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March 26, 2024

The Long Good Friday (1980): Bob Hoskins’ British Crime Classic

The Long Good Friday (1980): Bob Hoskins’ British Crime Classic

Henrique and David travel to London for The Long Good Friday (1980), John Mackenzie and screenwriter Barrie Keeffe’s hard-edged British gangster film. Bob Hoskins stars as Harold Shand, a crime boss preparing to transform the Docklands through a lucrative partnership with American investors. His carefully staged holiday weekend begins to collapse when bombs, murders and missing associates expose a threat that money and intimidation may not be able to contain.
The hosts trace Harold’s investigation from his houseboat and planned redevelopment to the consequences of an earlier Belfast operation. Helen Mirren brings intelligence and control to Victoria, Harold’s partner in both business and life, while Paul Freeman plays the compromised Colin. A young Pierce Brosnan makes a nearly silent feature-film appearance as an assassin. Henrique and David examine the film’s sudden violence, patient dialogue and unforgettable final close-up, in which Hoskins communicates an entire reckoning without a word. They also consider how the story connects London’s changing economy, Harold’s redevelopment ambitions and the Troubles without turning its criminal power struggle into simple exposition.
This is one of David’s favorite British gangster films and a first-time watch for Henrique. Their different reactions lead to a broader conversation about organized-crime stories: the rules and relationships that fascinate David, the familiar rise-and-fall structure that can leave Henrique at a distance, and the unusually political dimensions that distinguish Harold Shand’s downfall. They also discuss Hoskins’ career, Mirren’s authority, the movie’s dry pacing and the way loyalty, pride and ambition turn a modernization scheme into a trap.
Production discussion places The Long Good Friday within late-1970s and early-1980s British cinema, with Francis Monkman’s urgent score and Phil Méheux’s London photography giving the story its propulsive identity. The hosts cover the film’s uneven home-video availability, the reported attempt to dub Hoskins for American viewers and a proposed sequel that never materialized. Their companion recommendations include Mona Lisa and The Cotton Club, before Henrique mischievously returns to Jaws: The Revenge as another showcase for a great British actor.
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For more than ten years, there's
been peace. Everyone who is own passed.

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I'm saying I'm the biggest deal in
Europe, Ladies and gentlemen, the

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new London. This is personal.
Who's got to end for me? I

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want the man who knows is in
a decency in this disgusting world. He's

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carcass dripping blood by midnights. Nobody
goes on until I find out who's done

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it. I told him everything home
scared. It's me. It's gonna take

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revenge. We warnersh light which one
mana landa not now Rold. They're taking

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it away from you. In a
world where podcasts reign supreme, two friends

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dare to ask Do You Even?
Movie? Hosted by filmmaker Enrique Kuto and

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movie officionado David Denyer. Spoiler alert. All right, hello everybody, and

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welcome back to Do You Even?
Movie? I'm your host, Enrique Kuto

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here with my good buddy and co
host double D David Denier. Greetings,

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and who likes British movies? Apparently
I've never hid that fact. I can't

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think of a British movie you've spoken
of. Good tidings, the one we

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had to endure together you didn't like
that movie. No, I didn't.

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But again, I also don't show
you a lot of British movies because I

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know you're not a big fan of
them. I have no problem with British

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movies. It's just when they're as
dry as their states, it can be

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a little challenging. Yeah, you're
just being rude. I mean, I'm

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just saying that was the probably the
number one takeaway I got from this film

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was it was a lot of dry
steak into last twenty minutes. I mean,

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there's it starts like the middle has
a little bit of an issue,

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but overall, I think this is
But the problem is the middle is seventy

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minutes. We'll get into it,
but today we're going to be talking about

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the long Good Friday, which is
actually a weekend that weekend. Indeed.

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Yes, yeah, and I was
actually kind of bummed. I was hoping

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they would do more with the Catholic
stuff. Yeah. They did for a

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little bit, for a little and
then they just like forgot about that.

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Yeah, I mean it's more so, it's more so about the Vengeance nineteen

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eighty is is this movie? It
is I would say underrated movie because it

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has been unavailable for some time.
It wasn't really until I saw it became

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available I think on I want to
say Criterions Channel, and then that was

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when I first watched it. But
then for like availability of it, you

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can get like other region releases,
but for the US not so much.

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It wasn't available at all, not
for a while. Arrow put it out

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recently in like the last like five
or six years, and that was when

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I kind of took notice of it
because I believe it was Anchor Bay originally

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put out the DVD and then Criterion
did one, and it was basically just

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those two companies. Like the copy
I have is a region O UK era

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Anchor Bay release. Oh so it
was a region It's no, there's just

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no regional. It's it's UK.
It's a UK Anchor Bay release. I

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didn't know Anchor Bay did UK a
lot of UK well back when they when

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they existed, but they existed.
Yeah, yeah, so I had never

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heard of this film, yeah at
all. I obviously I knew Bob Hoskins

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from who framed Roger rabbit Y,
yeah, of course. And Helen Mirren

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I knew for being Helen Mirren.
Yeah, but but other than that,

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I had not heard of this film
at all. What I mean, what

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was your experience with gangster? I
mean Goodfellas of course, you know,

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and Godfather, But I mean,
like, what are your like favorite gangster

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movies? Just off the top of
your head. I mean, I mean,

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basically, you know a plethora of
Scorsese movies. Yeah, I've never

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been a big gangster movie person.
Necessarily. I feel like they're all they're

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all the same story. I mean, whether whether fictional or true. Yeah,

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which is just a guy becomes powerful
and rich and then he makes a

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series of stupid decisions again and again
and again, and every single time he

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makes a dumb decision, somebody goes, You're gonna get killed for this,

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yeah, and he goes, eh, and then he gets killed, and

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then it's Pikachu Face buy At the
same time, though, I think,

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honestly it goes back to a lot
of the early film noir movies, because

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a lot of those had to do
with gangster elements. There was one I

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watched recently from I want to say
forty three called The Setup, uh hour

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and seventeen minutes long, and the
whole movie is this boxer is going to

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his what is gonna be his final
fight, but he doesn't realize there's a

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fix in on it. Nobody told
him because everybody thought that he was gonna

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lose it. And then he's like, well, I'm gonna go win this

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fight, and then screws up everything
for these for these gangsters and these guys

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that bet on it. So there's
a lot of play I think with the

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story and plotline of a lot of
gangster films, with going back to the

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noir days. But what I like
about the UK gangster movies especially is the

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fact that they are slow burn.
The violence, while infrequent, is usually

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really brutal and really bloody. But
also they kind of follow that same formula.

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Like you said, it's basically a
rise to power and then a fall.

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And I just I enjoyed those those
those titles for the most part,

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I think, I mean, I
came up when gangster movies were being reinvented.

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Yeah, mostly by like Tarantino and
people inspired by Tarantino. Yeah,

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and uh it's it's you know,
it's popular to hate on Tarantino now.

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But like when you watch pulp fiction, pulp fiction is literally a movie about

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what gangsters are doing when they're not
doing the stuff that's not doing oster movies.

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Yeah, that's what it's like.
It's like, what is it like

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when two guys who uh rough people
up for a living go to lunch?

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Yeah, And I find that stuff
to be invigorating to the genre. It

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was about I think about two years
ago, actually maybe about a year and

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a half ago. I had gotten
I'd gotten a gift card for Amazon,

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and I'd gone through my wish list, and Warner Brothers about probably ten years

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ago put out a blue ray set
that was the Golden Age gangster movies.

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So you had Little Caesar White Heat
that's a pizza movie, which you stopped

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Little Caesar White Heat, the Petrified
Forest, and what the hell is the

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other one? Oh Public Enemy with
Cagney. So I've been watching a lot

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of these and kind of going back
and going back through a lot of them

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from the thirties, forties and fifties, and for the most part, the

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formula they do follow, like I
said, is that rise to crime and

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then the fall. But at the
same time, with UK titles especially,

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they have this element of introduce of
introducing the idea of a Robin Hood character

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to most these things, because like
Al Capone was thought to be like a

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neighborhood a neighborhood robin hood guy that
you know, even though they did all

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these things, they did take care
of their cities and whatnot. So I

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also the people who paid them that
I know. But at the same time,

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but I like that aspect of things
too, of just seeing even though

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these people are fucking monsters, there
is some human sides to them in regards

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of taking care of the grounds that
they come to. Yeah, they're like,

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don't worry, Korean grocer, if
you pay us, we won't hurt

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you. And we're gonna I gotta
skin this guy alive. I enjoy I

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enjoy the inner workings of organized crime. I remember the first time I saw

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goodfell As, I was just so
mesmerized by just all the the unspoken rules

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that Henry Hill goes through in that
movie. Well, that was based on

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a true story, absolutely, so
it's gonna be a lot more detailed in

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that way. Well. See,
there's there's a big difference between crime movies

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and gangsters. Yeah, absolutely,
the very big difference. And that's something

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that is worth pointing out. So
when you have a crime, I mean

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crime is in right now, Yeah, and has been for a long time.

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On television, crime is kind of
everything, whether you have a procedural

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or In the last twenty years,
so many examples of major film or major

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series that are about the criminal.
You've got Sons of Anarchy, You've got

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the spin off, the Mayance,
you go a little further back, the

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Shieldield, You've got Breaking Bad,
one of the biggest shows of all time,

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and then better all saw the follow
up to Breaking Bad. They're all

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about criminals, just throwing out their
Sneaky Pete. Sneaky Pete's a good example

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as well. Yeah, they're they're
about the bad guys and they just kind

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of, you know, because they're
cool. They're cool. Yeah, I

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mean you you have to remember when
Scarface became huge, like in the early

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two thousands, because like everybody had
posters of it and there were going with

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every every edge lord, every edge
lore, I mean, Boondock Saints,

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Scarface, even though Boondock Saints are
technically good guys, but Scarface, Like

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I remember that boom of where I
got tired of hearing about Scarface and the

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Godfather because everybody was talking about it. Well, everybody was talking about about

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Scarface because you could get the T
shirt at the mall. Yeah, and

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you would watch like MTV crips and
everybody would have and like but every rapper

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it particularly, would have like a
big scarface mural or or what have you.

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And I honestly, I think that
movie's fine if I prefer Carlita's way.

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I actually just watched a movie on
DiPalma called The Palma, which is

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that like our forty nine minute movie
where I think it's Noah Bomback is sitting

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with him and just interviewing him about
all his movies his life. Watched it

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last night, really really good movie. It's just really cool to see the

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Palma just chew the fat of his
own movies. I don't think I've ever

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heard Di Palma speak. It's crazy. It's kind of crazy, to be

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honest. Yeah. Yeah, well
the Palma was never like very like public

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facing. I mean, he goes, he goes into his earliest stuff all

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the way up to I think Passion
was the last one he talked about from

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twenty thirteen. So like he goes
into the casualties of war mission to Mars,

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which is what made him leave the
US because that was where he was,

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Like I can go make my movies
in other regions, and so he

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did. And with sex offenders,
what yeah, I mean that's a benefit,

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right, But no, I just
with gangster movies. I have nothing

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against them, I think. I
mean, I think Goodfellas is one of

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the greatest films ever made. I
think Casino is one of the greatest films

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ever made. But they do kind
of hit the same note, not always

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Like what was that did we watch
a while back? Was that the same

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Valentine's Day massacre movie? Yeah?
Yeah, the Corman one. Yeah that

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was pretty good. George Sagall and
Bruce Dern, I mean that was that

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was a solid movie. Yeah,
that was pretty good. So, I

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mean, I don't know, I've
just I've never been obsessed with kind of

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the the tough guy movie in that
way, but I really do. My

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biggest complaint with a lot of them
is even Goodfellas, yea, even Casino,

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is that most of the movie is
just people telling somebody again and again

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like you're gonna get killed if you
do this. Yeah, and then they're

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going eh. And then when they
get killed, they're like, well,

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hell, what happened? Oh shuck
adues and and that's that's the part that

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kind of like I'm like, I'm
used to that. I mean, it's

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a basic formula that if you get
in it, it's that whole joke of

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like, you know, like the
first half of good Fellas is really fun,

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not so much the second half just
like Boogie Knights there, yeah,

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or full metal Jacket, full middle
jacket. Yeah, that's kind of any

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epic story, Yeah, to an
extent. Usually, especially when as highdrama,

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they want you to buy into the
life, yeah, and the excitement

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of it so that you can see
how they'd end up in the darkness of

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it later. I mean, it's
very common that crime does not pay.

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It's very uncommon for you to have
you just make that up? How crazy?

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Right? You just made that up. That's a good one. Crime.

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What was it? Crime? Crime
doesn't pay? Wow? I like

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it, but it's it's not It's
more uncommon to have these movies with the

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the guy getting getting away with it. I mean usually that is the end

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of the movie. Is the demise
of your character for the most well kind

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of expected the big changes. It
used to be that they didn't get away

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with it because they got busted.
Yeah, but now and by now,

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I mean in the last like thirty
forty years, it's become more common that

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it's just that they get stopped by
their own So it's like it's either a

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bigger, badder gangster or the gangster
they were going up against takes them out.

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And the authorities are kind of a
total afterthought. One thing in this

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movie there are just no cops.
No, I mean there's one copy talks

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to two copies, yes, two
cups total on his payroll, and they

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but they accomplish story beats at best. It's just like, tell me where

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your informant is and he's like,
I can't do that. He's like,

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eh, He's like all right,
well, like you know, uh,

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do you know about the ending that
I think it's I can't remember if it's

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AIP or whoever put out the original
Scarface. There are two endings to the

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original Scarface in nineteen thirty four.
One is that he dies in a halo

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bullets with the cops, which is
what they expect. And then there I

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can't remember what was the reasoning,
but they couldn't have that ending in one

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certain place, so they have this
ending where he gets arrested and goes to

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trial and then is hung and like, there's this whole saying at the end

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about how you know, basically crime
doesn't pay. Wait, so they arrest

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him, yeah, they try him, yeah, and then they're just like,

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your dick's big. Yes, they
hang him. So oh oh you

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said he was hung, Yeah he's
hung. Yeah. So they're like,

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oh, your dick's big. That's
a really weird. That's a very that

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00:14:01.559 --> 00:14:03.399
motion, that's the scarface of you
did scarface? I feel like, damn

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right, so now talk about scarface. Would you like to get into the

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perda deeds of The Long Good Friday? Sure? All right? So The

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00:14:11.000 --> 00:14:13.159
Long Good Friday nineteen eighty one hour
and fifty four minutes, rated R.

