Aug. 10, 2025
Star Trek vs. Star Wars - The Battle for the Stars. The Ultimate Sci-Fi Rivalry.
What began as comic book competition became the defining entertainment war of the 21st century. In 1961, failing Atlas Comics challenged industry leader DC with the flawed heroes of Fantastic Four, sparking Stan Lee's "Brand Echh" campaign that revolutionized marketing. By 1972, Marvel had overtaken DC in sales, but success bred bitterness. Jack Kirby's 1970 departure to DC turned personal—he created villain "Funky Flashman" as vicious revenge against Stan Lee.
The rivalry exploded into Hollywood with Marvel's $30 billion MCU dominance versus DC's troubled $6 billion DCEU failure. Now James Gunn, who worked for both sides, leads DC's complete reboot. In July 2025, his Superman faces Marvel's Fantastic Four in the most crucial superhero showdown ever, with both films tracking for massive opening weekends that could reshape the entire industry.
To become a premium subscriber (no ads and no feed drops) visit caloroga.com/plus. For Apple users, hit the banner on your Apple podcasts app which seays UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus. You also get 25+ other shows on the network ad-free! Go to Caloroga.com for all our shows!
Join the Feuds Community!
Love drama? Obsessed with rivalries that shaped history? From Hollywood breakups to presidential vendettas, from rap battles to international Cold Wars, Feuds: Power, Pride, and Payback delivers the most explosive conflicts in culture, politics, and entertainment.
Join thousands of fellow drama enthusiasts dissecting every episode, sharing theories, and debating who really won these legendary battles. We're building the ultimate community for people who understand that the best stories are always about conflict.
Follow us on Facebook and Instagram—just search for "Feuds Podcast" or click the link in the show notes.
Because every great story needs people to tell it to.
WEBVTT
1
00:00:03.200 --> 00:00:13.960
Callarogashark Media. Welcome back to feuds, Power, pride, and payback.
2
00:00:14.039 --> 00:00:19.600
I'm Marcus Reed. In previous episodes, we've explored feuds between individuals, families,
3
00:00:19.600 --> 00:00:23.760
and companies. But tonight we're diving into something completely different,
4
00:00:24.320 --> 00:00:29.480
a feud between entire universes, philosophical visions, and millions of
5
00:00:29.519 --> 00:00:32.119
passionate fans who have been arguing for nearly half a
6
00:00:32.159 --> 00:00:35.600
century about which is better. This is the story of
7
00:00:35.640 --> 00:00:39.240
Star Trek versus Star Wars, the most enduring and passionate
8
00:00:39.280 --> 00:00:42.640
debate in all of pop culture. It's a rivalry that
9
00:00:42.679 --> 00:00:47.159
has divided families, sparked friendships, and created an endless stream
10
00:00:47.200 --> 00:00:50.359
of Internet arguments that make the Messi Ronaldo debate look
11
00:00:50.479 --> 00:00:55.039
like a polite disagreement. Unlike our other feuds, this one
12
00:00:55.159 --> 00:00:59.119
wasn't born from betrayal, ego or business disputes. It was
13
00:00:59.200 --> 00:01:02.560
born from two fundamentally different visions of what science fiction
14
00:01:02.719 --> 00:01:06.760
could be and what the future should look like. On
15
00:01:06.760 --> 00:01:10.400
one side, Gene Roddenberry's Star Trek an optimistic vision of
16
00:01:10.480 --> 00:01:14.840
humanity's future where diverse crews explore the galaxy, solve problems
17
00:01:14.840 --> 00:01:19.079
through diplomacy, and tackle complex social issues. On the other.
18
00:01:19.879 --> 00:01:24.159
George Lucas's Star Wars, a timeless mythology set in a
19
00:01:24.200 --> 00:01:29.319
galaxy far far away, where good battles evil heroes wield
20
00:01:29.359 --> 00:01:34.239
mystical powers, and adventure takes precedence over philosophy. For forty
21
00:01:34.280 --> 00:01:38.400
eight years, fans have argued over Phasers versus Lightsabers, the
22
00:01:38.519 --> 00:01:42.799
Enterprise versus the Millennium, Falcon, Kirk versus Hans Solo, and
23
00:01:42.840 --> 00:01:47.040
whether the Force is cooler than warp drive. The debate
24
00:01:47.120 --> 00:01:51.840
has spawned countless articles, YouTube videos, and heated discussions that
25
00:01:51.840 --> 00:01:54.840
can end friendships and start new ones. But here's the
26
00:01:54.879 --> 00:01:59.400
fascinating twist. The creators of these rival universes weren't rivals
27
00:01:59.439 --> 00:02:03.239
at all. Gene Roddenberry and George Lucas respected each other's work,
28
00:02:03.680 --> 00:02:07.680
met publicly, and acknowledged how their franchises helped each other succeed.
