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Kalaroga Shark Media. Good morning. I'm Garrett Fisher, and this
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is Daily Crime and Justice. It's Friday, June twenty sixth,
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twenty twenty six and this is part two. Yesterday we
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stood in the bedroom. We walked through the night of
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August fourth, nineteen sixty two, the housekeeper, the broken window,
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the hours that vanished before the police were ever called.
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And a brand new Fox special in which the man
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who caught the Golden State killer looks at the scene
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and says it was staged. We ended on the one
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thing I can prove that the investigation into Marilyn Monroe's
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death was a disaster, and that disaster is the vacuum
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every theory you've ever heard came rushing into phil. So
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today we opened the door to those theories. And I'm
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going to ask you to hold two things in your
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head at the same time, because this is where people
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lose their minds. One, these stories are mostly unproven. Some
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of them are decades old rumor stacked on rumor. And
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I am not going to stand here and tell you
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the Kennedys killed Marilyn Monroe, because I cannot prove that,
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and neither can anyone else. Two. The reason these stories
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have legs at all is that the official version was
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handled so badly that it left room for every one
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of them. Both things are true, Let's go carefully. You
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cannot talk about Marilyn Monroe's death for more than ninety
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seconds before someone says the word Kennedy, so let's deal
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with it head on. For decades, there have been allegations
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that Marilyn was romantically involved with President John F. Kennedy
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and possibly also with his brother, Attorney General Robert F. Kennedy.
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The famous Happy Birthday Mister President performance in May of
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nineteen sixty two, breathy and intimate in front of a stadium,
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poured gasoline on that fire, and it has never gone out.
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The theory the New Special leans into runs like this,
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If Marilyn was close to the most powerful men in America,
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she may have been told things sensitive things, government things,
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national security things, and a movie star in an unstable
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stretch of her life, holding secrets like that becomes a liability.
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Paul Holes raises the existence of heavily redacted FBI documents
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files showing the Bureau was monitoring Marilyn Monroe, and he
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said he'd love to see them fully released, because in
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his view, they might hold answers. There's long running speculation
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too that FBI director j Edgar Hoover viewed her as
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a potential security risk. Now I want to be a
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responsible adult with you here, because this is exactly where
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true crime goes to die. Everything I just said is allegation, rumor,
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and theory. The affairs themselves have never been definitively established.
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The leap from she may have known something to therefore
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powerful people had her killed is an enormous leap, and
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it is built almost entirely on the absence of evidence,
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rather than the presence of it. That's the tell, by
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the way, when a theory's strongest argument is well, the
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files are redacted, so who knows what's in them. That's
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not evidence. That's a shrug dressed up as a smoking gun.
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Do I think the FBI files should be released? Honestly? Yes,
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sunlight is good and if the Bureau was watching her,
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the public is entitled to know why and how. Holes
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is right to ask, but asking for transparency is a
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very different act than declaring a murder. I'll take the
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unsealed documents. I won't take the conclusion that's been pre
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written for them. The mob, the moved body, and the
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theory buffet. The Kennedy thread is the headliner, but it
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is far from the only act. Over sixty four years,
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this case has grown a whole ecosystem of theories, and
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the new special adds its own. Let me run them
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quickly and let me label each one honestly as I go.
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There's the organized crime theory that mob figures with their
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own grievances against the Kennedys, used Marylyn as a pawn,
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or silenced her, or staged her death to send a message.
