Grammy Awards 2023: Top Five Movie Scores and Sountracks

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Hey everyone.
Before we get into today's

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episode, I just wanted to remind
you that we have a ton of extra

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content over on our patreon.
We do movie watch parties

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special page here on the bonus
episodes and all other sorts of

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wacky stuff that you can access
easily.

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If you head on over to
patreon.com slash film whiskey.

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Hey everybody, welcome into the
film and whiskey podcast.

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I'm Bob book, I'm Reggie, and
we're coming at you with another

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special bonus episode.
Bonus episode.

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Soda now filming, whiskey
Nation.

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I am.
I'm gonna level with you here,

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we try to be honest with our
fans.

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Brad, this was this was not a
planned bonus episode, it was

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something that came up very last
minute and it came up at the

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last minute because there's a
few people in our

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whiskey-drinking lives.
Brad that have not just an open

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invitation to come on the show
but an open invitation to send

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me an Instagram message and say
hey I need to come on, your

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show, sometime in the next like
ten days and I say, absolutely

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Yeah.
And that person is on the other

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end of the line here.
It's our friend.

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Zack Johnston from up rocks.
Zack, how are you today?

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Hey guys, I'm doing really well.
I got a glass of whiskey here

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and a soundtrack in my heart.
There it is.

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Yeah, so here's the, here's the
deal today.

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Zack is joining us because he's
Pro mowing, a very special

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bottle.
That will be sampling in a

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minute here, but it's a bottle
that's being released in

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conjunction with the Grammy
Awards and awards show that has

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been mentioned on this podcast
exactly zero times.

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Before Brad, Oh yeah, the
Grammys are a thing that happens

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every year.
People watch it.

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And awards are given out, you
know what?

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Like I my mind is so solely
focused on the Oscars this time

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of year that Zack was like yeah
we will talk about the Grammys

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and I was like was that was that
a typo?

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Did you want to did you meet
Oscars?

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He's like no man I met Grammys
so we're going to talk Grammys

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today.
This is really fun because I

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feel really out of my element
but while some say, yeah, we're

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going to break down some moves.
Music to try to tie it back into

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things anymore.
I just assumed that Taylor Swift

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wins all the Grammys.
Yeah she cleans up man.

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Is that not true?
I think she's at least like

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nominated for some right?
She did I think she did just

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come out with another album this
year.

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She brokered Ticketmaster.
I know that much.

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Exactly.
And to be fair the Grammys do

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award film music.
Some little trophies.

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So Absolutely will do cross over
there.

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Can't win any got without the
Grammys that's what I always

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say.
Exactly will be a 1/2 way to he

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got.
Next time I come on, we'll talk

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about the Tonys and then there
it is.

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Well, rounded out with the Emmys
Zach.

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I am so happy that you're
joining us today and let's just

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jump right in here, man.
So, first of all, I want to talk

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about the fact that up rocks, is
working in conjunction with the

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Grammys to release a special
bottle.

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And I guess my first question is
just like, Why now why the

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Grammys like of all the award
shows that you guys could

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partner up with where did this
kind of partnership start?

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Well it was sort of fortuitous
in that my boss Jeremiah.

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He's spearheading the street
style walk through into the

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Grammy so like up rocks is bring
a whole bunch of street style

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into the sort of walk through
all the nominees go through, and

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basically he's choosing, you
know, fits for shoes and

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different and for Street, And
things like that.

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Lots of art, very up Rock style
because doing fresh pair, which

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is a show that has been
spearheaded over the last year

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or so, through up rocks, where
we bring on people like Redmond

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Redmond and we gave them a, like
a really cool one off pair of

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sneakers for just him that are
handmade.

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Oh, that's cool, and that's
displays and it's cool show.

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So that's sort of segwayed into
us doing these style walkthrough

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at the Grammys and then the sort
of cherry on the top of that is,

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we're going to be handing out a
Few of these bottles to some of

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the nominees as well and sort of
being our presentation to the

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world as a brand that's doing
Barrel picks through that and

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then they'll be some for sale
also via natural barrel company.

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So that you know the average
person can also try it as well

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as opposed to a nominee at the
Grammys.

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So what I hear you saying is
since we have a bottle of it, we

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can now refer to ourselves as
Grammy nominee, Bob Hook and

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Brad G, right?
That that's correct.

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T'.
Yeah, that's exactly your part

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of the elite crew.
You didn't have to wait on line

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and try to hit the right moment
to buy a bottle.

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Brad is, I always say you and I
part of the elite then you know

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that is I mean, what else would
anybody say about us?

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Bob the Ohio Mafia?
Right.

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That's right.
That's correct.

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All right so you've mentioned
the company that even working

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with once now but I want to talk
a little bit about Nashville

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barrel company.
This is the very first product.

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Of theirs that we have ever had
on our show.

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I've got a bottle sitting here,
right on my desk right now

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because you were so lovely to
send us a bottle of it.

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Brad does not have any because
this bottle just got to my home

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on Friday.
And so as part of the elite I

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get to drink this whiskey and
comment on it and Brad does not.

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Yeah, I would say, I might be a
part of the elite but it sounds

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like you're part of the 1% Bob.
That's true, that's very true.

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But I want to talk a little bit
about this company because I've

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heard so many good things about
them a lot.

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Out of the people that we follow
on Instagram, have picked

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barrels with them before.
I've never heard a bad word

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about any of the barrels that
anyone's tried from them.

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Zack, can you give me a little
bit of background on this

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company?
Yeah and it's sort of like I've

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been working with Michael hens
who's the owner of natural

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barrel company down his Course,
Nashville Tennessee for a couple

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years now just, you know, really
enjoying their work, the very

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long story short of it.
They're pulling in barrels from

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Indiana.
The MGP, but some other places

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to bring them down to Tennessee
and they do a sort of final

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aging there.
So they will, they will

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Warehouse them before they take
them over to their Nashville

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location or they have a open to
the public consumer-facing

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Warehouse, where people can go
in, and they can try different

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Barrel pics from different
people who have picked barrels

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with whether they be
influencers, podcasters people

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in the industry and literally,
you know, the Cosmopolitan hotel

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in Vegas, are the Marriott or Or
husk or whomever and then also,

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as a consumer you could do a
barrel pick with your crew if

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you want.
And you can walk away with, you

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know, 180 200 bottles in
essence, Nashville barrel

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company.
Sort of is finding those MGP

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barrels that everyone wants.
So, so so badly, because they're

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between 5, 45, and 89 years old.
Now, getting to 10 years old and

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he's Michael.
Hens has this Magic Touch where

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he somehow is getting the best
of the best where I live.

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Gone through on multiple
occasions and taste it 1012

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working, sometimes even 18
barrels and like you know a

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couple hours everyone is good
but everyone is a little

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different and it's just this
wonderful thing where I don't

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know what magic he has but he is
getting incredible single

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barrels of whiskey down there
and so for me it was like a kind

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of like a no-brainer Fit For Us
in that because you know when

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you do a barrel pick with a
company you need to do two

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things.
You need to represent where

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you're getting it from.
So, like if we did a barrel pick

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with wild turkey, for instance,
you want it to be recognizable

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as wild turkey, but with your
fingerprint on it, as sort of as

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the secondary part of that.
So in picking this Barrel, I

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wanted that too nasty but I also
wanted it to be something that

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was quintessential in that when
you taste it at years like this

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is a bourbon nose turned up to
11.

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This is a bourbon body turned up
to 11.

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This is a bourbon finish that
Put the cherry on the top.

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Hmm.
Well, I mean, I can say, you

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know, speaking from experience
over here man, this thing packs,

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a punch.
Can you tell us a little bit

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about the barrel that you picked
in particular?

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Yeah.
So think of a day we went

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through six or seven different
barrels.

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And this one stood out
specifically because of the

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beginning middle end was very
clear, it's a six-year-old will

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six point two year old Barrel,
five years, in Indiana, 14

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months, in Tennessee.
Aging it's a high-rise 21%.

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The proof is 118 .16, so 59
percent ABV and yeah, it was,

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you know, it's an MGB from
Indiana.

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So it's not like, you know,
we're hiding behind you.

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It was this or that, that got a
little extra agent in Tennessee.

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And so it's a 6 Plus year old
and we got about a hundred

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eighty odd bottles out of it.
And I like it because it was on

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of the barrels, I taste that
day.

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It was sort of Lower end as
well.

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There were some that were
nearing Hazmat levels and 130s

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that just were a little too
bold, because as I said that,

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secondary thumbprint that we
need wanted to put on this as an

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actual NBC pick.
What was that, you know, a lot

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of the people who are going to
be tasting, this, you know, the

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Hip Hop Community or the street
where committee, you know,

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whether we like her out, there
used to Blanton's and things

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that are proof down pretty far.
So, we didn't want to go too

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crazy with this huge, you know,
Beast of a burden.

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Bourbon Beast of a burden, Beast
of a burger that you know, would

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be to unapproachable and I felt
with this even though the a b

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these were on the higher end you
know we're still just under 60%

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and for me it doesn't play as a
heat pump on the palate, too

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much now.
And, you know, I've been sitting

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here just nosing it for the last
five minutes or so and I have to

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say, you know, when you kind of
go around like you're tasting

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wheel and you're looking for
different things or kind of you

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know, smelling for different
things.

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Junior knows, this is like every
single component is represented

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here.
It's crazy how complex this nose

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is there?
I, you know, I got red apple and

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then I took another nosing and I
got Peach, and it took another

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nosing and I got bright Cherry.
But then there's like, there's

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even something on this that is
like, I very rarely get anything

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on that sort of like herbal or
vegetable side with Bourbons,

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but it reminded me a lot of
fresh thyme and I like, I never

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get a note like that on a
bourbon.

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That's usually something, you
know, maybe on a A ride

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definitely on something from
overseas that can it has that

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sort of herbal note to it and
then you kind of come back

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around and I was getting just
like vanilla like a Bavarian

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cream like vanilla pudding kind
of its really, really complex.

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You picked a good one man.
Yeah.

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Bob.
You're getting all the things

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I'm getting, that's for sure.
Brad.

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I apologize that it hasn't
gotten to you but you are

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getting some so that it's a
okay.

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Like I will never impugn your
honor here but Bob's The other

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hand I have none left to
impudent brat.

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Speaking of having no honor, I
also have no social relevance.

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If you haven't noticed, I am I'm
a bit of a loser bracket.

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Your star M.
Yeah, a little down.

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I read this article like a year
ago where they basically have

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scientifically proved that at
the age of 27, people stop

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listening or caring caring about
new music and they start

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thinking my music and my day was
better which is really crazy to

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me because it's like you're nine
years removed from high school

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and you're already like music
these days and I have to say

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like I'm pretty much tipping
into that realm now where I

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don't necessarily think that
music is worse these days but I

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think the proliferation of like
Spotify being a driving force

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behind people getting on charts
where every week there is a new

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artist who has a number one
single who has never charted

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before in history It's really
hard to keep up with Trends

223
00:12:01,800 --> 00:12:03,400
nowadays.
And so I look at this list of

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00:12:03,400 --> 00:12:06,200
nominees from the Grammys and
there are some recognizable

225
00:12:06,200 --> 00:12:08,900
names and their you know
obviously I'm looking at record

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00:12:08,900 --> 00:12:12,300
an album of the year right now,
I'd like there's some Legacy

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00:12:12,300 --> 00:12:15,200
people on here.
There's Abba, you know I see a

228
00:12:15,200 --> 00:12:19,300
Bonnie Raitt song on here, Adele
is showing up obviously, but

229
00:12:19,300 --> 00:12:22,800
when it comes to like some of
the more contemporary artists,

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00:12:23,200 --> 00:12:26,000
like I'm looking at it and I'm
like, alright, I know Harry

231
00:12:26,000 --> 00:12:29,200
Styles and that's kind of about
it right now though.

