June 14, 2026

9. His Majesty

Show Notes
Transcript

The series builds to a defining moment as King Charles III delivers a masterclass in diplomacy during his pivotal United States visit. From a historic address to Congress to moments of quiet connection in New York, this episode explores how decades of preparation, scrutiny, and patience culminated in a performance that reshaped perceptions of the King. As global tensions simmered and expectations remained high, Charles stepped into the role fully, not as the successor to Queen Elizabeth the Second, but as a monarch in his own right. This is the moment the waiting ended, and the reign truly began.

While no one truly knows what happens behind closed palace doors, this series uses news sources, on-the-record quotes, and some artistic license to craft this entertainment series. Some moments have been dramatized for storytelling effect. AI narration was used in creation of this series.

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Calarogu Shark Media. There are moments in a rain that

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clarify everything, Moments when the years of waiting, the scandals survived,

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the grief carried the patients required, suddenly resolve into a

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single image of a man doing the thing he was

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born to do, and doing it better than almost anyone

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else alive could have done it. The last week of

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April twenty twenty six was one of those moments. King

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Charles the Third came to the United States on a

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mission that was never officially described as such, because to

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describe it as such would have undermined it. He came

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to steady an alliance that had grown dangerously unsteady. He

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came at a moment when relations between London and Washington

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were strained over a conflict in Iran that the British

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government opposed and the American president had pursued. He came

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at a moment when the very idea of the Transatlantic partnership,

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the so called special relationship that had defined the foreign

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policy of both nations since the Second World War, was

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being openly questioned. He came, in the assessment of more

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than one commentator on what the BBC's North America correspondent

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Anthony Zurcher called a rescue mission, and he pulled it off.

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The backdrop to the visit was genuinely difficult. Several British

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members of Parliament had urged Prime Minister Keir Starmer to

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cancel the trip altogether, arguing that a state visit at

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a moment of such diplomatic tension sent the wrong signal.

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The visit proceeded the Palace and the British government understood

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that if the Alliance was in trouble, the answer was

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not to stay home. The answer was to go and

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to go well. Charles and Camilla arrived at joint Basse

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Andrews on April twenty seventh, twenty twenty six, and were

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received at the White House by President Donald Trump and

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First Lady Milania Trump. The images from that arrival, the

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two couples on the South portico the ceremonial welcome on

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the South Lawn set the tone for what followed. Whatever

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the political tensions between the two governments, the personal warmth

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between the Trumps and the British Royals was, by all

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visible accounts genuine. Trump, whose mother had been a devoted

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follower of the royal family, was visibly delighted. He would

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later tell reporters that his mother had a particular fondness

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for the young Charles, a detail he shared with a

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characteristically unguarded enthusiasm that produced considerable amusement on both sides

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of the Atlantic once the mathematics of relative ages had

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been calculated. This is Crown and Contra, Episode nine, His Majesty.

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The centerpiece of the visit was the address to Congress

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on April twenty eighth, and it was, by most accounts,

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a masterclass. Charles became only the second British monarch in

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history to address a joint session of Congress, following his

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mother's address in nineteen ninety one. The speech ran for

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approximately twenty minutes. It was written with input from the

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British government, but was by reported accounts, shaped in its

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tone and texture by Charles himself. And it sounded like him,

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which is to say, it sounded like a man who

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had spent seven decades thinking carefully about language, about history,

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about the responsibilities of nations to each other and to

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the values they claimed to share. He opened with Oscar Wilde,

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we have really everything in common with America nowadays, he quoted, except,

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of course, language. The chamber laughed. The ice, if there

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had been any, was broken. He acknowledged the moment honestly

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and without flinching. We meet in times of great uncertainty,

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he said, in times of conflict from Europe to the

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Middle East, which pose immense challenges. He addressed the recent

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shooting at the White House Correspondent's Dinner, telling law makers

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that such acts of violence will never succeed. He spoke

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of NATO of Ukraine, of the shared obligation of democratic

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nations to each other. His line about freedom being again

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under attack following Russia's invasion of Ukraine drew a standing ovation,

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one of approximately a dozen the speech received, and then

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came the line that the chamber talked about for the

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rest of the day. Referencing Magnaca and the founding principles

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of democratic governance, Charles described the importance of executive power

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being subject to checks and balances, and noted that Congress

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represented government not by the will of one, but by

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the deliberation of many. On the democratic side of the chamber,

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there was a shout of approval. The applause was long

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and emphatic in a room divided along almost every other

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imaginable line. The King of England had just said something

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that united it. He did it crucially without saying anything

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that could fairly be described as partisan. He was speaking

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about constitutional principles, about the Magna Carta, about history. The

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message was in the architecture of the speech, in what

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he chose to quote and where he chose to place it,

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rather than in any direct statement that could be quoted

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back against him. It was, as The Guardian's David Smith observed,

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subliminal politicking delivered by an al leite squad of carefully

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chosen dead men, and it worked. He also made people laugh.