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It's a fixture of the literature. It is also to
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this day unproven. There's a claim in the Fox and
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TMZ special itself that I want to flag clearly because
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it's a big one. The suggestion, based on their reading
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of the evidence, that Marilyn may not have even died
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at home, that the scene in that bedroom was arranged
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after the fact. That is a dramatic allegation. It is
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presented by the special as an alternative scenario. Their investigators
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raise not as an established fact, and you should file
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it exactly that way. A troubling possibility floated by a
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television documentary not a finding, and then there's everything else,
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the variations, the name conspirators, the deathbed confessions that surface
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every few years, the books. Here's the thing about a
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theory buffet this large. Its very size is usually a
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sign of weakness, not strength. When there are forty competing
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explanations and none of them can be nailed down. That's
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not because the truth is so dangerous it's been hidden
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forty different ways. It's usually because the original evidence was
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so thin that anyone can project anything onto it. Brentwood
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nineteen sixty two gave the world a blank screen. Everyone's
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been showing their own movie on it ever since. All Right,
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I've spent two segments telling you what I can't prove.
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Let me spend this one on what I think actually matters.
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Because there is a thread in this story that requires
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no conspiracy at all, and it's the one that makes
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me angry, and it's the one almost nobody puts on
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the poster. The doctors. By the summer of nineteen sixty two,
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Marilyn Monroe had two physicians deeply embedded in her daily life.
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Jiman Engelberg, her internist who prescribed her medications, including that nembtah,
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and Ralph Greenson, her psychiatrist, who had become something far
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more than a psychiatrist. Greenson had Marilyn living near him.
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He had, by many accounts, placed the housekeeper, Eunice Murray
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in her home. He saw her constantly. The professional boundary
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between doctor and patient, and the telling of more than
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one biographer, had dissolved into something tangled and unhealthy and dependent.
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Now stack the prescriptions. You've got a psychiatrist and an
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internist both treating the same fragile, medicated woman. You've got
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barbiturates nembutahal and sedatives like chloral hydrate in the same house,
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in the same body. And here's the pharmacology that should
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stop you cold. Barbiturates and chloral hydrate together are a
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dangerous combination. They amplify each other. Margin between a sleeping
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dose and a lethal dose narrows. You do not need
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a Kennedy, You do not need the mob. You do
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not need a single villain in a trench coat to
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get a dead movie star out of that situation. You
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just need two doctors who weren't talking to each other
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or weren't being careful enough prescribing powerful drugs to a
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woman in crisis. That's the question that has always deserved
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more oxygen than the conspiracies. Did Marilyn Monroe's medical care
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meet any reasonable standard? Was anyone watching the total load
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of what she was being given. Paul Hols himself, in
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the middle of all the spy thriller stuff, said, the
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medical treatment raises questions worth scrutinizing, including whether her care
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met the standard it should have. And on that narrow point,
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I think he's dead right, because whatever happened in that bedroom,
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the road to it ran straight through a prescription pad.
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And here's what eats at me. Nobody was ever held
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accountable for that, not investigated for it, not sanctioned for it,
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not in any meaning way called to answer for how
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a thirty six year old woman in their care ended
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up dead of the very medications they were managing. Accountability
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doesn't have a legal department, and it sure didn't have
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one in nineteen sixty two, when the patient was famous
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and the doctors were respected, and everyone just wanted the
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story to be over. What the official reviews found. I
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told you I'd give you the factual anchor, So here
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it is. This case did not just sit untouched in
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nineteen eighty two, twenty years after she died, and after
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a fresh wave of conspiracy books reignited public interest, the
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Los Angeles County District Attorney's Office under John Van de
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Camp conducted a review of Marilyn Monroe's death. They looked
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at the case specifically to determine whether there was any
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basis to suspect murder. Their conclusion no credible evidence of
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foul play, no basis to reopen it as a homicide.
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At the same time, and this is the part that
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gets left out of the breathless retellings, that review did
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not exactly hand the original investigation a gold star, the mishandling,
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the thin documentation, the lost hours, those criticisms are baked
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into the record. So the official position to this day
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is essentially this, the death was a probable suicide. The
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investigation that produced that ruling was badly flawed, and neither
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of those statements cancels the other out. That's a deeply
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unsatisfying place to land. I know, we want the bow
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on top, we want either a clean suicide or a
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named killer. What we have instead is a woman who
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died of an overdose under circumstances. So poorly documented that
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sixty four years later, a famous detective can look at
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one photograph and credibly say it bothers him, and also
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so poorly documented that no one can ever prove the
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darker story either. Uncertainty is the legacy of that night,
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and uncertainty is exactly what a competent investigation is supposed
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to prevent one hundred years. So let me bring it
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home on her one hundredth birthday the way I think
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she's actually owed. I cannot tell you Marilyn Monroe was murdered.