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00:12:29,900 --> 00:12:35,800
Look like I see a Taylor Swift.
Yes lies.

233
00:12:35,800 --> 00:12:38,800
Oh yeah.
All right.

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As you guys like peruse the list
of nominees is there anybody

235
00:12:41,700 --> 00:12:44,500
that stands out to you?
Or do you feel as out of touch

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00:12:44,500 --> 00:12:50,000
and old as I do, I feel 100% out
of touch and old, although one

237
00:12:50,000 --> 00:12:55,500
of my best friends, Matt Cowman.
He introduced me to a rapper

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named Toby.
No igwe.

239
00:12:59,000 --> 00:13:03,500
And he Is on the list for Best
New Artist, there you go.

240
00:13:03,500 --> 00:13:07,200
I just saw his name was like,
oh, I've listened to his music.

241
00:13:07,500 --> 00:13:11,400
Maybe, I'm not so long in the
tooth anymore.

242
00:13:13,100 --> 00:13:15,900
It's so good.
I mean, you know, this sort of

243
00:13:16,500 --> 00:13:18,900
it all depends, right?
Like, what's the Jack Harlow?

244
00:13:18,900 --> 00:13:21,100
Every now?
And again, I like, I feel like I

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00:13:21,100 --> 00:13:23,100
say I was in the Kendrick Lamar,
but he's been around kind of

246
00:13:23,100 --> 00:13:28,700
forever now too, but but yeah,
sort of tend to listen to a bit

247
00:13:28,700 --> 00:13:31,100
more country as well.
So, It's like if I listened like

248
00:13:31,100 --> 00:13:34,700
Brandi Carlile and like you
know, Chris Stapleton like

249
00:13:34,700 --> 00:13:37,000
they're putting out new music
but it sounds old.

250
00:13:37,000 --> 00:13:38,300
So I don't know where that
falls.

251
00:13:39,600 --> 00:13:42,600
Yeah yeah.
I'm like I'm still perusing Best

252
00:13:42,600 --> 00:13:44,100
New Artist.
I think I've heard of like two

253
00:13:44,100 --> 00:13:46,700
of these artists.
Like it's crazy how quickly I

254
00:13:46,700 --> 00:13:51,000
went from feeling about like the
top, 40 to completely out of the

255
00:13:51,000 --> 00:13:54,900
loop like old age, has caught up
with me very quickly and I think

256
00:13:54,900 --> 00:13:58,400
that this episode has very
abruptly gone from like let's

257
00:13:58,400 --> 00:14:02,700
talk about the Grammys to Bob's
existential midlife crisis, but

258
00:14:03,300 --> 00:14:06,200
the Grammys are a really good
indicator of that for me,

259
00:14:06,200 --> 00:14:11,600
apparently, Brad, let's steer
out of this skid of not knowing

260
00:14:11,600 --> 00:14:13,400
anybody at the Grammys this
year.

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00:14:14,100 --> 00:14:16,800
Let's talk about how this
pertains to the filmin whiskey

262
00:14:16,800 --> 00:14:19,600
podcast because I thought Zach
came up with just a brilliant

263
00:14:19,600 --> 00:14:21,400
idea.
He said, you know, we want, we

264
00:14:21,400 --> 00:14:22,800
want to link it to the Grammys
somehow.

265
00:14:22,800 --> 00:14:27,600
So what if we do a top 5 movie
soundtracks or top 5 movie

266
00:14:27,600 --> 00:14:30,100
scores, and I am all about that.
That.

267
00:14:30,400 --> 00:14:35,200
Yeah, I was gonna say the thing
that always will help me.

268
00:14:35,200 --> 00:14:37,700
Stick with a movie longer than
anything else.

269
00:14:37,700 --> 00:14:44,800
Is the music like if a movie has
an incredible score, I'm 100%

270
00:14:44,800 --> 00:14:46,800
in.
I don't know about you, Zach,

271
00:14:46,800 --> 00:14:49,500
but that's something that's
always stuck out to me.

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00:14:49,700 --> 00:14:51,800
Always always.
And they're a little sort of

273
00:14:51,800 --> 00:14:54,200
background on me.
My first two years of college, I

274
00:14:54,200 --> 00:14:58,900
was a music Major.
And so I sort of was down going

275
00:14:58,900 --> 00:15:01,900
down that path for a long Kind
of my life as an adolescent and

276
00:15:01,900 --> 00:15:04,500
young adult.
And so music is always been one

277
00:15:04,500 --> 00:15:11,100
of those things that keep me
into film especially you know we

278
00:15:11,100 --> 00:15:13,500
got to all grow up really lucky
obviously with John Williams,

279
00:15:13,500 --> 00:15:19,600
which will talk about but also I
feel like there was less of it

280
00:15:19,700 --> 00:15:23,000
at when we were growing up so it
stood out more, you know, there

281
00:15:23,000 --> 00:15:26,300
are just fewer films that you
know in the 90s even in the

282
00:15:26,300 --> 00:15:28,400
early 2000s as there are
compared to now.

283
00:15:28,700 --> 00:15:31,300
So you could really like hear
something special or with stick

284
00:15:31,300 --> 00:15:34,600
with you and you would get the
album or downloaded and you

285
00:15:34,608 --> 00:15:37,900
know, you actually I remember
listening to soundtrack albums

286
00:15:37,900 --> 00:15:41,600
all the time and not just, you
know, like the pop song side of

287
00:15:41,600 --> 00:15:46,600
it but like the orchestral side
and then, you know, and so it

288
00:15:46,600 --> 00:15:50,000
was always a big part of me
growing up and being attached to

289
00:15:50,000 --> 00:15:51,900
film was the music through the
film.

290
00:15:51,900 --> 00:15:55,900
And, you know, there's so much.
I mean, every genre, every

291
00:15:55,900 --> 00:15:58,200
style, like, you know, where do
you want to begin?

292
00:15:58,200 --> 00:16:00,400
Where do you want to end?
You know, we can I, you know,

293
00:16:00,400 --> 00:16:02,800
some Nuance in there that
probably speaks to somebody.

294
00:16:03,300 --> 00:16:04,700
Yeah.
And I'll say it, you know, today

295
00:16:04,700 --> 00:16:07,700
we're going to be getting into
the scores and the soundtracks

296
00:16:07,700 --> 00:16:09,800
which bauble explain the
difference in a second here.

297
00:16:10,200 --> 00:16:13,400
But we're probably not going to
talk about one of the most well,

298
00:16:13,400 --> 00:16:16,200
known forms of music and movies,
which is musicals.

299
00:16:16,600 --> 00:16:19,800
But if you want to hear us talk
about musicals we just did that

300
00:16:19,800 --> 00:16:22,300
like two weeks ago.
Bob we sure did.

301
00:16:22,300 --> 00:16:24,100
Yeah, we were talking with Jared
Dixon.

302
00:16:24,100 --> 00:16:28,000
Who is a spoiler alert.
I guess now about to take on the

303
00:16:28,000 --> 00:16:32,000
role of Aaron Burr on Broadway.
Way in Hamilton, and we did our

304
00:16:32,000 --> 00:16:35,000
top five movie musicals then.
So yeah, we get to check that

305
00:16:35,000 --> 00:16:37,900
off the list a little bit.
And that makes at least my list

306
00:16:37,900 --> 00:16:42,000
a little bit easier.
So, we decided to let Brad dude,

307
00:16:42,000 --> 00:16:46,000
his top five movie scores.
And I'm going to do my top 5

308
00:16:46,000 --> 00:16:49,100
movies soundtracks.
And I realized that as we were

309
00:16:49,100 --> 00:16:50,700
parsing this out a couple days
ago.

310
00:16:50,700 --> 00:16:54,500
Brad that you know the line
between what is a score and what

311
00:16:54,500 --> 00:16:56,400
is a soundtrack is often
blurred?

312
00:16:56,400 --> 00:16:59,700
I think people try to use those
words interchangeably so maybe

313
00:16:59,800 --> 00:17:02,800
Should give like some
definitions for what we mean by

314
00:17:02,800 --> 00:17:07,500
score versus soundtrack.
Yeah, essentially a movie score

315
00:17:07,500 --> 00:17:13,800
is a primarily orchestral piece
of work that, you know, moves

316
00:17:13,800 --> 00:17:16,000
throughout the movie and
obviously there's individual

317
00:17:16,000 --> 00:17:20,599
tracks to the score.
But its overall, you know, sound

318
00:17:20,599 --> 00:17:24,700
music that is played by an
orchestra think Star Wars,

319
00:17:24,800 --> 00:17:27,099
right?
The Star Wars theme song and all

320
00:17:27,099 --> 00:17:33,700
of the music and Star Wars is a
orchestral score soundtrack.

321
00:17:33,700 --> 00:17:36,500
Though would be Guardians of the
Galaxy.

322
00:17:36,900 --> 00:17:40,900
Yeah, so like a soundtrack
generally speaking is recorded

323
00:17:40,900 --> 00:17:43,200
music.
That is then used in a movie and

324
00:17:43,200 --> 00:17:45,000
some music that came from
outside the movie.

325
00:17:45,200 --> 00:17:47,500
Or it could be like, the
original songs that they write

326
00:17:47,500 --> 00:17:49,700
for the movie.
So, you know, one of the great

327
00:17:49,700 --> 00:17:52,500
soundtracks that it's not on my
list, but we should talk about

328
00:17:52,500 --> 00:17:56,500
is Top Gun, right?
And I heard, I read a lot of

329
00:17:56,508 --> 00:17:59,200
Articles this year about how the
one thing top gun Maverick was

330
00:17:59,200 --> 00:18:01,900
lacking.
The Top Gun had was a really

331
00:18:01,900 --> 00:18:04,100
great soundtrack.
There were only I think two

332
00:18:04,100 --> 00:18:07,400
original songs in Top Gun
Maverick whereas the original

333
00:18:07,400 --> 00:18:10,400
Top Gun is just like Kenny
Loggins turn it up to 11 with

334
00:18:10,400 --> 00:18:14,000
danger zone and then you get
Berlin with take my breath away

335
00:18:14,100 --> 00:18:20,000
like those are soundtrack songs
but the the score the down Nana

336
00:18:20,000 --> 00:18:23,200
Nana Nana that's that's the
score, it's the music that's

337
00:18:23,200 --> 00:18:26,900
written instrumentally to
accompany what's on screen.

338
00:18:26,900 --> 00:18:30,800
So soundtrack is things that
come from outside the movie and

339
00:18:30,800 --> 00:18:33,700
the score is things that are
written to accompany the movie.

340
00:18:33,700 --> 00:18:35,300
I guess.
I hope that makes sense.

341
00:18:35,300 --> 00:18:37,900
But Brad and I are going to
break down our top fives and

342
00:18:37,900 --> 00:18:39,900
then I think Zach also has a
list.

