WEBVTT
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Callaroga Shark Media. Good morning, I'm Reed Carter. Friday, November seventh,
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twenty twenty five. October nineteenth, twenty twenty five, Paris, France.
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Nine a m. The Louver Museum opens its doors. Eight
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million visitors passed through annually, most famous museum in the world,
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home to the Mona Lisa, the Venus de Milo, and
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what remains of the French crown Jewels. Thirty minutes later,
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those Crown jewels are gone. A truck pulls up to
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the museum's riverfront side Que Francois Miterane, right along the
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Seine broad daylight tourists everywhere. The truck has a mechanical lift,
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the kind furniture movers used to hoist couches to second
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floor apartments. Nine thirty am. The lift extends up to
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the balcony of the Gallery Dapolon. The Apollo Gallery second floor,
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one of the most ornate rooms in the museum, gilded
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Baroque hall, painted ceilings and glass cases containing what's left
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of France's crown jewels, the ones that survived the French Revolution,
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the ones Napoleon gave his wives, the ones French empresses
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war at coronations four men wearing reflective yellow vests and
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hard hats, construction workers. Nobody questions them. This is Paris,
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there's always construction. Two men climb the lift, reach the balcony,
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use a disc cutter to slice through the window. Glass shatters.
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Security alarms immediately trigger, but alarms don't stop determined thieves.
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They're inside museum. Visitors are in the gallery, Security guards
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are in the gallery. Everyone just watching, frozen, confused. Is
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this a drill? The two men pull out power tools,
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circular saws, angle grinders, cut through the glass display cases.
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Not elegant, not surgical, just brute force, smashing and grabbing.
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They take jewelry from two cases. Tiaras, necklaces, earrings, brooches, diamonds, sapphires, emeralds.
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Eight pieces total, worth eighty eight million euros about one
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hundred million dollars in American dollars, but the real value priceless.
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These are pieces of French history, worn by queens and empresses,
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symbols of national heritage. Four minutes that's how long they're
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inside the building. Four minutes from window breach to exit.
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They climb back down the lift. Two accomplices waiting on
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the street with high powered motor scooters. The thieves try
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to set the lift on fire, can't get it to
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catch no time security and police are responding. They jump
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on the scooters speed away along the banks of the Seine,
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weaving through Paris traffic toward the Boulevard Periphyrique, then onto
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the A six auto route heading south. Total time from
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arrival to escape eight minutes, less time than it takes
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to order coffee at a Parisian cafe. Behind them, broken glass,
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shattered display cases, one dropped crown too big to fit
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through the opening they'd cut in the glass. They'd deformed
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it trying to force it through, then abandoned it in
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the street. Scattered across the crime scene a motorcycle helmet,
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a circular saw, gloves, a gas can, a walkie talkie,
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a reflective vest, smart enough to plan a one hundred
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million dollar heist, too stupid to clean up after themselves.
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France is in shock. The Louver. The Louver has been
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robbed in broad daylight, with visitors present, like something out
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of a movie, except this is real, and eight priceless
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pieces of French heritage are gone. President Emmanuel Macron calls
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it an attack on a heritage that we cherish because
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it is our history. Justice Minister Gerald Darmanin admits we
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have failed. The museum director offers to resign, But French
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police have something The thieves didn't count on. DNA left
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all over the crime scene, on the helmet, the gloves,
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the scooters, the broken glass, the mechanical lift, and France
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has something else, a database four point four million DNA
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profiles every criminal convicted or even suspected of certain crimes
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for the past twenty seven years. Less than a week
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after the heist, police arrest two suspects. Three days later
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they arrest five more. Today, four are charged. Three of
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the four thieves are in custody, one still at large.
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The jewels still missing, probably being dismantled into individual stones
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as we speak. I'm read Carter today, the Louver heist,
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the robbery of the decade. How petty criminals from the
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Paris suburbs pulled off one of history's most brazen museum thefts,
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How DNA caught them in less than a wee, and
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how the real crime was the Louver's twenty years of
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security failures that made it all possible. This is celebrity trials.
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Let's start at the beginning. The Louver, founded in seventeen
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ninety three after the French Revolution. Originally a royal palace
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built in the twelfth century, transformed into a museum when
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revolutionaries decided that people should have access to art that
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once belonged only to kings. Today it's the most visited
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museum in the world eight point one million visitors last year,
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seventy two thousand square meters of exhibition space, three hundred
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eighty thousand objects, thirty five thousand works of art on display,
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among them the French Crown Jewels, or what's left of them.
