Rogue One: A Star Wars Story / Jim Beam Devil's Cut Bourbon Whiskey
In this episode, Bob and Brad are joined by Zach Johnston, global brand ambassador for Blackwood Spirits, to dive into the thrilling universe of "Rogue One: A Star Wars Story" and sip on the bold flavors of Jim Beam Devil's Cut Bourbon Whiskey. Join us as we explore the Rebel Alliance's daring mission and the rich, extracted notes of this unique bourbon.
(0:00) Intro: Kicking off with excitement for this Star Wars spin-off and a special bourbon.
(04:42) Brad Explains: Brad breaks down the plot and background of "Rogue One."
(08:03) Performances, Themes: Discussing standout performances and central themes.
(36:40) Jim Beam Devil's Cut Bourbon Whiskey Review: Tasting and analyzing this distinct whiskey.
(46:57) Two Facts and a Falsehood: A fun segment to test your knowledge on Star Wars and whiskey.
(55:34) Final Analysis: Summarizing thoughts on the film and the bourbon.
(1:15:30) Let's Make it a Double and Final Scores: Wrapping up with final scores and pairing recommendations.
Rogue One: A Star Wars Story – An Epic Spin-Off: "Rogue One: A Star Wars Story" offers a fresh perspective on the Star Wars universe, focusing on the Rebel Alliance's risky mission to steal the Death Star plans. We delve into Jyn Erso's character development, the critical reception of the film, and the impact of the film's visual effects. This film stands out for its darker tone and deep connections to the original trilogy, offering fans a blend of nostalgia and new storytelling.
Sipping on Jim Beam Devil's Cut: Jim Beam Devil's Cut Bourbon is a unique whiskey, utilizing an innovative extraction process to capture the bourbon trapped in the barrel wood. This gives it a rich flavor profile with hints of caramel, oak, and spice. We explore the whiskey's aging process, its distinctive characteristics, and how it pairs perfectly with the intense action of "Rogue One."
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00:00:00,040 --> 00:00:05,520
In 2016, director Gareth Edwards
and star Felicity Jones gave the
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world an emotional and expansive
back story to a single line from
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a much more famous film.
In 2024, we drink a whiskey
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fitting of Darth Vader.
The film is Rogue One, a Star
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Wars story?
The whiskey is Jim Beam Devil's
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Cut.
And we'll review them both.
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This is the.
Film and Whiskey Podcast
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Welcome to the Film and Whiskey
podcast, where each week we
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review a classic movie and a
glass of whiskey.
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00:00:53,760 --> 00:00:56,000
I'm Bob Book.
I'm.
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Brad Chi and we have a video
component going on tonight.
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Brad, as we chat with each other
and I subtly give you the finger
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for making fun of the way I
talk.
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It's good to see you man.
It's been a couple weeks since
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we've recorded.
We got a little bit ahead
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because we both had work stuff
going on.
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I literally just got back from a
work trip today.
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So your boy is tired and a
little bit slap happy.
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So we'll see where this episode
goes, man.
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Dude, I celebrated with a buddy
of mine last night.
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He is about to break ground on a
house that they're building in
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Delaware.
And we drank some Lafroig 10
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cask strength straight from the
motherland.
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And then we drank some Lagavalin
16.
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And then we drank some barrel
rye cask string.
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And I woke up at 4:00 AM and
have not gone back to sleep.
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I should have called you, man.
I was.
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I was in North Carolina for
work.
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I rolled over because I couldn't
sleep at 4:00 in the morning.
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And I said, well, I guess I'll
just start driving home.
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And I could have just been
talking to you.
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We could have recorded this
episode while I was on the road,
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man.
We sure could have.
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I don't know if our illustrious
guest was up at 4:00 in the
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morning today, though.
Bob no.
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And Brad, it's been a while
since A we've had a guest on the
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show, but B since we've talked
with our good friend Zach
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Johnston, who has been patiently
waiting to say hello.
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Zach, how are you today, man?
I'm doing well because I slept
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in till about seven.
OK, cool.
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Well, it's been nice catching
up, Zach.
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We'll talk to you in a couple
weeks.
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Yeah, so whiskey movies, good
times.
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Normally I introduce Zach as the
spirits writer and editor for Up
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Rocks, but that is not his title
anymore.
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Zach, I don't want to, I don't
want to step all over your
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announcement, but let's catch
Film and Whiskey Nation up a
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little bit.
What's going on in your life,
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man?
So I transitioned into the
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industrial side of the spirits
world after eight years in media
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and about, you know, 3-4 years
before that in high end
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bartending, I am now officially
working for a distillery,
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Blackwood Distilling Company,
which is at the moment based in
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Versailles, KY.
They do Blackwood toasted Rye
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and toasted bourbon.
They brought me on to help
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expand the brands and help
expand into the European and
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U.S. market further because for
the last few years we've been
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Kentucky only and they're
gearing up for a big $200
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million distillery just South of
Lexington.
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And they, you know, it's time to
expand and grow into that sort
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of size of company and
distillery in the spirits of the
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sphere.
So I was one of the first two
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people hired on from the
outside.
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And we've spent the last three
months, you know, getting things
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set up in, in the EU, getting
things set up in Florida, Texas,
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Wyoming and Kentucky, expanding
Kentucky, you know, fixing
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little things here and there,
you know, expanding our social
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media presence, having a really
good time, kind of working with
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fun people, traveling in Florida
way more than I thought I'd ever
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in my life, which is fun.
And you know, I have time to
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watch movies like Rogue One
again, which is nice.
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Yeah, you do.
Perfect segue.
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Man.
Well, Zach, it's so good to have
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you back and you've been very
kind in sending us a bottle of
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the batch three of the toasted
bourbon from Blackwood.
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So we'll be kind of sipping that
all day as we talk.
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Brad, we can give some some
tasting notes as we go, but I
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think it's time we dive into
talking about the movie itself.
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And in order to do that, we have
to get into our first segment of
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the day, which we call, Brad
explains.
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Brad's gonna give us the movie
plots with only 60 seconds
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ticking on the clock, so let's
go ahead and hear your take with
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this little segment that we call
Brad explains.
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Brad Explains is the part of the
podcast where Brad breaks down
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the plot of the movie that he
has just seen, often for the
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first time.
Brad we are on week two in a row
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of Star Wars and I am over this
already but because we I am over
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it.
We have not talked at all about
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like prep for this episode.
We are coming in extra blind
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today when it comes to each
other's preferences here yes.
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Have you seen this movie before?
I.
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Have Yeah, I saw this in
theaters and I believe I watched
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it one more time with some
friends.
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So this is viewing #3.
I'm on viewing #2 I saw this in
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the theater and absolutely loved
it.
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I bought it on Blu-ray.
It has been sitting on my shelf
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for what, like seven years now
and I have not returned to it at
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all.
So I, I am actually less
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informed than you are on this
movie, Brad.
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And because of your deep and
encyclopedic knowledge of the
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Star Wars universe, you should
be able to give us a great
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breakdown of the film.
Now, folks, I do want to say we
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are getting into spoiler
territory from the get go here.
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And this is a movie that, I
mean, you kind of know the
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contours of it if you've seen A
New Hope, but you don't know the
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details.
And I, I do not want this movie
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to get spoiled for you.
If you have any intention of
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watching Rogue One, I would say
hit pause here.
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Go watch the movie and then
rejoin us because Brad is about
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to drop some bombs, literally
and figuratively in describing
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this film.
Brad.
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I just want everybody to know
that there was no one harmed in
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the dropping of bombs for this
episode.
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Brad 60 seconds on the clock and
go.
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Rogue One, A Star Wars Story is
a film about the construction of
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the Death Star in the Star Wars
universe.
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It follows a group of ragtag
heroes that are unlikely to band
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together, but they do.
It's so wild how they they all
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come together even though they
have different goals and
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objectives.
Jen Urso is our main character.
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She is trying to find her
father, Galen Urso, who's a
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scientist that helped to build
the Death Star.
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She finds out that he actually
programmed in a fail safe.
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You can blow this up if you
really want to in the Death Star
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because he doesn't want it to
get built.
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And man, other things happen.
The Death Star kind of blows
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things up.
Jen They, they go to this this
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beach planet that's really
pretty and they get the data up
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to the Alliance and Darth Vader
is just incredible.
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OK, and and the spoiler is that
quite literally everyone dies at
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the end of this movie.
It it is a film where the actual
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fake spoiler that we give
sometimes when people are like,
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oh, what happens at the end?
You say everyone dies.
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Everyone No like like honestly
they all.
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Die.
Every single living creature in
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the universe is wiped out by
the.
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It was a great like on ramp to
end game an Infinity War, you
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know, all right, guys, let's
dive into talking about the
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movie itself.
Now.
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This was the first kind of one
off.
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They called them Star Wars
anthology films, which were
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meant to be separate from the
Star Wars saga and and the new
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trilogy of sequels.
And because of that, they wanted
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to give it some stylistic
flourishes that were different
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from your regular Star Wars
movie.
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It doesn't have the sort of
Akira Kurosawa wipes and
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transitions.
It also doesn't have an opening
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crawl.
And I remember being in the
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movie theater and seeing a long
time ago in the Galaxy far, far
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away.
And then there's just this
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musical sting from the
orchestra.
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It's just put it on and it was
jarring.
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And I was immediately like, I am
on board for this.
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This is really, really cool.
They also are missing the
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Wilhelm screen for the first
time ever.
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Really.
I thought I heard it a couple
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times.
Very disappointed.
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00:08:57,280 --> 00:08:59,360
Now, do you know that for a
fact, or did you just not hear
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it with your own ears?
No, I know it for a fact.
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00:09:02,520 --> 00:09:06,080
It's sorry.
It's either this one or The Last
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00:09:06,080 --> 00:09:10,560
Jedi, 'cause they both came out
like back-to-back years, but one
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00:09:10,560 --> 00:09:13,600
of them omitted the Wilhelm
scream for the first time in
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00:09:13,600 --> 00:09:16,080
Star Wars history, and I was
quite disappointed with that.
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They also omitted John Williams.
They sure did.
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And here's the thing about the
soundtrack to this movie.
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It is not good.
It's not super memorable.
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It's a cheap knock off of John
Williams.
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It is 100% a cheap knock off and
I can't remember exactly what
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the famous Star Wars leap is if
I don't think it's a full
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00:09:36,040 --> 00:09:44,200
octave, but the they mimic that
in the sort of heroic fanfare of
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this movie's theme.
There's that, there's that jump
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that sort of whatever it is, 1/5
or 1/7, I don't know what it is,
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00:09:50,880 --> 00:09:54,880
but they mimic that exact same
thing and it does not land.
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00:09:54,920 --> 00:09:59,280
And I think even people who are
not familiar with music theory,
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you can hear that they're,
they're hinting at the things
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00:10:02,720 --> 00:10:05,440
like the Imperial March will,
they'll give you 4 notes of the
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imperial March and then kind of
twisted into something
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00:10:08,040 --> 00:10:10,240
different.
They're doing variations on
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00:10:10,240 --> 00:10:13,120
themes.
And the thing about doing
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00:10:13,120 --> 00:10:16,120
variations on a John Williams
theme is that John Williams has
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00:10:16,120 --> 00:10:19,160
already found the optimal way
for that to be a theme that you
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00:10:19,160 --> 00:10:20,560
remember for the rest of your
life.
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00:10:20,960 --> 00:10:23,640
And so you're automatically
making music that is less
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00:10:23,640 --> 00:10:26,120
memorable when you do that.
And it's the.
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00:10:26,160 --> 00:10:27,280
Scene.
Go ahead.
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00:10:27,720 --> 00:10:30,000
It's the scene from Amadeus, but
in reverse.
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00:10:30,480 --> 00:10:35,280
Like like Mozart has created the
piece and then Salieri writes
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00:10:35,280 --> 00:10:38,800
his worst version of it.
Like, that's literally what's
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00:10:38,800 --> 00:10:42,360
going on here.
Was this Michael Giacchino who
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00:10:42,360 --> 00:10:44,960
did the music for this one?
Michael.
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00:10:45,000 --> 00:10:46,360
Yeah, that's correct.
Michael Giacchino.
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00:10:46,600 --> 00:10:50,440
OK, I'll I'll give him a pass
because he is the go to young
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00:10:50,440 --> 00:10:53,080
composer now and he's created
some of the best music of the
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00:10:53,080 --> 00:10:56,960
21st century.
Also, he he was brought on late
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00:10:57,240 --> 00:11:00,760
to redo the whole school, so he
didn't have time really to dive
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00:11:00,760 --> 00:11:02,720
in.
So I think that why a lot of
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00:11:02,720 --> 00:11:07,400
there's a lot of illusions to
John Williams as opposed to
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00:11:07,400 --> 00:11:12,560
something fresh.
On another note, can I dive into
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00:11:12,560 --> 00:11:13,840
something that's crazy about
this movie?
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00:11:14,560 --> 00:11:18,360
Oh, please.
This is probably the best cast
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00:11:18,360 --> 00:11:22,120
of any Star Wars film that we've
ever had and may ever have.
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00:11:22,480 --> 00:11:26,400
The cast on this film is insane.
Let me just let me just name a
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00:11:26,400 --> 00:11:29,920
few names here.
Donnie yen legend, Jiang Wen,
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00:11:30,080 --> 00:11:33,400
legend.
Ben Mendelsohn, basically a
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00:11:33,400 --> 00:11:35,280
legend.
Matt Mickelson, basically a
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00:11:35,280 --> 00:11:37,240
legend.
You know, Alan Taylor, Forest
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00:11:37,240 --> 00:11:40,760
Whitaker legend, obviously,
Carrie Fisher, Diego Luna,
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00:11:40,800 --> 00:11:43,040
amazing.
Felicity Jones, amazing.
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00:11:43,440 --> 00:11:47,280
Like just that core cast alone
of our core characters.
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00:11:48,640 --> 00:11:52,920
Insane that they came together
in any film, much less a star.
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00:11:55,120 --> 00:11:58,880
I think that's, I mean, I don't,
I don't even know how to compare
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00:11:58,880 --> 00:12:03,320
it to another Star Wars film
where you have a cast of just
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00:12:04,400 --> 00:12:06,880
absolute knockouts.
Every single one of them.
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00:12:06,880 --> 00:12:11,000
Like top of their game actors.
Yeah, I don't think you can
215
00:12:11,000 --> 00:12:12,560
compare it to any other Star
Wars film.
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00:12:12,560 --> 00:12:13,800
I think you're you're probably
right.
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00:12:13,800 --> 00:12:16,680
This is the best assembly of
people for a movie.
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00:12:17,160 --> 00:12:20,200
And if I could start getting
into Brad like some some
219
00:12:20,200 --> 00:12:23,120
critique of the film, a film
that I loved on 1st watch.
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00:12:23,680 --> 00:12:26,160
I'm a little bit cooler on this
movie this time around.
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00:12:26,720 --> 00:12:29,600
And the cast is somewhere that
I'm going to have some spicy
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00:12:29,600 --> 00:12:34,000
takes, I think.
But I am not so much a fan of
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00:12:34,000 --> 00:12:36,680
the Force Awakens as you folks
heard last week.
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00:12:36,880 --> 00:12:40,360
But one thing that I really
loved about what Abrams and
225
00:12:40,360 --> 00:12:44,320
company did with that script is
they gave, they did a really
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00:12:44,320 --> 00:12:47,320
great job with close-ups in that
movie and giving people their
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00:12:47,320 --> 00:12:51,320
sort of John Wayne in
Stagecoach, like push in
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00:12:51,320 --> 00:12:53,880
introduction to like you're a
movie star now.
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00:12:53,880 --> 00:12:55,760
John Boyega like sees this
moment.
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00:12:55,880 --> 00:12:58,400
You're a movie star.
Daisy Ridley, Gareth Edwards
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00:12:58,400 --> 00:13:00,760
doesn't do that.
He's he's not concerned with
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00:13:00,760 --> 00:13:04,240
making his actors into stars,
but he also doesn't seem to be
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00:13:04,240 --> 00:13:08,600
super concerned with giving them
any chance to really like sink
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00:13:08,600 --> 00:13:12,000
their teeth into the material.
It's very exposition heavy.
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00:13:12,480 --> 00:13:16,280
And when they're not talking,
then there's long pauses of
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00:13:16,280 --> 00:13:19,600
silence.
And, and I feel like, if I'm
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00:13:19,600 --> 00:13:22,680
being frank, if you're going to
get this sort of murderer's row
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00:13:22,680 --> 00:13:27,240
for a cast, they need something
juicy and meaty to really sink
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00:13:27,240 --> 00:13:30,240
their teeth into.
And I'd, I'd kind of rather
240
00:13:30,240 --> 00:13:32,560
watch this cast in The Force
Awakens than I would in this
241
00:13:32,560 --> 00:13:35,640
movie, Brad, because I just
don't think that I, I think they
242
00:13:35,640 --> 00:13:37,680
painted really broad strokes in
this movie.
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00:13:37,680 --> 00:13:42,200
And I was a little bit let down
by how I'm not amateurish, but
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00:13:42,200 --> 00:13:44,520
kind of like remedial.
The script was here.
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00:13:45,000 --> 00:13:48,520
Yeah, I mean, I think that the
best character development you
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00:13:48,520 --> 00:13:54,240
have in the film is probably
Alan Tudyk as K2.
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00:13:54,280 --> 00:13:59,840
SO the robot, because he has
that kind of joking relationship
248
00:13:59,840 --> 00:14:04,120
throughout, which in comparison
to The Force Awakens from last
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00:14:04,120 --> 00:14:07,960
week, the humor of the robot
weirdly worked for me in this
250
00:14:07,960 --> 00:14:10,800
film.
Even though it's like borderline
251
00:14:10,800 --> 00:14:14,040
Marvel humor.
I, I think it works for me
252
00:14:14,040 --> 00:14:17,680
because it's coming from a non
human character and like he
253
00:14:17,680 --> 00:14:21,640
doesn't have to convey facial
expressions or try to be serious
254
00:14:21,640 --> 00:14:23,560
as he's delivering this comedic
line.
255
00:14:24,080 --> 00:14:26,440
It works much better coming from
a robot.
256
00:14:26,800 --> 00:14:30,400
I think that's why C3PO is so
funny in in the original films.
