Sept. 5, 2022
Baby Driver/ Speyburn 10
Bob and Brad wrap up their mini-series of Edgar Wright films with his 2017 action thriller Baby Driver. One of the first films Brad and Bob ever saw together, this impeccably crafted movie bears all of the Edgar Wright hallmarks, and they're all employed to great effect.
Our hosts discuss the film's problematic cast members before heaping praise on Lily James, doing everything she can with very little to work with.
Meanwhile, they try Speyburn 10, a sub-$30 single malt from the Speyside region of Scotland. At such a low price point, how good can this actually be?
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Theme music: "New Shoes" by Blue Wednesday
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In 2017 director Edgar Wright
and star Ansel Elgort gave the
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world, a dynamic and thrilling
Heist movie.
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That drives you to the edge of
your seat in 2022.
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We return to the speyside region
of Scotland to try yet another
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single malt.
The film is baby driver, the
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whiskey is spayed, burnt n, and
more view them both.
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This is the film and whiskey
podcast.
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Welcome to the film and whiskey
podcast, where each week, we
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review a classic movie and a
glass of whiskey.
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I'm Bob book, I'm like still
jazzed for watching this movie
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earlier today.
Bob, one of my favorite things
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about you, Brad.
Actually, can you tell the
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people your name because you
still?
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Oh, I'm I'm Reggie.
I'm Brad, G.
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One of my favorite things about
you is that you just
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unironically use the word
jazzed.
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Like, I'm so many words you
could use like, you know, like
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I'm pumped up.
I'm psyched, I'm jacked.
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No, jest, it's a great word, it
really is, you're bringing it
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back single-handedly.
Yeah.
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And let's be really honest.
My adrenaline was pumping, I was
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like taking my My one and a half
year old for a walk afterwards
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and I was like almost like run
walking, my adrenaline was like
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still pumping from having
watched it.
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I had a similar experience
watching this movie.
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Oh I should say this week.
We're reviewing baby driver
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Edgar, Wright's 5017 Masterpiece
and I had a very similar
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experience watching this film to
the experience.
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I had watching Top Gun Maverick
recently.
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Yes, driving home.
After top gun Maverick.
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I was like I should go now.
Five miles an hour.
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I literally was like going
around one of the like
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roundabout entrances on ramps,
onto the highway it in, like 60
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on the curved part of it.
And Haley was like, honey,
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you're not Tom Cruise and I was
like, but I could be, but we're
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the same height, we are the same
height, he is also five foot
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six, he sure is man, which is
crazy.
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I've stood next to you.
I don't think I could take Tom
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Cruise quite as seriously in
real being.
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That short, I All I think of,
when I think of Tom Cruise's
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height is the Family Guy version
of Tom Cruise, which is just the
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best thing in the world.
Oh man, we're like three minutes
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in and we're already referencing
Family Guy.
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It's gonna be one of those
episodes today, as we look at
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baby driver now, Brad, you.
And I have known each other for
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a while, but baby driver is one
of my Fondest movie-going
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Memories of all time.
And I shared it with you and
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it's one of our first movies
that we shared together because
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we went to Chicago with a small
group of our friends, to
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celebrate the bachelor party of
our friend, Mike Giles and one
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evening, we were like trying to
find something to do in the
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Chicagoland area and we didn't
want to go back downtown.
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So we said, hey, let's all go
see a movie.
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We walked into this theater.
Couldn't figure out what to
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watch decided to leave and then
20 minutes later wanted to go to
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the movies again.
So we drove like to the
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outskirts of Chicago and went to
this tiny mom-and-pop theater to
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see baby driver.
Yeah.
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And it was Was it was one of
those moments where like I had
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become very cynical about
movies.
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I was cynical about a lot of
things in my life at that point.
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And I remember seeing a preview
for baby driver, like, months
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beforehand, and I remember
thinking to myself, as I watch
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the preview, this movie is,
like, the epitome of what is
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wrong with Hollywood, nowadays?
Like, I don't know what it was
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about the trailer.
I've never watched it again
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since, but I just remember being
like this, is why.
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Hollywood is failing and so
going into it, you know, it's
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Mike's bachelor party where, you
know, he was like wanting to see
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it, so I was like, yeah, sure
like, yeah, let's go watch it on
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the inside.
I was like, man, F this like I
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am not interested in this movie
and I think that that helped
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because what we walked away from
was just one of the coolest
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movies I've ever seen in my
life.
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Brad, I don't know if I'm gonna
give this movie a 10 out of 10
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but I've probably spent more
More time wondering if this
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deserves a 10/10 than any other
movie, we've done on the show
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because everything about this
movie works, it just it.
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The rhythm of this film is
perfect even that at points
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where you think it's going to
kind of start to drag a little
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bit.
Something happens to liven,
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things back up.
It's just like an expertly
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constructed movie and I hate to
use the car metaphors.
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But like, everything about this
movie, it's it clicks.
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And it Is on all cylinders the
whole way through the movie.
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Yeah.
It literally keeps you at the
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edge of your see?
There it is.
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We need to just get as many of
those out of the way, like,
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right now.
No, dude, this movie.
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There's so much Beauty in the
way.
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Edgar Wright makes a movie.
And from, from what I have
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heard, he's not like the most
chill director to ever work
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with, but from what I've heard,
he's a he's a pretty cool
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director.
Like Like he's not super anal
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about everything, but he does
have a very specific vision and
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Direction and an idea of what he
wants and he accomplishes it in
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just such masterful ways.
All right, I think it's time for
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us to move into Brad explains
America's favorite segment, but
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as we get into that, we do want
to remind you about our patreon
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patreon.com film whiskey.
If you go to that site, you'll
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find that you can support our
podcast at Three different
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tiers, A3 A5 and A7
dollar-a-month.
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Tear at each tier, you get tons
of bonus perks, especially at
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that seven dollar tear.
But at all three tiers, you get
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access to a special discounted
server that Brad.
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And I are on every single day
talking to the members of filmin
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whiskey Nation.
So please check us out at
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patreon.com film whiskey.
Brad, it's time for this
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segment.
Brad explains where you break
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down the plot of the movie that
you have just seen often for the
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first time brought have you
watched this movie since we saw
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it together, five years ago?
Yeah, this is my third time.
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Watching it at said, some point.
I made my wife, sit down and
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watch it because I thought she
would enjoy it.
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She wasn't as big of a fan.
She used the words that was a
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really sad movie.
I was like, all right.
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Yeah, I guess it.
Kind of was people died.
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I have been trying to get my
wife to watch this movie for,
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like, four and a half years now,
and it just has not happened
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here.
We won't watch this movie.
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I don't know if it's that, she
won't watch it, but I always try
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to give her options so I'll
like, you know.
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Yeah.
But three Blu-rays and be like,
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pick what you want to watch and
she's never picked baby driver.
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Mmm, bums me out dude.
I'm in the same boat as you.
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You need to just walk up and
like put three different copies
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of Be driver and three different
movies and then just put it in
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and be like well don't know what
happened?
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Babe guess.
We'll just watch this.
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Just make a cover that makes it
look like it's a Jane Austen
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adaptation or something.
Yeah, exactly.
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Just pull out the Pride and
Prejudice wanted put it in the
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baby driver.
Alright Brad we have 60 seconds
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on the clock.
Can you break down the plot of
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baby driver?
Baby driver is about a young man
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who has been coerced into
working for a crime board.
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And under Lord knows what he is.
He's Kevin Spacey and we were
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not going to say his name
anymore at all in this podcast.
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He is persona non grata if you
will.
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Yeah, so he's working for this
crime boss and he is a
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phenomenal, getaway driver and
he's paying off his debt.
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In the midst of doing this, he
finds himself going to a diner
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where his mom worked at and he
Finds a girlfriend there, girl
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that he's very attracted to 10
seconds and his life comes into
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issue, man.
This is a, this is a bad Brad,
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explain.
Yes, it is and time.
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All right, we're not going to
offer any more explanation about
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this movie.
That's it.
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He's a driver and he likes a
girl.
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There you go.
And I think that's all you
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really need to know.
Yeah, I'm gonna die.
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I'm going to try to summarize
this because I can't let our
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listeners.
Just hang in the air with that.
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Yeah you can Bob just let it
very fun.
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Okay, so maybe driver, we've
been doing a mini series on
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Edgar Wright films.
This is the third and final one.
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In this mini series, we looked
at Shaun of the Dead last week,
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we looked at Scott Pilgrim.
And now we're looking at Baby
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driver and I said, last week
that on the surface, it seems
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like Scott Pilgrim maybe kind of
the outlier there because its
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stylized in such a very
different way, but that, I
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believe that baby driver was
actually the outlier.
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When you, when you look at the
themes that are usually kind of
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underlying Edgar Wright's
movies.
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And it's not to say that this
movie is like devoid of anything
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under the surface.
I think they do a good job of
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trying to give you some sympathy
for the character of baby and
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his backstory.
But ultimately Brad this is this
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is pretty much a surface level
movie and there's nothing wrong
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with that.
It just works like gangbusters
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but I would I do think that like
among Edgar Wright's filmography
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that we've seen, this is
definitely the outlier.
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I love that you're giving me
crap about using the word jazz.
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Aged and then you, you bust out
gangbusters is going to see the
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movies and drums.
Just gonna say welcome to this
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week's episode of old-timey,
1930s.
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The podcast You'll Never Take Me
Alive copper.
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That could be the subtitle of
this move.
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It's true.
Dude, this movie is just fun and
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witty and just rhythmic and
beautiful.
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And I don't even care what we
talk about.
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First, where do you want to go?
No, why don't you touch on?
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What I was just saying about
Edgar Wright and this being the
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oh yeah.
Yeah, it's interesting because
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he still has the, the basic
setup of like, here's a young
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man finding himself in the
world, right?
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And this time his coming of age
is to win a girl, which is, I
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don't know.
Is that like the classic
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coming-of-age story?
Like, I want to grow up so I can
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win this girl's affections.
That's a mean.
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Yeah that's a nice template for
one that's for sure.
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Yeah.
Well, that's a pretty simple one
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and it works here.
I think Lily James is freaking
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spectacular in The Limited role
that she's given the moment
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where she's pouring coffee in
her hand is just shaking and you
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can like feel the terror in her.
It really grounds the movie in a
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lot of ways, but I think for
Edgar Wright himself as a
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director, it feels like
simultaneously.
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The coalescing of everything he
has tried to do as a director
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and yet at the same time, a
movement away from some of the
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things that made him Edgar
Wright and previous films.
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Yeah, I think that's for sure.
And one of the ways that I
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noticed It in this movie I
texted this to you like halfway
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through watching it is that this
is like a Hollywood movie with a
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capital H, the way that Shaun of
the Dead, you know, mimicked, a
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lot of American independent
cinema, but still felt very
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British.
This is like, Hey, we're going
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to bring this guy over to
Hollywood.
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We're going to give him all the
resources in the world and he's
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going to make his movie.
That's undeniably his but it's
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the most polished slick version
of Movie that he could possibly
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make and I get I, I sound like,
I'm, I'm like crapping on this
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00:12:08,100 --> 00:12:10,200
movie and that's not it at all
because I think this is like a
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nearly perfect version of an
Edgar Wright movie but it just
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00:12:14,800 --> 00:12:18,400
it reminded me of like us
watching Pulp Fiction and
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00:12:18,400 --> 00:12:22,300
Reservoir Dogs versus us
watching Django Unchained or
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00:12:22,300 --> 00:12:24,400
Inglourious Basterds.
You know what I mean?
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00:12:24,400 --> 00:12:29,000
Like with with 10 years of time
in between I guess it was 13
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00:12:29,000 --> 00:12:32,300
years between Shaun of the Dead
and this movie you can tell That
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00:12:32,300 --> 00:12:35,700
he's grown a little bit as a
filmmaker, but he's also learned
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00:12:36,000 --> 00:12:40,300
like how to use those trademark
kind of like whoosh and quick
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00:12:40,300 --> 00:12:44,500
pans that he does and where to
place them in the movie and this
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00:12:44,500 --> 00:12:49,000
movie Just flows.
So seamlessly even compared to a
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00:12:49,000 --> 00:12:51,100
movie like Shaun of the Dead.
Yeah.
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The cinematography in this movie
is stunningly.
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00:12:55,100 --> 00:12:59,200
Just beautiful.
Like the way he films a car
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00:12:59,200 --> 00:13:04,800
chase is the most exciting car I
think I've ever seen in a movie
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00:13:05,400 --> 00:13:07,000
like this.
There's a lot of great car.
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Chase scenes in cinematic
history, but man.
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Oh man, does he know what he's
doing?
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00:13:12,100 --> 00:13:15,600
There were certain moments of
the film where it felt like they
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00:13:15,600 --> 00:13:20,400
took the final chase scene in
charade, you know, where they're
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like, cutting between the
different characters who are
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00:13:23,300 --> 00:13:26,300
running as the camera whips past
the columns.
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00:13:26,600 --> 00:13:30,000
It felt like they were doing
that at moments, but with cars
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going, 80 90 miles an hour.
Our in downtown Atlanta for
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00:13:34,000 --> 00:13:36,700
Chic.
It's just Bonkers.
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Cool.
What do you think it is?
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00:13:39,400 --> 00:13:42,200
That makes movies like this?
So cool.
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00:13:42,300 --> 00:13:45,800
I mean, there's a long line, a
long tradition of car, chase
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movies and I can't say that
every car chase movie appeals to
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00:13:49,600 --> 00:13:51,100
me.
But, you know, in the 60s,
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00:13:51,100 --> 00:13:54,300
there's the classic Steve
McQueen movie Bullitt, I mean
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like, we've seen some good Chase
movies, even on this show and I
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00:13:58,908 --> 00:14:01,400
brought up top gun Maverick a
minute ago, like what is it
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00:14:01,400 --> 00:14:04,400
about?
Dudes in machines that go fast
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00:14:04,400 --> 00:14:06,700
that just make a movie.
So awesome.
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00:14:07,200 --> 00:14:11,800
That's like what the entire
first Top Gun like lived on was
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00:14:11,800 --> 00:14:14,600
just like, hey, here's some
planes that go really fast and
250
00:14:14,600 --> 00:14:17,600
do cool things.
And like the second one Builds
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00:14:17,600 --> 00:14:19,800
on that and makes an even better
movie.
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00:14:20,300 --> 00:14:22,600
But there's just something in
the human soul.
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00:14:22,600 --> 00:14:26,400
And I would even say that it's
necessarily a male-dominated
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00:14:26,400 --> 00:14:28,200
thing.
Although I think guys in general
255
00:14:28,200 --> 00:14:33,200
would enjoy it more, there's
just something about watching
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00:14:34,000 --> 00:14:39,200
humans be phenomenal at
something that is captivating
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00:14:39,600 --> 00:14:42,200
and when they're phenomenal at
things that you just
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instinctively know, take a lot
of talent and a lot of practice
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00:14:48,600 --> 00:14:52,700
and skill like there's a reason
you watch soccer or football or
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00:14:52,700 --> 00:14:55,700
something and like it's almost
artistic what they're able to
261
00:14:55,700 --> 00:14:57,700
do.
You know, you watch LeBron
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00:14:57,700 --> 00:15:00,900
driving down the lane and you
can watch him do it a billion
263
00:15:00,900 --> 00:15:03,300
times like he's done it.
And yet, there's still something
264
00:15:03,300 --> 00:15:06,400
beautiful about him, rising up
above, everyone else, and
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00:15:06,400 --> 00:15:10,200
slamming that basketball home.
And the reason is because we all
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00:15:10,200 --> 00:15:13,900
just instinctively know, the
amount of time and effort and
267
00:15:13,900 --> 00:15:17,900
energy and, and to produce that
product.
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00:15:17,900 --> 00:15:21,500
And so, when you're watching
that, it's a combination of the
269
00:15:21,500 --> 00:15:24,500
people who made these cars, put
all this time, and energy, and
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00:15:24,500 --> 00:15:27,500
effort and attention into it.
And, and the people who learned,
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00:15:27,500 --> 00:15:31,900
how to drive cars in this way,
have taken it beyond anything.
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00:15:31,900 --> 00:15:36,100
I Hi, is an average viewer of
this movie could do with a car
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00:15:36,600 --> 00:15:38,300
and so watching them, do all
that.
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00:15:38,300 --> 00:15:41,700
And then the way Edgar Wright
cuts it all together in the, the
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00:15:41,700 --> 00:15:45,600
music that he puts to it.
I've just dude I'm just getting
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00:15:45,600 --> 00:15:49,000
Jazz thinking about it.
You're getting jazzed again man.
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00:15:50,400 --> 00:15:52,700
I've been thinking about this a
lot especially with a movie like
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00:15:52,700 --> 00:15:55,600
this.
And I think that there is
279
00:15:56,100 --> 00:15:59,500
whether you know, it or not,
there's an appreciation of
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00:15:59,500 --> 00:16:04,300
filmmaking that goes on with a
That is this logistically hard
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00:16:04,300 --> 00:16:08,700
to pull off?
Like a, a Chase sequence is much
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00:16:08,700 --> 00:16:11,500
much, much, much harder than
anyone realizes, and I think,
283
00:16:11,500 --> 00:16:14,800
when you've seen a bad one on
screen, you start to realize how
284
00:16:14,800 --> 00:16:18,300
hard it is to do a good one
because there's really two ways
285
00:16:18,300 --> 00:16:22,500
that you can go off the rails.
You could make it seem to like
286
00:16:22,500 --> 00:16:26,800
static like if you watch like
real old TV shows where there's
287
00:16:26,800 --> 00:16:29,700
a car chase, they don't have the
budget to really like Mount the
288
00:16:29,708 --> 00:16:31,600
camera on the cars or do a lot
of different.
289
00:16:32,100 --> 00:16:35,100
And so you'll just often find
like the cameras at the bottom
290
00:16:35,100 --> 00:16:38,000
of a hill and you watch the one
carve Zoom past and then they
291
00:16:38,008 --> 00:16:40,700
cut to the exact same shot.
But like, starting at the first
292
00:16:40,700 --> 00:16:43,600
point and you see the second car
come down the hill and there's
293
00:16:43,600 --> 00:16:45,400
50 of those shots strung
together.
294
00:16:45,400 --> 00:16:47,300
And that's your car chase.
Hmm.
295
00:16:47,900 --> 00:16:52,300
The other way is like the
attention deficit way, which is
296
00:16:52,500 --> 00:16:54,700
too many Quick Cuts, where you
don't get a sense of the
297
00:16:54,700 --> 00:16:57,700
geography, everything is just
incoherent.
298
00:16:58,100 --> 00:17:02,000
This movie really beautifully
finds the middle ground between
299
00:17:02,100 --> 00:17:05,900
In those two where you are like
you may not know the layout of
300
00:17:05,900 --> 00:17:08,700
Atlanta Georgia.
But you understand what
301
00:17:08,700 --> 00:17:10,300
direction?
Every car is facing.
302
00:17:10,300 --> 00:17:13,599
You understand when baby is,
like pulling this incredible
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00:17:13,599 --> 00:17:17,700
drift into a U-turn and the cops
can't make the turn, and they're
304
00:17:17,700 --> 00:17:22,099
crashing into things, and it
never seems chaotic.
305
00:17:22,400 --> 00:17:24,900
Even at the moments of the film
where the characters are
306
00:17:24,900 --> 00:17:29,600
experiencing a chaotic moment.
You as the viewer are always
307
00:17:29,600 --> 00:17:33,900
aware like subconscious.
SLI that there is like a master
308
00:17:33,900 --> 00:17:35,800
behind the camera putting this
stuff together.
309
00:17:36,400 --> 00:17:40,500
Yeah, the the way he
orchestrates these Chase scenes
310
00:17:40,800 --> 00:17:44,600
and and there's like so much
action going on at once and your
311
00:17:44,600 --> 00:17:47,300
brain is struggling to keep up
with everything that's
312
00:17:47,300 --> 00:17:49,900
happening.
And I think a good scene that
313
00:17:49,900 --> 00:17:53,100
illustrates this is when they're
doing the final heist of the
314
00:17:53,100 --> 00:17:57,300
movie and he drives around the
back and he's sitting in the car
315
00:17:57,300 --> 00:18:01,900
and your brain, you know, the
plan, you know what buddy?
316
00:18:02,100 --> 00:18:06,600
And darling or doing, you know
what bats is doing and you see
317
00:18:06,600 --> 00:18:09,900
him sitting back there and he
shakes his head, no to try and
318
00:18:09,900 --> 00:18:13,200
keep that lady from going into
the bank and she gets the, the
319
00:18:13,200 --> 00:18:17,700
cop to come out.
And like the way he moves from
320
00:18:17,700 --> 00:18:22,900
that, like, little level of
tension to Jamie Foxx holding a
321
00:18:22,900 --> 00:18:27,600
gun to his head, telling him to
drive and then and then baby
322
00:18:27,600 --> 00:18:31,700
like crashing the car and
murdering Jamie Foxx.
323
00:18:31,700 --> 00:18:36,400
Like Like the way he builds the
tension in that scene and he
324
00:18:36,400 --> 00:18:39,100
tells you everything that's
supposed to happen and then
325
00:18:39,100 --> 00:18:43,300
shows how it all goes wrong.
And then after that it leads
326
00:18:43,300 --> 00:18:46,900
into this, I don't know like 10
minute long chase scene of the
327
00:18:46,900 --> 00:18:49,700
cops running after him him
driving away.
328
00:18:50,500 --> 00:18:52,600
It's epic.
Like I don't know if there's
329
00:18:52,600 --> 00:18:56,000
another word to describe it,
this movie is just epic.
330
00:18:56,300 --> 00:18:59,400
This is one of those movies and
this is not a reflection at all
331
00:18:59,400 --> 00:19:02,000
of what you've been saying so
far, but it's one of those
332
00:19:02,100 --> 00:19:06,100
Movies where as I'm watching it.
I think to myself Brad and I
333
00:19:06,108 --> 00:19:08,700
could probably talk about this
movie for two hours on end.
334
00:19:08,900 --> 00:19:11,400
And then we actually get behind
the microphone and I find that
335
00:19:11,400 --> 00:19:13,900
we just say the same three
things over and over and over
336
00:19:14,300 --> 00:19:15,200
you, don't amuse?
Yeah.
337
00:19:15,200 --> 00:19:18,100
Like how many times can you just
say this movie is awesome?
338
00:19:18,400 --> 00:19:22,800
Because like, that gets stale
really fast, but honestly, it's
339
00:19:22,800 --> 00:19:27,500
just one of the most purely
entertaining films.
340
00:19:27,500 --> 00:19:30,600
I've seen in the last 10 years.
Probably, you know, it's right
341
00:19:30,600 --> 00:19:33,900
up there in a similar way.
A with like a Mad Max Fury Road
342
00:19:33,900 --> 00:19:37,800
where it's this brilliantly
constructed action movie, that
343
00:19:37,800 --> 00:19:40,400
is a singular vision of its
director.
344
00:19:40,800 --> 00:19:43,100
Then I told you this right
before we hit record I don't
345
00:19:43,100 --> 00:19:45,900
know if I would consider this an
action movie.
346
00:19:46,300 --> 00:19:49,400
Like, it doesn't have those big
Hallmarks of what you think, you
347
00:19:49,400 --> 00:19:51,200
know, when you used to browse
the video store and you see
348
00:19:51,200 --> 00:19:55,400
action, and it was like 50 year
old Arnold Schwarzenegger in
349
00:19:55,400 --> 00:19:58,000
collateral damage or Judge
Dredd.
350
00:19:58,000 --> 00:20:00,100
Yeah, like any of those kind of
movies.
351
00:20:00,700 --> 00:20:01,900
It has some great Chase
sequence.
352
00:20:02,100 --> 00:20:04,700
And there's like one explosion
in the movie and that's pretty
353
00:20:04,700 --> 00:20:08,800
much it, but it's the way that
the action punctuates.
354
00:20:08,800 --> 00:20:12,900
The story that really does make
it one of the most perfectly
355
00:20:12,900 --> 00:20:15,500
constructed action, movies, I've
ever seen.
356
00:20:16,100 --> 00:20:18,800
Well, let's let's move on.
Then from talking about how just
357
00:20:18,800 --> 00:20:22,800
freaking amazing this movie is
and talk some specifics.
358
00:20:22,800 --> 00:20:26,800
I want to hear your thoughts on
the actors in this movie.
359
00:20:27,200 --> 00:20:29,900
Where do you want to start Bob?
Well, we're going to have to
360
00:20:29,900 --> 00:20:35,400
Wade through the Minefield that
Is cancellation corner here and
361
00:20:36,000 --> 00:20:38,800
let's just talk about the two
problematic people now.
362
00:20:38,800 --> 00:20:42,100
And again, we we've talked about
Kevin Spacey on this show before
363
00:20:42,600 --> 00:20:45,200
we've actually kind of steered
away from doing more Kevin
364
00:20:45,200 --> 00:20:48,800
Spacey films on the podcast
because as more details of his
365
00:20:48,800 --> 00:20:54,300
story have emerged, it's just
it's really hard to talk about.
366
00:20:54,300 --> 00:20:57,000
Oh, he's so good in this movie
knowing what's going on off
367
00:20:57,000 --> 00:20:59,600
camera?
And you know, for the purposes
368
00:20:59,600 --> 00:21:01,300
of this show, we are going to
stay.
369
00:21:02,100 --> 00:21:05,900
Trained to the to what we saw in
the movie and the performances
370
00:21:05,900 --> 00:21:08,600
of the actors.
But you know, we do acknowledge
371
00:21:08,600 --> 00:21:11,700
what's what's going on with both
of these two very problematic
372
00:21:11,700 --> 00:21:13,700
actors.
Weird that we don't condone
373
00:21:13,700 --> 00:21:16,100
anything that they may or may
not have been doing off camera
374
00:21:16,100 --> 00:21:19,500
and it sucks that we have to
make that disclaimer but its
375
00:21:19,500 --> 00:21:20,800
necessary.
I think Brad.
376
00:21:21,500 --> 00:21:26,000
Yeah I mean in the end every
single actor is a human being
377
00:21:26,100 --> 00:21:28,100
and some of them really suck as
human beings.