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Most were broken up and sold during the revolution, but
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some survived and they're displayed in the Gallery Dapolon the
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Apollo Gallery on the second floor. This gally is stunning,
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built in the seventeenth century under Louis the fourteenth, gilded walls,
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painted ceilings by Charles le Bron, ornate Baroque architecture. It
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once housed the Royal gem collection. Today it houses what
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remains of the Crown jewels, including the Regent Diamond one
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hundred forty carrots, valued at fifty one million euros alone,
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and the Sanse Diamond at fifty five carrots. October nineteenth,
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twenty twenty five, Saturday morning, beautiful autumn day in Paris,
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Tourists flooding the city. The louver opens at nine am
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as usual, people line up to see the Mona Lisa,
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the Winged Victory, the Venus de Milo standard Saturday at
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the museum nine thirty a m. Thirty minutes after opening,
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a stolen truck arrives on Ques Francois Mitterrane, the river
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front side of the museum, parks right next to the building.
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Nobody stops it. No barriers, no ballards, just a public
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street where anyone can park. The truck has a mechanical
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basket lift mounted on it, the kind furniture movers use
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extends up to thirty feet, painted to look professional, yellow
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and white, legitimate looking. Four men exit the truck, wearing
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reflective yellow safety vests over their clothes, hard hats, work boots.
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They look like construction workers, maintenance crew. This is Paris.
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There's always scaffolding, always renovation, always workers fixing something. Nobody
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questions them. Two men climb into the basket of the lift.
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It extends upward, slowly, mechanically, up to the second floor
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balcony of the Apollo Gallery about twenty feet off the ground.
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Here's where the louverrous security failed catastrophically. The museum has cameras,
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lots of them, three hundred and fifty cameras inside the building,
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but outside on the perimeter only about twenty five cameras total,
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only five on the outer walls, and the camera on
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the Apollo Gallery facade pointed in the wrong direction, facing west,
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away from the window where the thieves were about to
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break in, so nobody saw them coming. Nobody noticed a
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furniture lift extending up to a second floor balcony at
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the most famous museum in the world. The two men
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reach the balcony, pull out a disc cutter, industrial power
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tool used for cutting through metal and glass. They slice
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through the window. Glass shatters. Security alarms trigger immediately high
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pitched whaling throughout the building. Museum security responds. Police are notified,
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but it takes time minutes and the thieves only need four.
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The two men climb through the broken window into the
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Apollo Gallery. Museum visitors are inside, looking at the jewels,
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looking at the paintings, looking at the ornate ceiling, now
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looking at two men in reflective vests climbing through a
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window with power tools. Security guards are in the gallery too,
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but their priority is protecting the visitor, getting people to safety,
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not confronting armed intruders with circular saws and angle grinders.
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The thieves don't waste time. They go straight for two
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display cases, high security cases, reinforced glass, locked, alarmed, doesn't matter.
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They use their power tools. Circular saws cut right through
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the glass. Not elegant, not sophisticated, just brute force. A
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louver security guard films them on his phone, captures the
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whole thing. Two men in yellow vests destroying display cases,
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pulling out jewelry, stuffing it into bags. Four minutes of chaos.
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They take eight pieces, specific pieces, targeted pieces. This wasn't random.
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They knew what they wanted. A tiara necklace and single
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earring from the sapphire perure of Queen Marie Amalie and
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Queen or Tense blue sapphires diamonds nineteenth century, worn by
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French royalty. An emerald nets cless and matching earrings. The
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Marie Louise necklace gifted by Napoleon Bonaparte to his second wife,
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Empress Marie Louise in eighteen eleven. More than one thousand diamonds,
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priceless emeralds. One of the most significant pieces in the collection,
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a tiara and brooch from Empress Eugenie, wife of Napoleon
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the Third, mid nineteenth century, covered in diamonds. They try
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to take a ninth item, the crown of Empress Uzhenie
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gold more than two thousand diamonds, fifty six emeralds, eight
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gold eagles, but it's too big. The opening they cut
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in the glass case isn't large enough. They try to
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force it through, deform the crown, flatten it, bend, It
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still won't fit. No time. Police are coming. Guards are responding.
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They abandon the crown, leave it in the case. Nine
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thirty four a m. They climb back down through the
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window into the basket lift, descend to street level. Try
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to set the lift truck on fire. Poor gasoline. Use
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a lighter, it won't catch. The basket is metal, the
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gasoline isn't spreading. They're out of time. Two accomplices waiting
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on the street high powered motor scooters Yamaha sport bikes,
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fast maneuverable, perfect for escaping through Paris traffic. The four
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men jump on the scooters, two per bike, speed away
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along the qu Francois Miterane, following the Senne heading east
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through Paris. As they flee, one of them drops the
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crown of Empress Ougnie in the street, the ninth item
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they'd managed to grab, two thousand diamonds and fifty six emeralds,
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bouncing across the pavement. A louver staff member finds it
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minutes later, damaged, diamonds, missing, gold eagles, broken off but recoverable.