200
00:14:13.240 --> 00:14:18.000
This film is directed by John McKenzie. He starts his career as a director

201
00:14:18.039 --> 00:14:20.480
in nineteen sixty five with The Newcomers. Then he does Thirty Minute Theater in

202
00:14:20.559 --> 00:14:24.320
nineteen sixty five. Now thirty Minute
Theater and a couple other theater shows are

203
00:14:24.320 --> 00:14:26.919
gonna come up, which is where
a lot of these people were well known

204
00:14:26.919 --> 00:14:31.159
for each other and acted a lot
in the UK early on in TV and

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00:14:31.200 --> 00:14:35.519
whatnot. They became kind of known
for those theater programs. Okay, do

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00:14:35.720 --> 00:14:50.440
you even movie will be right Back, Welcome Back to Do You Even Movie?

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00:14:52.799 --> 00:14:56.399
So The Jazz Age in nineteen sixty
eight, ITV Saturday Night Theater sixty

208
00:14:56.480 --> 00:15:00.639
nine, The Wednesday Play nineteen sixty
nine, One Brief Summer seventy one Made

209
00:15:00.720 --> 00:15:03.759
nineteen seventy two, Country Matters nineteen
seventy three, The Wild West Show nineteen

210
00:15:03.799 --> 00:15:07.200
seventy five, Center Play nineteen seventy
seven. Then in nineteen eighty he does

211
00:15:07.279 --> 00:15:11.200
The Long Good Friday. After that
A Sense of Freedom in eighty one.

212
00:15:11.440 --> 00:15:13.679
Then he does the Paul McCartney Taken
Away music video in eighty two, Beyond

213
00:15:13.679 --> 00:15:18.519
the Limit nineteen eighty three, The
Innocent nineteen eighty five, Active Vengeance nineteen

214
00:15:18.519 --> 00:15:20.840
eighty six, The Fourth protoc Called
nineteen eighty seven, and then Enrique.

215
00:15:20.879 --> 00:15:24.799
In nineteen ninety he does a little
film called Last of the Finest. Never

216
00:15:24.840 --> 00:15:28.000
heard of it? We watched it? No we didn't, Yes, we

217
00:15:28.039 --> 00:15:30.840
did. What's it about? That's
the one. That's the one with Jeff

218
00:15:30.879 --> 00:15:35.080
Fayhey, Joe Pataliano, Brian Dennyhe
all the brothers are cops going against the

219
00:15:35.159 --> 00:15:37.639
organized crime. Oh okay, yeah, it's a very American movie. Bill

220
00:15:37.679 --> 00:15:43.279
Paxton, Bill Paxton, I think
Jeff Faye get knocked off in the first

221
00:15:43.600 --> 00:15:50.080
boilers. That's up a movie.
I do remember a ensemble cast movie like

222
00:15:50.080 --> 00:15:52.879
that. It's been a while since
we watched it. Ruby in nineteen ninety

223
00:15:52.879 --> 00:15:56.120
two, Voyage in nineteen ninety three, The Infiltrator nineteen ninety five, Looking

224
00:15:56.159 --> 00:15:58.120
After Jojo ninety eight, and then
When the Sky Falls in two thousand and

225
00:15:58.200 --> 00:16:02.679
Quick Sand in two thousand yere you
from there with quicksand by chance only the

226
00:16:02.759 --> 00:16:07.039
concept of Quick Sam. It was
a movie that stars Michael Kine and Michael

227
00:16:07.120 --> 00:16:11.200
Keaton, and it is it stars
them in regards of like they're involved in

228
00:16:11.240 --> 00:16:14.480
the plot a little bit here and
there, but it's mostly, if I

229
00:16:14.519 --> 00:16:18.159
remember correctly, like a Saudi Arabian
film that like they just used those two

230
00:16:18.200 --> 00:16:21.159
guys as the leads and then they're
not really even in most of the movie.

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00:16:21.799 --> 00:16:23.559
Okay, Yeah, it was interesting. I was very excited for quicksand

232
00:16:23.559 --> 00:16:26.320
and then I watched it and I
was just like, this isn't what I

233
00:16:26.320 --> 00:16:30.039
expected at all. Okay. So
our writer is Barry Keith. He did

234
00:16:30.080 --> 00:16:33.559
Adam Smith. He wrote on Adam
Smith in nineteen seventy three. It Playhouse

235
00:16:33.559 --> 00:16:37.240
sixty seven Premiere nineteen seventy eight,
Long Good Friday nineteen eighty, No Excuses

236
00:16:37.279 --> 00:16:40.080
nineteen eighty three, Play for Today
in nineteen eighty four, and Sun in

237
00:16:40.120 --> 00:16:42.320
twenty ten. The Long Good Friday
is what is noted as is only a

238
00:16:42.399 --> 00:16:47.960
theatrical screenplay that he's ever penned.
Okay, and then wrapping us up is

239
00:16:47.960 --> 00:16:52.519
our cinematographer Phil Mayhew. He did
Trauma, Shot Trauma in nineteen seventy six,

240
00:16:52.600 --> 00:16:56.039
Play for Today nineteen seventy seven,
Black Joy in nineteen seventy seven,

241
00:16:56.159 --> 00:16:59.799
Let's Get Laid in nineteen seventy eight. I've not seen that. No.

242
00:17:00.120 --> 00:17:03.360
I love that title. That's a
solid title. The Professionals nineteen seventy eight,

243
00:17:03.399 --> 00:17:06.440
The Muse Machine nineteen seventy nine,
Scum in nineteen seventy nine. Then

244
00:17:06.440 --> 00:17:08.519
he does The Long Good Friday in
nineteen eighty, then OMEN three, The

245
00:17:08.559 --> 00:17:12.359
Final Conflict nineteen eighty one, The
Final Option nineteen eighty two, Beyond the

246
00:17:12.359 --> 00:17:17.240
Limit nineteen eighty three, Those Glory
Days nineteen eighty three, Morons from Outer

247
00:17:17.279 --> 00:17:19.640
Space in nineteen eighty five. He
shoots episodes of Max Headroom in nineteen eighty

248
00:17:19.640 --> 00:17:23.599
five, Active Vengeance in nineteen eighty
six, The Fourth Protocol nineteen eighty seven,

249
00:17:23.720 --> 00:17:26.680
Criminal Law in nineteen eighty eight.
Renegade Is the Lou Diamond, Phillips

250
00:17:26.680 --> 00:17:30.720
and Keeper Sutherland film in nineteen eighty
nine. Well that escalated quickly. Highlander

251
00:17:30.759 --> 00:17:34.680
two, The Quickening in nineteen ninety
one, Defenseless nineteen ninety one, The

252
00:17:34.720 --> 00:17:40.519
Trial nineteen eighty two, Ghost in
the Machine nineteen ninety three. What was

253
00:17:40.519 --> 00:17:42.839
that I'm saying? Ghost in the
Machine? Yes, he shoots Ghost in

254
00:17:42.880 --> 00:17:47.519
the Machine nineteenninety three, The Crazy
Computers, Killer Movie. You've ever seen

255
00:17:47.519 --> 00:17:48.599
that? Oh? Man, I
got shit it? Ghost the Machine No

256
00:17:48.799 --> 00:17:55.119
Escape nineteen ninety four, Ray Liota, Oh okay yea. Then he does

257
00:17:55.160 --> 00:17:59.640
Goldennine nineteen ninety five, The Saint
nineteen ninety seven, Mask Zorro ninety eight

258
00:17:59.680 --> 00:18:03.559
and At ninety nine, Bi Centennial
Man ninety nine, Beyond Borders two thousand

259
00:18:03.559 --> 00:18:06.200
and three, Around the World in
Eighty Days Remake two thousand and four,

260
00:18:06.279 --> 00:18:08.519
The Legend of Zoro two thousand and
five, Casino Royale two thousand and six,

261
00:18:08.680 --> 00:18:11.960
Beverly Hills Chiuahwa two thousand and eight, A Real Film, Edge of

262
00:18:12.039 --> 00:18:17.200
Darkness twenty ten. I do like
Edge of Darkness, The Smurfs twenty eleven,

263
00:18:17.240 --> 00:18:19.400
Here Comes the Boom twenty twelve,
The Smurfs two, twenty thirteen,

264
00:18:19.519 --> 00:18:23.720
SpongeBob movie Sponge Out of Water in
twenty fifteen. Okay, he has quite

265
00:18:23.720 --> 00:18:27.200
a resume. It is quite a
resume. So getting into the synopsis of

266
00:18:27.319 --> 00:18:30.119
A Long, Good Friday, the
IMDb synopsis says, in the late nineteen

267
00:18:30.119 --> 00:18:34.319
seventies, cocky crime boss Harold Shane
is a gangster trying to become a legitimate

268
00:18:34.440 --> 00:18:40.160
property mogul. Has plans, has
big plans, A legitimate property mogul There

269
00:18:40.200 --> 00:18:42.759
we Go, has big plans to
get American mafia to bankroll his transformation of

270
00:18:42.759 --> 00:18:47.519
a derelict area of London into the
possible venue for a future Olympic Games.

271
00:18:47.640 --> 00:18:51.400
However, a series of bombings target
his empire on the very weekend the Americans

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00:18:51.400 --> 00:18:53.480
are in town. Shand is convinced
there is a trader in his organization and

273
00:18:53.519 --> 00:18:57.559
sets out to eliminate the rat in
typically ruthless fashion. I mean, that's

274
00:18:57.559 --> 00:19:00.960
pretty close. That may the movie
make more sense reading that. I wish

275
00:19:00.960 --> 00:19:06.400
i'd read that first. My synopsis
Harold and a middle aged man makes a

276
00:19:06.440 --> 00:19:10.039
bunch of mistakes, doesn't know if
he has enemies. Harold, an upcoming

277
00:19:10.079 --> 00:19:11.799
gangster, returns to London, ready
to start a new life in real estate.

278
00:19:11.839 --> 00:19:15.799
When a series of bombings and violent
attacks threatened his new life, Harold

279
00:19:15.880 --> 00:19:18.279
must turn back to his violent ways
to keep his plans on track. All

280
00:19:18.359 --> 00:19:22.960
right, I thought his name was
Errol. No Harold, then, who

281
00:19:22.079 --> 00:19:26.359
is Errol? Errol is the guy
that that they're interrogating that they cut with

282
00:19:26.359 --> 00:19:29.359
the machete. Okay, I thought
he was named Harold No, because then

283
00:19:29.359 --> 00:19:32.160
when they were tormenting him, he
kept saying Harold, and I was like,

284
00:19:32.240 --> 00:19:34.720
what, Yeah, Harold is Harold
is Bob Hoskin's character. Errol is

285
00:19:34.759 --> 00:19:37.200
the guy that they interrogate in that
scene, which they but they sound like

286
00:19:37.240 --> 00:19:41.960
the exact same when they have that
at Cockney Accent. There are multiple times

287
00:19:41.000 --> 00:19:44.160
that they said stuff to each other
and I was just like, what,

288
00:19:45.240 --> 00:19:49.359
pivity Bobby Boo. So The Long
Good Friday is currently available to stream.

289
00:19:49.440 --> 00:19:53.839
You can find it on a couple
of services in regards of actually seeing it

290
00:19:55.000 --> 00:19:56.880
in the new transfer that is going
to be available when you watch it now

291
00:19:57.000 --> 00:20:00.160
on those services as well. So
it does look really that's good. Yeah,

292
00:20:00.519 --> 00:20:03.400
going into our cast. Our cast
is Bob Hoskins. He plays Harold

293
00:20:03.440 --> 00:20:07.359
shand one hundred and twenty two credits
for him. I believe that he starts

294
00:20:07.359 --> 00:20:11.519
with the Main Chance in nineteen seventy
two, Up the Front seventy two Villains

295
00:20:11.519 --> 00:20:15.000
in nineteen seventy two, Crown Court, New Scotland Yard Play for Today Thickest

296
00:20:15.079 --> 00:20:18.680
Thieves inserts Royal Flash So seventy five. He's doing a lot of TV work

297
00:20:18.960 --> 00:20:22.960
Rock Fall, He's a seventy seven. Then he does Zulu Dawn in nineteen

298
00:20:22.000 --> 00:20:26.519
seventy nine. Then in nineteen eighty
he does The Long Good Friday eighty one,

299
00:20:26.599 --> 00:20:29.680
he does Othello in nineteen eighty two. He appears in Pink Floyd's The

300
00:20:29.720 --> 00:20:33.319
Wall does Beyond the Limit, Lassiter
The Cotton Club, one of my favorite

301
00:20:33.319 --> 00:20:36.519
gangster movies, in nineteen eighty four. Then he appears in Brazil in nineteen

302
00:20:36.519 --> 00:20:41.359
eighty five, Mussolini and I in
nineteen eighty five, Wonderful Romance, Sweet

303
00:20:41.400 --> 00:20:44.839
Liberty in nineteen eighty six, Mona
Lisa nineteen eighty six, A Prayer for

304
00:20:44.880 --> 00:20:47.119
the Dying in nineteen eighty seventy.
You remember that movie, I don't.

305
00:20:47.279 --> 00:20:49.000
That was the one we watched with
Hoskins and Mickey Rourke, where Rourke was

306
00:20:49.000 --> 00:20:52.680
the assassin hiding out in the church
and Hoskins as the priest. Oh,

307
00:20:52.720 --> 00:20:55.200
I totally remember that one. That's
actually a really good one, Solid for

308
00:20:55.279 --> 00:20:59.119
Solid Neo noir, who Fraim Roger
Rabbit nineteen eighty eight, Heart Conditioned nineteen

309
00:20:59.200 --> 00:21:03.720
ninety, Mermaid in nineteen ninety,
Shattered ninety one, Hook in ninety three.

310
00:21:03.839 --> 00:21:07.880
Oh yeah he was like the other
but yeah he was the pirate underling.

311
00:21:07.039 --> 00:21:11.359
Yes, see to Captain Hook that
he does Balto in nineteen ninety five,

312
00:21:11.480 --> 00:21:14.079
Tails in the Crypt in nineteen ninety
six, which he also directed that

313
00:21:14.160 --> 00:21:17.839
episode as well. Oh okay,
Nice Michael in nineteen ninety six, Felicia's

314
00:21:17.880 --> 00:21:21.319
Journey in nineteen ninety nine, American
Vergon ninety nine, White River Kid,

315
00:21:21.599 --> 00:21:25.880
Don Hiote, Enemy at the Gates, made in Manhattan, Fraser Vanity Fair,

316
00:21:26.000 --> 00:21:27.920
Beyond the Sea, Unleashed in two
thousand and five, Son of Son

317
00:21:29.000 --> 00:21:32.640
of the Mask in two thousand and
five. Finally a real feature film,

318
00:21:32.720 --> 00:21:36.400
Missus Anderson Presentso five Paris, Paris, I Love You in two thousand and

319
00:21:36.440 --> 00:21:40.480
six, Hollywood Land, Ruby Blue
Doomsday a Christmas, Carol, never Land,

320
00:21:40.559 --> 00:21:42.960
and most recently Snow White and The
Huntsman in twenty twelve. He shortly

321
00:21:44.079 --> 00:21:45.359
passed after that, I want to
say, in twenty seventeen. So what

322
00:21:45.440 --> 00:21:49.039
you're saying is the current director of
the new Crow movie killed Bob Hoskins.