29
00:02:08.360 --> 00:02:12.599
The feud was entirely created by fans, marketing departments, and
30
00:02:12.680 --> 00:02:14.919
the media who saw dollar signs in a good old
31
00:02:14.919 --> 00:02:18.319
fashioned space battle. Tonight, we're settling this debate once and
32
00:02:18.360 --> 00:02:21.800
for all. Well, probably not, but we're going to explore
33
00:02:21.879 --> 00:02:26.120
how two brilliant creators accidentally sparked the greatest fictional rivalry
34
00:02:26.520 --> 00:02:29.120
in entertainment history and why it matters more than you
35
00:02:29.240 --> 00:02:34.280
might think. This is episode eleven the Battle for the Stars,
36
00:02:36.400 --> 00:02:40.560
Act one, The Birth of Titans. Our story begins in
37
00:02:40.599 --> 00:02:44.280
the nineteen sixties with a former police officer turned television
38
00:02:44.280 --> 00:02:49.039
writer named Geen Roddenberry. In nineteen sixty four, Roddenberry pitched
39
00:02:49.039 --> 00:02:53.599
a radical idea to television executives, a science fiction series
40
00:02:53.639 --> 00:02:56.919
that would tackle contemporary social issues by setting them in
41
00:02:56.960 --> 00:02:59.919
the future. His vision was a starship crew that looked
42
00:03:00.080 --> 00:03:02.960
like the world he wanted to see, diverse and working
43
00:03:03.000 --> 00:03:07.680
together toward common goals. The original Star Trek premiered on
44
00:03:07.680 --> 00:03:12.199
September eighth, nineteen sixty six, and was unlike anything television
45
00:03:12.240 --> 00:03:15.319
had ever seen. Here was a future where humanity had
46
00:03:15.360 --> 00:03:20.479
overcome racism, poverty, and war. The Bridge of the Enterprise
47
00:03:20.560 --> 00:03:25.240
featured television's first interracial kiss, a Russian navigator during the
48
00:03:25.280 --> 00:03:27.719
height of the Cold War, and a black woman in
49
00:03:27.759 --> 00:03:32.479
a position of authority. Rowdenberry used alien cultures as metaphors
50
00:03:32.520 --> 00:03:36.280
for real world conflicts, exploring everything from the Vietnam War
51
00:03:36.439 --> 00:03:40.120
to civil rights through the lens of space exploration. But
52
00:03:40.280 --> 00:03:43.680
Star Trek was expensive to produce and drew disappointing ratings.
53
00:03:44.360 --> 00:03:48.680
After just three seasons in seventy nine episodes, NBC canceled
54
00:03:48.680 --> 00:03:52.479
the show in nineteen sixty nine. It seemed like Roddenberry's
55
00:03:52.560 --> 00:03:55.599
optimistic vision of the future had failed to capture the
56
00:03:55.599 --> 00:04:01.759
American imagination. Meanwhile, a young filmilmmaker named George Lucas was
57
00:04:01.800 --> 00:04:04.360
struggling to get his own space fantasy off the ground.
58
00:04:05.039 --> 00:04:07.919
Lucas had been inspired by the Flash Gordon serials of
59
00:04:07.960 --> 00:04:12.560
his youth, Joseph Campbell's work on mythology, and Akira Kurosawa's
60
00:04:12.599 --> 00:04:15.840
Samurai films. He wanted to create a simple story of
61
00:04:15.879 --> 00:04:19.160
good versus evil that could appeal to children and adults alike.
62
00:04:20.959 --> 00:04:24.079
Lucas spent years trying to acquire the rights to Flash Gordon,
63
00:04:24.600 --> 00:04:27.360
but when that failed, he decided to create his own
64
00:04:27.360 --> 00:04:30.600
space adventure. He wrote a treatment called The Star Wars
65
00:04:30.600 --> 00:04:34.519
in nineteen seventy three, describing it as a space opera
66
00:04:34.879 --> 00:04:38.560
that would combine Western movie tropes with Eastern philosophy and
67
00:04:38.600 --> 00:04:43.720
cutting edge special effects. Getting Star Wars made was a nightmare.
68
00:04:44.160 --> 00:04:48.279
Studio executives didn't understand it. Science fiction was considered box
69
00:04:48.319 --> 00:04:51.000
office poison. After a string of flops in the early
70
00:04:51.079 --> 00:04:55.000
nineteen seventies. Lucas was told that space movies didn't make money,
71
00:04:55.279 --> 00:04:58.839
that audiences wouldn't connect with characters in strange costumes, and
72
00:04:58.879 --> 00:05:01.759
that the whole concept was too weird for mainstream success.
73
00:05:02.920 --> 00:05:07.240
But Lucas persisted, and on May twenty fifth, nineteen seventy seven,
74
00:05:07.360 --> 00:05:11.079
Star Wars opened in just forty three theaters across America.