257
00:14:32,080 --> 00:14:35,320
But man, you get to the end and
everybody's dying and I don't
258
00:14:35,320 --> 00:14:39,240
give a rip about any of the
characters dying except for the
259
00:14:39,320 --> 00:14:42,040
the freaking robot for some
reason.
260
00:14:42,040 --> 00:14:45,720
Like, that's the death that I
was like tearing up a little bit
261
00:14:45,720 --> 00:14:47,360
over.
Right.
262
00:14:47,360 --> 00:14:50,480
And it's the sort of thing where
like, I think also, you know,
263
00:14:50,480 --> 00:14:52,680
let's very quickly, what is Star
Wars?
264
00:14:52,680 --> 00:14:55,960
Like an actual Star Wars?
Star Wars is great because they
265
00:14:55,960 --> 00:14:58,720
have that one cinematic moment
that makes you jump out of your
266
00:14:58,720 --> 00:15:01,320
seat in the cinema.
It's when Luke uses the force in
267
00:15:01,320 --> 00:15:02,880
the trench to blow up the Death
Star.
268
00:15:03,120 --> 00:15:05,560
It's when Vader says, I know I'm
your father.
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00:15:05,560 --> 00:15:08,240
An Empire return to Genet
doesn't have one.
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00:15:08,240 --> 00:15:10,960
That's why it kind of sucks, you
know?
271
00:15:11,320 --> 00:15:15,040
Come on man, Vader picking up,
picking up the Emperor and the
272
00:15:15,040 --> 00:15:17,240
electricity.
You knew that was coming.
273
00:15:17,440 --> 00:15:19,440
Like it wasn't that like, Oh my
God moment.
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00:15:19,600 --> 00:15:22,280
Whereas in like I, I remember I
saw Phantom Menace in the
275
00:15:22,280 --> 00:15:25,760
theater like opening day 1999.
I was 20 years old.
276
00:15:26,200 --> 00:15:29,880
The moment that Maul comes out,
those doors open and he they
277
00:15:29,880 --> 00:15:32,480
throw off their robes and like,
we'll take we can handle this.
278
00:15:33,160 --> 00:15:35,440
People lost their shit in the
theater like they did.
279
00:15:35,440 --> 00:15:38,920
Then when Vader revealed he was
his father, the same thing
280
00:15:38,960 --> 00:15:40,520
attacked the clones.
That movie has a lot of
281
00:15:40,520 --> 00:15:44,960
detractors, but when the Jedi
show up in Geonesus and all turn
282
00:15:44,960 --> 00:15:48,080
on their lightsabers, I know
people who have a tattoo of that
283
00:15:48,080 --> 00:15:50,840
scene on them because it's
another one of those holy shit
284
00:15:50,840 --> 00:15:52,600
moments.
Again, Revenge of the Sith,
285
00:15:52,840 --> 00:15:55,840
Anakin and Obi Wan.
That battle is an oh shit
286
00:15:55,840 --> 00:15:58,480
moment.
Force Awakens doesn't have one.
287
00:15:58,480 --> 00:16:00,840
It was supposed to be when Rey
catches the lightsaber in the
288
00:16:00,840 --> 00:16:03,080
forest.
I was there and nobody gave a
289
00:16:03,080 --> 00:16:06,200
shit.
I can tell you though, in Last
290
00:16:06,200 --> 00:16:10,760
Jedi when Luke showed up, I
watched an entire row of 10 year
291
00:16:10,760 --> 00:16:13,800
olds jump out of their seat and
scream and joy seeing Luke show
292
00:16:13,800 --> 00:16:16,480
up to fight Kylo Ren.
It had that ocean moment.
293
00:16:16,920 --> 00:16:19,320
Rise of Skywalker obviously
didn't have it at all.
294
00:16:19,560 --> 00:16:23,400
This movie has that moment.
It has a pure Star Wars moment,
295
00:16:23,720 --> 00:16:27,600
which is Vader shows up in that
hallway in the mist and that
296
00:16:27,600 --> 00:16:31,720
lightsaber turns on and we get
to finally see Vader fighting
297
00:16:31,920 --> 00:16:34,960
non force people and just going
to town.
298
00:16:34,960 --> 00:16:39,400
Like I'm a huge fan of the Vader
comics and sort of that whole
299
00:16:39,400 --> 00:16:43,640
mythos of what he actually did
and how he became Vader after,
300
00:16:44,160 --> 00:16:47,960
after the fight on Mustafar and
seeing him.
301
00:16:47,960 --> 00:16:51,240
Like people jumped out of their
seat the same way they did when
302
00:16:51,240 --> 00:16:54,920
Ball shows up and Naboo, the
same way that my dad saw people
303
00:16:54,920 --> 00:16:57,320
jump out of their seat when
Vader revealed he's Luke's
304
00:16:57,320 --> 00:16:59,360
father.
And that's what Star Wars is
305
00:16:59,680 --> 00:17:00,760
Like.
Yes, there's all the other
306
00:17:00,760 --> 00:17:05,680
stuff, but Star Wars succeeds as
a film on moments like that,
307
00:17:06,119 --> 00:17:09,280
that you walk out and you're
like, holy, did you see the
308
00:17:09,280 --> 00:17:11,119
double edged lightsaber?
And that's all you talk about,
309
00:17:11,160 --> 00:17:14,359
right?
Or it's like, I, I remember
310
00:17:14,640 --> 00:17:17,400
like, and this is me.
You know, I, like I said, I just
311
00:17:17,400 --> 00:17:21,480
as the quick preface, when I was
five, I had the full Return of
312
00:17:21,480 --> 00:17:24,920
the Jedi like bed set, like the
comforter, the pillows, the
313
00:17:24,920 --> 00:17:28,400
curtains, the whole Ewok
playset, everything.
314
00:17:29,760 --> 00:17:33,600
But my dad had Empire, right?
And that was like the moment he
315
00:17:33,600 --> 00:17:35,440
said people jumped out of their
seats, they couldn't believe it.
316
00:17:35,440 --> 00:17:38,480
And I never really got that
until that moment in Phantom
317
00:17:38,480 --> 00:17:41,360
Menace where I was like, holy.
And then I got that again.
318
00:17:41,360 --> 00:17:45,000
I got to have that again with
this movie where Vader shows up
319
00:17:45,000 --> 00:17:47,880
and just slaughters fools.
And it's like, I got it twice.
320
00:17:48,120 --> 00:17:50,200
We're like, wow, this is
amazing.
321
00:17:51,160 --> 00:17:55,160
And so for me, this film works
perfectly as a Star Wars film
322
00:17:55,160 --> 00:17:58,080
because Gareth Edwards and Tony
Gilroy understood that.
323
00:17:58,600 --> 00:18:01,600
They understood like we need
this to be a Star Wars film.
324
00:18:01,600 --> 00:18:04,720
And where JJ sort of falls down
is he didn't understand that
325
00:18:05,280 --> 00:18:08,440
because neither of his films
have that like he has.
326
00:18:08,440 --> 00:18:12,200
He has people riding horses on a
* destroyer, which is so stupid.
327
00:18:12,640 --> 00:18:18,640
But also the whole the whole
fight between Rey and Kylo in
328
00:18:18,640 --> 00:18:22,000
the forest, it's like it's not
that moment because it's just,
329
00:18:22,120 --> 00:18:25,760
it's, it's, I understand it's
yes, her using the force just
330
00:18:25,760 --> 00:18:27,040
like Luke did and blah, blah,
blah.
331
00:18:27,040 --> 00:18:29,440
And New Hope.
I get the, the whole parallel
332
00:18:29,440 --> 00:18:32,560
there, don't get me wrong, But
it's not the same thing because
333
00:18:32,880 --> 00:18:35,400
it, it, it's not a triumphant
moment.
334
00:18:35,400 --> 00:18:37,760
The the Death Star in Force
Awakens has already been blown
335
00:18:37,760 --> 00:18:38,600
up.
That's already over.
336
00:18:38,600 --> 00:18:42,080
She had nothing to do with that.
And so, you know, it's this
337
00:18:42,080 --> 00:18:45,160
weird thing where I feel like
with Gareth Edwards and then, of
338
00:18:45,160 --> 00:18:47,480
course, Tony Gilroy taking over
in the end there and working
339
00:18:47,480 --> 00:18:50,800
with Gareth to sort of reshoot a
lot of this film.
340
00:18:51,320 --> 00:18:55,840
They understood was like, hey,
this is this is what Star Wars
341
00:18:55,840 --> 00:18:59,560
is as core, where you walk out
and you're like, holy shit, that
342
00:18:59,560 --> 00:19:00,360
was amazing.
Yeah.
343
00:19:01,120 --> 00:19:03,160
And like you said, I think it's
like you walked out actually,
344
00:19:03,240 --> 00:19:04,640
and you were like hiked on it,
right?
345
00:19:04,960 --> 00:19:07,880
Oh, 100% right.
Yeah.
346
00:19:07,880 --> 00:19:09,640
Like you, you walk out of Rogue
One.
347
00:19:10,440 --> 00:19:13,720
I'll give just kind of my
initial take from, you know, a
348
00:19:13,720 --> 00:19:17,440
decade ago almost, I remember
watching walking out of this
349
00:19:17,440 --> 00:19:22,160
film and thinking the first half
of this movie was like flaming
350
00:19:22,160 --> 00:19:25,880
hot garbage.
I don't give a rip about any of
351
00:19:25,880 --> 00:19:28,360
these characters cause none of
them are interesting.
352
00:19:28,640 --> 00:19:33,560
They all just kind of have A and
then mentality of.
353
00:19:33,560 --> 00:19:36,200
Like way too much till not show
like.
354
00:19:36,440 --> 00:19:39,240
Yeah, yeah, there's there's so
much of that.
355
00:19:39,880 --> 00:19:43,440
And then the second-half of this
film, I was like, that felt like
356
00:19:43,440 --> 00:19:46,680
a Star Wars movie.
Like the battle scenes, the
357
00:19:46,840 --> 00:19:52,880
connection between Jin and
what's his name, Cassian, right?
358
00:19:52,880 --> 00:19:55,440
This like the connection between
them in the midst of battle.
359
00:19:55,440 --> 00:19:59,160
Like that's something you get in
good Star Wars films, capped off
360
00:19:59,160 --> 00:20:06,560
with maybe a top three scene in
All Star Wars films of Vader
361
00:20:06,560 --> 00:20:11,160
just being awesome.
And like the when he walks in,
362
00:20:11,200 --> 00:20:14,520
the shadows almost look like
they have like tendrils.
363
00:20:14,520 --> 00:20:18,720
Like they're like they are.
A demonic embodiment of evil
364
00:20:19,080 --> 00:20:22,200
that you couldn't quite do in
1977.
365
00:20:22,200 --> 00:20:26,720
And so I, I walked out of the
film going, man, if I could just
366
00:20:26,720 --> 00:20:30,800
get rid of the first half and
just watch like, you know, maybe
367
00:20:30,800 --> 00:20:33,240
add a little bit, but like an
hour and 15 minutes.
368
00:20:33,280 --> 00:20:35,360
Oh my gosh, the ending was
incredible.
369
00:20:36,040 --> 00:20:38,480
So maybe this would be a good
time for me to give a little bit
370
00:20:38,480 --> 00:20:41,960
of my personal history with the
movie too, Brad, because as you
371
00:20:41,960 --> 00:20:46,520
know, I am not a Star Wars fan
and I wouldn't call myself a
372
00:20:46,520 --> 00:20:49,120
Star Wars hater.
But they've just never worked
373
00:20:49,120 --> 00:20:54,560
for me.
And so even in moments where I
374
00:20:54,560 --> 00:20:58,160
am like supportive of Star Wars
and the people in my life who
375
00:20:58,160 --> 00:21:02,880
love it, I find myself having to
work really hard to, to feel
376
00:21:02,880 --> 00:21:05,400
excitement.
You know, like I went on
377
00:21:05,840 --> 00:21:11,560
Christmas, Christmas night in
2015 to go see Force Awakens.
378
00:21:11,560 --> 00:21:13,320
I took like, we took like eight
people.
379
00:21:13,480 --> 00:21:16,280
I got a gift card for Christmas.
I bought everyone's tickets.
380
00:21:16,280 --> 00:21:17,720
And then like, my gift card was
gone.
381
00:21:18,520 --> 00:21:20,360
But we went, went to see Force
Awakens.
382
00:21:20,360 --> 00:21:22,880
And I could see how excited
everybody was to see that
383
00:21:22,880 --> 00:21:26,760
opening crawl come up again.
And I'm like, I want to be as
384
00:21:26,760 --> 00:21:30,360
excited as you guys are.
Rogue One is the first time.
385
00:21:30,640 --> 00:21:34,040
And I think it was because it it
was it didn't have the burden of
386
00:21:34,040 --> 00:21:37,600
being a Star Wars movie.
It was just a movie that existed
387
00:21:37,840 --> 00:21:42,440
within the wars of the stars.
That was just like, it was a
388
00:21:42,440 --> 00:21:45,040
completely separate thing.
And it was the first time that I
389
00:21:45,040 --> 00:21:48,080
had the ocean moment when Vader
comes in at the end.
390
00:21:48,080 --> 00:21:53,040
I like in the theater, I was
like, oh, shit, like it's it's
391
00:21:53,040 --> 00:21:56,560
happening now.
And that sent me out on such a
392
00:21:56,560 --> 00:22:00,880
high.
But if I'm being honest, this is
393
00:22:00,880 --> 00:22:03,640
this is my problem with Gareth
Edwards movies, whether it's his
394
00:22:03,640 --> 00:22:06,120
Godzilla movie or he made a
movie last year called the
395
00:22:06,120 --> 00:22:11,120
creator.
He creates the most brilliant
396
00:22:11,120 --> 00:22:14,320
cinematic images.
Like there's such a sense of
397
00:22:14,320 --> 00:22:16,560
scale.
I don't know if he's doing if
398
00:22:16,560 --> 00:22:19,040
anyone does scale like him,
except for maybe Denis
399
00:22:19,040 --> 00:22:21,840
Villeneuve.
Like when you can literally see
400
00:22:21,840 --> 00:22:25,400
the height the way that like
Star Destroyers are filmed in
401
00:22:25,400 --> 00:22:27,320
this movie.
It's the coolest the ships have
402
00:22:27,320 --> 00:22:29,000
ever looked in a Star Wars
movie.
403
00:22:30,080 --> 00:22:34,360
And yet I think it says a lot
about the flimsiness of the
404
00:22:34,360 --> 00:22:38,280
script and Edward's inability to
really make you ever care about
405
00:22:38,280 --> 00:22:44,080
characters that we have just
watched our lead characters die
406
00:22:44,080 --> 00:22:48,000
a horrific death in what is
essentially a nuclear explosion.
407
00:22:48,640 --> 00:22:52,320
And then we immediately forget
about them because he tacks on
408
00:22:52,320 --> 00:22:55,560
this ending of like, but Vader
do cool thing now.
409
00:22:55,880 --> 00:22:59,120
And you're just like, yeah.
And so I think that that's like
410
00:22:59,120 --> 00:23:03,680
that's the the dichotomy here is
like the the stuff that we
411
00:23:03,680 --> 00:23:07,920
should be caring about falls
away so quickly because he knows
412
00:23:07,920 --> 00:23:12,280
that we just want that immediate
heroine hit of Vader killing
413
00:23:12,280 --> 00:23:14,720
guys.
And here's my here's my spicy
414
00:23:14,720 --> 00:23:17,560
take on Star Wars in general.
And and Brad, I know you're a
415
00:23:17,560 --> 00:23:20,960
fan as well.
And I think true fans understand
416
00:23:20,960 --> 00:23:23,320
flaws as much as they understand
the shine, right?
417
00:23:23,720 --> 00:23:26,720
And Star Wars has always been
deeply flawed.
418
00:23:27,000 --> 00:23:29,040
Like you go back and look at the
script of that first film.
419
00:23:29,040 --> 00:23:32,200
The dialogue's terrible, like
it's literally terrible.
420
00:23:33,280 --> 00:23:36,160
And the.
They've talked about that in so
421
00:23:36,160 --> 00:23:40,720
many interviews where Harrison
Ford is like, George, you go out
422
00:23:40,720 --> 00:23:44,480
there and say this fucking shit.
Yeah, and also there's a lot of,
423
00:23:44,520 --> 00:23:46,880
there's a lot of fat on that
film too.
424
00:23:46,880 --> 00:23:51,640
Like that film is way too long.
Empire, that whole it's, it's 30
425
00:23:51,640 --> 00:23:52,880
minutes.
A Hoth where you're just like
426
00:23:53,360 --> 00:23:54,760
couldn't have been in the
scrawl.
427
00:23:54,960 --> 00:23:56,560
Like I don't really need to see
this.
428
00:23:56,560 --> 00:23:58,960
Like there I've been through
phases of my life where I've
429
00:23:58,960 --> 00:24:02,560
just skipped over Hoth entirely
and gone straight into the movie
430
00:24:03,520 --> 00:24:05,200
when, you know, the movie
starts.
431
00:24:05,960 --> 00:24:10,320
So it's the sort of thing where
I always feel like with Star
432
00:24:10,320 --> 00:24:16,800
Wars, people try to find reasons
to gloss over the problems with
433
00:24:16,800 --> 00:24:19,360
the scripts, the problems with
the filmmaking, the problems
434
00:24:19,360 --> 00:24:20,840
with the ACT.
Well, I don't really want to
435
00:24:20,840 --> 00:24:22,520
blame actors because it's the
director's choice.
436
00:24:22,520 --> 00:24:24,760
It's the editor's choice.
Like the actors are doing their
437
00:24:24,760 --> 00:24:26,120
job.
I don't want to be like, oh, Riz
438
00:24:26,120 --> 00:24:28,600
Ahmed, you know, didn't do his,
didn't act right.
439
00:24:28,600 --> 00:24:31,240
It's like, well, no, he was
being told what to do by Carrot
440
00:24:31,240 --> 00:24:34,960
Edwards and Tony Gilroy.
And like, he's doing his best in
441
00:24:34,960 --> 00:24:37,240
like, Rogue One, for instance.
But it's for me, it's like Star
442
00:24:37,240 --> 00:24:41,720
Wars is campy fun, you know what
I mean?