378
00:21:28,500 --> 00:21:32,100
And we can, we can observe the
fact that like yeah, They're
379
00:21:32,100 --> 00:21:37,100
great actor but a terrible human
being and I think it's okay to
380
00:21:37,100 --> 00:21:42,000
hold those two things intention
and recognize that like the very
381
00:21:42,000 --> 00:21:45,500
rare times we do a Kevin Spacey
movie we're probably going to
382
00:21:45,500 --> 00:21:49,400
give this disclaimer every time
to say hey like we're not down
383
00:21:49,400 --> 00:21:52,200
with what he does.
We're not down with the the type
384
00:21:52,200 --> 00:21:56,000
of person he has chosen to be
but uh, sure.
385
00:21:56,000 --> 00:21:57,700
Yeah, he did a great job in this
movie.
386
00:21:58,000 --> 00:22:01,900
I will say though, I thought he
was like just finding this like,
387
00:22:02,100 --> 00:22:04,900
Is just kind of being a chill.
Kevin Spacey roll.
388
00:22:05,000 --> 00:22:07,000
Yeah if we're going to start
with Spacey we might as well
389
00:22:07,000 --> 00:22:10,000
just kind of knock that out.
Now I'm with you I think that
390
00:22:10,000 --> 00:22:12,600
his character is purposely a
little bit.
391
00:22:12,600 --> 00:22:16,500
Schlubby like, they don't dress
him in really nicely fitting
392
00:22:16,500 --> 00:22:20,500
clothes and he looks a little
overweight and his hair is not
393
00:22:20,500 --> 00:22:23,600
perfectly.
You know, quaffed and it's like
394
00:22:23,600 --> 00:22:25,600
it's really interesting because
he's supposed to be this guy.
395
00:22:25,600 --> 00:22:29,300
That's like a major kind of
underground crime Lord.
396
00:22:29,300 --> 00:22:31,800
And you imagine he has like vast
sums of wealth.
397
00:22:32,200 --> 00:22:34,900
But you know, he's wearing
loose-fitting clothing and I
398
00:22:34,900 --> 00:22:38,200
actually really love that
decision by the director and
399
00:22:38,400 --> 00:22:41,500
Spacey acts it really.
Well, he's not going over the
400
00:22:41,500 --> 00:22:43,600
top.
He has some like clever little
401
00:22:43,600 --> 00:22:47,700
turns of phrase that are maybe
not the most well-written lines
402
00:22:47,700 --> 00:22:50,500
I've ever heard and don't
necessarily go with the
403
00:22:50,508 --> 00:22:54,300
character that much.
But I love that he's kind of the
404
00:22:54,300 --> 00:22:57,700
low-energy guy in the room,
because there are so many
405
00:22:57,800 --> 00:23:02,900
Personalities in that room at
all times that I Adding another
406
00:23:02,900 --> 00:23:05,300
one.
Another Corgi character to this
407
00:23:05,300 --> 00:23:08,900
Bunch would probably be one too
many so it's nice that they used
408
00:23:08,900 --> 00:23:11,100
that character to kind of keep
things grounded.
409
00:23:11,600 --> 00:23:14,900
Yeah, it's funny that you say,
low energy because on first
410
00:23:14,900 --> 00:23:19,400
glance, it feels like baby is
kind of the low energy person in
411
00:23:19,400 --> 00:23:24,400
the room but when you really
watch him, even though he barely
412
00:23:24,400 --> 00:23:28,300
says a word when he's in the
planning stages of the heists,
413
00:23:28,900 --> 00:23:32,300
he has this nervous energy, his
knee is always Moving.
414
00:23:32,300 --> 00:23:35,300
He's always like kind of bobbing
his head to whatever music he's
415
00:23:35,300 --> 00:23:38,600
listening to and he really does
bring this nervous energy to the
416
00:23:38,600 --> 00:23:40,700
room that I don't know.
I don't know if I would have
417
00:23:41,000 --> 00:23:43,000
that would have clicked for me
until you said it Bob that.
418
00:23:43,000 --> 00:23:46,800
Yeah, like Spacey is the low
energy person in the room
419
00:23:47,300 --> 00:23:49,400
there's a great shot.
One of my favorite shots in the
420
00:23:49,400 --> 00:23:51,500
whole movie, right, at the
beginning of the film, when
421
00:23:51,500 --> 00:23:55,200
you're first introduced to the
crew that pulls off the first
422
00:23:55,200 --> 00:23:59,000
Heist, and they go back to the
Rendezvous and Spacey is Doling
423
00:23:59,000 --> 00:24:04,000
out the money and you get an
idea of who Jon Hamm and ASA.
424
00:24:04,000 --> 00:24:07,300
Gonzales are and that they're
you know, they're making out in
425
00:24:07,300 --> 00:24:09,500
the corner.
You've got Jon Bernthal in there
426
00:24:09,500 --> 00:24:12,900
for like a hot second and he's
like the crazy hyper one that
427
00:24:12,900 --> 00:24:16,200
Jamie Foxx takes his place in
terms of being is like spiritual
428
00:24:16,200 --> 00:24:20,400
cousin in that movie and then
you've got a baby who's just
429
00:24:20,500 --> 00:24:23,600
essentially a mute and they're
all writing down the elevator
430
00:24:23,600 --> 00:24:27,000
together.
The shot is like from the point
431
00:24:27,000 --> 00:24:30,100
of view of the the inside
elevator doors, it so you've got
432
00:24:30,100 --> 00:24:33,900
Spacey right in the middle.
I got all the guys you know in
433
00:24:33,900 --> 00:24:38,800
the crew behind him and Spacey
just looks like a beaten down
434
00:24:38,800 --> 00:24:41,900
dad and he it halfway through
the ride on the elevator.
435
00:24:41,900 --> 00:24:46,000
He just breathes in this heavy
sigh and you're just like, oh
436
00:24:46,000 --> 00:24:48,400
yeah, man.
I get exactly what you're going
437
00:24:48,400 --> 00:24:51,100
for here.
He easily has like five
438
00:24:51,100 --> 00:24:53,500
children.
He's going exactly.
439
00:24:54,200 --> 00:24:56,200
That are all under the age of
six somehow.
440
00:24:56,200 --> 00:24:58,400
Well, and that's the vibe that
they're going for here is that
441
00:24:58,400 --> 00:25:01,900
he's basically babysitting all
these ridiculous.
442
00:25:02,000 --> 00:25:04,600
At ease and trying to get them
to pull something off without
443
00:25:04,600 --> 00:25:07,400
everyone, dying all the time.
And I think the unique thing
444
00:25:07,400 --> 00:25:11,500
about his character is that, by
the end of the film you realize,
445
00:25:11,500 --> 00:25:16,700
like, he puts on this hard
persona, but he in the tiniest
446
00:25:16,700 --> 00:25:21,300
way possible does kind of care
about baby and I like that they
447
00:25:21,300 --> 00:25:26,400
don't make it this like massive
gesture of him like really going
448
00:25:26,400 --> 00:25:29,200
over the top for him.
It's just kind of this casual
449
00:25:29,200 --> 00:25:31,800
like yep, I was in love once.
Yeah.
450
00:25:32,000 --> 00:25:33,900
Then boom.
Like there's no getting out of
451
00:25:33,908 --> 00:25:35,900
the situation.
So I might as well tell them to
452
00:25:35,900 --> 00:25:39,600
run, right?
Like it's just a perfect way to
453
00:25:39,600 --> 00:25:43,200
play his character Brad since
we're talking about the fact
454
00:25:43,200 --> 00:25:45,900
that Kevin Spacey is persona,
non grata.
455
00:25:45,900 --> 00:25:48,500
If you had to replace him with
someone in this movie.
456
00:25:49,500 --> 00:25:51,800
And because and I don't usually
ask this question about
457
00:25:51,800 --> 00:25:54,900
replacing actors, but given who
we're talking about, I thought
458
00:25:54,900 --> 00:25:58,400
it was fair game and also
because he is kind of the low
459
00:25:58,400 --> 00:26:01,800
energy one in the bunch.
I don't think Spacey gives a bad
460
00:26:01,800 --> 00:26:03,900
performance at all.
In fact, I think it's quietly.
461
00:26:03,900 --> 00:26:06,100
One of the best performances in
the movie because it's hard to
462
00:26:06,100 --> 00:26:10,100
pull that off.
But I also think that you could
463
00:26:10,100 --> 00:26:13,400
probably slot a couple different
actors in here and it would work
464
00:26:13,400 --> 00:26:15,800
just as well.
I don't know if he would be
465
00:26:15,800 --> 00:26:18,500
good, the role would change a
lot.
466
00:26:19,300 --> 00:26:23,800
If he was able to play low
energy, I would love to see Jack
467
00:26:23,800 --> 00:26:26,700
Nicholson in that role.
So interesting.
468
00:26:27,700 --> 00:26:30,900
See, I feel like Jack has too
much of a, too much of a
469
00:26:30,908 --> 00:26:32,300
Persona.
You know what I mean?
470
00:26:32,300 --> 00:26:35,300
Like, even when he's being low
energy, he's still Jack.
471
00:26:36,000 --> 00:26:38,200
Yep.
I was thinking for a while,
472
00:26:38,200 --> 00:26:41,100
maybe Tom Hanks, but even that's
like, there's too much of a
473
00:26:41,100 --> 00:26:44,300
movie star Persona that gets
carried into the movie.
474
00:26:44,800 --> 00:26:49,900
Mmm, you know, who this man is
Danny DeVito, maybe Danny
475
00:26:49,900 --> 00:26:55,800
DeVito, you know who?
I honestly think would be really
476
00:26:55,800 --> 00:26:58,700
good though.
Mm, it's almost like this part
477
00:26:58,700 --> 00:27:00,800
was written with this actor in
mind, then they just chose
478
00:27:00,800 --> 00:27:04,700
Spacey instead.
But like Tommy Lee Jones I think
479
00:27:04,800 --> 00:27:07,400
you know when you think about
his character in The Fugitive or
480
00:27:07,400 --> 00:27:11,600
in No Country for Old Men, it's
like that's this character and
481
00:27:11,600 --> 00:27:15,400
he has that kind of Rye sardonic
quality to him to.
482
00:27:15,400 --> 00:27:17,400
I think this would be a really
good Tommy, Lee Jones
483
00:27:17,400 --> 00:27:20,300
performance.
Yeah, I think that's a winner
484
00:27:20,300 --> 00:27:21,600
man.
Good call.
485
00:27:21,600 --> 00:27:24,900
And he also isn't as far as we
know an evil human being.
486
00:27:24,900 --> 00:27:27,100
I came up.
It's a double weight win-win.
487
00:27:28,200 --> 00:27:30,800
Okay.
How about Ansel Elgort the star
488
00:27:30,800 --> 00:27:34,600
of this movie?
I, I really liked Ansel Elgort
489
00:27:34,600 --> 00:27:37,100
as an up-and-coming actor, and
it's a bummer to hear the
490
00:27:37,100 --> 00:27:39,100
allegations that have come out
against him.
491
00:27:39,100 --> 00:27:43,600
And, you know, last year he was
in West Side Story and was not a
492
00:27:43,600 --> 00:27:46,400
fixture on the promotional
circuit for that movie at all.
493
00:27:46,600 --> 00:27:49,800
And actually, with caught quite
a lot of flack for that film as
494
00:27:49,800 --> 00:27:52,600
being like, the worst part of,
it actually really liked what he
495
00:27:52,600 --> 00:27:56,000
did in that movie, but he's
doing something kind of similar
496
00:27:56,000 --> 00:27:59,900
here where he is.
Responsible for playing a
497
00:27:59,900 --> 00:28:01,800
character.
Like you said, that seems really
498
00:28:01,800 --> 00:28:06,400
low energy on the surface and
having to find ways to infuse
499
00:28:06,900 --> 00:28:10,600
energy under the surface.
And I really do think he does a
500
00:28:10,600 --> 00:28:12,500
great job in this movie.
Yeah.
501
00:28:12,500 --> 00:28:17,900
I think that the character of
Joe the, the older deaf man that
502
00:28:17,900 --> 00:28:23,700
he cares for is the most
important part of grounding him
503
00:28:24,100 --> 00:28:28,600
that when he rushes back into
the apartment to find, Joe, you
504
00:28:28,600 --> 00:28:34,800
can feel the panic in his soul
like the the desperation that he
505
00:28:34,800 --> 00:28:39,700
has in that moment is
communicated so beautifully by
506
00:28:39,700 --> 00:28:43,500
what Elgort does in that moment
and so I think it's moments like
507
00:28:43,500 --> 00:28:47,300
that that he really shines and
it gives layers to his
508
00:28:47,300 --> 00:28:49,200
performance throughout the rest
of the film.
509
00:28:49,300 --> 00:28:53,500
I also think that he does a
phenomenal job of being like, an
510
00:28:53,500 --> 00:28:59,100
older teenage guy who's just
really acted to a girl and does
511
00:28:59,100 --> 00:29:03,800
not know how to like flirt with
her or talk to her.
512
00:29:04,000 --> 00:29:07,700
He's just totally tongue-tied
and it's adorable.
513
00:29:07,700 --> 00:29:11,600
And like I just thought that
the, the chemistry between him
514
00:29:11,600 --> 00:29:14,800
and Lily James, which, you know,
they don't have a ton of time on
515
00:29:14,800 --> 00:29:19,000
screen together was just really,
it was just really beautiful and
516
00:29:19,000 --> 00:29:21,400
I really liked it.
Yeah, they're super Charming.
517
00:29:21,400 --> 00:29:23,800
They do have.
Great chemistry before we go to
518
00:29:23,800 --> 00:29:25,000
break.
I want to keep talking just a
519
00:29:25,008 --> 00:29:27,400
little bit about Ansel Elgort
and then we can get to the rest
520
00:29:27,400 --> 00:29:29,300
of Cast in the second half of
the episode.
521
00:29:29,300 --> 00:29:34,500
But recently, I watched the
original Top Gun before I went
522
00:29:34,500 --> 00:29:37,800
and saw top gun Maverick and I
had never seen it before Brad,
523
00:29:38,100 --> 00:29:40,400
man.
Yeah, and I love a really, it
524
00:29:40,400 --> 00:29:44,100
was a really great movie.
Tom Cruise was 24 years old when
525
00:29:44,100 --> 00:29:48,200
he starred in that me, man.
And then a year later, he goes,
526
00:29:48,200 --> 00:29:50,500
and he makes a movie with Martin
Scorsese called The Color of
527
00:29:50,500 --> 00:29:54,500
Money, which is a sequel to the
1961 movie, The Hustler with
528
00:29:54,500 --> 00:29:57,400
Paul Newman and I've heard of
that movie.
529
00:29:57,500 --> 00:30:00,600
She great movie and in watching,
both of those movies, back to
530
00:30:00,600 --> 00:30:03,800
back.
They're both really great
531
00:30:03,800 --> 00:30:08,300
Hallmarks of early Cruise where
he is like his charm and his
532
00:30:08,300 --> 00:30:11,000
Cockiness are what he's like
banking on.
533
00:30:11,400 --> 00:30:14,000
But even then the cool thing
about watching.
534
00:30:14,000 --> 00:30:17,600
Those movies, back to back in
like a two-day span was finding
535
00:30:17,600 --> 00:30:22,500
the little subtle ways that the
character in The Color of Money
536
00:30:22,500 --> 00:30:26,500
is played versus, you know,
Maverick in Top Gun because
537
00:30:26,500 --> 00:30:29,400
they're both cocky.
They're both Trina overly
538
00:30:29,400 --> 00:30:33,700
Charming guys but one of them
has a much more like dark heart
539
00:30:33,700 --> 00:30:38,000
behind it and cruise does such a
good job of finding really
540
00:30:38,000 --> 00:30:42,600
subtle ways to portray that.
And similarly, like, Ansel
541
00:30:42,600 --> 00:30:46,800
Elgort in this movie is really,
really similar to the Ansel
542
00:30:46,800 --> 00:30:48,600
Elgort.
You see in West Side Story,
543
00:30:48,600 --> 00:30:53,700
playing Tony he's quiet he may
not be the brightest guy, you
544
00:30:53,700 --> 00:30:54,900
know?
And again this movie has
545
00:30:54,900 --> 00:30:57,400
similarities, we're like he's
singing and dancing all over the
546
00:30:57,500 --> 00:31:01,300
It's too, right.
But I think it's so cool to see
547
00:31:01,300 --> 00:31:04,600
an actor play.
What seems like they
548
00:31:04,600 --> 00:31:09,900
pigeon-holed roll and find
really, really subtle ways of,
549
00:31:09,900 --> 00:31:12,800
you know, Shades of Grey, I
guess, or different shades to
550
00:31:12,800 --> 00:31:14,700
those performances.
Yeah, man.
551
00:31:14,700 --> 00:31:18,400
I think that I will say not
having seen the the new West
552
00:31:18,400 --> 00:31:21,200
Side Story.
I think that he has a lot of
553
00:31:21,200 --> 00:31:27,300
nuance in his performance and
the way he talks to Jamie Foxx,
554
00:31:27,600 --> 00:31:31,300
It really brings it out.
I think that Jamie being the
555
00:31:31,300 --> 00:31:36,200
spectacular actor that he is,
was like a perfect.
556
00:31:36,400 --> 00:31:38,800
I don't, it's like a Paul Newman
and Tom Cruise.
557
00:31:38,800 --> 00:31:43,200
Like the older actor who has won
an Oscar showing the younger
558
00:31:43,200 --> 00:31:46,500
guy, the ropes.
And I, the scenes were Jamie,
559
00:31:46,500 --> 00:31:51,000
and Ansel are together are just
electric, and when he grabs,
560
00:31:51,000 --> 00:31:55,100
Jamie Foxx's gun and holds him
back from going up, you know,
561
00:31:55,100 --> 00:31:58,900
essentially to intimidate.
Lily James has character.
562
00:32:00,200 --> 00:32:05,000
There's just so much tension in
that moment and an cell has just
563
00:32:05,000 --> 00:32:08,300
this determined look in his eyes
of like, there are very few
564
00:32:08,300 --> 00:32:10,200
things.
I will fight for, but this is
565
00:32:10,200 --> 00:32:12,000
one of them.
All right, man.
566
00:32:12,100 --> 00:32:14,700
So we've talked about the two
problematic actors in the movie,
567
00:32:14,700 --> 00:32:17,200
both of whom give really good
performances here.
568
00:32:17,500 --> 00:32:20,100
When we come back from our
break, we'll break down the rest
569
00:32:20,100 --> 00:32:22,900
of the cast and talk a little
bit more about director Edgar
570
00:32:22,900 --> 00:32:24,800
Wright.
But before we get there, Brad,
571
00:32:24,800 --> 00:32:26,900
it is time to drink some
whiskey.
572
00:32:27,200 --> 00:32:30,000
What We tried this paper and 10
man.
573
00:32:30,000 --> 00:32:34,800
I love whiskies from the spay so
I'm really excited for it.
574
00:32:34,800 --> 00:32:40,600
Bob some whiskey Nation.
Do you ever think about Awards
575
00:32:40,900 --> 00:32:43,500
course he do you drink whiskey
and watch movies which means
576
00:32:43,500 --> 00:32:46,200
that, you know, that nothing is
validated until a group of
577
00:32:46,200 --> 00:32:48,600
random people say hey we love
what you're doing.
578
00:32:49,100 --> 00:32:52,100
The awesome thing about doc
Swensons, whiskey is that it
579
00:32:52,100 --> 00:32:54,900
isn't just some group of schlubs
that are given them Awards.
580
00:32:55,000 --> 00:32:58,000
They have been winning attention
from some of the most important,
581
00:32:58,000 --> 00:33:01,200
whiskey experts, you can
imagine, they've been voted best
582
00:33:01,200 --> 00:33:04,500
distillery in Washington state
by the New York International
583
00:33:04,500 --> 00:33:07,200
Spirits competition.
They've been voted the best in
584
00:33:07,300 --> 00:33:10,300
Pennant bottler by the Ascot
Awards as well as the best
585
00:33:10,300 --> 00:33:13,100
finished bourbon from the Ascot
awards for their La Mente.
586
00:33:13,300 --> 00:33:17,100
Exploratory Cask their sport or
Cask series is where they
587
00:33:17,100 --> 00:33:19,700
release some of the most
fascinating and adventurous
588
00:33:19,700 --> 00:33:21,900
experiments.
If you're ever checking out,
589
00:33:21,900 --> 00:33:24,800
docks line up and see a white
label is a really good chance
590
00:33:24,800 --> 00:33:26,800
that that's the only time you'll
see that bottle.
591
00:33:26,800 --> 00:33:30,000
So, make sure you snatch it up.
Doc Simmons, has been offering
592
00:33:30,000 --> 00:33:33,700
just phenomenal finished and
Blended whiskies for quite some
593
00:33:33,700 --> 00:33:36,000
time.
Now, you can find them online at
594
00:33:36,000 --> 00:33:37,600
Doc's, whisky.com.
Cam.
595
00:33:37,700 --> 00:33:46,400
That's doccs whisky.com.
All right, everybody.
596
00:33:46,400 --> 00:33:49,700
Today, we are going to be
drinking Spade burnt.
597
00:33:49,700 --> 00:33:52,800
N a return to the speyside
region for us.
598
00:33:52,800 --> 00:33:55,100
Bob that I'm really excited
about.
599
00:33:55,600 --> 00:33:57,600
Yeah, me too, man.
I've been kind of hit or miss on
600
00:33:57,600 --> 00:34:00,800
Space side, single malts.
We liked some of the a burl
601
00:34:00,800 --> 00:34:04,200
hours and we've tried a couple
more since then, like the names
602
00:34:04,200 --> 00:34:06,900
are escaping me right now.
But the Alberta Lars were kind
603
00:34:06,900 --> 00:34:10,300
of up and down.
For me, I liked the higher like
604
00:34:10,300 --> 00:34:13,800
ABV ones and then the lower
ones, this one Drinking today,
605
00:34:13,800 --> 00:34:17,500
thus paper and 10 is a very
popular speyside, but it's only
606
00:34:17,500 --> 00:34:20,900
clocking in at 80 proof Brad.
So I'm already like, is this
607
00:34:20,900 --> 00:34:24,699
going to be a low point in space
side for me?
608
00:34:25,000 --> 00:34:29,800
Yeah, I mean, it might be Bob, I
will say, if you don't enjoy it,
609
00:34:29,900 --> 00:34:33,199
you'll be excited to find out
how much it would cost you to
610
00:34:33,199 --> 00:34:36,900
buy it in the state of Ohio, but
we'll get to that later right
611
00:34:36,900 --> 00:34:38,000
now.
We're just going to say that
612
00:34:38,000 --> 00:34:42,000
this is a 10 year, aged single
malt whisky from the spay
613
00:34:42,000 --> 00:34:46,600
region.
And it is aged in X American Oak
614
00:34:46,600 --> 00:34:49,900
bourbon casks, as well as X
Sherry, casks.
615
00:34:50,500 --> 00:34:54,400
All right, so we recently got
some feedback from a listener
616
00:34:54,400 --> 00:34:58,800
that their favorite way to enjoy
our whiskey reviews is When Brad
617
00:34:58,800 --> 00:35:02,100
comes in with notes and Bob
drinks it live and that's
618
00:35:02,100 --> 00:35:05,700
exactly what we're doing today.
I have like literally had no
619
00:35:05,700 --> 00:35:08,600
exposure to this whiskey.
Before this very moment, I'm
620
00:35:08,600 --> 00:35:12,000
opening it up now, I'm going to
pour it out in my glass Brad.
621
00:35:12,000 --> 00:35:15,900
I'm vamping a little So can you,
can you give me your nosing
622
00:35:15,900 --> 00:35:18,400
notes on this?
Yeah, man, I as I got into the
623
00:35:18,400 --> 00:35:21,300
nose here, I really liked it a
lot.
624
00:35:21,300 --> 00:35:25,900
There's some creamsicle kind of
like a creamy orange Vibe going
625
00:35:25,900 --> 00:35:29,400
on, you get a decent amount of
that malted barley.
626
00:35:29,700 --> 00:35:33,900
And then, at the back end, it
was almost like a sweet mint,
627
00:35:34,300 --> 00:35:38,600
like, you know, the which gum
brand is it is it orbit that has
628
00:35:38,600 --> 00:35:43,000
like the sweet mint gum?
It kind of reminds me.
629
00:35:43,100 --> 00:35:45,500
Me of that and I really like it
a lot.
630
00:35:45,500 --> 00:35:49,000
It's not incredibly complex, but
there's a lot of nice flavors
631
00:35:49,000 --> 00:35:51,200
going on.
I give it an 8 out of 10 Bob.
632
00:35:51,900 --> 00:35:54,500
Yeah, I like this a lot.
It reminds me a lot of English
633
00:35:54,500 --> 00:35:58,300
toffee on the nose, but when
like some sort of like, a honey
634
00:35:58,300 --> 00:36:01,300
under like undergirding all
that, it's much brighter than
635
00:36:01,300 --> 00:36:04,900
like a dark toffee note, but
that's definitely there.
636
00:36:05,300 --> 00:36:07,000
I'm really digging this on the
nose.
637
00:36:07,100 --> 00:36:08,800
I think I'm going to give it an
8 out of 10.
638
00:36:08,800 --> 00:36:12,000
It has some really nice light
fruity.
639
00:36:12,400 --> 00:36:16,900
Almost, I Whiskey type notes
with a little bit of that Scotch
640
00:36:16,900 --> 00:36:20,400
kind of funk.
And, and a little bit of smoke
641
00:36:20,400 --> 00:36:22,500
on this too.
And then that really great
642
00:36:22,500 --> 00:36:25,700
toffee Underneath It.
All Pretty complex Bradford and
643
00:36:25,700 --> 00:36:29,100
only in 80 proof whiskey.
So yeah, I'm an 8 out of 10 Bob,
644
00:36:29,100 --> 00:36:31,600
the longer we do this, the more
I really want to create like a
645
00:36:31,607 --> 00:36:35,600
soundboard.
