WEBVTT
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Celebrity Trials is kicking off season two with a new
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host and new name. Hey, I'm Garrett Fisher, and starting
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March sixteenth, I'll be the new host on Daily Crime
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and Justice. It's the same great show, now with extra
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crime and extra justice. In the meantime, please enjoy this
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encore performance of one of Celebrity Trials classic episodes. See
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you on March sixteenth. We'll miss you, Read Carter and
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wish you the best.
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Callarogus Shark Media. Good morning, I'm Read Carter. Sunday, October twelfth,
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twenty twenty five. Yesterday we showed you what Ed Gean did.
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The murders, the grave robbing, the house full of human
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remains fashioned into furniture. Two women dead, forty graves violated,
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fifteen different bodies turned into household items. Today we tell
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you about Augusta Gean, Ed's mother. The woman who raised
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him in isolation on a Wisconsin farm. The woman who
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taught him that all women except her were sinful, disgusting
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vessels of satan. The woman who forbade him from having friends, relationships,
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or any life outside her control. The woman who died
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in nineteen forty five and left Ed so broken that
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he spent the next twelve years trying to bring her back,
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by robbing graves of women who looked like her, by
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murdering women who reminded him of her, by wearing a
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suit made from women's skin so he could become her.
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Today we also tell you how ed Geen became entertainment.
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How his crimes inspired Norman Bates keeping his mother's corpse
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in Psycho, How he inspired leatherface wearing human skin masks
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in Texas Chainsaw Massacre. How he inspired Buffalo Bill making
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a woman suit in Silence of the Lambs. How the
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quiet farmer from Plainfield, Wisconsin became the template for every
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skin wearing, mother obsessed serial killer in American cinema. And
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today we ask the uncomfortable question, what does it mean
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that we turned ed Geen into entertainment, that we built
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horror franchises on his crimes, that Netflix just released a
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series dramatizing the man who murdered Bernice Warden and Mary
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Hogan and turned them into furniture. I'm read Carter. This
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is part two of Celebrity Trials. Mother's Boy, the psychology,
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the trial, the legacy, and why ed Geen shouldn't be fascinating,
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but he is. And that's the problem. To understand ed Geen,
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you have to understand Augusta Geen. And to understand Augusta
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you have to understand that she was one of the
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most controlling, fanatically religious, psychologically abusive mothers in American criminal history.
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Augusta Villemina Leerka was born in eighteen seventy eight in
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Wisconsin to German immigrant parents. She was raised in a
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strict Lutheran household where women were subservient, children were obedient,
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and Godd's judgment hung over every action. She absorbed these
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lessons completely, then she weaponized them. In nineteen hundred, Augusta
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married George Gain she was twenty two. George was a
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tanner then later a carpenter. By all accounts, George was weak, passive,
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an alcoholic. Augusta despised him, called him worthless, told her
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sons their father was a failure and a sinner. Made
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it clear that George's only purpose was providing money, and
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that otherwise he was beneath contempt. Augusta had two sons,
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Henry born in nineteen oh one Edward born in nineteen
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oh six. From the moment they were born. Augusta controlled
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every aspect of their lives, not with love, with religion,
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with fear, with the absolute certainty that she alone knew
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God's will and everyone else was damned. Augusta believed that
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the world outside her farm was evil. Cities were cesspools
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of sin. Other people were corrupt women, all women except her,
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institutes and temptresses sent by Satan to lure good men
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into damnation. The only safe place was the green farm.
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The only righteous person was Augusta. Everyone else was going
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to hell. She made sure Ed understood this from childhood.
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Other children were sinful, Playing with them would corrupt him.
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School was necessary for education, but dangerous for socialization. Ed
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was to go to school, learn his lessons, and come
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home immediately. No friends, no talking to other children, no
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participation in anything social. Other families might have gone to
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church for community, Augusta went to church to judge. She
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attended a small Lutheran church in Plainfield, where she sat
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in the front row and glared at other parishioners, whom
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she considered insufficiently pious. She read from the Bible every
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day at home, focusing particularly on the Old Testament passages
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about death, murder, divine retribution, and female sin. Augusta was
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obsessed with female sexuality as sin. She read ed passages
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from the Bible about Harlot's and Jezebel and women leading
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men astray. She told him that women's bodies were disgusting,
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that sex was a sin unless it was for procreation
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within marriage, that any woman who enjoyed sex, or dressed
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immodestly or laughed too loudly was a whore destined for hell.
