Nov. 9, 2025

2. The Queen's Favourite

Show Notes
Transcript

Before the disgrace came the adoration. In the shadow of his elder brother Charles, Andrew was “the Golden Prince” — dashing, charming, and adored by the press. As a young naval officer and hero of the Falklands War, he embodied confidence and glamour. But even in these glittering early years, the seeds of entitlement were being sown. To his mother, he could do no wrong. To palace insiders, that would prove dangerous.

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This series is a dramatized interpretation inspired by real events.

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It is not an official account of the royal family

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or any individual's private thoughts. While based on historical reporting

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and public record, nobody but the Queen herself could ever

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know what she truly thought or felt. What follows is

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an imagined reconstruction of how these moments might have unfolded

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behind closed doors, created for dramatic purposes Calaruga Shark Media.

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The corridors of the palace remember everything. They remember laughter

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and low voices, and the click of Queen's heels when

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she is trying not to hurry. In the winter of

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nineteen sixty, a young sovereign moves more quickly than her

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equerries prefer She turns a corner, passes portraits that once

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intimidated her, and opens a nursery door to the one

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room where she never performs. He is sleeping, a soft,

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ordinary sleep that would look the same in a cottage

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or a castle. She stands over the cot and watches

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the rise and fall of her child's chest. She has

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two children already, a dutiful heir and a daughter who

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looks like a promise. But this son has arrived at

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a moment in her reign when the storm has quieted.

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Her father is no longer a recent grief. The post

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has settled into rhythm. She is still young, but no

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longer unsure. There is time now to be a mother

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and not only a monarch. They call him Andrew. When

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she says his name aloud for the first time, it

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feels like a private blessing. This is crown and controversy.

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Prince Andrew. Episode two. The Queen's favorite palace routine adjusts

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around the new gravity in the nursery schedules, bend aids

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exchange glances. The mothers of the realm are not supposed

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to rush upstairs between red boxes and Privy Council. Yet

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she finds her feet drawn back to the child with

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the dark eyes and a laugh that comes easily. At breakfast,

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she glances at his high chair and smiles. In meetings,

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she pauses, distracted by a sound from the corridor. She

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does not notice that courtiers, when speaking of the queen's son,

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begin to use softer tones. One aid will later say

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that the Queen had many virtues, but detachment was not

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a mong them. She loved this boy fiercely and without

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royal caution. The word favorite drifts through the palace like

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the scent of lilies, recognizable but never acknowledged. Philip sees

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what is happening. He admires Andrew's energy, his curiosity, his

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lack of fear, but he also sees indulgence taking root.

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He's a bright boy, he says once to a naval aid,

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but he's never heard the word know in his life.

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The Queen hears that remark and chooses to ignore it.

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It is not that she disagrees, it is that she

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cannot bring herself to impose on this child what duty

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has already imposed on her. The years gather like ribbons

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on a uniform. Charles grows reserved, introspective, Anne grows practical.

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Andrew grows adored. At Sandringham, he rides ponies and charms guests.

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At Balmorral, he sits on his mother's knee while ministers

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wait downstairs. When courtiers worry, the Queen smiles and says,

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he's just spirited. By the time he turns eighteen, that

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spirit has hardened into confidence. He knows the palace guards

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will salute him, that staff will move to clear his path.

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He is charming, and he has learned early that charm

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forgives many things. When he chooses the navy, the Queen

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approves without hesitation. It is what his father wanted and

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what she hopes will anchor him. The discipline of the

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sea and the structure of service the sea does not disappoint.

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London in the late seventies was not a city that

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slept politely. The music was louder, the fashion sharper, and

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the photographers quicker. Andrew, just out of school and newly visible,

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moved through that world with the confidence of a man

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who assumed the cameras were friends. He was young, handsome,

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and a prince who loved to dance. Tabloids called him

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Randy Andy, a nickname the palace loathed, and he secretly enjoyed.

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It gave him what no royal upbringing ever could, the

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thrill of being wanted for himself rather than for his position.

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There were dinners in Mayfair, and knights that blurred into

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mourning models, debutantes, actresses, all part of the glittering orbit

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that formed around him. The Queen read the headlines and said,

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little a sovereign learns which fires burn out on their own.

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But privately she worried that the discipline Philip had tried

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to instill was being slowly eroded by applause. Philip called

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it a phase. The Queen called it energy. The staff

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called it something else dangerous. At Buckingham Palace receptions, she

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would watch him across the room, her youngest son, laughing

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too loudly with foreign guests, his charm spilling past the

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edges of protocol. He was magnetic, but it was a

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magnetism that bent rules instead of reinforcing them. Still, she

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told herself, this was youth, not arrogance. Every generation finds

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its own way to rebel, and every mother hope's rebellion

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will soften before it breaks. He joins the Royal Navy

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in nineteen seventy nine, trains as a helicopter pilot and

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quickly earns respect for his skill and nerve. The Queen

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watches from a distance, relieved to see a profession that

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does not depend on family name. Then, in the spring

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of nineteen eighty two, Argentina invades the Falkland Islands. The

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Queen has lived through war before. She knows the sound

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of briefings, the edge in the air when headlines darken.