323
00:21:49.079 --> 00:21:52.839
That is not what I'm saying.
But okay, I think that's an extreme

324
00:21:53.839 --> 00:21:57.759
place to land at free but I
respect your opinion. David. Would you

325
00:21:57.839 --> 00:22:02.359
stop moving down our list? We
have Helen Mirren who plays Victoria one hundred

326
00:22:02.359 --> 00:22:03.559
and forty nine credits on her resume. By the way, again, that

327
00:22:03.680 --> 00:22:07.400
does not surprise me at all.
Helen Mirren's a goat hero Stratus in sixty

328
00:22:07.480 --> 00:22:11.720
seven, A Midsommer's Night Dream in
sixty eight, ITV Saturday Night Feeder in

329
00:22:11.799 --> 00:22:15.680
seventy one, cousin Betty in nineteen
seventy one, Oh Lucky Man nineteen seventy

330
00:22:15.720 --> 00:22:21.519
three, thriller The Philanthropist Hamlet,
Caligula in nineteen seventy nine. She was

331
00:22:21.559 --> 00:22:25.720
in Caliguila. Oh yeah, she's
the love interest of McDowell. Oh have

332
00:22:25.839 --> 00:22:29.839
you seen Caliguilia? Not since I
was in high school? Wow? Yeah,

333
00:22:29.960 --> 00:22:32.960
that new That new version's coming out
soon that apparently has been recut and

334
00:22:33.079 --> 00:22:36.960
is not straight up PORNA movie I'll
just watched by Bruno Mattai Caligula. We

335
00:22:37.079 --> 00:22:40.839
haven't watched that much. I have
them. I know we need to SOS

336
00:22:40.920 --> 00:22:44.240
Titanic in nineteen seventy nine, Hussey
in nineteen eighty, Long Good Friday in

337
00:22:44.279 --> 00:22:47.440
nineteen eighty. Then she goes on
to Excalibur in nineteen eighty one, twenty

338
00:22:47.599 --> 00:22:49.440
ten, the year we Make Contact
in eighty four, White Nights, the

339
00:22:49.519 --> 00:22:53.359
Twilight Zone, the Mosquito Coast,
when Wales came, the Cook, the

340
00:22:53.440 --> 00:22:56.920
Thief, his wife for lover in
nineteen eighty nine. One of my favorite

341
00:22:56.960 --> 00:23:00.200
movies, of course, it is
Dude. I love that movie. So

342
00:23:00.359 --> 00:23:03.000
good Comfort A Strangers, Prime Suspect, The Maddness of King George in nineteen

343
00:23:03.039 --> 00:23:07.079
ninety four, Critical Care nineteen seven
and nineteen ninety seven, The Prince of

344
00:23:07.160 --> 00:23:10.160
Egypt ninety eight, Teaching Miss Tingle
in nineteenninety nine. I forgot she was

345
00:23:10.240 --> 00:23:11.880
in that. Oh yeah, that
she is Miss Tingle. Damn right.

346
00:23:11.960 --> 00:23:15.119
She is the Pledge two thousand and
one, Gosford Park two thousand and one,

347
00:23:15.240 --> 00:23:18.559
Calendar Girls two thousand and three,
The Clearing Raising, Helen Frasier,

348
00:23:18.640 --> 00:23:22.960
Hitchhiker's Guide to the Galaxy, The
Queen two thousand and six, National Treasure

349
00:23:22.000 --> 00:23:26.039
Book of Secrets two thousand and seven, Inkhart, State of Play, The

350
00:23:26.200 --> 00:23:30.400
Debt, Brighton Rock, Red,
Arthur Gleechhock Hitchcock, phil Spector, Monsters,

351
00:23:30.519 --> 00:23:34.119
University Read two, The Woman in
Gold, Trumbo, Collateral, Beauty,

352
00:23:34.359 --> 00:23:38.359
The Fate and the Furious in twenty
seventeen. Damn right, Winchester In

353
00:23:38.440 --> 00:23:45.240
twenty eighteen. Yep, nothing,
all right, fair enough, it had

354
00:23:45.359 --> 00:23:47.880
it had some fun moments. It
had its fun moments. I really wanted

355
00:23:47.920 --> 00:23:52.680
to like that movie more. I
I mean, it's tough. You know,

356
00:23:52.799 --> 00:23:56.000
when we're all clamoring for a Winchester
House movie, we're all like,

357
00:23:56.039 --> 00:23:57.720
when's it gonna happen, When's it
gonna happen? And then we get it,

358
00:23:57.799 --> 00:24:00.400
but it's not exactly what we wanted
it to be. No, No,

359
00:24:00.440 --> 00:24:04.559
it's not. Hobs and Shaw twenty
nineteen. The Good Liar Fast nine

360
00:24:04.599 --> 00:24:08.519
in Fast Saga, Gold Fast X
and Barbie, most recently in twenty twenty

361
00:24:08.559 --> 00:24:11.440
three and then Wrapping us Up.
Is Paul Freeman, who plays Colin in

362
00:24:11.480 --> 00:24:15.119
the film one hundred and thirty five
credits on This Gentleman. He starts in

363
00:24:15.200 --> 00:24:18.119
Champion House in sixty seven, Jason
King, The Protector's Saturday Night Theater,

364
00:24:18.400 --> 00:24:22.839
Who's Child Am I? The Sweeney
Death of a Princess Long Good Friday in

365
00:24:22.920 --> 00:24:25.519
nineteen eighty. Then he goes on
to do The Dogs of War rd is

366
00:24:25.519 --> 00:24:27.400
The Lost Dark in nineteen eighty one, where he plays Belloch. Then he

367
00:24:27.480 --> 00:24:32.000
was in Unsuitable Job, Suitable Job
for a Woman in nineteen eighty two,

368
00:24:32.319 --> 00:24:34.640
Crown Court in eighty two, Final
Option eighty two, The Sender Cagney and

369
00:24:34.759 --> 00:24:40.640
Lacy, Falcon Crest in nineteen eighty
four, Pall Roads Lead Back to the

370
00:24:40.680 --> 00:24:45.319
Falcon Crest, Shanghai Surprise nineteen eighty
six, Prisoner of Rio Without a Clue,

371
00:24:45.880 --> 00:24:48.240
May Wine, The Last Island,
Aces, Iron Eagle three in nineteen

372
00:24:48.319 --> 00:24:52.359
ninety two, Double Edge in ninety
two, Just Like a Woman ninety two,

373
00:24:52.400 --> 00:24:55.799
The Young Idiana Jones Chronicles in ninety
two, The Viper Mighty morphin Power,

374
00:24:55.880 --> 00:24:57.359
Rangers of the Movie in nineteen ninety
five, where he played Ivenues.

375
00:25:00.119 --> 00:25:03.519
Wow, Yeah, that's him,
That is him. Tales of the Crypt

376
00:25:03.559 --> 00:25:07.279
nineteen eighty six, Samson and Delilah
ninety six, Double Team, Inspector morse

377
00:25:07.000 --> 00:25:11.319
Er, George and the Dragon,
Midsommer Murders, Hot Fuzz, Hotel,

378
00:25:11.400 --> 00:25:15.119
Babylon, Centurion, Hard Boiled Sweets, Strike Back, Get Away, The

379
00:25:15.200 --> 00:25:18.359
First Line, Viking, Destiny Man
from Rome in twenty twenty two, and

380
00:25:18.519 --> 00:25:22.119
most recently did Paris Christmas Waltz in
twenty twenty three. Wow. Okay,

381
00:25:22.400 --> 00:25:26.680
so this was your first time watching
it, so I don't have we don't

382
00:25:26.720 --> 00:25:29.200
have to go into your first time
because we'll get to that. I mean,

383
00:25:29.240 --> 00:25:32.680
it feels like it was years ago. I could get that. Yeah,

384
00:25:32.759 --> 00:25:33.680
I mean well, I mean when
it started. Yeah, yeah,

385
00:25:33.720 --> 00:25:37.519
yeah, my first time watching this. I became aware of this film looking

386
00:25:37.559 --> 00:25:42.200
at Bob Hoskins's filmography, and it
wasn't until about twenty twenty one that it

387
00:25:42.480 --> 00:25:47.160
became available for me to see,
Like I could go and buy a pretty

388
00:25:47.240 --> 00:25:51.960
pricey Criterion DVD or Anchor Bay DVD, but then a Criterion channel I lucked

389
00:25:52.000 --> 00:25:55.240
out, so I watched it.
I was really blown away with how good

390
00:25:55.240 --> 00:25:56.440
it was, how Hoskin was.
I think the story was intense, and

391
00:25:56.519 --> 00:26:00.640
I thought overall, it keeps you
guessing what's going on in the very end,

392
00:26:00.680 --> 00:26:03.519
as well, and I think the
performances in general, along with the

393
00:26:03.599 --> 00:26:07.319
score. I love this movie for
the record. It keeps you guessing,

394
00:26:07.599 --> 00:26:10.920
but it's not actually a twist when
you find out what's going on twist at

395
00:26:10.920 --> 00:26:12.720
all. I mean, once you
starting those pieces together, it's like having

396
00:26:14.519 --> 00:26:18.359
the killer turn out to be a
character that wasn't in the movie until the

397
00:26:18.440 --> 00:26:21.480
moment they revealed who the killer was. I just I think the selling point

398
00:26:21.559 --> 00:26:25.680
of the of the movie is that
final like ten minutes, especially because yeah,

399
00:26:25.759 --> 00:26:27.759
because it's like exciting and interesting.
I'm not trying to be a jerk.

400
00:26:27.759 --> 00:26:30.119
I mean it though, like it's
actually like very strong, yeah,

401
00:26:30.359 --> 00:26:33.599
in that time period, but by
then I've already kind of been like,

402
00:26:33.640 --> 00:26:37.759
while this guy is dumb and self
destructing himself. So unfortunately that's been established.

403
00:26:37.799 --> 00:26:41.240
Fully. I was waiting for Helen
Mirran to be the twist that she

404
00:26:41.440 --> 00:26:45.839
was like like she was the inside
person. Yeah, and when that didn't

405
00:26:45.839 --> 00:26:47.480
happen, I was like, well, damn, all right, Well let's

406
00:26:47.480 --> 00:26:48.559
get into the movie then. So
we opened with a shot of a nice

407
00:26:48.599 --> 00:26:52.000
cottage and we see Colin. Okay, cottage, Okay, college cottage,

408
00:26:52.039 --> 00:26:56.640
my apologies. Colin gets off a
ship and we see him going into a

409
00:26:56.720 --> 00:27:00.440
car. He's removing money from a
suitcase and putting it into his jacket,

410
00:27:00.519 --> 00:27:03.839
and then he passes the suitcase off
to another We go back to the cottage

411
00:27:03.839 --> 00:27:06.680
as the man returns with the suitcase, which they find money stashed under,

412
00:27:06.759 --> 00:27:10.240
and we're seeing this all through a
window. So we're seeing into the cottage

413
00:27:10.240 --> 00:27:12.160
of somebody like looking in through a
window. Yeah. Correct. So that

414
00:27:12.359 --> 00:27:15.519
is when we go back to the
club and we see Colin is flirting with

415
00:27:15.559 --> 00:27:18.559
the young man and his crew suddenly
get ambushed. They're taken away in cars

416
00:27:18.599 --> 00:27:22.480
and the cars pull up later and
they're dead. Meanwhile, the cottage is

417
00:27:22.480 --> 00:27:26.119
also ambush and everybody is shot inside
of it. Yeah, there's a lot

418
00:27:26.200 --> 00:27:30.000
of gay stuff. I'm not being
funny. There's a lot of gay stuff

419
00:27:30.000 --> 00:27:33.799
in the opening. Yeah, where
they're basically trapping some of the people that

420
00:27:33.920 --> 00:27:37.920
this Hoskins character relies on. Yeah, because they hang out at places where

421
00:27:37.920 --> 00:27:40.680
they could pick up other guys.
Absolutely. So then we cut to Harold,

422
00:27:40.920 --> 00:27:42.319
who is Hoskins character, and he's
coming back into town. We see

423
00:27:42.319 --> 00:27:45.920
his plane land and we see him
walking through the airport, and that's when

424
00:27:45.960 --> 00:27:49.839
we see his assistant Razor as well
and his other right hand man, Jeff.

425
00:27:49.960 --> 00:27:52.759
And we also see that a coffin
is being unloaded off a train.

426
00:27:53.359 --> 00:28:03.640
These are my two henchmen, Jeff
Razor and Jeff. You're not wrong,

427
00:28:03.920 --> 00:28:06.440
yeah, And it's like it's like, uh, who would you like to

428
00:28:06.480 --> 00:28:08.880
protect you? I'm gonna go with
Razor, not Jeff? Why not?

429
00:28:10.240 --> 00:28:15.519
Jeff? Jeff is quite lethal.
It's short for Jeffrey Dahmer. Wasn't a

430
00:28:15.559 --> 00:28:18.440
thing yet, so that wouldn't even
be a threat. I would, no,

431
00:28:18.640 --> 00:28:21.559
no, So, but we also
see a coffin being unloaded off a

432
00:28:21.599 --> 00:28:23.680
train, and we see a widow
and we meet Jeff and Razors. Razors

433
00:28:23.720 --> 00:28:26.720
has has the car parked out a
bit, and Jeff's at a cafe and

434
00:28:26.799 --> 00:28:30.680
we see this widow that was with
this coffin walk up and spit in Jeff's

435
00:28:30.680 --> 00:28:33.759
face, no context whatsoever. She
gets back in her car and drives off

436
00:28:33.759 --> 00:28:40.920
in the has more of an intimidation
fact, could be. So Jeff and

437
00:28:41.000 --> 00:28:45.480
Razors meet or excuse me, Razors
meets Harold at the airport and that's when

438
00:28:45.519 --> 00:28:48.279
they're back in the car. Jeff
shows him then plans for the new hotel

439
00:28:48.359 --> 00:28:51.400
that he plans to build on the
city as they're going to be working on

440
00:28:51.559 --> 00:28:55.279
the London docks to get everything leveled
out for the way of this real estate

441
00:28:55.359 --> 00:28:57.319
plan. At the docks, we
meet Victoria as she sits with Harold and

442
00:28:57.319 --> 00:29:00.880
they're both on this houseboat as they
discussed the arrival of Charlie and Tony,

443
00:29:00.960 --> 00:29:04.640
who are the two American mafiosos that
Harold is hoping to land to help them

444
00:29:04.720 --> 00:29:11.160
fund the project. And mafioso's mean
like a kind of minestrone, right is

445
00:29:11.240 --> 00:29:17.200
that it? I don't know,
just trying to make a joke. Do

446
00:29:17.440 --> 00:29:29.680
you Even movie will be right back, welcome back to do you Even movie?