75
00:05:11.920 --> 00:05:16.439
What happened next changed entertainment history forever. The film was
76
00:05:16.480 --> 00:05:21.199
an immediate cultural phenomenon. Lines stretched around city blocks. People
77
00:05:21.240 --> 00:05:24.720
saw it multiple times in theaters. Children begged their parents
78
00:05:24.720 --> 00:05:28.920
for action figures and lightsabers. Lucas had tapped into something primal,
79
00:05:29.519 --> 00:05:33.240
the power of myth and storytelling that transcended age, gender,
80
00:05:33.279 --> 00:05:38.519
and cultural boundaries. Star Wars proved that audiences were hungry
81
00:05:38.519 --> 00:05:42.399
for grand adventures in escapist fantasy. But it also proved
82
00:05:42.399 --> 00:05:47.720
something else, that science fiction could be a massive commercial success. Suddenly,
83
00:05:47.759 --> 00:05:50.920
every studio in Hollywood wanted their own space franchise, and
84
00:05:50.959 --> 00:05:59.879
that's where Star Trek's resurrection begins Act two, The symbiotic relationship.
85
00:06:04.560 --> 00:06:07.639
The success of Star Wars literally saved Star Trek from
86
00:06:07.680 --> 00:06:11.879
oblivion in nineteen seventy seven, Paramount Pictures was preparing to
87
00:06:11.959 --> 00:06:14.800
launch a new television series called Star Trek Phase two,
88
00:06:15.560 --> 00:06:18.279
but after seeing the box office numbers for Star Wars,
89
00:06:18.800 --> 00:06:22.319
they made a pivotal decision upgrade the TV series to
90
00:06:22.399 --> 00:06:26.839
a major motion picture. As William Shatner later explained at
91
00:06:26.839 --> 00:06:31.759
a twenty sixteen Star Trek convention, star Wars created Star Trek.
92
00:06:32.519 --> 00:06:35.160
It was Star Wars that thrust Star Trek into the
93
00:06:35.160 --> 00:06:39.040
people of Paramount's consciousness. The studio realized they had their
94
00:06:39.079 --> 00:06:42.279
own space franchise sitting on their shelf, complete with a
95
00:06:42.319 --> 00:06:44.839
built in fan base that had kept the original series
96
00:06:44.879 --> 00:06:50.439
alive through syndication and conventions. Star Trek the motion picture
97
00:06:50.560 --> 00:06:54.120
was rushed into production to capitalize on the space movie
98
00:06:54.120 --> 00:06:58.199
craze that Star Wars had created. Released in December nineteen
99
00:06:58.279 --> 00:07:01.160
seventy nine, it earned over one hundred and thirty nine
100
00:07:01.199 --> 00:07:04.879
million dollars worldwide and spawned a film franchise that continues
101
00:07:04.920 --> 00:07:09.360
to this day. George Lucas himself acknowledged Star Trek's crucial
102
00:07:09.439 --> 00:07:13.839
role in paving the way for his own success. In
103
00:07:13.879 --> 00:07:18.839
the documentary Trek Nation, Lucas explained, Star Trek softened up
104
00:07:18.839 --> 00:07:22.000
the entertainment arena, so that Star Wars could come along
105
00:07:22.079 --> 00:07:25.199
and stand on its shoulders. There was an effective group
106
00:07:25.240 --> 00:07:27.959
of people in the beginning who accepted it that it
107
00:07:28.079 --> 00:07:32.439
wasn't that far out. The relationship between the two franchises
108
00:07:32.560 --> 00:07:36.120
was symbiotic from the beginning. Star Trek proved that science
109
00:07:36.160 --> 00:07:39.680
fiction could work on television and build passionate fan bases.
110
00:07:40.279 --> 00:07:43.199
Star Wars proved that science fiction could be a blockbuster
111
00:07:43.319 --> 00:07:48.040
movie success. Together they created the modern science fiction entertainment industry.
112
00:07:48.600 --> 00:07:52.800
But despite this mutual benefit, fans immediately began choosing sides.
113
00:07:54.319 --> 00:07:57.879
The differences between the two franchises were stark and seemed
114
00:07:57.879 --> 00:08:01.639
to reflect different personality types and words world views. Star
115
00:08:01.680 --> 00:08:04.680
Trek fans tended to be drawn to the series intellectual
116
00:08:04.680 --> 00:08:08.319
approach to problem solving, its optimistic view of the future,
117
00:08:08.800 --> 00:08:15.680
and its emphasis on diplomacy over violence. Trek celebrated science, diversity,
118
00:08:15.800 --> 00:08:21.120
and progressive social values. Episodes often ended with lengthy discussions
119
00:08:21.160 --> 00:08:26.199
about ethics and philosophy rather than explosive action sequences. Star
120
00:08:26.279 --> 00:08:32.720
Wars fans gravitated toward the franchise's mythological storytelling, spectacular action sequences,
121
00:08:33.080 --> 00:08:38.960
and clear moral distinctions between good and evil. Wars celebrated heroism, destiny,
122
00:08:39.279 --> 00:08:42.840
and the power of faith over logic. Movies ended with
123
00:08:42.960 --> 00:08:48.320
triumphant victories and epic lightsaber duels rather than thoughtful conversations.