We're so we're almost like a 90s
646
00:36:35,600 --> 00:36:39,500
radio station that anytime you
say fungi just want to hit a
647
00:36:39,500 --> 00:36:41,700
button and be like it's got the
funk.
648
00:36:42,400 --> 00:36:45,200
And just like just play like the
Seinfeld base under me for a.
649
00:36:45,200 --> 00:36:49,300
Yeah.
Oh man.
650
00:36:49,300 --> 00:36:50,800
Bob getting into the palette
here.
651
00:36:50,800 --> 00:36:55,300
It's really light and Airy.
There's some orange zest going
652
00:36:55,300 --> 00:36:58,100
on with a decent amount of
honey.
653
00:36:58,700 --> 00:37:01,800
And there's like, a few kind of
floral notes happening.
654
00:37:01,800 --> 00:37:05,900
The the mint kind of drops away
and turns into this floral Aroma
655
00:37:05,900 --> 00:37:10,000
on your, on your tongue.
It definitely drops off a little
656
00:37:10,000 --> 00:37:14,400
bit from the nose but still Is a
really enjoyable experience.
657
00:37:14,400 --> 00:37:16,500
I'll give it a 7 out of 10 on
the taste.
658
00:37:17,000 --> 00:37:19,500
Oh, I like this a lot.
It's okay.
659
00:37:19,500 --> 00:37:23,400
So I'll say this, it's a flawed
whiskey, but I like it a lot
660
00:37:23,800 --> 00:37:26,800
like it.
Um, I don't know how to explain
661
00:37:26,800 --> 00:37:29,800
it if I could like draw a map of
the different zones of my
662
00:37:29,800 --> 00:37:32,500
tongue.
Like if you could take your
663
00:37:32,500 --> 00:37:34,800
tongue and divide it into like
nine regions, right?
664
00:37:34,800 --> 00:37:36,600
Like three in the front through
the middle, through the back.
665
00:37:37,100 --> 00:37:38,800
This is like Hunger Game
districts.
666
00:37:38,800 --> 00:37:41,900
Yes, yes.
This only hit the middle.
667
00:37:42,100 --> 00:37:43,800
Of my tongue, the whole way
back.
668
00:37:43,800 --> 00:37:46,900
I don't know how to explain it.
Like I'm only tasting things on
669
00:37:46,900 --> 00:37:51,100
the middle of my tongue and it's
really really sweet.
670
00:37:51,200 --> 00:37:54,000
You get a little bit of alcohol
like in the mid palate and then
671
00:37:54,000 --> 00:37:56,500
it kind of disappears again and
gets almost watery towards the
672
00:37:56,508 --> 00:38:00,000
back end, but that's where you
get just a wisp of smokiness,
673
00:38:00,000 --> 00:38:03,200
and then it's like, black black,
black coffee.
674
00:38:03,600 --> 00:38:05,800
And it's really interesting
because on the front, it tastes
675
00:38:05,800 --> 00:38:07,800
almost like a flavored coffee
creamer.
676
00:38:08,200 --> 00:38:10,900
And then in the back you get
like almost espresso.
677
00:38:10,900 --> 00:38:13,200
It's really cool.
It's like Drinking a coffee.
678
00:38:13,700 --> 00:38:15,900
That is also infused with Scotch
whiskey.
679
00:38:16,000 --> 00:38:18,300
Like I'm super digging this
right now.
680
00:38:18,500 --> 00:38:20,300
I'm going to give this an eight
and a half on the flavor.
681
00:38:20,400 --> 00:38:23,400
Dude.
Let's go, man, for me, the
682
00:38:23,400 --> 00:38:28,100
finish it finished with a little
bit more power than the pallet
683
00:38:28,100 --> 00:38:33,600
had some Oak, and almost like a
cardamom kind of comes through a
684
00:38:33,600 --> 00:38:37,400
little bit of spice there, but
there's still that continuing
685
00:38:37,400 --> 00:38:41,000
honeyed sweetness that I got
throughout the entire
686
00:38:41,000 --> 00:38:44,700
experience.
I am a big fan of this.
687
00:38:44,700 --> 00:38:46,300
I'll give it an 8 out of 10 on
the Finish.
688
00:38:46,600 --> 00:38:50,700
Yeah, it's much more grassy on
the Finish than anywhere else.
689
00:38:50,700 --> 00:38:53,700
It's not like I wouldn't call it
like Pine or anything like that.
690
00:38:53,700 --> 00:38:57,400
It just kind of has like a nice
soft earthiness to it.
691
00:38:57,800 --> 00:39:01,200
That isn't overpowering.
Like this would be a really good
692
00:39:01,200 --> 00:39:03,200
entry point into the world of
scotch.
693
00:39:03,200 --> 00:39:06,200
I think it offers a lot of
flavors that are present on
694
00:39:06,200 --> 00:39:09,900
many, many scotches, but just in
a much more pleasant way.
695
00:39:10,700 --> 00:39:13,800
Man, I really like this bread.
I know it's 80 proof like and it
696
00:39:13,800 --> 00:39:17,100
doesn't stack up to some of the
more like high-proof you know
697
00:39:17,100 --> 00:39:21,300
well-aged ones we've ever had.
But for what it's trying to be
698
00:39:21,600 --> 00:39:24,100
this is a darn good whiskey.
I think I'm going to give it an
699
00:39:24,100 --> 00:39:27,400
eight and a half on the Finish.
Yeah and then we jump into
700
00:39:27,400 --> 00:39:30,500
balance and value as far as
balance goes.
701
00:39:30,800 --> 00:39:35,200
I think that it's a little more
impressive on the front end than
702
00:39:35,200 --> 00:39:38,300
the rest of the experience.
But overall for what you're
703
00:39:38,300 --> 00:39:42,100
getting at a You know, 80 proof,
whiskey.
704
00:39:42,400 --> 00:39:44,900
I think it's a really nice
balance, I'll give it a 7 out of
705
00:39:44,900 --> 00:39:49,900
10 when I look at the space
side, scotches that we've had so
706
00:39:49,900 --> 00:39:51,400
far.
So we've had a burl hours.
707
00:39:51,400 --> 00:39:54,700
We've had at least one McAllen
we've had, at least, I think we
708
00:39:54,700 --> 00:39:57,800
have for Glenn live.
It's so this is at least the
709
00:39:57,800 --> 00:40:00,400
fourth Distillery, we've tried
in the speyside region.
710
00:40:00,900 --> 00:40:04,500
I would really like to have more
from this Distillery and see if
711
00:40:04,500 --> 00:40:07,500
this flavor profile carries
forward, I think this is a
712
00:40:07,500 --> 00:40:09,900
spectacularly.
Well, balanced whiskey.
713
00:40:10,300 --> 00:40:13,500
It's definitely watered down and
I think if you're used to
714
00:40:13,500 --> 00:40:16,100
drinking something with a little
more complexity or a little more
715
00:40:16,100 --> 00:40:20,500
of a punch, this might be a
disappointment in that way, but
716
00:40:20,500 --> 00:40:24,100
when it, when it just comes to
the balance of things, they
717
00:40:24,100 --> 00:40:26,200
handle this really, really,
well, I'll give it an 8 out of
718
00:40:26,200 --> 00:40:28,500
10.
And when we get into value Bob,
719
00:40:28,500 --> 00:40:30,700
your socks are going to be blown
off, man.
720
00:40:30,700 --> 00:40:38,000
Because this incredible whiskey
can be purchased for $27 in the
721
00:40:38,000 --> 00:40:40,100
state of Ohio.
I like this a lot, man.
722
00:40:40,300 --> 00:40:45,000
An especially at 27 bucks.
So the last kind of cheap scotch
723
00:40:45,000 --> 00:40:47,900
that we did, if I can call it,
that was Cutty Sark which was
724
00:40:47,900 --> 00:40:50,900
like 15 bucks, this is
definitely better than Cutty
725
00:40:50,900 --> 00:40:55,200
Sark and I feel like sometimes
we, we hype up Cheap whiskey, so
726
00:40:55,200 --> 00:40:57,300
much that people will like go
out and buy them and then
727
00:40:57,300 --> 00:40:59,900
they'll be like, I'm trying.
I'm trying it and it's like well
728
00:40:59,900 --> 00:41:03,500
dude, okay like please try it
but also remember it's a fifteen
729
00:41:03,500 --> 00:41:04,800
dollar Scotch, you know what I
mean?
730
00:41:04,800 --> 00:41:08,000
Like it's not gonna be the best
scotch you've ever had and I'll
731
00:41:08,000 --> 00:41:10,100
say that about this.
This is not going to be the best
732
00:41:10,100 --> 00:41:12,000
guy.
You've ever had, it's $27.
733
00:41:12,000 --> 00:41:16,900
It is $27 for a reason, but it's
a darn good $27.
734
00:41:17,000 --> 00:41:19,200
Mmm.
Know what you're getting into
735
00:41:19,200 --> 00:41:21,300
for sure.
You're not going to be finding a
736
00:41:21,300 --> 00:41:25,700
gem, like a Hidden Gem, that all
the distilleries and people in
737
00:41:25,700 --> 00:41:29,700
the world just forgot about and
somehow it got all the way mark
738
00:41:29,700 --> 00:41:32,300
down to twenty seven dollars and
it should be two thousand
739
00:41:32,300 --> 00:41:35,300
dollars.
No, it's a $27 Scotch.
740
00:41:35,300 --> 00:41:38,600
But again at that price point
I'm given this an eight and a
741
00:41:38,607 --> 00:41:41,200
half out of ten on value.
Yeah, I'm at nine out of ten
742
00:41:41,200 --> 00:41:45,000
Bob, I think that this is an
incredible value in the world of
743
00:41:45,000 --> 00:41:49,700
single-malt scotches and it
brings me to a total of 39 out
744
00:41:49,700 --> 00:41:53,200
of 50.
I'm going to 41 and a half out
745
00:41:53,200 --> 00:41:56,700
of 50 Brad.
So that brings us to an 80.5 or
746
00:41:56,700 --> 00:42:03,100
a 40-point 25 out of 50.
Hey, this is in rarefied are
747
00:42:03,100 --> 00:42:05,100
getting over the 40, mark for
us.
748
00:42:05,500 --> 00:42:08,300
It's a no-brainer for me in
terms of recommending that you
749
00:42:08,300 --> 00:42:11,100
buy a bottle of it.
I probably I wouldn't recommend
750
00:42:11,100 --> 00:42:13,400
trying it at the bar just
because you're probably going to
751
00:42:13,400 --> 00:42:15,500
spend.
I don't know seven eight dollars
752
00:42:15,500 --> 00:42:19,000
for a poor This and like it's
just by the bottle dude.
753
00:42:19,000 --> 00:42:23,300
Just plug down 27 bucks.
Yeah, this is a really nice
754
00:42:23,300 --> 00:42:26,000
affordable single malt that
would be.
755
00:42:26,400 --> 00:42:31,300
I would I would just go on a
limb and say this is probably
756
00:42:31,300 --> 00:42:34,900
the best introduction to the
world of scotch that you can
757
00:42:34,900 --> 00:42:37,600
get.
I'm I won't go that far because
758
00:42:37,600 --> 00:42:40,000
I'm pretty sure I've said that
exact thing about like five
759
00:42:40,000 --> 00:42:43,800
different When scotches on this
podcast live happened, Bob, so
760
00:42:43,800 --> 00:42:48,500
I'm gonna say it now.
I really like this as a pairing
761
00:42:48,500 --> 00:42:51,900
with baby driver to like I mean,
it's an import from Europe,
762
00:42:51,900 --> 00:42:54,800
like, Edgar Wright's, but it's
got, its got the heart of the
763
00:42:54,800 --> 00:42:56,300
Working, Man.
You know what I mean?
764
00:42:56,300 --> 00:43:00,700
Like, it's a great.
Great, great $27 Scotch.
765
00:43:00,800 --> 00:43:04,700
I am super pumped to talk about
the crowd-pleasing whiskey and
766
00:43:04,700 --> 00:43:07,800
the crowd-pleasing movie that
we've got on hand this week.
767
00:43:08,000 --> 00:43:09,600
So what do you say?
We get back into talking about
768
00:43:09,600 --> 00:43:11,600
baby.
Let's get to it.
769
00:43:12,700 --> 00:43:15,900
Today's sponsor is a little bit
of a departure from our usual
770
00:43:15,900 --> 00:43:19,300
area of expertise.
And man, oh, man, I was blown
771
00:43:19,300 --> 00:43:21,900
away by their product.
Once we received it, I am
772
00:43:21,900 --> 00:43:25,500
talking about manscaped.
Now, if you're like me at all,
773
00:43:25,500 --> 00:43:28,000
you probably seen the manscaped
ads and kind of Wonder to
774
00:43:28,000 --> 00:43:30,800
yourself like, do I really need
like some sort of specialty
775
00:43:30,800 --> 00:43:33,300
trimmer to take care of my
downstairs business.
776
00:43:33,800 --> 00:43:38,400
And I've just got to be honest.
I was absolutely wrong there
777
00:43:38,400 --> 00:43:41,900
trimmers called the lawnmower
for punto and I gotta say, it is
778
00:43:41,900 --> 00:43:45,200
the Rolls-Royce of trimmers.
It's got a ceramic blade.
779
00:43:45,200 --> 00:43:48,800
That reduces grooming mishaps, a
wireless charging base and an
780
00:43:48,800 --> 00:43:50,900
awesome flashlight.
That keeps things illuminated
781
00:43:50,900 --> 00:43:53,700
while you're working and beyond
all that it's waterproof.
782
00:43:53,900 --> 00:43:56,700
This thing is really changing
the game when it comes to below
783
00:43:56,700 --> 00:43:59,300
the belt hygiene.
Now this is just me talking
784
00:43:59,300 --> 00:44:02,700
about my experience but this
trimmer really is Way Beyond
785
00:44:02,700 --> 00:44:05,300
anything I've ever used to keep
things neat.
786
00:44:05,300 --> 00:44:09,100
And tidy, you can use our
discount code film whiskey to
787
00:44:09,100 --> 00:44:12,000
get 20% off your Order and free
shipping head on over to
788
00:44:12,000 --> 00:44:15,800
manscape.com and use code film.
Whiskey, to get 20% off free
789
00:44:15,800 --> 00:44:19,700
shipping, and you will be well
on your way to hygiene heaven.
790
00:44:24,400 --> 00:44:26,200
All right, everybody that was
space.
791
00:44:26,200 --> 00:44:30,300
A burnt n.
A phenomenal whiskey to be
792
00:44:30,300 --> 00:44:33,100
paired with a phenomenal movie
Bob absolutely man.
793
00:44:33,500 --> 00:44:35,200
Hey Brad, I don't know.
Did we mention this?
794
00:44:35,200 --> 00:44:43,300
It's $27, it's 27 bucks.
Like that's just going by a
795
00:44:43,300 --> 00:44:48,600
blah, leave this and rent baby
driver on like Amazon for less
796
00:44:48,600 --> 00:44:50,800
than $30.
Yeah, what a night.
797
00:44:51,100 --> 00:44:52,700
Yeah.
A heck of a night, man,
798
00:44:52,700 --> 00:44:56,400
especially if you drink the
entire bottle, please don't do
799
00:44:56,400 --> 00:44:58,100
that.
Yeah, please don't even if
800
00:44:58,100 --> 00:45:01,000
please, don't you in a friend.
That's a lot of whiskey.
801
00:45:02,000 --> 00:45:05,000
All right.
Brad, it's time for me to go to
802
00:45:05,000 --> 00:45:07,800
my weekly, Slaughter to fax in a
falsehood.
803
00:45:07,900 --> 00:45:12,800
I am doing horrific lie, bad.
What am I am now, this is
804
00:45:12,800 --> 00:45:19,200
episode 10, and I hit last week.
I think you might be at four.
805
00:45:20,400 --> 00:45:23,400
I think I'm at four and five
because we reversed the call on
806
00:45:23,400 --> 00:45:26,300
the one week.
So I have the opportunity to
807
00:45:26,300 --> 00:45:30,300
pull myself up to 500 this week.
Yeah, you're coming back, man.
808
00:45:30,300 --> 00:45:32,600
You're doing great.
All right, I'm proud of you.
809
00:45:32,600 --> 00:45:35,800
It's a battle.
So this segment is called two
810
00:45:35,800 --> 00:45:39,100
facts and a falsehood Brad is
going to throw out three
811
00:45:39,100 --> 00:45:42,600
supposed facts at me, one of
which he has completely made up,
812
00:45:43,000 --> 00:45:46,300
and it's my job to figure out
which one of these is bogus.
813
00:45:47,300 --> 00:45:49,100
All right.
Fax number one.
814
00:45:49,600 --> 00:45:53,000
Easy by The Commodores.
Have you ever heard it Bob?
815
00:45:53,800 --> 00:45:56,500
I sure have.
Okay, just making sure it was
816
00:45:56,500 --> 00:46:00,300
included in the film solely
because director Edgar Wright
817
00:46:00,300 --> 00:46:02,800
asked Ansel Elgort in the
casting process.
818
00:46:02,800 --> 00:46:07,600
If there are any songs, he like
just absolutely Knew by heart
819
00:46:07,600 --> 00:46:10,500
and this was the song that he
brought up and tried to your
820
00:46:10,500 --> 00:46:12,700
loved it and said it's going in
the movie.
821
00:46:14,100 --> 00:46:16,600
Fax number two, Edgar Wright
refused.
822
00:46:16,700 --> 00:46:19,700
To hire any English actors for
the movie.
823
00:46:20,200 --> 00:46:23,600
Mostly due to his due to a
desire that he didn't want to be
824
00:46:23,600 --> 00:46:27,100
known as like an English
director, who always hires some
825
00:46:27,100 --> 00:46:31,300
English actors.
Okay, fact, number 3, Barbra
826
00:46:31,300 --> 00:46:34,700
Streisand.
She actually experienced
827
00:46:34,700 --> 00:46:39,400
tinnitus herself and it was the
basis for a scene in the movie
828
00:46:39,400 --> 00:46:44,000
when Jamie Foxx's character had
to say, do I look like, I know
829
00:46:44,200 --> 00:46:49,500
and effing thing about Barbara
effing, And the crazy thing is
830
00:46:49,500 --> 00:46:54,000
that Streisand is actually close
friends with Jamie Foxx in real
831
00:46:54,000 --> 00:46:56,500
life.
Edgar Wright was worried about
832
00:46:56,500 --> 00:47:01,000
it about how she would react to
this, not knowing that fox was
833
00:47:01,000 --> 00:47:05,800
close friends with her and fox
responded by saying, don't worry
834
00:47:06,000 --> 00:47:11,200
Barbara's Gangsta.
Oh man.
835
00:47:11,200 --> 00:47:13,800
That woman was so long that I
have to believe that it's true,
836
00:47:15,200 --> 00:47:17,700
or maybe I'm writing an or
McDonald joke for you.
837
00:47:17,700 --> 00:47:20,600
That's true.
All I can think about through
838
00:47:20,600 --> 00:47:22,500
most of that, was that scene in
licorice pizza?
839
00:47:22,500 --> 00:47:25,600
Where Brad Bradley Cooper
talking?
840
00:47:25,600 --> 00:47:28,000
We were talking with the kid
about how it's pronounced rice
841
00:47:28,000 --> 00:47:32,600
and, and that's tries and yep,
that's really funny.
842
00:47:33,000 --> 00:47:36,100
Oh man, Bradley Cooper
responsible for my favorite
843
00:47:36,100 --> 00:47:39,000
movie line of last year and it's
in licorice pizza.
844
00:47:39,000 --> 00:47:43,200
When he like, Rose trash can
through a plate glass window and
845
00:47:43,200 --> 00:47:46,400
then immediately turns around
and there's two pretty girls and
846
00:47:46,400 --> 00:47:48,900
he follows them and says, hey,
do you girls like peanut?
847
00:47:48,900 --> 00:47:52,500
Butter sandwiches?
My favorite line, my favorite
848
00:47:52,500 --> 00:47:55,400
line in the movie.
Oh man.
849
00:47:55,400 --> 00:47:58,600
All right.
Number one remind me what?
850
00:47:58,600 --> 00:48:01,900
Number one was easy by The
Commodores.
851
00:48:01,900 --> 00:48:04,800
Oh yeah I was in the film
because Ansel Elgort knew it by
852
00:48:04,800 --> 00:48:08,600
heart and number two was the he
refused to hire any English
853
00:48:08,600 --> 00:48:10,400
actors.
I feel like to could be a A
854
00:48:10,408 --> 00:48:13,000
really good trap and that
there's like someone I'm not
855
00:48:13,000 --> 00:48:15,900
thinking of that's actually
British.
856
00:48:17,900 --> 00:48:19,700
I think Lily James is British,
is it?
857
00:48:19,700 --> 00:48:23,100
She was in that movie yesterday
I'm going to say to the
858
00:48:23,100 --> 00:48:26,100
falsehood and just Bank on the
fact that I think Lily James
859
00:48:26,100 --> 00:48:29,900
British, Bob, you are 100%
correct.
860
00:48:29,900 --> 00:48:35,400
Lily, James is British, yes.
Ah, look at you go, man, man.
861
00:48:35,400 --> 00:48:38,200
I'm back to 500.
You're absolutely killing it
862
00:48:38,200 --> 00:48:40,300
Robert.
So let's talk about Lily James.
863
00:48:40,300 --> 00:48:42,600
I think that's a great segue
into talking about her.
864
00:48:42,700 --> 00:48:46,300
Her character in this movie, is
kind of a nothing character.
865
00:48:46,700 --> 00:48:49,900
And yet, her character is
everything to the movie.
866
00:48:50,200 --> 00:48:53,400
Like she is the engine.
That makes, This movie go again,
867
00:48:53,400 --> 00:49:01,000
pardon the car pun, but she's
just there to be like a, I don't
868
00:49:01,000 --> 00:49:03,500
know what the word is as the
supportive girlfriend, like the
869
00:49:03,500 --> 00:49:06,200
overly supportive girlfriend,
the girlfriend that makes you
870
00:49:06,200 --> 00:49:08,100
wonder.
Like, why are you still going
871
00:49:08,100 --> 00:49:10,100
through with this?
This seems like a bad idea just
872
00:49:10,100 --> 00:49:15,000
walk away and yet she's so
charming and she has such great
873
00:49:15,000 --> 00:49:19,100
chemistry with Ansel, Elgort
that you buy every second of it.
874
00:49:19,100 --> 00:49:22,500
And it really is testimony to
how great of an Actress, Lily.
875
00:49:22,500 --> 00:49:26,200
James is, yeah, I think that one
of the few things about the
876
00:49:26,200 --> 00:49:32,100
movie for me was, like, I kept
teetering on the edge of like
877
00:49:32,300 --> 00:49:35,200
they do a really good job of
trying to make this movie as
878
00:49:35,200 --> 00:49:38,000
realistic as possible.
Even though we all kind of know
879
00:49:38,000 --> 00:49:42,100
that like hise on this level
don't really happen anymore, but
880
00:49:42,100 --> 00:49:45,500
like, you can suspend your
belief and with that, but the
881
00:49:45,500 --> 00:49:49,500
way she just Falls for him and
is like, yep, I'll wait five
882
00:49:49,500 --> 00:49:50,800
years for you to get out of
prison.
883
00:49:50,800 --> 00:49:54,100
Like, I'm in love with You like,
there's a little bit of
884
00:49:54,100 --> 00:49:57,900
suspension of belief there.
That requires a lot more faith,
885
00:49:58,900 --> 00:50:03,700
but Lily James, just sells it.
And I think that you're right in
886
00:50:03,700 --> 00:50:09,200
saying that she is kind of the
grounding of this film because
887
00:50:09,200 --> 00:50:14,900
without her in baby's life like
without her, as a character, you
888
00:50:14,900 --> 00:50:21,000
100% are going to see baby fall
into the life of crime.
889
00:50:21,300 --> 00:50:23,300
Like, at the The start of the
movie.
890
00:50:23,300 --> 00:50:27,200
I think one of my favorite parts
of the film is that at the start
891
00:50:27,200 --> 00:50:30,000
of the movie?
You see baby like who is
892
00:50:30,000 --> 00:50:33,900
unwilling and like flinching
about violence, like it's not
893
00:50:33,900 --> 00:50:37,400
even like people dying.
He just sees a woman being like
894
00:50:37,400 --> 00:50:40,200
shouted down to the ground with
a gun in her face and you can
895
00:50:40,200 --> 00:50:44,400
see it's bothering him and by
the end of the film, he has
896
00:50:44,400 --> 00:50:48,600
turned into Jamie Foxx and he
murders Jon Hamm and he's
897
00:50:48,600 --> 00:50:51,800
shooting people and he's just
the way.
898
00:50:52,000 --> 00:50:54,000
Sits in the car.
The look on his face.
899
00:50:54,000 --> 00:50:57,600
You're like, oh he has
transformed into the thing, he
900
00:50:57,600 --> 00:51:03,500
kept telling Joe and Lily, he
wouldn't turn into and yet he
901
00:51:03,500 --> 00:51:08,400
ends up turning himself in he
ends up writing his life because
902
00:51:08,400 --> 00:51:13,900
of Lily James and I just love
the way his character Arc goes
903
00:51:13,900 --> 00:51:18,700
into the depths and yet is
pulled back out by Deborah in
904
00:51:18,700 --> 00:51:21,300
the media.
All right, man, we have I think
905
00:51:21,300 --> 00:51:24,900
two more main actors to talk
about before we wrap this up
906
00:51:24,900 --> 00:51:28,200
today and that is Jamie Foxx and
Jon Hamm.
907
00:51:28,500 --> 00:51:30,300
Let's start with Jamie Foxx
because we've already been
908
00:51:30,300 --> 00:51:32,400
talking about him.
A bit Jimmie.
909
00:51:32,400 --> 00:51:34,900
Foxx has an interesting actor to
me because, you know, he wins an
910
00:51:34,900 --> 00:51:38,300
Oscar for the movie Ray way in
which he's fantastic.