443
00:24:41,720 --> 00:24:44,280
And then it's also really
fucking boring.
444
00:24:44,280 --> 00:24:45,840
And sometimes you got to skip
over the boring parts.
445
00:24:45,840 --> 00:24:47,760
Like I said, I often skip over
Hoth.
446
00:24:47,760 --> 00:24:49,320
And for some people that's
probably blasphemy.
447
00:24:49,840 --> 00:24:52,960
But also like, I don't, I can't
remember the last time I watched
448
00:24:52,960 --> 00:24:55,800
Return of the Jedi.
Like it would probably was when
449
00:24:55,800 --> 00:24:59,040
I was a little kid or it was on
in the background at a party or
450
00:24:59,040 --> 00:25:00,760
something, you know what I mean?
Because like, I don't need to
451
00:25:01,000 --> 00:25:02,760
watch it.
I watched Rise of Skywalk
452
00:25:02,760 --> 00:25:06,240
Skywalker once in the theater.
Never need to see that again,
453
00:25:06,640 --> 00:25:08,480
you know what I mean?
And it's the and it's the story.
454
00:25:09,520 --> 00:25:14,040
You don't like the film.
What I like about Rogue One and
455
00:25:14,040 --> 00:25:15,920
why I rewatch that pretty much
every year.
456
00:25:15,920 --> 00:25:18,560
And like I said, I rewatch it
twice for this is that film
457
00:25:18,560 --> 00:25:20,600
technically, which is this is
really where you're just
458
00:25:20,600 --> 00:25:21,640
supposed to say, but bear with
me.
459
00:25:21,840 --> 00:25:25,560
This film kind of stands alone,
which is crazy because it's a
460
00:25:25,560 --> 00:25:30,160
prequel so tied to something so
specific and has such beautiful
461
00:25:30,560 --> 00:25:33,240
detailed work.
Like when you rewatch New Hope,
462
00:25:33,240 --> 00:25:36,280
you notice when they're that
first scene in the Death Star
463
00:25:36,280 --> 00:25:39,720
with Peter Cushing and Vader and
all the generals, there's one
464
00:25:39,720 --> 00:25:44,160
empty seat that's Chronic's seat
because Chronic was, you know,
465
00:25:44,240 --> 00:25:46,880
down on down on the beach, you
know?
466
00:25:46,880 --> 00:25:49,360
So there's all these wonderful
little details and illusions
467
00:25:49,360 --> 00:25:51,400
that you can draw the two
together and they connect, you
468
00:25:51,400 --> 00:25:54,400
know, like 2 octopuses coming
together to Make Love or
469
00:25:54,400 --> 00:25:56,680
something.
But it's the sort of thing where
470
00:25:57,560 --> 00:26:00,680
you can really let this movie
stand alone and watch it and
471
00:26:00,680 --> 00:26:03,240
have a great experience and it
doesn't matter.
472
00:26:03,240 --> 00:26:05,520
Like, yeah, they got the Death
Star plans for the rebels.
473
00:26:05,520 --> 00:26:06,960
They're going to blow it up.
It doesn't matter.
474
00:26:07,400 --> 00:26:11,000
Like, it almost makes me hope
kind of like, unnecessary in
475
00:26:11,000 --> 00:26:14,400
that sense.
The story's over.
476
00:26:14,400 --> 00:26:19,480
And for me, as a cinephile and
someone who loves story, I'm a
477
00:26:19,520 --> 00:26:22,480
huge sucker for the tragic
ending.
478
00:26:23,680 --> 00:26:26,640
You know, the the heroes
sacrifice themselves for the
479
00:26:26,640 --> 00:26:28,840
greater good.
I mean, that's for me why like
480
00:26:28,840 --> 00:26:32,720
Pixar cars is so great because,
you know, like including
481
00:26:32,720 --> 00:26:35,880
sacrifices his win for the
greater good to help someone
482
00:26:35,880 --> 00:26:37,840
else out.
He doesn't take this trophy.
483
00:26:37,840 --> 00:26:41,960
He, you know, he chooses to help
win or, you know, there's, you
484
00:26:42,160 --> 00:26:45,920
know, you know, Godfather's so
great because Michael Corleone
485
00:26:45,920 --> 00:26:48,920
becomes, you know, he loses
everything by becoming the
486
00:26:48,920 --> 00:26:52,000
godfather, you know, and even
his wife and his children, which
487
00:26:52,000 --> 00:26:55,480
he, you know, and it's, it's
that tragedy of like, you know,
488
00:26:55,480 --> 00:26:57,240
the American dream, blah, blah,
blah, blah, blah.
489
00:26:57,240 --> 00:27:00,360
And I so for me, like seeing
them die on the beach, it's
490
00:27:00,360 --> 00:27:03,400
like, yeah, they're that's the
sacrifice you have to make for
491
00:27:03,400 --> 00:27:06,480
good, right?
And that sort of.
492
00:27:06,720 --> 00:27:10,240
I mean, Zach, I've always said,
and I'm glad you you brought
493
00:27:10,240 --> 00:27:12,840
this up.
I've always said to Brad, Cassie
494
00:27:12,840 --> 00:27:16,280
and Andor is the Lightning
McQueen of the Star Wars
495
00:27:16,280 --> 00:27:18,080
universe.
And he always said that there's
496
00:27:18,080 --> 00:27:21,040
no way but but I'm glad you
really backed me.
497
00:27:21,040 --> 00:27:24,400
Up on It's been a common back
and forth in our texting, yes.
498
00:27:24,560 --> 00:27:26,520
Now, you brought up something,
though, Zach, that I think is
499
00:27:26,520 --> 00:27:29,160
really important, and it is.
It's that this movie really does
500
00:27:29,160 --> 00:27:32,800
stand alone, both thematically
and in terms of like, how dour
501
00:27:32,800 --> 00:27:36,280
it is.
But unfortunately, I think that
502
00:27:36,280 --> 00:27:40,840
the endless Star Wars machine
churning over the last eight
503
00:27:40,840 --> 00:27:44,960
years by Disney has really
reduced the power of this movie.
504
00:27:45,000 --> 00:27:48,720
It's not the movie's fault, but
I have been so inundated with
505
00:27:48,720 --> 00:27:52,920
advertisements for freaking and
the and or TV show and the Obi
506
00:27:52,920 --> 00:27:55,960
Wan Kenobi show and the
Mandalorian and now the Acolyte
507
00:27:55,960 --> 00:28:00,320
that it's like we had never seen
a boots on the ground Star Wars
508
00:28:00,320 --> 00:28:03,360
movie like this before.
And it was the coolest, most
509
00:28:03,360 --> 00:28:06,800
revolutionary thing to hit this
series in a long, long time.
510
00:28:07,440 --> 00:28:10,600
But now watching it, it's like,
oh, this is, this is really
511
00:28:10,600 --> 00:28:13,080
similar to watching any of those
Star Wars TV shows.
512
00:28:13,160 --> 00:28:17,160
It's it's better than them, but
I think that it's diluted the
513
00:28:17,160 --> 00:28:19,920
effect that the movie had at the
time.
514
00:28:20,920 --> 00:28:23,560
I will say though if and OR is
worth watching that is a
515
00:28:23,560 --> 00:28:28,560
phenomenal series because they
keep with the same theme and
516
00:28:28,560 --> 00:28:32,560
look of the film or one it's all
actually shot on location
517
00:28:32,560 --> 00:28:36,600
instead of that stupid 3D screen
shows so it feels real.
518
00:28:36,960 --> 00:28:39,920
It's got the same vibe to it and
it is it is dour.
519
00:28:39,920 --> 00:28:44,360
I mean, it is hardcore, like,
you know, politics of like what
520
00:28:44,360 --> 00:28:48,400
it's actually like to live under
a fascistic empire and, you
521
00:28:48,400 --> 00:28:50,640
know, you know, people are
literally tortured to madness
522
00:28:50,640 --> 00:28:56,360
and things like that.
And so again, I'm kind of a
523
00:28:56,360 --> 00:29:01,400
sucker for that because it kind
of fits into where I am now as a
524
00:29:01,400 --> 00:29:05,000
Star Wars fan.
Like if I was in my mid 20s when
525
00:29:05,000 --> 00:29:07,960
all this stuff was coming out,
I'd probably think it's like
526
00:29:07,960 --> 00:29:09,440
ridiculous, you know what I
mean?
527
00:29:09,840 --> 00:29:12,120
But just it's, it's, it's all
where it hits you, right?
528
00:29:12,120 --> 00:29:15,160
Like I think we're like about 10
years apart age wise.
529
00:29:15,160 --> 00:29:18,320
And so like, you know, I
totally, you know, me kind of
530
00:29:18,320 --> 00:29:24,120
menacing me when I was 20 was,
you know, it was sort of like,
531
00:29:24,120 --> 00:29:25,920
you know, I took a date, you
know what I mean?
532
00:29:25,920 --> 00:29:28,520
Like it was a date night for me.
And so, you know, it was that
533
00:29:28,520 --> 00:29:33,360
sort of thing where there is a
different expectation there as a
534
00:29:33,360 --> 00:29:35,600
young adult as opposed to if I
was 10.
535
00:29:36,120 --> 00:29:38,240
I mean, that movie, I would
probably still think that was
536
00:29:38,240 --> 00:29:40,560
the best Star Wars movie of all
time, you know what I mean?
537
00:29:40,560 --> 00:29:42,760
Because it was because that
that's what it was made for.
538
00:29:42,760 --> 00:29:46,040
And that's what I think what's
so interesting about Rogue One
539
00:29:46,480 --> 00:29:49,680
is Rogue One was made for a
wider audience where, and George
540
00:29:49,680 --> 00:29:51,760
Lucas says this over and over
and over again.
541
00:29:52,000 --> 00:29:54,200
His Star Wars films are made for
children.
542
00:29:55,640 --> 00:29:59,880
One was not made for children
and, and, or is not made for
543
00:29:59,880 --> 00:30:03,240
children.
And I think where Star Wars
544
00:30:03,240 --> 00:30:06,360
really starts to fall down is
like in The Acolyte and Boba
545
00:30:06,360 --> 00:30:08,600
Fett and all those where it's
like, yeah, these are just shows
546
00:30:08,600 --> 00:30:10,880
made for kids that should be
animated but aren't because they
547
00:30:10,880 --> 00:30:13,000
want to do a live action.
And it's like, you know,
548
00:30:13,520 --> 00:30:15,440
Lucasfilm understood this, and
that's the way they made Rebels
549
00:30:15,440 --> 00:30:17,560
and Clone Wars and all those
things animated because they're
550
00:30:17,560 --> 00:30:19,920
for kids.
When you bring those people into
551
00:30:19,920 --> 00:30:24,280
the real world, and especially
in what was the the latest one,
552
00:30:24,400 --> 00:30:27,480
Ahsoka, whereas like there's
brilliant moments in there, but
553
00:30:27,480 --> 00:30:30,760
the overall it's like, these are
cartoon characters and I hate
554
00:30:30,760 --> 00:30:34,200
them because they're acting like
cartoon characters and quote UN
555
00:30:34,200 --> 00:30:36,880
quote real life because it
doesn't transfer, right?
556
00:30:37,320 --> 00:30:40,200
And that's the feeling of
Disney's, like you said, churn
557
00:30:40,200 --> 00:30:42,560
of just like pushing the stuff
and pushing and pushing.
558
00:30:43,120 --> 00:30:46,280
And you know my only response is
hey, just watch the good stuff
559
00:30:46,280 --> 00:30:50,720
and ignore the rest, right?
Yeah, yeah, I'm, I'm with you on
560
00:30:50,720 --> 00:30:53,680
that man.
They, they have put out so much
561
00:30:53,680 --> 00:30:57,120
stuff that it, it, it loses its
value.
562
00:30:57,280 --> 00:31:02,040
Like there's a, there's a huge
reason why Episode one did so
563
00:31:02,040 --> 00:31:06,200
well and why The Force Awakens
did so well because there was
564
00:31:06,320 --> 00:31:13,200
what, 9/10/10 years between
Revenge of the Sith and The
565
00:31:13,200 --> 00:31:19,680
Force Awakens and 15 years, 16
years between Return of the Jedi
566
00:31:19,680 --> 00:31:24,680
and Phantom Menace, right.
And so it's like you kind of
567
00:31:24,680 --> 00:31:29,040
need a little bit of time for
the films to walk off into the
568
00:31:29,040 --> 00:31:33,960
sunset and just remain in your
memory and for them to come back
569
00:31:33,960 --> 00:31:36,960
and have the impact.
And I'm sorry, I don't mean to
570
00:31:36,960 --> 00:31:40,800
be so monopolizing here, but I
think also the one smart thing
571
00:31:40,800 --> 00:31:44,280
Disney knew, or at least
Kathleen Kennedy knew going into
572
00:31:44,280 --> 00:31:46,040
the reboot when it became
Disney.
573
00:31:46,320 --> 00:31:50,120
It's like, OK, we're going to do
Force Awakens for the reboot,
574
00:31:50,120 --> 00:31:53,840
for the fans, for the kids, but
let's also do one for the
575
00:31:53,840 --> 00:31:57,600
grown-ups who were alive when
the first ones came out.
576
00:31:57,960 --> 00:32:00,680
And so that's why those two
films came out so close to each
577
00:32:00,680 --> 00:32:02,800
other, right?
So that's sort of yin and Yang
578
00:32:02,800 --> 00:32:05,480
where it's like, yeah, but we
also have fans who are 40 now
579
00:32:06,360 --> 00:32:10,200
who who have, you know, more
complex thought processes and
580
00:32:10,760 --> 00:32:14,080
understand, like, hey, this is
actually a kind of amazing world
581
00:32:14,080 --> 00:32:18,000
that Lucas created here.
We can dig in a little bit more.
582
00:32:18,000 --> 00:32:21,240
But then like you said, you can
go off and I mean, I don't know
583
00:32:21,240 --> 00:32:23,960
how much you guys read like the
books or like I said, I'm really
584
00:32:23,960 --> 00:32:27,640
into the major comic books and
like, I know the animated shows
585
00:32:27,640 --> 00:32:31,000
from the early 2000s decently.
I didn't watch them religiously
586
00:32:31,000 --> 00:32:34,960
or anything.
I know like the Canon and things
587
00:32:34,960 --> 00:32:36,960
like that.
And I I collected, you know, the
588
00:32:36,960 --> 00:32:39,120
cards in the 80s and 90s and
blah, blah, blah.
589
00:32:40,480 --> 00:32:44,240
But it's the sort of thing
where, you know, this film,
590
00:32:44,240 --> 00:32:48,320
Rogue One, I believe, does fan
service and, and this is so
591
00:32:48,320 --> 00:32:51,920
rarely done, but right where
it's like, yes, it is 100%
592
00:32:51,920 --> 00:32:53,240
there.
There's so much fan service on
593
00:32:53,240 --> 00:32:56,320
this, but it's never flashing in
your face.
594
00:32:56,400 --> 00:33:01,080
It's been with Vader at the end
being the most ridiculous thing
595
00:33:01,080 --> 00:33:03,400
ever.
But it's amazing because it's,
596
00:33:03,440 --> 00:33:07,280
it's, it's what it's that scene
is only like 30 seconds long
597
00:33:07,320 --> 00:33:09,480
too.
It's not him fighting for 5
598
00:33:09,480 --> 00:33:12,160
minutes at the end of the film.
It's like, no, this is instant
599
00:33:12,160 --> 00:33:16,800
because he's a God, said Lord.
He's a magical space wizard and
600
00:33:16,800 --> 00:33:19,600
this, this is how it would be.
There's no contest here.
601
00:33:19,880 --> 00:33:21,760
And that's the thing I hate
about like especially in the
602
00:33:21,760 --> 00:33:25,040
Acolyte where they forget their
Jedi, where it's like, how about
603
00:33:25,040 --> 00:33:27,280
you just read their mind?
You're a Jedi, you know, like,
604
00:33:27,360 --> 00:33:28,440
you know what I mean or
whatever.
605
00:33:28,440 --> 00:33:30,320
It's like you read that guy's
mind like last scene.
606
00:33:30,320 --> 00:33:32,280
Why aren't you reading it now?
You know, Sorry, I had a
607
00:33:32,280 --> 00:33:34,560
digression there.
But it's like they don't forget
608
00:33:34,560 --> 00:33:39,440
what everyone is like.
Jen Erso is just a rebel.
609
00:33:39,520 --> 00:33:41,800
Cassian is just a person.
He's a rebel.
610
00:33:42,080 --> 00:33:44,840
You know, Galen, Yeah, he's a
he's an engineer.
611
00:33:44,840 --> 00:33:47,680
You know, I, I love the new take
where he's ethical Oppenheimer.
612
00:33:49,600 --> 00:33:52,120
But he's still, he's still just
a person, right?
613
00:33:52,360 --> 00:33:54,080
And he's, he's trying to exist
in this world.
614
00:33:54,080 --> 00:33:56,320
And even Krennick is just a
bureaucrat.
615
00:33:57,680 --> 00:34:00,800
And so, you know, yes, Krennick
is sort of, you know, very
616
00:34:00,800 --> 00:34:05,280
lightly associated with with
Vader as his kind of overlord
617
00:34:05,280 --> 00:34:08,760
boss, but not really like his
day-to-day is bureaucracy.
618
00:34:08,760 --> 00:34:11,760
And you see it.
I, I sent you the the jiff of
619
00:34:11,760 --> 00:34:15,120
him when he first gets to Galen
and on the Iceland planet,
620
00:34:15,120 --> 00:34:17,560
whatever it's called.
And it's like farming really
621
00:34:18,080 --> 00:34:20,360
like, you know, it's almost an
insult to him.
622
00:34:20,639 --> 00:34:23,080
And just I love the whole scene
because he like it's Ben
623
00:34:23,080 --> 00:34:25,480
Mendelsohn and Matt Mickelson.
So they're phenomenal.
624
00:34:26,040 --> 00:34:28,040
But just like, oh, your wife
died.
625
00:34:28,199 --> 00:34:30,560
That's really a shame.
And just his way of like
626
00:34:30,840 --> 00:34:33,840
conveying like, I know you're
bullshitting me.
627
00:34:33,840 --> 00:34:36,760
Can we just, you know, jump?
Can we cut to the chase here?