124
00:08:49.919 --> 00:08:54.240
The stereotypes quickly emerged. Trek fans were intellectuals who preferred
125
00:08:54.279 --> 00:08:58.240
substance over style. War's fans were thrill seekers who preferred
126
00:08:58.399 --> 00:09:04.440
entertainment over education. Trek was cerebral, Wars was visceral. Trek
127
00:09:04.559 --> 00:09:08.519
was for adults, Wars was for kids. Of course, these
128
00:09:08.600 --> 00:09:13.120
stereotypes were oversimplified and often wrong. Many fans loved both
129
00:09:13.200 --> 00:09:16.919
franchises for different reasons, but the differences were real enough
130
00:09:16.919 --> 00:09:20.919
to fuel decades of passionate debate. The most remarkable moment
131
00:09:21.000 --> 00:09:24.039
in the early relationship between the franchises came on May
132
00:09:24.120 --> 00:09:28.000
twenty fifth, nineteen eighty seven, at the first official Star
133
00:09:28.039 --> 00:09:32.159
Wars convention in Los Angeles. George Lucas was on stage
134
00:09:32.200 --> 00:09:35.600
discussing the tenth anniversary of his Space opera when he
135
00:09:35.679 --> 00:09:41.200
was surprised by a special guest, Jeane Roddenberry himself. Rodenberry
136
00:09:41.200 --> 00:09:44.600
had come to publicly congratulate Lucas on Star Wars success.
137
00:09:45.200 --> 00:09:48.720
The two creators shook hands on stage in what remains
138
00:09:48.759 --> 00:09:51.679
the only known photo of them together. It was a
139
00:09:51.720 --> 00:09:56.240
powerful statement that whatever rivalry existed between their franchises was
140
00:09:56.279 --> 00:09:59.480
purely a fan creation. But the fans weren't about to
141
00:09:59.519 --> 00:10:07.399
let a little thing like creator friendship stopped their passionate debates.
142
00:10:13.559 --> 00:10:17.519
Act three, The Cultural Battleground. By the nineteen eighties and
143
00:10:17.600 --> 00:10:21.600
nineteen nineties, the Star Trek Versus Star Wars debate had
144
00:10:21.639 --> 00:10:25.360
become a defining aspect of geek culture. The arguments went
145
00:10:25.440 --> 00:10:32.799
far beyond simple preference, evolving into complex discussions about science, philosophy, storytelling,
146
00:10:33.000 --> 00:10:38.039
and even politics. The technology debates were particularly intense. Star
147
00:10:38.080 --> 00:10:41.840
Trek fans argued that their franchise's science was more realistic
148
00:10:41.879 --> 00:10:47.320
and inspiring, featuring technologies like warp drive transporters and universal
149
00:10:47.360 --> 00:10:51.480
translators that were at least theoretically possible based on real physics.
150
00:10:52.279 --> 00:10:55.679
Star Wars fans countered that their franchise's technology was more
151
00:10:55.720 --> 00:11:00.440
imaginative and fun, creating iconic designs like lightsabers and the
152
00:11:00.480 --> 00:11:03.559
Death Star that captured the imagination even if they weren't
153
00:11:03.600 --> 00:11:08.879
scientifically accurate. Astrophysicist Neil de Grasse Tyson weighed in on
154
00:11:08.960 --> 00:11:13.159
this debate. In a twenty fifteen Rolling Stone interview, I'm
155
00:11:13.240 --> 00:11:16.519
Star Wars fluent, but I'm a bigger Trek fan. There's
156
00:11:16.559 --> 00:11:19.080
a promise of actual science going on in Star Trek,
157
00:11:19.120 --> 00:11:22.799
but not so much in Star Wars. The philosophical differences
158
00:11:22.879 --> 00:11:26.960
ran even deeper. Star Trek presented an optimistic vision of
159
00:11:27.039 --> 00:11:32.759
humanity's future, where poverty, racism, and war had been largely eliminated.
160
00:11:33.559 --> 00:11:39.480
The United Federation of Planets represented international cooperation and peaceful exploration.
161
00:11:40.080 --> 00:11:44.840
Conflicts were often resolved through understanding and diplomacy rather than violence.
162
00:11:45.399 --> 00:11:48.600
Star Wars, by contrast, was set in a galaxy perpetually
163
00:11:48.639 --> 00:11:52.120
at war, where good and evil were clearly defined and
164
00:11:52.240 --> 00:11:55.840
violence was often the only solution to conflict. The Jedi
165
00:11:55.960 --> 00:11:59.720
used mystical powers rather than scientific reasoning, and the political
166
00:11:59.720 --> 00:12:04.559
system seemed to swing between republics and empires with depressing regularity.
