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Callaroga Shark Media, Good morning, I'm read Carter. Sunday, December
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twenty first, twenty twenty five. We're counting down the top
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ten crime and justice stories of twenty twenty five Today
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number three August twenty twenty four. It ends with US
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premieres three hundred and fifty one million dollars at the
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global box office. A massive hit based on Colleen Hoover's
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best selling novel about domestic abuse. Stars Blake Lively and
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Justin Baldoni. Baldoni also directed, should be a triumph for
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everyone involved. Instead, fans notice something strange during the press tour.
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Baldoni is doing interviews alone. Lively is surrounded by her
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other co stars. They never appear together, never interact on
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red carpets. Something is wrong. Then the internet turns on
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Blake Lively, seemingly overnight old clips resurface interviews where she
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seems dismissive about domestic violence themes, a comment using an
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offensive term from her gossip Girl days, TikTok videos calling
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her difficult entitled Adiva. Her hair care company, Blake Brown Beauty,
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sees sales drop nearly eighty percent in a single month.
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Was it organic? Backlash from disappointed fans or something more sinister.
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December twentieth, twenty twenty four, Blake Lively files a complaint
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with the California Civil Rights Department accuses Justin Baldoni of
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sexual harassment on set. Accuses him and his production company
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Wayfarer Studios of orchestrating a coordinated smear campaign to destroy
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her reputation after she complained. The complaint includes text messages
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obtained through subpoena between Baldoni's crisis pr team planning how
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to handle Lively if she went public. You know, we
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can bury anyone, crisis manager Melissa Nathan texted to Baldoni's publicist.
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The New York Times publishes a devastating expose the next day, headline,
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we can bury anyone inside a Hollywood smear machine. Baldoni
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denies everything, calls the allegations categorically false, sues The New
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York Times for two hundred and fifty million dollars. Sues Lively,
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her husband, Ryan Reynolds, and her publicist for four hundred
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million dollars. Claims they're the ones running a smear campaign
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against him. Dueling lawsuits hundreds of millions of dollars sexual
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harassment allegations, text messages, planning digital warfare, celebrity publicists plotting
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to destroy their client's co star. This is Hollywood's ugliest
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battle in years, and it's headed to trial. I'm Red
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Carter today, number three on our countdown. Blake Lively versus
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Justin Baldoni, the case that pulled back the curtain on crisis,
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pr astroturfing, and and how reputations are manufactured and destroyed
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in the age of social media. This is Celebrity Trials.
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Let's start at the beginning. May twenty twenty three. Production
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begins on It ends with us in Hoboken, New Jersey.
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Justin Baldoni, forty years old, known for the TV series
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Jane the Virgin, founded Wayfarer Studios with his business partner
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Jamie Heath, secured the rights to Colleen Hoover's novel, directing
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his first major studio film, also starring as Ryle Kincaid,
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the charming neurosurgeon who becomes an abusive husband. Blake Lively
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thirty seven years old, Gossip Girl The Sisterhood of the
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Traveling Pants, a simple favor married to Ryan Reynolds, four children,
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serving as star and producer. On the film. According to
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Lively's complaint, problems started almost immediately. She alleges Baldonis show
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her nude videos and images of women on set, that
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he discussed his sexual conquests in front of her and
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the crew, that he and producer Jamie Heath talked openly
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about their past pornography addiction. She alleges Heath showed her
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a video of his wife giving birth while naked without
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any apparent professional reason. She alleges Baldoni made comments about
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her weight to her fitness trainer after she'd recently given
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birth to her fourth child. That he claimed he could
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communicate with dead people, including her father, Ernie Lively, who
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had passed away in twenty twenty one. She alleges both
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men repeatedly entered her makeup trailer uninvited while she was undressed.
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On one occasion, Heath allegedly walked in while she was
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topless and having body makeup removed. When she asked him
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to keep his back turned, she claims he kept staring
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at her directly, and she alleges Baldoni improvised physical intimacy
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during scenes that hadn't been rehearsed or discussed. Unwonted kissing, touching,
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and that went beyond what was scripted. Production paused in
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June twenty twenty three due to the writer's strike, then
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again in July when the actors strike began. By then,
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according to Lively, the problems had become unbearable. January fourth,
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twenty twenty four, before filming resumed, an all hands meeting
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was convened. Attendees included Lively, Baldoni, Jamie Heath, Sony Pictures executives,
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and notably Ryan Reynolds, Lively's husband, who was not involved
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in the production but apparently felt his presence was necessary
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at that meeting. According to the complaint, Lively laid out
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specific demands for returning to work. No more showing nude
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videos or images of women to her, No more discussions
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about sexual conquests in front of her or others. No
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further mentions of cast and cruised Genitalia, no more inquiries
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about her weight, no further mention of her dead father.