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I've looked at what the new special put forward, I've
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looked at the red flags Paul Holes raised, and as
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a matter of intriguing, unsettling questions, they're real. That window
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glass on the wrong side genuinely nags at me. But
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intriguing questions are not proof. The only official ruling remains
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probable suicide, and every formal review has come back without
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evidence of homicide. I'm not going to launder a documentary's
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theory into a verdict just because it's the centennial and
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the story cells. But I can tell you this, and
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I can tell you it with my whole chest. Marilyn
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Monroe was failed She was failed by an investigation that
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let her death scene rot for hours. She was failed
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by a medical relationship that had her on a cocktail
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that could kill and apparently nobody minding the total. She
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was failed, arguably long before that night, by an industry
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that sold her as a fantasy and a public that
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consumed the fantasy and never much cared about the exhausted, intelligent,
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struggling woman underneath it. The conspiracies, in a strange way,
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are a kind of compliment the world pays itself. Because
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she was murdered by powerful men is a more flattering
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story than the truth, which is that a vulnerable person
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was surrounded by people and systems that all in their
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own way, looked away. Nobody was paying attention to her.
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That's the line that's haunted me through both of these episodes,
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not in the bedroom that night, not in the months before,
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not in the hours after. And the great irony of
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the last sixty four years is that we've paid obsessive
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attention to her death and almost none to what it
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actually tells us. That a famous woman can die in
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the most scrutinized house in America and still not get
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a competent investigation. She would have been a hundred this year.
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She deserved one hundred years. She deserved doctors who coordinated,
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a system that documented, and a world that saw the
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person and not just the poster. She got none of
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those things in time. The least we can do a
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century on is tell the truth about it. And the
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truth is that the mystery of Marilyn Monroe isn't really
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a who done it. It's a story about how easy
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it is to stop paying attention to someone, even when
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she's the most watched woman alive. If these two episodes
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meant something to you, share them, tell a friend, pass
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it along, because that's how a show like this stays alive.
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And if you're listening on Spotify, drop a comment and
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tell me where you came down across both parts. Batched investigation,
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medical failure, or something darker that the redacted files are
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still hiding. I want to hear it. I'm Garrett Fischer.
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This was Daily Crime and Justice. Happy hundredth Maryland, and
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to everyone still in the position to look out for
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the vulnerable person in front of them, do better. Tonight's
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episode discussed theories about the death of Marilyn Monroe. Her
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death was officially ruled a probable suicide from acute barbiturate
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poisoning in nineteen sixty two, and that remains the only
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official conclusion. In nineteen eighty two, the Los Angeles County
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District Attorney's Office reviewed the case and found no credible
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evidence of foul play. No person has ever been charged
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in connection with her death. The alleged relationships between Marilyn
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Monroe and President John F. Kennedy and Robert F. Kennedy,
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the FBI monitoring and national security claims, the organized crime theories,
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and the suggestion that she may not have died at
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home are unproven. Allegations and theories some raised by the
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Fox and TMZ special Celebrity Crime Scene Marilyn Monroe, circulating
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for decades. They are presented here as theories under discussion,
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not as established fact. Descriptions of her medical care reflect
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longstanding biographical and journalistic debate, not legal findings against any individual.
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This episode references suicide. If you are someone you know
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as struggling, you can call or text nine to eight
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eight in the United States to reach the Suicide and
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Crisis Lifeline. Sourcing includes Fox News Digital, The Mirror, AOL, Yahoo,
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and tmz