167
00:12:05.200 --> 00:12:10.600
These differences attracted different types of fans. A twenty sixteen
168
00:12:10.679 --> 00:12:15.000
study by location intelligence company four square analyzed the check
169
00:12:15.039 --> 00:12:18.039
in patterns of Star Wars and Star Trek fans and
170
00:12:18.120 --> 00:12:24.039
found fascinating demographic differences. The psychological profiles that emerged from
171
00:12:24.120 --> 00:12:28.519
various studies suggested that Trek fans tended to be more liberal, intellectual,
172
00:12:28.639 --> 00:12:33.480
and optimistic about technology's potential to solve social problems. Wars
173
00:12:33.519 --> 00:12:38.519
fans were more likely to appreciate clear moral distinctions, heroic narratives,
174
00:12:38.559 --> 00:12:42.879
and spectacular entertainment. But perhaps the most important battleground was
175
00:12:42.919 --> 00:12:48.200
storytelling approach. Star Trek's episodic television format allowed for complex
176
00:12:48.320 --> 00:12:53.000
character development, detailed world building, and exploration of social issues
177
00:12:53.039 --> 00:12:57.759
over hundreds of hours of content. Star Wars film focused
178
00:12:57.759 --> 00:13:03.279
approach emphasized mythic storytelling, spectacular visuals, and emotional moments that
179
00:13:03.320 --> 00:13:07.000
could be experienced in a two hour theatrical experience. The
180
00:13:07.039 --> 00:13:10.720
debate intensified with each new release. When The Empire Strikes
181
00:13:10.720 --> 00:13:13.799
Back premiered in nineteen eighty, War's fans pointed to its
182
00:13:13.879 --> 00:13:17.919
darker themes and complex character development as proof that their
183
00:13:17.919 --> 00:13:21.759
franchise could be just as sophisticated as Trek. When Star
184
00:13:21.799 --> 00:13:24.879
Trek two, The Wrath of Khan arrived in nineteen eighty two,
185
00:13:25.399 --> 00:13:29.120
Trek fans celebrated a film that combined philosophical depth with
186
00:13:29.200 --> 00:13:34.000
spectacular space battles. The arguments became so ubiquitous that they
187
00:13:34.039 --> 00:13:40.360
transcended science fiction fandom. And entered mainstream culture. Comedy shows
188
00:13:40.399 --> 00:13:44.639
mocked the intensity of the debates. Dating profiles mentioned franchise
189
00:13:44.679 --> 00:13:48.799
preferences as deal breakers. The rivalry became shorthand for the
190
00:13:48.840 --> 00:13:53.919
broader cultural divide between intellectuals and populace, progressives and traditionalists,
191
00:13:54.519 --> 00:13:58.720
fans of substance versus style, but the creators never saw
192
00:13:58.759 --> 00:14:10.480
it that way. Act four. The streaming War's renaissance the
193
00:14:10.559 --> 00:14:14.480
twenty first century brought new challenges and opportunities for both franchises.
194
00:14:15.000 --> 00:14:18.759
After Gene Roddenberry's death in nineteen ninety one, Star Trek
195
00:14:18.799 --> 00:14:22.799
continued with new series and films, but struggled to recapture
196
00:14:22.840 --> 00:14:26.879
the cultural relevance of its original incarnation. The prequel film
197
00:14:26.960 --> 00:14:29.840
trilogy that began with Episode one in nineteen ninety nine
198
00:14:30.240 --> 00:14:34.120
revitalized Star Wars but also divided fans, who felt Lucas
199
00:14:34.120 --> 00:14:37.279
had lost the magic that made the original trilogy special.
200
00:14:39.039 --> 00:14:42.879
Everything changed with the rise of streaming television. Suddenly, both
201
00:14:42.919 --> 00:14:47.039
franchises found themselves serving as ten pole properties for competing
202
00:14:47.080 --> 00:14:51.840
streaming services, Star Trek for Paramount Plus and Star Wars
203
00:14:51.960 --> 00:14:56.039
for Disney Plus. This new landscape intensified the rivalry in
204
00:14:56.159 --> 00:14:59.720
unexpected ways. Instead, of competing for box office dollars or
205
00:14:59.759 --> 00:15:03.600
tele vision ratings, the franchises were now competing for subscriber
206
00:15:03.639 --> 00:15:08.039
loyalty in binge watching hours. Both platforms needed content that
207
00:15:08.080 --> 00:15:11.679
would not only attract new subscribers but keep them engage
208
00:15:11.759 --> 00:15:15.919
month after month. The results have been mixed for both franchises.
209
00:15:16.399 --> 00:15:19.759
Star Trek has arguably had more consistent success in the
210
00:15:19.759 --> 00:15:23.799
streaming era, with series like Strange New Worlds earning widespread
211
00:15:23.799 --> 00:15:27.919
critical acclaim and Discovery finding its footing After a rocky start.
