Aug. 20, 2024
Clue (1985) Unraveling the Mystery
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RSS Feed Henrique and David continue their Martin Mull tribute—after debating “Mull-Gust” versus the less painful “Mulling Around”—with Clue (1985). Six strangers arrive at secluded Hill House in 1954 under familiar aliases: Miss Scarlet, Mrs. Peacock, Mrs. White, Colonel Mustard, Professor Plum and Mr. Green. When blackmailer Mr. Boddy is killed, butler Wadsworth races the guests and household staff through a stormy mansion to identify the murderer before the bodies multiply.
Tim Curry leads Jonathan Lynn’s board-game comedy alongside Eileen Brennan, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, Lesley Ann Warren and Colleen Camp. The hosts praise the ensemble’s precision, John Morris’s energetic score and Victor J. Kemper’s old-dark-house photography. They revisit the singing-telegram gag, Wadsworth’s breathless reconstruction and Kahn’s improvised “flames” monologue while explaining how innuendo, slapstick and murder-mystery mechanics reward repeat viewing.
The movie’s three endings receive special attention. Separate conclusions originally played in different theaters, while home editions assembled them into one escalating finale; a darker fourth ending survives only through related print material. Henrique remembers first seeing the complete film on a classroom television cart and laughing uncontrollably at the singing telegram. David connects his own cable viewings to a childhood love of the board game, including a disastrous real game in which he accidentally withheld a crucial card.
Production history follows producer Debra Hill’s acquisition of the Parker Brothers rights, John Landis’s multiple-ending concept and Lynn’s screenplay and direction. The mansion interiors were constructed as sets, apart from the Pasadena ballroom location, and the production eventually grouped scenes by room after abandoning chronological filming. The hosts also discuss Carrie Fisher’s intended casting as Miss Scarlet, Warren’s late replacement and the original theatrical experiment alongside the movie’s disappointing box-office results and later cult audience.
Both hosts give Clue a buy-it recommendation for its fast pace, endlessly quotable cast and broad rewatch value. The episode’s detours include a joking argument over whether The Fast and the Furious borrows from Point Break, plus listener mail that feeds their continuing movie-suggestion list. Recommendations for Murder by Death, Deathtrap and A Haunting in Venice expand the mansion-mystery theme while keeping Martin Mull’s perfectly pompous Colonel Mustard at the center of this tribute entry.
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Or was it Professor Plumm, missus White, mister Green, this
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is peacocks scarlet, Colonel Mustard, I'm only there, guess with
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a knife, a gun, a pipe, a candlestick or a
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rope pipe in the hall, lounge, dinning, in the kitchen,
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library or the study kind to make a long story
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short here or did the fuck blue do it?
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You've got to find out.
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Clue.
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It's a comedy with three different endings. Who done it?
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Depends on where you see it gritted PG clue.
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The movie We Dare You To Solve starts Friday in
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a world where podcasts reigned supreme. Two Friends Dare to ask.
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Do You Even? Movie?
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Hosted by filmmaker Enrique Kuto and movie officionado David de Noyer.
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Spoiler alert, Hello, my friends, and welcome back to Do
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You Even?
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Movie? I'm, of course your host Enrique Kuto here with
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double D David Denoyer, or as I'm calling him for
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the rest of tonight. Body body, I.
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Mean, people aren't gonna get that from what we're talking about.
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Well, no, because we just watched Point Break with Rift
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Tracks in the theater.
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Rift Tracks live for since point Break, So uh, I've
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got body on the Mine. Yeah, you've also got Point
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Break on the mine.
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I do well, you know, I want to have a
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successful life like he did.
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Well.
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I mean, let's go ahead and air, let's go ahead
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and just put this out in the universe.
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All we talked about it on the way home. Okay.
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I think that Point Break was ripped off by The
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Fast and Furious, and I find Point Break not to
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necessarily be the better movie. But I think Point Break
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is fucking awesome.
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I never said I know anything bad about I just
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said that the screenplay of Fast and the Fury Furious, Furious,
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Furious is a better screenplay. I don't think it is,
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I do, I don't, but but there are just there
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are some really lazy, dumb fun moments some Point Break
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absolutely and don't get here. There's a lot of dumb.
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But I think that the problem is you're thinking about
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the Fast and the Furious series, which gets dumber as
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it gets more fun and silly. I'm talking about that
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first movie. There is surprisingly grounded.
