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Calarugu Shark Media.
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There is a plan for everything in the royal family.
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There is a plan for jubilees and funerals, and coronations
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and crises. There is a plan for the death of
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the monarch, and it has a name. It is called
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Operation London Bridge. And for the seventy years that Elizabeth
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sat on the throne, that plan sat in a draw
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updated periodically, waiting for the day it would be needed.
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On September eighth, twenty twenty two, it was needed. Elizabeth
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had spent the summer at Balmoral Castle in the Scottish Highlands,
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as she did every year. It was the place she
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loved most, the estate that felt most genuinely like home
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rather than institution. She had been there in August of
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nineteen ninety seven, when Diana died. She had been there
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through decades of summers, walking the land, breathing the Scottish air,
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existing for a few weeks each year at a slight
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remove from the demands of the crown. By the summer
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of twenty twenty two, by many accounts, those around her
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were aware that her health was declining. She had been
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using a walking stick at public engagements. She had canceled
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appearances that in previous years she would have attended without hesitation.
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In February of twenty twenty two, she had contracted the coronavirus,
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and while she had recovered, those around her noted that
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the recovery had taken something from her that had not
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fully returned. Her final public duty was on September sixth,
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twenty twenty two. She received the new Prime Minister, Liz Truss,
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at Balmoral, fulfilling the constitutional obligation she had fulfilled fifty
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times before with fifty different governments. The photographs from that
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day showed a woman who appeared frail, her hands visibly bruised,
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her posture diminished from the upright bearing that had defined
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her public image for seven decades. But she was there.
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She did her duty. That was who she was. Two
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days later, on the afternoon of September eighth, Buckingham Palace
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issued a statement saying that the Queen's doctors were concerned
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for her health and that she was under medical supervision
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at Balmral. The statement was brief. It was also to
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those practiced in reading palace communications, alarming statements of that
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kind are not issued lightly. The family began traveling to
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balmorel Charles was already there. William traveled from Windsor. Harry,
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who was in the United Kingdom for a charity event,
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traveled separately. Whether Harry arrived before or after the Queen
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died has been reported differently by different accounts, and the
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precise timeline of those final hours remains in some details unclear.
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What is clear is that Buckingham Palace announced that the
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Queen had died that evening at Balmoral. She was ninety
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six years old. She had reigned for seventy years and
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two hundred and fourteen days, the longest reign in British history.
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She had been queen for longer than most of her
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subjects had been alive. This is Crown and Controversy, King Charles.
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Episode seven, Elizabeth's Death and coronation in London. The flag
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above Buckingham Palace was lowered to half masted. Crowds began
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gathering outside the palace almost immediately, people arriving with flowers
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and candles and a need. It seemed simply to be
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somewhere that felt connected to what had happened. The b
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BC interrupted its programming, anchors appeared in black. The Prime
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Minister spoke from Downing Street, world leaders issued statements, the
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machinery of a prepared and practiced national mourning began to move,
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and in the middle of all of it, Charles. He
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was king now, not in waiting, not the heir, the king.
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After seventy three years of preparation, of patients, of waiting,
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of watching his mother fulfill a roll that he had
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known since childhood, would one day be his. It was his.
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The transition had happened in the space of a heartbeat,
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in the moment between his mother's last breath and the
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first moment of his reign, and there was nothing ceremonial
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about it. There was no coronation, yet, there was no crown.
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There was just the fact of it, immediate and irreversible,
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in a castle in Scotland on a September evening. By
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most accounts, Charles appeared visibly moved in those first hours,
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carrying the weight of the moment with a composure that
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was itself a kind of tribute to everything his mother
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had modeled over seven decades. He had prepared for this
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his entire life, and yet, by most accounts, nothing quite
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prepares you for the reality of it when it arrives.
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He addressed the nation for the first time as king
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the following day, in a televised broadcast that was widely
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praised for its warmth and its evident personal grief. He
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spoke about his mother with genuine feeling. He spoke about
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the scale of what the country and the Commonwealth had lost,
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and he acknowled in terms that were careful but unmistakable,
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the new reality that had arrived. The ten days of
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national mourning that followed were by any measure extraordinary. Hundreds
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of thousands of people queued for hours, sometimes more than
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twenty hours, to file past the Queen's coffin as it
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lay in state at Westminster Hall. The queue stretched for
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miles along the south bank of the Thames. People of
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every age and background stood in it through the night
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and through the rain, waiting for their few seconds in
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that hall to pay their respects to a woman who
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had been a constant in British life for as long
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as almost anyone could remember. Charles moved through those ten
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days with a visible dedication to honoring his mother and
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to being present for his country. He met the public,
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he received the condolences of world leaders, he oversaw as
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the new head of the institution the meticulous management of
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a mourning period that had been planned in precise detail,
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and that proceeded largely as planned. The state funeral was
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held at Westminster Abbey on September nineteenth, twenty twenty two.