343
00:18:39,900 --> 00:18:42,500
I don't know if it's like a
mishmash of both but you're

344
00:18:42,500 --> 00:18:44,300
playing wild card here today my
friend.

345
00:18:44,800 --> 00:18:47,700
Well yeah exactly.
So I'm gonna throw some wild

346
00:18:47,700 --> 00:18:50,600
cards in there at the end and
hopefully will be some good

347
00:18:50,600 --> 00:18:53,900
conversation because I can climb
about music and film.

348
00:18:53,900 --> 00:18:55,800
I mean, what's not to love,
right?

349
00:18:59,300 --> 00:19:01,300
Now again this is not meant to
be some sort of like

350
00:19:01,300 --> 00:19:05,700
comprehensive the top five ever
written kind of a thing.

351
00:19:05,700 --> 00:19:06,900
It's more.
Just like these are our

352
00:19:06,900 --> 00:19:10,100
favorites / ones that we really
appreciate and would like to

353
00:19:10,108 --> 00:19:12,700
talk about.
So Brad, why don't you walk us

354
00:19:12,700 --> 00:19:16,200
through your top five first and
we can critique you mercilessly

355
00:19:16,200 --> 00:19:18,800
while you go through it.
I think you might have a hard

356
00:19:18,800 --> 00:19:21,200
time doing that, Bob.
Alright, let's put it to the.

357
00:19:21,200 --> 00:19:27,000
So I will say, I could easily
put five John Williams movies

358
00:19:27,100 --> 00:19:29,000
here and just be done with it.
Yeah.

359
00:19:29,200 --> 00:19:35,300
But I limited it to one movie
franchise, which, which, I mean,

360
00:19:35,800 --> 00:19:38,700
I do mine from John Williams,
but man, that's hard.

361
00:19:39,100 --> 00:19:40,500
Oh man.
Well, we'll get there in a

362
00:19:40,508 --> 00:19:42,400
second.
He's a little bit higher on the

363
00:19:42,400 --> 00:19:47,300
list than 5.
So for my fifth pick, I went

364
00:19:47,300 --> 00:19:50,200
with who somebody who I think
might be the second best

365
00:19:50,200 --> 00:19:53,800
composer to him.
I went with Hans Zimmer for

366
00:19:53,800 --> 00:19:56,300
Interstellar.
Nice.

367
00:19:56,300 --> 00:19:58,900
Okay.
Okay, because I just think that

368
00:19:58,900 --> 00:20:01,500
the The work he did.
I mean, he took like two years

369
00:20:01,500 --> 00:20:07,500
working with a famous organ in
London to compose this

370
00:20:07,500 --> 00:20:10,900
soundtrack.
And it's I don't know, does the

371
00:20:10,900 --> 00:20:13,700
music from Interstellar stick
out to you guys.

372
00:20:13,700 --> 00:20:16,800
In terms of all time, orchestral
scores.

373
00:20:17,500 --> 00:20:20,400
I think it's one that people
have really latched onto like

374
00:20:20,400 --> 00:20:22,300
especially from the last decade,
obviously.

375
00:20:22,300 --> 00:20:25,000
I mean, it was only around for
the last decade, but like there

376
00:20:25,000 --> 00:20:28,800
haven't been a lot of movie
scores that have like, hit the

377
00:20:28,800 --> 00:20:31,300
zeitgeist.
Geist in the last 10 years and I

378
00:20:31,300 --> 00:20:34,800
think people have really gotten
into Hans Zimmer and people

379
00:20:34,800 --> 00:20:37,100
really like listening to Hans
Zimmer while they study or

380
00:20:37,100 --> 00:20:41,300
whatever and listening to him,
use the organ in a way that like

381
00:20:41,300 --> 00:20:43,300
the organ hadn't really been
used in a long time.

382
00:20:43,500 --> 00:20:46,200
Yeah, I think Interstellar is
definitely one of the most

383
00:20:46,200 --> 00:20:49,100
famous and popular scores of the
last 10 years.

384
00:20:49,500 --> 00:20:51,200
Yeah.
If I was going to pick another

385
00:20:51,200 --> 00:20:54,700
one from Hans, it probably would
have been Gladiator that I think

386
00:20:54,700 --> 00:20:58,200
the score for gladiators killer.
But that's that was a good one

387
00:20:58,200 --> 00:21:01,300
to study to College.
Let me tell you, but I agree

388
00:21:01,300 --> 00:21:03,700
with you on Interstellar.
I also think is one of the

389
00:21:03,700 --> 00:21:08,200
better Nolan soundtracks and
that it was subtle and nuanced

390
00:21:08,200 --> 00:21:11,300
in a way that his other ones had
20, the big bombast someday,

391
00:21:11,300 --> 00:21:14,400
you'll sort of like it, like it
like it like an early aughts

392
00:21:14,400 --> 00:21:17,700
action movie would have, which
is fine in and of itself.

393
00:21:17,700 --> 00:21:20,000
But Interstellar does have a
timelessness to it, for sure.

394
00:21:20,300 --> 00:21:22,300
Yeah.
Well that's my number five,

395
00:21:22,300 --> 00:21:26,400
number four.
I am going to go way in the

396
00:21:26,400 --> 00:21:28,900
other direction.
I'm going to choose.

397
00:21:29,100 --> 00:21:32,000
Mario, Mario Nelly With Pride
and Prejudice.

398
00:21:32,700 --> 00:21:34,100
Wow.
Okay.

399
00:21:34,700 --> 00:21:36,600
I just I've seen that movie one
time.

400
00:21:36,600 --> 00:21:39,000
Now you have seen at one time
Zach.

401
00:21:39,000 --> 00:21:41,900
Have You Ever Seen 2005's Pride
and Prejudice?

402
00:21:42,200 --> 00:21:44,300
No, I have not.
Is that the one with Keira

403
00:21:44,300 --> 00:21:48,000
Knightley it is.
I've not seen that, I am I

404
00:21:48,008 --> 00:21:51,000
apologize.
I know, I missed that one.

405
00:21:51,400 --> 00:21:55,900
It is incredible.
I absolutely loved the movie and

406
00:21:55,900 --> 00:21:57,800
the music in.
It is one of the largest

407
00:21:57,800 --> 00:21:59,700
reasons, why?
Okay.

408
00:21:59,700 --> 00:22:04,300
Wow, that's a hell of an
endorsement I have nothing.

409
00:22:04,500 --> 00:22:06,800
Nothing further to add.
I can't remember a single thing

410
00:22:06,800 --> 00:22:08,200
about this quarter that movie
bread.

411
00:22:08,400 --> 00:22:12,100
Bob just go home.
I mean I'm listen I'm trying

412
00:22:12,100 --> 00:22:14,400
here number three.
You're going to like this one, a

413
00:22:14,400 --> 00:22:16,700
little better.
Bob number three, I am going to

414
00:22:16,700 --> 00:22:22,000
go with ennio morricone, The
Good the Bad and the area go,

415
00:22:22,200 --> 00:22:31,100
there it is, dude, the the sky
Or as they are having their

416
00:22:31,100 --> 00:22:36,400
Showdown is simply the one of
the most epic things to ever

417
00:22:36,400 --> 00:22:39,800
come out of an orchestra ever.
And it just lives in my brain

418
00:22:39,800 --> 00:22:42,800
constantly.
I tried to tell you, when we

419
00:22:42,800 --> 00:22:46,100
watched that movie, how good
that scene is.

420
00:22:46,900 --> 00:22:50,100
It's like, dude, it is so crazy
because I feel like that movie

421
00:22:50,100 --> 00:22:54,600
builds for about 2 hours and 40
minutes to that one scene and it

422
00:22:54,600 --> 00:22:59,200
is like I met Brad, I forgive
the use of the word here but It

423
00:22:59,200 --> 00:23:04,900
is like an orgasmic sequence of,
just like, I have never had such

424
00:23:05,000 --> 00:23:09,100
a buildup of tension release, in
such a cathartic way.

425
00:23:09,100 --> 00:23:13,000
During a movie, then like that
scene works every single time.

426
00:23:13,000 --> 00:23:14,700
I watch it.
It's insane.

427
00:23:15,000 --> 00:23:17,500
And how much of that is Americo.
Knees Music.

428
00:23:17,500 --> 00:23:19,100
I do my gosh.
Yeah, yep.

429
00:23:19,300 --> 00:23:23,700
It's just it, is that sort of it
is kind of orchestral release in

430
00:23:23,700 --> 00:23:27,800
this weird Western way.
I mean, it's such a it's also

431
00:23:27,800 --> 00:23:29,400
iconic.
I mean it is one of Things that

432
00:23:29,400 --> 00:23:33,700
has become, you know?
So parodied and also homage to a

433
00:23:33,900 --> 00:23:37,100
billion times over, and it is so
much of our Zeitgeist.

434
00:23:37,100 --> 00:23:39,700
Now that it is almost, I don't
know.

435
00:23:39,700 --> 00:23:44,300
It's like you, it's like
imprinted in our brain almost

436
00:23:44,500 --> 00:23:48,500
well, and not only that, but the
opening theme song is like.

437
00:23:48,500 --> 00:23:52,300
If you think about an old
western, that's the sauce like

438
00:23:52,300 --> 00:23:55,600
the whistling.
That happens in your brain is is

439
00:23:55,600 --> 00:24:01,000
that I don't know how he did it
but more Tony in this is it's

440
00:24:01,000 --> 00:24:04,200
one of the greatest scorers of
all time hands down.

441
00:24:04,500 --> 00:24:08,400
Yeah, no argument from me man.
Yeah, alright, so number one,

442
00:24:08,400 --> 00:24:12,000
and number two were so
incredibly difficult for me

443
00:24:12,000 --> 00:24:14,900
because I think that like I
said, I think John Williams is

444
00:24:15,200 --> 00:24:18,900
the greatest composer of all
time, but I put them in my

445
00:24:18,900 --> 00:24:24,100
number two slot and I did it for
the Star Wars franchise.

446
00:24:24,800 --> 00:24:28,000
I'm not going to pick one movie
because all of them are

447
00:24:28,000 --> 00:24:30,700
incredible, I think.
That that's fair.

448
00:24:31,600 --> 00:24:35,100
Like at all of the little themes
in the in the movie.

449
00:24:35,100 --> 00:24:39,300
Whether it's, you know, Han and
Leia's Love Theme or the Tie

450
00:24:39,300 --> 00:24:42,600
Fighter fighting, no fighting
the X-Wing battle music.

451
00:24:43,700 --> 00:24:47,600
He just knocks almost every
single song out of the park, but

452
00:24:47,600 --> 00:24:52,900
I will say, I think my favorite
Star Wars track is the fight

453
00:24:52,900 --> 00:24:56,400
scene from episode 3.
Yeah, my god.

454
00:24:56,400 --> 00:24:58,500
Oh yeah, I love Duel of the
Fates.

455
00:24:58,500 --> 00:25:01,200
It's Credible.
But there's some, there's an

456
00:25:01,200 --> 00:25:07,300
emotional weight and gravity to
that fight between Obi-Wan and

457
00:25:07,300 --> 00:25:10,400
Anakin and episode 3, that I
think it might be one of

458
00:25:10,400 --> 00:25:13,700
Williams greatest scorers and I
also think like, what's in a

459
00:25:14,200 --> 00:25:17,300
brilliant about Williams but the
really about those scores is the

460
00:25:17,300 --> 00:25:19,300
prequels.
Say what you will about them,

461
00:25:19,400 --> 00:25:23,000
the music doesn't suck ever know
who like that is.