212
00:15:28.480 --> 00:15:32.440
The franchise has successfully diversified into comedy with lower decks,
213
00:15:32.879 --> 00:15:37.799
animation with Prodigy, and nostalgia with Picard. Star Wars has
214
00:15:37.840 --> 00:15:41.679
had a more turbulent streaming experience. The Mandalorian was a
215
00:15:41.720 --> 00:15:44.720
massive hit that proved the franchise could work on television,
216
00:15:45.200 --> 00:15:48.000
but subsequent series like The Book of Boba Fett and
217
00:15:48.080 --> 00:15:51.919
Obi Wan Kenobi received more mixed reactions. The sequel film
218
00:15:51.960 --> 00:15:55.600
trilogy that concluded with the Rise of Skywalker in twenty
219
00:15:55.720 --> 00:16:00.159
nineteen left many fans divided about the franchise's direction. As
220
00:16:00.159 --> 00:16:03.559
we enter twenty twenty five, both franchises are more active
221
00:16:03.559 --> 00:16:07.440
than they've ever been. Star Trek has multiple series in production,
222
00:16:07.919 --> 00:16:11.600
including Strange New World Season three and a new Origin
223
00:16:11.679 --> 00:16:15.480
movie targeting a twenty twenty five release. Star Wars continues
224
00:16:15.519 --> 00:16:19.919
expanding its television universe while planning new theatrical releases, but
225
00:16:20.039 --> 00:16:23.759
the streaming wars have also highlighted the fundamental challenge both
226
00:16:23.799 --> 00:16:28.399
franchises face in the modern era, balancing fan service with innovation.
227
00:16:29.360 --> 00:16:32.559
Both series are dealing with passionate fan bases who have
228
00:16:32.639 --> 00:16:37.159
strong opinions about what their beloved franchises should be, creating
229
00:16:37.240 --> 00:16:41.080
feedback loops where creators feel pressured to give fans exactly
230
00:16:41.120 --> 00:16:44.480
what they think they want, rather than taking creative risks.
231
00:16:45.360 --> 00:16:49.240
This has led to what some critics call legacy sequelitis,
232
00:16:49.679 --> 00:16:53.000
where both franchises spend more time looking backward to their
233
00:16:53.039 --> 00:16:56.919
past glories than forward to new possibilities. The most successful
234
00:16:56.960 --> 00:17:00.840
recent entries in both franchises, Strange New Worlds, trek In
235
00:17:00.919 --> 00:17:03.840
and or for Wars have been those that managed to
236
00:17:03.840 --> 00:17:08.160
honor the past while telling fresh, original stories. The irony
237
00:17:08.279 --> 00:17:11.440
is that both Gene Roddenberry and George Lucas were innovators
238
00:17:11.440 --> 00:17:16.880
who broke new ground rather than following established formulas. Today's
239
00:17:16.880 --> 00:17:20.640
creators working in their universes often seem more constrained by
240
00:17:20.680 --> 00:17:24.799
fan expectations than their predecessors ever were by studio interference.
241
00:17:27.880 --> 00:17:31.720
Act five. The verdict, may the Force live long and
242
00:17:31.839 --> 00:17:39.839
prosper so. After nearly fifty years of passionate debate, which
1
00:00:03.200 --> 00:00:13.960
2
00:00:14.039 --> 00:00:19.600
3
00:00:19.600 --> 00:00:23.760
4
00:00:24.320 --> 00:00:29.480
5
00:00:29.519 --> 00:00:32.119
6
00:00:32.159 --> 00:00:35.600
7
00:00:35.640 --> 00:00:39.240
8
00:00:39.280 --> 00:00:42.640
9
00:00:42.679 --> 00:00:47.159
10
00:00:47.200 --> 00:00:50.359
11
00:00:50.479 --> 00:00:55.039
12
00:00:55.159 --> 00:00:59.119
13
00:00:59.200 --> 00:01:02.560
14
00:01:02.719 --> 00:01:06.760
15
00:01:06.760 --> 00:01:10.400
16
00:01:10.480 --> 00:01:14.840
17
00:01:14.840 --> 00:01:19.079
18
00:01:19.879 --> 00:01:24.159
19
00:01:24.200 --> 00:01:29.319
20
00:01:29.359 --> 00:01:34.239
21