628
00:34:36,760 --> 00:34:39,040
Cut to the chase.
Like, come on, you, you don't
629
00:34:39,040 --> 00:34:41,880
insult my intelligence.
I know you're a genius engineer,
630
00:34:41,880 --> 00:34:43,280
but it's not insulting my
intelligence.
631
00:34:43,280 --> 00:34:45,400
We're old friends.
And, you know, it's this like
632
00:34:45,400 --> 00:34:49,080
nice subtlety between those two
actors, which they can pull off
633
00:34:49,080 --> 00:34:51,480
because they're phenomenal
actors, right?
634
00:34:52,120 --> 00:34:55,400
Where you don't get that with a
lot of people cast in these
635
00:34:55,400 --> 00:34:57,200
movies.
Yeah, I was going to say that
636
00:34:57,200 --> 00:35:01,760
the opening scene is incredible.
It is so sharp.
637
00:35:02,240 --> 00:35:05,960
And for me, Bob, like you talked
about the impact of not having
638
00:35:05,960 --> 00:35:08,160
the fanfare of jumping right
into a scene.
639
00:35:08,480 --> 00:35:11,440
I felt the same way the first
time I watched this.
640
00:35:11,440 --> 00:35:17,200
I like I was like, hey, if we're
going to do a spin off Star Wars
641
00:35:17,200 --> 00:35:19,680
movie, like sure, let's change a
few things up.
642
00:35:20,280 --> 00:35:24,800
And there's not a lot of sacred
cows for me in the Star Wars
643
00:35:24,800 --> 00:35:27,280
universe.
As long as I feel like the
644
00:35:27,280 --> 00:35:30,120
director respects the Star Wars
universe.
645
00:35:30,720 --> 00:35:35,080
And I think that's which, yeah,
Gareth, Gareth Edwards 100% does
646
00:35:35,400 --> 00:35:38,800
in the way he makes this film.
I mean, even the little tiny fan
647
00:35:38,800 --> 00:35:41,920
service things, like whenever
they fly into Yavin 4 and you
648
00:35:41,920 --> 00:35:45,920
see the random guy in the tower,
like, tracking them in, you
649
00:35:45,920 --> 00:35:48,840
know, like, yeah, like it's a
tiny, little fan service thing
650
00:35:48,840 --> 00:35:51,560
that that doesn't detract or out
of the plot.
651
00:35:51,560 --> 00:35:55,040
It just gives you a beautiful
panorama to look at for a few
652
00:35:55,040 --> 00:35:57,120
seconds.
And it kind of scratches the
653
00:35:57,120 --> 00:35:59,920
Star Wars itch.
So yeah, that I think there's a
654
00:35:59,920 --> 00:36:02,520
lot of things to like here in
Rogue One.
655
00:36:03,720 --> 00:36:06,400
All right, guys, I think we're
at a good spot to hit pause here
656
00:36:06,400 --> 00:36:09,680
when we come back from break it.
You know, in addition to two
657
00:36:09,680 --> 00:36:12,040
facts and a falsehood.
Let's talk about the cast a
658
00:36:12,040 --> 00:36:14,120
little bit because I still have
to get my spicy takes about the
659
00:36:14,120 --> 00:36:16,840
cast out of the way.
But I think it's all tied in
660
00:36:16,840 --> 00:36:20,440
with this Gareth Edwards soup
where I can't tell if it's the
661
00:36:20,440 --> 00:36:23,320
way he directs his actors or if
there's just not a lot for some
662
00:36:23,320 --> 00:36:26,480
of them to do.
But but there are definitely
663
00:36:26,480 --> 00:36:28,960
peaks and valleys to the cast
list here.
664
00:36:28,960 --> 00:36:30,840
So we'll hit on that when we get
back from break.
665
00:36:31,320 --> 00:36:34,880
Brad, it's time for us to go
drink some Jim Beam Devil's Cut.
666
00:36:35,160 --> 00:36:37,440
What do you say?
Get the devil in me, Bob.
667
00:36:44,000 --> 00:36:47,920
All right, so today we are
checking out Jim Beam Devil's
668
00:36:47,920 --> 00:36:50,240
Cut Kentucky Straight Bourbon
Whiskey.
669
00:36:50,680 --> 00:36:54,000
This is the second in the Jim
Beam sort of mini series that
670
00:36:54,000 --> 00:36:56,080
we're doing to round out the
season here, Brad.
671
00:36:56,400 --> 00:36:59,400
And I have to be honest with
you, I'm I'm very familiar with
672
00:36:59,400 --> 00:37:01,680
this product.
I don't know if I've ever tried
673
00:37:01,680 --> 00:37:04,720
it before.
Yeah, I've seen it many times on
674
00:37:04,720 --> 00:37:07,600
the shelves.
It's it's a somewhat distinct
675
00:37:07,600 --> 00:37:12,480
bottle on the lower shelves of
the whiskey aisle.
676
00:37:13,160 --> 00:37:16,360
I have never drank it.
I remember very distinctly when
677
00:37:16,360 --> 00:37:18,880
it came out, 'cause I was
working at a grocery store at
678
00:37:18,880 --> 00:37:21,360
the time and they were running a
whole bunch of ads.
679
00:37:22,320 --> 00:37:25,360
That was really playing up the
bad ass Ness of this bottle.
680
00:37:25,640 --> 00:37:27,560
And do you know who their
spokesperson was at the time?
681
00:37:27,560 --> 00:37:29,080
Brad, I don't know if you
remember these ads.
682
00:37:29,600 --> 00:37:31,840
Ozzy Osbourne.
It was Kid Rock.
683
00:37:32,400 --> 00:37:36,720
Hey, the baddest of asses.
And man, I feel like the bourbon
684
00:37:36,720 --> 00:37:39,000
industry has come a long way
from that.
685
00:37:39,000 --> 00:37:41,360
Was like the biggest name
attached to bourbon at the time.
686
00:37:41,360 --> 00:37:45,560
It was like, whoa, Kid Rock.
Yeah, the the whiskey industry
687
00:37:45,560 --> 00:37:50,200
has indeed come a long, long way
to the point where now they can
688
00:37:50,200 --> 00:37:53,720
charge, you know, hundreds if
not thousands of dollars for
689
00:37:53,720 --> 00:37:56,920
whiskeys that probably don't
deserve that that type of a
690
00:37:56,920 --> 00:38:00,320
hype, Bob.
But not, crucially, for Jim Beam
691
00:38:00,320 --> 00:38:04,120
Devil's Cut 'cause this is still
a bargain whiskey if ever I've
692
00:38:04,120 --> 00:38:06,320
seen one.
Now what I understand of the
693
00:38:06,320 --> 00:38:09,320
process, Brad and I'm I'm going
to go ahead and read the copy on
694
00:38:09,320 --> 00:38:13,080
the side of the bottle here to
lay lay some groundwork for
695
00:38:13,080 --> 00:38:14,920
those who are not familiar with
Devil's Cut.
696
00:38:15,880 --> 00:38:19,520
They say while bourbon ages and
the angels share evaporates,
697
00:38:19,720 --> 00:38:22,600
some also remains trapped inside
the barrel.
698
00:38:22,760 --> 00:38:27,120
This is the devil's cut.
We extract this dark and intense
699
00:38:27,120 --> 00:38:31,400
liquid from our charred white
oak barrel walls and blend it
700
00:38:31,400 --> 00:38:34,720
with extra aged bourbon.
So that is the process folks.
701
00:38:34,720 --> 00:38:38,920
They found a way to extract the
devil's cut out of the wood and
702
00:38:38,920 --> 00:38:41,320
then kind of infuse it back into
their regular bourbon.
703
00:38:41,560 --> 00:38:44,280
I have it on good authority from
people in the industry that
704
00:38:44,280 --> 00:38:46,840
there really is some sort of
proprietary way that they do
705
00:38:46,840 --> 00:38:48,520
this.
I don't know what it is, but
706
00:38:48,520 --> 00:38:51,600
it's not complete BS.
It is a gimmick, but it is a
707
00:38:51,600 --> 00:38:53,400
gimmick that has reality
attached to it.
708
00:38:53,560 --> 00:38:56,960
So, you know, I'm OK with a
gimmick as long as it's not a
709
00:38:56,960 --> 00:39:00,000
made-up gimmick.
Yeah, 100%.
710
00:39:00,400 --> 00:39:03,200
The best that I can tell from
reading more about it online,
711
00:39:03,520 --> 00:39:06,320
everybody seems to be in
agreement that what they do is
712
00:39:06,320 --> 00:39:10,160
they add a little bit of water
to the empty barrel, set it out
713
00:39:10,160 --> 00:39:15,080
in the sun and let it heat up
and evaporate the liquid out of
714
00:39:15,080 --> 00:39:18,200
the wood and back into.
That's the proprietary thing is
715
00:39:18,200 --> 00:39:22,880
like hey go rinse the barrel.
Yep, it's just the barrel back
716
00:39:22,880 --> 00:39:25,640
washing.
Yeah, supposedly there's some
717
00:39:25,640 --> 00:39:28,360
sort of like agitation that also
happens.
718
00:39:29,160 --> 00:39:32,960
So I, I like to think that they
just hire like an Andre the
719
00:39:32,960 --> 00:39:35,840
Giant look alike to like shake
the barrel, like he's just
720
00:39:35,840 --> 00:39:38,240
walking around.
Squeezing the Steve the staves
721
00:39:38,240 --> 00:39:40,800
like he's ringing out a rag.
Yeah, yes.
722
00:39:41,720 --> 00:39:43,440
All right.
So this is 90 proof.
723
00:39:43,440 --> 00:39:46,120
It is not age stated, but we
know that it is at least four
724
00:39:46,120 --> 00:39:49,280
years old because of that.
So Brad, let's go ahead and dive
725
00:39:49,280 --> 00:39:51,320
into Jim Beam.
Devil's cut.
726
00:39:51,640 --> 00:39:53,160
What are you picking up on the
nose here?
727
00:39:53,800 --> 00:39:57,520
Oak, Bob there, there's some oak
and then there's some oak.
728
00:39:58,400 --> 00:40:00,160
There's a little bit of burnt
caramel.
729
00:40:00,160 --> 00:40:05,360
It gets a little bit peanutty.
There's a bit of like a sour
730
00:40:05,360 --> 00:40:14,040
young apple peel vibe going on.
I'm not a huge fan here.
731
00:40:14,040 --> 00:40:18,480
It's not bad. 5 1/2.
I don't know if I've ever really
732
00:40:18,480 --> 00:40:22,360
experienced a bourbon smelling
thin on on the nose.
733
00:40:22,600 --> 00:40:24,320
It doesn't smell like not
potent.
734
00:40:24,320 --> 00:40:26,320
It just smells like it's going
to be a really thin whiskey.
735
00:40:26,840 --> 00:40:29,080
And that's OK.
You know, it has that classic
736
00:40:29,080 --> 00:40:32,960
beam nuttiness that we've talked
about last week and, and in many
737
00:40:32,960 --> 00:40:35,120
prior reviews.
There's a lot of peanut butter
738
00:40:35,120 --> 00:40:38,200
here underneath the oak.
It's not super complex, but the
739
00:40:38,200 --> 00:40:40,400
oak gives it a spice.
The peanut butter gives it that
740
00:40:40,400 --> 00:40:44,440
nice kind of round sweetness.
I do get a really weird note,
741
00:40:44,520 --> 00:40:48,320
Brad, and it I am, I am
cataloging this for my future
742
00:40:48,320 --> 00:40:51,600
fat guy tasting notes here.
You know how when you get
743
00:40:51,960 --> 00:40:57,200
Chinese takeout, everything kind
of smells like MSG a little bit
744
00:40:58,040 --> 00:41:00,160
Like it just kind of hangs on
the paper bag.
745
00:41:00,160 --> 00:41:03,880
And it reminds me of like when
I'm going to eat the fortune
746
00:41:03,880 --> 00:41:07,160
cookie at the end of the Chinese
meal, but there's still the the
747
00:41:07,160 --> 00:41:09,360
smell of like fried rice hanging
around.
748
00:41:09,760 --> 00:41:13,400
I don't know how to explain it.
It's like cookie with MSG.
749
00:41:13,640 --> 00:41:16,440
And that is a note I don't think
I've ever had on a bourbon
750
00:41:16,440 --> 00:41:18,080
before, man.
Yeah.
751
00:41:18,160 --> 00:41:20,560
I, I mean, it's a proprietary
process, Bob.
752
00:41:20,840 --> 00:41:24,040
So you're gonna get some
proprietary nosings here.
753
00:41:24,680 --> 00:41:26,400
All that said, I don't.
I don't hate this.
754
00:41:26,400 --> 00:41:29,480
I'm gonna give it a 7 out of 10.
Man, that, that's a lot higher
755
00:41:29,480 --> 00:41:32,440
than me, Bob.
I was not quite as impressed
756
00:41:32,880 --> 00:41:35,920
taste wise.
I'll come up a little bit from
757
00:41:35,920 --> 00:41:38,800
my nosing score.
I'll give it a six out of 10 on
758
00:41:38,800 --> 00:41:40,800
the pallet.
The apple peel comes through a
759
00:41:40,800 --> 00:41:43,520
little stronger.
The oak turns into like a
760
00:41:43,520 --> 00:41:46,560
charred oak.
There's a little bit of cinnamon
761
00:41:46,560 --> 00:41:50,320
here.
It's watery Bob I I don't know
762
00:41:50,320 --> 00:41:54,000
how else to explain it, but it
it does not taste as viscous as
763
00:41:54,000 --> 00:41:58,640
it ought to at 90 proof like it.
To me this feels like an 80
764
00:41:58,640 --> 00:42:02,440
proof whiskey.
I don't like this, Brad.
765
00:42:03,720 --> 00:42:05,360
Yeah, I'm going to be honest
here.
766
00:42:05,360 --> 00:42:07,560
And you know what?
We have had the master distiller
767
00:42:07,600 --> 00:42:10,520
of Jim Beam on our show before.
Wonderful guy.
768
00:42:10,600 --> 00:42:14,880
They make a myriad of products
that I thoroughly enjoy.
769
00:42:15,880 --> 00:42:18,680
This is not one of them.
It is really, really thin in
770
00:42:18,680 --> 00:42:22,640
terms of mouthfeel, but the
bitterness from that oak
771
00:42:22,640 --> 00:42:25,360
extraction, it doesn't even
taste like oak to me.
772
00:42:25,360 --> 00:42:29,040
It tips into almost chemically
like it's just a really bitter,
773
00:42:30,280 --> 00:42:33,440
you could call it herbal, but it
almost tastes artificial.
774
00:42:33,440 --> 00:42:36,720
And that's like, it's a, it's a
type of bitter that I only
775
00:42:36,720 --> 00:42:41,360
really associate with very low
grade cheap whiskey.
776
00:42:41,880 --> 00:42:43,280
And that's what I'm getting
here, man.
777
00:42:43,280 --> 00:42:46,280
And it, and I think because of
that oakiness, it's kind of
778
00:42:46,280 --> 00:42:49,200
compounding that bitterness and
that chemically flavor for me.
779
00:42:49,760 --> 00:42:52,520
I'm only going to give this a 5
out of 10 on the palate.
780
00:42:52,520 --> 00:42:54,160
And I think that's being
generous for me.
781
00:42:54,760 --> 00:42:57,560
Yeah, 100%, dude.
I think the finish just kind of
782
00:42:57,560 --> 00:43:00,560
disappears on me.
There's a little bit of oak and
783
00:43:00,560 --> 00:43:04,480
black pepper, but there is
nothing happening on the finish.
784
00:43:05,120 --> 00:43:08,640
4 1/2 for me here.
I, I really don't have a ton to
785
00:43:08,640 --> 00:43:10,920
say, Bob.
Yeah, the finish is not quite as
786
00:43:10,920 --> 00:43:12,480
bad for me.
I do get a little bit of that
787
00:43:12,480 --> 00:43:14,040
apple peel that you were
mentioning.
788
00:43:14,040 --> 00:43:16,280
It comes out at the end and some
of those cinnamon notes.
789
00:43:16,280 --> 00:43:20,760
So it is a slight rebound, but
even then it's it's just wisps
790
00:43:20,760 --> 00:43:24,160
of flavor because it's such a
thin whiskey.
791
00:43:24,680 --> 00:43:27,720
I think I'll give it a 5 1/2 on
the finish.
792
00:43:29,920 --> 00:43:34,120
Yeah, balance wise, there's
nothing to write home about
793
00:43:34,120 --> 00:43:36,320
here.
I'll give it a 5 out of 10.
794
00:43:38,360 --> 00:43:41,720
I don't know, we might as well
get into value pretty soon here.
795
00:43:42,160 --> 00:43:45,320
Yeah, I'll, I'll give it a six
out of 10 on balance because
796
00:43:45,320 --> 00:43:47,560
again, this is a very
inexpensive whiskey.
797
00:43:47,920 --> 00:43:50,600
I don't expect a lot from
inexpensive whiskeys, especially
798
00:43:50,600 --> 00:43:52,920
in today's market.
That has nothing to do with what
799
00:43:52,920 --> 00:43:57,880
I'm going to say on value, but
it is a, it is a perfectly fine,
800
00:43:58,320 --> 00:44:01,040
very cheap whiskey.
So I'll give it a six there.
801
00:44:01,480 --> 00:44:04,440
Now Brad, to my knowledge, this
is still going for somewhere in
802
00:44:04,440 --> 00:44:08,840
the 20s, right?
$19.99 in the.
803
00:44:08,840 --> 00:44:13,160
State of there you go baby.
Now again, when we talk value,
804
00:44:13,160 --> 00:44:15,920
Brad and I often operate from
different points of view.
805
00:44:15,920 --> 00:44:19,880
I usually look at it from, is
this overpriced given the
806
00:44:19,880 --> 00:44:22,640
market?
Brad usually looks at it from
807
00:44:22,800 --> 00:44:26,680
one of two perspective, which is
would I just pay that much for
808
00:44:26,680 --> 00:44:30,600
this whiskey or is there another
whiskey out there at this price
809
00:44:30,600 --> 00:44:33,640
that I think is way better?
And so I think we give a a nice
810
00:44:33,640 --> 00:44:37,000
picture of overall value here
for the market.