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He noted that the United States was marking two hundred

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and fifty years of independence, adding or as we say

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in the United Kingdom just the other day, he joked

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that he was not in Washington as a cunning rear

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guard action to re establish British rule. He referenced the

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Royal Navy, the same navy that President Trump had been

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disparaging in recent months, with a quiet pride that landed

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without a word of direct criticism. The speech was met

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at its conclusion with approximately a minute of sustained applause.

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Charles left the chamber with handshakes and smiles. The British government,

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by all reported accounts, exhaled that evening at the White

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House state dinner, the room included Jeff Bezos, Tim Cook,

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and a formidable contingent from Fox News. Charles toasted the

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alliance with the kind of warmth that comes from someone

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who genuinely believes what he is saying, and he added

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one more joke for good measure, presenting Trump with a

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bell from a Second World War Royal Navy submarine that bore,

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by some extraordinary historical coincidence, the name h M. S. Trump.

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Charles said he hoped it would stand as a testimony

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to our nation's shared history and shining future, before adding,

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and should you ever need to get hold of us,

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just give us a ring. The room loved it. From Washington,

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the visit moved to New York, and here the tone shifted,

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as New York has a tendency to insist that it does.

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Mayor Zoran Mamdani made clear in advance that he would

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not meet privately with the King, telling reporters that if

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he had the chance, he would encourage Charles to return

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the Coenor Diamond to India. He attended the wreath laying

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at the September eleventh Memorial alongside other elected officials, fulfilling

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the ceremonial obligation, and kept his distance from anything that

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might look like an endorsement. Charles characteristically did not appear

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to be unsettled by this. He had navigated more complicated

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rooms than a New York press conference. The visit to

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the September eleventh Memorial was solemn and unhurried. The King

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and Queen laid a wreath and left a handwritten note

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that read, we honor the memory of all those that

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tragically lost their lives on the eleventh of September two

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thousand and one, and stand in enduring solidarity with the

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American people in the face of such loss. They met

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families of first responders, and Charles paused with each of

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them in the way that had always been among his

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genuine gifts, the ability to be fully present with a

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grieving stranger. From the memorial, Charles traveled to Harlem to

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a nonprofit called Harlem Groan that transforms abandoned urban lossts

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into working farms for young people. He watched children plant lavender,

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He fed chickens. A young girl told him she liked

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his hair. A young boy announced that he intended to

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name his lavender plant Steph Curry, after the NBA player. Charles,

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by all accounts, found this delightful. It was the kind

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of moment that his mother, in her decades of public service,

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had always excelled at. And here was Charles doing it

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himself in his own way, with his own warmth, planting

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lavender in Harlem and finding the morning's work entirely natural. Meanwhile,

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Camilla was at the New York Public Library with Sarah,

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Jessica Parker and Anna Wintour, presenting a specially made toy

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version of Roue, the baby kangaroo from Winnie the Pooh,

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to complete the library's collection of original characters from the stories.

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The original Roue had been lost since the nineteen thirties.

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It was, as the Palace described it, with caacteristic understatement,

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a piece of royal soft toy power. That evening, at

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Christie's in New York, Charles and Camilla hosted a gala

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for the King's Trust, the charity Charles had founded in

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nineteen seventy six. The room was full of fashion and

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media figures. Lionel Richie introduced the King Charles joked about

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Richie's voice, speculating that he must gargle with Port even

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in a room full of famous people. As Vanity Fair noted,

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Charles and Camilla were still the main event. The final

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American engagements took the couple to Virginia, where they met

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indigenous communities and conservation groups and to a block party

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celebrating the two hundred and fiftieth anniversary of the Declaration

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of Independence. It was a fitting conclusion, the heir of

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George the Third, celebrating America's independence from his ancestor on

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American soil with genuine warmth and no apparent irony. Charles

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returned to Britain with the alliance steadied, the reviews uniformly positive,

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and a clarity about his kingship that had been building

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for three years, but that this visit had, in some

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hard to define but unmistakable way, confirmed He was not

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doing his mother's job. Elizabeth had been the longest serving,

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most universally respected monarch of the modern age, and there

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was no replacing her and no point in trying. Charles

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was doing something different. He was doing his job, bringing

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his own voice, his own humor, his own particular blend

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of environmental passion and constitutional conviction and genuine human warmth

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to a role that had waited seventy three years for

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him to inhabit it. The man who had spent his

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life defined by waiting, by scandal, by the ghost of Diana,

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by the rupture with Harry, by the low and painful

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road from Cammiligate to the coronation, had arrived in the

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United States with something to say and the skill, the wit,

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and the stature to say it. He left as what

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he had always, against considerable odds, managed to become his majesty.

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Crown and Controversy is a production of Calaroga Shark Media

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executive producers Mark Francis and John McDermott. While no one

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truly knows what happens behind closed palace doors, this series

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uses news sources, on the record, quotes, and some artistic

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license to craft this entertainment series. Some moments have been

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dramatized for story telling effect, where appropriate character perspectives and

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motivations are drawn from reported accounts, interviews, and biographical sources.

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AI narration was used in the creation of this series.

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To keep up with the modern day royal family. Follow

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our podcast Palace Intrigue, A seven day a week, ten

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