447
00:29:33.680 --> 00:29:36.119
Harry is hoping to bring them into
the business if he can redevelop the

448
00:29:36.400 --> 00:29:38.079
London dock lands. And that's when
we see Colin is enjoying a swim at

449
00:29:38.079 --> 00:29:41.880
one of the local clubs and he
sees a young man catch his eye and

450
00:29:41.920 --> 00:29:42.759
the young man looks back at him. The young man, of course,

451
00:29:42.799 --> 00:29:48.039
played by film debut of Pierce Brosnan, Yes, good Old Pierce Brosnan of

452
00:29:48.480 --> 00:29:53.240
Missus, Doubtfires, Doubtfire and James
Bond and Redmilton Steele. No, No,

453
00:29:53.279 --> 00:29:56.599
you're thinking of the November Man.
He was the November Man. I

454
00:29:56.799 --> 00:29:59.559
like the November Man. It was
actually pretty close solid. I saw The

455
00:29:59.640 --> 00:30:04.119
November Man at the King of Prussia
Cinema in King of Prussia, Pennsylvania.

456
00:30:04.160 --> 00:30:07.119
Oh my god, because I had
nothing to do that whole day. Yeah,

457
00:30:07.519 --> 00:30:11.440
so I just went to the theater
and that was the movie showing I

458
00:30:11.480 --> 00:30:14.640
hadn't seen. Have you heard about
The Mattador with Greg Kinnear and Pierce Brosnan.

459
00:30:15.119 --> 00:30:17.960
No, so I guess I haven't
seen yet. It's in my watch

460
00:30:18.039 --> 00:30:19.720
list. But from what I understand, like Kinnear is like a guy that's

461
00:30:19.799 --> 00:30:22.680
down on his luck and like has
just lost his job and at this hotel

462
00:30:22.720 --> 00:30:26.160
where he's like basically drinking himself,
he meets Pierce Brosnen, who's an assassin.

463
00:30:26.279 --> 00:30:30.960
He's drinking himself like hiss, pissed, drinking himself to death. Oh

464
00:30:30.319 --> 00:30:34.319
oh yeah, I mean contact matter, My apologies, but yeah, no,

465
00:30:34.440 --> 00:30:37.720
he meets he meets Broston's character,
who's this assassin who like they start

466
00:30:38.079 --> 00:30:41.599
having an unlikely friendship. It's supposed
to be a really good movie. I

467
00:30:41.640 --> 00:30:44.440
haven't watched it yet, but I'm
excited to huh, well, I'll always

468
00:30:44.519 --> 00:30:47.720
remember Pierce Brosnan for my favorite role
he's ever done, which is in No

469
00:30:47.960 --> 00:30:51.920
Escape. Oh god, his character
in No Escape is awesome. Us getting

470
00:30:51.920 --> 00:30:53.759
those free tickets to see No Escape
was a plus for that, but then

471
00:30:53.799 --> 00:30:57.359
that movie just kicked ass. Yeah
yeah, nobody remembers Owen Wilson and No

472
00:30:57.559 --> 00:31:02.599
Escape No one seems to really,
although that movie also could have been named

473
00:31:02.759 --> 00:31:06.319
anything else. Well, he also
could have just been named like guy doesn't

474
00:31:06.359 --> 00:31:08.240
google where he moves his family to. My god, because it's all about

475
00:31:08.319 --> 00:31:15.200
this guy takes his family to a
fictional Asian country and then they get there

476
00:31:15.920 --> 00:31:22.400
and then immediately civil unrest takes over
there the entire country and their their apartment

477
00:31:22.440 --> 00:31:25.960
complex which is like a high rise, fancy place, and now they have

478
00:31:26.039 --> 00:31:29.759
to escape to Vietnam or Laos,
one of I think it's one or the

479
00:31:29.839 --> 00:31:33.359
other. They have to escape to
one of them to save their lives.

480
00:31:33.200 --> 00:31:36.640
In your stomach the entire time,
Oh no, it is. It is

481
00:31:36.799 --> 00:31:40.160
fever pitch. But my favorite thing
about it is that, like, as

482
00:31:40.240 --> 00:31:44.279
it's all going down, it's just
Owen Wilson's Wow, as like the whole

483
00:31:44.319 --> 00:31:48.359
country's fall aparts, Like could you
have read one paragraph of the Wikipedia page

484
00:31:48.400 --> 00:31:53.400
of the country you moved your family
to, like one paragraph. It was

485
00:31:53.440 --> 00:31:56.759
like he had no idea there was
any civil unrest. That was the only

486
00:31:56.839 --> 00:32:00.960
part that I found kind of stupid
about the movie. But the action is

487
00:32:00.079 --> 00:32:06.839
flawless, and Pierce Broston's character is
highly memorable. Yeah. And and he

488
00:32:07.039 --> 00:32:12.319
like he basically is a spot.
Yeah. And he helps them out simply

489
00:32:12.400 --> 00:32:15.079
because they were nice to him on
the plane. Yep. So when he

490
00:32:15.160 --> 00:32:16.400
finds him, he's like, all
right, I'm gonna find a way to

491
00:32:16.400 --> 00:32:20.880
get you guys in Vietnam. I
loved I love the scene where he's feeding

492
00:32:20.880 --> 00:32:22.160
the kids and then and like he's
he's like I had some left over me

493
00:32:22.279 --> 00:32:25.079
And then it's him and Wilson talking
and then they just pan over that dead

494
00:32:25.160 --> 00:32:29.759
rat that's off to the side,
but he clearly could and his buddy who's

495
00:32:29.799 --> 00:32:31.680
local to the area helping him out, who goes by the name Kenny Rogerny

496
00:32:31.759 --> 00:32:36.319
Rodgers, Yes, because he because
he has like a car he drives around

497
00:32:36.359 --> 00:32:38.920
that is like the Kenny Rogers mobile. Yeah. No. Escape highly recommended

498
00:32:38.960 --> 00:32:45.160
and one of three or four movies
with that title. Yeah, So we

499
00:32:45.279 --> 00:32:47.680
see con back at the club,
and that's when we see Charlie is welcomed

500
00:32:47.720 --> 00:32:52.240
in by Harold and Victoria and they're
shaking hands and they're small talking and he

501
00:32:52.319 --> 00:32:54.720
even Harold also comes across two of
the local police at or Ken in his

502
00:32:54.759 --> 00:32:58.200
pocket, one of which is Parky, who will get to a little later

503
00:32:58.279 --> 00:33:00.000
on. He takes Jeff aside and
tells him to watch the boys, make

504
00:33:00.000 --> 00:33:04.799
sure they're on their best behavior,
and then also they're going to run down

505
00:33:04.839 --> 00:33:07.160
the plan and they don't want to
be interrupted by Victoria with the arrival of

506
00:33:07.279 --> 00:33:10.359
Charlie. So Charlie and Harold share
a greeting as he introduces him to his

507
00:33:10.480 --> 00:33:14.319
lawyer Tony. Back at the pool, Colin enjoys a swim, but the

508
00:33:14.400 --> 00:33:16.079
young man persuades him to follo him
in the showers. The two kind of

509
00:33:16.079 --> 00:33:20.319
start caressing each other, but then
the man stabs Colin and then has another

510
00:33:20.359 --> 00:33:22.720
guy come from the back and stabs
him as well, and Colin is stabbed,

511
00:33:22.759 --> 00:33:28.279
murders him, stabs him. Context
oh my god, stop it.

512
00:33:29.160 --> 00:33:30.720
So that is when le I said
he is ambush stabbed to death, and

513
00:33:30.759 --> 00:33:35.640
that's when we see another Harold associates
that took Harold's mother to church. Harold's

514
00:33:35.640 --> 00:33:37.240
mother church and the church blows up
as he goes back to his car and

515
00:33:37.319 --> 00:33:40.480
a car bomb goes off. So
right outside this church as they're finishing up

516
00:33:40.519 --> 00:33:44.799
the service, this car bomb just
goes up and kills Eric said, the

517
00:33:44.839 --> 00:33:49.799
church exploded. I wish the church
exploded, wow. I mean it would

518
00:33:49.799 --> 00:33:52.319
have added to the element wow or
caught fire. Well, when we find

519
00:33:52.359 --> 00:33:55.559
out who the culprit is, it
really wouldn't have made sense for the church

520
00:33:55.839 --> 00:33:59.400
explod You're right about that. You're
right about that. It wouldn't have so.

521
00:33:59.519 --> 00:34:01.960
Back on the Harold addresses the party
with his plan that he states that

522
00:34:02.079 --> 00:34:06.680
London is going to become Europe's capital, using all the available land for future

523
00:34:06.720 --> 00:34:10.360
prosperity and the right people to mastermind
the new London. Charlie takes Harold to

524
00:34:10.440 --> 00:34:14.360
the side, telling him that he's
not on Harold's time because Harold is like,

525
00:34:14.400 --> 00:34:15.320
you know, you rest up,
we got a big plan for tomorrow,

526
00:34:15.400 --> 00:34:19.119
and Charlie's like naw man, Like
I go at my own pace,

527
00:34:19.239 --> 00:34:22.480
like we'll get all this taken care
of. But when I say so yeah,

528
00:34:22.239 --> 00:34:25.159
So that is when Victoria tells him
that the boat is docking, and

529
00:34:25.280 --> 00:34:29.719
she also reminds Harold's to relax that
everything will work out. And right at

530
00:34:29.760 --> 00:34:32.519
this point, Harold receives the news
via phone about Eric's carbomb and that Eric

531
00:34:32.639 --> 00:34:36.760
is dead and that his mother is
in the hospital. Harold's mom is in

532
00:34:36.760 --> 00:34:38.639
the hospital. Now, Eric's carbomb
sounds like a drink they serve at a

533
00:34:38.679 --> 00:34:43.920
shitty bar. It does so here
in the news, Harold is drinking and

534
00:34:44.000 --> 00:34:45.840
he shatters the glass in his hand, and he starts to question who could

535
00:34:45.880 --> 00:34:50.679
do this outside of a church,
especially near Easter weekend? You know,

536
00:34:52.239 --> 00:34:58.039
when you go back, the car
bomb should have given away exactly who was

537
00:34:58.039 --> 00:35:00.320
behind Who was behind it? Yeah, because I mean it's one of three

538
00:35:00.360 --> 00:35:01.719
bombs that we're gonna get to now
as well. Yeah, but the car

539
00:35:01.840 --> 00:35:07.159
bomb is like a signature move yeh
of the villain. Yeah, spoiler villain.

540
00:35:09.639 --> 00:35:13.920
There's no good guys in this week. There are no good Right before

541
00:35:13.920 --> 00:35:16.039
the end of the movie happened as
I was watching Bob Hoskins do his stuff.

542
00:35:16.440 --> 00:35:20.119
There was literally a moment where I
went, I literally not kidding,

543
00:35:20.159 --> 00:35:22.320
like maybe ten minutes before the movie's
over, I was, Yeah, am

544
00:35:22.360 --> 00:35:24.960
I supposed to root? For Hoskins
because he sucks. I mean, the

545
00:35:25.079 --> 00:35:30.119
character's bad. Yeah, Hoskins is
phenomenal as the portrayal. But yeah,

546
00:35:30.519 --> 00:35:35.480
so Harold questions why as no one
knew about what was going on about Charlie's

547
00:35:35.519 --> 00:35:38.119
visit, and he orders everyone to
go back out to work and someone has

548
00:35:38.199 --> 00:35:40.800
to find Colin because Colin's mia and
they're like, well, he's out the

549
00:35:40.840 --> 00:35:44.239
club swimming, and he's like,
we'll bring him back here. So they

550
00:35:44.280 --> 00:35:45.760
go all go out to the cars, and that's when another car pulls up,

551
00:35:45.840 --> 00:35:50.039
and it's Jeff that goes to intercept
him, and he tells and that's

552
00:35:50.079 --> 00:35:52.519
when they find out that Colin has
been stabbed to death at the pool.

553
00:35:52.599 --> 00:35:55.320
And they also have no idea,
no witnesses or anything, and they try

554
00:35:55.360 --> 00:35:59.280
they cover it up. They say
that he's missing, yeah, and they

555
00:35:59.400 --> 00:36:02.679
hide his box at the Avatoire,
which a slaughterhouse. Yeah. And that's

556
00:36:02.679 --> 00:36:05.920
when they also said that they were
gonna meet at the Mayfair Casino, but

557
00:36:05.960 --> 00:36:08.400
they were stopped before that. And
Hoskins also swears that he's gonna have whoever's

558
00:36:08.440 --> 00:36:12.920
responsible bleeding by midnight. So they
all go to leave and that's when the

559
00:36:12.960 --> 00:36:15.880
car pulls up with the news of
Colin, and that is when we go

560
00:36:15.039 --> 00:36:19.679
to the club and Hoskins looks over
at Colin's body and he's he's distraught.

561
00:36:19.760 --> 00:36:21.920
This was his buddy, man,
this was his war buddy. This was

562
00:36:21.960 --> 00:36:24.440
his friend, and even tells a
story about how Colin saved his life because

563
00:36:24.440 --> 00:36:28.880
at one point they were out in
an area that was super cold, and

564
00:36:29.119 --> 00:36:31.119
Hoskins had either gotten strayed from their
pack, and that's when Colin actually went

565
00:36:31.159 --> 00:36:35.480
out to find him, and Hoskins
at this point really delivers a great performance

566
00:36:35.519 --> 00:36:37.719
of emotion. Yeah. No,
it's a good scene. He's clearly distraught

567
00:36:37.760 --> 00:36:40.280
by the loss of his friend.
And again there are no witnesses of the

568
00:36:40.360 --> 00:36:44.800
murder. So we cut to the
Wayfair casino where one of the assistants of

569
00:36:44.840 --> 00:36:46.679
the casino comes out and tells him
that a bomb has been discovered inside the

570
00:36:46.719 --> 00:36:50.880
casino. But of course it didn't
go off because when they opened the suitcase,

571
00:36:50.920 --> 00:36:53.519
it disconnected the wire for it.
Man, that is some high tech

572
00:36:53.599 --> 00:36:57.960
engineering. High tech engineering. Indeed, Harold questions who has been if anything

573
00:36:58.039 --> 00:37:00.119
unusual had occurred at the club or
at the casinae before while he or even

574
00:37:00.119 --> 00:37:02.440
while he was in New York,
and they all confirm nothing has happened.