811
00:44:37,000 --> 00:44:39,560
This is not a bad value because
you really can't get whiskey for
812
00:44:39,560 --> 00:44:41,640
much cheaper than this unless
you're going to knock all the
813
00:44:41,640 --> 00:44:45,640
way down to Benchmark.
Here's the thing though, Brad, I
814
00:44:45,640 --> 00:44:47,840
think Benchmark's probably a
better whiskey than this.
815
00:44:47,960 --> 00:44:50,200
It's certainly, Yep, it
certainly doesn't have those
816
00:44:50,200 --> 00:44:53,320
bitter notes that are off
putting to me the way that this
817
00:44:53,320 --> 00:44:56,680
one does.
So I think on every metric that
818
00:44:56,680 --> 00:45:00,640
we can judge value, this one is
probably not going to fare very
819
00:45:00,640 --> 00:45:03,560
well.
I'm just going to give this a 5
820
00:45:03,560 --> 00:45:07,360
out of 10 on value.
Yeah, I, I'm 100% with you, man.
821
00:45:07,360 --> 00:45:11,000
5 out of 10 on value.
I I liked the double oaked Bob
822
00:45:11,280 --> 00:45:15,520
and I, I think if you're going
for an oakier version of Jim
823
00:45:15,520 --> 00:45:19,440
Beam, go spend 20 bucks on that.
Don't spend it on the Devil's
824
00:45:19,440 --> 00:45:22,720
Cut.
I'm coming to a 26 out of 50.
825
00:45:23,080 --> 00:45:24,440
I'm just a little bit higher
than you.
826
00:45:24,440 --> 00:45:30,880
I'm at a 28.5 which puts us at a
54 1/2 out of 100 or just a
827
00:45:30,880 --> 00:45:37,760
27.25 out of 50 on average.
This is really close to, if not
828
00:45:37,760 --> 00:45:39,840
the lowest rated whiskey of the
season for us.
829
00:45:39,840 --> 00:45:43,720
Brad and I.
I would say like just in plain
830
00:45:43,720 --> 00:45:46,120
honesty here, this is a misfire
from Jim Beam.
831
00:45:46,240 --> 00:45:49,240
I'm really surprised that this
thing has lasted as long as it
832
00:45:49,240 --> 00:45:52,360
has on the market.
I imagine people are using this
833
00:45:52,360 --> 00:45:55,760
as a mixer and I think it
probably might make a good
834
00:45:56,000 --> 00:45:58,840
whiskey and Coke just because
there is so much oak and
835
00:45:58,840 --> 00:46:02,200
bitterness to it, it it would
really stand out versus a Coke.
836
00:46:03,520 --> 00:46:06,680
Unfortunately we don't sample
our whiskeys with Coke when
837
00:46:06,680 --> 00:46:09,280
we're deciding if it's a good
whiskey or not, so I I can't
838
00:46:09,280 --> 00:46:11,440
really speak to that.
Did did you just say,
839
00:46:11,440 --> 00:46:15,000
Unfortunately we don't do that?
I mean, I would like to every
840
00:46:15,000 --> 00:46:16,200
now and then.
That sounds nice.
841
00:46:17,760 --> 00:46:21,160
I'm not a cola guy.
Oh my gosh dude, every now and
842
00:46:21,160 --> 00:46:24,960
then you like truly dig your
heels in on just the weirdest
843
00:46:24,960 --> 00:46:28,080
stuff.
Like everyone likes a Coca-Cola.
844
00:46:28,080 --> 00:46:29,800
What do you mean you're not a
cola guy?
845
00:46:30,240 --> 00:46:33,840
I I don't like any colas Bubba
RC.
846
00:46:35,280 --> 00:46:38,800
Oh man, maybe you did grow up
poor after all.
847
00:46:38,800 --> 00:46:40,760
Brad, I, I know that brand very
well.
848
00:46:43,880 --> 00:46:45,520
Oh man.
All right.
849
00:46:45,520 --> 00:46:47,480
Do we recommend this product?
I'm going to say no.
850
00:46:47,960 --> 00:46:50,360
No.
Yeah, OK, let's get back into
851
00:46:50,360 --> 00:46:53,280
talking about this movie with
our friend Zach Johnston.
852
00:46:53,280 --> 00:46:55,720
What do you say?
Let's get to it, man.
853
00:47:00,480 --> 00:47:04,040
All right, everybody, That was
Jim Beam.
854
00:47:04,040 --> 00:47:06,640
Devil's poop.
No, that wasn't that bad.
855
00:47:06,640 --> 00:47:09,120
Come on, man.
Hey, by the way, did you did you
856
00:47:09,120 --> 00:47:13,200
like my my comparison to Darth
Vader talking about devil's cut?
857
00:47:13,400 --> 00:47:17,400
Do you get it 'cause he's kind
of like the devil Also also his
858
00:47:17,400 --> 00:47:21,400
lightsaber, it cuts.
Yeah, it does cut.
859
00:47:21,400 --> 00:47:24,840
And it's red.
This is this operates on so many
860
00:47:24,840 --> 00:47:26,880
levels.
Brad, you are.
861
00:47:28,200 --> 00:47:31,440
That's why they called me the
master of metaphor.
862
00:47:32,200 --> 00:47:35,880
That's my basketball 1970s
basketball player nickname.
863
00:47:35,880 --> 00:47:38,760
The.
Master of metaphor.
864
00:47:39,400 --> 00:47:42,600
I feel like if you were a coach
in the 70s, that would be your
865
00:47:42,600 --> 00:47:45,080
nickname.
Me and Red Auerbach just smoking
866
00:47:45,120 --> 00:47:48,240
cigars and coming up with
convoluted nicknames.
867
00:47:49,000 --> 00:47:51,400
Turning off the hot water to the
opposing locker room.
868
00:47:51,760 --> 00:47:54,480
I love it.
All right, dude, let's get into
869
00:47:54,480 --> 00:47:58,720
two facts and a falsehood.
Brad is gonna try to stump your
870
00:47:58,720 --> 00:48:03,120
ball. 2 All right and what is
wrong?
871
00:48:04,680 --> 00:48:08,000
2 Facts and a falsehood.
Two Facts and a Falsehood is the
872
00:48:08,000 --> 00:48:11,680
part of the show where Brad
presents me with three items as
873
00:48:11,680 --> 00:48:15,160
fact about the making of this
movie, one of which is a
874
00:48:15,160 --> 00:48:17,760
complete lie.
Brad, I have been on just an
875
00:48:17,760 --> 00:48:20,400
absolute horrible streak lately
for myself.
876
00:48:21,240 --> 00:48:24,200
Luckily, I have a ringer here
today to help me out.
877
00:48:24,200 --> 00:48:27,480
So the way this usually works,
folks, is that if we have a
878
00:48:27,480 --> 00:48:33,400
guest and I choose to enlist his
or her help, I can get one win
879
00:48:33,400 --> 00:48:35,440
in the win column if we guess
correctly.
880
00:48:35,720 --> 00:48:39,280
But if we lose, I can get two
losses in the loss column.
881
00:48:39,600 --> 00:48:43,080
So it kind of throws off the
tallying a little bit, but it
882
00:48:43,080 --> 00:48:46,480
raises the stakes quite a bit.
I can already tell you that I am
883
00:48:46,480 --> 00:48:51,640
going to enlist Zach today
because I don't know anything
884
00:48:51,640 --> 00:48:55,280
about the Star Wars universe.
Frankly, I also do not care that
885
00:48:55,280 --> 00:48:58,160
much so.
So.
886
00:48:58,200 --> 00:49:01,200
So this is basically all
made-up. 100%.
887
00:49:01,200 --> 00:49:05,560
Man, so Anakin Skywalker became
Darth, and I'm kidding.
888
00:49:07,480 --> 00:49:10,280
Spoilers.
All right man, hit me with your
889
00:49:10,280 --> 00:49:15,960
two facts and a falsehood.
Fact #1 Alan Tudyk, voice of K2
890
00:49:16,080 --> 00:49:21,800
SO also voiced fan favorite
character HK47 in the critically
891
00:49:21,800 --> 00:49:25,000
acclaimed video game series Star
Wars Knights of the Old
892
00:49:25,000 --> 00:49:29,000
Republic.
Fact #2 Anthony Daniels was
893
00:49:29,000 --> 00:49:33,360
jokingly disgruntled that Alan
Tudyk was allowed to pay play K2
894
00:49:33,440 --> 00:49:37,160
SO in the relative comfort of a
motion capture suit, whereas
895
00:49:37,160 --> 00:49:40,360
Daniels had to endure years of
discomfort and injuries in the
896
00:49:40,360 --> 00:49:46,520
C3PO costume.
Fact #3 This is, I know you're
897
00:49:46,520 --> 00:49:50,080
getting sick of him.
This is Alan Tudic's second time
898
00:49:50,080 --> 00:49:54,600
portraying a robot in a film,
the first being in 2004's I,
899
00:49:54,600 --> 00:50:00,640
Robot.
Let me frankly make a confession
900
00:50:00,640 --> 00:50:03,400
to you here, Brad.
You got another confession to
901
00:50:03,400 --> 00:50:07,360
make.
Alan Tudic is a guy that I
902
00:50:07,360 --> 00:50:10,880
recognize his face, like when I
see him in the cast list and I
903
00:50:10,880 --> 00:50:14,720
know that he's done things that
have like large fan bases, like
904
00:50:14,720 --> 00:50:17,120
I don't know if he was involved
in Doctor Who or like what what
905
00:50:17,120 --> 00:50:20,240
else he's from.
I don't know a lot about the
906
00:50:20,240 --> 00:50:21,840
guy.
And like, even as I went down
907
00:50:21,840 --> 00:50:24,560
the cast list, I was like, oh,
Alan Tudyk, people know him.
908
00:50:25,360 --> 00:50:29,200
You could not have picked a
worse person for me to make
909
00:50:29,200 --> 00:50:32,680
three statements about because
as far as I know, they are all
910
00:50:32,680 --> 00:50:34,440
false.
I don't know a thing about this
911
00:50:34,440 --> 00:50:37,520
man.
Good thing you got to phone a
912
00:50:37,520 --> 00:50:39,840
friend 'cause I know exactly
what you're rich.
913
00:50:40,360 --> 00:50:43,600
OK, well then let let me let me
say my guesses first before Zach
914
00:50:43,600 --> 00:50:46,320
just shuts this down.
I feel like Zach's going to be
915
00:50:46,320 --> 00:50:49,280
like in the third Lord of the
Rings movie when Aragorn shows
916
00:50:49,280 --> 00:50:52,280
up with all the ghost pirates
and then the battle's just over.
917
00:50:52,920 --> 00:50:54,760
Like we need to at least prolong
it a little bit.
918
00:50:54,840 --> 00:50:57,120
The Ghost Pirates.
Whatever they're called, they
919
00:50:57,320 --> 00:51:01,440
they're on a ship.
The Army of the Dead Robert the.
920
00:51:01,440 --> 00:51:04,240
Army of dead robot pirates,
whatever they're called.
921
00:51:06,040 --> 00:51:11,760
OK, so Alan Tudyk, I'm going to
say sure.
922
00:51:11,760 --> 00:51:16,400
He was a voice in a video game.
I assume this was a mocap
923
00:51:16,400 --> 00:51:19,640
performance because he's so tall
that it kind of would have to be
924
00:51:19,640 --> 00:51:25,640
some sort of mocap performance.
And then the third one was, what
925
00:51:25,640 --> 00:51:28,600
was the third one, Brad?
This is his second time
926
00:51:28,600 --> 00:51:32,480
portraying a robot, the first
being 2004's I, Robot.
927
00:51:32,480 --> 00:51:36,400
I remember loving the film I,
Robot and I just saw a clip come
928
00:51:36,400 --> 00:51:41,240
up on YouTube shorts last week
and boy howdy does that not look
929
00:51:41,240 --> 00:51:43,240
very good anymore 20 years
later.
930
00:51:44,320 --> 00:51:47,720
I One of the few things I
remember from my robot is when
931
00:51:47,720 --> 00:51:52,880
the the main female protagonist
objects to Will Smith using a
932
00:51:52,960 --> 00:51:56,880
motorcycle because it has
gasoline in it and gasoline
933
00:51:56,880 --> 00:52:00,000
explodes.
All right.
934
00:52:00,000 --> 00:52:03,400
So Zach, I really don't know.
If I had to venture a guess, I
935
00:52:03,400 --> 00:52:06,520
would say it's got to be either
one or two.
936
00:52:09,080 --> 00:52:11,920
Brad is a gamer, so he could
just make up a game that I don't
937
00:52:11,920 --> 00:52:15,680
know and one could be false.
He also knows a lot about and
938
00:52:15,680 --> 00:52:19,080
has a fondness for C3PO.
So maybe it's two.
939
00:52:19,400 --> 00:52:22,840
I would say 2, but that's just,
I'm just taking a stab here.
940
00:52:22,840 --> 00:52:24,680
What is the actual answer here,
Zach?
941
00:52:25,520 --> 00:52:29,320
So I'm going to lead you away
from those.
942
00:52:29,800 --> 00:52:33,520
Oh, OK.
No, HK47 was voiced by
943
00:52:33,520 --> 00:52:38,840
Christophe Tabori, famously so.
Famously is is famously in
944
00:52:38,840 --> 00:52:40,920
quotes.
Feel like famously is things
945
00:52:40,920 --> 00:52:43,520
that people know dude.
So I, I played all the games
946
00:52:44,000 --> 00:52:46,920
like, you know, the sort of
thing where it's like, no.
947
00:52:46,920 --> 00:52:50,600
And he was sort of 'cause he's
kind of like that 70s
948
00:52:50,600 --> 00:52:54,920
avant-garde, like John
Cassavetes guy level filmmaker.
949
00:52:55,760 --> 00:52:59,200
So like, having him voice a
robot was a big deal at the
950
00:52:59,200 --> 00:53:01,720
time.
But yeah, it definitely wasn't
951
00:53:01,720 --> 00:53:04,240
Alan Tuda to voice that role.
Unless.
952
00:53:04,520 --> 00:53:07,000
Unless they did a remake or
something that I'm not aware of,
953
00:53:07,000 --> 00:53:09,120
but it was definitely
Christopher Tobieri.
954
00:53:09,720 --> 00:53:16,680
So #1 then according to Zach is
the falsehood and I again just
955
00:53:16,680 --> 00:53:18,320
for the record do not know or
care.
956
00:53:18,440 --> 00:53:23,480
So this is solely to save my own
pride and record at 2 facts and
957
00:53:23,480 --> 00:53:26,000
a falsehood.
I'm going to push on all my
958
00:53:26,000 --> 00:53:29,240
chips and put my lot in with
Zach and say that one is the
959
00:53:29,240 --> 00:53:33,720
falsehood, Brad.
Bob, I'm not even upset that I
960
00:53:33,720 --> 00:53:38,400
lost this week.
Yeah, like the the fact that not
961
00:53:38,400 --> 00:53:42,320
only did Zach, has he played
those games?
962
00:53:42,320 --> 00:53:46,160
And Zach, would you agree with
me that HK47 is one of the
963
00:53:46,160 --> 00:53:48,560
greatest characters?
Yeah, of all.
964
00:53:48,960 --> 00:53:56,880
Time any Star Wars iteration Bob
he is a robot assassin who joins
965
00:53:56,880 --> 00:53:59,720
your party in First off.
I can't believe you've never
966
00:53:59,720 --> 00:54:02,360
heard of Knightsville Republic,
one of the greatest game series
967
00:54:02,360 --> 00:54:07,640
of all time.
He is a robot assassin that he
968
00:54:07,640 --> 00:54:12,920
speaks by like he always
prefaces what he's about to say
969
00:54:12,920 --> 00:54:18,680
with the type of sentence.
So he'll be like query, what
970
00:54:18,680 --> 00:54:21,680
does this meat bag think he is
doing in front of me?
971
00:54:21,800 --> 00:54:24,240
And he always refers to humans
as meat bags.
972
00:54:24,800 --> 00:54:27,080
And it's just it's an incredible
character.
973
00:54:27,480 --> 00:54:30,560
The fact that Zach knew the
voice actor.
974
00:54:30,560 --> 00:54:35,320
I I'm stunned and happy and will
happily give you a victory here,
975
00:54:35,320 --> 00:54:37,360
Bob.
Thank you so much, I really put
976
00:54:37,360 --> 00:54:39,480
in the work to earn this one
this week too so.
977
00:54:40,000 --> 00:54:42,560
I'll take that victory.
Yeah, that's right, Zach.
978
00:54:43,800 --> 00:54:46,160
I hope you'll appreciate that.
I was actually like really proud
979
00:54:46,160 --> 00:54:48,000
of this one.
I was like, Oh yeah, I'm gonna,
980
00:54:48,000 --> 00:54:50,880
I'm gonna put a little Knights,
the Old Republic mentioned in
981
00:54:50,880 --> 00:54:52,320
here.
Exactly, Yeah, 'cause that's
982
00:54:52,320 --> 00:54:54,240
great.
That's a great call back as well
983
00:54:54,240 --> 00:54:57,480
because it's sort of, in my
opinion, they've been chasing
984
00:54:57,480 --> 00:55:00,240
that Android character this
whole time and they've never
985
00:55:00,240 --> 00:55:02,800
nailed it again.
And honestly, I I thought of it
986
00:55:02,800 --> 00:55:10,840
because I think K2, SO like they
had to have used HK as like very
987
00:55:10,840 --> 00:55:14,600
heavy inspiration for the, the
Rogue One character.
988
00:55:14,600 --> 00:55:17,240
Yeah, especially the way he
talks to Jin, like all, you
989
00:55:17,240 --> 00:55:19,040
know, slap the taste out of your
mouth sort of thing.
990
00:55:19,040 --> 00:55:23,320
Like that's so him.
No, it's it's so him, am I right
991
00:55:23,320 --> 00:55:26,760
guys?
So HK.
992
00:55:27,480 --> 00:55:29,640
Bob.
Classic HK.
993
00:55:29,640 --> 00:55:31,960
Move.
All right, let's get back.
994
00:55:31,960 --> 00:55:33,280
Into talking and I fall in
order.
995
00:55:34,240 --> 00:55:36,800
Let's get back into talking
about Rogue One here, guys.