911
00:51:38,900 --> 00:51:41,800
He's and you love the fact that
he won that Oscar.
912
00:51:41,800 --> 00:51:44,000
There's nobody else that you're
that should have won it right
913
00:51:44,000 --> 00:51:45,900
below.
Nobody, nobody that year.
914
00:51:48,400 --> 00:51:51,200
I really love him in Django
Unchained and I think that
915
00:51:51,200 --> 00:51:53,800
Tarantino really unlocked
something in Jamie Foxx that's
916
00:51:53,800 --> 00:51:57,700
always been always kind of Nod
at me a little bit and I think
917
00:51:57,700 --> 00:52:03,900
that it's when Jamie Foxx is
trying to be cool on screen.
918
00:52:04,500 --> 00:52:07,700
He comes across as a guy who's
trying to be cool on screen.
919
00:52:08,100 --> 00:52:11,100
Like there are certain line
readings that he does where it's
920
00:52:11,100 --> 00:52:14,900
like very obvious that he's like
trying to flex a little bit and
921
00:52:14,900 --> 00:52:17,100
I think that's when he's
actually at his worst as an
922
00:52:17,100 --> 00:52:20,200
actor.
Because the lines that he's not
923
00:52:20,200 --> 00:52:23,800
trying to like you know, put
extra oomph into, are the ones
924
00:52:23,800 --> 00:52:26,600
that work the best.
He's very, very threatening in
925
00:52:26,600 --> 00:52:29,300
this movie and he works as a
villain.
926
00:52:29,300 --> 00:52:33,900
So so well like 90% of the time
and I just think it's such a
927
00:52:33,908 --> 00:52:36,800
it's so funny to me because I
just saw this clip the other day
928
00:52:37,200 --> 00:52:40,500
where Jamie Foxx was talking
about his first day on set on
929
00:52:40,500 --> 00:52:44,400
Django and how he was trying to
read the lines like a cool guy
930
00:52:45,000 --> 00:52:47,700
and it's so funny like the way
he says it to he's like I walked
931
00:52:47,700 --> 00:52:49,900
in there.
I was like Tibet, Tibet Tibet
932
00:52:49,900 --> 00:52:53,300
Tibet, he's just like that.
Yeah, and he says, Tarantino
933
00:52:53,300 --> 00:52:56,100
called cut and like took him
into the trailer and just goes,
934
00:52:57,000 --> 00:53:00,800
what the fuck was that?
And like like lights into him
935
00:53:00,800 --> 00:53:03,100
and tells him.
Like this guy is a slave.
936
00:53:03,100 --> 00:53:05,500
This guy is uneducated.
He is not going to have that
937
00:53:05,500 --> 00:53:07,400
sense of swagger that you're
trying to bring to this.
938
00:53:07,400 --> 00:53:10,700
At least not yet.
And I think that's like the best
939
00:53:10,700 --> 00:53:13,000
advice you can give Jamie Foxx
as an actor.
940
00:53:13,100 --> 00:53:17,300
He has it in him to be an
all-time great and I think
941
00:53:17,300 --> 00:53:21,100
sometimes He's just like, I'm
going to turn my swag on and
942
00:53:21,100 --> 00:53:23,200
that's when he's at his worst as
an actor.
943
00:53:24,200 --> 00:53:27,800
But here's the thing though,
this entire movie is asking him
944
00:53:27,800 --> 00:53:31,600
to be the epitome of swagger and
like self-confidence.
945
00:53:31,600 --> 00:53:33,800
So like how do you feel about
him in this movie?
946
00:53:34,100 --> 00:53:36,200
Well that's what I'm saying.
I feel like there are times in
947
00:53:36,200 --> 00:53:41,700
the movie where he just embodies
being a threatening villain so
948
00:53:41,700 --> 00:53:43,900
well.
And then there's times where you
949
00:53:43,900 --> 00:53:47,000
can tell that he looked in the
mirror and said, all right be
950
00:53:47,000 --> 00:53:50,000
threatening And then also the
moments where he's the least
951
00:53:50,000 --> 00:53:52,900
threatening to me.
Hmm, that's interesting.
952
00:53:53,300 --> 00:53:58,100
At the very least, I think that
Jamie Foxx had like in the the
953
00:53:58,100 --> 00:54:03,500
Hall of unexpected movie deaths.
I think that his is hands down
954
00:54:03,500 --> 00:54:06,100
one of the greatest.
I like you sitting in that
955
00:54:06,100 --> 00:54:08,900
theater with you guys because I
think like all four of us
956
00:54:08,900 --> 00:54:13,000
collectively at the same time
we're just like, oh yeah I guess
957
00:54:13,000 --> 00:54:17,000
what, it really caught us
off-guard man.
958
00:54:17,100 --> 00:54:19,500
Yeah, I mean it.
It's up there for me with, like,
959
00:54:19,500 --> 00:54:21,900
The Departed, you know, Leo
getting shot.
960
00:54:21,900 --> 00:54:27,800
Like there's just certain deaths
in movies that are so they just
961
00:54:27,800 --> 00:54:32,600
take you by surprise and the way
he kills him is just Poetic
962
00:54:32,600 --> 00:54:36,300
Justice and absolutely stop.
I'm totally there for it, man.
963
00:54:36,900 --> 00:54:39,600
On the other side, you've got
Jon Hamm, who is an actor who
964
00:54:39,600 --> 00:54:43,400
has been lauded for the last
decade because of his portrayal
965
00:54:43,400 --> 00:54:46,500
of Don Draper in Mad Men.
I don't feel like he's never
966
00:54:46,500 --> 00:54:50,900
quite found.
Is footing in movies, 100% like
967
00:54:51,000 --> 00:54:54,600
he's really good in everything
he does but I've never walked
968
00:54:54,600 --> 00:54:56,800
away from a Jon Hamm movie
performance.
969
00:54:56,800 --> 00:55:00,400
Like wow, that should have been
up for an Oscar and I can't
970
00:55:00,400 --> 00:55:03,700
quite put my finger on it, but
it's almost the same thing with
971
00:55:03,700 --> 00:55:05,100
that.
I just said about Jamie Foxx but
972
00:55:05,100 --> 00:55:09,000
like almost magnified here where
I really loved Jon Hamm's
973
00:55:09,000 --> 00:55:11,900
performance in the first two
thirds of this movie and then
974
00:55:11,900 --> 00:55:15,400
when he supposed to just become
like this mindless killer
975
00:55:15,400 --> 00:55:17,400
seeking Vengeance at the end of
the movie.
976
00:55:17,700 --> 00:55:20,900
I Didn't buy any of that for a
second like it still worked
977
00:55:20,900 --> 00:55:23,900
because the movie was so, well
made and the plot mechanics were
978
00:55:23,900 --> 00:55:28,400
already in motion, but I don't
know if Jon Hamm is the guy that
979
00:55:28,400 --> 00:55:31,600
I would immediately think of is
like, oh, what a cool bad guy in
980
00:55:31,600 --> 00:55:33,700
this movie.
We'll the interesting thing is
981
00:55:33,700 --> 00:55:37,600
that they set him up as like
almost a bit of like an
982
00:55:37,600 --> 00:55:43,400
underworld Father Figure to to
and sell like like yes doc you
983
00:55:43,400 --> 00:55:47,200
know played by Spacey somewhat
takes that role on but he's so
984
00:55:47,200 --> 00:55:49,800
cold and Stand that, you never
believe that.
985
00:55:49,900 --> 00:55:52,600
Whereas, like Jon Hamm sits with
him and listens to music with
986
00:55:52,600 --> 00:55:55,600
him.
And, you know, his wife, / lover
987
00:55:55,600 --> 00:56:00,300
is like also, like, kind to him
and there's and then there's the
988
00:56:00,300 --> 00:56:03,700
just the position of like, but
you have to everything up and
989
00:56:03,700 --> 00:56:07,800
I'm going to murder you now.
And I for me, man, I thought ham
990
00:56:07,800 --> 00:56:09,400
was terrifying at the end of the
movie.
991
00:56:09,400 --> 00:56:14,200
I Bought 100 percent his
transformation into the bowl.
992
00:56:14,700 --> 00:56:16,700
Like, I love how at the start of
the movie.
993
00:56:16,700 --> 00:56:18,600
This is a comment on Edgar.
Right?
994
00:56:19,200 --> 00:56:24,200
It feels like when when baby is
changing channels on the
995
00:56:24,200 --> 00:56:28,600
television and it goes through
like Monsters Inc, and a few
996
00:56:28,600 --> 00:56:32,000
other scenes, all of those
scenes kind of come true in
997
00:56:32,000 --> 00:56:35,000
different aspects of the movie
and the one that comes through
998
00:56:35,000 --> 00:56:37,700
for Jon Hamm, is he turns into
the bowl in the arena?
999
00:56:37,700 --> 00:56:40,500
Like once he sees red, he's not
turning back.
1000
00:56:40,700 --> 00:56:42,200
Yep.
And I would, I thought he was
1001
00:56:42,200 --> 00:56:44,100
terrifying at the end of the
film.
1002
00:56:45,100 --> 00:56:47,400
Well, I'm really glad that we
came out in different places on
1003
00:56:47,400 --> 00:56:49,800
both of those performances.
I still think they work for the
1004
00:56:49,800 --> 00:56:51,900
most part.
But like, if there is anything
1005
00:56:51,900 --> 00:56:54,900
that kind of pulled me out of
the film, just a little bit, it
1006
00:56:54,900 --> 00:56:57,400
was definitely those two actors
Brad.
1007
00:56:57,400 --> 00:57:00,300
As we kind of wind down our
Edgar Wright retrospective.
1008
00:57:00,300 --> 00:57:03,300
Do you have any final thoughts
on Edgar Wright's?
1009
00:57:03,300 --> 00:57:06,900
I mean, how would you rank the
three movies that we watched?
1010
00:57:07,000 --> 00:57:08,900
Where does this?
How does this stack up?
1011
00:57:08,900 --> 00:57:10,500
Especially against Shaun of the
Dead?
1012
00:57:11,100 --> 00:57:12,300
Yeah.
Like, what have you learned
1013
00:57:12,300 --> 00:57:17,600
about Edgar Wright?
I think that Edgar Wright has an
1014
00:57:17,600 --> 00:57:23,600
incredible talent for movement.
Like the the way he draws the
1015
00:57:23,600 --> 00:57:28,100
audience forward through, the
story is so kinetic and like
1016
00:57:28,200 --> 00:57:33,700
just raw and you feel the movie
just drawing you forward.
1017
00:57:33,700 --> 00:57:38,300
Like, honestly, the way you talk
about Goodfellas is kind of the
1018
00:57:38,300 --> 00:57:43,200
way I feel about Edgar Wright
that there's an energy to the
1019
00:57:43,200 --> 00:57:47,600
editing and the Cinematography
that just keeps me at the edge
1020
00:57:47,600 --> 00:57:49,700
of my seat and keeps me
interested.
1021
00:57:50,300 --> 00:57:52,200
All right Brad.
It's almost time for final
1022
00:57:52,200 --> 00:57:54,700
scores, but I want to throw a
curveball in here.
1023
00:57:54,900 --> 00:57:58,400
I think we should start a new
segment on the film in whiskey
1024
00:57:58,400 --> 00:58:01,200
podcast new segment and I'll do
it.
1025
00:58:01,200 --> 00:58:05,400
We'll do it very quickly, right
before, final scores every week.
1026
00:58:06,300 --> 00:58:07,900
And this is going to be the
first installment, and I'm going
1027
00:58:07,900 --> 00:58:09,800
to call it this because we're a
whiskey podcast.
1028
00:58:09,800 --> 00:58:13,400
I'm going to call it.
I'll make it a double and it's
1029
00:58:13,400 --> 00:58:16,800
not going to be whiskey related.
It's gonna be, it's gonna be
1030
00:58:16,800 --> 00:58:20,200
here's the premise.
If you had to make this movie, a
1031
00:58:20,200 --> 00:58:23,700
double feature with something
else, what would you pair it up
1032
00:58:23,700 --> 00:58:25,900
with?
Like it like a drive-in?
1033
00:58:26,100 --> 00:58:28,400
Yeah, evening.
Yeah.
1034
00:58:29,300 --> 00:58:32,700
I will say one of the best
double features I've ever seen
1035
00:58:32,700 --> 00:58:38,000
was the first the they're not
called Minions.
1036
00:58:38,000 --> 00:58:40,700
What's the first the despicable
meaning?
1037
00:58:40,800 --> 00:58:44,100
Yeah it was Despicable Me paired
with Toy Story 3.
1038
00:58:44,300 --> 00:58:46,100
Hmm.
And I was like that was a heck
1039
00:58:46,100 --> 00:58:48,900
of a because you know Despicable
Me I know you don't care for it
1040
00:58:48,900 --> 00:58:52,900
but like it's a pretty good
animated film and then Toy Story
1041
00:58:52,900 --> 00:58:55,300
3 following it up was
phenomenal.
1042
00:58:55,700 --> 00:58:58,400
Fun fact when we were on
vacation it rained one day so I
1043
00:58:58,408 --> 00:59:01,400
took My son to the movies and he
wanted to see minions the rise
1044
00:59:01,400 --> 00:59:03,400
of grew.
Yeah, I was like, you know what,
1045
00:59:03,400 --> 00:59:05,700
fine, I enjoyed the hell out of
that movie.
1046
00:59:05,800 --> 00:59:12,400
So hey, so that's Brad's vote,
baby driver and minions.
1047
00:59:12,400 --> 00:59:14,200
The rise of group.
There's rise of Peru.
1048
00:59:15,500 --> 00:59:18,100
No, I man.
So what, so the question is,
1049
00:59:18,100 --> 00:59:19,700
what movie would I pair with
this?
1050
00:59:19,700 --> 00:59:21,800
If I was sitting down in the
evening and watching a movie
1051
00:59:21,800 --> 00:59:23,900
back-to-back?
Yeah like I'll give you mine.
1052
00:59:23,900 --> 00:59:26,300
I think that if especially for
trying to like theme them up
1053
00:59:26,300 --> 00:59:28,300
together.
I could go two ways.
1054
00:59:28,800 --> 00:59:33,400
And one would be to go the Jon
Hamm route and take this movie
1055
00:59:33,400 --> 00:59:36,000
and then a movie, he did.
Just a couple years later, that
1056
00:59:36,000 --> 00:59:39,500
was called bad times at the El
Royale, which is one of my
1057
00:59:39,500 --> 00:59:42,600
absolute favorite movies of the
last five ish years.
1058
00:59:43,100 --> 00:59:46,900
And it's like, it's kind of like
a Tarantino movie in that.
1059
00:59:46,900 --> 00:59:51,000
It has like different chapter
titles, but all this crazy stuff
1060
00:59:51,000 --> 00:59:55,900
takes place in one night at a
motel and it ends up like
1061
00:59:55,900 --> 00:59:58,500
everything's on fire at the end.
It's, it's Drew God.
1062
00:59:58,700 --> 01:00:01,500
Heard the guy that made the
movie Cabin in the Woods doing
1063
01:00:01,500 --> 01:00:04,500
Tarantino and it is freaking
great.
1064
01:00:04,500 --> 01:00:07,700
I love that movie.
The Other Rosen called Bob, it's
1065
01:00:07,700 --> 01:00:10,600
called bad times at the El
Royale, okay?
1066
01:00:11,300 --> 01:00:14,100
The other route that I think you
could go is to take the
1067
01:00:14,100 --> 01:00:15,700
supporting actors in this movie,
ASA.
1068
01:00:15,700 --> 01:00:19,300
Gonzales, and take a movie that
she was just in this year, that
1069
01:00:19,300 --> 01:00:22,700
also involve going very fast in
stolen vehicles, and that is
1070
01:00:22,700 --> 01:00:26,200
Michael Bay's, ambulance.
I think you could pair this up
1071
01:00:26,200 --> 01:00:28,300
and have an ASA Gonzales, you
double.
1072
01:00:29,200 --> 01:00:31,100
You've been pulling for
ambulance for a while now?
1073
01:00:31,100 --> 01:00:34,200
Bob, you know what?
Like, 5 years ago, I think I
1074
01:00:34,200 --> 01:00:36,000
would have been too snooty to
admit that.
1075
01:00:36,000 --> 01:00:39,200
I enjoyed ambulance.
And then this year has just been
1076
01:00:39,200 --> 01:00:41,400
the year of awesome action
movies, man.
1077
01:00:41,400 --> 01:00:44,300
Like, going back to the movie
theater and seeing things, like
1078
01:00:44,300 --> 01:00:49,400
Top Gun and rrr and ambulance
at, like, I've just enjoyed the
1079
01:00:49,400 --> 01:00:52,300
hell out of the movie going
experience again this year.
1080
01:00:52,800 --> 01:00:58,700
Can I tell you that I sat down
opened up Netflix and I saw rrr
1081
01:00:59,300 --> 01:01:03,200
I watched 30 minutes of that
movie and turned it off and was
1082
01:01:03,200 --> 01:01:08,300
just like, what in the world
just happened, but that was one
1083
01:01:08,300 --> 01:01:12,400
of the coolest 30 minutes of
movie I've ever had to buy.
1084
01:01:14,400 --> 01:01:18,400
Like the way, they way that they
take about 10 to 15 minutes, to
1085
01:01:18,400 --> 01:01:21,000
introduce each of the two main
characters.
1086
01:01:21,200 --> 01:01:25,500
Those scenes are just wild and
of these incredible.
1087
01:01:27,200 --> 01:01:28,800
All right, Brad.
So what would your pick be Hey
1088
01:01:29,500 --> 01:01:32,900
man.
I I've been I've been racking my
1089
01:01:32,900 --> 01:01:34,600
brain as we've been talking
about this.
1090
01:01:34,600 --> 01:01:38,600
I think this is like, I don't
know where this came into my
1091
01:01:38,600 --> 01:01:44,800
brain, but I think I'm going to
suggest and what is it called?
1092
01:01:45,100 --> 01:01:50,200
It's Adam Driver.
And Daniel, Craig, I remember
1093
01:01:50,200 --> 01:01:52,300
thinking that this looks like a
cool movie because it was like
1094
01:01:52,300 --> 01:01:55,700
the first non Bond movie that?
Yeah.
1095
01:01:56,600 --> 01:01:57,900
Are you talking about Logan?
Lucky.
1096
01:01:58,300 --> 01:02:00,700
Yes.
The NASCAR Heist movie.
1097
01:02:00,900 --> 01:02:04,600
Yes Steven Soderbergh that's a
grand Channing Tatum I believe
1098
01:02:05,400 --> 01:02:08,800
yep.
Yeah i-i've watched that once
1099
01:02:08,800 --> 01:02:12,400
with some friends while I was in
seminary and it was quirky and
1100
01:02:12,400 --> 01:02:17,200
funny and very off the wall and
I think it'd be a good good
1101
01:02:17,200 --> 01:02:20,000
pairing for baby driver.
All right there you have it.
1102
01:02:20,100 --> 01:02:22,600
We've given you three
suggestions for a double feature
1103
01:02:22,600 --> 01:02:24,000
and that's our first installment
of.
1104
01:02:24,000 --> 01:02:27,300
I'll make it a double Brad.
It's time for our final scores
1105
01:02:27,900 --> 01:02:29,600
and we both Both.
Love this movie.
1106
01:02:29,600 --> 01:02:32,100
I think it's nearly perfect.
There's something in me.
1107
01:02:32,100 --> 01:02:35,500
That's keeping me from giving it
a 10/10, but I think I enjoy it
1108
01:02:35,500 --> 01:02:38,300
like a 10/10 level.
Yeah, I think for now I'm just
1109
01:02:38,300 --> 01:02:41,800
going to say it's a nine and a
half but subject to change
1110
01:02:41,800 --> 01:02:44,900
asterisk on that one.
I think I'll give it a 9 out of
1111
01:02:44,900 --> 01:02:47,700
10.
There's still some issues for me
1112
01:02:47,700 --> 01:02:50,700
throughout the movie with pacing
in the middle of the movie.
1113
01:02:51,900 --> 01:02:55,300
Like we said, Spacey is like
good but not great.
1114
01:02:56,500 --> 01:02:59,300
But there's not much wrong with
this movie Bob and Wouldn't I
1115
01:02:59,300 --> 01:03:03,600
would 100% agree with you.
I enjoy this movie, like, it's a
1116
01:03:03,607 --> 01:03:06,000
10.
It's, it's just so good.
1117
01:03:06,000 --> 01:03:11,300
Even like, dude, when he pulls
out the Michael Myers masks and
1118
01:03:11,300 --> 01:03:14,900
they have the conversation
about, which Michael Myers that
1119
01:03:14,900 --> 01:03:18,600
he should have bought, it's
just, it's just witty and, and
1120
01:03:18,600 --> 01:03:21,700
Priceless.
All right, we'd love to know
1121
01:03:21,700 --> 01:03:24,700
what you think of baby driver.
Where does it rank for you among
1122
01:03:24,700 --> 01:03:26,800
the three Edgar Wright films
that we reviewed?
1123
01:03:27,400 --> 01:03:28,600
Let us know what you think you
can find.
1124
01:03:28,700 --> 01:03:31,900
Us on our social media accounts,
Facebook, Twitter, Instagram,
1125
01:03:31,900 --> 01:03:36,600
Tick-Tock at film whiskey, or
you can jump onto our Discord.
1126
01:03:36,900 --> 01:03:40,600
Discord is a wonderful place
where you can have a community
1127
01:03:40,600 --> 01:03:45,000
of people on the internet that
you get to choose to be a part
1128
01:03:45,000 --> 01:03:47,500
of their there.
It's not open to everybody.
1129
01:03:47,600 --> 01:03:52,300
Only the people that join are in
and we have great conversations
1130
01:03:52,300 --> 01:03:56,500
about life about movies whiskey,
you know, all sorts of things.
1131
01:03:56,800 --> 01:03:59,700
So you can find a link to get
Onto our Discord.
1132
01:03:59,700 --> 01:04:03,100
At the end of every single one
of our show notes next week,
1133
01:04:03,100 --> 01:04:05,800
we're starting a mini-series on
the American filmmaker Wes
1134
01:04:05,900 --> 01:04:07,900
Anderson.
We're going to be looking at his
1135
01:04:07,900 --> 01:04:10,300
second feature film.
The one that really blew him up
1136
01:04:10,300 --> 01:04:14,400
in terms of public Consciousness
that movie is called Rushmore.
1137
01:04:14,500 --> 01:04:16,400
We'll be back with that one next
week.
1138
01:04:16,400 --> 01:04:20,700
But until then, I'm Bob book,
I'm Brad G and we'll see you
1139
01:04:20,700 --> 01:04:21,300
next time.
00:00:00,400 --> 00:00:05,300
In 2017 director Edgar Wright
and star Ansel Elgort gave the
2
00:00:05,300 --> 00:00:07,900
world, a dynamic and thrilling
Heist movie.
3
00:00:07,900 --> 00:00:12,000
That drives you to the edge of
your seat in 2022.
4
00:00:12,000 --> 00:00:16,100
We return to the speyside region
of Scotland to try yet another
5
00:00:16,100 --> 00:00:19,500
single malt.
The film is baby driver, the
6
00:00:19,500 --> 00:00:23,200
whiskey is spayed, burnt n, and
more view them both.
7
00:00:23,500 --> 00:00:27,500
This is the film and whiskey
podcast.
8
00:00:45,700 --> 00:00:48,400
Welcome to the film and whiskey
podcast, where each week, we
9
00:00:48,400 --> 00:00:51,300
review a classic movie and a
glass of whiskey.
10
00:00:51,800 --> 00:00:56,400
I'm Bob book, I'm like still
jazzed for watching this movie
11
00:00:56,400 --> 00:00:59,100
earlier today.
Bob, one of my favorite things
12
00:00:59,100 --> 00:01:01,000
about you, Brad.
Actually, can you tell the
13
00:01:01,000 --> 00:01:02,200
people your name because you
still?
14
00:01:02,200 --> 00:01:04,599
Oh, I'm I'm Reggie.
I'm Brad, G.
15
00:01:05,000 --> 00:01:07,200
One of my favorite things about
you is that you just
16
00:01:07,200 --> 00:01:09,800
unironically use the word
jazzed.
17
00:01:10,400 --> 00:01:14,200
Like, I'm so many words you
could use like, you know, like
18
00:01:14,200 --> 00:01:17,000
I'm pumped up.
I'm psyched, I'm jacked.
19
00:01:17,000 --> 00:01:23,100
No, jest, it's a great word, it
really is, you're bringing it
20
00:01:23,100 --> 00:01:25,000
back single-handedly.
Yeah.
21
00:01:25,000 --> 00:01:28,700
And let's be really honest.
My adrenaline was pumping, I was
22
00:01:28,700 --> 00:01:32,700
like taking my My one and a half
year old for a walk afterwards
23
00:01:32,900 --> 00:01:36,700
and I was like almost like run
walking, my adrenaline was like
24
00:01:36,700 --> 00:01:38,800
still pumping from having
watched it.
25
00:01:39,200 --> 00:01:41,600
I had a similar experience
watching this movie.
26
00:01:41,800 --> 00:01:44,900
Oh I should say this week.
We're reviewing baby driver
27
00:01:44,900 --> 00:01:49,900
Edgar, Wright's 5017 Masterpiece
and I had a very similar
28
00:01:49,900 --> 00:01:53,000
experience watching this film to
the experience.
29
00:01:53,000 --> 00:01:55,100
I had watching Top Gun Maverick
recently.
30
00:01:55,500 --> 00:01:57,900
Yes, driving home.
After top gun Maverick.
31
00:01:57,900 --> 00:02:01,100
I was like I should go now.
Five miles an hour.
32
00:02:02,500 --> 00:02:05,500
I literally was like going
around one of the like
33
00:02:05,500 --> 00:02:11,000
roundabout entrances on ramps,
onto the highway it in, like 60
34
00:02:11,000 --> 00:02:14,000
on the curved part of it.