575
00:37:02.480 --> 00:37:06.880
So Harold questions Razor if he can
think of anyone with an old score settle,

576
00:37:06.960 --> 00:37:08.880
but Razor questions who'd be big enough
to take you on, and Hoskins,

577
00:37:09.000 --> 00:37:12.880
in a great line, says there
were a few, but they're all

578
00:37:12.920 --> 00:37:16.719
dead now. So Harold states that
there were a few, they're all dead

579
00:37:16.760 --> 00:37:20.519
now, and that's when he confirms
with Parky, the cop from before who

580
00:37:20.599 --> 00:37:22.880
intervened, like Enrique said, and
he got the car out before anybody can

581
00:37:22.920 --> 00:37:27.039
investigate it forensics and also kept it
out of the press that it was a

582
00:37:27.119 --> 00:37:29.719
car bomb, and they said that
it was a gas leak instead, which

583
00:37:29.760 --> 00:37:34.280
is one of two we'll get to, yeah, ghas leak. So Parky

584
00:37:34.320 --> 00:37:37.440
intervened and he tells Harold that he
wants to know if there's anyone with a

585
00:37:37.519 --> 00:37:39.000
motive that could find it. Parky
tells him he'll get the situation. To

586
00:37:39.239 --> 00:37:44.559
get the situation under control, and
hands over is handed over to the casino.

587
00:37:44.639 --> 00:37:46.039
Bomb is handed over to him,
and Harold and his men go on

588
00:37:46.079 --> 00:37:51.079
their way to find whoever they can
interrogate to find out what's going on,

589
00:37:51.159 --> 00:37:53.239
and that's when Parky confesses that there
is one guy who may know when that's

590
00:37:53.280 --> 00:37:58.559
when we go to Errol's house,
not Harold, Errol's house, which sounds

591
00:37:58.719 --> 00:38:01.280
just like Harold when British people they
want to cough me. Accident says it.

592
00:38:01.400 --> 00:38:05.159
Yes, so he knows all the
going on. So that's when they

593
00:38:05.239 --> 00:38:07.599
go to his house and they interrupt
him with the chick. They pull him

594
00:38:07.599 --> 00:38:12.079
off and take him downstairs, and
that's when Harold introduces Errold to Razor by

595
00:38:12.280 --> 00:38:15.880
basically demonstrating what Razor's specialty is by
showing his scars with the barbed wire.

596
00:38:15.920 --> 00:38:17.400
He's got a slash across his face, and that he loves to torture.

597
00:38:17.719 --> 00:38:21.119
Yeah, but to me, that
doesn't really sell what he was trying to

598
00:38:21.159 --> 00:38:22.800
get across. He's like, look
out, cut up he is. That

599
00:38:22.840 --> 00:38:27.039
doesn't tell me he's good at cutting
people up. It doesn't at the pay,

600
00:38:27.199 --> 00:38:31.119
I guess he enjoys it. It's
just's intimidation. And Razor definitely intimidates

601
00:38:31.199 --> 00:38:35.320
him because they run a machete across
his ass, across his side, and

602
00:38:35.639 --> 00:38:37.760
Errold knows nothing, he has no
information to give. So back on the

603
00:38:37.760 --> 00:38:42.000
boat, Victoria is entertaining Tony and
Charlie, keeping them in the dark on

604
00:38:42.039 --> 00:38:44.679
the day's events. And that's when
Harold once again convers with his men,

605
00:38:44.960 --> 00:38:46.360
who have no information to bring to
him, and he tells them to go

606
00:38:46.440 --> 00:38:50.800
back out in the streets until they
find something. Jeff then reminds Harold that

607
00:38:50.840 --> 00:38:52.639
they have to take Charlie and Tony
to dinner. So Harold, Victoria,

608
00:38:52.800 --> 00:38:57.000
Charlie, and Tony all go to
dinner one of Harold's pubs, but as

609
00:38:57.079 --> 00:39:00.599
they arrive, the pub just blows
the fuck up. Yes it does,

610
00:39:00.159 --> 00:39:06.239
and they seriously tell their American friends, oh well natural gas or And all

611
00:39:06.320 --> 00:39:13.119
I could think was like, how
stupid do you like? If they were

612
00:39:13.239 --> 00:39:16.599
that dumb, would you want them
to partner with you on your crime empire?

613
00:39:16.760 --> 00:39:21.599
Probably not? Or I guess your
transition. Well that's the other funny

614
00:39:21.599 --> 00:39:25.079
thing though, is He's like,
we're transitioning to legitimate, legitimate, but

615
00:39:25.280 --> 00:39:29.840
yet the people there that he's bringing
in to talk about it are all crime.

616
00:39:30.119 --> 00:39:32.320
They're all mobbed up. I will
say one thing that you did not

617
00:39:32.639 --> 00:39:37.880
mention that was, look, I'm
not gonna I did not love this movie.

618
00:39:37.280 --> 00:39:42.079
I thought it was not a terrible
film by any stretch, but There

619
00:39:42.199 --> 00:39:45.880
is one moment in the movie that
I thought was phenomenal, and I'm pretty

620
00:39:45.920 --> 00:39:49.480
sure you didn't even mention it,
which is okay because it's a long movie,

621
00:39:49.840 --> 00:39:52.599
and frankly, it's a long movie
where not a lot happens for a

622
00:39:52.679 --> 00:39:57.320
lot of it. When he gives
the speech on the boat, have we

623
00:39:57.320 --> 00:40:00.199
gotten We haven't gotten there yet.
He gave the speech on the boat.

624
00:40:00.280 --> 00:40:07.719
Did you notice anything wonderfully brilliant about
his speech? Tell me as so.

625
00:40:07.920 --> 00:40:10.960
The way the scene's done is Hoskins
is standing at the tail of his boat.

626
00:40:12.039 --> 00:40:15.320
Yeah, and he's given this speech
about I'm a Londoner and we're gonna

627
00:40:15.360 --> 00:40:16.679
make this the best place. We're
gonna make this the leader of Europe.

628
00:40:16.679 --> 00:40:20.719
We're gonna make all this stuff.
The entire time he's doing it, whether

629
00:40:20.800 --> 00:40:23.360
it's in a medium shot or a
close up, he's framed by the London

630
00:40:23.440 --> 00:40:30.199
Bridge. Ah Man, I did
miss that. That moment really made me

631
00:40:30.320 --> 00:40:34.039
love that scene because it was telling
a double story. But literally, the

632
00:40:34.239 --> 00:40:37.719
entire time he's talking, the boat's
moving, but no matter whether it's a

633
00:40:37.760 --> 00:40:40.679
tight shot or a medium shot,
the London Bridge is the center of the

634
00:40:40.800 --> 00:40:44.599
frame. And then he's in front
of it. Yeah, So when he's

635
00:40:44.679 --> 00:40:46.679
talking and talking, it's all London
Bridge, and I thought that that was

636
00:40:47.519 --> 00:40:52.119
a really inspired moment. Absolutely,
I really loved that. That is probably

637
00:40:52.159 --> 00:40:55.800
the only time you're gonna hear me
like gush yeah over this film. But

638
00:40:55.880 --> 00:41:00.159
that London Bridge shot where he is
just going off off about how England is

639
00:41:00.199 --> 00:41:04.719
going to see it's time, where
it's going to lead Europe and how important

640
00:41:04.760 --> 00:41:07.800
it is to be from London and
take care of London and build London.

641
00:41:07.880 --> 00:41:12.039
Yeah, and the whole freaking time
blurry London Bridge right behind him. I

642
00:41:12.079 --> 00:41:14.920
loved it. That's genius. So
that's when, like I said, they

643
00:41:14.960 --> 00:41:16.719
tell him that there's a gas leak, and he tells Victoria to take them

644
00:41:16.719 --> 00:41:20.960
to another restaurant, and Harold confers
with his men that they're gonna go back

645
00:41:21.000 --> 00:41:22.920
out fan all the regions, and
he's also getting guns to all his men

646
00:41:23.000 --> 00:41:28.000
to go gather all the suspects that
they have and bring them in because somebody

647
00:41:28.119 --> 00:41:30.000
has to know something, and they're
all gonna meet at the Abatuar at midnight.

648
00:41:30.280 --> 00:41:34.920
Jokes on them, it's totally possible
for everyone to know nothing. This

649
00:41:35.079 --> 00:41:38.880
is true. On Twitter, he
assigns Jeff to go meet up with Victoria

650
00:41:38.920 --> 00:41:44.039
and entertain Charlie and Tony because at
this point it's just Victoria and counselor or

651
00:41:44.119 --> 00:41:46.159
Chancellor Harris, and we'll get to
that in a second, because that's not

652
00:41:46.239 --> 00:41:49.880
gonna go well. So they're all
gonna meet at the Avatar at midnight.

653
00:41:49.960 --> 00:41:52.159
At the restaurant, Charlie and Tony
are asking Victoria at a level with them,

654
00:41:52.199 --> 00:41:54.920
because they're not stupid, they're not
freshman. They're like, no,

655
00:41:55.400 --> 00:41:59.599
that was a bomb. That was
a bomb. Two bombs, yeah yeah,

656
00:41:59.639 --> 00:42:04.079
oh oh no, you know gas
accidents to crime family, Yeah yeah,

657
00:42:04.159 --> 00:42:07.199
yeah. Two bombs in one day
is serious business. So Victoria questions

658
00:42:07.199 --> 00:42:07.960
how they know, and that's when
they say it's their job to know,

659
00:42:08.119 --> 00:42:12.440
and Charlie threatens Victoria to tell them
what is going on or they're going to

660
00:42:12.519 --> 00:42:15.280
leave town and fly back to the
US. So Victoria tells them about the

661
00:42:15.400 --> 00:42:20.000
car bomb, the casino bomb,
colin stabbing, and even the pub imploating

662
00:42:20.599 --> 00:42:23.440
are exploding, and Victoria assures them
that tomorrow the problem will be settled,

663
00:42:23.480 --> 00:42:27.960
and that's when Tony tells her,
you know what we are, we're agreeable

664
00:42:28.000 --> 00:42:30.320
men. You have twenty four hours
to fix this or we're going to fuck

665
00:42:30.360 --> 00:42:32.039
right off. Yeah, I don't
blame them. Yeah, So they have

666
00:42:32.159 --> 00:42:36.000
twenty four hours to solve their problems, but one more foul up and they

667
00:42:36.119 --> 00:42:38.480
will leave. Later on, when
they're talking to the he literally says like,

668
00:42:38.679 --> 00:42:43.239
this is Vietnam. Yeah, Like
that's the way they describe doing business

669
00:42:43.519 --> 00:42:46.039
in England with him, is this
is Vietnam. So at a local bar,

670
00:42:46.119 --> 00:42:49.119
we see Harold round up one of
the gangsters. He takes them to

671
00:42:49.159 --> 00:42:52.039
the car with Brazers help, and
back at dinner and inebriated Chancellor Harris is

672
00:42:52.119 --> 00:42:55.360
making things worse. He's angering Charlie
and Tony, telling them that he knows

673
00:42:55.519 --> 00:43:00.119
everything and that he's got all these
business plans. But Jeff arrives just in

674
00:43:00.199 --> 00:43:02.199
time to smooth things over. Before
Charlie and Tony returned to their hotel,

675
00:43:02.599 --> 00:43:07.119
Jeff takes Victoria home and tells council
Chist that they call him a cab.

676
00:43:07.159 --> 00:43:10.800
And that's when Harris makes the comment
to Victoria knows nothing and that Jeff is

677
00:43:10.880 --> 00:43:15.239
the real bastard. Yeah, which
we'll get to. So in the car,

678
00:43:15.400 --> 00:43:19.679
Victoria drives expressing how tough the day
has been and Jeff offers to see

679
00:43:19.719 --> 00:43:22.960
Victoria to redore when they arrive to
the apartment, and they have an awkward

680
00:43:22.000 --> 00:43:24.840
exchange in the elevator as Jeff tells
her that he wants to lick every inch

681
00:43:24.920 --> 00:43:29.320
of her body. Yeah, yeah, and uh, and it's done by

682
00:43:29.400 --> 00:43:31.000
him looking her up and down and
her looking him up and down with no

683
00:43:31.199 --> 00:43:35.280
music, no music, and then
he just says that, Yeah. Then

684
00:43:35.360 --> 00:43:43.400
the the e This is weird.
Yeah, notice it is weird. So

685
00:43:43.679 --> 00:43:45.800
we cut back to the avatarre it's
midnight now when Harold and raise Her arrive

686
00:43:45.880 --> 00:43:49.400
and Harold goes to see Collin's body, but right as he does, the

687
00:43:49.480 --> 00:43:52.760
rest of his men shortly arrive with
their catches, and they're all strung up

688
00:43:52.800 --> 00:43:55.480
like cattle because they are taking them
down the slaughter chain. They literally have

689
00:43:55.599 --> 00:44:00.119
them hung upside down and they're all
forming them into the freezer. Yeah on

690
00:44:00.239 --> 00:44:02.519
a frames, Yeah, and they're
being scooted along humping upside down, and

691
00:44:02.559 --> 00:44:06.400
it's really cool because the one POV
shot you actually go along. Yeah,

692
00:44:06.440 --> 00:44:09.039
they do have the camera being upside
down and following them, which I thought

693
00:44:09.119 --> 00:44:12.639
was cool. So the rest of
the men shortly arrive with their catches and

694
00:44:12.760 --> 00:44:15.679
that's when he tells them all that
no one goes home until they find out

695
00:44:15.679 --> 00:44:17.760
who's guilty. Jeff arrives shortly after
this time, and one of the gangsters

696
00:44:17.800 --> 00:44:21.760
is trying to tell him that they
know nothing and that Harry should probably or

697
00:44:21.800 --> 00:44:23.320
Harold should look into his own men, and that pisses Jeff off. He

698
00:44:23.400 --> 00:44:27.039
loses his temper. He's about to
assault a local crime boss, which this

699
00:44:27.119 --> 00:44:30.280
would create a war, which,
by the way, I love though that

700
00:44:30.480 --> 00:44:34.119
when somebody says like, maybe it's
your own men, Yeah, he's like

701
00:44:34.239 --> 00:44:37.440
what an all thing is like fucking
duh, Yeah, fucking duh. Yeah.