996
00:55:36,800 --> 00:55:39,200
And Brad, as we do it, As you
know, we've said that we're
997
00:55:39,200 --> 00:55:42,360
sipping on this Blackwood here.
I don't want to go too deep into
998
00:55:42,440 --> 00:55:44,520
our tasting notes on the
Blackwood, especially since I
999
00:55:44,520 --> 00:55:47,320
I'd really like to give this a
full review in an upcoming
1000
00:55:47,320 --> 00:55:50,680
episode, but especially coming
off of the Jim Beam.
1001
00:55:50,680 --> 00:55:55,240
Brad, I am picking up on this
toasted bourbon just like it's a
1002
00:55:55,240 --> 00:55:58,000
vanilla bomb on the nose.
And then when you get to the
1003
00:55:58,000 --> 00:56:04,160
palate, it's got like, it almost
has that sort of slightly tannic
1004
00:56:04,400 --> 00:56:07,440
black tea and mint from the
toasted oak.
1005
00:56:07,840 --> 00:56:10,320
I get a ton of black cherry on
this.
1006
00:56:10,320 --> 00:56:12,560
Like there's just there's a
depth of flavor here.
1007
00:56:12,880 --> 00:56:17,080
And you know, Brad, that I don't
typically go in for toasted
1008
00:56:17,080 --> 00:56:20,720
barrel bourbons, but this has a
really nice, I wouldn't call it
1009
00:56:20,720 --> 00:56:22,480
black tea, more like a Roy Bus
tea.
1010
00:56:22,480 --> 00:56:24,920
Like it's really, really, really
good, man.
1011
00:56:24,920 --> 00:56:27,600
And Zach, I think you guys are
hitting it out of the park with
1012
00:56:27,600 --> 00:56:32,040
this Batch 3.
Yeah, there there's a, oh, it's
1013
00:56:32,040 --> 00:56:35,760
like a BlackBerry citrus tea
that my wife gets that I'm a big
1014
00:56:35,760 --> 00:56:39,040
fan of that.
Like I literally drank this and
1015
00:56:39,040 --> 00:56:43,200
was like, Oh my God, it's a
better version of that because
1016
00:56:43,200 --> 00:56:46,680
it's whiskey.
There is so much incredible
1017
00:56:46,680 --> 00:56:49,840
flavour here.
And it's the, for me, the thing
1018
00:56:49,840 --> 00:56:51,760
that really stood out was the
viscosity.
1019
00:56:52,080 --> 00:56:56,280
Like this thing has an ability
to coat your palate, your tongue
1020
00:56:56,280 --> 00:56:59,720
to, to give you the flavours and
sit there for a while.
1021
00:57:00,360 --> 00:57:04,880
Dude, this is some good.
This is some daggone good
1022
00:57:04,880 --> 00:57:07,360
whiskey.
Yeah, it's absolutely, you know,
1023
00:57:07,360 --> 00:57:11,680
intentional and I agree, like
toasted finishes can get really
1024
00:57:11,680 --> 00:57:15,360
chewy and woody, like your
firewood kindling sort of not to
1025
00:57:15,360 --> 00:57:18,920
name many names, but the it's
sort of they think toasted means
1026
00:57:18,920 --> 00:57:21,960
it's got to be like the kindling
that's just been lit on fire or
1027
00:57:21,960 --> 00:57:23,560
whatever.
That's not really what the point
1028
00:57:23,560 --> 00:57:24,880
of toast it is.
Like when you're talking about a
1029
00:57:24,880 --> 00:57:28,160
toasted barrel, it's about
activating the sugars that are
1030
00:57:28,160 --> 00:57:30,600
in that barrel to make them more
accessible to the distillate,
1031
00:57:30,600 --> 00:57:34,840
right.
And so if you're doing that, you
1032
00:57:34,840 --> 00:57:36,920
want to have that creaminess,
you want to bring balance.
1033
00:57:36,920 --> 00:57:39,520
So like with with this the
balance.
1034
00:57:39,520 --> 00:57:41,440
To the force.
Yeah, balance, right?
1035
00:57:41,640 --> 00:57:43,560
Both are toasted dry and toasted
bourbon.
1036
00:57:43,880 --> 00:57:47,280
It's part of it is a sort of
sort of throwback to the heyday
1037
00:57:47,280 --> 00:57:50,520
of the 50s and 60s in American
whiskey when you had those Old
1038
00:57:50,520 --> 00:57:54,120
Fitz 64 and the Old Granddad won
fourteen in the 70s and the Old
1039
00:57:54,120 --> 00:57:58,520
Wellers antiques in the 60s as
well, where you had those like
1040
00:57:58,680 --> 00:58:03,720
bold, creamy, balanced, spicy,
like dark stewed fruit, sort of
1041
00:58:03,720 --> 00:58:06,200
bourbons that everyone's been
chasing ever since.
1042
00:58:06,480 --> 00:58:08,480
But can I can act to because,
you know, the the world's a
1043
00:58:08,480 --> 00:58:10,320
different place than it was in
the 50s and 60s.
1044
00:58:10,720 --> 00:58:15,600
And So what we've sort of done
here is found a way to get back
1045
00:58:15,600 --> 00:58:21,200
to those super balanced, super
creamy, bold whiskeys with those
1046
00:58:21,200 --> 00:58:25,160
flavor knows you guys so aptly
mentioned without having to, you
1047
00:58:25,160 --> 00:58:28,840
know, recreate it in the mash
bill of that.
1048
00:58:28,840 --> 00:58:31,080
We you simply don't have the
grains from back then.
1049
00:58:31,200 --> 00:58:32,480
You don't have to whip from back
then.
1050
00:58:32,800 --> 00:58:36,040
And so putting it in that
toasted barrel allows you to
1051
00:58:36,040 --> 00:58:39,800
pull those fresh caramelized
sugars out into an already good
1052
00:58:39,800 --> 00:58:43,360
distillate because it's a 7 to 9
year old Kentucky bourbon into a
1053
00:58:43,360 --> 00:58:47,040
good distillate and then a lower
char so that you're not
1054
00:58:47,040 --> 00:58:49,360
filtering, you're not losing
that through the filtration of
1055
00:58:49,360 --> 00:58:52,680
the charcoal, right.
And and for me, it's the sort of
1056
00:58:52,680 --> 00:58:56,360
thing where I can tell you, you
know, the story Blackwood farms
1057
00:58:56,360 --> 00:58:59,560
and country house and our our
origin story and you know, it's
1058
00:58:59,560 --> 00:59:04,680
all has complete veracity to it
and it's fun, fascinating story,
1059
00:59:04,920 --> 00:59:07,880
but I'd rather just pour you one
of these and be like tasteless.
1060
00:59:08,320 --> 00:59:10,760
But I gotta say, folks, the
bourbon is really, really good
1061
00:59:10,760 --> 00:59:14,200
and it has given me the courage
to move forward with my spicy
1062
00:59:14,200 --> 00:59:18,800
takes on this cast list.
The spicy take of all spicy
1063
00:59:18,800 --> 00:59:20,960
takes.
I'm gonna start right at the top
1064
00:59:20,960 --> 00:59:25,360
here, guys.
I love love me some Felicity
1065
00:59:25,360 --> 00:59:29,560
Jones.
Like she made a movie called
1066
00:59:29,560 --> 00:59:34,520
like crazy back in the day.
That was AI took Carrie to see
1067
00:59:34,520 --> 00:59:37,200
it Brad, and it was like the
tiniest little indie movie,
1068
00:59:37,960 --> 00:59:41,040
insanely good movie.
And then she she goes on to star
1069
00:59:41,040 --> 00:59:44,440
in the theory of everything and
I think she's even better than
1070
00:59:44,440 --> 00:59:48,200
Eddie Redmayne is in that movie.
She's like just fantastic in
1071
00:59:48,200 --> 00:59:50,080
that movie.
Bob Eddie Redmayne won the
1072
00:59:50,080 --> 00:59:54,200
Oscar.
There, I think she's actively
1073
00:59:54,200 --> 00:59:59,440
bad in this movie, Brad, and I
think that it it's a combination
1074
00:59:59,440 --> 01:00:01,320
of the way Gareth Edwards
directs her.
1075
01:00:01,640 --> 01:00:05,160
It's also just like, if I can be
frank here, there's just
1076
01:00:05,160 --> 01:00:08,440
something about her sort of like
her make up as a person and and
1077
01:00:08,440 --> 01:00:11,600
her like constitution.
She is like a very she plays
1078
01:00:11,600 --> 01:00:15,880
very fragile and kind of
delicate people in movies and I
1079
01:00:15,880 --> 01:00:18,720
think she she taps into that
really, really well.
1080
01:00:19,920 --> 01:00:22,080
Kind of similar to what you got
with.
1081
01:00:22,400 --> 01:00:24,920
Natalie Portman.
But then you see how George
1082
01:00:24,920 --> 01:00:28,200
Lucas directs Natalie Portman in
like the second and third
1083
01:00:28,200 --> 01:00:30,720
installments of the prequel
trilogy and she's a freaking
1084
01:00:30,720 --> 01:00:33,000
badass.
And there really wasn't any
1085
01:00:33,000 --> 01:00:36,400
point in this film where I
didn't feel like Felicity Jones
1086
01:00:36,400 --> 01:00:40,480
was just pretending when she
gives her rousing speech to the
1087
01:00:40,480 --> 01:00:43,000
whole group of rebels.
It does not work at all.
1088
01:00:43,360 --> 01:00:46,960
And it really, honestly makes me
appreciate Daisy Ridley even
1089
01:00:46,960 --> 01:00:51,240
more as Rey, because I think Rey
can shoulder a lot of both the
1090
01:00:51,240 --> 01:00:55,360
emotional weight of her
character and the badassery in a
1091
01:00:55,360 --> 01:00:58,000
way that Felicity Jones just
does not pull off here.
1092
01:00:58,440 --> 01:01:02,080
So you know the bipolarness of
that, right?
1093
01:01:02,680 --> 01:01:06,480
Like you guys remember the there
was the first trailer, which
1094
01:01:06,480 --> 01:01:09,600
there's exactly 0 footage from
the film in that trailer.
1095
01:01:10,200 --> 01:01:12,760
So the first kind of the film
where she's like I rebel.
1096
01:01:12,760 --> 01:01:16,120
Like she's a hardcore rebel.
Oh yeah, I do remember that one
1097
01:01:16,120 --> 01:01:18,280
now, yeah.
Basically that's what Tony
1098
01:01:18,280 --> 01:01:21,280
Gilroy was brought on and they
completely re shot her entire
1099
01:01:21,280 --> 01:01:28,720
character and so there is there
is a reason why she's not all
1100
01:01:28,720 --> 01:01:30,520
there.
Interesting.
1101
01:01:30,880 --> 01:01:33,600
Yeah, which is it's no, it's no
excuse.
1102
01:01:33,720 --> 01:01:36,400
That's that's a fault.
This film 100%.
1103
01:01:37,240 --> 01:01:38,960
So are you guys with me on this
take then?
1104
01:01:38,960 --> 01:01:43,280
It's not as spicy as it seems.
Yeah, I the first time through,
1105
01:01:43,280 --> 01:01:46,800
I gave 0 rips about her.
I thought she was a terrible
1106
01:01:46,800 --> 01:01:49,720
character.
This time through, I think that
1107
01:01:49,720 --> 01:01:54,400
there's places where you're, you
see her acting chops come
1108
01:01:54,400 --> 01:01:56,880
through.
I'm thinking of when she goes
1109
01:01:56,880 --> 01:01:59,240
and picks up the child in the
middle of the battle.
1110
01:01:59,480 --> 01:02:02,880
I'm thinking when she tears up
and is like losing it,
1111
01:02:02,880 --> 01:02:06,200
overseeing her father for the
first time in like 20 years.
1112
01:02:07,080 --> 01:02:10,080
It's those more emotional
moments where I think she
1113
01:02:10,080 --> 01:02:12,640
shines.
So I yeah, I'm kind of with you,
1114
01:02:12,640 --> 01:02:15,720
Bob.
Like when she has a chance, the
1115
01:02:15,720 --> 01:02:18,360
camera can just sit on her and
she can have an emotional
1116
01:02:18,360 --> 01:02:22,480
moment.
I like her the rest of the film,
1117
01:02:22,480 --> 01:02:25,800
though.
She's not an action hero.
1118
01:02:26,760 --> 01:02:30,400
She doesn't really have an arc.
Like, let's face it, like she
1119
01:02:30,400 --> 01:02:33,760
starts off as like, OK, the
rebels pick me up, I'm going to
1120
01:02:33,760 --> 01:02:36,360
go do this and she does it and
that's it.
1121
01:02:36,360 --> 01:02:39,440
Whereas you look at like
Cassian, a lot of the heavy
1122
01:02:39,440 --> 01:02:42,880
lifting of the ark and the
emotional thrust of the story is
1123
01:02:42,880 --> 01:02:46,240
put on him because he goes from
like a rebel willing to kill his
1124
01:02:46,240 --> 01:02:49,360
sources to being able to die for
the wanting to die for the
1125
01:02:49,360 --> 01:02:53,520
'cause, you know, and sort of
that's another fault of the
1126
01:02:53,520 --> 01:02:55,480
script.
Like you can have both of them
1127
01:02:55,480 --> 01:02:58,480
have an ark, you know, you can
have her be like, you know, I'm
1128
01:02:58,480 --> 01:03:00,200
a rebel, I rebel.
What do you want me to do?
1129
01:03:00,200 --> 01:03:04,160
Be, you know, nice.
Because again, it's hard because
1130
01:03:04,160 --> 01:03:06,840
I keep going into like, Canon
here, but she was raised by Saw
1131
01:03:06,840 --> 01:03:08,720
Guerrero, right, who was a
terrorist rebel.
1132
01:03:09,160 --> 01:03:11,680
And, you know, they very clearly
say, you know, Moth was says
1133
01:03:11,680 --> 01:03:14,360
like, yeah, he was too extreme
for us, so we got rid of him.
1134
01:03:15,240 --> 01:03:18,560
And that's how her original
character supposedly was in the
1135
01:03:18,560 --> 01:03:21,200
script where she was kind of an
extremist.
1136
01:03:22,000 --> 01:03:24,400
And then she had to learn to
play ball, which is an arc,
1137
01:03:24,400 --> 01:03:26,600
right?
And they completely took that
1138
01:03:26,600 --> 01:03:29,720
out, which is 100% hard to
ignore in this film.
1139
01:03:31,920 --> 01:03:34,120
Cool.
Well, that, man, that that did
1140
01:03:34,120 --> 01:03:37,680
not elicit the spicy reactions I
thought it was gonna get.
1141
01:03:37,680 --> 01:03:38,960
It sounds like we all.
Really.
1142
01:03:39,200 --> 01:03:43,120
Go back to my point, that's not
her fault, that's that's Gareth
1143
01:03:43,120 --> 01:03:44,720
Edwards and Tony Kilroy's fault.
Yeah.
1144
01:03:45,280 --> 01:03:46,720
Actors like she's an amazing
actress.
1145
01:03:46,720 --> 01:03:47,800
I just wanted to make that
clear.
1146
01:03:47,800 --> 01:03:51,240
Like she was doing her job the
best of her ability and she kind
1147
01:03:51,240 --> 01:03:53,720
of got a shit sandwich of a
script when they started
1148
01:03:53,720 --> 01:03:58,640
reshooting. 100% man, I do think
Diego Luna is just being Diego
1149
01:03:58,640 --> 01:04:01,760
Luna and that's really, really
great for what this movie needs.
1150
01:04:01,760 --> 01:04:08,120
He is just, he has such an air
of I don't know, chill about
1151
01:04:08,120 --> 01:04:09,240
him.
Like everything just seems to
1152
01:04:09,240 --> 01:04:11,400
kind of roll off his back even
when he's in high pressure
1153
01:04:11,400 --> 01:04:14,320
situations.
He kind of reminds me of like
1154
01:04:14,360 --> 01:04:16,760
pre Marvel Mark Ruffalo that
way.
1155
01:04:16,760 --> 01:04:20,640
He has that sort of like shaggy
chill guy quality Brad.
1156
01:04:20,640 --> 01:04:23,160
This is at least the 2nd movie
we've talked about with him in
1157
01:04:23,160 --> 01:04:27,400
it after his smaller role in The
Terminal, but he was even really
1158
01:04:27,400 --> 01:04:30,480
good in that movie and I, I just
think he's really welcome here.
1159
01:04:30,600 --> 01:04:32,920
I'm glad they continued to
develop this character with the
1160
01:04:32,920 --> 01:04:36,560
Andor TV show.
If there's a spicy take
1161
01:04:36,560 --> 01:04:39,800
remaining in my cast list, I
don't know, like I was kind of
1162
01:04:39,800 --> 01:04:43,360
excited to see Forest Whitaker
show up and then I was like, oh,
1163
01:04:43,360 --> 01:04:45,640
that's what we're doing here.
Oh, OK.
1164
01:04:46,040 --> 01:04:50,480
That my guy was not just chewing
scenery, but he like he was in a
1165
01:04:50,480 --> 01:04:52,360
different movie if I'm being
honest.
1166
01:04:52,600 --> 01:04:55,520
Yeah, I mean, let's go back to
what Zach talked about earlier
1167
01:04:55,520 --> 01:04:58,840
with cartoon characters in a
live action setting.
1168
01:04:59,560 --> 01:05:03,400
Saw Guerrero was originally a
cartoon character and they
1169
01:05:03,400 --> 01:05:08,560
brought him into a live action
setting and man, oh man, I I
1170
01:05:08,560 --> 01:05:13,360
think he was like the main turn
off for me the first time I saw
1171
01:05:13,360 --> 01:05:16,040
this.
This time around I had a little
1172
01:05:16,040 --> 01:05:21,200
more grace for him, but man, I
do not like Forest Whitaker in
1173
01:05:21,200 --> 01:05:24,040
this movie.
Guys, it is not my favorite.
1174
01:05:24,920 --> 01:05:27,560
Yeah, luckily it's short, like
if they're smart enough at least
1175
01:05:27,560 --> 01:05:29,200
not to make him an integral part
of the.
1176
01:05:31,240 --> 01:05:35,080
But again, watch like I, I hate
to say this again, broken
1177
01:05:35,080 --> 01:05:37,280
record.