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Sony Pictures approved the demands. Baldonian Wi allegedly agreed. A
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contractual writer was added, promising to implement safeguards and stating
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Lively would not be retaliated against for raising her concerns.
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Production resumed, the film wrapped. Post production began, but according
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to Lively, the relationship had already fractured beyond repair and
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the retaliation was just beginning. Make it Make sense, August
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twenty twenty four. It ends with US is about to premiere,
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the press tour is under way, and something strange is happening.
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According to court filings, Justin Baldoni retained crisis PR manager
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Melissa Nathan and her firm, The Agency Group, in early August.
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Nathan is a specialist. She'd previously worked for Johnny Depp
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during his defamation trial against Amber Hurd. She knows how
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to fight reputation battles. Why would Baldoni need Crisis PR
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for what should be a celebratory movie launch, because, according
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to Lively's complaint, he was worried she might go public
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with her allegations. Text messages between Nathan and Baldoni's longtime
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publicist Jennifer Abel, obtained through subpoena and included in court filings,
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paint a picture of sophisticated reputation warfare August second, twenty
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twenty four. Able texts Nathan about Baldoni's concerns. He's worried
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there's not much defense in their planning document if Lively
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goes on the offensive. Nathan responds carefully, we can't write
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it down to him. We can't write we will destroy her.
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He has to look at it as an information document
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for us to be armed with. That's all. Imagine if
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a document saying all the things that he wants ends
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up in the wrong hands. Then she adds, you know,
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we can bury anyone, but I can't write that to him.
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That text we can bury anyone became the headline for
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the New York Times expose that would eventually blow this
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case wide open. Two days later, August fourth Able confides
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to Nathan, I'm having reckless thoughts of wanting to plant
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pieces this week of how horrible Blake is to work with,
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just to get ahead of it. The same day, Baldoni
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sends his PR team a screenshot of a viral Twitter
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thread about Hailey Bieber's history of bullying many women. The
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thread had over nineteen million views. Baldoni's message, this is
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what we would need. He was suggesting they needed the
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same kind of viral pylon against Lively. According to the complaint,
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Nathan proposed a four month battle plan with a one
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hundred and seventy five thousand dollars price tag. The strategy
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included plans to start threads of theories on platforms like
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Reddit and TikTok favorable to Baldoni, to create social fan engagement,
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to go back and forth with any negative accounts, helping
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to change narrative and stay on track. They allegedly retained
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Jed Wallace, described in court documents as a digital army specialist,
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for thirty thousand dollars per month. According to unsealed texts,
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Nathan told Heath that Wallace's work would be untraceable. As
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the premiere approached, negative content about Lively exploded across social media.
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Old interviews resurfaced. Comments she'd made years ago were recontextualized
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as evidence of her being difficult, dismissive, or tone deaf
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about domestic violence, the very subject of her film. August ninth,
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twenty twenty four, The film opens to fifty million dollars,
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a massive success, but the narrative around Lively is toxic.
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August ninth, Able texts Nathan, so are we in the clear? Now?
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Did we survive? Nathan responds, we survived. All press is
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so overwhelming. We've confused people so much mixed messaging. It's
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actually really funny if you think about it. The next day,
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they discussed shifting the narrative to focus on reactions from
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domestic violence survivors, positioning Baldoni as the champion of the
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film's message while Lively was being dragged for allegedly trivializing it.
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Nathan wrote to Abel, the majority of socials are so
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pro Justin, and I don't even agree with half of
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them lol. August sixteenth, the Daily Mail publishes an article
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with the headline is Blake Lively set to be canceled?
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Nathan shares the link with Abel. Abel responds, Wow, you
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really outdid yourself with this piece. Nathan's reply, That's why
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you hired me, right, I'm the best. According to Lively's complaint,
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her Blake Brown Beauty haircare company saw sales plummet nearly
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eighty percent in August twenty twenty four as the online
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attacks peaked. Her beverage company also allegedly suffered endorsement deals
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dried up, speaking engagements disappeared. Now Baldoni's team has a
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very different story. Jennifer Abel, in a since deleted Facebook post,
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that was preserved and verified by Rolling Stone. Acknowledged that
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they had discussed various strategies, but she denied implementing a
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smear campaign. No negative press was ever facilitated, no social
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combat plan, although we were prepared for it, as it's
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our job to be ready for any scenario, Abel wrote,
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But we didn't have to implement anything because the Internet
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was doing the work for us. She admitted. They sophomorically
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reveled and again joked privately to each other about the
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Internet's feedback to the woman whose team was making our
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lives incredibly difficult. Brian Friedman, the attorney representing Baldoni and
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his PR team, called the text messages cherry picked and
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altered communications stripped of necessary context. He said Nathan operated
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as any other crisis management firm would when hired by
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a client experiencing threats by two extremely powerful people with
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unlimited resources. So who's telling the truth? Was there a
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coordinated smear campaign or did the Internet organically turn on
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Blake Lively for legitimate reasons. That's what the trial will decide.