And Haley was like, honey,
35
00:02:14,200 --> 00:02:17,900
you're not Tom Cruise and I was
like, but I could be, but we're
36
00:02:17,900 --> 00:02:21,600
the same height, we are the same
height, he is also five foot
37
00:02:21,600 --> 00:02:23,900
six, he sure is man, which is
crazy.
38
00:02:23,900 --> 00:02:26,000
I've stood next to you.
I don't think I could take Tom
39
00:02:26,000 --> 00:02:28,200
Cruise quite as seriously in
real being.
40
00:02:28,200 --> 00:02:31,900
That short, I All I think of,
when I think of Tom Cruise's
41
00:02:31,900 --> 00:02:36,700
height is the Family Guy version
of Tom Cruise, which is just the
42
00:02:36,700 --> 00:02:39,800
best thing in the world.
Oh man, we're like three minutes
43
00:02:39,800 --> 00:02:41,500
in and we're already referencing
Family Guy.
44
00:02:41,500 --> 00:02:44,700
It's gonna be one of those
episodes today, as we look at
45
00:02:44,700 --> 00:02:48,400
baby driver now, Brad, you.
And I have known each other for
46
00:02:48,400 --> 00:02:53,000
a while, but baby driver is one
of my Fondest movie-going
47
00:02:53,000 --> 00:02:55,900
Memories of all time.
And I shared it with you and
48
00:02:55,900 --> 00:02:58,900
it's one of our first movies
that we shared together because
49
00:02:59,200 --> 00:03:01,900
we went to Chicago with a small
group of our friends, to
50
00:03:01,900 --> 00:03:06,200
celebrate the bachelor party of
our friend, Mike Giles and one
51
00:03:06,200 --> 00:03:08,800
evening, we were like trying to
find something to do in the
52
00:03:08,800 --> 00:03:11,600
Chicagoland area and we didn't
want to go back downtown.
53
00:03:11,600 --> 00:03:13,800
So we said, hey, let's all go
see a movie.
54
00:03:14,500 --> 00:03:17,000
We walked into this theater.
Couldn't figure out what to
55
00:03:17,000 --> 00:03:20,200
watch decided to leave and then
20 minutes later wanted to go to
56
00:03:20,200 --> 00:03:22,600
the movies again.
So we drove like to the
57
00:03:22,600 --> 00:03:27,300
outskirts of Chicago and went to
this tiny mom-and-pop theater to
58
00:03:27,300 --> 00:03:28,800
see baby driver.
Yeah.
59
00:03:28,900 --> 00:03:32,500
And it was Was it was one of
those moments where like I had
60
00:03:32,500 --> 00:03:34,700
become very cynical about
movies.
61
00:03:35,100 --> 00:03:37,700
I was cynical about a lot of
things in my life at that point.
62
00:03:38,100 --> 00:03:42,200
And I remember seeing a preview
for baby driver, like, months
63
00:03:42,200 --> 00:03:46,300
beforehand, and I remember
thinking to myself, as I watch
64
00:03:46,300 --> 00:03:51,200
the preview, this movie is,
like, the epitome of what is
65
00:03:51,200 --> 00:03:54,700
wrong with Hollywood, nowadays?
Like, I don't know what it was
66
00:03:54,700 --> 00:03:56,900
about the trailer.
I've never watched it again
67
00:03:56,900 --> 00:03:59,800
since, but I just remember being
like this, is why.
68
00:04:00,100 --> 00:04:04,300
Hollywood is failing and so
going into it, you know, it's
69
00:04:04,300 --> 00:04:07,500
Mike's bachelor party where, you
know, he was like wanting to see
70
00:04:07,500 --> 00:04:10,900
it, so I was like, yeah, sure
like, yeah, let's go watch it on
71
00:04:10,900 --> 00:04:13,800
the inside.
I was like, man, F this like I
72
00:04:13,800 --> 00:04:17,000
am not interested in this movie
and I think that that helped
73
00:04:17,000 --> 00:04:22,700
because what we walked away from
was just one of the coolest
74
00:04:23,200 --> 00:04:25,000
movies I've ever seen in my
life.
75
00:04:25,400 --> 00:04:28,000
Brad, I don't know if I'm gonna
give this movie a 10 out of 10
76
00:04:28,500 --> 00:04:31,700
but I've probably spent more
More time wondering if this
77
00:04:31,700 --> 00:04:35,000
deserves a 10/10 than any other
movie, we've done on the show
78
00:04:35,000 --> 00:04:39,900
because everything about this
movie works, it just it.
79
00:04:39,900 --> 00:04:43,900
The rhythm of this film is
perfect even that at points
80
00:04:43,900 --> 00:04:46,100
where you think it's going to
kind of start to drag a little
81
00:04:46,100 --> 00:04:47,900
bit.
Something happens to liven,
82
00:04:47,900 --> 00:04:51,100
things back up.
It's just like an expertly
83
00:04:51,100 --> 00:04:55,500
constructed movie and I hate to
use the car metaphors.
84
00:04:55,500 --> 00:04:59,300
But like, everything about this
movie, it's it clicks.
85
00:04:59,300 --> 00:05:02,600
And it Is on all cylinders the
whole way through the movie.
86
00:05:02,900 --> 00:05:05,800
Yeah.
It literally keeps you at the
87
00:05:05,800 --> 00:05:08,000
edge of your see?
There it is.
88
00:05:08,500 --> 00:05:10,900
We need to just get as many of
those out of the way, like,
89
00:05:10,900 --> 00:05:15,500
right now.
No, dude, this movie.
90
00:05:16,300 --> 00:05:18,900
There's so much Beauty in the
way.
91
00:05:18,900 --> 00:05:22,300
Edgar Wright makes a movie.
And from, from what I have
92
00:05:22,300 --> 00:05:27,000
heard, he's not like the most
chill director to ever work
93
00:05:27,000 --> 00:05:29,000
with, but from what I've heard,
he's a he's a pretty cool
94
00:05:29,000 --> 00:05:31,600
director.
Like Like he's not super anal
95
00:05:31,600 --> 00:05:36,200
about everything, but he does
have a very specific vision and
96
00:05:36,200 --> 00:05:40,800
Direction and an idea of what he
wants and he accomplishes it in
97
00:05:40,800 --> 00:05:44,700
just such masterful ways.
All right, I think it's time for
98
00:05:44,700 --> 00:05:49,500
us to move into Brad explains
America's favorite segment, but
99
00:05:49,500 --> 00:05:53,200
as we get into that, we do want
to remind you about our patreon
100
00:05:53,400 --> 00:05:57,700
patreon.com film whiskey.
If you go to that site, you'll
101
00:05:57,700 --> 00:06:00,400
find that you can support our
podcast at Three different
102
00:06:00,400 --> 00:06:03,700
tiers, A3 A5 and A7
dollar-a-month.
103
00:06:03,700 --> 00:06:08,000
Tear at each tier, you get tons
of bonus perks, especially at
104
00:06:08,000 --> 00:06:11,000
that seven dollar tear.
But at all three tiers, you get
105
00:06:11,000 --> 00:06:13,500
access to a special discounted
server that Brad.
106
00:06:13,500 --> 00:06:16,900
And I are on every single day
talking to the members of filmin
107
00:06:16,900 --> 00:06:19,100
whiskey Nation.
So please check us out at
108
00:06:19,100 --> 00:06:25,100
patreon.com film whiskey.
Brad, it's time for this
109
00:06:25,100 --> 00:06:27,200
segment.
Brad explains where you break
110
00:06:27,200 --> 00:06:30,700
down the plot of the movie that
you have just seen often for the
111
00:06:30,700 --> 00:06:34,200
first time brought have you
watched this movie since we saw
112
00:06:34,200 --> 00:06:37,500
it together, five years ago?
Yeah, this is my third time.
113
00:06:37,500 --> 00:06:41,300
Watching it at said, some point.
I made my wife, sit down and
114
00:06:41,300 --> 00:06:43,200
watch it because I thought she
would enjoy it.
115
00:06:43,500 --> 00:06:46,300
She wasn't as big of a fan.
She used the words that was a
116
00:06:46,300 --> 00:06:50,200
really sad movie.
I was like, all right.
117
00:06:50,200 --> 00:06:52,900
Yeah, I guess it.
Kind of was people died.
118
00:06:53,300 --> 00:06:56,000
I have been trying to get my
wife to watch this movie for,
119
00:06:56,000 --> 00:07:00,100
like, four and a half years now,
and it just has not happened
120
00:07:00,100 --> 00:07:01,500
here.
We won't watch this movie.
121
00:07:01,500 --> 00:07:03,700
I don't know if it's that, she
won't watch it, but I always try
122
00:07:03,700 --> 00:07:05,500
to give her options so I'll
like, you know.
123
00:07:05,700 --> 00:07:07,600
Yeah.
But three Blu-rays and be like,
124
00:07:07,600 --> 00:07:10,800
pick what you want to watch and
she's never picked baby driver.
125
00:07:11,300 --> 00:07:13,600
Mmm, bums me out dude.
I'm in the same boat as you.
126
00:07:14,200 --> 00:07:18,100
You need to just walk up and
like put three different copies
127
00:07:18,100 --> 00:07:21,800
of Be driver and three different
movies and then just put it in
128
00:07:21,800 --> 00:07:23,300
and be like well don't know what
happened?
129
00:07:23,300 --> 00:07:24,600
Babe guess.
We'll just watch this.
130
00:07:24,600 --> 00:07:27,600
Just make a cover that makes it
look like it's a Jane Austen
131
00:07:27,600 --> 00:07:30,000
adaptation or something.
Yeah, exactly.
132
00:07:30,200 --> 00:07:33,800
Just pull out the Pride and
Prejudice wanted put it in the
133
00:07:33,800 --> 00:07:36,600
baby driver.
Alright Brad we have 60 seconds
134
00:07:36,600 --> 00:07:39,000
on the clock.
Can you break down the plot of
135
00:07:39,000 --> 00:07:42,400
baby driver?
Baby driver is about a young man
136
00:07:42,400 --> 00:07:48,100
who has been coerced into
working for a crime board.
137
00:07:48,200 --> 00:07:52,800
And under Lord knows what he is.
He's Kevin Spacey and we were
138
00:07:52,800 --> 00:07:56,000
not going to say his name
anymore at all in this podcast.
139
00:07:56,000 --> 00:07:59,000
He is persona non grata if you
will.
140
00:08:00,400 --> 00:08:05,200
Yeah, so he's working for this
crime boss and he is a
141
00:08:05,200 --> 00:08:09,700
phenomenal, getaway driver and
he's paying off his debt.
142
00:08:09,900 --> 00:08:14,700
In the midst of doing this, he
finds himself going to a diner
143
00:08:15,000 --> 00:08:19,600
where his mom worked at and he
Finds a girlfriend there, girl
144
00:08:19,600 --> 00:08:24,300
that he's very attracted to 10
seconds and his life comes into
145
00:08:24,400 --> 00:08:26,800
issue, man.
This is a, this is a bad Brad,
146
00:08:26,800 --> 00:08:28,900
explain.
Yes, it is and time.
147
00:08:29,300 --> 00:08:31,500
All right, we're not going to
offer any more explanation about
148
00:08:31,500 --> 00:08:32,900
this movie.
That's it.
149
00:08:35,299 --> 00:08:37,400
He's a driver and he likes a
girl.
150
00:08:37,400 --> 00:08:39,100
There you go.
And I think that's all you
151
00:08:39,100 --> 00:08:41,500
really need to know.
Yeah, I'm gonna die.
152
00:08:41,500 --> 00:08:43,600
I'm going to try to summarize
this because I can't let our
153
00:08:43,600 --> 00:08:45,900
listeners.
Just hang in the air with that.
154
00:08:45,900 --> 00:08:48,100
Yeah you can Bob just let it
very fun.
155
00:08:48,300 --> 00:08:52,400
Okay, so maybe driver, we've
been doing a mini series on
156
00:08:52,400 --> 00:08:55,200
Edgar Wright films.
This is the third and final one.
157
00:08:55,200 --> 00:08:58,300
In this mini series, we looked
at Shaun of the Dead last week,
158
00:08:58,300 --> 00:09:00,600
we looked at Scott Pilgrim.
And now we're looking at Baby
159
00:09:00,600 --> 00:09:05,500
driver and I said, last week
that on the surface, it seems
160
00:09:05,500 --> 00:09:09,800
like Scott Pilgrim maybe kind of
the outlier there because its
161
00:09:09,800 --> 00:09:12,600
stylized in such a very
different way, but that, I
162
00:09:12,608 --> 00:09:15,100
believe that baby driver was
actually the outlier.
163
00:09:15,400 --> 00:09:17,800
When you, when you look at the
themes that are usually kind of
164
00:09:17,800 --> 00:09:19,500
underlying Edgar Wright's
movies.
165
00:09:20,000 --> 00:09:23,700
And it's not to say that this
movie is like devoid of anything
166
00:09:23,700 --> 00:09:25,700
under the surface.
I think they do a good job of
167
00:09:26,000 --> 00:09:29,200
trying to give you some sympathy
for the character of baby and
168
00:09:29,200 --> 00:09:32,200
his backstory.
But ultimately Brad this is this
169
00:09:32,200 --> 00:09:35,500
is pretty much a surface level
movie and there's nothing wrong
170
00:09:35,500 --> 00:09:37,700
with that.
It just works like gangbusters
171
00:09:38,100 --> 00:09:42,200
but I would I do think that like
among Edgar Wright's filmography
172
00:09:42,200 --> 00:09:44,700
that we've seen, this is
definitely the outlier.
173
00:09:45,100 --> 00:09:48,000
I love that you're giving me
crap about using the word jazz.
174
00:09:48,200 --> 00:09:53,800
Aged and then you, you bust out
gangbusters is going to see the
175
00:09:53,800 --> 00:09:55,800
movies and drums.
Just gonna say welcome to this
176
00:09:55,800 --> 00:09:58,200
week's episode of old-timey,
1930s.
177
00:09:58,200 --> 00:10:01,700
The podcast You'll Never Take Me
Alive copper.
178
00:10:03,700 --> 00:10:05,500
That could be the subtitle of
this move.
179
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It's true.
Dude, this movie is just fun and
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witty and just rhythmic and
beautiful.
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And I don't even care what we
talk about.
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First, where do you want to go?
No, why don't you touch on?
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What I was just saying about
Edgar Wright and this being the
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oh yeah.
Yeah, it's interesting because
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he still has the, the basic
setup of like, here's a young
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man finding himself in the
world, right?
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And this time his coming of age
is to win a girl, which is, I
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don't know.
Is that like the classic
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coming-of-age story?
Like, I want to grow up so I can
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win this girl's affections.
That's a mean.
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Yeah that's a nice template for
one that's for sure.
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Yeah.
Well, that's a pretty simple one
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and it works here.
I think Lily James is freaking
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spectacular in The Limited role
that she's given the moment
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where she's pouring coffee in
her hand is just shaking and you
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can like feel the terror in her.
It really grounds the movie in a
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lot of ways, but I think for
Edgar Wright himself as a
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director, it feels like
simultaneously.
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The coalescing of everything he
has tried to do as a director
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and yet at the same time, a
movement away from some of the
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things that made him Edgar
Wright and previous films.
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Yeah, I think that's for sure.
And one of the ways that I
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noticed It in this movie I
texted this to you like halfway
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through watching it is that this
is like a Hollywood movie with a
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capital H, the way that Shaun of
the Dead, you know, mimicked, a
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lot of American independent
cinema, but still felt very
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British.
This is like, Hey, we're going
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to bring this guy over to
Hollywood.
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We're going to give him all the
resources in the world and he's
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going to make his movie.
That's undeniably his but it's
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the most polished slick version
of Movie that he could possibly
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make and I get I, I sound like,
I'm, I'm like crapping on this
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movie and that's not it at all
because I think this is like a
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nearly perfect version of an
Edgar Wright movie but it just
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00:12:14,800 --> 00:12:18,400
it reminded me of like us
watching Pulp Fiction and
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00:12:18,400 --> 00:12:22,300
Reservoir Dogs versus us
watching Django Unchained or
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00:12:22,300 --> 00:12:24,400
Inglourious Basterds.
You know what I mean?
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00:12:24,400 --> 00:12:29,000
Like with with 10 years of time
in between I guess it was 13
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00:12:29,000 --> 00:12:32,300
years between Shaun of the Dead
and this movie you can tell That
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he's grown a little bit as a
filmmaker, but he's also learned
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00:12:36,000 --> 00:12:40,300
like how to use those trademark
kind of like whoosh and quick
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00:12:40,300 --> 00:12:44,500
pans that he does and where to
place them in the movie and this
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00:12:44,500 --> 00:12:49,000
movie Just flows.
So seamlessly even compared to a
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movie like Shaun of the Dead.
Yeah.
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The cinematography in this movie
is stunningly.
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Just beautiful.
Like the way he films a car
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chase is the most exciting car I
think I've ever seen in a movie
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like this.
There's a lot of great car.
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Chase scenes in cinematic
history, but man.
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Oh man, does he know what he's
doing?
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There were certain moments of
the film where it felt like they
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took the final chase scene in
charade, you know, where they're
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like, cutting between the
different characters who are
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running as the camera whips past
the columns.
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It felt like they were doing
that at moments, but with cars
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going, 80 90 miles an hour.
Our in downtown Atlanta for
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00:13:34,000 --> 00:13:36,700
Chic.
It's just Bonkers.
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Cool.
What do you think it is?
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That makes movies like this?
So cool.
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00:13:42,300 --> 00:13:45,800
I mean, there's a long line, a
long tradition of car, chase
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movies and I can't say that
every car chase movie appeals to
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me.
But, you know, in the 60s,
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there's the classic Steve
McQueen movie Bullitt, I mean
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like, we've seen some good Chase
movies, even on this show and I
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00:13:58,908 --> 00:14:01,400
brought up top gun Maverick a
minute ago, like what is it
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00:14:01,400 --> 00:14:04,400
about?
Dudes in machines that go fast
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00:14:04,400 --> 00:14:06,700
that just make a movie.
So awesome.
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00:14:07,200 --> 00:14:11,800
That's like what the entire
first Top Gun like lived on was
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00:14:11,800 --> 00:14:14,600
just like, hey, here's some
planes that go really fast and
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00:14:14,600 --> 00:14:17,600
do cool things.
And like the second one Builds
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00:14:17,600 --> 00:14:19,800
on that and makes an even better
movie.
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00:14:20,300 --> 00:14:22,600
But there's just something in
the human soul.
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And I would even say that it's
necessarily a male-dominated
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thing.
Although I think guys in general
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00:14:28,200 --> 00:14:33,200
would enjoy it more, there's
just something about watching
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00:14:34,000 --> 00:14:39,200
humans be phenomenal at
something that is captivating
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and when they're phenomenal at
things that you just
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instinctively know, take a lot
of talent and a lot of practice
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00:14:48,600 --> 00:14:52,700
and skill like there's a reason
you watch soccer or football or
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00:14:52,700 --> 00:14:55,700
something and like it's almost
artistic what they're able to
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do.
You know, you watch LeBron
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driving down the lane and you
can watch him do it a billion
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00:15:00,900 --> 00:15:03,300
times like he's done it.
And yet, there's still something
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00:15:03,300 --> 00:15:06,400
beautiful about him, rising up
above, everyone else, and
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00:15:06,400 --> 00:15:10,200
slamming that basketball home.
And the reason is because we all
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just instinctively know, the
amount of time and effort and
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energy and, and to produce that
product.
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00:15:17,900 --> 00:15:21,500
And so, when you're watching
that, it's a combination of the
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00:15:21,500 --> 00:15:24,500
people who made these cars, put
all this time, and energy, and
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00:15:24,500 --> 00:15:27,500
effort and attention into it.
And, and the people who learned,
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00:15:27,500 --> 00:15:31,900
how to drive cars in this way,
have taken it beyond anything.
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00:15:31,900 --> 00:15:36,100
I Hi, is an average viewer of
this movie could do with a car
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and so watching them, do all
that.
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00:15:38,300 --> 00:15:41,700
And then the way Edgar Wright
cuts it all together in the, the
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00:15:41,700 --> 00:15:45,600
music that he puts to it.
I've just dude I'm just getting
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00:15:45,600 --> 00:15:49,000
Jazz thinking about it.
You're getting jazzed again man.
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00:15:50,400 --> 00:15:52,700
I've been thinking about this a
lot especially with a movie like
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00:15:52,700 --> 00:15:55,600
this.
And I think that there is
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00:15:56,100 --> 00:15:59,500
whether you know, it or not,
there's an appreciation of
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00:15:59,500 --> 00:16:04,300
filmmaking that goes on with a
That is this logistically hard
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00:16:04,300 --> 00:16:08,700
to pull off?
Like a, a Chase sequence is much
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00:16:08,700 --> 00:16:11,500
much, much, much harder than
anyone realizes, and I think,
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00:16:11,500 --> 00:16:14,800
when you've seen a bad one on
screen, you start to realize how
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hard it is to do a good one
because there's really two ways
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that you can go off the rails.
You could make it seem to like
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00:16:22,500 --> 00:16:26,800
static like if you watch like
real old TV shows where there's
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00:16:26,800 --> 00:16:29,700
a car chase, they don't have the
budget to really like Mount the
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00:16:29,708 --> 00:16:31,600
camera on the cars or do a lot
of different.
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00:16:32,100 --> 00:16:35,100
And so you'll just often find
like the cameras at the bottom
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00:16:35,100 --> 00:16:38,000
of a hill and you watch the one
carve Zoom past and then they
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00:16:38,008 --> 00:16:40,700
cut to the exact same shot.
But like, starting at the first
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00:16:40,700 --> 00:16:43,600
point and you see the second car
come down the hill and there's
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00:16:43,600 --> 00:16:45,400
50 of those shots strung
together.
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And that's your car chase.
Hmm.
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00:16:47,900 --> 00:16:52,300
The other way is like the
attention deficit way, which is
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00:16:52,500 --> 00:16:54,700
too many Quick Cuts, where you
don't get a sense of the
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00:16:54,700 --> 00:16:57,700
geography, everything is just
incoherent.
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00:16:58,100 --> 00:17:02,000
This movie really beautifully
finds the middle ground between
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00:17:02,100 --> 00:17:05,900
In those two where you are like
you may not know the layout of
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00:17:05,900 --> 00:17:08,700
Atlanta Georgia.
But you understand what
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00:17:08,700 --> 00:17:10,300
direction?
Every car is facing.
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00:17:10,300 --> 00:17:13,599
You understand when baby is,
like pulling this incredible
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00:17:13,599 --> 00:17:17,700
drift into a U-turn and the cops
can't make the turn, and they're
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00:17:17,700 --> 00:17:22,099
crashing into things, and it
never seems chaotic.
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00:17:22,400 --> 00:17:24,900
Even at the moments of the film
where the characters are
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00:17:24,900 --> 00:17:29,600
experiencing a chaotic moment.
You as the viewer are always
307
00:17:29,600 --> 00:17:33,900
aware like subconscious.
SLI that there is like a master
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00:17:33,900 --> 00:17:35,800
behind the camera putting this
stuff together.
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00:17:36,400 --> 00:17:40,500
Yeah, the the way he
orchestrates these Chase scenes
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00:17:40,800 --> 00:17:44,600
and and there's like so much
action going on at once and your
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00:17:44,600 --> 00:17:47,300
brain is struggling to keep up
with everything that's
312
00:17:47,300 --> 00:17:49,900
happening.
And I think a good scene that
313
00:17:49,900 --> 00:17:53,100
illustrates this is when they're
doing the final heist of the
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00:17:53,100 --> 00:17:57,300
movie and he drives around the
back and he's sitting in the car
315
00:17:57,300 --> 00:18:01,900
and your brain, you know, the
plan, you know what buddy?
316
00:18:02,100 --> 00:18:06,600
And darling or doing, you know
what bats is doing and you see
317
00:18:06,600 --> 00:18:09,900
him sitting back there and he
shakes his head, no to try and
318
00:18:09,900 --> 00:18:13,200
keep that lady from going into
the bank and she gets the, the
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00:18:13,200 --> 00:18:17,700
cop to come out.
And like the way he moves from
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00:18:17,700 --> 00:18:22,900
that, like, little level of
tension to Jamie Foxx holding a
321
00:18:22,900 --> 00:18:27,600
gun to his head, telling him to
drive and then and then baby
322
00:18:27,600 --> 00:18:31,700
like crashing the car and
murdering Jamie Foxx.
323
00:18:31,700 --> 00:18:36,400
Like Like the way he builds the
tension in that scene and he
324
00:18:36,400 --> 00:18:39,100
tells you everything that's
supposed to happen and then
325
00:18:39,100 --> 00:18:43,300
shows how it all goes wrong.
And then after that it leads
326
00:18:43,300 --> 00:18:46,900
into this, I don't know like 10
minute long chase scene of the
327
00:18:46,900 --> 00:18:49,700
cops running after him him
driving away.
328
00:18:50,500 --> 00:18:52,600
It's epic.
Like I don't know if there's
329
00:18:52,600 --> 00:18:56,000
another word to describe it,
this movie is just epic.
330
00:18:56,300 --> 00:18:59,400
This is one of those movies and
this is not a reflection at all
331
00:18:59,400 --> 00:19:02,000
of what you've been saying so
far, but it's one of those
332
00:19:02,100 --> 00:19:06,100
Movies where as I'm watching it.
I think to myself Brad and I
333
00:19:06,108 --> 00:19:08,700
could probably talk about this
movie for two hours on end.
334
00:19:08,900 --> 00:19:11,400
And then we actually get behind
the microphone and I find that
335
00:19:11,400 --> 00:19:13,900
we just say the same three
things over and over and over
336
00:19:14,300 --> 00:19:15,200
you, don't amuse?
Yeah.
337
00:19:15,200 --> 00:19:18,100
Like how many times can you just
say this movie is awesome?
338
00:19:18,400 --> 00:19:22,800
Because like, that gets stale
really fast, but honestly, it's
339
00:19:22,800 --> 00:19:27,500
just one of the most purely
entertaining films.
340
00:19:27,500 --> 00:19:30,600
I've seen in the last 10 years.