702
00:44:38.199 --> 00:44:42.199
How do you think they always know
where you're gonna be? Yeah,

703
00:44:42.639 --> 00:44:46.000
So Parky shortly arrives and he tells
him that the bomb is an Irish Special

704
00:44:46.079 --> 00:44:50.559
Branch style and that he is getting
out of this because now this is something

705
00:44:50.599 --> 00:44:52.840
hot that he wants nothing to be
a part of. And Harold, of

706
00:44:52.880 --> 00:44:54.159
course, being bullheaded that he is, is like, no, no,

707
00:44:54.280 --> 00:44:59.079
no, We're gonna finish this yeah
now. And for context, this is

708
00:44:59.159 --> 00:45:04.480
an era of very long era yeah, where the Irish Republican Army was one

709
00:45:04.519 --> 00:45:09.079
of the largest terrorist organizations in the
entire planet. Not just in Europe but

710
00:45:09.239 --> 00:45:14.639
in the entire planet. So it
would be kind of like when you watch

711
00:45:14.719 --> 00:45:16.639
Sons of Anarchy and they'd be like, all right, we found somebody to

712
00:45:16.639 --> 00:45:20.760
buy our guns. It's the it's
the Taliban. Yeah, they were like

713
00:45:20.840 --> 00:45:28.000
what not that far off? So
that's why people are like, do you

714
00:45:28.239 --> 00:45:39.199
even? Movie will be right back, welcome back to do you even movie?

715
00:45:44.280 --> 00:45:47.320
This looks like the IRA? I
only think so. Parky gets slapped

716
00:45:47.320 --> 00:45:50.880
around by Hoskins character and he's like, you know, no, you're in

717
00:45:51.000 --> 00:45:52.320
this. You finish this. I
pay you, You do what I tell

718
00:45:52.320 --> 00:45:55.559
you to do. And Parky is
trying to reason him, like you cannot

719
00:45:55.639 --> 00:46:00.199
take on the IRA, like these
people will fucking eat you up, And

720
00:46:00.320 --> 00:46:01.360
of course Hoskins is like, no, no, no, we are going

721
00:46:01.480 --> 00:46:05.159
to finish this. Well, he
even mentions later on he's like, he's

722
00:46:05.199 --> 00:46:07.320
like these people don't care about money. Yeah, they're political, they're what

723
00:46:07.519 --> 00:46:10.360
was he he calls them something else, like they're uh uh, I mean

724
00:46:10.400 --> 00:46:15.280
he says, like they're crazy,
they're they're ideologues, they're they're political.

725
00:46:15.719 --> 00:46:17.519
Yeah, it's not about the commandos
at one point, well, I mean

726
00:46:17.920 --> 00:46:22.639
a lot of them are. But
the Irish Republican army fought against the United

727
00:46:22.800 --> 00:46:29.800
Kingdom, like the idea that Hoskins
Crime Syndicate could even stand up to them

728
00:46:29.840 --> 00:46:36.320
at all when they're an organized terrorist
army. And and look, no matter

729
00:46:36.440 --> 00:46:39.840
what you think about the IRA,
there they were acknowledged as terrorists. They

730
00:46:39.920 --> 00:46:45.159
committed acts of terrorism because it was
the only way they could compete with one

731
00:46:45.199 --> 00:46:47.039
of the largest armies in the world. The previous title we talked about the

732
00:46:47.079 --> 00:46:51.320
Prayer for Dying, that Mickey Rourke
and Bob Hoskins movie. Remember that opening

733
00:46:51.400 --> 00:46:54.599
with Rourke's character is Liam Neeson of
the IRA doing that bombing with that tunnel

734
00:46:54.599 --> 00:46:58.440
and that fucks that school bus up
of those kids. There were a lot

735
00:46:58.519 --> 00:47:00.639
of especially in the nineties, a
lot of great IRA thrillers. Yeah,

736
00:47:00.920 --> 00:47:07.400
Devil's Own What was the one with
Brad Pitt where Okay, one of my

737
00:47:07.400 --> 00:47:09.760
favorite Errison Ford and Brad Pitt.
Yeah, that's one of my personal favorites.

738
00:47:09.880 --> 00:47:15.119
A great one. And like every
Jack Ryan, every Jack Harold was

739
00:47:15.119 --> 00:47:16.960
basically about the IRA. Yeah.
And one thing I do want to add

740
00:47:17.000 --> 00:47:22.280
in regards to Harold's interrogation of the
men is he's he's trying to be civil

741
00:47:22.320 --> 00:47:23.840
with these local crime bosses, because
he talks about, how you know,

742
00:47:24.039 --> 00:47:28.079
I've I've helped you when you were
down, I've put money in your pockets,

743
00:47:28.199 --> 00:47:30.079
You've done things for me, I've
done things for you. Just tell

744
00:47:30.159 --> 00:47:34.400
me what's going on. Somebody admit
to this so we can all figure this

745
00:47:34.519 --> 00:47:36.639
out. Yeah, And they're all
like, we have no idea what you're

746
00:47:36.639 --> 00:47:37.880
talking about. Yeah. So it
turns out they're telling the truth. They're

747
00:47:37.920 --> 00:47:40.320
telling the absolute truth. So that's
when he tells Jeff to let them in,

748
00:47:40.400 --> 00:47:43.400
go give them a grand each,
and send them home. And that's

749
00:47:43.400 --> 00:47:45.559
when Harold says he's gonna go home
and do some thinking. So Harold goes

750
00:47:45.599 --> 00:47:49.039
home to find a nervous Victoria.
She's having a drink and a smoke,

751
00:47:49.079 --> 00:47:51.480
and he joins her in the living
room, asking how it went with Charlie.

752
00:47:51.760 --> 00:47:53.079
She informs him that they know about
the bomb, they know about the

753
00:47:53.119 --> 00:47:55.719
rest of the events, and that
she had to tell them that to stop

754
00:47:55.760 --> 00:47:59.320
them from leaving. And this piss
is Harold off. He actually briefly like

755
00:47:59.559 --> 00:48:00.760
goes to her and throws her down
and he's like, no, no,

756
00:48:00.880 --> 00:48:04.599
what am I doing? Like I'm
losing it, like I'm sorry, and

757
00:48:04.719 --> 00:48:07.760
that's what he tries to comfort her, and she tells him not to treat

758
00:48:07.760 --> 00:48:09.519
her like one of her thugs,
and Harold apologizes, and we cut to

759
00:48:09.679 --> 00:48:14.840
a warehouse the next day where we
see a bunch of explosive containers that all

760
00:48:14.920 --> 00:48:16.280
say what is it, like danger
explosives on it? I think yeah.

761
00:48:16.360 --> 00:48:20.320
They all say like basically explosive.
Yeah, and they're yellow. Yeah,

762
00:48:20.320 --> 00:48:22.719
and they're yellow. And we see
a lot of these containers just sitting around

763
00:48:22.760 --> 00:48:24.480
a warehouse. A woman pulls up
and we see that it says Harris is

764
00:48:24.559 --> 00:48:29.000
demolition, So this is kind of
Chancellor Harris's place. So after releasing a

765
00:48:29.039 --> 00:48:30.840
dog that's in a security off is
locked up, she follows the dog through

766
00:48:30.840 --> 00:48:34.679
the building and inside the building.
At the top of it, we find

767
00:48:34.800 --> 00:48:38.599
Harris has been beaten and crucified to
the floor. Well he wasn't crucified because

768
00:48:38.599 --> 00:48:43.559
there's no cross, no cross,
but I mean he hands nailed to the

769
00:48:43.639 --> 00:48:46.119
floor. Yeah, very very brutal. So Harold and Victoria are delivered the

770
00:48:46.199 --> 00:48:51.119
news of Victoria questions who got to
him before before they could, and Victoria

771
00:48:51.199 --> 00:48:53.760
even says that she thinks someone inside
the group could be responsible. And Harold's

772
00:48:53.760 --> 00:49:00.440
like, you think so q pikachuh. Yeah, So Harold about Harris's comment

773
00:49:00.480 --> 00:49:02.880
the night before of her being wrong
and Jeff being the real bastard. And

774
00:49:02.920 --> 00:49:07.039
that's when Harold phones Razor, asking
him to find out who the woman was

775
00:49:07.159 --> 00:49:09.079
that was recently speaking to Jeff,
which was the widow that spin on him

776
00:49:09.079 --> 00:49:14.159
because Razor we glossed over that.
Razor at one point told Harold about Jeff

777
00:49:14.199 --> 00:49:15.559
getting spin on by the woman because
he was out in the car waiting for

778
00:49:15.679 --> 00:49:20.800
him. So that's when Harold tells
him to phone him, phones him,

779
00:49:20.800 --> 00:49:22.239
asked him to find out who Jeff's
speaking to at the funeral, and once

780
00:49:22.280 --> 00:49:24.440
he finds out to pick Harold up
and they're going to go find her.

781
00:49:24.880 --> 00:49:29.480
So we cut to a cemetery where
we see a woman on the ground visiting

782
00:49:29.480 --> 00:49:32.480
a stone and Harold calls to her, missus Benson. She calls Harold a

783
00:49:32.519 --> 00:49:36.639
bastard, and she tells him that
Colin had been sent for her husband to

784
00:49:36.679 --> 00:49:39.079
go to Belfast as a show for
Harold has no idea what she's talking about.

785
00:49:39.119 --> 00:49:40.840
He's like, what do you mean
Belfast? I don't do business in

786
00:49:40.880 --> 00:49:45.400
Belfast. What are you talking about
and that's when she finds out that Jeff

787
00:49:45.519 --> 00:49:47.559
was involved in this business. And
Harold tells the widow that he's going to

788
00:49:47.599 --> 00:49:50.719
make this right. She'll have one
hundred quid a week and that he's going

789
00:49:50.760 --> 00:49:53.960
to get her husband a decent gravestone. And he goes off after he slaps

790
00:49:54.000 --> 00:49:57.239
her in front of her children.
Yeah, I mean he does do that.

791
00:49:57.320 --> 00:50:00.559
Yes, there is that here here. I didn't say he harrow.

792
00:50:00.679 --> 00:50:05.800
I never said a hero, So
Haroldvid's personal hero. Harold returns to the

793
00:50:05.840 --> 00:50:07.400
boat and he's angry. He goes
to poor a drink, and that's when

794
00:50:07.400 --> 00:50:10.239
we see Jeff roll up in his
car and Harold watches him walk onto the

795
00:50:10.280 --> 00:50:14.400
boat and he asked him about the
incident in Belfast, and this catches Jeff

796
00:50:14.400 --> 00:50:15.039
off gord because he's like, well, how do you know about that?

797
00:50:15.480 --> 00:50:20.320
And he asked who's phil Benson?
And Jeff reveals that Colin had to make

798
00:50:20.360 --> 00:50:24.440
a delivery to Belfast that was money
on Chancellor Harris's behalf to the IRA that

799
00:50:24.599 --> 00:50:29.960
he then took for himself, and
then that night three of their main men

800
00:50:30.039 --> 00:50:35.800
were murdered. Awkward, So this
is all for five thousand dollars and the

801
00:50:35.920 --> 00:50:37.760
night that Colin delivered that three of
the top mem were murdered. Harold puts

802
00:50:37.800 --> 00:50:40.960
it together that this is now a
revenge plot. The IRA thinks that he

803
00:50:42.199 --> 00:50:44.800
is in charge of the robbery and
was in charge of the hit, and

804
00:50:44.880 --> 00:50:46.480
they're taking it out on him by
taking out his businesses and his men.

805
00:50:47.079 --> 00:50:50.800
Yeah, so it's eye for an
eye kind of thing. So Harold confronts

806
00:50:50.840 --> 00:50:52.400
Jeff and ask him why he didn't
tell him this. Jeff states that he

807
00:50:52.480 --> 00:50:55.119
was scared they were going to kill
him. Harold states that he's going to

808
00:50:55.199 --> 00:50:58.719
kill them all, and Jeff tries
to reason with him to work with them,

809
00:50:59.039 --> 00:51:00.880
telling him that they have more power
than he could ever have and that

810
00:51:01.039 --> 00:51:04.719
they do not in this for the
money. They will make it sure that

811
00:51:06.079 --> 00:51:09.199
he understands to them he is nothing, and this, of course pisses Harold

812
00:51:09.239 --> 00:51:13.239
off, so he in a rage, breaks the linquor bottle, attacks Jeff,

813
00:51:13.320 --> 00:51:15.800
stabbing him in the neck, and
kills him. Then comes to the

814
00:51:15.840 --> 00:51:17.760
realization that he's also just killed another
one of his men, and then he

815
00:51:17.880 --> 00:51:21.920
holds him like a sweet little bleeding
baby, holds him like a sweet little

816
00:51:21.920 --> 00:51:23.880
bleeding baby, gets blood all over
his clothes, and that's when Victoria arrives

817
00:51:23.960 --> 00:51:28.000
at the dock and she hears Harold
scream out, and he emerges from the

818
00:51:28.039 --> 00:51:30.480
boat just covered in blood and he
is frantic. He goes up to Razor

819
00:51:30.559 --> 00:51:34.079
trying to get his gun off him, and it's Victoria, one of his

820
00:51:34.159 --> 00:51:36.400
other men, and Razor trying to
hold Harold back, and that's when she

821
00:51:36.519 --> 00:51:39.599
tells him to use Harris to stop
this bloody havoc. So they get a

822
00:51:39.639 --> 00:51:43.039
hold of him, they calm him
down, and that's when they take Harold

823
00:51:43.039 --> 00:51:45.440
back to the house and we have
this really cool scene that Harold's in the

824
00:51:45.480 --> 00:51:49.519
shower and he's just glossing over at
the events, basically in his head.