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It is, But at the same time, I ya, I
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haven't seen it in a good bit. I will I
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will say that I haven't seen Fast and Serious in
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a good bit. But the more It was a while
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ago that somebody I was listening to a podcast and
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they compared the two.
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First of all, don't listen to podcasts. They're full of
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loudmouth assholes who don't know anything.
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I was listening to a podcasts they compared the two,
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and it was more so that thing where it's just like,
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oh shit, yeah, that absolutely is kind of like a
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rip off of Point Break.
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I mean, the idea that criminals are are adrenaline junkies
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not super new. Yeah, not at all. If there had
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been like a shipload of surfing in Fast and Furious,
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I would say, you really have a point and like, wow,
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they stole but.
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The surfing swapped out with car racing.
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Okay, I mean you could say that about every movie then, well,
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go ahead, you can. You can be like you could
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be like, well, I don't really like Philadelphia because it's
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basically just a Wizard of It's just a Wizard of Oz.
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But they swapped going to Neverland or whatever with AIDS. Wow,
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that's your point. That's not that I don't think. I
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don't think that's true, not, but you do you think
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that's not all? That's how ripoffs work. I think that's
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all I think that's verbatim what you said. I'm just
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saying that I don't think. I mean, could it have
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been inspired by Point Break? I would say absolutely, no, way,
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it's not because it's a it was a massive movie,
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it had an incredible impact on the culture.
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But it just I just remember the joke being when
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twenty fifteen's Point Break came out was, well they already
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did Fast and Furious.
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Okay, So jokes are how we decide what's true. Now, Okay, Well,
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if that's the case, If that's the case, Okay, I've
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learned a lot about a man from Nantucket that I
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had no idea was.
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We're five minutes and it's already off the fucking rails.
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I'm fine. Fine, So enough about Point Break, because that's
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not what we're talking back to the man from Nantucke.
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There we go.
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So my god, No, I I will never deny that
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it could be heavily influenced. Yeah, it's just the idea
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of it being a rip off. It's a little too
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because because the the biggest appeal of Point Break is
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like surfer dude stuff, Keanu, you know, that kind of
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thing in a very nineties aesthetic. As we're Fast and
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the Furious is literally like it's cars and smelling.
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Axe, body spray and an undercover cop.
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Yeah yeah there. But then again but again, like how
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many undercover cop movies? And I like a lot of those? Yeah,
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I mean, but how many are there? You know, him
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going under if anything, him going undercover but as a
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surfer is like a massive play on cliche. Yeah, in
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and of itself.
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Well what I mean, And I will say the big
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the big separation at least from the from the opening
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of the two films is we meet Johnny Utah. You know,
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he's he's joining the FBI literally on the first day.
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Whereas with Fast and Furious we meet Paul Walker. He's
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familiar with Toretto and his is gang of people. But
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the first like running with Toretto doesn't go well, whereas
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Point Break it seems to go pretty well.
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Body as they kind of hit it off. Yeah. Well,
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and and that's part of them building up the the
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heartbreak of them you know, having to him having to
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turn on them. Yeah, which is the one thing about
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the about Point Break I always pick on is like
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it's so obvious the bad guys are his friends friends, ye,
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Like it's so obvious, but anyway, I like point break
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and it's a lot of fun.
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No one throws a furious as a weapon.
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No, sadly no, sadly no. Before we get to the
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should I tell the story about that damn dog? Oh?
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Please do?
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Yes? Uh So, speaking of throwing dogs, I am a
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dog lover. Yes, I don't currently have any dogs, but
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I am a dog lover. And I was driving home
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yesterday or yeah, it was literally yesterday of when we're
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recording this, and as I'm driving down my street, I'm
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literally on my block. I see this little dog standing alone,
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nobody around. So I'm like, ah, God, this dog got out,
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and I'm like, I would never forgive myself if I
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didn't help the dog. Absolutely, So I unlock, I stop
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my car, I park on the side of the road.
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I grab a leash because I still have a lot
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of dog stuff in my car. I grab a leash,
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no collar, of course, but a harness, so I know
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the dog is owned, but I have no way of
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figuring out how fair. On top of all this, it's
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like three forty five in the afternoon, and I just
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want to go home and get like plan on, you know,
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prepping dinner, I want to, you know, do all these things.
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And here I am staring at this dog that hates me.
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At first, it was barking and barking and barking, and
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I just stood there. I didn't walk toward it or anything.