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All women except Augusta. She was different. She was pure,
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She was righteous. She was the only woman in the
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world who wasn't corrupted by sin ed absorbed all of this.
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He had no choice. Augusta controlled what he read, what
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he heard, who he talked to, where he went, what
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he thought. From ages five to forty, ed Geen lived
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under total psychological domination by his mother. The Green Farm
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was one hundred and sixty acres outside Plainfield, isolated no
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close neighbors, the perfect place for Augusta to create her
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closed world. She ran the farm with Germanic efficiency, made
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the boys work constantly. Physical labor was godly, idleness was
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sin ed, and Henry did farm work from dawn to
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dusk then came inside for Bible reading and more lectures
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about sin and salvation. George Geen was barely present. He drank,
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he disappeared for days. He had no authority in his
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own home. Augusta made all decisions, controlled all money, ran everything.
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George was just an occasional figure stumbling drunk through the
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background of Ed's childhood. Henry, the older brother, started questioning
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Augusta as he got older, started pushing back, started suggesting
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that maybe their mother was wrong about some things, maybe
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other people weren't all evil, maybe the world outside the
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farm wasn't hell on earth. Augusta punished Henry for this insolence,
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berated him, called him sinful, told him he was becoming
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like his worthless father. The conflict between Henry and Augusta
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grew more intense as Henry entered his twenties and thirties.
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He wanted to escape, wanted a life outside the farm,
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but Augusta wouldn't allow it. Ed meanwhile, never questioned Augusta,
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never pushed back, never developed the psychological independence that Henry showed.
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Ed believed everything Augusta said, Believed women were sinful, believed
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the outside world was evil, believed his mother was the
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only pure person on earth. Believed his purpose was serving her.
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When other boys in school talked about girls, Ed was
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horrified when other teenagers started dating. Ed stayed home. When
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other young men got married and started families, Ed remained
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at the farm with his mother. He didn't go to dances,
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didn't have girlfriends, didn't have any relationship with any woman
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except Augusta. People in Plainfield noticed Ed was odd, socially awkward,
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would laugh at inappropriate time, seemed nervous around women, but
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he was harmless. Helped with farm work, did odd jobs,
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babysat children and was good at it. Gentle and patient, strange, yes,
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dangerous no. April first, nineteen forty George gen dies heart failure,
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likely alcohol related. He's sixty six years old. Augusta shows
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no grief. George was a sinner and a failure. His
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death changes nothing for her except removing an annoyance. She
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still has her sons, she still has her farm. She
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still has complete control. May sixteenth, nineteen forty four, Henry
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and Ed are fighting a brush fire on the farm.
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The fire gets out of control. Henry disappears in the smoke.
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Ed runs to get help, returns with firefighters. They find
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Henry's body lying in an area of the farm that
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the fire hadn't reached. He's dead. The official cause of
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death is listed as asphyxiation from smoke, but Henry has
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bruce on his head. The fire didn't reach where his
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body was found. Ed reported Henry missing, then led searchers
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directly to the body, even though visibility was poor. The
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circumstances are suspicious. Some investigators suspect Ed killed Henry, that
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the brothers fought, that Henry said something about Augusta that
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Ed couldn't tolerate, that Ed struck Henry and left him
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to die. There's no evidence, no witnesses, no proof, but
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the suspicion lingers did Ed kill his brother to protect
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his mother's honor. We'll never know for certain. What we
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do know is that after Henry's death, it was just
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Ed and Augusta. Ed was thirty eight years old, never
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had a job off the farm, never had a girlfriend,
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never had any life separate from his mother. He was
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perfectly content with that arrangement. Augusta was his entire world.
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December twenty ninth, nineteen forty five, Augusta suffers a stroke.
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She's paralyzed on her left side. Ed cares for her,
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devotedly feeds her, bathes her, dresses her, talks to her constantly,
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even though she can barely respond. He's terrified of losing her.
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She's the only person who matters, the only person who
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ever mattered. Augusta recovers somewhat. She's weaker, but she's still Augusta,
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still dominating, still controlling, still the center of Ed's universe.
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December twenty ninth, nineteen forty five, exactly one year after
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her first stroke, Augusta has a second stroke. This one
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is fatal. She dies at home with Ed beside her.