462
00:25:23,000 --> 00:25:26,300
I mean, obviously special
effects of time, blah blah.

463
00:25:26,600 --> 00:25:30,800
But the second and third.
Episode 2 in episode three

464
00:25:31,600 --> 00:25:33,500
phenomenal soundtracks.
Yep.

465
00:25:33,700 --> 00:25:35,800
Yeah.
So that so, John Williams takes

466
00:25:35,800 --> 00:25:38,200
my number two spot.
Bob, can you guess my number

467
00:25:38,200 --> 00:25:40,400
one?
I have no idea.

468
00:25:40,500 --> 00:25:44,000
Like if you're not going to
choose John Williams than I, I

469
00:25:44,000 --> 00:25:46,700
don't know.
Once again I'll give you a

470
00:25:46,700 --> 00:25:48,900
little clue.
It's not just one movie.

471
00:25:49,100 --> 00:25:53,100
It is a franchise a franchise
and it's not John Williams.

472
00:25:53,500 --> 00:25:57,800
No, it's not is.
It doesn't say Harry Potter.

473
00:25:57,800 --> 00:26:00,700
That's John Williams.
I'm going to go Howard Shore.

474
00:26:00,800 --> 00:26:07,400
Lord of the Rings. 100% correct.
Yeah if I know you, I was like

475
00:26:07,400 --> 00:26:08,900
this might be the end of our
friendship.

476
00:26:08,900 --> 00:26:11,500
We're always like, you know,
we're always like top, five,

477
00:26:11,500 --> 00:26:14,300
slapstick, comedies, and Brad's
like I'm gonna go with one of

478
00:26:14,300 --> 00:26:16,800
the scenes from The Shire in
over the break.

479
00:26:17,000 --> 00:26:19,300
There's you got to weave Lord of
the Rings in somehow?

480
00:26:20,700 --> 00:26:26,500
Yeah, I don't know, honestly.
I think that you bring up Harry

481
00:26:26,500 --> 00:26:29,900
Potter, I think that Harry
Potter is one of the greatest

482
00:26:30,200 --> 00:26:34,100
Integrations of music and, and
World building.

483
00:26:34,600 --> 00:26:36,900
But I think that Howard Shore is
the best.

484
00:26:36,900 --> 00:26:40,600
Like, like you literally cannot
read Lord of the Rings.

485
00:26:40,600 --> 00:26:44,500
Think about Lord of the Rings.
Like, you can't do anything but

486
00:26:44,500 --> 00:26:50,000
think about the music and I
think that sure is did the best

487
00:26:50,000 --> 00:26:54,100
job of any director ever of
creating a world through sound

488
00:26:54,200 --> 00:26:58,400
and I For me, Lord of the Rings
is easily my favorite movie

489
00:26:58,400 --> 00:27:03,300
score.
Yeah, I mean again, it became so

490
00:27:03,300 --> 00:27:05,600
indelible through the early
aughts.

491
00:27:05,600 --> 00:27:08,000
I mean, that was another one
where you'd put that on.

492
00:27:08,000 --> 00:27:10,100
When you go for a run, you put
that on if you need to get some

493
00:27:10,100 --> 00:27:13,200
work done, you put that on when
you need to chill like it just

494
00:27:13,200 --> 00:27:15,200
becomes part of your life.
Yeah.

495
00:27:16,300 --> 00:27:19,600
Yeah, man, I have no arguments.
That's a good top 5 list Brad.

496
00:27:20,000 --> 00:27:23,600
Thanks man, I appreciate it.
I I will open the door for you

497
00:27:23,600 --> 00:27:27,400
to critique me now because I'm
doing top 5, movies, soundtracks

498
00:27:27,700 --> 00:27:29,100
and Zack.
You kind of alluded to this a

499
00:27:29,108 --> 00:27:31,200
little bit.
I really do miss the day's.

500
00:27:31,200 --> 00:27:33,200
First of all, where we would
like go to the store and buy

501
00:27:33,200 --> 00:27:39,200
physical media, but I have a
very vivid memory of being at

502
00:27:39,200 --> 00:27:44,900
like Kmart which dates me and
and looking through the CD racks

503
00:27:44,900 --> 00:27:50,200
and there was The Forrest Gump
soundtrack, which sold millions

504
00:27:50,200 --> 00:27:51,200
of copies.
Like, it was like a

505
00:27:51,200 --> 00:27:53,400
multi-platinum album.
Yeah.

506
00:27:53,400 --> 00:27:56,400
And because it was so many
songs, it was a to CD

507
00:27:56,400 --> 00:27:58,100
soundtrack.
And so it came in that like

508
00:27:58,100 --> 00:28:02,100
extra thick, CD case, thick
thick with to see before they

509
00:28:02,100 --> 00:28:04,900
learn to, like, build a case
that you could stack CDs, they

510
00:28:04,900 --> 00:28:09,400
had like two separate cases that
were bound together, man.

511
00:28:09,400 --> 00:28:13,000
I just have such vivid memories
of like buying movie soundtracks

512
00:28:13,000 --> 00:28:16,500
because it was, you know, it was
like somebody making a Tape for

513
00:28:16,500 --> 00:28:19,700
you of all the best songs from
this era that went into this

514
00:28:19,700 --> 00:28:23,000
two-and-a-half-hour movie.
I just kind of miss the days of

515
00:28:23,000 --> 00:28:25,700
the movie soundtrack.
I mean, we just talked about it

516
00:28:25,700 --> 00:28:28,500
a few weeks ago, O Brother.
Where Art Thou?

517
00:28:28,500 --> 00:28:29,400
Yeah.
Like exactly.

518
00:28:29,400 --> 00:28:32,700
Like the soundtrack for that is
incredible.

519
00:28:33,100 --> 00:28:36,300
And I think that is a really
good point Brad because I

520
00:28:36,300 --> 00:28:38,900
started making my list and I
realized there's different kinds

521
00:28:38,900 --> 00:28:41,400
of movie soundtracks.
There's, you know, songs that

522
00:28:41,400 --> 00:28:46,100
are written just for that movie,
there are songs that are You

523
00:28:46,100 --> 00:28:48,400
know, part of like a musical and
I think O, Brother, Where Art

524
00:28:48,400 --> 00:28:51,200
Thou is kind of like in between
those two where it's not quite a

525
00:28:51,200 --> 00:28:54,500
musical, but there's enough
songs performed in the movie

526
00:28:54,700 --> 00:28:56,700
that were written for that
movie, that you could kind of

527
00:28:56,700 --> 00:28:58,400
consider it a musical if you
wanted to.

528
00:28:58,900 --> 00:29:02,000
And then you've got ones like
the Forrest Gump, soundtrack,

529
00:29:02,000 --> 00:29:05,700
which I would kind of call an
anthology soundtrack.

530
00:29:06,000 --> 00:29:08,600
And I didn't really include one
of those on my list because it's

531
00:29:08,600 --> 00:29:10,900
almost unfair.
The Forrest Gump is a movie that

532
00:29:10,900 --> 00:29:14,400
spans like for decades and
they're just like, hey, remember

533
00:29:14,400 --> 00:29:19,500
this song from the In 50s.
Hey, remember the 60s CCR and

534
00:29:19,500 --> 00:29:23,200
Vietnam, and, like, you know,
it's just, it's almost cheating

535
00:29:23,200 --> 00:29:26,700
to include 45 songs in
soundtrack, because then it's

536
00:29:26,700 --> 00:29:28,400
like, well, of course, I'm gonna
put Forrest Gump in there.

537
00:29:29,300 --> 00:29:32,000
And then there's also movies
that I think do kind of what

538
00:29:32,000 --> 00:29:36,100
Forrest Gump did but they, they
pick, you know, 30 songs that

539
00:29:36,100 --> 00:29:39,800
encapsulate one specific time
instead of spanning 50 years or

540
00:29:39,800 --> 00:29:41,100
whatever.
And I've got a couple of those

541
00:29:41,100 --> 00:29:44,100
on here and actually, that, that
takes me to my number five, and

542
00:29:44,100 --> 00:29:46,800
my number four, number, Five.
I'm going to go at the

543
00:29:46,800 --> 00:29:49,400
soundtrack to a movie that Brad
did not care for that much, and

544
00:29:49,400 --> 00:29:52,600
that I love very dearly, and
that is the movie Almost Famous.

545
00:29:52,900 --> 00:29:57,300
I think then, Cameron Crowe's.
I mean, came across as a musical

546
00:29:57,600 --> 00:29:58,800
genius.
Like, he worked for Rolling

547
00:29:58,800 --> 00:30:02,600
Stone, everything else like he
knows his deep, Led Zeppelin

548
00:30:02,600 --> 00:30:06,300
cuts and I really love some of
the cuts that he puts on this

549
00:30:06,300 --> 00:30:09,700
soundtrack, you know, to play
the movie off with Tangerine, is

550
00:30:09,700 --> 00:30:12,700
such a brilliant.
Brilliant touch.

551
00:30:12,800 --> 00:30:14,900
I love the soundtrack to Almost
Famous.

552
00:30:16,000 --> 00:30:20,400
Famous almost a good movie.
The the whole reason everybody

553
00:30:20,400 --> 00:30:23,100
loves Tiny Dancer now is because
of that movie and because of

554
00:30:23,100 --> 00:30:26,100
that cut, I mean that I'm sorry,
that record I needle drop.

555
00:30:26,100 --> 00:30:29,500
Yeah, 100%.
All right, okay, so it sounds

556
00:30:29,500 --> 00:30:31,500
like, no pushback yet.
I'm going to plow ahead here.

557
00:30:32,100 --> 00:30:34,700
Number four, I'm going to go
with the soundtrack to George,

558
00:30:34,700 --> 00:30:38,300
Lucas's, American Graffiti,
which is another movie that I

559
00:30:38,300 --> 00:30:40,500
just watched again.
I mean, I've seen that movie 10

560
00:30:40,500 --> 00:30:43,800
times but I threw it on over the
summer again to remind myself of

561
00:30:43,800 --> 00:30:47,600
like, what does a John Eames are
John Williams, George Lucas

562
00:30:47,600 --> 00:30:52,000
movie.
That isn't Star Wars like and I

563
00:30:52,000 --> 00:30:56,100
was just so impressed with how
kind of like loose and Shaggy.

564
00:30:56,800 --> 00:30:59,500
It reminded me so much of a
recent movie by Paul Thomas

565
00:30:59,500 --> 00:31:03,200
Anderson called licorice pizza
which I loved and I think that's

566
00:31:03,200 --> 00:31:07,100
such a great double pairing
between those two movies and the

567
00:31:07,100 --> 00:31:10,900
soundtrack that 1950s soundtrack
from American Graffiti is just

568
00:31:10,900 --> 00:31:15,300
like Banger after Banger.
I absolutely love that movie and

569
00:31:15,300 --> 00:31:19,100
that soundtrack Yeah, I mean
sort of I've not seen the movie

570
00:31:19,100 --> 00:31:22,800
that many times so maybe twice
three times but I've actually

571
00:31:22,800 --> 00:31:25,100
listen to the soundtrack
Whitworth, Maxine Mobility.