825
00:51:49.519 --> 00:51:52.840
He's letting the water run down him. They're burning his bloody clothes out back,

826
00:51:52.880 --> 00:51:54.320
and he's kind of just trying to
figure out what he's gonna do,

827
00:51:54.679 --> 00:51:59.960
which I really like that scene.
It's a good scene. So they gatherers

828
00:52:00.199 --> 00:52:01.480
and burn them in the backyard,
and we next see Harold go to Harris's

829
00:52:01.519 --> 00:52:05.599
office. Harris and Harold then are
next scene at a stock car race and

830
00:52:05.719 --> 00:52:09.480
Harold shows him the box with the
IRA guys are basically operating out of and

831
00:52:09.599 --> 00:52:13.639
we next see them go up the
steps into the box. That's when one

832
00:52:13.639 --> 00:52:15.159
of the guys in the office says
that he's gonna have to talk to the

833
00:52:15.199 --> 00:52:20.760
boss because Harold is now offering sixty
thousand dollars for the ceasefire and everything to

834
00:52:20.840 --> 00:52:23.000
be done with. This is basically
payback. Here you go, we're done.

835
00:52:23.440 --> 00:52:25.000
And that's when he tells him,
you know, you'll have to talk

836
00:52:25.039 --> 00:52:28.119
to my boss. He just won
the race. He's coming back up to

837
00:52:28.159 --> 00:52:30.880
the office. So the guy comes
into the office, and this is shortly

838
00:52:30.920 --> 00:52:34.880
after Harold is by the front window
and he notices that the IRA also have

839
00:52:34.920 --> 00:52:38.480
a gunman oul sniper that watches the
office. So by this point Harold just

840
00:52:38.519 --> 00:52:40.880
takes a step back and the guy
comes in and he's like, you know,

841
00:52:40.960 --> 00:52:45.760
here's sixty thousand, here's the ceasefire, and you know, the gentleman's

842
00:52:45.800 --> 00:52:46.199
like, okay, well, I'm
gonna have to count it. He's like,

843
00:52:46.280 --> 00:52:49.679
be my guest. So as they're
counting it, they're all in the

844
00:52:49.719 --> 00:52:52.280
front window, and that's when three
of Harold's men burst in with shotguns,

845
00:52:52.400 --> 00:52:55.800
blowing these guys away, including Harris. One of them goes through the window

846
00:52:57.000 --> 00:53:00.920
out out out onto the track,
hits us stock car. The stock car

847
00:53:00.000 --> 00:53:04.599
crash into another stock car. There's
a huge crash and a huge explosion,

848
00:53:04.800 --> 00:53:08.440
and that is the end of those
guys. Yeah, the end, serious

849
00:53:08.599 --> 00:53:13.199
end. And so that's when Harold
decides that, you know, everything's good

850
00:53:13.280 --> 00:53:15.519
on them. So they they are
going to go back to the hotel and

851
00:53:15.599 --> 00:53:20.239
talk to Charlie and Tony. So
Harold Victoria arrive at the Savoy Hotel as

852
00:53:20.280 --> 00:53:22.639
Harold goes in to speak to them, and he finds out that Charlie and

853
00:53:22.719 --> 00:53:25.840
Tony are busy packing because they are
out of here. They're done. Yeah,

854
00:53:25.880 --> 00:53:29.559
that's where they mentioned the line about
like this is like being in Vietnam.

855
00:53:29.679 --> 00:53:31.159
Vietnam. Yeah, we we can't
do business with you. Charlie thanks

856
00:53:31.239 --> 00:53:35.239
him for stopping by to say goodbye, and Harold calls them cowardly for not

857
00:53:35.320 --> 00:53:37.119
being able to handle the violence,
and Tony tells him the country is worse

858
00:53:37.199 --> 00:53:43.679
than Cuba was that we were in
Cuba. Yeah, so Harold can't get

859
00:53:43.679 --> 00:53:45.559
through to them. He goes to
lead, but he turns back to call

860
00:53:45.639 --> 00:53:49.039
them wankers and states he's looking for
someone to conttribute to the common market and

861
00:53:49.119 --> 00:53:52.599
that he's already got his eye on
a partnership with the German organization, so

862
00:53:52.679 --> 00:53:54.400
he leaves Charlie and Tony. Charlie
and TONI are splitting back to the US.

863
00:53:54.480 --> 00:53:58.159
The deal is off, so Harold
thinks that he's on top still,

864
00:53:58.400 --> 00:54:00.119
so he goes outside, calling his
car back over. But as he gets

865
00:54:00.119 --> 00:54:02.880
into it, it is sped off
and he realizes there's no Victoria in it.

866
00:54:04.239 --> 00:54:07.440
He passes another car and sees the
Victoria is being held by IRA men,

867
00:54:07.559 --> 00:54:09.639
and that's when in the front seat
turns around Pierce Brosnan with a silence

868
00:54:09.679 --> 00:54:13.880
pistol on him, revealing that he
is not gonna get away this time.

869
00:54:14.079 --> 00:54:20.440
And they show this long, long, intentionally drawn out moment where they're driving

870
00:54:20.519 --> 00:54:23.800
him along. Yeah, at gunpoint, and I have to hand it to

871
00:54:23.960 --> 00:54:28.239
him. His facial expressions. They
stay on him for like forty five to

872
00:54:28.280 --> 00:54:32.400
fifty seconds, and you see him
go through like every stage possible. He's

873
00:54:32.559 --> 00:54:38.320
like angry, disappointed, afraid,
and then accepting it. Yeah, and

874
00:54:38.719 --> 00:54:42.079
that is a powerful moment. Yeah, have to say, I love that

875
00:54:42.239 --> 00:54:44.840
ending. So Harold grows to accept
his fate. There's no getting away from

876
00:54:44.840 --> 00:54:47.360
the situation. They cut to black
and that is the end of nineteen eighties,

877
00:54:47.440 --> 00:54:52.119
The Long Good Friday, and emphasis
on long. It's only an hour

878
00:54:52.159 --> 00:54:57.679
and fifty four minutes. But here's
my thing. Okay, we've done a

879
00:54:57.760 --> 00:55:01.400
few episodes. Yeah, and that
is the first time we've had a movie

880
00:55:01.480 --> 00:55:07.239
that was over an hour twenty that
we were done with the breakdown this fast.

881
00:55:07.360 --> 00:55:09.920
Yeah, that's fair, like there
isn't a lot that happened. Well,

882
00:55:10.000 --> 00:55:15.159
no, I mean it's it is
a dialogue driven film because even though

883
00:55:15.199 --> 00:55:17.000
the violence is there, it's very
infrequent, and even if it is brutal,

884
00:55:17.119 --> 00:55:21.880
again, it's still in frequent.
It's a lot of building up to

885
00:55:21.960 --> 00:55:23.719
this plot in regards to him working
out with his men what's going on,

886
00:55:23.880 --> 00:55:28.559
and then them trying to persuade Charlie
and Tony to stay and all this stuff.

887
00:55:28.559 --> 00:55:31.559
It's it's a lot of character development
with these guys in regards to finding

888
00:55:31.559 --> 00:55:35.679
out what is going on, who
was all involved, and then of course

889
00:55:35.840 --> 00:55:38.960
the finale with the showdown. Basically, I think it was the problem for

890
00:55:39.119 --> 00:55:43.039
me is there was a lot of
build up for there to not be a

891
00:55:43.119 --> 00:55:46.320
twist. I get that because having
the IRA turn out to be who are

892
00:55:46.400 --> 00:55:52.000
behind it? Yeah, the the
IRA wasn't a regular part of the movie.

893
00:55:52.159 --> 00:55:54.280
No, they were like just a
concept. Yeah, so I mean

894
00:55:54.360 --> 00:55:58.800
it may as well have been the
Mongolian Army. It'll be the same,

895
00:55:58.920 --> 00:56:00.960
like, oh, but at the
same time, you're kept in the dark,

896
00:56:01.079 --> 00:56:04.840
just like Hoskins character is, so
you're solving this along with him.

897
00:56:04.920 --> 00:56:07.079
And and I enjoy his performance in
this very much. Oh he's excellent.

898
00:56:07.199 --> 00:56:13.159
He's absolutely excellent. But it's just
I wish there had been a stronger payoff.

899
00:56:13.360 --> 00:56:16.440
Yeah, that's my biggest that's my
biggest complaint is like we spent a

900
00:56:16.559 --> 00:56:21.320
long time to get there, and
we didn't even get like even though I

901
00:56:21.360 --> 00:56:23.400
said, like I predicted it would
happen, like if Helen Mirren had sold

902
00:56:23.480 --> 00:56:27.719
him out or something, we could
have at least gotten like a ah shit,

903
00:56:28.360 --> 00:56:30.920
But not saying that that would have
made the movie perfect right now,

904
00:56:30.159 --> 00:56:35.000
But I just wish that I could
have gotten something like that, yeah,

905
00:56:35.719 --> 00:56:37.559
instead of it just being well,
it's the Ira, can't beat the Ira.

906
00:56:37.800 --> 00:56:40.760
It's like, okay, but the
Ira are not even established in the

907
00:56:40.840 --> 00:56:44.679
movie, Like in order for you
to know how dangerous the Ira are,

908
00:56:44.760 --> 00:56:47.000
you have to know outside of the
movie who they are. I mean,

909
00:56:47.039 --> 00:56:51.840
but we get a hint to the
IRA literally with the first bomb, because

910
00:56:51.960 --> 00:56:55.280
that's when that's when I can't remember
who it is that mentions no, no,

911
00:56:55.360 --> 00:57:00.440
it's the pub bomb. Yeah,
because they talk about a couple wanting

912
00:57:00.480 --> 00:57:01.840
protection, we shoot them off,
and that's when Parky is like, wait,

913
00:57:01.920 --> 00:57:04.719
wait, two Irish people came in, and that's what he was like,

914
00:57:05.199 --> 00:57:07.119
Harold, come talk to me for
a second. And he's like,

915
00:57:07.559 --> 00:57:08.519
if this is what I think it
is. So, I mean, that's

916
00:57:08.559 --> 00:57:12.719
about like twenty thirty minutes in,
so we do get a hint at it.

917
00:57:13.119 --> 00:57:15.960
Yeah, it's just that the IRA
is not is not represented in the

918
00:57:16.039 --> 00:57:20.960
film until they are already the villain
that that was coming after him. Yeah,

919
00:57:21.000 --> 00:57:22.679
I mean I get that. That's
totally fun. So you want to

920
00:57:22.719 --> 00:57:23.960
hear some notes on this film,
let's do it, all right. So

921
00:57:24.039 --> 00:57:28.360
the budget was about one million,
one hundred and eighty two thousand dollars.

922
00:57:28.440 --> 00:57:31.800
The box office brought in five hundred
forty one thousand. Huge Hit. Huge

923
00:57:31.880 --> 00:57:36.679
Hit opened on March twenty ninth,
nineteen eighty one. In nineteen eighty three,

924
00:57:36.800 --> 00:57:39.599
it won Best Most Picture Screenplay for
Barry Keith with Thela Poe Award.

925
00:57:39.760 --> 00:57:45.639
Long after I don't know Egar Allan
Poe Award. Oh yeah. In nineteen

926
00:57:45.639 --> 00:57:50.199
eighty two, Hoskins won Best Actor
for the Evening Standard British Film Award.

927
00:57:51.239 --> 00:57:52.679
Wow, I mean that's a thing. I'm giving a note, right,

928
00:57:52.920 --> 00:57:55.920
that's the thing. Yeah. There
was an unproduced sequel plan that was going

929
00:57:57.000 --> 00:57:59.880
to be Black Easter Monday, twenty
years after the events of the first film.

930
00:58:00.119 --> 00:58:00.880
No, listen to this, I'm
listening. I was just laughing.

931
00:58:00.920 --> 00:58:05.280
No, I know, it's a
bad title, opening with hoskins character escaping

932
00:58:05.320 --> 00:58:07.400
the IRA after the car is pulled
over by the police. Shan would then

933
00:58:07.440 --> 00:58:12.519
retire to Jamaica, returns to stop
East End being taken over by Yardies.

934
00:58:12.559 --> 00:58:17.480
The film was unfortunately never made.
Unfortunately, Hoskins's voice was originally going to

935
00:58:17.519 --> 00:58:22.920
be dubbed over by a Wolverhampton actor
due to fear of Americans not understanding the

936
00:58:22.000 --> 00:58:27.199
London accent. Oh that couldn't possibly
happen. Hoskins threatened to sue Jack Gill,

937
00:58:27.320 --> 00:58:30.119
so the dubbing was removed. And
that's why I couldn't follow. About

938
00:58:30.199 --> 00:58:34.840
a fifth of the film. Pierce
Broston's feature film debut, but his part

939
00:58:34.960 --> 00:58:37.760
was supposed to be completely silent,
but he improvised one word of dialogue,

940
00:58:37.760 --> 00:58:42.000
which was high I like that.
Yeah, I mean I thought Brosden.

941
00:58:42.199 --> 00:58:44.920
I could see why people would see
him in that and go like, let's

942
00:58:44.960 --> 00:58:47.320
try this guy out. Yeah.
Hoskins celebrated the line of there's a lot

943
00:58:47.360 --> 00:58:51.480
of dignity in that. Going out
like a raspberry ripple was improvised. Or

944
00:58:51.480 --> 00:58:54.239
excuse me. Hoskins celebrated line of
there's a lot of dignity in that.

945
00:58:54.400 --> 00:58:59.920
Going out like a raspberry ripple was
improvised by Hoskins. Hoskins received a family

946
00:59:00.079 --> 00:59:02.000
here. One they mentioned that they
were putting his buddy's body in an ice

947
00:59:02.079 --> 00:59:06.320
cream truck to get it to the
abatoire without people knowing the guy was dead.

948
00:59:06.719 --> 00:59:09.920
Hoskins received a fan letter from notorious
gangster Ronald Gray, who loved the

949
00:59:10.000 --> 00:59:15.719
film. Did he he did?
Francis Monkman's score is so loud in the

950
00:59:15.760 --> 00:59:20.840
final scene it drowns out any noise
because director John McKenzie was giving constant direction

951
00:59:20.920 --> 00:59:23.639
to Hoskins the entire time. Because
the sound levels on both sides needed to

952
00:59:23.679 --> 00:59:27.840
sync, producers decided to mute the
whole thing and put the score over it,

953
00:59:28.760 --> 00:59:31.280
actors being held upside down had to
be supported between takes to prevent them

954
00:59:31.320 --> 00:59:35.400
from passing out. That makes sense, a lot of sense to prepare for

955
00:59:35.480 --> 00:59:37.960
his role. Hoskins then held court
with real London gangsters, so he had

956
00:59:38.079 --> 00:59:40.320
a he had I think it was
like I think they had five or six

957
00:59:40.360 --> 00:59:44.400
of them that he met with,
and they like and he asked them questions

958
00:59:44.400 --> 00:59:49.480
about the character and motivational That seems
completely reasonable and responsible. I mean,

959
00:59:49.559 --> 00:59:52.559
that's that's that's what the Hoskins does. Okay, fair enough. I know

960
00:59:52.639 --> 00:59:54.519
he hung out with a bunch of
cartoon characters to be in frame. Right

961
00:59:54.639 --> 00:59:58.599
that he did, Yes, that
he did. Smart ass. So what

962
00:59:58.719 --> 01:00:02.760
are your final thoughts on it?
Uh, it's a product of its time.