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She's sixty seven years old. Ed is thirty nine, and
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for the first time in his life, he's alone, completely,
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utterly alone. The woman who controlled every moment of his
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existence is gone. The woman he believed was the only
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pure person on earth is dead. The woman who gave
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his life structure and meaning and purpose no longer exists.
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Ed's response is psychological collapse. He boards up Augusta's bedroom,
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boards up the parlor where she spent time, boards up
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the upstairs, seals off entire sections of the house so
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they remain exactly as Augusta left them, creates a shrine
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to his dead mother in the rooms where she lived.
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The rest of the house deteriorates into squalor, trash, piling
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up newspapers, accumulating clutter and filth everywhere. Ed lives in
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one small room and the kitchen lets. Everything else decay
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except Augusta's rooms. Those stay pristine, untouched, waiting for her
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to return. But Augusta doesn't return, and Ed can't accept
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that she's gone forever. So two years after her death,
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around nineteen forty seven, Ed starts reading obituaries, looking for
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middle aged women, women who resemble Augusta, women who might
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in some way bring her back. That's when the grave
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robbing begins. Ed is trying to resurrect his mother, trying
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to surround himself with women who look like her, trying
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to study female anatomy so he can understand the woman
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who controlled his entire life, trying to become her by
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wearing skin fashioned from women who reminded him of her.
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The psychiatric experts who later evaluate Ed call this a
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mother fixation and gender confusion and necrophilic tendencies, clinical terms
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for what happened when Augusta Gean spent forty years psychologically
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destroying her son and then died, leaving him broken in
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ways that expressed themselves through grave robbing and murder. Did
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Augusta Gean create Ed Gean the killer? Yes and no.
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Plenty of people have controlling, religious, psychologically abusive mothers and
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don't become serial killers. Plenty of people have isolated childhoods
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and don't rob graves. Plenty of people lose their mothers
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and grieve normally instead of making furniture from corpses. But
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Augusta created the specific conditions that, combined with whatever was
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already wrong with Ed, psychologically produced the Butcher of Plainfield.
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She isolated him from normal social development. She taught him
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that women were disgusting and sinful. She made herself the
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only acceptable female in his universe. Then she died and
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left him with no ability to process loss, no social skills,
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no relationships, and no identity separate from being her son.
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Ed tried to fill that void with corpses, with grave robbing,
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with murder, with a woman suit that let him become Augusta.
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None of it worked, none of it brought her back,
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but Ed kept trying for twelve years until Sheriff Art
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Schlay opened the door to his farmhouse and found Bernice
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Warden hanging from the ceiling back with more in a moment.
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After ed Geen's arrest, psychiatrists spend months evaluating him, trying
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to understand what combination of factors created the butcher of Plainfield,
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trying to determine if he's competent to stand trial, trying
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to answer whether he understood right from wrong when he
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killed Bernice Worden and Mary Hogan. The psychiatric reports paint
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a picture of profound psychological dysfunction Ed has what they
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call a mother fixation. His entire psychological development was arrested
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by Augusta's dominance. He never developed a separate identity, never individuated,
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never became a complete person independent of his mother. Ed
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also shows evidence of gender confusion, not transgender identity in
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the modern understanding, but a deep conflict about his own
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masculinity and a desire to literally become female. The woman's
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suit wasn't just a costume. It was Ed's attempt to
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physically transform into a woman, specifically into his mother. When
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psychiatrists ask ed why he robbed graves and murdered women,
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he struggles to articulate it. Says he wanted to study
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female anatomy. Says he wanted to understand women. Says he
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wanted to have women around. Says his mother told him
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women were disgusting, but he needed to see for himself.
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He doesn't express remorse, not because he's without conscience, but
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because he genuinely doesn't seem to understand why what he
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did was wrong. In Ed's mind, the women he robbed
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from graves were already dead. They weren't using their bodies anymore.
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Why shouldn't he use them? Why shouldn't he study them?
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Why shouldn't he fashion them into useful items. The murders
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are harder for Ed to explain. He claims not to
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fully remember killing Mary Hogan or Bernice Warden. Says he
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was in a daze. Says it felt like watching someone
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else do it. Says the memories are fragmentary and dream like.
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Psychiatrists debate whether this dissociation is real or convenient. Some
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think Ed genuinely entered a dissociative state during the murders,
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that the act of killing triggered such psychological conflict that
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his mind protected him by creating distance from the memory.
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Others think Ed remembers perfectly well, but claims amnesia because
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it's easier than confronting what he did. What's clear is