572
00:31:25,700 --> 00:31:29,400
Because at the time again, I had
it on vinyl in the 80's 90's and

573
00:31:29,400 --> 00:31:32,100
because I had on Violet was you
could put it on and it's like

574
00:31:32,100 --> 00:31:34,400
they said every track is
something, you know, it's like

575
00:31:34,400 --> 00:31:37,000
having an oldies station on
without the commercials.

576
00:31:37,100 --> 00:31:38,700
Yeah.
With want then you couldn't get

577
00:31:38,700 --> 00:31:43,800
radio without commercials so it
was sort of like a brat.

578
00:31:43,800 --> 00:31:45,300
Anything any comment on American
Graffiti?

579
00:31:45,400 --> 00:31:49,300
You know I watched American
Graffiti when I was like 14 or

580
00:31:49,300 --> 00:31:53,100
15.
And I remember being confused,

581
00:31:53,100 --> 00:31:54,900
but enjoying it.
Mmm.

582
00:31:55,600 --> 00:31:58,800
If that tells you anything about
15 year-old Brad's.

583
00:31:58,800 --> 00:32:03,000
So, you know, Cinema taste a lot
of movie like, it's just a lot.

584
00:32:03,100 --> 00:32:05,600
Yeah.
And so, but honestly the the

585
00:32:05,600 --> 00:32:07,000
soundtrack doesn't stick out to
me.

586
00:32:07,000 --> 00:32:09,800
I don't remember it super well,
but it is something I've wanted

587
00:32:09,800 --> 00:32:12,400
to return to sometimes.
So this is just a good reminder

588
00:32:12,400 --> 00:32:15,900
that I need to get back on the
American Graffiti.

589
00:32:16,700 --> 00:32:19,600
Train.
All right number three is like

590
00:32:19,600 --> 00:32:21,700
Peak 90s for me.
And when I say that, it's

591
00:32:21,700 --> 00:32:24,500
because in the 90s we did this
thing with movie soundtracks

592
00:32:24,500 --> 00:32:27,300
where it was like we're not
going to have anybody seeing in

593
00:32:27,300 --> 00:32:30,700
the movie but we're going to
Outsource the songs to like the

594
00:32:30,700 --> 00:32:34,700
top 12, current artists in the
world right now and they're all

595
00:32:34,700 --> 00:32:36,100
going to write a song and we're
going to put it on the

596
00:32:36,108 --> 00:32:39,200
soundtrack and whether it's in
the movie or not, no one cares.

597
00:32:39,200 --> 00:32:42,400
Go buy the soundtrack.
And, you know, I thought about

598
00:32:42,400 --> 00:32:44,500
doing it.
What about Doug Batman Forever?

599
00:32:44,600 --> 00:32:46,900
Just so I could get Kiss From A
Rose by Seal.

600
00:32:47,100 --> 00:32:48,900
But the rest of the soundtrack
kind of sucks.

601
00:32:48,900 --> 00:32:52,200
So I went with one that I
listened to, to this day and

602
00:32:52,200 --> 00:32:57,900
that is the soundtrack to 1996's
Space Jam, which is truly.

603
00:32:57,900 --> 00:33:01,900
And honestly, Banger after
Banger after Banger and some of

604
00:33:01,900 --> 00:33:04,800
the some of the bangers are more
problematic than they used to

605
00:33:04,800 --> 00:33:06,900
be.
So we're not going to talk about

606
00:33:07,600 --> 00:33:12,300
I believe I can fly but you've
got you've got Basketball Jones

607
00:33:12,300 --> 00:33:15,600
with Chris Rock for some reason
showing up, you've got the the

608
00:33:15,600 --> 00:33:18,000
title song.
Welcome to the Space Jam.

609
00:33:18,300 --> 00:33:21,700
Like there's just so many great
tracks on that soundtrack.

610
00:33:21,800 --> 00:33:23,800
It never fails to pump me up,
man.

611
00:33:24,200 --> 00:33:28,200
Salt-and-pepper Biz Markie.
Yeah, I mean this is just, it's

612
00:33:28,200 --> 00:33:31,500
the greatest man and I still get
seal because he's doing a remake

613
00:33:31,500 --> 00:33:35,200
of Fly, Like an Eagle on there.
I don't think I knew that.

614
00:33:35,400 --> 00:33:38,000
Wow, yeah, I mean, that's
another one I haven't thought

615
00:33:38,000 --> 00:33:39,800
about in a long time but that
used to be a banger.

616
00:33:39,800 --> 00:33:42,300
Yeah.
Alright, number two, Brad, it's

617
00:33:42,300 --> 00:33:45,300
one that I like my number two.
And number one are very obvious

618
00:33:45,300 --> 00:33:48,700
but they're also, Deniable.
And this is the kind of

619
00:33:48,700 --> 00:33:51,700
soundtrack that again, took over
the world in the 1990s, but it's

620
00:33:51,700 --> 00:33:55,100
because it was entirely new
music written for a Disney

621
00:33:55,100 --> 00:33:59,500
musical and that is 1994.
The Lion King, a soundtrack,

622
00:33:59,500 --> 00:34:03,600
that owned my life for 89 years
there.

623
00:34:04,000 --> 00:34:06,700
And the great thing about The
Lion King soundtrack is that you

624
00:34:06,700 --> 00:34:09,100
have the performances that you
hear.

625
00:34:09,100 --> 00:34:12,300
In the movie, you know, you've
got Nathan Lane and whoever

626
00:34:12,300 --> 00:34:14,900
played, Pumbaa, singing Hakuna
Matata.

627
00:34:15,100 --> 00:34:17,900
And then you've got all the John
versions were it's just Elton,

628
00:34:17,900 --> 00:34:20,800
John singing, those songs.
And then they also have like

629
00:34:21,000 --> 00:34:25,199
four or five tracks of the Hans
Zimmer's score in the original

630
00:34:25,199 --> 00:34:27,699
motion, picture soundtrack.
Like it is just everything.

631
00:34:27,699 --> 00:34:31,100
You could possibly want to
musically out of the Lion King

632
00:34:31,199 --> 00:34:33,100
is on that CD.
Yeah.

633
00:34:33,199 --> 00:34:35,300
And it's short isn't it like
it's a the movie was sure.

634
00:34:35,300 --> 00:34:36,900
So the soundtrack wasn't that
long was it?

635
00:34:37,000 --> 00:34:39,000
Yeah I'm pretty sure that the
soundtrack with all those

636
00:34:39,000 --> 00:34:42,100
additional tracks is like as
long as the movie right.

637
00:34:42,100 --> 00:34:44,800
You know, I mean it's like it's
like an hour and 20, you're in,

638
00:34:44,800 --> 00:34:48,100
you're out but you here.
Five versions of Hakuna Matata.

639
00:34:48,400 --> 00:34:50,000
And and that what more can you
ask for?

640
00:34:51,199 --> 00:34:54,000
I actually have a vivid memory
of seeing the, the trailer for

641
00:34:54,000 --> 00:34:54,699
The Lion.
King.

642
00:34:54,699 --> 00:34:57,300
Like wait, you know, I can't
remember which movie I was even

643
00:34:57,300 --> 00:35:00,200
seen but it was one with, we're
Elton John's.

644
00:35:00,200 --> 00:35:04,600
Like Blake just comes in with
that like amazing song and like

645
00:35:04,600 --> 00:35:06,900
you see all the animals going
towards the sunshine, it was

646
00:35:06,900 --> 00:35:10,400
almost like a teaser and just
being like wow back in those

647
00:35:10,400 --> 00:35:12,000
days, you know, back in the day
was like, oh my God.

648
00:35:12,000 --> 00:35:14,100
Oh my God, is doing the Disney
movies long?

649
00:35:14,100 --> 00:35:16,300
It was like a amazing.
So you have to go see it.

650
00:35:16,500 --> 00:35:17,500
For that.
Yeah.

651
00:35:17,500 --> 00:35:19,800
And that's the thing about like
my number two, and number one is

652
00:35:19,800 --> 00:35:23,300
that I think sometimes when you
want to appear, like not just

653
00:35:23,300 --> 00:35:25,700
cultured, but just like, oh, I'm
in the know.

654
00:35:25,900 --> 00:35:28,400
You don't pick the obvious thing
and, you know, I thought about

655
00:35:28,500 --> 00:35:31,700
talking about how back in like,
07, the soundtrack to Juno was

656
00:35:31,700 --> 00:35:34,200
like something that took over
college campuses because it was

657
00:35:34,200 --> 00:35:37,800
like, here's how you can be
quirky and have little ukulele

658
00:35:37,800 --> 00:35:41,400
covers of everything and it and
that in itself became its own

659
00:35:41,400 --> 00:35:44,900
fat that everyone hates now.
But like I thought about a movie

660
00:35:44,900 --> 00:35:47,800
like The Lion King and I'm like,
I'm They really going to put the

661
00:35:47,800 --> 00:35:50,600
soundtrack to Juneau of all
things on my list.

662
00:35:50,600 --> 00:35:54,600
But over the freaking Lion King
like it's just there's a reason

663
00:35:54,600 --> 00:35:57,800
that a million, you know, 10
million, people probably bought

664
00:35:57,800 --> 00:36:00,800
that album and it's because it's
absolutely fantastic.

665
00:36:00,800 --> 00:36:04,400
And there's no denying it and I
think the the prime example of

666
00:36:04,400 --> 00:36:08,300
that is my number one and it's
going to give me an opportunity

667
00:36:08,300 --> 00:36:10,300
to talk about something.
I've never talked about in this

668
00:36:10,300 --> 00:36:13,600
podcast Brad and that is Disco
because it's Saturday Night

669
00:36:13,600 --> 00:36:16,200
Fever.
Like holy cow one of one.

670
00:36:16,700 --> 00:36:19,300
Really, I think still to this
day, one of the top 10

671
00:36:19,300 --> 00:36:23,600
best-selling albums of all time.
And here's the thing, I'm really

672
00:36:23,600 --> 00:36:26,700
glad people are finally starting
to re-evaluate disco music.

673
00:36:26,700 --> 00:36:29,800
It took 40 years but over the
last five years or so we've

674
00:36:29,800 --> 00:36:33,800
gotten a Bee Gees documentary
people have like I think started

675
00:36:33,800 --> 00:36:37,100
to kind of adapt some more of
those disco e sounds into their

676
00:36:37,100 --> 00:36:38,800
music Bruno.
Mars did this for a little

677
00:36:38,800 --> 00:36:40,900
while.
The thing is if you know your

678
00:36:40,900 --> 00:36:45,600
music history, then disco music
is a natural progression out of

679
00:36:45,600 --> 00:36:47,400
the R&B.
And soul that we had in the

680
00:36:47,400 --> 00:36:50,800
1960s especially for Motown.
And I think you know, the issue

681
00:36:50,800 --> 00:36:53,700
that a lot of people have with
it is very similar to Brad.

682
00:36:53,700 --> 00:36:56,000
What you and I have talked about
with Elvis, like appropriating

683
00:36:56,000 --> 00:36:58,700
black music and the Bee Gees are
these, you know, Australian guys

684
00:36:58,700 --> 00:37:01,800
doing it.
But they made incredible music

685
00:37:01,900 --> 00:37:05,500
and when you listen to the
grooves and how in the pocket

686
00:37:05,500 --> 00:37:08,600
these bands are, it's it's
insanely good.