00:01:34.280 --> 00:01:38.400
22
00:01:38.519 --> 00:01:42.799
23
00:01:42.840 --> 00:01:47.040
24
00:01:47.120 --> 00:01:51.840
25
00:01:51.840 --> 00:01:54.840
26
00:01:54.879 --> 00:01:59.400
27
00:01:59.439 --> 00:02:03.239
28
00:02:03.680 --> 00:02:07.680
29
00:02:08.360 --> 00:02:12.599
30
00:02:12.680 --> 00:02:14.919
31
00:02:14.919 --> 00:02:18.319
32
00:02:18.360 --> 00:02:21.800
33
00:02:21.879 --> 00:02:26.120
34
00:02:26.520 --> 00:02:29.120
35
00:02:29.240 --> 00:02:34.280
36
00:02:36.400 --> 00:02:40.560
37
00:02:40.599 --> 00:02:44.280
38
00:02:44.280 --> 00:02:49.039
39
00:02:49.039 --> 00:02:53.599
40
00:02:53.639 --> 00:02:56.919
41
00:02:56.960 --> 00:02:59.919
42
00:03:00.080 --> 00:03:02.960
43
00:03:03.000 --> 00:03:07.680
44
00:03:07.680 --> 00:03:12.199
45
00:03:12.240 --> 00:03:15.319
46
00:03:15.360 --> 00:03:20.479
47
00:03:20.560 --> 00:03:25.240
48
00:03:25.280 --> 00:03:27.719
49
00:03:27.759 --> 00:03:32.479
50
00:03:32.520 --> 00:03:36.280
51
00:03:36.439 --> 00:03:40.120
52
00:03:40.280 --> 00:03:43.680
53
00:03:44.360 --> 00:03:48.680
54
00:03:48.680 --> 00:03:52.479
55
00:03:52.560 --> 00:03:55.599
56
00:03:55.599 --> 00:04:01.759
57
00:04:01.800 --> 00:04:04.360
58
00:04:05.039 --> 00:04:07.919
59
00:04:07.960 --> 00:04:12.560
60
00:04:12.599 --> 00:04:15.840
61
00:04:15.879 --> 00:04:19.160
62
00:04:20.959 --> 00:04:24.079
63
00:04:24.600 --> 00:04:27.360
64
00:04:27.360 --> 00:04:30.600
65
00:04:30.600 --> 00:04:34.519
66
00:04:34.879 --> 00:04:38.560
67
00:04:38.600 --> 00:04:43.720
68
00:04:44.160 --> 00:04:48.279
69
00:04:48.319 --> 00:04:51.000
70
00:04:51.079 --> 00:04:55.000
71
00:04:55.279 --> 00:04:58.839
72
00:04:58.879 --> 00:05:01.759
73
00:05:02.920 --> 00:05:07.240
74
00:05:07.360 --> 00:05:11.079
75
00:05:11.920 --> 00:05:16.439
76
00:05:16.480 --> 00:05:21.199
77
00:05:21.240 --> 00:05:24.720
78
00:05:24.720 --> 00:05:28.920
79
00:05:29.519 --> 00:05:33.240
80
00:05:33.279 --> 00:05:38.519
81
00:05:38.519 --> 00:05:42.399
82
00:05:42.399 --> 00:05:47.720
83
00:05:47.759 --> 00:05:50.920
84
00:05:50.959 --> 00:05:59.879
85
00:06:04.560 --> 00:06:07.639
86
00:06:07.680 --> 00:06:11.879
87
00:06:11.959 --> 00:06:14.800
88
00:06:15.560 --> 00:06:18.279
89
00:06:18.800 --> 00:06:22.319
90
00:06:22.399 --> 00:06:26.839
91
00:06:26.839 --> 00:06:31.759
92
00:06:32.519 --> 00:06:35.160
93
00:06:35.160 --> 00:06:39.040
94
00:06:39.079 --> 00:06:42.279
95
00:06:42.319 --> 00:06:44.839
96
00:06:44.879 --> 00:06:50.439
97
00:06:50.560 --> 00:06:54.120
98
00:06:54.120 --> 00:06:58.199
99
00:06:58.279 --> 00:07:01.160
100
00:07:01.199 --> 00:07:04.879
101
00:07:04.920 --> 00:07:09.360
102
00:07:09.439 --> 00:07:13.839
103
00:07:13.879 --> 00:07:18.839
104
00:07:18.839 --> 00:07:22.000
105
00:07:22.079 --> 00:07:25.199
106
00:07:25.240 --> 00:07:27.959
107
00:07:28.079 --> 00:07:32.439
108
00:07:32.560 --> 00:07:36.120
109
00:07:36.160 --> 00:07:39.680
110
00:07:40.279 --> 00:07:43.199
111
00:07:43.319 --> 00:07:48.040
112
00:07:48.600 --> 00:07:52.800
113
00:07:54.319 --> 00:07:57.879
114
00:07:57.879 --> 00:08:01.639
115
00:08:01.680 --> 00:08:04.680
116
00:08:04.680 --> 00:08:08.319
117
00:08:08.800 --> 00:08:15.680
118
00:08:15.800 --> 00:08:21.120
119
00:08:21.160 --> 00:08:26.199
120
00:08:26.279 --> 00:08:32.720
121
00:08:33.080 --> 00:08:38.960
122
00:08:39.279 --> 00:08:42.840
123
00:08:42.960 --> 00:08:48.320
124
00:08:49.919 --> 00:08:54.240
125
00:08:54.279 --> 00:08:58.240
126
00:08:58.399 --> 00:09:04.440
127
00:09:04.559 --> 00:09:08.519
128
00:09:08.600 --> 00:09:13.120
129
00:09:13.200 --> 00:09:16.919
130
00:09:16.919 --> 00:09:20.919
131
00:09:21.000 --> 00:09:24.039
132
00:09:24.120 --> 00:09:28.000
133