Probably, you know, it's right
341
00:19:30,600 --> 00:19:33,900
up there in a similar way.
A with like a Mad Max Fury Road
342
00:19:33,900 --> 00:19:37,800
where it's this brilliantly
constructed action movie, that
343
00:19:37,800 --> 00:19:40,400
is a singular vision of its
director.
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00:19:40,800 --> 00:19:43,100
Then I told you this right
before we hit record I don't
345
00:19:43,100 --> 00:19:45,900
know if I would consider this an
action movie.
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00:19:46,300 --> 00:19:49,400
Like, it doesn't have those big
Hallmarks of what you think, you
347
00:19:49,400 --> 00:19:51,200
know, when you used to browse
the video store and you see
348
00:19:51,200 --> 00:19:55,400
action, and it was like 50 year
old Arnold Schwarzenegger in
349
00:19:55,400 --> 00:19:58,000
collateral damage or Judge
Dredd.
350
00:19:58,000 --> 00:20:00,100
Yeah, like any of those kind of
movies.
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00:20:00,700 --> 00:20:01,900
It has some great Chase
sequence.
352
00:20:02,100 --> 00:20:04,700
And there's like one explosion
in the movie and that's pretty
353
00:20:04,700 --> 00:20:08,800
much it, but it's the way that
the action punctuates.
354
00:20:08,800 --> 00:20:12,900
The story that really does make
it one of the most perfectly
355
00:20:12,900 --> 00:20:15,500
constructed action, movies, I've
ever seen.
356
00:20:16,100 --> 00:20:18,800
Well, let's let's move on.
Then from talking about how just
357
00:20:18,800 --> 00:20:22,800
freaking amazing this movie is
and talk some specifics.
358
00:20:22,800 --> 00:20:26,800
I want to hear your thoughts on
the actors in this movie.
359
00:20:27,200 --> 00:20:29,900
Where do you want to start Bob?
Well, we're going to have to
360
00:20:29,900 --> 00:20:35,400
Wade through the Minefield that
Is cancellation corner here and
361
00:20:36,000 --> 00:20:38,800
let's just talk about the two
problematic people now.
362
00:20:38,800 --> 00:20:42,100
And again, we we've talked about
Kevin Spacey on this show before
363
00:20:42,600 --> 00:20:45,200
we've actually kind of steered
away from doing more Kevin
364
00:20:45,200 --> 00:20:48,800
Spacey films on the podcast
because as more details of his
365
00:20:48,800 --> 00:20:54,300
story have emerged, it's just
it's really hard to talk about.
366
00:20:54,300 --> 00:20:57,000
Oh, he's so good in this movie
knowing what's going on off
367
00:20:57,000 --> 00:20:59,600
camera?
And you know, for the purposes
368
00:20:59,600 --> 00:21:01,300
of this show, we are going to
stay.
369
00:21:02,100 --> 00:21:05,900
Trained to the to what we saw in
the movie and the performances
370
00:21:05,900 --> 00:21:08,600
of the actors.
But you know, we do acknowledge
371
00:21:08,600 --> 00:21:11,700
what's what's going on with both
of these two very problematic
372
00:21:11,700 --> 00:21:13,700
actors.
Weird that we don't condone
373
00:21:13,700 --> 00:21:16,100
anything that they may or may
not have been doing off camera
374
00:21:16,100 --> 00:21:19,500
and it sucks that we have to
make that disclaimer but its
375
00:21:19,500 --> 00:21:20,800
necessary.
I think Brad.
376
00:21:21,500 --> 00:21:26,000
Yeah I mean in the end every
single actor is a human being
377
00:21:26,100 --> 00:21:28,100
and some of them really suck as
human beings.
378
00:21:28,500 --> 00:21:32,100
And we can, we can observe the
fact that like yeah, They're
379
00:21:32,100 --> 00:21:37,100
great actor but a terrible human
being and I think it's okay to
380
00:21:37,100 --> 00:21:42,000
hold those two things intention
and recognize that like the very
381
00:21:42,000 --> 00:21:45,500
rare times we do a Kevin Spacey
movie we're probably going to
382
00:21:45,500 --> 00:21:49,400
give this disclaimer every time
to say hey like we're not down
383
00:21:49,400 --> 00:21:52,200
with what he does.
We're not down with the the type
384
00:21:52,200 --> 00:21:56,000
of person he has chosen to be
but uh, sure.
385
00:21:56,000 --> 00:21:57,700
Yeah, he did a great job in this
movie.
386
00:21:58,000 --> 00:22:01,900
I will say though, I thought he
was like just finding this like,
387
00:22:02,100 --> 00:22:04,900
Is just kind of being a chill.
Kevin Spacey roll.
388
00:22:05,000 --> 00:22:07,000
Yeah if we're going to start
with Spacey we might as well
389
00:22:07,000 --> 00:22:10,000
just kind of knock that out.
Now I'm with you I think that
390
00:22:10,000 --> 00:22:12,600
his character is purposely a
little bit.
391
00:22:12,600 --> 00:22:16,500
Schlubby like, they don't dress
him in really nicely fitting
392
00:22:16,500 --> 00:22:20,500
clothes and he looks a little
overweight and his hair is not
393
00:22:20,500 --> 00:22:23,600
perfectly.
You know, quaffed and it's like
394
00:22:23,600 --> 00:22:25,600
it's really interesting because
he's supposed to be this guy.
395
00:22:25,600 --> 00:22:29,300
That's like a major kind of
underground crime Lord.
396
00:22:29,300 --> 00:22:31,800
And you imagine he has like vast
sums of wealth.
397
00:22:32,200 --> 00:22:34,900
But you know, he's wearing
loose-fitting clothing and I
398
00:22:34,900 --> 00:22:38,200
actually really love that
decision by the director and
399
00:22:38,400 --> 00:22:41,500
Spacey acts it really.
Well, he's not going over the
400
00:22:41,500 --> 00:22:43,600
top.
He has some like clever little
401
00:22:43,600 --> 00:22:47,700
turns of phrase that are maybe
not the most well-written lines
402
00:22:47,700 --> 00:22:50,500
I've ever heard and don't
necessarily go with the
403
00:22:50,508 --> 00:22:54,300
character that much.
But I love that he's kind of the
404
00:22:54,300 --> 00:22:57,700
low-energy guy in the room,
because there are so many
405
00:22:57,800 --> 00:23:02,900
Personalities in that room at
all times that I Adding another
406
00:23:02,900 --> 00:23:05,300
one.
Another Corgi character to this
407
00:23:05,300 --> 00:23:08,900
Bunch would probably be one too
many so it's nice that they used
408
00:23:08,900 --> 00:23:11,100
that character to kind of keep
things grounded.
409
00:23:11,600 --> 00:23:14,900
Yeah, it's funny that you say,
low energy because on first
410
00:23:14,900 --> 00:23:19,400
glance, it feels like baby is
kind of the low energy person in
411
00:23:19,400 --> 00:23:24,400
the room but when you really
watch him, even though he barely
412
00:23:24,400 --> 00:23:28,300
says a word when he's in the
planning stages of the heists,
413
00:23:28,900 --> 00:23:32,300
he has this nervous energy, his
knee is always Moving.
414
00:23:32,300 --> 00:23:35,300
He's always like kind of bobbing
his head to whatever music he's
415
00:23:35,300 --> 00:23:38,600
listening to and he really does
bring this nervous energy to the
416
00:23:38,600 --> 00:23:40,700
room that I don't know.
I don't know if I would have
417
00:23:41,000 --> 00:23:43,000
that would have clicked for me
until you said it Bob that.
418
00:23:43,000 --> 00:23:46,800
Yeah, like Spacey is the low
energy person in the room
419
00:23:47,300 --> 00:23:49,400
there's a great shot.
One of my favorite shots in the
420
00:23:49,400 --> 00:23:51,500
whole movie, right, at the
beginning of the film, when
421
00:23:51,500 --> 00:23:55,200
you're first introduced to the
crew that pulls off the first
422
00:23:55,200 --> 00:23:59,000
Heist, and they go back to the
Rendezvous and Spacey is Doling
423
00:23:59,000 --> 00:24:04,000
out the money and you get an
idea of who Jon Hamm and ASA.
424
00:24:04,000 --> 00:24:07,300
Gonzales are and that they're
you know, they're making out in
425
00:24:07,300 --> 00:24:09,500
the corner.
You've got Jon Bernthal in there
426
00:24:09,500 --> 00:24:12,900
for like a hot second and he's
like the crazy hyper one that
427
00:24:12,900 --> 00:24:16,200
Jamie Foxx takes his place in
terms of being is like spiritual
428
00:24:16,200 --> 00:24:20,400
cousin in that movie and then
you've got a baby who's just
429
00:24:20,500 --> 00:24:23,600
essentially a mute and they're
all writing down the elevator
430
00:24:23,600 --> 00:24:27,000
together.
The shot is like from the point
431
00:24:27,000 --> 00:24:30,100
of view of the the inside
elevator doors, it so you've got
432
00:24:30,100 --> 00:24:33,900
Spacey right in the middle.
I got all the guys you know in
433
00:24:33,900 --> 00:24:38,800
the crew behind him and Spacey
just looks like a beaten down
434
00:24:38,800 --> 00:24:41,900
dad and he it halfway through
the ride on the elevator.
435
00:24:41,900 --> 00:24:46,000
He just breathes in this heavy
sigh and you're just like, oh
436
00:24:46,000 --> 00:24:48,400
yeah, man.
I get exactly what you're going
437
00:24:48,400 --> 00:24:51,100
for here.
He easily has like five
438
00:24:51,100 --> 00:24:53,500
children.
He's going exactly.
439
00:24:54,200 --> 00:24:56,200
That are all under the age of
six somehow.
440
00:24:56,200 --> 00:24:58,400
Well, and that's the vibe that
they're going for here is that
441
00:24:58,400 --> 00:25:01,900
he's basically babysitting all
these ridiculous.
442
00:25:02,000 --> 00:25:04,600
At ease and trying to get them
to pull something off without
443
00:25:04,600 --> 00:25:07,400
everyone, dying all the time.
And I think the unique thing
444
00:25:07,400 --> 00:25:11,500
about his character is that, by
the end of the film you realize,
445
00:25:11,500 --> 00:25:16,700
like, he puts on this hard
persona, but he in the tiniest
446
00:25:16,700 --> 00:25:21,300
way possible does kind of care
about baby and I like that they
447
00:25:21,300 --> 00:25:26,400
don't make it this like massive
gesture of him like really going
448
00:25:26,400 --> 00:25:29,200
over the top for him.
It's just kind of this casual
449
00:25:29,200 --> 00:25:31,800
like yep, I was in love once.
Yeah.
450
00:25:32,000 --> 00:25:33,900
Then boom.
Like there's no getting out of
451
00:25:33,908 --> 00:25:35,900
the situation.
So I might as well tell them to
452
00:25:35,900 --> 00:25:39,600
run, right?
Like it's just a perfect way to
453
00:25:39,600 --> 00:25:43,200
play his character Brad since
we're talking about the fact
454
00:25:43,200 --> 00:25:45,900
that Kevin Spacey is persona,
non grata.
455
00:25:45,900 --> 00:25:48,500
If you had to replace him with
someone in this movie.
456
00:25:49,500 --> 00:25:51,800
And because and I don't usually
ask this question about
457
00:25:51,800 --> 00:25:54,900
replacing actors, but given who
we're talking about, I thought
458
00:25:54,900 --> 00:25:58,400
it was fair game and also
because he is kind of the low
459
00:25:58,400 --> 00:26:01,800
energy one in the bunch.
I don't think Spacey gives a bad
460
00:26:01,800 --> 00:26:03,900
performance at all.
In fact, I think it's quietly.
461
00:26:03,900 --> 00:26:06,100
One of the best performances in
the movie because it's hard to
462
00:26:06,100 --> 00:26:10,100
pull that off.
But I also think that you could
463
00:26:10,100 --> 00:26:13,400
probably slot a couple different
actors in here and it would work
464
00:26:13,400 --> 00:26:15,800
just as well.
I don't know if he would be
465
00:26:15,800 --> 00:26:18,500
good, the role would change a
lot.
466
00:26:19,300 --> 00:26:23,800
If he was able to play low
energy, I would love to see Jack
467
00:26:23,800 --> 00:26:26,700
Nicholson in that role.
So interesting.
468
00:26:27,700 --> 00:26:30,900
See, I feel like Jack has too
much of a, too much of a
469
00:26:30,908 --> 00:26:32,300
Persona.
You know what I mean?
470
00:26:32,300 --> 00:26:35,300
Like, even when he's being low
energy, he's still Jack.
471
00:26:36,000 --> 00:26:38,200
Yep.
I was thinking for a while,
472
00:26:38,200 --> 00:26:41,100
maybe Tom Hanks, but even that's
like, there's too much of a
473
00:26:41,100 --> 00:26:44,300
movie star Persona that gets
carried into the movie.
474
00:26:44,800 --> 00:26:49,900
Mmm, you know, who this man is
Danny DeVito, maybe Danny
475
00:26:49,900 --> 00:26:55,800
DeVito, you know who?
I honestly think would be really
476
00:26:55,800 --> 00:26:58,700
good though.
Mm, it's almost like this part
477
00:26:58,700 --> 00:27:00,800
was written with this actor in
mind, then they just chose
478
00:27:00,800 --> 00:27:04,700
Spacey instead.
But like Tommy Lee Jones I think
479
00:27:04,800 --> 00:27:07,400
you know when you think about
his character in The Fugitive or
480
00:27:07,400 --> 00:27:11,600
in No Country for Old Men, it's
like that's this character and
481
00:27:11,600 --> 00:27:15,400
he has that kind of Rye sardonic
quality to him to.
482
00:27:15,400 --> 00:27:17,400
I think this would be a really
good Tommy, Lee Jones
483
00:27:17,400 --> 00:27:20,300
performance.
Yeah, I think that's a winner
484
00:27:20,300 --> 00:27:21,600
man.
Good call.
485
00:27:21,600 --> 00:27:24,900
And he also isn't as far as we
know an evil human being.
486
00:27:24,900 --> 00:27:27,100
I came up.
It's a double weight win-win.
487
00:27:28,200 --> 00:27:30,800
Okay.
How about Ansel Elgort the star
488
00:27:30,800 --> 00:27:34,600
of this movie?
I, I really liked Ansel Elgort
489
00:27:34,600 --> 00:27:37,100
as an up-and-coming actor, and
it's a bummer to hear the
490
00:27:37,100 --> 00:27:39,100
allegations that have come out
against him.
491
00:27:39,100 --> 00:27:43,600
And, you know, last year he was
in West Side Story and was not a
492
00:27:43,600 --> 00:27:46,400
fixture on the promotional
circuit for that movie at all.
493
00:27:46,600 --> 00:27:49,800
And actually, with caught quite
a lot of flack for that film as
494
00:27:49,800 --> 00:27:52,600
being like, the worst part of,
it actually really liked what he
495
00:27:52,600 --> 00:27:56,000
did in that movie, but he's
doing something kind of similar
496
00:27:56,000 --> 00:27:59,900
here where he is.
Responsible for playing a
497
00:27:59,900 --> 00:28:01,800
character.
Like you said, that seems really
498
00:28:01,800 --> 00:28:06,400
low energy on the surface and
having to find ways to infuse
499
00:28:06,900 --> 00:28:10,600
energy under the surface.
And I really do think he does a
500
00:28:10,600 --> 00:28:12,500
great job in this movie.
Yeah.
501
00:28:12,500 --> 00:28:17,900
I think that the character of
Joe the, the older deaf man that
502
00:28:17,900 --> 00:28:23,700
he cares for is the most
important part of grounding him
503
00:28:24,100 --> 00:28:28,600
that when he rushes back into
the apartment to find, Joe, you
504
00:28:28,600 --> 00:28:34,800
can feel the panic in his soul
like the the desperation that he
505
00:28:34,800 --> 00:28:39,700
has in that moment is
communicated so beautifully by
506
00:28:39,700 --> 00:28:43,500
what Elgort does in that moment
and so I think it's moments like
507
00:28:43,500 --> 00:28:47,300
that that he really shines and
it gives layers to his
508
00:28:47,300 --> 00:28:49,200
performance throughout the rest
of the film.
509
00:28:49,300 --> 00:28:53,500
I also think that he does a
phenomenal job of being like, an
510
00:28:53,500 --> 00:28:59,100
older teenage guy who's just
really acted to a girl and does
511
00:28:59,100 --> 00:29:03,800
not know how to like flirt with
her or talk to her.
512
00:29:04,000 --> 00:29:07,700
He's just totally tongue-tied
and it's adorable.
513
00:29:07,700 --> 00:29:11,600
And like I just thought that
the, the chemistry between him
514
00:29:11,600 --> 00:29:14,800
and Lily James, which, you know,
they don't have a ton of time on
515
00:29:14,800 --> 00:29:19,000
screen together was just really,
it was just really beautiful and
516
00:29:19,000 --> 00:29:21,400
I really liked it.
Yeah, they're super Charming.
517
00:29:21,400 --> 00:29:23,800
They do have.
Great chemistry before we go to
518
00:29:23,800 --> 00:29:25,000
break.
I want to keep talking just a
519
00:29:25,008 --> 00:29:27,400
little bit about Ansel Elgort
and then we can get to the rest
520
00:29:27,400 --> 00:29:29,300
of Cast in the second half of
the episode.
521
00:29:29,300 --> 00:29:34,500
But recently, I watched the
original Top Gun before I went
522
00:29:34,500 --> 00:29:37,800
and saw top gun Maverick and I
had never seen it before Brad,
523
00:29:38,100 --> 00:29:40,400
man.
Yeah, and I love a really, it
524
00:29:40,400 --> 00:29:44,100
was a really great movie.
Tom Cruise was 24 years old when
525
00:29:44,100 --> 00:29:48,200
he starred in that me, man.
And then a year later, he goes,
526
00:29:48,200 --> 00:29:50,500
and he makes a movie with Martin
Scorsese called The Color of
527
00:29:50,500 --> 00:29:54,500
Money, which is a sequel to the
1961 movie, The Hustler with
528
00:29:54,500 --> 00:29:57,400
Paul Newman and I've heard of
that movie.
529
00:29:57,500 --> 00:30:00,600
She great movie and in watching,
both of those movies, back to
530
00:30:00,600 --> 00:30:03,800
back.
They're both really great
531
00:30:03,800 --> 00:30:08,300
Hallmarks of early Cruise where
he is like his charm and his
532
00:30:08,300 --> 00:30:11,000
Cockiness are what he's like
banking on.
533
00:30:11,400 --> 00:30:14,000
But even then the cool thing
about watching.
534
00:30:14,000 --> 00:30:17,600
Those movies, back to back in
like a two-day span was finding
535
00:30:17,600 --> 00:30:22,500
the little subtle ways that the
character in The Color of Money
536
00:30:22,500 --> 00:30:26,500
is played versus, you know,
Maverick in Top Gun because
537
00:30:26,500 --> 00:30:29,400
they're both cocky.
They're both Trina overly
538
00:30:29,400 --> 00:30:33,700
Charming guys but one of them
has a much more like dark heart
539
00:30:33,700 --> 00:30:38,000
behind it and cruise does such a
good job of finding really
540
00:30:38,000 --> 00:30:42,600
subtle ways to portray that.
And similarly, like, Ansel
541
00:30:42,600 --> 00:30:46,800
Elgort in this movie is really,
really similar to the Ansel
542
00:30:46,800 --> 00:30:48,600
Elgort.
You see in West Side Story,
543
00:30:48,600 --> 00:30:53,700
playing Tony he's quiet he may
not be the brightest guy, you
544
00:30:53,700 --> 00:30:54,900
know?
And again this movie has
545
00:30:54,900 --> 00:30:57,400
similarities, we're like he's
singing and dancing all over the
546
00:30:57,500 --> 00:31:01,300
It's too, right.
But I think it's so cool to see
547
00:31:01,300 --> 00:31:04,600
an actor play.
What seems like they
548
00:31:04,600 --> 00:31:09,900
pigeon-holed roll and find
really, really subtle ways of,
549
00:31:09,900 --> 00:31:12,800
you know, Shades of Grey, I
guess, or different shades to
550
00:31:12,800 --> 00:31:14,700
those performances.
Yeah, man.
551
00:31:14,700 --> 00:31:18,400
I think that I will say not
having seen the the new West
552
00:31:18,400 --> 00:31:21,200
Side Story.
I think that he has a lot of
553
00:31:21,200 --> 00:31:27,300
nuance in his performance and
the way he talks to Jamie Foxx,
554
00:31:27,600 --> 00:31:31,300
It really brings it out.
I think that Jamie being the
555
00:31:31,300 --> 00:31:36,200
spectacular actor that he is,
was like a perfect.
556
00:31:36,400 --> 00:31:38,800
I don't, it's like a Paul Newman
and Tom Cruise.
557
00:31:38,800 --> 00:31:43,200
Like the older actor who has won
an Oscar showing the younger
558
00:31:43,200 --> 00:31:46,500
guy, the ropes.
And I, the scenes were Jamie,
559
00:31:46,500 --> 00:31:51,000
and Ansel are together are just
electric, and when he grabs,
560
00:31:51,000 --> 00:31:55,100
Jamie Foxx's gun and holds him
back from going up, you know,
561
00:31:55,100 --> 00:31:58,900
essentially to intimidate.
Lily James has character.
562
00:32:00,200 --> 00:32:05,000
There's just so much tension in
that moment and an cell has just
563
00:32:05,000 --> 00:32:08,300
this determined look in his eyes
of like, there are very few
564
00:32:08,300 --> 00:32:10,200
things.
I will fight for, but this is
565
00:32:10,200 --> 00:32:12,000
one of them.
All right, man.
566
00:32:12,100 --> 00:32:14,700
So we've talked about the two
problematic actors in the movie,
567
00:32:14,700 --> 00:32:17,200
both of whom give really good
performances here.
568
00:32:17,500 --> 00:32:20,100
When we come back from our
break, we'll break down the rest
569
00:32:20,100 --> 00:32:22,900
of the cast and talk a little
bit more about director Edgar
570
00:32:22,900 --> 00:32:24,800
Wright.
But before we get there, Brad,
571
00:32:24,800 --> 00:32:26,900
it is time to drink some
whiskey.
572
00:32:27,200 --> 00:32:30,000
What We tried this paper and 10
man.
573
00:32:30,000 --> 00:32:34,800
I love whiskies from the spay so
I'm really excited for it.
574
00:32:34,800 --> 00:32:40,600
Bob some whiskey Nation.
Do you ever think about Awards
575
00:32:40,900 --> 00:32:43,500
course he do you drink whiskey
and watch movies which means
576
00:32:43,500 --> 00:32:46,200
that, you know, that nothing is
validated until a group of
577
00:32:46,200 --> 00:32:48,600
random people say hey we love
what you're doing.
578
00:32:49,100 --> 00:32:52,100
The awesome thing about doc
Swensons, whiskey is that it
579
00:32:52,100 --> 00:32:54,900
isn't just some group of schlubs
that are given them Awards.
580
00:32:55,000 --> 00:32:58,000
They have been winning attention
from some of the most important,
581
00:32:58,000 --> 00:33:01,200
whiskey experts, you can
imagine, they've been voted best
582
00:33:01,200 --> 00:33:04,500
distillery in Washington state
by the New York International
583
00:33:04,500 --> 00:33:07,200
Spirits competition.
They've been voted the best in
584
00:33:07,300 --> 00:33:10,300
Pennant bottler by the Ascot
Awards as well as the best
585
00:33:10,300 --> 00:33:13,100
finished bourbon from the Ascot
awards for their La Mente.
586
00:33:13,300 --> 00:33:17,100
Exploratory Cask their sport or
Cask series is where they
587
00:33:17,100 --> 00:33:19,700
release some of the most
fascinating and adventurous
588
00:33:19,700 --> 00:33:21,900
experiments.
If you're ever checking out,
589
00:33:21,900 --> 00:33:24,800
docks line up and see a white
label is a really good chance
590
00:33:24,800 --> 00:33:26,800
that that's the only time you'll
see that bottle.
591
00:33:26,800 --> 00:33:30,000
So, make sure you snatch it up.
Doc Simmons, has been offering
592
00:33:30,000 --> 00:33:33,700
just phenomenal finished and
Blended whiskies for quite some
593
00:33:33,700 --> 00:33:36,000
time.
Now, you can find them online at
594
00:33:36,000 --> 00:33:37,600
Doc's, whisky.com.
Cam.
595
00:33:37,700 --> 00:33:46,400
That's doccs whisky.com.
All right, everybody.
596
00:33:46,400 --> 00:33:49,700
Today, we are going to be
drinking Spade burnt.
597
00:33:49,700 --> 00:33:52,800
N a return to the speyside
region for us.
598
00:33:52,800 --> 00:33:55,100
Bob that I'm really excited
about.
599
00:33:55,600 --> 00:33:57,600
Yeah, me too, man.
I've been kind of hit or miss on
600
00:33:57,600 --> 00:34:00,800
Space side, single malts.
We liked some of the a burl
601
00:34:00,800 --> 00:34:04,200
hours and we've tried a couple
more since then, like the names
602
00:34:04,200 --> 00:34:06,900
are escaping me right now.
But the Alberta Lars were kind
603
00:34:06,900 --> 00:34:10,300
of up and down.
For me, I liked the higher like
604
00:34:10,300 --> 00:34:13,800
ABV ones and then the lower
ones, this one Drinking today,
605
00:34:13,800 --> 00:34:17,500
thus paper and 10 is a very
popular speyside, but it's only
606
00:34:17,500 --> 00:34:20,900
clocking in at 80 proof Brad.
So I'm already like, is this
607
00:34:20,900 --> 00:34:24,699
going to be a low point in space
side for me?
608
00:34:25,000 --> 00:34:29,800
Yeah, I mean, it might be Bob, I
will say, if you don't enjoy it,
609
00:34:29,900 --> 00:34:33,199
you'll be excited to find out
how much it would cost you to
610
00:34:33,199 --> 00:34:36,900
buy it in the state of Ohio, but
we'll get to that later right
611
00:34:36,900 --> 00:34:38,000
now.