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I just stood there let it bark and bark and bark,
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and eventually it stopped barking. So then I took like
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a little step forward and bark a little bit and
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i'd stop. Eventually I crouched down and try calling it
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to me. It came to me like a little bit,
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but not within three feet. So finally, after a little
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after maybe two or three minutes of just like staring
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at this dog and also looking around hoping a neighbor
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would come out, or maybe the owners were walking down
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the you know whatever. After all that time, I decide, okay,
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I gotta test this. So I start walking away from
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the dog, and the dog starts following me, and I'm like, oh, okay,
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so he's very friendly dog. Trust people. That's a good thing.
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So I just started walking slowly down the block, and
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I was watching this dog like a hawk like Keanu
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Reeves with with binoculars, creeping on Lori Petty and I'm
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watching this dog. And on the second or third house
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that we'd walked past, I noticed he stopped and smelled
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a lot. So I was like, okay, maybe I understand dogs. Good,
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you know, maybe I understand dogs, because I figure either
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this might be the dog's house or this is the
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house with another dog in it. So I see it's
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diffing around. So I walk up the driveway and it
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runs past me up the driveway and right up to
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the house, to the door, and I'm like, this is
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your house. So I knock on the door and there
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are just these four kids. Probably the oldest was like
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thirteen years old. The thirteen or fourteen year old spoke
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the most English, so I got to dust off my
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Spanglish in order to make sure they knew, like, your
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dog is okay, but like, please get it a collar
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with your address on it. And they're like okay, okay.
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I'm like, all right, you guys, take care and they're
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like thank you, thank you. Think you know. So as
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I'm walking away, I get in my car. I literally
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closed my door and start my engine, and the dog
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is just sitting on the front porch. He'd already he'd
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went out back and already escaped again. There was a
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little dog, so I'm guessing there was like a hole
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in the fence he discovered or redug a hole or something.
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So I stop the car, I get out again. I
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walk up to their house, knock on the door. Luckily
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I didn't have to explain anything is this. I'm open
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the door and I just pointed to the dog. I'm like, oh,
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I got like bring the dog back in there, like
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thank you, and I'm like yep, yep, and I'm like,
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all right, i gotta go home. I can't spend my
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whole day helping this family with their dog. Absolutely, but
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I felt almost superhuman for my ability to stay at
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a dog intensely and observe its body language.
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That's fair.
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I was like, wow, I guess you know, the the
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six years of pet of dog ownership I had weren't
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totally wasted in that I felt like I felt like
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iced tea and surviving the game. How he was just like, yo, dogs,
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I we haven't understanding, you know. That's how I felt
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after I helped. Except this was except this was like
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some kind of like a corgy Yorky like thing with
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big ears that was only like six pounds. So I'm like, hey,
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me and the dog, we get it. Yeah, and then
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I'm like, anyway, I want some snacks. So that's that's
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my That was my yesterday adventure and very amusing. I
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was so relieved because there are two other times in
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my life I've ever i've rescued loose dogs. One time
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there was just a freakin' adorable Pi Micks, loose and friendly,
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like incredibly friendly. I ended up having to grab it
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by its collar. That's how friendly it was. I'm a stranger. Yeah,
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and it let me grab its collar, didn't growl or anything.
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And I just walked into my backyard, put it through
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the gate, shut the gate behind it, and I went,
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all right, who the fuck owns this dog? Yeah? And
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I started stopping around. Luckily it turned out to be
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across the street. Neighbors had just adopted it. I don't
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know how long ago, not that time you were retired.
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I was literally getting ready bring that up.
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Yeah, yes, well that was a wonderful experience.
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Oh my god, dude, that was fucking scary.
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Oh cry about it.
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No, I leave your house. It's after midnight at this point,
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like we.
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You walking, we were hanging out to midnight.
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I left your house after midnight, and I'm going to
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my car, which has parked in your driveway, and then
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all across the street, all of a sudden, this dog
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just comes running up. I thought it was no, it's
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just one. Oh okay, I thought, I remember you hanging
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out your front door, going get your dog.
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I was screaming at their house. Yeah, because I didn't
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know how else toll because the fucking dog.
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Came to the door and was even barking when I
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ran inside.
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Oh yeah, I know, he was like up at my door. Yeah,
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and uh yeah, so I was I would have to
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open the door. I was just yelled, get your dog,
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just toward their house. I have a loud voice. Apparently
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it worked, which makes me wonder if I can yell
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things at my neighbors while they're in bed and wake
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them up. Probably, all right, we'll test this before you leave.
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Test the new powers.
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God. But no, so that dog. You know, luckily that
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