Go back and watch that original
1178
01:05:37,280 --> 01:05:39,720
trailer for this film.
Its character was completely
1179
01:05:39,720 --> 01:05:41,680
different.
Like all those things were
1180
01:05:41,680 --> 01:05:47,240
reshot.
And so, you know, not in any way
1181
01:05:47,240 --> 01:05:50,240
being like Snyder Cutter or
anything like that, but it's
1182
01:05:50,240 --> 01:05:54,960
it's curious like the like the
bipolarness of this film
1183
01:05:54,960 --> 01:05:57,640
sometimes where you're just like
saws this, you know, insane
1184
01:05:57,640 --> 01:06:00,720
terrorist rebel who, you know,
obviously has been through so
1185
01:06:00,720 --> 01:06:01,280
much.
And they do.
1186
01:06:01,280 --> 01:06:04,880
So they do a wonderful job of
showing visually showing, not
1187
01:06:04,880 --> 01:06:07,480
telling that he's, you know, a
hardcore veteran.
1188
01:06:08,280 --> 01:06:13,400
But then it's just sort of like
there's no purpose there.
1189
01:06:13,400 --> 01:06:15,880
Like there's no like they could
have.
1190
01:06:16,120 --> 01:06:19,360
They could have accomplished
that in such a more fastidious
1191
01:06:19,360 --> 01:06:22,240
way.
I kept expecting him to show up
1192
01:06:22,240 --> 01:06:26,440
later in the movie and like be a
surprise bad guy or something.
1193
01:06:26,440 --> 01:06:30,840
Because the way that they send
his character off, he's, I don't
1194
01:06:30,840 --> 01:06:34,920
remember exactly what he says,
but he basically just goes go be
1195
01:06:34,920 --> 01:06:37,840
free.
Like he's releasing her into an
1196
01:06:37,840 --> 01:06:40,440
open pasture.
And then they just cut away from
1197
01:06:40,520 --> 01:06:41,600
him.
And I'm like, what?
1198
01:06:41,600 --> 01:06:44,280
What's that?
That surely that can't be the
1199
01:06:44,280 --> 01:06:46,440
end of his character, But it
was.
1200
01:06:48,400 --> 01:06:50,720
Did did you want a 10 minute
back story on him, Bob?
1201
01:06:51,400 --> 01:06:55,320
No, I just like he says
something that is so
1202
01:06:55,680 --> 01:06:59,280
outlandishly cheesy.
It's something like be free.
1203
01:06:59,520 --> 01:07:04,120
He's like, you know, continue to
play the game or something and
1204
01:07:04,120 --> 01:07:06,480
she she runs off and he gets
buried alive.
1205
01:07:06,480 --> 01:07:08,640
And I guess that's that's how he
wanted to go out.
1206
01:07:09,320 --> 01:07:12,440
Yeah, I mean, it's, it's, it's
again, it's Star Wars, right?
1207
01:07:12,440 --> 01:07:15,720
It's it's got a lot of fat and
cheese that are you.
1208
01:07:15,720 --> 01:07:19,280
Sometimes you got to kind of
like this is my perfect, my
1209
01:07:19,280 --> 01:07:25,520
perfect 44 year old father of
two Star Wars synopsis.
1210
01:07:26,160 --> 01:07:28,640
Perfect for a Sunday afternoon
where you fall asleep two or
1211
01:07:28,640 --> 01:07:30,560
three times during each movie.
Yep.
1212
01:07:30,840 --> 01:07:33,200
And usually fall asleep during
the dumb parts like that and
1213
01:07:33,200 --> 01:07:35,840
wake up for the fun parts.
Yeah, as long as you wake up
1214
01:07:35,920 --> 01:07:37,760
later at the end.
Yeah.
1215
01:07:37,920 --> 01:07:39,720
You know, then you really didn't
miss much, you know?
1216
01:07:40,280 --> 01:07:42,600
Yeah.
And honestly like to talk about
1217
01:07:42,600 --> 01:07:44,040
things that I like in this
movie.
1218
01:07:44,880 --> 01:07:50,800
I think that they nail the Star
Wars visual style of what it
1219
01:07:50,800 --> 01:07:53,120
looks like to have a space
battle, what it looks like to
1220
01:07:53,120 --> 01:07:55,840
have a ground battle, and what
it looks like to be up close
1221
01:07:55,840 --> 01:07:58,440
with your main hero.
Like, like we see this in so
1222
01:07:58,440 --> 01:08:01,080
many of the movies where it's
like, let's have a bunch of
1223
01:08:01,280 --> 01:08:03,920
spaceships fight each other and
it's going to look awesome.
1224
01:08:03,920 --> 01:08:06,920
We're going to have a bunch of
people on the ground explode and
1225
01:08:06,920 --> 01:08:08,640
shoot each other and it's going
to look awesome.
1226
01:08:08,640 --> 01:08:10,520
And then we're also going to
follow our heroes.
1227
01:08:10,920 --> 01:08:14,480
And I think that they really
nailed that aspect of the movie
1228
01:08:14,480 --> 01:08:16,760
at the end.
And you're right, Bob, they make
1229
01:08:16,760 --> 01:08:22,040
the Star Destroyers look so
freaking cool in this movie.
1230
01:08:22,160 --> 01:08:26,000
And when they're like knocking
into each other and destroying
1231
01:08:26,000 --> 01:08:29,880
the the planetary shield, that
there's just so much of that
1232
01:08:29,880 --> 01:08:35,120
that feels awesome in the proper
Star Wars way.
1233
01:08:36,800 --> 01:08:39,600
So, Brad, we're in a really
unique position here this week
1234
01:08:39,600 --> 01:08:43,479
because we are in the middle of
a run of three Star Wars films.
1235
01:08:43,880 --> 01:08:47,200
And so next week is going to be
even more interesting for a
1236
01:08:47,200 --> 01:08:50,520
number of reasons, but because
we won't just be comparing it to
1237
01:08:50,520 --> 01:08:53,479
one other film, we'll be
comparing it to its predecessor
1238
01:08:53,479 --> 01:08:55,240
in the trilogy, but also to this
movie.
1239
01:08:55,800 --> 01:08:59,680
But for now, I, I really want to
pick your brain because I've,
1240
01:08:59,760 --> 01:09:03,200
I've been struggling to compare
this to The Force Awakens.
1241
01:09:03,880 --> 01:09:07,760
And I think that where I'm
landing on this, Brad, is this
1242
01:09:07,760 --> 01:09:10,840
is the, the kind of Star Wars
movie I'd rather see for.
1243
01:09:10,840 --> 01:09:13,439
If you're going to make a movie
for grown-ups like this is the
1244
01:09:13,439 --> 01:09:14,720
direction you need to go with
it.
1245
01:09:15,479 --> 01:09:19,240
But between the two movies,
there is a perfect Star Wars
1246
01:09:19,240 --> 01:09:21,880
film buried in there somewhere.
If you could just kind of
1247
01:09:21,880 --> 01:09:24,319
Frankenstein together some
elements of each.
1248
01:09:25,200 --> 01:09:29,080
Because for all of his faults,
JJ Abrams has always been
1249
01:09:29,080 --> 01:09:33,880
really, really good at getting
you to care about characters.
1250
01:09:33,880 --> 01:09:37,279
Whether you agree with those
characters arcs or not, He makes
1251
01:09:37,279 --> 01:09:41,960
you feel the weight of their
decisions and their emotional
1252
01:09:41,960 --> 01:09:44,120
arcs.
Like I think about the TV show
1253
01:09:44,120 --> 01:09:47,560
Lost, which ultimately I think
suffers from the same thing as
1254
01:09:47,560 --> 01:09:51,359
his sequels, which is just like,
I'm never going to actually
1255
01:09:51,359 --> 01:09:53,520
reveal what's going on.
I'm going to continue playing
1256
01:09:53,520 --> 01:09:57,120
this mystery box thing until you
figure out that that that I'm
1257
01:09:57,120 --> 01:09:59,880
just stalling for time.
But in the interim, I'm going to
1258
01:09:59,880 --> 01:10:04,240
get you really invested in where
this might be going by writing
1259
01:10:04,240 --> 01:10:07,080
these characters backstories in
in a really profound way.
1260
01:10:07,720 --> 01:10:09,280
And that's.
Why Mission Impossible Three is
1261
01:10:09,280 --> 01:10:11,280
one of my favorites.
I freaking love Mission
1262
01:10:11,280 --> 01:10:15,000
Impossible three man like, and I
think that if this movie had
1263
01:10:15,000 --> 01:10:19,040
more of Abraham's ability to
make you care about characters,
1264
01:10:19,280 --> 01:10:22,920
this might end up being my
favorite Star Wars movie because
1265
01:10:22,920 --> 01:10:27,880
it's got the visuals, It's got
the ultimate tragic arc, but the
1266
01:10:27,880 --> 01:10:30,360
tragic arc doesn't land as hard
as it should.
1267
01:10:31,200 --> 01:10:34,800
And so I guess I'm, I'm
wondering, Brad, like let's draw
1268
01:10:34,800 --> 01:10:38,400
comparisons, but also like, am I
way off base and thinking that
1269
01:10:38,400 --> 01:10:41,080
there's a almost perfect Star
Wars movie somewhere between
1270
01:10:41,080 --> 01:10:43,440
these two?
No, I I think you're, you're
1271
01:10:43,440 --> 01:10:48,000
right in line, Bob.
The problem with there's so many
1272
01:10:48,000 --> 01:10:54,520
problems with Force Awakens.
The problem for me is that The
1273
01:10:54,880 --> 01:11:04,400
Force Awakens feels so much
shinier than this one and has,
1274
01:11:04,680 --> 01:11:08,480
in my opinion, just so much bad
dialogue.
1275
01:11:08,840 --> 01:11:12,320
There are elements of I care
more about the characters in The
1276
01:11:12,320 --> 01:11:18,080
Force Awakens, but the Rogue One
just looks like a Star Wars
1277
01:11:18,080 --> 01:11:20,080
movie.
It plays like a Star Wars movie.
1278
01:11:20,080 --> 01:11:21,720
It sounds like a Star Wars
movie.
1279
01:11:21,720 --> 01:11:24,800
And it, and you're right, Zach,
I honestly, I'd never thought of
1280
01:11:24,800 --> 01:11:28,800
it before in that terms of like,
what is the big punch that this
1281
01:11:28,800 --> 01:11:31,720
movie delivers like and that
being an important element of
1282
01:11:31,720 --> 01:11:33,880
the Star Wars universe.
But I'm with you.
1283
01:11:34,040 --> 01:11:38,760
Like, I think that Abrams tries
to do that not just with I think
1284
01:11:38,760 --> 01:11:41,320
he does try to do it with the
the lightsaber moment.
1285
01:11:41,560 --> 01:11:46,000
I think he tries to do it with
Han Solo and Kylo right when
1286
01:11:46,000 --> 01:11:48,560
they meet on the bridge and and
Kylo kills him.
1287
01:11:48,560 --> 01:11:52,120
I think he's trying to deliver
that big punch there, but we all
1288
01:11:52,120 --> 01:11:54,000
know that Kylo is going to kill
him.
1289
01:11:54,200 --> 01:11:56,840
So it kind of takes away from
that.
1290
01:11:57,440 --> 01:12:01,640
I, I think Rogue One succeeds in
those areas, but I'm with you
1291
01:12:01,640 --> 01:12:04,400
100%.
My I, I think my take away the
1292
01:12:04,400 --> 01:12:07,040
first time I watch this is still
my take away the second time.
1293
01:12:07,760 --> 01:12:09,640
I don't care about these
characters.
1294
01:12:10,160 --> 01:12:14,800
Like the only reason I care
about the faux Jedi, the the
1295
01:12:14,800 --> 01:12:20,600
blind faux blind Jedi and his
guardian companion is because a,
1296
01:12:21,520 --> 01:12:26,280
they mimic more characters from
Knights of the Old Republic,
1297
01:12:26,320 --> 01:12:31,360
which I don't know, Zach, if you
kind of caught that, but but
1298
01:12:31,360 --> 01:12:33,520
they have great chemistry with
each other.
1299
01:12:33,960 --> 01:12:36,800
And like, that's the only reason
I care about them.
1300
01:12:36,800 --> 01:12:39,040
They don't have a great arc.
They're not actually that
1301
01:12:39,040 --> 01:12:42,480
interesting of characters.
The actors have great chemistry
1302
01:12:42,480 --> 01:12:45,000
together and that makes me a
little sad when they die.
1303
01:12:45,280 --> 01:12:50,000
And I think that's why Felicity
Jones and Diego Luna don't work
1304
01:12:50,000 --> 01:12:51,720
great.
I don't think that they have
1305
01:12:51,720 --> 01:12:53,360
really good chemistry with each
other.
1306
01:12:53,760 --> 01:12:56,960
Yeah, especially like Jianwen
and Donnie yen, like you can
1307
01:12:56,960 --> 01:12:59,400
tell they're brothers to the
death, right?
1308
01:12:59,800 --> 01:13:02,760
But I also think like sort of
going back to Bob's point, like
1309
01:13:03,360 --> 01:13:06,400
the the problem with Force
Awakens is the rebels don't look
1310
01:13:06,400 --> 01:13:09,360
like rebels.
They look like a very well
1311
01:13:09,360 --> 01:13:14,040
funded private army from like
Baxter or whatever.
1312
01:13:14,240 --> 01:13:18,480
Whereas in Rogue One, they look
like the rebels who are a Ray
1313
01:13:18,480 --> 01:13:21,400
Tang group.
I mean, look, we George Lucas
1314
01:13:21,400 --> 01:13:23,880
has said like he was thinking of
the Vietcong and and the
1315
01:13:23,880 --> 01:13:26,640
American Empire when he was
writing New Hope, right?
1316
01:13:26,640 --> 01:13:28,440
Which is like, yeah, that's an
obvious illusion, right?
1317
01:13:28,440 --> 01:13:31,480
That's an obvious parallel where
how can these like Ray take
1318
01:13:31,640 --> 01:13:35,600
group of, you know, guerrillas
take on an empire and win?
1319
01:13:37,200 --> 01:13:40,040
You know, it was 74 was the fall
of Saigon 7576.
1320
01:13:40,040 --> 01:13:41,440
He's right.
And it's obviously that's the
1321
01:13:41,440 --> 01:13:44,240
big thing you would be thinking
about in your mind, not that the
1322
01:13:44,240 --> 01:13:47,560
rebels are the Vietcong.
That's, you know, it's not
1323
01:13:47,840 --> 01:13:51,000
literal, right.
And I felt for the first time
1324
01:13:51,000 --> 01:13:53,560
ever, and I think George Lucas
told Gareth Edwards and Tony
1325
01:13:53,560 --> 01:13:57,600
Gilroy, this Rogue One's his
favorite film in the series of
1326
01:13:57,600 --> 01:14:00,200
the new ones because it felt
like that.
1327
01:14:00,360 --> 01:14:03,840
It felt like these were actual
rebels who were, who weren't all
1328
01:14:03,840 --> 01:14:07,040
united and there were different
factions, but they were ragtag
1329
01:14:07,040 --> 01:14:09,920
and they were, you know, they
were, you know, emaciated and
1330
01:14:09,920 --> 01:14:12,520
they, they had morals that were
all over the place.
1331
01:14:12,520 --> 01:14:16,640
And, you know, it wasn't this
like, oh, in Force Awakens, we
1332
01:14:16,640 --> 01:14:20,400
are the perfect good guys who
look perfect and are perfectly
1333
01:14:20,400 --> 01:14:22,680
coiffed and shaved and
uniformed.
1334
01:14:22,960 --> 01:14:25,640
It's like, well, that's not
rebels.
1335
01:14:25,640 --> 01:14:29,720
That's, you know, army for hire.
And that's what they literally
1336
01:14:29,720 --> 01:14:32,400
say in Last Jedi, which people
got kind of pissed off about.
1337
01:14:32,880 --> 01:14:38,520
But you know, I, I do like
Gareth Edward said when George
1338
01:14:38,520 --> 01:14:41,560
Lucas told him Rogue One was his
favorite Star Wars movie that he
1339
01:14:41,560 --> 01:14:44,040
didn't make.
He says I can die happy now, but
1340
01:14:44,040 --> 01:14:47,840
I can see it.
I can see that being that could
1341
01:14:47,840 --> 01:14:50,040
have been new or sorry, that
could have been Force awakens.
1342
01:14:50,360 --> 01:14:51,960
Force Awakens could have looked
like that.
1343
01:14:51,960 --> 01:14:54,560
It could have felt like that.
And so Bob, I agree with you.
1344
01:14:54,800 --> 01:15:00,000
Like the aesthetic of Rogue One.
Put that on to Force Awakens,
1345
01:15:00,000 --> 01:15:03,480
and I think Force Awakens
becomes marginally, but not
1346
01:15:03,480 --> 01:15:05,240
marginally.
It becomes exponentially better
1347
01:15:05,520 --> 01:15:08,680
just from that care alone.
Obviously there are other
1348
01:15:08,680 --> 01:15:10,680
problems with the script and
blah blah blah, but that doesn't
1349
01:15:10,680 --> 01:15:12,840
matter.
The look was wrong in Force
1350
01:15:12,840 --> 01:15:16,240
Awakens, right?
Yeah, which we we touched on
1351
01:15:16,240 --> 01:15:19,240
last week too, Brad.
And, and I think that this might
1352
01:15:19,240 --> 01:15:21,880
be a good natural segue into
getting into our last segment of
1353
01:15:21,880 --> 01:15:24,480
the day, 'cause now we're we're
pairing this up with Force
1354
01:15:24,480 --> 01:15:26,400
Awakens.
So let's see what other movies
1355
01:15:26,400 --> 01:15:28,960
we want to pair this up with
with our last segment.
1356
01:15:28,960 --> 01:15:31,680
Let's make it a double.
We're near the end of the
1357
01:15:31,760 --> 01:15:35,040
episodes of Things, listening to
the film and Whiskey Show.
1358
01:15:35,480 --> 01:15:37,600
Let's pair another film with
this one, even if it's
1359
01:15:37,600 --> 01:15:39,480
struggling.
It's a final segment of the day.
1360
01:15:39,480 --> 01:15:42,160
Now let's make it a double.