We're just going to say that
612
00:34:38,000 --> 00:34:42,000
this is a 10 year, aged single
malt whisky from the spay
613
00:34:42,000 --> 00:34:46,600
region.
And it is aged in X American Oak
614
00:34:46,600 --> 00:34:49,900
bourbon casks, as well as X
Sherry, casks.
615
00:34:50,500 --> 00:34:54,400
All right, so we recently got
some feedback from a listener
616
00:34:54,400 --> 00:34:58,800
that their favorite way to enjoy
our whiskey reviews is When Brad
617
00:34:58,800 --> 00:35:02,100
comes in with notes and Bob
drinks it live and that's
618
00:35:02,100 --> 00:35:05,700
exactly what we're doing today.
I have like literally had no
619
00:35:05,700 --> 00:35:08,600
exposure to this whiskey.
Before this very moment, I'm
620
00:35:08,600 --> 00:35:12,000
opening it up now, I'm going to
pour it out in my glass Brad.
621
00:35:12,000 --> 00:35:15,900
I'm vamping a little So can you,
can you give me your nosing
622
00:35:15,900 --> 00:35:18,400
notes on this?
Yeah, man, I as I got into the
623
00:35:18,400 --> 00:35:21,300
nose here, I really liked it a
lot.
624
00:35:21,300 --> 00:35:25,900
There's some creamsicle kind of
like a creamy orange Vibe going
625
00:35:25,900 --> 00:35:29,400
on, you get a decent amount of
that malted barley.
626
00:35:29,700 --> 00:35:33,900
And then, at the back end, it
was almost like a sweet mint,
627
00:35:34,300 --> 00:35:38,600
like, you know, the which gum
brand is it is it orbit that has
628
00:35:38,600 --> 00:35:43,000
like the sweet mint gum?
It kind of reminds me.
629
00:35:43,100 --> 00:35:45,500
Me of that and I really like it
a lot.
630
00:35:45,500 --> 00:35:49,000
It's not incredibly complex, but
there's a lot of nice flavors
631
00:35:49,000 --> 00:35:51,200
going on.
I give it an 8 out of 10 Bob.
632
00:35:51,900 --> 00:35:54,500
Yeah, I like this a lot.
It reminds me a lot of English
633
00:35:54,500 --> 00:35:58,300
toffee on the nose, but when
like some sort of like, a honey
634
00:35:58,300 --> 00:36:01,300
under like undergirding all
that, it's much brighter than
635
00:36:01,300 --> 00:36:04,900
like a dark toffee note, but
that's definitely there.
636
00:36:05,300 --> 00:36:07,000
I'm really digging this on the
nose.
637
00:36:07,100 --> 00:36:08,800
I think I'm going to give it an
8 out of 10.
638
00:36:08,800 --> 00:36:12,000
It has some really nice light
fruity.
639
00:36:12,400 --> 00:36:16,900
Almost, I Whiskey type notes
with a little bit of that Scotch
640
00:36:16,900 --> 00:36:20,400
kind of funk.
And, and a little bit of smoke
641
00:36:20,400 --> 00:36:22,500
on this too.
And then that really great
642
00:36:22,500 --> 00:36:25,700
toffee Underneath It.
All Pretty complex Bradford and
643
00:36:25,700 --> 00:36:29,100
only in 80 proof whiskey.
So yeah, I'm an 8 out of 10 Bob,
644
00:36:29,100 --> 00:36:31,600
the longer we do this, the more
I really want to create like a
645
00:36:31,607 --> 00:36:35,600
soundboard.
We're so we're almost like a 90s
646
00:36:35,600 --> 00:36:39,500
radio station that anytime you
say fungi just want to hit a
647
00:36:39,500 --> 00:36:41,700
button and be like it's got the
funk.
648
00:36:42,400 --> 00:36:45,200
And just like just play like the
Seinfeld base under me for a.
649
00:36:45,200 --> 00:36:49,300
Yeah.
Oh man.
650
00:36:49,300 --> 00:36:50,800
Bob getting into the palette
here.
651
00:36:50,800 --> 00:36:55,300
It's really light and Airy.
There's some orange zest going
652
00:36:55,300 --> 00:36:58,100
on with a decent amount of
honey.
653
00:36:58,700 --> 00:37:01,800
And there's like, a few kind of
floral notes happening.
654
00:37:01,800 --> 00:37:05,900
The the mint kind of drops away
and turns into this floral Aroma
655
00:37:05,900 --> 00:37:10,000
on your, on your tongue.
It definitely drops off a little
656
00:37:10,000 --> 00:37:14,400
bit from the nose but still Is a
really enjoyable experience.
657
00:37:14,400 --> 00:37:16,500
I'll give it a 7 out of 10 on
the taste.
658
00:37:17,000 --> 00:37:19,500
Oh, I like this a lot.
It's okay.
659
00:37:19,500 --> 00:37:23,400
So I'll say this, it's a flawed
whiskey, but I like it a lot
660
00:37:23,800 --> 00:37:26,800
like it.
Um, I don't know how to explain
661
00:37:26,800 --> 00:37:29,800
it if I could like draw a map of
the different zones of my
662
00:37:29,800 --> 00:37:32,500
tongue.
Like if you could take your
663
00:37:32,500 --> 00:37:34,800
tongue and divide it into like
nine regions, right?
664
00:37:34,800 --> 00:37:36,600
Like three in the front through
the middle, through the back.
665
00:37:37,100 --> 00:37:38,800
This is like Hunger Game
districts.
666
00:37:38,800 --> 00:37:41,900
Yes, yes.
This only hit the middle.
667
00:37:42,100 --> 00:37:43,800
Of my tongue, the whole way
back.
668
00:37:43,800 --> 00:37:46,900
I don't know how to explain it.
Like I'm only tasting things on
669
00:37:46,900 --> 00:37:51,100
the middle of my tongue and it's
really really sweet.
670
00:37:51,200 --> 00:37:54,000
You get a little bit of alcohol
like in the mid palate and then
671
00:37:54,000 --> 00:37:56,500
it kind of disappears again and
gets almost watery towards the
672
00:37:56,508 --> 00:38:00,000
back end, but that's where you
get just a wisp of smokiness,
673
00:38:00,000 --> 00:38:03,200
and then it's like, black black,
black coffee.
674
00:38:03,600 --> 00:38:05,800
And it's really interesting
because on the front, it tastes
675
00:38:05,800 --> 00:38:07,800
almost like a flavored coffee
creamer.
676
00:38:08,200 --> 00:38:10,900
And then in the back you get
like almost espresso.
677
00:38:10,900 --> 00:38:13,200
It's really cool.
It's like Drinking a coffee.
678
00:38:13,700 --> 00:38:15,900
That is also infused with Scotch
whiskey.
679
00:38:16,000 --> 00:38:18,300
Like I'm super digging this
right now.
680
00:38:18,500 --> 00:38:20,300
I'm going to give this an eight
and a half on the flavor.
681
00:38:20,400 --> 00:38:23,400
Dude.
Let's go, man, for me, the
682
00:38:23,400 --> 00:38:28,100
finish it finished with a little
bit more power than the pallet
683
00:38:28,100 --> 00:38:33,600
had some Oak, and almost like a
cardamom kind of comes through a
684
00:38:33,600 --> 00:38:37,400
little bit of spice there, but
there's still that continuing
685
00:38:37,400 --> 00:38:41,000
honeyed sweetness that I got
throughout the entire
686
00:38:41,000 --> 00:38:44,700
experience.
I am a big fan of this.
687
00:38:44,700 --> 00:38:46,300
I'll give it an 8 out of 10 on
the Finish.
688
00:38:46,600 --> 00:38:50,700
Yeah, it's much more grassy on
the Finish than anywhere else.
689
00:38:50,700 --> 00:38:53,700
It's not like I wouldn't call it
like Pine or anything like that.
690
00:38:53,700 --> 00:38:57,400
It just kind of has like a nice
soft earthiness to it.
691
00:38:57,800 --> 00:39:01,200
That isn't overpowering.
Like this would be a really good
692
00:39:01,200 --> 00:39:03,200
entry point into the world of
scotch.
693
00:39:03,200 --> 00:39:06,200
I think it offers a lot of
flavors that are present on
694
00:39:06,200 --> 00:39:09,900
many, many scotches, but just in
a much more pleasant way.
695
00:39:10,700 --> 00:39:13,800
Man, I really like this bread.
I know it's 80 proof like and it
696
00:39:13,800 --> 00:39:17,100
doesn't stack up to some of the
more like high-proof you know
697
00:39:17,100 --> 00:39:21,300
well-aged ones we've ever had.
But for what it's trying to be
698
00:39:21,600 --> 00:39:24,100
this is a darn good whiskey.
I think I'm going to give it an
699
00:39:24,100 --> 00:39:27,400
eight and a half on the Finish.
Yeah and then we jump into
700
00:39:27,400 --> 00:39:30,500
balance and value as far as
balance goes.
701
00:39:30,800 --> 00:39:35,200
I think that it's a little more
impressive on the front end than
702
00:39:35,200 --> 00:39:38,300
the rest of the experience.
But overall for what you're
703
00:39:38,300 --> 00:39:42,100
getting at a You know, 80 proof,
whiskey.
704
00:39:42,400 --> 00:39:44,900
I think it's a really nice
balance, I'll give it a 7 out of
705
00:39:44,900 --> 00:39:49,900
10 when I look at the space
side, scotches that we've had so
706
00:39:49,900 --> 00:39:51,400
far.
So we've had a burl hours.
707
00:39:51,400 --> 00:39:54,700
We've had at least one McAllen
we've had, at least, I think we
708
00:39:54,700 --> 00:39:57,800
have for Glenn live.
It's so this is at least the
709
00:39:57,800 --> 00:40:00,400
fourth Distillery, we've tried
in the speyside region.
710
00:40:00,900 --> 00:40:04,500
I would really like to have more
from this Distillery and see if
711
00:40:04,500 --> 00:40:07,500
this flavor profile carries
forward, I think this is a
712
00:40:07,500 --> 00:40:09,900
spectacularly.
Well, balanced whiskey.
713
00:40:10,300 --> 00:40:13,500
It's definitely watered down and
I think if you're used to
714
00:40:13,500 --> 00:40:16,100
drinking something with a little
more complexity or a little more
715
00:40:16,100 --> 00:40:20,500
of a punch, this might be a
disappointment in that way, but
716
00:40:20,500 --> 00:40:24,100
when it, when it just comes to
the balance of things, they
717
00:40:24,100 --> 00:40:26,200
handle this really, really,
well, I'll give it an 8 out of
718
00:40:26,200 --> 00:40:28,500
10.
And when we get into value Bob,
719
00:40:28,500 --> 00:40:30,700
your socks are going to be blown
off, man.
720
00:40:30,700 --> 00:40:38,000
Because this incredible whiskey
can be purchased for $27 in the
721
00:40:38,000 --> 00:40:40,100
state of Ohio.
I like this a lot, man.
722
00:40:40,300 --> 00:40:45,000
An especially at 27 bucks.
So the last kind of cheap scotch
723
00:40:45,000 --> 00:40:47,900
that we did, if I can call it,
that was Cutty Sark which was
724
00:40:47,900 --> 00:40:50,900
like 15 bucks, this is
definitely better than Cutty
725
00:40:50,900 --> 00:40:55,200
Sark and I feel like sometimes
we, we hype up Cheap whiskey, so
726
00:40:55,200 --> 00:40:57,300
much that people will like go
out and buy them and then
727
00:40:57,300 --> 00:40:59,900
they'll be like, I'm trying.
I'm trying it and it's like well
728
00:40:59,900 --> 00:41:03,500
dude, okay like please try it
but also remember it's a fifteen
729
00:41:03,500 --> 00:41:04,800
dollar Scotch, you know what I
mean?
730
00:41:04,800 --> 00:41:08,000
Like it's not gonna be the best
scotch you've ever had and I'll
731
00:41:08,000 --> 00:41:10,100
say that about this.
This is not going to be the best
732
00:41:10,100 --> 00:41:12,000
guy.
You've ever had, it's $27.
733
00:41:12,000 --> 00:41:16,900
It is $27 for a reason, but it's
a darn good $27.
734
00:41:17,000 --> 00:41:19,200
Mmm.
Know what you're getting into
735
00:41:19,200 --> 00:41:21,300
for sure.
You're not going to be finding a
736
00:41:21,300 --> 00:41:25,700
gem, like a Hidden Gem, that all
the distilleries and people in
737
00:41:25,700 --> 00:41:29,700
the world just forgot about and
somehow it got all the way mark
738
00:41:29,700 --> 00:41:32,300
down to twenty seven dollars and
it should be two thousand
739
00:41:32,300 --> 00:41:35,300
dollars.
No, it's a $27 Scotch.
740
00:41:35,300 --> 00:41:38,600
But again at that price point
I'm given this an eight and a
741
00:41:38,607 --> 00:41:41,200
half out of ten on value.
Yeah, I'm at nine out of ten
742
00:41:41,200 --> 00:41:45,000
Bob, I think that this is an
incredible value in the world of
743
00:41:45,000 --> 00:41:49,700
single-malt scotches and it
brings me to a total of 39 out
744
00:41:49,700 --> 00:41:53,200
of 50.
I'm going to 41 and a half out
745
00:41:53,200 --> 00:41:56,700
of 50 Brad.
So that brings us to an 80.5 or
746
00:41:56,700 --> 00:42:03,100
a 40-point 25 out of 50.
Hey, this is in rarefied are
747
00:42:03,100 --> 00:42:05,100
getting over the 40, mark for
us.
748
00:42:05,500 --> 00:42:08,300
It's a no-brainer for me in
terms of recommending that you
749
00:42:08,300 --> 00:42:11,100
buy a bottle of it.
I probably I wouldn't recommend
750
00:42:11,100 --> 00:42:13,400
trying it at the bar just
because you're probably going to
751
00:42:13,400 --> 00:42:15,500
spend.
I don't know seven eight dollars
752
00:42:15,500 --> 00:42:19,000
for a poor This and like it's
just by the bottle dude.
753
00:42:19,000 --> 00:42:23,300
Just plug down 27 bucks.
Yeah, this is a really nice
754
00:42:23,300 --> 00:42:26,000
affordable single malt that
would be.
755
00:42:26,400 --> 00:42:31,300
I would I would just go on a
limb and say this is probably
756
00:42:31,300 --> 00:42:34,900
the best introduction to the
world of scotch that you can
757
00:42:34,900 --> 00:42:37,600
get.
I'm I won't go that far because
758
00:42:37,600 --> 00:42:40,000
I'm pretty sure I've said that
exact thing about like five
759
00:42:40,000 --> 00:42:43,800
different When scotches on this
podcast live happened, Bob, so
760
00:42:43,800 --> 00:42:48,500
I'm gonna say it now.
I really like this as a pairing
761
00:42:48,500 --> 00:42:51,900
with baby driver to like I mean,
it's an import from Europe,
762
00:42:51,900 --> 00:42:54,800
like, Edgar Wright's, but it's
got, its got the heart of the
763
00:42:54,800 --> 00:42:56,300
Working, Man.
You know what I mean?
764
00:42:56,300 --> 00:43:00,700
Like, it's a great.
Great, great $27 Scotch.
765
00:43:00,800 --> 00:43:04,700
I am super pumped to talk about
the crowd-pleasing whiskey and
766
00:43:04,700 --> 00:43:07,800
the crowd-pleasing movie that
we've got on hand this week.
767
00:43:08,000 --> 00:43:09,600
So what do you say?
We get back into talking about
768
00:43:09,600 --> 00:43:11,600
baby.
Let's get to it.
769
00:43:12,700 --> 00:43:15,900
Today's sponsor is a little bit
of a departure from our usual
770
00:43:15,900 --> 00:43:19,300
area of expertise.
And man, oh, man, I was blown
771
00:43:19,300 --> 00:43:21,900
away by their product.
Once we received it, I am
772
00:43:21,900 --> 00:43:25,500
talking about manscaped.
Now, if you're like me at all,
773
00:43:25,500 --> 00:43:28,000
you probably seen the manscaped
ads and kind of Wonder to
774
00:43:28,000 --> 00:43:30,800
yourself like, do I really need
like some sort of specialty
775
00:43:30,800 --> 00:43:33,300
trimmer to take care of my
downstairs business.
776
00:43:33,800 --> 00:43:38,400
And I've just got to be honest.
I was absolutely wrong there
777
00:43:38,400 --> 00:43:41,900
trimmers called the lawnmower
for punto and I gotta say, it is
778
00:43:41,900 --> 00:43:45,200
the Rolls-Royce of trimmers.
It's got a ceramic blade.
779
00:43:45,200 --> 00:43:48,800
That reduces grooming mishaps, a
wireless charging base and an
780
00:43:48,800 --> 00:43:50,900
awesome flashlight.
That keeps things illuminated
781
00:43:50,900 --> 00:43:53,700
while you're working and beyond
all that it's waterproof.
782
00:43:53,900 --> 00:43:56,700
This thing is really changing
the game when it comes to below
783
00:43:56,700 --> 00:43:59,300
the belt hygiene.
Now this is just me talking
784
00:43:59,300 --> 00:44:02,700
about my experience but this
trimmer really is Way Beyond
785
00:44:02,700 --> 00:44:05,300
anything I've ever used to keep
things neat.
786
00:44:05,300 --> 00:44:09,100
And tidy, you can use our
discount code film whiskey to
787
00:44:09,100 --> 00:44:12,000
get 20% off your Order and free
shipping head on over to
788
00:44:12,000 --> 00:44:15,800
manscape.com and use code film.
Whiskey, to get 20% off free
789
00:44:15,800 --> 00:44:19,700
shipping, and you will be well
on your way to hygiene heaven.
790
00:44:24,400 --> 00:44:26,200
All right, everybody that was
space.
791
00:44:26,200 --> 00:44:30,300
A burnt n.
A phenomenal whiskey to be
792
00:44:30,300 --> 00:44:33,100
paired with a phenomenal movie
Bob absolutely man.
793
00:44:33,500 --> 00:44:35,200
Hey Brad, I don't know.
Did we mention this?
794
00:44:35,200 --> 00:44:43,300
It's $27, it's 27 bucks.
Like that's just going by a
795
00:44:43,300 --> 00:44:48,600
blah, leave this and rent baby
driver on like Amazon for less
796
00:44:48,600 --> 00:44:50,800
than $30.
Yeah, what a night.
797
00:44:51,100 --> 00:44:52,700
Yeah.
A heck of a night, man,
798
00:44:52,700 --> 00:44:56,400
especially if you drink the
entire bottle, please don't do
799
00:44:56,400 --> 00:44:58,100
that.
Yeah, please don't even if
800
00:44:58,100 --> 00:45:01,000
please, don't you in a friend.
That's a lot of whiskey.
801
00:45:02,000 --> 00:45:05,000
All right.
Brad, it's time for me to go to
802
00:45:05,000 --> 00:45:07,800
my weekly, Slaughter to fax in a
falsehood.
803
00:45:07,900 --> 00:45:12,800
I am doing horrific lie, bad.
What am I am now, this is
804
00:45:12,800 --> 00:45:19,200
episode 10, and I hit last week.
I think you might be at four.
805
00:45:20,400 --> 00:45:23,400
I think I'm at four and five
because we reversed the call on
806
00:45:23,400 --> 00:45:26,300
the one week.
So I have the opportunity to
807
00:45:26,300 --> 00:45:30,300
pull myself up to 500 this week.
Yeah, you're coming back, man.
808
00:45:30,300 --> 00:45:32,600
You're doing great.
All right, I'm proud of you.
809
00:45:32,600 --> 00:45:35,800
It's a battle.
So this segment is called two
810
00:45:35,800 --> 00:45:39,100
facts and a falsehood Brad is
going to throw out three
811
00:45:39,100 --> 00:45:42,600
supposed facts at me, one of
which he has completely made up,
812
00:45:43,000 --> 00:45:46,300
and it's my job to figure out
which one of these is bogus.
813
00:45:47,300 --> 00:45:49,100
All right.
Fax number one.
814
00:45:49,600 --> 00:45:53,000
Easy by The Commodores.
Have you ever heard it Bob?
815
00:45:53,800 --> 00:45:56,500
I sure have.
Okay, just making sure it was
816
00:45:56,500 --> 00:46:00,300
included in the film solely
because director Edgar Wright
817
00:46:00,300 --> 00:46:02,800
asked Ansel Elgort in the
casting process.
818
00:46:02,800 --> 00:46:07,600
If there are any songs, he like
just absolutely Knew by heart
819
00:46:07,600 --> 00:46:10,500
and this was the song that he
brought up and tried to your
820
00:46:10,500 --> 00:46:12,700
loved it and said it's going in
the movie.
821
00:46:14,100 --> 00:46:16,600
Fax number two, Edgar Wright
refused.
822
00:46:16,700 --> 00:46:19,700
To hire any English actors for
the movie.
823
00:46:20,200 --> 00:46:23,600
Mostly due to his due to a
desire that he didn't want to be
824
00:46:23,600 --> 00:46:27,100
known as like an English
director, who always hires some
825
00:46:27,100 --> 00:46:31,300
English actors.
Okay, fact, number 3, Barbra
826
00:46:31,300 --> 00:46:34,700
Streisand.
She actually experienced
827
00:46:34,700 --> 00:46:39,400
tinnitus herself and it was the
basis for a scene in the movie
828
00:46:39,400 --> 00:46:44,000
when Jamie Foxx's character had
to say, do I look like, I know
829
00:46:44,200 --> 00:46:49,500
and effing thing about Barbara
effing, And the crazy thing is
830
00:46:49,500 --> 00:46:54,000
that Streisand is actually close
friends with Jamie Foxx in real
831
00:46:54,000 --> 00:46:56,500
life.
Edgar Wright was worried about
832
00:46:56,500 --> 00:47:01,000
it about how she would react to
this, not knowing that fox was
833
00:47:01,000 --> 00:47:05,800
close friends with her and fox
responded by saying, don't worry
834
00:47:06,000 --> 00:47:11,200
Barbara's Gangsta.
Oh man.
835
00:47:11,200 --> 00:47:13,800
That woman was so long that I
have to believe that it's true,
836
00:47:15,200 --> 00:47:17,700
or maybe I'm writing an or
McDonald joke for you.
837
00:47:17,700 --> 00:47:20,600
That's true.
All I can think about through
838
00:47:20,600 --> 00:47:22,500
most of that, was that scene in
licorice pizza?
839
00:47:22,500 --> 00:47:25,600
Where Brad Bradley Cooper
talking?
840
00:47:25,600 --> 00:47:28,000
We were talking with the kid
about how it's pronounced rice
841
00:47:28,000 --> 00:47:32,600
and, and that's tries and yep,
that's really funny.
842
00:47:33,000 --> 00:47:36,100
Oh man, Bradley Cooper
responsible for my favorite
843
00:47:36,100 --> 00:47:39,000
movie line of last year and it's
in licorice pizza.
844
00:47:39,000 --> 00:47:43,200
When he like, Rose trash can
through a plate glass window and
845
00:47:43,200 --> 00:47:46,400
then immediately turns around
and there's two pretty girls and
846
00:47:46,400 --> 00:47:48,900
he follows them and says, hey,
do you girls like peanut?
847
00:47:48,900 --> 00:47:52,500
Butter sandwiches?
My favorite line, my favorite
848
00:47:52,500 --> 00:47:55,400
line in the movie.
Oh man.
849
00:47:55,400 --> 00:47:58,600
All right.
Number one remind me what?
850
00:47:58,600 --> 00:48:01,900
Number one was easy by The
Commodores.
851
00:48:01,900 --> 00:48:04,800
Oh yeah I was in the film
because Ansel Elgort knew it by
852
00:48:04,800 --> 00:48:08,600
heart and number two was the he
refused to hire any English
853
00:48:08,600 --> 00:48:10,400
actors.
I feel like to could be a A
854
00:48:10,408 --> 00:48:13,000
really good trap and that
there's like someone I'm not
855
00:48:13,000 --> 00:48:15,900
thinking of that's actually
British.
856
00:48:17,900 --> 00:48:19,700
I think Lily James is British,
is it?
857
00:48:19,700 --> 00:48:23,100
She was in that movie yesterday
I'm going to say to the
858
00:48:23,100 --> 00:48:26,100
falsehood and just Bank on the
fact that I think Lily James
859
00:48:26,100 --> 00:48:29,900
British, Bob, you are 100%
correct.
860
00:48:29,900 --> 00:48:35,400
Lily, James is British, yes.
Ah, look at you go, man, man.
861
00:48:35,400 --> 00:48:38,200
I'm back to 500.
You're absolutely killing it
862
00:48:38,200 --> 00:48:40,300
Robert.
So let's talk about Lily James.
863
00:48:40,300 --> 00:48:42,600
I think that's a great segue
into talking about her.
864
00:48:42,700 --> 00:48:46,300
Her character in this movie, is
kind of a nothing character.
865
00:48:46,700 --> 00:48:49,900
And yet, her character is
everything to the movie.
866
00:48:50,200 --> 00:48:53,400
Like she is the engine.
That makes, This movie go again,
867
00:48:53,400 --> 00:49:01,000
pardon the car pun, but she's
just there to be like a, I don't
868
00:49:01,000 --> 00:49:03,500
know what the word is as the
supportive girlfriend, like the
869
00:49:03,500 --> 00:49:06,200
overly supportive girlfriend,
the girlfriend that makes you
870
00:49:06,200 --> 00:49:08,100
wonder.
Like, why are you still going
871
00:49:08,100 --> 00:49:10,100
through with this?
This seems like a bad idea just
872
00:49:10,100 --> 00:49:15,000
walk away and yet she's so
charming and she has such great
873
00:49:15,000 --> 00:49:19,100
chemistry with Ansel, Elgort
that you buy every second of it.
874
00:49:19,100 --> 00:49:22,500
And it really is testimony to
how great of an Actress, Lily.