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It was attended by heads of state and dignitaries from
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across the world. The coffin was carried through the streets
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of London on a gun carriage, as Diana's had been
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a quarter century before. The streets were lined with people.
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The silence was extraordinary. The queen was buried at Windsor
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Castle in the King George the Sixth Memorial Chapel, alongside
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Prince Philip, who had preceded her by seventeen months. The
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coronation of King Charles the Third was held on May
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the sixth, twenty twenty three, at Westminster Abbey. It was
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the first coronation in seventy years, and the first that
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most people alive had ever witnessed. Reporting at the time
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indicated that Charles had taken a close personal interest in
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the shape of the ceremony, and it reflected both the
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ancient traditions of the institution and a conscious effort to
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make it relevant to a modern and diverse nation. It
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was deliberately scaled back from the coronation of nineteen fifty three,
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Fewer foreign dignitaries, a shorter guest list, a service that
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ran for approximately two hours rather than the longer ceremonies
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of previous centuries. Charles had spoken publicly about his belief
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in a slimmed down monarchy, a smaller and more focused institution,
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and the coronation was in part a statement of that vision.
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Camilla was crowned queen alongside him, a moment that carried
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its own extraordinary weight of history. The woman who had
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been village for decades, who had been the target of
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sustained tabloid hostility for the better part of thirty years,
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was crowned Queen of the United Kingdom. Whatever one thought
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of the path that had led there, the distance traveled
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between the Commiligate tapes of nineteen ninety two and the
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crown placed on her head in Westminster Abbey in twenty
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twenty three was almost impossible to fully comprehend. William was
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present as Prince of Wales and heir to the throne,
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fulfilling the role with the seriousness and composure that had
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come to define his public presence. His three children, George,
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Charlotte and Louis attended. The image of the family on
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the balcony at Buckingham Palace afterward was the image the
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Palace wanted the world to see, a dynasty continuing, a
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family intact, a future assured, But the family was not
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entirely intact, and everyone watching knew it. Harry attended the
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cor Nation. He traveled from California for it, arriving the
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day before and leaving the day after, a visit so
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brief that its brevity was itself a statement. He sat
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in the third row, not among the working royals on
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the front row, a seating arrangement that was widely seen
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as a visible expression of his changed status within the family.
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No extended private interaction between Harry and Charles was publicly evident,
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and the precise nature of any private contact during that
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visit has not been fully reported. Megan did not attend.
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She remained in California with their children, and her absence
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was noted by every outlet covering the event. The reasons
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were not publicly explained in detail. By that point, the
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strain between the Sussexes and the Institution was no longer
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a matter of speculation. Charles had his crown. He had
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waited longer for it than any heir in British history.
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He had outlasted the doubt and the criticism, and the
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years of being defined by his failures rather than his purpose.
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He had arrived finally at the role for which everything
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else had been preparation. But the arrival was complicated, as
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most arrivals are when the journey has been as long
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and as costly as this one. A son was present,
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but not where many expected to see him. A family
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was divided in ways that public occasions could paper over
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but not resolve. And Charles himself, at seventy four years old,
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knew that the time he had to make his kingship
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means something was not unlimited. He had the crown, what
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he did with it, and whether the fractures around him
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could ever be repaired were the questions that now defined
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whatever came next next time on crown and controversy, King
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Charles the King faces the most personal decision of his reign.
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His brother Andrew, disgraced by his association with Jeffrey Epstein,
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has become an impossible burden for the institution. Charles must
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choose between family, loyalty and the crown. He has spent
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his entire life protecting the decision. When it comes, will
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be final.
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Crown and Controversy is a production of Calaroga Shark Media
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executive producers Mark Francis and John McDermott. While no one
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truly knows what happens behind closed palace doors, this series
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uses news sources, on the record, quotes, and some artistic
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license to craft this entertainment series. Some moments have been
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dramatized for storytelling effect, where appropriate character perspectives and motivations
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are drawn from reported accounts, interviews, and biographical sources. AI
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narration was used in the creation of this series. To
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keep up with the modern day Royal family, follow our
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podcast Pallace Intrigue, a seven day a week, ten minute
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update on the Royals.