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Nine thirty eight am, eight minutes after they arrived, the
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thieves are gone, disappear into Paris traffic. Security footage captures
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them heading toward the Boulevard Peri Ferique, then on to
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the A six auto route, then nothing they vanish. Left
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behind at the scene the truck with the mechanical lift
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couldn't torch, it couldn't move, it just abandoned it. A
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motorcycle helmet, a circular saw, an angle grinder, gloves, a
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gas can, a walkie talkie, a reflective yellow vest, a blanket.
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In their rush to escape, these supposedly sophisticated thieves left
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behind a forensic bonanza DNA everywhere on the helmet, inside
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the gloves, on the lift, bucket, on the scooters they
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abandoned a few blocks away on the broken glass, from
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the display cases on the window frame. Paris Prosecutor lor
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Becuo would later say investigators collected one hundred and fifty
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forensic samples from the scene, fingerprints, DNA trace evidence, all
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of it waiting to be analyzed, all of it pointing
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directly at the thieves. But in that moment, as police
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arrived at the louver, all they knew was eight pieces
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of French now tional heritage were gone, worth one hundred
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million more importantly worth centuries of history. Napoleon's gifts to
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his wives, empresses, coronation jewels irreplaceable. The museum was evacuated,
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Apollo Gallery closed as a crime scene. Black curtain hung
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over the broken window. The remaining Crown jewels, including the
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Regent and Sancy diamonds, valued at tens of millions, were
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immediately transferred to the Bank of France for safekeeping. Can't
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risk losing anything else. President Macron issued a statement, an
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attack on a heritage that we cherish because it is
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our history. We will recover these jewels and bring the
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perpetrators to justice. Justice Minister Darminin admitted the obvious. We
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have failed. One can wonder why the windows hadn't been secured,
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why a basket lift was allowed on a public road.
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We have failed. Museum director Lawrence des Car offered her
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resignation Uch Your Minister Rachida Dati refused it, but Descar
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had to testify before the French Senate had to explain
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how this happened. Her testimony was devastating. Only one third
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of the museum's wings are under video surveillance. The camera
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on the Apollo Gallery balcony was pointed the wrong direction.
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Perimeter security has been a problem for a long time,
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certainly due to under investment. A subsequent investigation by cultural
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affairs inspectors found chronic structural underestimation of the risk of
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intrusion and theft at the louver for the last twenty years.
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Twenty years, two decades of knowing there was a problem,
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two decades of doing nothing. Make it make sense. The
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most visited museum in the world eight million people a year,
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housing some of humanity's greatest treasures, and they couldn't be
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bothered to point a camera at the balcony of the
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room containing the Crown Jewels. Your tax dollars at work, or,
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in this case, French tax euros. Same principle, massive institutional failure.
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Everyone knew security was inadequate, nobody did anything, and now
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eight pieces of French history are gone. But the thieves
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made mistakes, big mistakes, and those mistakes would bring them
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down in less than a week. We'll be right back
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with how DNA caught the thieves and why France's four
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point four million profile database is both a crime solving
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tool and a privacy nightmare. Welcome back to celebrity trials.
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I'm read Carter. The Louver heist shocked France, but what
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happened next shocked criminal justice experts around the world. October nineteenth,
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the heist October twenty fifth, two arrests. Six days later,
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October twenty ninth, five more arrests. Ten days after the
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heist November first, four suspects formally charged less than two
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weeks from crime to charges for a one hundred million
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dollar international heist at one of the world's most famous museums.
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That's not just fast, that's unprecedented. How did they do it? DNA?
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The thieves left behind a treasure trove of evidence, a
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motorcycle helmet with sweat inside gloves with skin cells. The
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lift truck they'd tried to burn had DNA on the
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bucket where they'd leaned or touched it. One of the
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scooters they'd abandoned had DNA on the handlebars. The broken
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glass from the display cases had DNA from cuts or scratches.
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The window frame had DNA where they'd climbed through. One
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hundred and fifty forensic samples total, all sent to public
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and certified private labs for sequencing, All compared against France's
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National Automated Genetic Fingerprint File. That's the official name, everyone
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just calls it the DNA database, started in nineteen ninety
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eight after a serial killer case. Today it contains four
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point four million DNA profiles. Let me paint you the
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picture of how this works. Police find DNA at a