687
00:37:08,700 --> 00:37:11,800
You put on any one of those
songs whether it's Night Fever

688
00:37:11,900 --> 00:37:15,400
whether it's How Deep Is Your
Love or you know Staying Alive

689
00:37:15,500 --> 00:37:19,100
obviously.
That album has I want to say

690
00:37:19,100 --> 00:37:20,900
that album had like six or
seven.

691
00:37:20,900 --> 00:37:25,300
Number one hits on one album
like it's an insane collection

692
00:37:25,600 --> 00:37:30,100
of tracks and there's a there's
no denying it also.

693
00:37:30,100 --> 00:37:34,300
It has one of the greatest puns
of all time in the title A Fifth

694
00:37:34,300 --> 00:37:37,200
of Beethoven.
Yeah there's like come on.

695
00:37:37,300 --> 00:37:38,900
That's just freaking killer
dude.

696
00:37:40,000 --> 00:37:43,600
It's fantastic.
I mean, that is an amazing film

697
00:37:43,600 --> 00:37:46,800
of its time, of course.
I mean it's got some I don't

698
00:37:46,800 --> 00:37:50,100
think people also realize how
crazy that film is and how dark

699
00:37:50,100 --> 00:37:50,900
it is.
Yes.

700
00:37:51,500 --> 00:37:55,000
But also, I mean, going looking
at the music purely, I mean you

701
00:37:55,000 --> 00:37:59,300
don't really love hip-hop in the
same sense as a mainstream thing

702
00:37:59,300 --> 00:38:01,100
without the Sugar Hill game,
which yep.

703
00:38:01,100 --> 00:38:03,100
Disco song.
Yep, we're you know, these guys

704
00:38:03,100 --> 00:38:05,900
from New Jersey took his bronc
sound and matched it with disco

705
00:38:05,900 --> 00:38:09,700
and made a massive hit worldwide
where everyone listen to you

706
00:38:09,700 --> 00:38:14,000
know wrap for the first time in
1979 on a wide scale.

707
00:38:14,300 --> 00:38:17,200
And so you know and that kind of
I was thing about that with

708
00:38:17,200 --> 00:38:20,400
Elvis as well because that's why
I look the elbe soundtrack from

709
00:38:20,400 --> 00:38:22,400
baz, luhrmann's film because it
kind of brought it all full

710
00:38:22,400 --> 00:38:26,500
circle by, you know, bad as like
specifically going back to the

711
00:38:26,500 --> 00:38:29,100
Beale Street Community and the
entity African-American

712
00:38:29,100 --> 00:38:31,600
community and being like, hey,
let's take these songs and bring

713
00:38:31,600 --> 00:38:34,700
them back in again.
And sort of, you know, find

714
00:38:34,700 --> 00:38:37,200
something new there, that was
interesting.

715
00:38:41,500 --> 00:38:44,600
All right, guys, it's time for
Zach to blow the rest of us

716
00:38:44,600 --> 00:38:46,200
away.
With what I'm sure is the best

717
00:38:46,200 --> 00:38:48,800
top five here, but hit us with
your top, five Zak.

718
00:38:49,300 --> 00:38:52,500
So I'm gonna go a little of Best
of Both Worlds.

719
00:38:52,500 --> 00:38:55,200
From both you guys.
I'm actually going to start off

720
00:38:55,200 --> 00:39:01,200
with John Williams in the bottom
slot of my top five and I got to

721
00:39:01,207 --> 00:39:05,600
go with Superman.
Like it's this sort of like you

722
00:39:05,600 --> 00:39:07,200
say whatever you want about Zack
Snyder.

723
00:39:07,200 --> 00:39:08,700
Superman.
Movies, his biggest biggest

724
00:39:08,700 --> 00:39:12,600
mistake, what's not using John
Williams score because that

725
00:39:12,600 --> 00:39:15,400
score is so iconic.
If you watch those opening

726
00:39:15,400 --> 00:39:20,600
credits from the 1979 movie
with, you know, the the names of

727
00:39:20,600 --> 00:39:24,900
Marlon Brando and Mario Puzo
like Gino zooming through space

728
00:39:24,900 --> 00:39:30,200
and you're listening to this.
It's like a grand March.

729
00:39:30,200 --> 00:39:34,000
Yeah.
From like the Wagner era and but

730
00:39:34,000 --> 00:39:36,400
it's also got this wonderful
sci-fi aspect to it.

731
00:39:36,400 --> 00:39:40,900
And it's just John Williams
being kind of weird too.

732
00:39:41,400 --> 00:39:43,900
Yeah.
And kind of romantic and also

733
00:39:43,900 --> 00:39:46,600
it's just sort of earlier in his
career.

734
00:39:46,600 --> 00:39:52,600
So he isn't quite as dialed into
some of the repetition he has

735
00:39:52,600 --> 00:39:55,300
later in his career.
Like if I'm going to go for a

736
00:39:55,300 --> 00:39:58,800
run like I'm going to put on
Superman soundtrack.

737
00:39:58,800 --> 00:40:02,500
Yeah even Indiana Jones and I
love Indiana Jones as you know

738
00:40:02,500 --> 00:40:05,300
especially the Raiders March.
I mean that is one of my

739
00:40:05,300 --> 00:40:08,800
favorite of all time as well.
But It's really that, you know

740
00:40:08,900 --> 00:40:12,700
that opening scene in Superman
of just that I think even I

741
00:40:12,707 --> 00:40:16,000
admit this is Nostalgia as well.
You know, born in that era.

742
00:40:16,000 --> 00:40:19,600
I grew up with that movie.
But it transcends and you know

743
00:40:19,600 --> 00:40:23,100
say what you will about the
Superman Returns at least it had

744
00:40:23,100 --> 00:40:27,400
the good sense to you stronger
for it.

745
00:40:28,000 --> 00:40:30,800
Yeah that's where I got to start
this sort of in that I think

746
00:40:30,800 --> 00:40:34,500
Prime's you for where I'm going
to go Bob we need to just do an

747
00:40:34,500 --> 00:40:38,600
episode on John Williams because
like I was sitting here today

748
00:40:38,600 --> 00:40:43,100
listening to a bunch of his
music and I'm just like weeping

749
00:40:43,200 --> 00:40:47,300
listening to Schindler's List.
Oh good like his theme from that

750
00:40:47,300 --> 00:40:52,500
and I'm listening to Jurassic
Park and just like just he just

751
00:40:53,300 --> 00:40:56,100
is incredible and we need to do
an entire episode.

752
00:40:56,100 --> 00:40:57,700
All here's what we'll do.
I'll say right now we're going

753
00:40:57,700 --> 00:41:00,300
to bring Zack back on the show.
We woke up.

754
00:41:00,300 --> 00:41:06,100
We will power rank.
John Williams themes and like

755
00:41:06,200 --> 00:41:10,200
and I can't have separate lists.
We all have to come up with one

756
00:41:10,200 --> 00:41:13,300
power ranked list.
Now, can we can we put the

757
00:41:13,300 --> 00:41:15,300
Olympic theme song on the hell?
Yeah.

758
00:41:15,700 --> 00:41:19,500
Okay.
This man wrote a new song for

759
00:41:19,500 --> 00:41:21,400
the Olympics.
Like, have you ever stopped to

760
00:41:21,400 --> 00:41:24,300
think about how crazy that is?
Like, it's yes.

761
00:41:24,300 --> 00:41:27,300
Yes, I have, that's fantastic.
I am.

762
00:41:27,300 --> 00:41:30,800
So and yeah.
I like I said, I like, would I

763
00:41:30,800 --> 00:41:33,400
agree with Brad like I can Make
a whole list, your top five and

764
00:41:33,400 --> 00:41:37,300
just struggling screaming.
He's so part of our Lives.

765
00:41:37,900 --> 00:41:41,000
Even if you're not an avid
Cinema goer, you've heard his

766
00:41:41,000 --> 00:41:43,500
music at theme parks.
You've heard it in TV.

767
00:41:43,500 --> 00:41:46,500
Commercials everyday life on the
radio on your phone on.

768
00:41:46,500 --> 00:41:48,100
Somebody else's phone just in a
bar.

769
00:41:48,100 --> 00:41:50,700
Whatever you've heard in music
as part of your life.

770
00:41:52,100 --> 00:41:53,900
All right, Zack, let's do it now
before.

771
00:41:54,600 --> 00:41:59,700
So go into my other sort of
cinematic upbringing and I have

772
00:41:59,700 --> 00:42:03,800
to go with the Kubrick movie and
Cooper took so much amazing

773
00:42:03,800 --> 00:42:06,600
stuff between the the synth and
Clockwork, Orange and the

774
00:42:06,600 --> 00:42:08,400
Ridiculousness of The Shining
soundtrack.

775
00:42:09,100 --> 00:42:11,500
But I'm a big eyes wide, shut
fan.

776
00:42:11,500 --> 00:42:14,600
And I know that's a
controversial Hill that I'm

777
00:42:14,600 --> 00:42:18,200
probably gonna die on.
And part of why I love Eyes Wide

778
00:42:18,200 --> 00:42:20,500
Shut.
Is the music in that film is

779
00:42:20,700 --> 00:42:23,800
just Phenomenal.
It's Kubrick doing his

780
00:42:23,800 --> 00:42:28,600
absolutes.
Best needle drops best work with

781
00:42:29,100 --> 00:42:33,300
Jocelyn puku to the soundtrack.
And so, you know, the sort of

782
00:42:33,300 --> 00:42:37,500
we're organy sort of like
chanting music.

783
00:42:37,500 --> 00:42:40,800
You here is Tom Cruise's walking
through the orgy, that's her

784
00:42:41,400 --> 00:42:44,100
writing the score, which is so
unique.

785
00:42:44,100 --> 00:42:48,400
And then you have just, you
know, Shostakovich showing up

786
00:42:48,400 --> 00:42:51,800
and grigor legit, hes, piano
nonsense, you know, craziness

787
00:42:51,800 --> 00:42:56,300
and Mozart's Requiem as just the
it the The whole thing comes

788
00:42:56,300 --> 00:42:59,300
together.
So cohesively to tell this, you

789
00:42:59,308 --> 00:43:04,200
know, kind of New York fairytale
story in a way that it really

790
00:43:04,200 --> 00:43:06,600
sticks out.
I mean, just fairy tale.

791
00:43:09,000 --> 00:43:12,700
That's a pretty, pretty strong
description of Eyes, Wide Shut.

792
00:43:14,900 --> 00:43:17,100
Well, you know, old school fairy
tales are pretty dark.

793
00:43:17,100 --> 00:43:18,700
That's true.
That's true.

794
00:43:18,700 --> 00:43:21,500
That's true.
I always do have to skip the

795
00:43:21,500 --> 00:43:24,200
orgy scenes when I'm reading
Aesop to my six-year-old, the

796
00:43:24,200 --> 00:43:28,300
nerve.
Touche.

797
00:43:28,900 --> 00:43:32,000
But, you know, it's just that
one of the things like that, you

798
00:43:32,000 --> 00:43:36,400
know, I was in the, I guess I
wasn't in the minority when it

799
00:43:36,400 --> 00:43:38,000
came out.
People forget, when that movie

800
00:43:38,000 --> 00:43:39,700
came out, people loved it
critics.