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But this time her son is among the men preparing

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to sail. He serves aboard HMS Invincible. The public calls

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him brave, She does not allow herself to call him anything.

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When word arrives that his helicopter has flown missions under fire,

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she reads the report with care and composure. She nods once,

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sets the paper aside, and asks for the next document

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in her red box. When the task force returns home,

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the country cheers. The Queen stands on the deck to

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greet them. Her son, sun tanned and beaming, salutes her.

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She feels pride and something quieter, something closer to fear.

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Pride can turn to entitlement, Gratitude can become expectation. The

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newspapers call him the dashing Prince, the hero of the Falklands,

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the Golden Boy, and she allows herself, for the first time,

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to believe he has found his place. London in the

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eighties glitters like a crown in the sun. Britain is

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remade in glass towers and confidence. The Queen watches from

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her quiet remove as her son becomes the image of

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the age, sociable, fashionable, smiling at every flashbulb. He dates

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actresses and heiresses. The tabloids adore him. The Queen is

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privately amused but publicly careful. He has always been popular,

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she says, a half smile, concealing the edge in her voice.

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Then Sarah Ferguson enters the picture. Sarah Ferguson arrives not

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as a princess in waiting, but as a woman who

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has lived, who laughs too loud, speaks too freely, and

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refuses to measure her sentences. By proximity to the throne,

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the Queen finds her refreshing, preasingly strained spectacle of Charles

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and Diana. Here is a match that feels war warm,

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human possible. The engagement brings life back into the family

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at Balmorral. The Queen watches them together, the teasing, the affection,

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the ease. It reminds her of her own early years

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with Philip, before duty carved away spontaneity. The wedding in

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nineteen eighty six is a triumph of optics and optimism.

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Red tunics, golden carriages, crowds ten deep along the mall.

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She watches from the abbey's front pew and thinks, perhaps

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this time it will hold. The press draws contrasts immediately. Diana,

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fragile and luminous, forever under glass, Sarah, fiery and approachable,

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born to break the glass instead. For a brief summer,

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it seems both sons have found their paths, Charles steady

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in purpose, Andrew redeemed by affection. The Queen allows us

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a rare exhale, but behind the smiles cracks form. Sarah

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thrives on attention, Andrew back to his old rhythm of

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charm and travel, treats domestic life like share leave. To

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the Queen, they still look happy. She sees them at

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family gatherings, laughing, sharing private jokes. She misses the tension beneath.

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Two daughters follow, Beatrice and Eugenie, and the Queen adores

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them as fiercely as she once adored their father. The

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sound of children's laughter softens the long corridors again, for

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a moment, she lets herself believe history might be kind.

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It will not be. Distance creeps in as the years

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move on. His naval duties, her social calendar, the relentless

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lens of the press all conspire to erode what had

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once seemed unbreakable. When the marriage falls, the Queen does

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not scold, She simply adjusts. Royalty has a way of

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doing that. The public loss privately folded into routine. But

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Andrew and Sarah remain the puzzle, divorced yet inseparable, quarreling

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yet always together. They'll never really let go. An aid whispers,

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The Queen says nothing, though possibly she suspects it is true.

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When his naval career ends, she helps find him a

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role special representative for trade and investment. It sounds significant,

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and it keeps him busy, a respectable path for a

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son whose ambitions are restless. She believes it will channel

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his charm towards service, that it will give him purpose.

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What it will give him instead is access. Yet those

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consequences lie ahead. For now, she is still the mother

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who looks at her groans son and sees the boy

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who once tugged at her sleeve, who filled the palace

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with laughter. She will not stop believing in him, not yet.

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One wonders what she thought in those quiet moments between

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duty and silence. Whether she asked herself if love freely

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given can leave a child unprepared for the world beyond

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the palace gates. Whether she believed that the crown itself

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could teach what a mother could not. No one can know.

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The Queen shared her mind with no one but God

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and the briefest of notes to family. Yet her life

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suggests a truth that affection does not cancel responsibility, and

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that mercy in monarchy always carries a cost. The corridors

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of the Palace remember everything. They remember the laughter of

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a small boy, the pride of a mother, and the

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whisper that called him the favorite. And they remember too

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that in time every favorite must be tested. Next time,

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on Crown and Controversy, Prince Andrew a new title and

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a new purpose. The Queen's Favorite becomes the nation's envoy,

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traveling the world in the name of trade and diplomacy.

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But behind every flight and handshake lies a question whose

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interests does he truly serve? While no one truly knows

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what happens behind closed palace doors. This entertainment series uses

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news sources, on the record, quotes, and some artistic license.

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Some moments have been dramatized for storytelling effect. To keep

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up with the modern day Royal family, follow our sister podcast,

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Palace Intrigue, a seven day a week, ten minute update

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on the Royals. Crown and Controversy, is a production of

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Calaroga Shark Media. Executive producers Mark Francis and John McDermott.