Paris in that movie and it's
1184
01:04:06,700 --> 01:04:08,900
romanticizing Paris and it's
Audrey Hepburn.
1185
01:04:09,000 --> 01:04:10,400
I think you could never get
enough.
1186
01:04:10,400 --> 01:04:14,200
Audrey Hepburn yes.
However I honestly think I'm
1187
01:04:14,200 --> 01:04:16,100
going to go the more
conventional route here and just
1188
01:04:16,100 --> 01:04:18,900
pair this up with the apartment.
I think that there are similar
1189
01:04:18,900 --> 01:04:23,100
themes across the to one of them
keeps its foot more firmly
1190
01:04:23,100 --> 01:04:26,000
planted in the lighter side of
things and one of them keeps its
1191
01:04:26,000 --> 01:04:28,900
foot and more Firmly planted in
the dramatic side of things but
1192
01:04:28,900 --> 01:04:31,700
in a lot of ways I do think
these are two sides of the same
1193
01:04:31,700 --> 01:04:33,700
coin.
Yeah I think that's a great
1194
01:04:33,700 --> 01:04:36,500
pairing.
I need to revisit the apartment
1195
01:04:36,500 --> 01:04:38,000
sometime, man.
It's so good.
1196
01:04:38,100 --> 01:04:42,500
It's such an incredible movie
that I haven't watched since we
1197
01:04:42,500 --> 01:04:45,000
did it for the podcast.
So I'm going to put that on the
1198
01:04:45,000 --> 01:04:48,900
list of all 40, other movies, I
want to look for every visit.
1199
01:04:49,400 --> 01:04:52,100
I have finally converted you.
Oh man.
1200
01:04:52,100 --> 01:04:55,400
Alright, so let's give this
movie some scores Brad like I
1201
01:04:55,408 --> 01:04:58,000
said, you know, I This movie on
the list and really didn't give
1202
01:04:58,000 --> 01:05:00,400
it a second.
Thought I have not watched it in
1203
01:05:00,500 --> 01:05:03,800
almost 20 years.
I was not expecting to love it
1204
01:05:03,800 --> 01:05:07,100
as much as I did.
But in I'm kind of like basking
1205
01:05:07,100 --> 01:05:08,800
in the glow of this movie right
now.
1206
01:05:09,300 --> 01:05:11,400
Maybe a few months from now.
I want to revisit it and give it
1207
01:05:11,400 --> 01:05:13,600
a lower score, but as of right
now, I'm going to give this
1208
01:05:13,600 --> 01:05:16,200
movie my first 10 out of 10 on
the season.
1209
01:05:16,300 --> 01:05:22,100
Wow that hey, this is like this
might be the most rare.
1210
01:05:22,100 --> 01:05:26,300
Occurrence, beloved Brad
childhood movie.
1211
01:05:26,500 --> 01:05:28,700
That Bob is higher on than
anything.
1212
01:05:29,100 --> 01:05:32,100
I think I'm going to give this
an eight and a half, I like I
1213
01:05:32,100 --> 01:05:33,400
love it.
It's fun.
1214
01:05:33,600 --> 01:05:36,100
It's light-hearted.
And there's a lot of great
1215
01:05:36,100 --> 01:05:40,600
dialogue, but in the at the end
of the day, I just don't buy the
1216
01:05:40,600 --> 01:05:46,600
Romantic premise, which makes it
hard to give a rom-com, a 9 or
1217
01:05:46,600 --> 01:05:49,300
higher.
So, I like, I love this movie.
1218
01:05:49,300 --> 01:05:51,400
I highly recommend that people
go see it.
1219
01:05:51,700 --> 01:05:56,100
It is charming and funny like
that moment.
1220
01:05:56,500 --> 01:05:59,500
This is, this is an example of
how acting can elevate a movie,
1221
01:06:00,100 --> 01:06:04,500
the lines between David and
Sabrina.
1222
01:06:04,700 --> 01:06:10,400
When he drives her back from
the, the train station and they
1223
01:06:10,400 --> 01:06:14,500
pull in and she goes, this is my
place and he goes, this isn't
1224
01:06:14,500 --> 01:06:16,500
your place and she goes.
Yes it is.
1225
01:06:16,900 --> 01:06:19,600
And he goes, well, we're
neighbors then and the way she
1226
01:06:19,600 --> 01:06:26,600
says Hi Neighbor is just perfect
and it's taking a really Lee
1227
01:06:27,300 --> 01:06:31,300
just nonsensical script and
elevating it to a point where
1228
01:06:31,300 --> 01:06:35,200
you're like that, that's that's
why we have movie stars.