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Truth is stranger than fiction. December twentieth, twenty twenty four,
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Blake Lively files her complaint with the California Civil Rights
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Department ten claims sexual harassment, hostile work, environment, retaliation. December
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twenty first, The New York Times publishes We Can Bury
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Anyone Inside a Hollywood Smear Machine, a detailed expose based
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on Lively's complaint and the text messages she'd obtained. Hollywood
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takes sides. Sony Pictures, the film's distributor, releases a statement
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supporting Lively. Lively's Sisterhood of the Traveling Pants co stars
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America Forereasara, Amber Tamblin Alexis Bledel issue a joint statement
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of support. Director Paul Fige, who worked with Lively on
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a Simple Favor, defends her. Baldoni's Voices of Solidarity award
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from the Vital Voices organization, given for his work as
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a male ally to women, is rescinded. December twenty fourth,
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twenty twenty four, Baldoni's former publicist, Stephanie Jones, files her
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own lawsuit. She alleges that Abel and Nathan, who were
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her employees, conspired to undermine her firm while planning the
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Lively smear campaign. She claims she was forced to stop
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representing Baldoni over concerns about his conduct. December thirty first,
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twenty twenty four, two major developments. On the same day,
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Lively files a federal lawsuit in the Southern District of
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New York names Baldoni, Wayfarer Studios, Jamie Heath, Melissa Nathan,
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Jennifer Abel and Wayfarer co founder Steve Sarrowitz, alleges sexual
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harassment and retaliation under federal and California state law. The
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same day, Baldoni fires back sues The New York Times
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for two hundred and fifty million dollars for libel claims
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the newspaper conspired with Lively's team to publish a one
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sided story using cherry picked evidence. January sixteenth, twenty twenty five,
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Baldoni escalates further files a four hundred million dollar lawsuit
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against Lively, Ryan Reynolds, and Lively's publicist Leslie Sloane, claims defamation,
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civil extortion, interference with contracts. The suit accuses Lively and
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Reynolds of trying to steal an entire film right out
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of the hands of its director and production studio. Claims
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they wanted creative control and retaliated when they didn't get it.
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Baldoni's team releases footage from the set footage of intimate
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scenes being filmed, claiming it contradicts Lively's allegations about improvised
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physical contact. Lively's lawyers respond that the footage actually corroborates
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her claims, showing by Baldoni repeatedly leaning in toward Miss
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Lively attempting to kiss her without prior discussion or an
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intimacy coordinator present. January twenty third, twenty twenty five, Lively's
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team files a motion for a gag order against Baldoni's attorney,
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Brian Friedman. They accuse him of continuing the smear campaign
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through media appearances and strategic leaks. The judge imposes what's
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called the Empire State Rule, prohibiting both sides from making
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statements that could influence potential jurors. Neither side stops fighting
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subpoena's fly. Lively subpoena's celebrity blogger Perez Hilton for communications
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with Baldoni's team, alleging he may have participated in the
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smear campaign. Hilton denies it, files a motion to quash
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Jed Wallace, the Digital Army specialist, sues Lively for defamation
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in Texas, claims he never met or spoke with her,
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and was only hired to monitor social media, not orchestrate attacks.
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Taylor Swift gets dragged in Baldoni's team subpoenas her as
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a potential witness. She contributed a song to the film's
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soundtrack and is Lively's close friend. Swift's spokesperson responds that
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she never set foot on the set and was not
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involved in any casting or creative decisions. Lively's amended complaint
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reveals that Nathan's scenario planning document from August twenty twenty
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four specifically mentioned Swift, referring to her as a bully
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and calling for strategies to influence the TS fanbase. Lively's
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lawyers accused Baldoni of trying to exploit Miss Swift's popularity
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as a distraction. June ninth, twenty twenty five, The Hammer Drops.
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Judge Lewis Lyman dismisses Baldoni's four hundred million dollar lawsuit
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against Lively entirely also dismisses his lawsuit against The New
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York Times. The judge finds that Lively's accusations of sexual
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harassment are legally protected because they were made as part
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of a legal proceeding. You can't sue someone for defamation
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over allegations they made in a lawsuit, Lyneman writes, even
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if they turn out to be unneeded, an employee can
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insist on protections at workplace for sexual harassment without being
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accused of extortion. Baldoni's attorney vows to march forward and