00:09:28.039 --> 00:09:32.159
134
00:09:32.200 --> 00:09:35.600
135
00:09:35.679 --> 00:09:41.200
136
00:09:41.200 --> 00:09:44.600
137
00:09:45.200 --> 00:09:48.720
138
00:09:48.759 --> 00:09:51.679
139
00:09:51.720 --> 00:09:56.240
140
00:09:56.279 --> 00:09:59.480
141
00:09:59.519 --> 00:10:07.399
142
00:10:13.559 --> 00:10:17.519
143
00:10:17.600 --> 00:10:21.600
144
00:10:21.639 --> 00:10:25.360
145
00:10:25.440 --> 00:10:32.799
146
00:10:33.000 --> 00:10:38.039
147
00:10:38.080 --> 00:10:41.840
148
00:10:41.879 --> 00:10:47.320
149
00:10:47.360 --> 00:10:51.480
150
00:10:52.279 --> 00:10:55.679
151
00:10:55.720 --> 00:11:00.440
152
00:11:00.480 --> 00:11:03.559
153
00:11:03.600 --> 00:11:08.879
154
00:11:08.960 --> 00:11:13.159
155
00:11:13.240 --> 00:11:16.519
156
00:11:16.559 --> 00:11:19.080
157
00:11:19.120 --> 00:11:22.799
158
00:11:22.879 --> 00:11:26.960
159
00:11:27.039 --> 00:11:32.759
160
00:11:33.559 --> 00:11:39.480
161
00:11:40.080 --> 00:11:44.840
162
00:11:45.399 --> 00:11:48.600
163
00:11:48.639 --> 00:11:52.120
164
00:11:52.240 --> 00:11:55.840
165
00:11:55.960 --> 00:11:59.720
166
00:11:59.720 --> 00:12:04.559
167
00:12:05.200 --> 00:12:10.600
168
00:12:10.679 --> 00:12:15.000
169
00:12:15.039 --> 00:12:18.039
170
00:12:18.120 --> 00:12:24.039
171
00:12:24.120 --> 00:12:28.519
172
00:12:28.639 --> 00:12:33.480
173
00:12:33.519 --> 00:12:38.519
174
00:12:38.559 --> 00:12:42.879
175
00:12:42.919 --> 00:12:48.200
176
00:12:48.320 --> 00:12:53.000
177
00:12:53.039 --> 00:12:57.759
178
00:12:57.759 --> 00:13:03.279
179
00:13:03.320 --> 00:13:07.000
180
00:13:07.039 --> 00:13:10.720
181
00:13:10.720 --> 00:13:13.799
182
00:13:13.879 --> 00:13:17.919
183
00:13:17.919 --> 00:13:21.759
184
00:13:21.799 --> 00:13:24.879
185
00:13:25.399 --> 00:13:29.120
186
00:13:29.200 --> 00:13:34.000
187
00:13:34.039 --> 00:13:40.360
188
00:13:40.399 --> 00:13:44.639
189
00:13:44.679 --> 00:13:48.799
190
00:13:48.840 --> 00:13:53.919
191
00:13:54.519 --> 00:13:58.720
192
00:13:58.759 --> 00:14:10.480
193
00:14:10.559 --> 00:14:14.480
194
00:14:15.000 --> 00:14:18.759
195
00:14:18.799 --> 00:14:22.799
196
00:14:22.840 --> 00:14:26.879
197
00:14:26.960 --> 00:14:29.840
198
00:14:30.240 --> 00:14:34.120
199
00:14:34.120 --> 00:14:37.279
200
00:14:39.039 --> 00:14:42.879
201
00:14:42.919 --> 00:14:47.039
202
00:14:47.080 --> 00:14:51.840
203
00:14:51.960 --> 00:14:56.039
204
00:14:56.159 --> 00:14:59.720
205
00:14:59.759 --> 00:15:03.600
206
00:15:03.639 --> 00:15:08.039
207
00:15:08.080 --> 00:15:11.679
208
00:15:11.759 --> 00:15:15.919
209
00:15:16.399 --> 00:15:19.759
210
00:15:19.759 --> 00:15:23.799
211
00:15:23.799 --> 00:15:27.919
212
00:15:28.480 --> 00:15:32.440
213
00:15:32.879 --> 00:15:37.799
214
00:15:37.840 --> 00:15:41.679
215
00:15:41.720 --> 00:15:44.720
216
00:15:45.200 --> 00:15:48.000
217
00:15:48.080 --> 00:15:51.919
218
00:15:51.960 --> 00:15:55.600
219
00:15:55.720 --> 00:16:00.159
220
00:16:00.159 --> 00:16:03.559
221
00:16:03.559 --> 00:16:07.440
222
00:16:07.919 --> 00:16:11.600
223
00:16:11.679 --> 00:16:15.480
224
00:16:15.519 --> 00:16:19.919
225
00:16:20.039 --> 00:16:23.759
226
00:16:23.799 --> 00:16:28.399
227
00:16:29.360 --> 00:16:32.559
228
00:16:32.639 --> 00:16:37.159
229
00:16:37.240 --> 00:16:41.080
230
00:16:41.120 --> 00:16:44.480
231
00:16:45.360 --> 00:16:49.240
232
00:16:49.679 --> 00:16:53.000
233
00:16:53.039 --> 00:16:56.919
234
00:16:56.960 --> 00:17:00.840
235
00:17:00.919 --> 00:17:03.840
236
00:17:03.840 --> 00:17:08.160
237
00:17:08.279 --> 00:17:11.440
238
00:17:11.440 --> 00:17:16.880
239
00:17:16.880 --> 00:17:20.640
240
00:17:20.680 --> 00:17:24.799
241
00:17:27.880 --> 00:17:31.720
242
00:17:31.839 --> 00:17:39.839