Let's Make It a Double is the
1361
01:15:42,160 --> 01:15:45,280
part of the show where we pick a
movie to pair up with this one
1362
01:15:45,280 --> 01:15:47,120
to make the perfect double
feature.
1363
01:15:47,960 --> 01:15:51,000
Zach, you are on A roll today.
Man, I I did not know that you
1364
01:15:51,000 --> 01:15:54,440
felt this strongly about this
film and or the Star Wars saga
1365
01:15:54,440 --> 01:15:57,480
in general.
So I'm going to ask you what
1366
01:15:57,480 --> 01:15:59,960
would make the best double
feature for this film?
1367
01:16:00,840 --> 01:16:03,800
So I'm going to, I'm going to go
back to the the 70s well, which
1368
01:16:03,800 --> 01:16:08,080
you guys probably know well by
now from me, but I'm going with
1369
01:16:08,640 --> 01:16:11,040
Kelly's heroes.
Oh nice.
1370
01:16:11,040 --> 01:16:14,480
It's a World War Two heist film
and at the core, Rogue One is a
1371
01:16:14,480 --> 01:16:16,400
heist film.
Like Brad, like you said, the
1372
01:16:16,400 --> 01:16:18,200
second-half of the film where
the heist starts, that's when
1373
01:16:18,200 --> 01:16:20,680
the film kind of starts.
Like it, like in a good Star
1374
01:16:20,680 --> 01:16:22,320
Wars movie, it starts 40 minutes
in.
1375
01:16:23,640 --> 01:16:26,800
But the Kelly's heroes, you
know, it's a sort of, you know,
1376
01:16:26,800 --> 01:16:31,160
the, you know, these, these
rebels in the American American
1377
01:16:31,160 --> 01:16:35,040
GIS who are rebels who go AWOL
to go get some gold from the
1378
01:16:35,040 --> 01:16:37,320
Nazis and have to, you know,
fight their way back through
1379
01:16:37,920 --> 01:16:40,800
ridiculous odds.
Just like the battle Scara for
1380
01:16:40,800 --> 01:16:43,920
the, you know, they're fighting,
you know, ATATS and like trying
1381
01:16:43,920 --> 01:16:45,680
to blow them up and they just,
you know, turn back and look at
1382
01:16:45,680 --> 01:16:46,640
them.
You know, they're fighting
1383
01:16:47,280 --> 01:16:49,400
Panzer tanks and Tiger tanks in
the end of that film.
1384
01:16:49,400 --> 01:16:53,000
And it's a very similar vibe
where, you know, it's it's
1385
01:16:53,000 --> 01:16:55,880
insurmountable odds for, you
know, oddball and Claremont and
1386
01:16:55,880 --> 01:17:00,000
the whole team to like get
through out of France, back
1387
01:17:00,000 --> 01:17:04,000
through the German lines and
back into home territory.
1388
01:17:04,000 --> 01:17:05,920
And it just feels like also it's
more light hearted.
1389
01:17:05,920 --> 01:17:08,680
I mean, it's as comedy.
It's a 70s comedy, so the
1390
01:17:08,680 --> 01:17:11,240
comedies are very dry and kind
of weird sometimes.
1391
01:17:11,680 --> 01:17:14,240
But it's a nice little throwback
and it's a lot lighter and it's
1392
01:17:14,240 --> 01:17:16,080
a little more fun.
Everybody doesn't die in the
1393
01:17:16,080 --> 01:17:18,760
end.
You know what, I'm I'm glad you
1394
01:17:18,760 --> 01:17:21,840
said that one because I was
thinking at first this reminds
1395
01:17:21,840 --> 01:17:26,400
me of like The Dirty Dozen or
not, not the guns of Navarone.
1396
01:17:26,400 --> 01:17:28,800
What's the other one?
Force 10 from Navarone, like all
1397
01:17:28,800 --> 01:17:31,120
of these kind of almost
exploitative.
1398
01:17:31,520 --> 01:17:35,120
We're gonna send dudes into
World War Two and just, you
1399
01:17:35,160 --> 01:17:37,280
know, everything that influenced
Inglourious Basterds
1400
01:17:37,280 --> 01:17:39,320
essentially.
I think you could definitely
1401
01:17:39,320 --> 01:17:42,120
pair this movie up with.
But also a killer cast, right?
1402
01:17:42,640 --> 01:17:45,200
He's 100%.
Don Rickles, Carol O'Connor
1403
01:17:45,200 --> 01:17:47,600
Donald Sutherland who just
passed Henry.
1404
01:17:47,600 --> 01:17:51,200
All right, P man.
You know, like a real like, you
1405
01:17:51,360 --> 01:17:55,040
know, of the time heavy hitter
cast again, just like Rogue One
1406
01:17:55,040 --> 01:17:58,920
heavy hitter cast of the time.
And so, you know, I think, and
1407
01:17:58,920 --> 01:18:02,680
it's also, like I said, it's a
comedy heist or it's not.
1408
01:18:03,000 --> 01:18:04,920
You're not going to watch at the
enemy.
1409
01:18:04,920 --> 01:18:07,280
Like, Oh well, they all died,
OK.
1410
01:18:09,680 --> 01:18:12,880
I think ultimately the reason I
didn't decide to go with Dirty
1411
01:18:12,880 --> 01:18:15,560
Dozen here is that tragic arc.
And so I wanted to think of
1412
01:18:15,560 --> 01:18:18,120
something a little bit that
follows that path a little bit
1413
01:18:18,120 --> 01:18:20,200
more.
And I think I'm ultimately going
1414
01:18:20,200 --> 01:18:24,200
to go with a movie, Brad, that
is a war film that takes a
1415
01:18:24,320 --> 01:18:28,760
ragtag group of soldiers who
have come from oppressed
1416
01:18:28,760 --> 01:18:33,480
backgrounds, just like in this
movie that culminates in a a
1417
01:18:33,480 --> 01:18:37,400
doomed raid on a Fort on a sandy
beach.
1418
01:18:37,880 --> 01:18:43,480
That is the 1989 Civil War film
Glory by Edward Zwick with
1419
01:18:43,480 --> 01:18:45,440
Denzel Washington, Matthew
Broderick.
1420
01:18:46,040 --> 01:18:48,960
That movie's freaking slaps.
It's a film we have never talked
1421
01:18:48,960 --> 01:18:51,040
about on this podcast before.
I don't know if you've ever seen
1422
01:18:51,040 --> 01:18:54,440
Glory.
No, I, I I have never seen
1423
01:18:54,440 --> 01:18:58,400
glory.
Oh man, oh so good dude.
1424
01:18:59,320 --> 01:19:04,560
Tearjerker, but like a true dad
movie, like a really good It's
1425
01:19:04,560 --> 01:19:07,800
on AMC at at 2:30 in the
afternoon on a Saturday.
1426
01:19:07,880 --> 01:19:10,680
Yeah.
But so it's phenomenal that
1427
01:19:10,680 --> 01:19:12,520
alone.
Yeah, 100%.
1428
01:19:13,200 --> 01:19:16,080
Denzel wins his first Oscar for
this movie, and it's it's really
1429
01:19:16,080 --> 01:19:18,280
well deserved.
I can't recommend it highly
1430
01:19:18,280 --> 01:19:19,760
enough.
So I'm going with glory.
1431
01:19:20,200 --> 01:19:22,120
Brad, that means you get to
round us out here.
1432
01:19:23,080 --> 01:19:28,280
Bob, I think I'm going to pick a
two film arc.
1433
01:19:30,160 --> 01:19:31,600
Are we OK with that?
Sure.
1434
01:19:32,600 --> 01:19:36,520
I am going to lean into the two
elements we've kind of talked
1435
01:19:36,520 --> 01:19:39,240
about.
I think that the first, I think
1436
01:19:39,240 --> 01:19:44,800
both movies do this really well.
They establish a fight for
1437
01:19:44,800 --> 01:19:50,840
humanity against all odds and
there's no feasible chance that
1438
01:19:50,840 --> 01:19:55,880
they ought to win this battle.
And I think it nails the tragic
1439
01:19:55,880 --> 01:19:59,360
arc.
I'm talking Terminator and
1440
01:19:59,360 --> 01:20:05,960
Terminator two baby.
I'm so happy that I have,
1441
01:20:05,960 --> 01:20:08,440
whether you acknowledge it or
not, that I have made a Jim
1442
01:20:08,440 --> 01:20:11,240
Cameron fan out of you over the
course of this podcast.
1443
01:20:12,320 --> 01:20:14,880
The only thing, the only thing
better is if you could have just
1444
01:20:14,880 --> 01:20:17,000
said that you're pairing it up
with True Lies.
1445
01:20:17,520 --> 01:20:20,280
Oh dude, that's not a bad one
either.
1446
01:20:21,040 --> 01:20:24,400
I just I really wish that we can
get a cut.
1447
01:20:24,400 --> 01:20:29,240
Where Cassian and as he and
Felicity Jones are like holding
1448
01:20:29,240 --> 01:20:33,160
each other as the the nuclear
bomb explodes around them.
1449
01:20:33,480 --> 01:20:35,320
If he just like threw a thumbs
up.
1450
01:20:36,080 --> 01:20:40,280
Yeah, or it could just be a a
complete mimic of that scene in
1451
01:20:40,280 --> 01:20:42,720
True Lies where Jamie Lee Curtis
and Arnold Schwarzenegger are
1452
01:20:42,720 --> 01:20:44,920
making out with the bomb going
off behind them.
1453
01:20:45,560 --> 01:20:48,640
That's what we needed here.
Very nice.
1454
01:20:48,800 --> 01:20:53,160
All right, so I've picked Glory,
Zach has picked Kelly's heroes,
1455
01:20:53,160 --> 01:20:57,360
Brad has picked Terminators one
and two guys, let's give this
1456
01:20:57,360 --> 01:21:00,040
movie some final scores.
I'm really struggling with this
1457
01:21:00,040 --> 01:21:05,240
because like I said, I drove 7
hours to get home today, sat
1458
01:21:05,240 --> 01:21:08,440
down on my couch and finished
watching this movie that I had
1459
01:21:08,440 --> 01:21:12,080
only been able to get through 20
minutes of in like 3 attempts
1460
01:21:12,320 --> 01:21:15,160
over the last couple days.
I'm tired.
1461
01:21:15,200 --> 01:21:19,360
I was a little bit distracted,
but I think this movie just it,
1462
01:21:19,360 --> 01:21:21,840
it just didn't hook me the way
that it did the first time.
1463
01:21:22,480 --> 01:21:26,880
And I think part of that is the
theatrical images of Gareth
1464
01:21:26,880 --> 01:21:30,440
Edwards, like, overwhelm you in
a movie theater.
1465
01:21:30,960 --> 01:21:33,800
And then once they've sunk it,
like sunk in and you get to go
1466
01:21:33,800 --> 01:21:35,880
home and watch them on a smaller
screen.
1467
01:21:36,440 --> 01:21:39,960
I think the flaws and the seams
of this movie show a lot more.
1468
01:21:41,080 --> 01:21:43,320
If you'd asked me walking out of
that theater what I'd give it, I
1469
01:21:43,320 --> 01:21:44,880
would say like an 8 1/2
probably.
1470
01:21:45,400 --> 01:21:47,360
If you asked me today, I'd say
like a six.
1471
01:21:48,080 --> 01:21:50,080
So I think I'm going to split
the difference and I'm going to
1472
01:21:50,080 --> 01:21:52,520
give it a little bit of the
benefit of the doubt because I
1473
01:21:52,520 --> 01:21:55,840
do think that there are just
quite a few moments that still
1474
01:21:55,840 --> 01:21:59,360
absolutely rule.
And I'm going to say a 7 1/2,
1475
01:21:59,440 --> 01:22:01,640
but I don't really know if I can
go higher than that, Brad.
1476
01:22:02,400 --> 01:22:05,720
Yeah, I mean, I still have my
IMDb score for this.
1477
01:22:05,720 --> 01:22:08,760
From when I first rated it, it
was a 5 out of 10.
1478
01:22:10,360 --> 01:22:13,520
I was really very unimpressed
with this movie.
1479
01:22:13,920 --> 01:22:19,240
This time around, I think I was
sitting at A7 and then Darth
1480
01:22:19,240 --> 01:22:23,280
Vader happened and I was like,
that's a half point right there
1481
01:22:23,280 --> 01:22:26,080
for sure.
So I'm going to give it a 7 1/2
1482
01:22:26,080 --> 01:22:27,720
as well.
Bob, I'm kind of right there
1483
01:22:27,720 --> 01:22:30,720
with you.
Watch Zach be like this is a 10
1484
01:22:30,720 --> 01:22:31,960
out of 10.
What's wrong with you?
1485
01:22:32,840 --> 01:22:35,360
I mean, that's definitely not,
you know, like I said, I'm very,
1486
01:22:35,720 --> 01:22:38,360
very aware of the faults, the
flaws.
1487
01:22:38,960 --> 01:22:41,160
You guys are right on though.
Like the IMDb is right around
1488
01:22:41,320 --> 01:22:43,840
here talking.
I always like to say a solid B
1489
01:22:43,840 --> 01:22:46,680
plus, but that would be an 85 or
8 1/2, wouldn't it?
1490
01:22:47,880 --> 01:22:50,280
So the Vader scene, that's an 11
out of 10.
1491
01:22:52,640 --> 01:22:55,080
He definitely turned it up to 11
at the very least.
1492
01:22:55,520 --> 01:23:01,040
I would say the actual film is,
yeah, I hate to, I have to agree
1493
01:23:01,040 --> 01:23:02,640
with you guys.
It's a 7 1/2 out of 10.
1494
01:23:02,640 --> 01:23:05,960
Like it's it's it's like most
Star Wars movies that are great.
1495
01:23:06,160 --> 01:23:09,000
They're 7 1/2 out of 10s.
There's No 10 out of 10 Star
1496
01:23:09,000 --> 01:23:11,400
Wars movie.
Because this dude gets it.
1497
01:23:12,000 --> 01:23:15,040
Thank you.
If we could all just
1498
01:23:15,040 --> 01:23:19,760
collectively agree that Star
Wars movies are fun trifles for
1499
01:23:19,760 --> 01:23:22,920
the most part then like the
world would be a better place.
1500
01:23:22,920 --> 01:23:26,440
It's this entire cult that has
that has emerged around them
1501
01:23:26,440 --> 01:23:30,120
that insists that they are like
on par with the Godfather that I
1502
01:23:30,120 --> 01:23:31,680
don't understand about Star
Wars.
1503
01:23:31,880 --> 01:23:35,560
Like, let's just be happy that
we have these fun little movies
1504
01:23:35,560 --> 01:23:40,440
that, you know, with a giant dog
man that growls at Han Solo and
1505
01:23:40,440 --> 01:23:42,320
we get to shoot lasers and say
pee pee.
1506
01:23:42,320 --> 01:23:46,320
Like it's like, yeah.
And also, The Godfather's not
1507
01:23:46,320 --> 01:23:48,400
perfect.
We'll go watch that film again.
1508
01:23:48,440 --> 01:23:52,000
I mean, doesn't make sense.
Let's let's just cool it on the
1509
01:23:52,000 --> 01:23:56,040
spicy takes here, man.
You've hit your quota for the
1510
01:23:56,040 --> 01:23:59,560
day.
All right, so it's a 7 1/2 for
1511
01:23:59,560 --> 01:24:02,600
me and Brad and Zach.
So we've got the weight of all
1512
01:24:02,600 --> 01:24:06,160
three of us behind this one.
But folks, if you disagree, let
1513
01:24:06,160 --> 01:24:08,240
us know.
You can find us on all of our
1514
01:24:08,240 --> 01:24:13,160
social media accounts, Facebook,
Twitter, Instagram, Tiktok, and
1515
01:24:13,160 --> 01:24:16,520
YouTube at Film Whiskey.
Or you can jump into the
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01:24:16,520 --> 01:24:19,440
conversation.
We are on Discord every single
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01:24:19,440 --> 01:24:22,800
day talking to you guys, fans of
the Film and Whiskey podcast.
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01:24:23,120 --> 01:24:25,480
If you'd like to join that
conversation, you can find a
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01:24:25,480 --> 01:24:28,280
link at the end of every single
one of our show notes.
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01:24:29,080 --> 01:24:31,880
Zach, open invitation for you to
come back anytime you want.
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And I say that because.
We probably do need a moderator
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for next week's episode.
I was going to say I I've been
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listening, been listening along
and I feel I can just hear Bob
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01:24:42,840 --> 01:24:48,080
sort of like getting more and
more broken as he talks about
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01:24:48,080 --> 01:24:53,760
these movies and Brad sort of
like Glee kind of rising and
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01:24:53,760 --> 01:24:55,840
rising.
So I I feel like there needs to
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be somebody in between to be
like but Bob, no movies are
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perfect.
It's OK And and I.
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Listen man, I'm in a very
fragile place now and like I can
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01:25:06,160 --> 01:25:08,640
feel Brad like circling for the
kill.
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The Hammer's ready, man.
I don't think the hammer needs
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to come, man, because The Last
Jedi is a really good movie.
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And to Zack's point, it doesn't
have to be perfect to be really
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good.
Yeah, but we will get into that
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next week, hopefully with Zack
in tow to to back me up here
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when we talk about Rian
Johnson's 2016 film The Last
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Jedi.
So join us for that as we
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finally shake Star Wars off our
back for the season.
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But until then, I'm Bob Book.
I'm Brad G.
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01:25:38,320 --> 01:25:39,880
And we'll see you next time.
Chief Brand Officer, Blackwood Distilling & Renegade Whiskey Critic
Zach Johnston has lived about five whiskey careers in one lifetime. From Berlin’s high-end bar scene to judging international spirits competitions, Zach brings global expertise to every pour. As the former lead drinks writer at UPROXX, he built one of the most-read whiskey columns on the internet, known for pairing top-tier spirits with pop culture deep dives. Now, he serves as Chief Brand Officer and VP of International Sales for Blackwood Distilling in Kentucky. On Film & Whiskey, Zach’s blend of irreverence, authority, and perfectly off-the-wall pairings has made him a fan favorite, whether he’s sipping Barrell Dovetail during Jojo Rabbit or getting philosophical over Ikiru with a glass of Mossburn.