801
00:43:39,700 --> 00:43:44,300
Loved it was a huge hit like
make tons and tons of money and

802
00:43:45,800 --> 00:43:49,500
in that it had is because of the
Bilderberg cut as opposed to the

803
00:43:49,500 --> 00:43:53,100
Kubrick cut and blah blah blah.
But still it's one of those

804
00:43:53,100 --> 00:43:56,300
movies were the music just stuck
with you and it was parodied and

805
00:43:56,300 --> 00:43:58,200
it became part of the Zeitgeist.
And you know you saw it on The

806
00:43:58,207 --> 00:44:03,100
Simpsons and blah blah blah but
I just you know that that film's

807
00:44:03,100 --> 00:44:07,600
music just I feel.
It's something that became a

808
00:44:07,607 --> 00:44:09,300
bigger part than the movie
along.

809
00:44:09,400 --> 00:44:11,700
Nice.
All right, moving along number

810
00:44:11,700 --> 00:44:13,500
three.
Yeah.

811
00:44:13,500 --> 00:44:18,000
And this is sort of a kind of
feel like I can go really

812
00:44:18,000 --> 00:44:22,500
esoteric are but I'm a big fan
of ringer Fassbender who is a

813
00:44:23,000 --> 00:44:27,500
very I don't want to say Avant
Our but very eclectic.

814
00:44:27,600 --> 00:44:29,800
Yeah.
Eclectic filmmaker he was the

815
00:44:29,800 --> 00:44:35,200
sort of person he made like you
know, 70 films in 30 years or 20

816
00:44:35,200 --> 00:44:36,800
years or something.
You make like two or three films

817
00:44:36,800 --> 00:44:38,900
a year.
He just had this machine going

818
00:44:38,900 --> 00:44:42,000
in Berlin and in Germany that
was just like, boom, boom, boom.

819
00:44:42,000 --> 00:44:44,500
He could make someone's back to
back to back and then back and a

820
00:44:44,508 --> 00:44:48,800
very utilitarian, very
socialist, minded anarchic.

821
00:44:49,700 --> 00:44:51,900
But also HEPA to mainstream
stuff that he did Berlin

822
00:44:51,900 --> 00:44:55,200
alexanderplatz in 1980, which
was this big mini-series on TV.

823
00:44:55,500 --> 00:44:59,500
So it wasn't like only doing,
you know, you know, Casa fetty's

824
00:44:59,500 --> 00:45:01,700
level, you know, weird plays on
film.

825
00:45:01,700 --> 00:45:04,900
He was doing everything, a lot
of social commentary, of course

826
00:45:04,900 --> 00:45:07,900
of time.
But one of the films that I've

827
00:45:08,300 --> 00:45:12,800
sort of Love is actually a TV
movie is called Balby Al and

828
00:45:12,800 --> 00:45:18,100
it's a Fassbender doing Bertolt
brecht and the composer and

829
00:45:18,100 --> 00:45:21,800
soundtrack is Volker, slow and
off and it's this sort of music

830
00:45:21,800 --> 00:45:24,400
just type in Bal 1970,
soundtrack.

831
00:45:25,100 --> 00:45:28,000
When you go On YouTube,
everybody and press play.

832
00:45:28,900 --> 00:45:31,700
And you'll see where Tarantino
got all of his inspiration.

833
00:45:31,700 --> 00:45:34,600
For his early films, like
Reservoir Dogs and Pulp Fiction

834
00:45:34,600 --> 00:45:38,100
because it is that funky 1970
thing where you know there's

835
00:45:38,100 --> 00:45:41,100
kind of like this dude who
smoked too much cigarettes kind

836
00:45:41,100 --> 00:45:44,900
of singing.
Klemper jazz music over like

837
00:45:45,000 --> 00:45:48,000
funky 70s stuff and it's just
one of those things where it's

838
00:45:48,000 --> 00:45:54,700
at You feel the value of
Fassbender and his Machinery of

839
00:45:54,700 --> 00:45:59,200
filmmaking come through in the
film, nerds who started making

840
00:45:59,200 --> 00:46:03,000
films based on the 70s?
I can just see, like, all of the

841
00:46:03,100 --> 00:46:06,800
analytics department at YouTube
being like, why are these people

842
00:46:06,800 --> 00:46:11,400
searching for Val 1970?
Soundtrack of Simply, ha, ha ha,

843
00:46:12,600 --> 00:46:16,300
and where'd this come from?
But also in general, like

844
00:46:17,200 --> 00:46:21,600
strainer Fassbender made so many
Me films that, you know, some of

845
00:46:21,600 --> 00:46:25,500
them were again, very esoteric.
Some of them work, let you know

846
00:46:25,500 --> 00:46:29,200
some of them are mainstream so,
you know, just look ringer.

847
00:46:29,200 --> 00:46:32,100
Fassbender in general, is sort
of like this slot is more for

848
00:46:32,100 --> 00:46:34,300
him than any specific
soundtrack.

849
00:46:34,300 --> 00:46:37,300
Just look up right here.
Fassbender watches movies Zach.

850
00:46:37,300 --> 00:46:41,400
I know, literally nothing about
Rainier Fassbender, besides what

851
00:46:41,400 --> 00:46:45,000
you have just told us.
However, I did Google him and

852
00:46:45,000 --> 00:46:47,600
upon looking at the first two
pictures that came up.

853
00:46:48,000 --> 00:46:51,500
I have decided that You like him
because I think you kind of look

854
00:46:51,500 --> 00:46:55,900
like him or I think you guys
have a similar Vibe.

855
00:46:57,200 --> 00:47:02,200
Yeah, I definitely Had My
Moments where I was a yeah, I

856
00:47:02,200 --> 00:47:04,600
know what you mean.
Especially, I mean, I lived in

857
00:47:04,600 --> 00:47:07,500
Berlin for 14 years.
So there's a you know connection

858
00:47:07,500 --> 00:47:12,600
there as well, but he's a he's a
fascinating fascinating

859
00:47:12,600 --> 00:47:20,100
filmmaker, you know, sort of
Just nobody has sense or even

860
00:47:20,100 --> 00:47:24,200
before been able to create as
much as he did, and obviously,

861
00:47:24,200 --> 00:47:28,200
he burned out crash pretty hard,
but when you're making three or

862
00:47:28,200 --> 00:47:30,900
four movies a year, that's going
to happen, but it's just

863
00:47:30,900 --> 00:47:33,600
fascinating stuff.
So indicative of time and era

864
00:47:33,600 --> 00:47:38,200
but also completely Universal in
its themes and messages, you

865
00:47:38,200 --> 00:47:39,100
know.
Yeah.

866
00:47:39,100 --> 00:47:42,700
I don't think people understand
what all goes into making a

867
00:47:42,700 --> 00:47:45,200
movie.
Like I always encourage people

868
00:47:45,200 --> 00:47:48,700
to To watch the entirety of the
credits for Lord of the Rings

869
00:47:48,700 --> 00:47:52,400
great and just like think about
how many names are on that list

870
00:47:52,400 --> 00:47:56,300
to make those movies.
But the idea of making three to

871
00:47:56,300 --> 00:47:59,900
four movies a year is just
mind-boggling to me.

872
00:47:59,900 --> 00:48:02,500
That that is insane.
Yeah.

873
00:48:02,500 --> 00:48:06,300
I mean, he had a hell of a crew
and he had a hell of a drive but

874
00:48:06,600 --> 00:48:11,100
it's sort of That's sort of.
Again, you just got to go and

875
00:48:11,100 --> 00:48:13,400
dig in and sort of find because
you will.

876
00:48:13,600 --> 00:48:17,000
He made so much, you will find a
Groove where it kind of like,

877
00:48:17,000 --> 00:48:20,200
okay, I get the sky now and
he'll do something abstract.

878
00:48:20,200 --> 00:48:23,800
Like I don't get this guy
anymore, you got a pig like a

879
00:48:23,800 --> 00:48:27,100
year off and go and come back.
Go back towards and being like,

880
00:48:27,400 --> 00:48:30,700
okay, let's try this again.
All right, we've got two more

881
00:48:30,700 --> 00:48:32,800
from Zach.
Let's let's hear your top two.

882
00:48:33,600 --> 00:48:38,000
Um so I'm actually this is going
to date me.

883
00:48:38,200 --> 00:48:41,300
And I mean, I grew up in Seattle
and like late 80s, early 90s as

884
00:48:41,300 --> 00:48:44,900
when I sort of came to be who I
was.

885
00:48:44,900 --> 00:48:50,100
So this is actually Keen us back
into the Grammys as well,

886
00:48:50,100 --> 00:48:53,700
because a nominee, this year,
for scoring soundtrack for

887
00:48:53,700 --> 00:48:55,000
visual media as the Grammys
call.

888
00:48:55,000 --> 00:48:59,100
It was the Michael giacchino
soundtrack for the Batman.

889
00:48:59,100 --> 00:49:02,000
Oh, nice.
And the reason I love that

890
00:49:02,000 --> 00:49:05,900
soundtrack is because it's all
based on, uh, Nirvana song that

891
00:49:05,900 --> 00:49:09,700
drives the score.
Which is a throwback to

892
00:49:09,800 --> 00:49:11,700
especially seventies and
eighties movies where, you know,

893
00:49:11,700 --> 00:49:13,400
you watch like Officer and a
Gentleman.

894
00:49:13,700 --> 00:49:18,000
And the score is basically just
teasing you, Joe, Cocker and

895
00:49:18,000 --> 00:49:21,800
Lindros that at the end up where
we belong, but, you know, and

896
00:49:21,800 --> 00:49:23,900
that's the same thing that
Michael giacchino did with

897
00:49:23,900 --> 00:49:26,700
something in the way, you know,
obviously coming in early in the

898
00:49:26,700 --> 00:49:29,400
field but then teasing out the
soundtrack, the whole way

899
00:49:29,400 --> 00:49:32,300
through which is an old concept
That You Don't See as much

900
00:49:32,300 --> 00:49:34,400
anymore.
Like you don't really see like

901
00:49:35,200 --> 00:49:38,000
Like even if you look at a
musical, Like A Star is Born

902
00:49:38,600 --> 00:49:40,300
like shallow, isn't the
soundtrack?

903
00:49:40,300 --> 00:49:42,500
That's teased out throughout
that film, right?

904
00:49:42,500 --> 00:49:43,900
It's just a small game, the
film.

905
00:49:45,500 --> 00:49:49,200
And I just, I mean, I just
thought like bat the Batman's,

906
00:49:49,200 --> 00:49:52,200
my favorite movie or anything.
But I really, really enjoyed

907
00:49:52,200 --> 00:49:54,300
that soundtrack because I used
nirvana, in a way that just hit

908
00:49:54,300 --> 00:49:57,200
me in the feels.
I love that.

909
00:49:57,200 --> 00:49:58,900
Yeah, and Brad.
I don't, we haven't talked about

910
00:49:58,900 --> 00:50:02,300
the Batman at all yet, but it's
nice to see.

911
00:50:02,900 --> 00:50:05,800
Giacchino getting some love
here, he's just like He might be

912
00:50:05,800 --> 00:50:09,000
the best working composer today,
everything from, you know, the

913
00:50:09,000 --> 00:50:12,700
Pixar when he did up that that
theme from a pop that everyone

914
00:50:12,800 --> 00:50:15,300
always quotes is.
Let mean it's just brilliant

915
00:50:15,300 --> 00:50:17,200
stuff, man.
Yes.