963
01:00:02.840 --> 01:00:07.360
It's very very slow paced. Yeah, I think that that. Story

964
01:00:07.440 --> 01:00:12.039
wise, it's sparse. I think
that the greatest thing it has going for

965
01:00:12.199 --> 01:00:16.320
it is extremely strong performances, absolutely
without a doubt, But that doesn't really

966
01:00:16.400 --> 01:00:20.480
carry the movie for me very much. I did find it to be kind

967
01:00:20.519 --> 01:00:23.320
of a bore. I thought that
when it was good, it was great,

968
01:00:23.440 --> 01:00:27.280
and when it wasn't good, it
just wasn't anything. I was just

969
01:00:27.360 --> 01:00:30.960
kind of like watching them like drive
around London. Yeah, and go to

970
01:00:31.039 --> 01:00:34.239
the next thing, and go to
the next thing. Like I said,

971
01:00:34.280 --> 01:00:37.679
the fact that we could sum up
the whole film so fast, yeah,

972
01:00:37.079 --> 01:00:40.599
says a lot about how many scenes
really mattered and how long it took to

973
01:00:40.679 --> 01:00:45.039
get to them. You know,
I would have to give this at best

974
01:00:45.079 --> 01:00:47.360
a stream it. Honestly, I
think you could. I feel so bad

975
01:00:47.400 --> 01:00:50.800
saying it, but you could miss
this movie and be fine. You should

976
01:00:50.840 --> 01:00:52.880
just never see it and you be
hones ouch Okay. I mean if you

977
01:00:53.000 --> 01:00:58.280
love British cinema, or if you're
fascinated by like Bob Hoskins or I guess

978
01:00:58.360 --> 01:01:00.400
Helen Mirren. I mean that it's
the selling point on this for me is

979
01:01:00.480 --> 01:01:04.800
Hoskins. I love Hoskins as an
actor. I mean, even just going

980
01:01:04.840 --> 01:01:07.400
through his resume, there's a lot
of movies on there I like, and

981
01:01:07.559 --> 01:01:09.440
I think this is, like I
said, one of his underrated because this

982
01:01:09.599 --> 01:01:15.360
performance. I mean, this movie
hinges on his performance. And sure,

983
01:01:15.519 --> 01:01:19.719
because of that you get to see
a really underrated Early's UK gangster picture.

984
01:01:20.000 --> 01:01:22.239
It builds up like a counterpeg to
its bleak and appropriate conclusion. I think

985
01:01:22.239 --> 01:01:25.599
the performances in the chemistry of Hoskins
and Miron is strong throughout, with Hoskins

986
01:01:25.679 --> 01:01:29.440
really showing his craft the whole way
through, and the action, like I

987
01:01:29.480 --> 01:01:32.000
said, Wallin Frequent is brutal and
memorable, especially that final scene with the

988
01:01:32.000 --> 01:01:35.400
stock car race. So I think
it has a lot of good things.

989
01:01:35.440 --> 01:01:37.639
But yeah, I would give this
a stream it too. It's not one

990
01:01:37.760 --> 01:01:40.639
that's an absolute necessity unless you're into
gangster pictures or Hoskins, or even just

991
01:01:40.760 --> 01:01:45.440
want to see a movie that really
hasn't gotten to do in the last ten

992
01:01:45.519 --> 01:01:49.760
years until this new transfer came out. I think that the level of dryness

993
01:01:49.880 --> 01:01:52.559
is what kind of holds it back. Is it like it's extremely dry?

994
01:01:52.760 --> 01:01:55.239
Yeah? So wold you like to
end the show with a couple of recommendations.

995
01:01:55.320 --> 01:02:00.360
I have two for this one,
both Hoskins vehicles. Mona Lisa nineteen

996
01:02:00.400 --> 01:02:02.599
eighty six. This is one I
just saw recently. A man recently released

997
01:02:02.599 --> 01:02:06.800
from prison manages to get a driving
job for a call girl from customer to

998
01:02:06.880 --> 01:02:09.079
customer. It's another great performance by
Hoskins, one that a lot of people

999
01:02:09.159 --> 01:02:12.960
haven't seen, and Michael Kine plays
a heavy in it and does really well

1000
01:02:13.000 --> 01:02:15.320
in it. The other one is
another personal favorite, The Cotton Club from

1001
01:02:15.360 --> 01:02:19.840
nineteen eighty four, directed by Francis
Ford Coppola. Meet the jazz musicians,

1002
01:02:19.960 --> 01:02:22.400
dancers, owner and guests like gangster
Dutch Schultz of the Cotton Club in nineteen

1003
01:02:22.440 --> 01:02:28.039
twenty eight to the nineteen thirties,
Harlem, It's got music into it,

1004
01:02:28.119 --> 01:02:30.519
It's got a lot of action.
I mean, you've got a cast that's

1005
01:02:30.880 --> 01:02:36.320
Richard Gear, Diane Lane, James
Ramar, Tom Waits, Bob Hoskins,

1006
01:02:36.400 --> 01:02:38.000
Fred Gwynn, Gregory Hines. I
mean, the list goes on and on

1007
01:02:38.119 --> 01:02:42.679
for this movie. And it just
recently, in like the last six or

1008
01:02:42.719 --> 01:02:46.800
seven years, got a re release
of Francis Ford Copla's complete cut, which

1009
01:02:46.880 --> 01:02:50.599
is has a lot more music in
it and a lot more character development.

1010
01:02:50.679 --> 01:02:53.199
So Cotton Club and Mona Lisa great
great movies. I cannot recommend enough.

1011
01:02:53.400 --> 01:02:59.440
Okay, if I had to suggested
a movie that is not very good but

1012
01:02:59.639 --> 01:03:02.480
has a great British actor and uh
huh, but is more entertaining than this

1013
01:03:02.599 --> 01:03:06.519
one, it would be Jaws The
Revenge. I mean Michael Cae like,

1014
01:03:06.599 --> 01:03:10.599
okay, Michael Kainstone, shit,
oh shit, Gods of great moment.

1015
01:03:10.800 --> 01:03:14.559
So that would be my I was
being silly. I don't know, I

1016
01:03:14.599 --> 01:03:19.079
don't have a recommendation. Yeah,
but for the record, Jaws four definitely

1017
01:03:20.000 --> 01:03:22.880
deserves another reappraisal because when we watched
it in your backyard a couple of years

1018
01:03:22.880 --> 01:03:24.840
ago, I was just like,
there's a lot more shark action in this

1019
01:03:24.960 --> 01:03:29.719
movie. I than I remembered.
Well, it's just it's not a good

1020
01:03:29.800 --> 01:03:32.960
film, but it's a highly entertaining
film. Yeah. But but see that's

1021
01:03:34.320 --> 01:03:37.800
that is not a a that doesn't
vote will for the long Good Friday that

1022
01:03:37.840 --> 01:03:40.239
we're talking about Jaws the Revenge now
instead. But there you have it,

1023
01:03:40.360 --> 01:03:43.880
the long good, long good Friday
of the nineteen eighties. So that is

1024
01:03:43.920 --> 01:03:45.840
what we talked about this week.
You want to know what we're talking about

1025
01:03:45.880 --> 01:03:49.800
next weekendriqun sure? So this was
our Easter show because long good Friday,

1026
01:03:50.000 --> 01:03:52.119
right, and uh, you know
we're gonna be getting out of March with

1027
01:03:52.199 --> 01:03:55.400
this episode and going into April.
So April second, we are going to

1028
01:03:55.480 --> 01:04:00.000
be dropping our episode on April Fool's
Day, the eighties slash film I do

1029
01:04:00.239 --> 01:04:04.599
like a not slaughter High unfortunately,
thank goodness, because that was the original

1030
01:04:04.679 --> 01:04:10.000
title. Nice try, I tried, man, But yeah, April Fool's

1031
01:04:10.039 --> 01:04:12.480
Day will be our next episode.
I'm really excited to talk about that because

1032
01:04:12.519 --> 01:04:15.079
I get to borrow your Blu ray
and go through the bonus features. I

1033
01:04:15.119 --> 01:04:18.119
don't really know a lot about that
movie. I wish the original ending would

1034
01:04:18.119 --> 01:04:20.239
get released, but we'll talk about
that next week. Yeah, we'll get

1035
01:04:20.360 --> 01:04:26.559
We'll dive into those details. So
uh uh, what else I mean?

1036
01:04:26.679 --> 01:04:30.199
We should probably address if you're wondering
where our TikTok channel went as we get

1037
01:04:30.239 --> 01:04:34.239
to the wrap up of our social
media is. Unfortunately, this past week

1038
01:04:34.320 --> 01:04:39.880
I got an unpleasant message that for
some reason of violating community guidelines, our

1039
01:04:39.960 --> 01:04:45.320
TikTok has been permanently banned. I'm
working on hopefully getting that fixed, but

1040
01:04:45.400 --> 01:04:47.760
I cannot guarantee anything because this is
a common issue that I found on a

1041
01:04:47.800 --> 01:04:50.960
lot of Reddit boards recently. It's
a common issue on social media, but

1042
01:04:51.119 --> 01:04:55.639
TikTok has not made it any easier. They have not well. We have

1043
01:04:55.840 --> 01:05:01.199
a message that came through at dooevenmovie
dot com from Cole Okay. She asked,

1044
01:05:01.639 --> 01:05:09.760
can you please please please do Hook
nineteen ninety one or Urban Legend nineteen

1045
01:05:09.840 --> 01:05:14.039
ninety eight for my birthday? I
love both those movies for my birthday on

1046
01:05:14.239 --> 01:05:16.760
May eighteenth. Maybe I will love
that. Okay, we will. We

1047
01:05:16.800 --> 01:05:20.000
will absolutely pick one of those,
I think, because I think we're getting

1048
01:05:20.000 --> 01:05:23.719
ready to do our main lineup,
so we could we could absolutely fit one

1049
01:05:23.760 --> 01:05:26.880
of those in. I think so
absolutely, because I mean Hoskins is in

1050
01:05:26.960 --> 01:05:30.039
Hook for one. But I'm a
huge, huge, huge fan of Urban

1051
01:05:30.119 --> 01:05:32.880
Legend. I love that movie You
Would Be You. You hadn't even seen

1052
01:05:32.920 --> 01:05:38.440
two until I showed it to you
final cut in the college. I mean

1053
01:05:38.480 --> 01:05:42.599
they're both in college in their mind
because I had seen the Bloody Mary one,

1054
01:05:42.599 --> 01:05:45.519
Bloody Mary's three. Yeah, and
I think Bloody Mary is actually pretty

1055
01:05:45.519 --> 01:05:47.719
decent. But uh, we'll try
to make that happen for you. And

1056
01:05:48.440 --> 01:05:50.800
if you want to email us,
you can email us at do you even

1057
01:05:50.840 --> 01:05:55.679
movie pod at gmail dot com or
go to dooevenmovie dot com and send an

1058
01:05:55.679 --> 01:06:00.320
email directly on the website. Yes, sir, we are still on YouTube.

1059
01:06:00.440 --> 01:06:03.199
We are still on YouTube. Yes, yes, And if you're watching

1060
01:06:03.280 --> 01:06:06.440
this on YouTube, please leave a
comment about what you think of the film

1061
01:06:06.519 --> 01:06:12.840
we've talked about or anything, because
it helps increase engagement and bring more people.

1062
01:06:12.920 --> 01:06:15.159
And hey, why not tell a
buddy, tell a friend, and

1063
01:06:15.239 --> 01:06:17.920
if you're listening to us on your
favorite podcasting app like Apple Podcasts or Spotify,

1064
01:06:18.039 --> 01:06:21.039
leave us a star rating. It
really does help a ton, Yeah,

1065
01:06:21.039 --> 01:06:24.199
it does, and we have I
think we have four on there right

1066
01:06:24.239 --> 01:06:27.679
now, so we can always use
some more reviews, ratings please just we

1067
01:06:27.760 --> 01:06:30.559
have seven on Apple Podcasts. Ratings, reviews, ratings. Oh okay,

1068
01:06:30.599 --> 01:06:34.320
I've talked about reviews. I think
we have four written reviews on I was

1069
01:06:34.320 --> 01:06:39.599
talking about rating. Well, my
apologies with this guy, So anything else,

1070
01:06:39.679 --> 01:06:41.639
Dave. I think that is it
for this week. I do actually

1071
01:06:41.679 --> 01:06:44.400
want to say one more thing.
Several people have reached out to me in

1072
01:06:44.480 --> 01:06:46.639
regards to the last episode where I
did talk about some unfortunates that happened my

1073
01:06:46.679 --> 01:06:50.119
life with my breakup and the loss
of my great grandmother. I appreciate the

1074
01:06:50.159 --> 01:06:55.639
support I've received, and just I
cannot thank y'all enough. That was It's

1075
01:06:55.679 --> 01:06:58.480
been a rough time and it's still
a little rough right now. But I'm

1076
01:06:58.599 --> 01:07:00.840
each one day at a time right
now, is all I can say.

1077
01:07:00.079 --> 01:07:04.639
That's how I know that life is
truly cruel is because we we cut we

1078
01:07:04.800 --> 01:07:10.199
make short clips of the show,
and we made one of that. Yeah,

1079
01:07:10.280 --> 01:07:13.679
well we use we use an AI
tool to help us find the clips,

1080
01:07:13.840 --> 01:07:15.639
and it picked that one and I
was like, fuck it, I'll

1081
01:07:15.639 --> 01:07:18.320
put it up. And it's the
most viewed shorts ever. Is you suffering?

1082
01:07:18.559 --> 01:07:21.800
Yeah? So, uh, but
can't get it on TikTok because TikTok

1083
01:07:21.880 --> 01:07:26.639
sucks right now, right now,
right now. I mean maybe they'll be

1084
01:07:26.719 --> 01:07:29.519
bad. Yeah, who knows,
we'll see. Now. We'll see you

1085
01:07:29.599 --> 01:07:32.320
guys next week right here on the
movie. So take care and uh,

1086
01:07:33.719 --> 01:07:38.519
I hope your evening is better paced
than the long good Friday. We'll see

1087
01:07:38.559 --> 01:07:39.320
you next Tuesday.