875
00:49:22,500 --> 00:49:26,200
James is, yeah, I think that one
of the few things about the
876
00:49:26,200 --> 00:49:32,100
movie for me was, like, I kept
teetering on the edge of like
877
00:49:32,300 --> 00:49:35,200
they do a really good job of
trying to make this movie as
878
00:49:35,200 --> 00:49:38,000
realistic as possible.
Even though we all kind of know
879
00:49:38,000 --> 00:49:42,100
that like hise on this level
don't really happen anymore, but
880
00:49:42,100 --> 00:49:45,500
like, you can suspend your
belief and with that, but the
881
00:49:45,500 --> 00:49:49,500
way she just Falls for him and
is like, yep, I'll wait five
882
00:49:49,500 --> 00:49:50,800
years for you to get out of
prison.
883
00:49:50,800 --> 00:49:54,100
Like, I'm in love with You like,
there's a little bit of
884
00:49:54,100 --> 00:49:57,900
suspension of belief there.
That requires a lot more faith,
885
00:49:58,900 --> 00:50:03,700
but Lily James, just sells it.
And I think that you're right in
886
00:50:03,700 --> 00:50:09,200
saying that she is kind of the
grounding of this film because
887
00:50:09,200 --> 00:50:14,900
without her in baby's life like
without her, as a character, you
888
00:50:14,900 --> 00:50:21,000
100% are going to see baby fall
into the life of crime.
889
00:50:21,300 --> 00:50:23,300
Like, at the The start of the
movie.
890
00:50:23,300 --> 00:50:27,200
I think one of my favorite parts
of the film is that at the start
891
00:50:27,200 --> 00:50:30,000
of the movie?
You see baby like who is
892
00:50:30,000 --> 00:50:33,900
unwilling and like flinching
about violence, like it's not
893
00:50:33,900 --> 00:50:37,400
even like people dying.
He just sees a woman being like
894
00:50:37,400 --> 00:50:40,200
shouted down to the ground with
a gun in her face and you can
895
00:50:40,200 --> 00:50:44,400
see it's bothering him and by
the end of the film, he has
896
00:50:44,400 --> 00:50:48,600
turned into Jamie Foxx and he
murders Jon Hamm and he's
897
00:50:48,600 --> 00:50:51,800
shooting people and he's just
the way.
898
00:50:52,000 --> 00:50:54,000
Sits in the car.
The look on his face.
899
00:50:54,000 --> 00:50:57,600
You're like, oh he has
transformed into the thing, he
900
00:50:57,600 --> 00:51:03,500
kept telling Joe and Lily, he
wouldn't turn into and yet he
901
00:51:03,500 --> 00:51:08,400
ends up turning himself in he
ends up writing his life because
902
00:51:08,400 --> 00:51:13,900
of Lily James and I just love
the way his character Arc goes
903
00:51:13,900 --> 00:51:18,700
into the depths and yet is
pulled back out by Deborah in
904
00:51:18,700 --> 00:51:21,300
the media.
All right, man, we have I think
905
00:51:21,300 --> 00:51:24,900
two more main actors to talk
about before we wrap this up
906
00:51:24,900 --> 00:51:28,200
today and that is Jamie Foxx and
Jon Hamm.
907
00:51:28,500 --> 00:51:30,300
Let's start with Jamie Foxx
because we've already been
908
00:51:30,300 --> 00:51:32,400
talking about him.
A bit Jimmie.
909
00:51:32,400 --> 00:51:34,900
Foxx has an interesting actor to
me because, you know, he wins an
910
00:51:34,900 --> 00:51:38,300
Oscar for the movie Ray way in
which he's fantastic.
911
00:51:38,900 --> 00:51:41,800
He's and you love the fact that
he won that Oscar.
912
00:51:41,800 --> 00:51:44,000
There's nobody else that you're
that should have won it right
913
00:51:44,000 --> 00:51:45,900
below.
Nobody, nobody that year.
914
00:51:48,400 --> 00:51:51,200
I really love him in Django
Unchained and I think that
915
00:51:51,200 --> 00:51:53,800
Tarantino really unlocked
something in Jamie Foxx that's
916
00:51:53,800 --> 00:51:57,700
always been always kind of Nod
at me a little bit and I think
917
00:51:57,700 --> 00:52:03,900
that it's when Jamie Foxx is
trying to be cool on screen.
918
00:52:04,500 --> 00:52:07,700
He comes across as a guy who's
trying to be cool on screen.
919
00:52:08,100 --> 00:52:11,100
Like there are certain line
readings that he does where it's
920
00:52:11,100 --> 00:52:14,900
like very obvious that he's like
trying to flex a little bit and
921
00:52:14,900 --> 00:52:17,100
I think that's when he's
actually at his worst as an
922
00:52:17,100 --> 00:52:20,200
actor.
Because the lines that he's not
923
00:52:20,200 --> 00:52:23,800
trying to like you know, put
extra oomph into, are the ones
924
00:52:23,800 --> 00:52:26,600
that work the best.
He's very, very threatening in
925
00:52:26,600 --> 00:52:29,300
this movie and he works as a
villain.
926
00:52:29,300 --> 00:52:33,900
So so well like 90% of the time
and I just think it's such a
927
00:52:33,908 --> 00:52:36,800
it's so funny to me because I
just saw this clip the other day
928
00:52:37,200 --> 00:52:40,500
where Jamie Foxx was talking
about his first day on set on
929
00:52:40,500 --> 00:52:44,400
Django and how he was trying to
read the lines like a cool guy
930
00:52:45,000 --> 00:52:47,700
and it's so funny like the way
he says it to he's like I walked
931
00:52:47,700 --> 00:52:49,900
in there.
I was like Tibet, Tibet Tibet
932
00:52:49,900 --> 00:52:53,300
Tibet, he's just like that.
Yeah, and he says, Tarantino
933
00:52:53,300 --> 00:52:56,100
called cut and like took him
into the trailer and just goes,
934
00:52:57,000 --> 00:53:00,800
what the fuck was that?
And like like lights into him
935
00:53:00,800 --> 00:53:03,100
and tells him.
Like this guy is a slave.
936
00:53:03,100 --> 00:53:05,500
This guy is uneducated.
He is not going to have that
937
00:53:05,500 --> 00:53:07,400
sense of swagger that you're
trying to bring to this.
938
00:53:07,400 --> 00:53:10,700
At least not yet.
And I think that's like the best
939
00:53:10,700 --> 00:53:13,000
advice you can give Jamie Foxx
as an actor.
940
00:53:13,100 --> 00:53:17,300
He has it in him to be an
all-time great and I think
941
00:53:17,300 --> 00:53:21,100
sometimes He's just like, I'm
going to turn my swag on and
942
00:53:21,100 --> 00:53:23,200
that's when he's at his worst as
an actor.
943
00:53:24,200 --> 00:53:27,800
But here's the thing though,
this entire movie is asking him
944
00:53:27,800 --> 00:53:31,600
to be the epitome of swagger and
like self-confidence.
945
00:53:31,600 --> 00:53:33,800
So like how do you feel about
him in this movie?
946
00:53:34,100 --> 00:53:36,200
Well that's what I'm saying.
I feel like there are times in
947
00:53:36,200 --> 00:53:41,700
the movie where he just embodies
being a threatening villain so
948
00:53:41,700 --> 00:53:43,900
well.
And then there's times where you
949
00:53:43,900 --> 00:53:47,000
can tell that he looked in the
mirror and said, all right be
950
00:53:47,000 --> 00:53:50,000
threatening And then also the
moments where he's the least
951
00:53:50,000 --> 00:53:52,900
threatening to me.
Hmm, that's interesting.
952
00:53:53,300 --> 00:53:58,100
At the very least, I think that
Jamie Foxx had like in the the
953
00:53:58,100 --> 00:54:03,500
Hall of unexpected movie deaths.
I think that his is hands down
954
00:54:03,500 --> 00:54:06,100
one of the greatest.
I like you sitting in that
955
00:54:06,100 --> 00:54:08,900
theater with you guys because I
think like all four of us
956
00:54:08,900 --> 00:54:13,000
collectively at the same time
we're just like, oh yeah I guess
957
00:54:13,000 --> 00:54:17,000
what, it really caught us
off-guard man.
958
00:54:17,100 --> 00:54:19,500
Yeah, I mean it.
It's up there for me with, like,
959
00:54:19,500 --> 00:54:21,900
The Departed, you know, Leo
getting shot.
960
00:54:21,900 --> 00:54:27,800
Like there's just certain deaths
in movies that are so they just
961
00:54:27,800 --> 00:54:32,600
take you by surprise and the way
he kills him is just Poetic
962
00:54:32,600 --> 00:54:36,300
Justice and absolutely stop.
I'm totally there for it, man.
963
00:54:36,900 --> 00:54:39,600
On the other side, you've got
Jon Hamm, who is an actor who
964
00:54:39,600 --> 00:54:43,400
has been lauded for the last
decade because of his portrayal
965
00:54:43,400 --> 00:54:46,500
of Don Draper in Mad Men.
I don't feel like he's never
966
00:54:46,500 --> 00:54:50,900
quite found.
Is footing in movies, 100% like
967
00:54:51,000 --> 00:54:54,600
he's really good in everything
he does but I've never walked
968
00:54:54,600 --> 00:54:56,800
away from a Jon Hamm movie
performance.
969
00:54:56,800 --> 00:55:00,400
Like wow, that should have been
up for an Oscar and I can't
970
00:55:00,400 --> 00:55:03,700
quite put my finger on it, but
it's almost the same thing with
971
00:55:03,700 --> 00:55:05,100
that.
I just said about Jamie Foxx but
972
00:55:05,100 --> 00:55:09,000
like almost magnified here where
I really loved Jon Hamm's
973
00:55:09,000 --> 00:55:11,900
performance in the first two
thirds of this movie and then
974
00:55:11,900 --> 00:55:15,400
when he supposed to just become
like this mindless killer
975
00:55:15,400 --> 00:55:17,400
seeking Vengeance at the end of
the movie.
976
00:55:17,700 --> 00:55:20,900
I Didn't buy any of that for a
second like it still worked
977
00:55:20,900 --> 00:55:23,900
because the movie was so, well
made and the plot mechanics were
978
00:55:23,900 --> 00:55:28,400
already in motion, but I don't
know if Jon Hamm is the guy that
979
00:55:28,400 --> 00:55:31,600
I would immediately think of is
like, oh, what a cool bad guy in
980
00:55:31,600 --> 00:55:33,700
this movie.
We'll the interesting thing is
981
00:55:33,700 --> 00:55:37,600
that they set him up as like
almost a bit of like an
982
00:55:37,600 --> 00:55:43,400
underworld Father Figure to to
and sell like like yes doc you
983
00:55:43,400 --> 00:55:47,200
know played by Spacey somewhat
takes that role on but he's so
984
00:55:47,200 --> 00:55:49,800
cold and Stand that, you never
believe that.
985
00:55:49,900 --> 00:55:52,600
Whereas, like Jon Hamm sits with
him and listens to music with
986
00:55:52,600 --> 00:55:55,600
him.
And, you know, his wife, / lover
987
00:55:55,600 --> 00:56:00,300
is like also, like, kind to him
and there's and then there's the
988
00:56:00,300 --> 00:56:03,700
just the position of like, but
you have to everything up and
989
00:56:03,700 --> 00:56:07,800
I'm going to murder you now.
And I for me, man, I thought ham
990
00:56:07,800 --> 00:56:09,400
was terrifying at the end of the
movie.
991
00:56:09,400 --> 00:56:14,200
I Bought 100 percent his
transformation into the bowl.
992
00:56:14,700 --> 00:56:16,700
Like, I love how at the start of
the movie.
993
00:56:16,700 --> 00:56:18,600
This is a comment on Edgar.
Right?
994
00:56:19,200 --> 00:56:24,200
It feels like when when baby is
changing channels on the
995
00:56:24,200 --> 00:56:28,600
television and it goes through
like Monsters Inc, and a few
996
00:56:28,600 --> 00:56:32,000
other scenes, all of those
scenes kind of come true in
997
00:56:32,000 --> 00:56:35,000
different aspects of the movie
and the one that comes through
998
00:56:35,000 --> 00:56:37,700
for Jon Hamm, is he turns into
the bowl in the arena?
999
00:56:37,700 --> 00:56:40,500
Like once he sees red, he's not
turning back.
1000
00:56:40,700 --> 00:56:42,200
Yep.
And I would, I thought he was
1001
00:56:42,200 --> 00:56:44,100
terrifying at the end of the
film.
1002
00:56:45,100 --> 00:56:47,400
Well, I'm really glad that we
came out in different places on
1003
00:56:47,400 --> 00:56:49,800
both of those performances.
I still think they work for the
1004
00:56:49,800 --> 00:56:51,900
most part.
But like, if there is anything
1005
00:56:51,900 --> 00:56:54,900
that kind of pulled me out of
the film, just a little bit, it
1006
00:56:54,900 --> 00:56:57,400
was definitely those two actors
Brad.
1007
00:56:57,400 --> 00:57:00,300
As we kind of wind down our
Edgar Wright retrospective.
1008
00:57:00,300 --> 00:57:03,300
Do you have any final thoughts
on Edgar Wright's?
1009
00:57:03,300 --> 00:57:06,900
I mean, how would you rank the
three movies that we watched?
1010
00:57:07,000 --> 00:57:08,900
Where does this?
How does this stack up?
1011
00:57:08,900 --> 00:57:10,500
Especially against Shaun of the
Dead?
1012
00:57:11,100 --> 00:57:12,300
Yeah.
Like, what have you learned
1013
00:57:12,300 --> 00:57:17,600
about Edgar Wright?
I think that Edgar Wright has an
1014
00:57:17,600 --> 00:57:23,600
incredible talent for movement.
Like the the way he draws the
1015
00:57:23,600 --> 00:57:28,100
audience forward through, the
story is so kinetic and like
1016
00:57:28,200 --> 00:57:33,700
just raw and you feel the movie
just drawing you forward.
1017
00:57:33,700 --> 00:57:38,300
Like, honestly, the way you talk
about Goodfellas is kind of the
1018
00:57:38,300 --> 00:57:43,200
way I feel about Edgar Wright
that there's an energy to the
1019
00:57:43,200 --> 00:57:47,600
editing and the Cinematography
that just keeps me at the edge
1020
00:57:47,600 --> 00:57:49,700
of my seat and keeps me
interested.
1021
00:57:50,300 --> 00:57:52,200
All right Brad.
It's almost time for final
1022
00:57:52,200 --> 00:57:54,700
scores, but I want to throw a
curveball in here.
1023
00:57:54,900 --> 00:57:58,400
I think we should start a new
segment on the film in whiskey
1024
00:57:58,400 --> 00:58:01,200
podcast new segment and I'll do
it.
1025
00:58:01,200 --> 00:58:05,400
We'll do it very quickly, right
before, final scores every week.
1026
00:58:06,300 --> 00:58:07,900
And this is going to be the
first installment, and I'm going
1027
00:58:07,900 --> 00:58:09,800
to call it this because we're a
whiskey podcast.
1028
00:58:09,800 --> 00:58:13,400
I'm going to call it.
I'll make it a double and it's
1029
00:58:13,400 --> 00:58:16,800
not going to be whiskey related.
It's gonna be, it's gonna be
1030
00:58:16,800 --> 00:58:20,200
here's the premise.
If you had to make this movie, a
1031
00:58:20,200 --> 00:58:23,700
double feature with something
else, what would you pair it up
1032
00:58:23,700 --> 00:58:25,900
with?
Like it like a drive-in?
1033
00:58:26,100 --> 00:58:28,400
Yeah, evening.
Yeah.
1034
00:58:29,300 --> 00:58:32,700
I will say one of the best
double features I've ever seen
1035
00:58:32,700 --> 00:58:38,000
was the first the they're not
called Minions.
1036
00:58:38,000 --> 00:58:40,700
What's the first the despicable
meaning?
1037
00:58:40,800 --> 00:58:44,100
Yeah it was Despicable Me paired
with Toy Story 3.
1038
00:58:44,300 --> 00:58:46,100
Hmm.
And I was like that was a heck
1039
00:58:46,100 --> 00:58:48,900
of a because you know Despicable
Me I know you don't care for it
1040
00:58:48,900 --> 00:58:52,900
but like it's a pretty good
animated film and then Toy Story
1041
00:58:52,900 --> 00:58:55,300
3 following it up was
phenomenal.
1042
00:58:55,700 --> 00:58:58,400
Fun fact when we were on
vacation it rained one day so I
1043
00:58:58,408 --> 00:59:01,400
took My son to the movies and he
wanted to see minions the rise
1044
00:59:01,400 --> 00:59:03,400
of grew.
Yeah, I was like, you know what,
1045
00:59:03,400 --> 00:59:05,700
fine, I enjoyed the hell out of
that movie.
1046
00:59:05,800 --> 00:59:12,400
So hey, so that's Brad's vote,
baby driver and minions.
1047
00:59:12,400 --> 00:59:14,200
The rise of group.
There's rise of Peru.
1048
00:59:15,500 --> 00:59:18,100
No, I man.
So what, so the question is,
1049
00:59:18,100 --> 00:59:19,700
what movie would I pair with
this?
1050
00:59:19,700 --> 00:59:21,800
If I was sitting down in the
evening and watching a movie
1051
00:59:21,800 --> 00:59:23,900
back-to-back?
Yeah like I'll give you mine.
1052
00:59:23,900 --> 00:59:26,300
I think that if especially for
trying to like theme them up
1053
00:59:26,300 --> 00:59:28,300
together.
I could go two ways.
1054
00:59:28,800 --> 00:59:33,400
And one would be to go the Jon
Hamm route and take this movie
1055
00:59:33,400 --> 00:59:36,000
and then a movie, he did.
Just a couple years later, that
1056
00:59:36,000 --> 00:59:39,500
was called bad times at the El
Royale, which is one of my
1057
00:59:39,500 --> 00:59:42,600
absolute favorite movies of the
last five ish years.
1058
00:59:43,100 --> 00:59:46,900
And it's like, it's kind of like
a Tarantino movie in that.
1059
00:59:46,900 --> 00:59:51,000
It has like different chapter
titles, but all this crazy stuff
1060
00:59:51,000 --> 00:59:55,900
takes place in one night at a
motel and it ends up like
1061
00:59:55,900 --> 00:59:58,500
everything's on fire at the end.
It's, it's Drew God.
1062
00:59:58,700 --> 01:00:01,500
Heard the guy that made the
movie Cabin in the Woods doing
1063
01:00:01,500 --> 01:00:04,500
Tarantino and it is freaking
great.
1064
01:00:04,500 --> 01:00:07,700
I love that movie.
The Other Rosen called Bob, it's
1065
01:00:07,700 --> 01:00:10,600
called bad times at the El
Royale, okay?
1066
01:00:11,300 --> 01:00:14,100
The other route that I think you
could go is to take the
1067
01:00:14,100 --> 01:00:15,700
supporting actors in this movie,
ASA.
1068
01:00:15,700 --> 01:00:19,300
Gonzales, and take a movie that
she was just in this year, that
1069
01:00:19,300 --> 01:00:22,700
also involve going very fast in
stolen vehicles, and that is
1070
01:00:22,700 --> 01:00:26,200
Michael Bay's, ambulance.
I think you could pair this up
1071
01:00:26,200 --> 01:00:28,300
and have an ASA Gonzales, you
double.
1072
01:00:29,200 --> 01:00:31,100
You've been pulling for
ambulance for a while now?
1073
01:00:31,100 --> 01:00:34,200
Bob, you know what?
Like, 5 years ago, I think I
1074
01:00:34,200 --> 01:00:36,000
would have been too snooty to
admit that.
1075
01:00:36,000 --> 01:00:39,200
I enjoyed ambulance.
And then this year has just been
1076
01:00:39,200 --> 01:00:41,400
the year of awesome action
movies, man.
1077
01:00:41,400 --> 01:00:44,300
Like, going back to the movie
theater and seeing things, like
1078
01:00:44,300 --> 01:00:49,400
Top Gun and rrr and ambulance
at, like, I've just enjoyed the
1079
01:00:49,400 --> 01:00:52,300
hell out of the movie going
experience again this year.
1080
01:00:52,800 --> 01:00:58,700
Can I tell you that I sat down
opened up Netflix and I saw rrr
1081
01:00:59,300 --> 01:01:03,200
I watched 30 minutes of that
movie and turned it off and was
1082
01:01:03,200 --> 01:01:08,300
just like, what in the world
just happened, but that was one
1083
01:01:08,300 --> 01:01:12,400
of the coolest 30 minutes of
movie I've ever had to buy.
1084
01:01:14,400 --> 01:01:18,400
Like the way, they way that they
take about 10 to 15 minutes, to
1085
01:01:18,400 --> 01:01:21,000
introduce each of the two main
characters.
1086
01:01:21,200 --> 01:01:25,500
Those scenes are just wild and
of these incredible.
1087
01:01:27,200 --> 01:01:28,800
All right, Brad.
So what would your pick be Hey
1088
01:01:29,500 --> 01:01:32,900
man.
I I've been I've been racking my
1089
01:01:32,900 --> 01:01:34,600
brain as we've been talking
about this.
1090
01:01:34,600 --> 01:01:38,600
I think this is like, I don't
know where this came into my
1091
01:01:38,600 --> 01:01:44,800
brain, but I think I'm going to
suggest and what is it called?
1092
01:01:45,100 --> 01:01:50,200
It's Adam Driver.
And Daniel, Craig, I remember
1093
01:01:50,200 --> 01:01:52,300
thinking that this looks like a
cool movie because it was like
1094
01:01:52,300 --> 01:01:55,700
the first non Bond movie that?
Yeah.
1095
01:01:56,600 --> 01:01:57,900
Are you talking about Logan?
Lucky.
1096
01:01:58,300 --> 01:02:00,700
Yes.
The NASCAR Heist movie.
1097
01:02:00,900 --> 01:02:04,600
Yes Steven Soderbergh that's a
grand Channing Tatum I believe
1098
01:02:05,400 --> 01:02:08,800
yep.
Yeah i-i've watched that once
1099
01:02:08,800 --> 01:02:12,400
with some friends while I was in
seminary and it was quirky and
1100
01:02:12,400 --> 01:02:17,200
funny and very off the wall and
I think it'd be a good good
1101
01:02:17,200 --> 01:02:20,000
pairing for baby driver.
All right there you have it.
1102
01:02:20,100 --> 01:02:22,600
We've given you three
suggestions for a double feature
1103
01:02:22,600 --> 01:02:24,000
and that's our first installment
of.
1104
01:02:24,000 --> 01:02:27,300
I'll make it a double Brad.
It's time for our final scores
1105
01:02:27,900 --> 01:02:29,600
and we both Both.
Love this movie.
1106
01:02:29,600 --> 01:02:32,100
I think it's nearly perfect.
There's something in me.
1107
01:02:32,100 --> 01:02:35,500
That's keeping me from giving it
a 10/10, but I think I enjoy it
1108
01:02:35,500 --> 01:02:38,300
like a 10/10 level.
Yeah, I think for now I'm just
1109
01:02:38,300 --> 01:02:41,800
going to say it's a nine and a
half but subject to change
1110
01:02:41,800 --> 01:02:44,900
asterisk on that one.
I think I'll give it a 9 out of
1111
01:02:44,900 --> 01:02:47,700
10.
There's still some issues for me
1112
01:02:47,700 --> 01:02:50,700
throughout the movie with pacing
in the middle of the movie.
1113
01:02:51,900 --> 01:02:55,300
Like we said, Spacey is like
good but not great.
1114
01:02:56,500 --> 01:02:59,300
But there's not much wrong with
this movie Bob and Wouldn't I
1115
01:02:59,300 --> 01:03:03,600
would 100% agree with you.
I enjoy this movie, like, it's a
1116
01:03:03,607 --> 01:03:06,000
10.
It's, it's just so good.
1117
01:03:06,000 --> 01:03:11,300
Even like, dude, when he pulls
out the Michael Myers masks and
1118
01:03:11,300 --> 01:03:14,900
they have the conversation
about, which Michael Myers that
1119
01:03:14,900 --> 01:03:18,600
he should have bought, it's
just, it's just witty and, and
1120
01:03:18,600 --> 01:03:21,700
Priceless.
All right, we'd love to know
1121
01:03:21,700 --> 01:03:24,700
what you think of baby driver.
Where does it rank for you among
1122
01:03:24,700 --> 01:03:26,800
the three Edgar Wright films
that we reviewed?
1123
01:03:27,400 --> 01:03:28,600
Let us know what you think you
can find.
1124
01:03:28,700 --> 01:03:31,900
Us on our social media accounts,
Facebook, Twitter, Instagram,
1125
01:03:31,900 --> 01:03:36,600
Tick-Tock at film whiskey, or
you can jump onto our Discord.
1126
01:03:36,900 --> 01:03:40,600
Discord is a wonderful place
where you can have a community
1127
01:03:40,600 --> 01:03:45,000
of people on the internet that
you get to choose to be a part
1128
01:03:45,000 --> 01:03:47,500
of their there.
It's not open to everybody.
1129
01:03:47,600 --> 01:03:52,300
Only the people that join are in
and we have great conversations
1130
01:03:52,300 --> 01:03:56,500
about life about movies whiskey,
you know, all sorts of things.
1131
01:03:56,800 --> 01:03:59,700
So you can find a link to get
Onto our Discord.
1132
01:03:59,700 --> 01:04:03,100
At the end of every single one
of our show notes next week,
1133
01:04:03,100 --> 01:04:05,800
we're starting a mini-series on
the American filmmaker Wes
1134
01:04:05,900 --> 01:04:07,900
Anderson.
We're going to be looking at his
1135
01:04:07,900 --> 01:04:10,300
second feature film.
The one that really blew him up
1136
01:04:10,300 --> 01:04:14,400
in terms of public Consciousness
that movie is called Rushmore.
1137
01:04:14,500 --> 01:04:16,400
We'll be back with that one next
week.
1138
01:04:16,400 --> 01:04:20,700
But until then, I'm Bob book,
I'm Brad G and we'll see you
1139
01:04:20,700 --> 01:04:21,300
next time.