916
00:50:17,200 --> 00:50:20,300
And I mean, it's sort of like
how could he not win the Grammy

917
00:50:20,300 --> 00:50:22,500
for that?
I mean, and just his work in

918
00:50:22,500 --> 00:50:25,900
general, I mean, listen the
Ratatouille soundtrack.

919
00:50:25,900 --> 00:50:26,800
Yeah, listen.
Exactly.

920
00:50:26,800 --> 00:50:30,900
To perform listen to Coco, man.
Like listening wouldn't try not

921
00:50:30,900 --> 00:50:34,900
to cry and that's him.
Yep, you know that Bob has a

922
00:50:35,000 --> 00:50:37,600
Great story about crying during
Coco but we'll get to that to

923
00:50:37,600 --> 00:50:40,200
another day.
Yeah, don't we all?

924
00:50:40,200 --> 00:50:42,900
Yeah, right.
All right, you got one more

925
00:50:42,900 --> 00:50:44,800
left, man.
We've been, we've been teasing

926
00:50:44,800 --> 00:50:47,500
it for a while here.
So hit us with your number one

927
00:50:48,100 --> 00:50:50,000
and, you know, it's sort of, I
don't know, man.

928
00:50:50,000 --> 00:50:53,800
I like there's so many I wanted
to do like I was going to put

929
00:50:53,800 --> 00:50:57,500
any other at the top but you
know it was sort of like that's

930
00:50:57,500 --> 00:51:00,600
that's you know, Brad that way
too well.

931
00:51:00,600 --> 00:51:05,900
So I'm actually going to go kind
of postmodern with PT a movie

932
00:51:05,900 --> 00:51:08,800
called The Robie were blurred
and Jonny Greenwood nice.

933
00:51:09,500 --> 00:51:16,700
And that again, Petey Anders are
Paul Thomas Anderson, has always

934
00:51:16,700 --> 00:51:19,600
had an Eclectic sense with
soundtracks, whether you know,

935
00:51:19,607 --> 00:51:22,000
it's Punch-Drunk with that and
you know, they're not to have

936
00:51:22,000 --> 00:51:23,900
the sort of like giving you a
heart attack while you watch the

937
00:51:23,900 --> 00:51:26,300
movie.
We've mentioned licorice, pizza

938
00:51:26,300 --> 00:51:29,400
in the needle drops and matter
phenomenal.

939
00:51:30,600 --> 00:51:33,400
But I kind of feel like he hit
the peak with There Will Be

940
00:51:33,400 --> 00:51:38,600
Blood because Jonny Greenwood
somehow Ow takes the depravity

941
00:51:38,600 --> 00:51:44,000
of that early Doggy Dogg
capitalism and kind of pulls the

942
00:51:44,000 --> 00:51:48,300
strings of the violin and the
cello like through your soul

943
00:51:48,600 --> 00:51:52,400
extra watching, you know, Henry
plain view in the Peachtree.

944
00:51:52,400 --> 00:51:57,600
Two halves and the you know the
just all his just angst and

945
00:51:57,600 --> 00:52:02,300
anger but also like The the love
that's there.

946
00:52:02,300 --> 00:52:05,200
And like, you know, when you re
watch that movie, it could

947
00:52:05,200 --> 00:52:08,800
almost be a silent film just
with his score percent.

948
00:52:09,400 --> 00:52:11,700
Because you know, the dialogue
is there and it's, there's

949
00:52:11,700 --> 00:52:13,600
nothing wrong with dialogue.
It's not like it's, you know,

950
00:52:14,300 --> 00:52:15,900
the Adolescent or anything like
that.

951
00:52:16,200 --> 00:52:20,400
But the dialogue is so sparse
and just Daniel Day-Lewis his

952
00:52:20,400 --> 00:52:23,100
performance.
And also the, I'm so sorry, I

953
00:52:23,100 --> 00:52:24,500
forgot the kid's name and place
his son.

954
00:52:24,500 --> 00:52:28,500
His performance is so good.
But when they, when he tries to

955
00:52:28,500 --> 00:52:31,100
burn the cottage down and he saw
Chase is about but he still so

956
00:52:31,100 --> 00:52:32,800
drunk.
You can't chase them when he

957
00:52:32,800 --> 00:52:35,500
stops and he leans over and you
hear the firing you, you're a

958
00:52:35,500 --> 00:52:37,400
little bit of music when he
starts running after him again

959
00:52:37,400 --> 00:52:40,000
and they go behind the bush and
it's just sort of, you know,

960
00:52:40,400 --> 00:52:44,400
it's just for me an excellent
score and it's also I mean,

961
00:52:44,400 --> 00:52:46,700
Johnny Corey wouldn't, I mean,
Johnny Green, what's going to

962
00:52:47,100 --> 00:52:49,400
probably make some good music,
given, where he comes from a

963
00:52:49,900 --> 00:52:54,400
pedigree there.
But It's another one of those

964
00:52:54,400 --> 00:52:58,500
things like we could just talk
about PTA scores and ranking his

965
00:52:58,500 --> 00:53:02,200
movies music.
But I do kind of feel like There

966
00:53:02,200 --> 00:53:04,800
Will Be Blood is the most like
stick with you.

967
00:53:05,800 --> 00:53:08,000
Yeah I mean we talked about it
when we did our episode on There

968
00:53:08,000 --> 00:53:12,500
Will Be Blood, there is there's
something to how just unsettling

969
00:53:12,500 --> 00:53:18,300
an eerie and dissonant and
discordant music is and and they

970
00:53:18,300 --> 00:53:21,800
know when to use it and went to
make it be completely silent and

971
00:53:22,000 --> 00:53:25,200
you know, the The incident at
the end of the movie, that gives

972
00:53:25,200 --> 00:53:26,800
it.
Its title has no score

973
00:53:26,800 --> 00:53:29,300
underneath it.
And I think that a filmmaker

974
00:53:29,300 --> 00:53:33,000
that knows when to use music to
its fullest effect and that

975
00:53:33,000 --> 00:53:37,100
sometimes not having any music
is using music to its fullest

976
00:53:37,100 --> 00:53:39,500
effect.
I mean, it's really is a match

977
00:53:39,500 --> 00:53:41,900
made in heaven between those two
and I think it's a great pick

978
00:53:41,900 --> 00:53:45,400
for number one man.
Yeah, it is sort of plays a

979
00:53:45,400 --> 00:53:47,800
little bit of a marsh, my other
one of my other favorites.

980
00:53:47,800 --> 00:53:49,900
First, we'll Kubrick would see
The Shining where you have those

981
00:53:49,900 --> 00:53:53,700
like out of nowhere, like,
string streak free, Shouldn't

982
00:53:53,700 --> 00:53:55,000
you know?
And you're like, oh what up?

983
00:53:55,200 --> 00:53:56,600
What's about to happen?
Yeah.

984
00:53:58,900 --> 00:54:00,100
All right everybody.
There you have it.

985
00:54:00,100 --> 00:54:03,800
We've got top five, soundtracks,
top five scores and Zacks.

986
00:54:04,200 --> 00:54:08,900
I mean, like, grad level
syllabus on really cool stuff to

987
00:54:08,900 --> 00:54:11,100
listen to.
I really look forward to

988
00:54:11,100 --> 00:54:13,000
checking out some of those
because I haven't heard all of

989
00:54:13,000 --> 00:54:16,900
them Brad once again this has
been an enlightening

990
00:54:16,900 --> 00:54:18,200
conversation with our friend
Zack.

991
00:54:18,200 --> 00:54:22,300
Johnston.
Yeah I am genuinely so so

992
00:54:22,300 --> 00:54:25,300
excited to have him.
Back on to talk some John

993
00:54:25,300 --> 00:54:28,200
Williams, that that will be an
incredible episode but Zach,

994
00:54:28,300 --> 00:54:30,300
thank you so much for coming on
today, man.

995
00:54:30,900 --> 00:54:34,000
I'm excited to try some of this
whiskey as soon as mom gets it

996
00:54:34,000 --> 00:54:37,500
to me.
But well gentlemen, I can't

997
00:54:37,500 --> 00:54:40,300
thank you enough and it's as
always wonderful conversation.

998
00:54:40,900 --> 00:54:43,100
Yeah, make sure to check out the
Grammys they're coming.

999
00:54:43,100 --> 00:54:47,300
This Sunday February 5th, 8:30
p.m. on CBS, make sure to check

1000
00:54:47,300 --> 00:54:50,700
out Nashville barrel company.
I know, I will be this is some

1001
00:54:50,700 --> 00:54:53,300
phenomenal stuff Brad, I can't
wait for you to share.

1002
00:54:53,400 --> 00:54:56,900
Her sit with me.
Yeah, and also make sure that

1003
00:54:56,900 --> 00:55:00,400
you keep reading Zach.
Johnston, he is the drinks

1004
00:55:00,400 --> 00:55:03,800
editor, over it up rocks and
just continually pumps out,

1005
00:55:03,800 --> 00:55:06,800
incredible articles about the
world of whiskey.

1006
00:55:07,100 --> 00:55:08,700
Thank you guys, I appreciate
that.

1007
00:55:09,400 --> 00:55:11,800
Alright, we will be back on
Monday with another regularly

1008
00:55:11,800 --> 00:55:16,200
scheduled episode but until then
I'm Bob book, I'm Brad G and

1009
00:55:16,200 --> 00:55:46,200
we'll see you next time.
Oh, there you go.

1010
00:55:46,200 --> 00:55:49,500
Take it as, it's me, George be
stagger back again to Delight

1011
00:55:49,500 --> 00:55:51,000
your ears.
With a 60-second.

1012
00:55:51,000 --> 00:55:53,300
Whiskey appraisal today's
episode is brought to you by

1013
00:55:53,300 --> 00:55:56,100
Doc's Swensons.
The legendary blending Wizards

1014
00:55:56,100 --> 00:55:57,500
over there.
Have created for us an

1015
00:55:57,500 --> 00:56:01,000
incredible new addition to their
exploratory, Cask series The

1016
00:56:01,000 --> 00:56:04,400
French toasted this delicious
pours, a straight bourbon

1017
00:56:04,400 --> 00:56:08,000
whiskey finished in French Oak.
Casks and my oh, my has it, the

1018
00:56:08,000 --> 00:56:11,300
bee's knees.
The nose is a bombastic, balance

1019
00:56:11,300 --> 00:56:14,200
of butter and pecans with
vanilla and Oak on the side.

1020
00:56:14,400 --> 00:56:17,300
On the Alex, you've got some
incredible caramel mixing with

1021
00:56:17,300 --> 00:56:21,700
notes of orange creamsicle Rich
cheesecake and black pepper to

1022
00:56:21,700 --> 00:56:23,700
finish things off.
We've got a nice Kentucky hug to

1023
00:56:23,700 --> 00:56:25,500
do along with a bunch of pepper
and Oak.

1024
00:56:25,900 --> 00:56:28,300
There are some long-lasting
flavor here folks, and I'll be

1025
00:56:28,300 --> 00:56:30,500
darned of.
Doc Swensons didn't knock this

1026
00:56:30,500 --> 00:56:33,500
one out of the park it's that
good faults.

1027
00:56:33,900 --> 00:56:37,800
I don't nobody a local speak
easier go to Doc's whisky.com in

1028
00:56:37,800 --> 00:56:39,700
order to partake in the hottest
juice and town.

1029
00:56:40,000 --> 00:56:43,300
Until next time, this is George
be stagger signing off.