1229
01:06:35,500 --> 01:06:38,300
So this isn't me bashing the
movie at all.
1230
01:06:38,300 --> 01:06:40,400
It's just me saying that there's
parts of it.
1231
01:06:40,400 --> 01:06:43,700
I'm not down with this is an
incredible movie Bob and I
1232
01:06:43,707 --> 01:06:46,600
absolutely love it.
Alright, so there you have it.
1233
01:06:46,600 --> 01:06:49,500
We are coming out to a nine
point two five out of 10 on
1234
01:06:49,500 --> 01:06:51,400
average, but we want to know
what you think.
1235
01:06:51,500 --> 01:06:53,500
I'm really excited to see if
people have seen this movie,
1236
01:06:53,500 --> 01:06:56,600
Brad because it is a rom-com.
I imagine, some people may have
1237
01:06:56,600 --> 01:06:59,200
seen it over and against movies,
like Stalag 17.
1238
01:06:59,700 --> 01:07:02,000
Tell us what you think of this
movie in comparison to your
1239
01:07:02,000 --> 01:07:05,800
other favorite romantic comedies
and and don't watch the 1995
1240
01:07:05,800 --> 01:07:09,300
version.
It's like fine, but it's nowhere
1241
01:07:09,300 --> 01:07:10,900
near the original.
You know, the crazy thing is
1242
01:07:10,900 --> 01:07:13,800
like Greg Kinnear plays, the
William Holden character in that
1243
01:07:13,800 --> 01:07:16,300
movie, he actually looks a lot
like William Holden and I can
1244
01:07:16,300 --> 01:07:18,100
see that.
Yeah, he does using Harrison
1245
01:07:18,100 --> 01:07:21,100
Ford as the bogart doesn't make
sense.
1246
01:07:21,100 --> 01:07:25,200
Because Harrison Ford is a, he's
a sex symbol in his own, right?
1247
01:07:25,200 --> 01:07:27,100
And he has a very particular
appeal.
1248
01:07:27,500 --> 01:07:29,500
I don't think he's a boggart
guy.
1249
01:07:29,700 --> 01:07:32,200
That's interesting.
I actually think Harrison is the
1250
01:07:32,200 --> 01:07:33,900
only good thing about that.
Oh, wow.
1251
01:07:33,900 --> 01:07:36,700
Okay, yeah.
I-i've seen it once because I
1252
01:07:36,700 --> 01:07:40,100
liked Sabrina growing up and I
think Harrison Ford is like, the
1253
01:07:40,100 --> 01:07:41,700
only thing that does work in
that film.
1254
01:07:41,800 --> 01:07:44,500
I listen, I like I'm always down
to watch a Harrison Ford movie.
1255
01:07:44,500 --> 01:07:46,800
It's just interesting to me that
they looked at it and they said,
1256
01:07:46,800 --> 01:07:52,900
like who's the modern-day Bogart
Harrison for now, anyway.
1257
01:07:52,900 --> 01:07:54,100
All right.
Let us know what you think of
1258
01:07:54,100 --> 01:07:56,200
both of these movies.
You can find us on our social
1259
01:07:56,200 --> 01:08:00,100
medias Facebook, Twitter,
Instagram, and Tick-Tock at film
1260
01:08:00,100 --> 01:08:02,200
whiskey or jump onto our
Discord.
1261
01:08:02,200 --> 01:08:05,300
We are on there every single day
talking to you guys, the fans of
1262
01:08:05,300 --> 01:08:07,900
the film whiskey podcast.
So if you want to join the
1263
01:08:07,900 --> 01:08:10,500
conversation, you can find a
link to our Discord page.
1264
01:08:10,500 --> 01:08:13,000
At the end of every single one
of our show notes.
1265
01:08:13,300 --> 01:08:15,400
Next week, we are pivoting into
a completely different.
1266
01:08:15,500 --> 01:08:16,700
Director.
We're going to be looking at
1267
01:08:16,700 --> 01:08:18,700
three films from the Oscar
winner.
1268
01:08:18,800 --> 01:08:22,100
Kathryn Bigelow, and we're
kicking it off with the 2009
1269
01:08:22,100 --> 01:08:24,000
Best Picture Winner, The Hurt
Locker.
1270
01:08:24,500 --> 01:08:27,600
We'll see you next week for that
but until then, I'm Bob book,
1271
01:08:27,600 --> 01:08:29,600
I'm Reggie and we'll see you
next time.