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Caalarogus Shark Media. Good morning, I'm Reed Carter, Sunday, October twelfth,
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twenty twenty five. Yesterday we showed you what ed Geen did.
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The murders, the grave, robbing, the house full of human
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remains fashioned into furniture, two women dead, forty graves violated,
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fifteen different bodies turned into household items. Today we tell
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you about Augusta Gean, Ed's mother, The woman who raised
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him in isolation on a Wisconsin farm. The woman who
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taught him that all women except her were sinful, disgusting
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vessels of satan. The woman who forbade him from having friends, relationships,
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or any life outside her control. The woman who died
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in nineteen forty five and left Ed so broken that
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he spent the next twelve years trying to bring her
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back by robbing graves of women who looked like her,
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by murdering women who reminded him of her, by wearing
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a suit made from women's skin so he could become her.
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Today we also tell you how ed Geen became entertainment.
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How his crimes inspired Norman Bates keeping his mother's corpse
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in Psycho, How he inspired leatherface wearing human skin masks
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in Texas Chainsaw Massacre. How he inspired Buffalo Bill making
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a woman's suit in Silence of the Lambs. How the
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quiet farmer from Plainfield, Wisconsin became the template for every
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skin wearing, mother obsessed serial killer in American cinema. And
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today we ask the uncomfortable question, what does it mean
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that we turned ed Gean into entertainment, that we built
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horror franchises on his crimes? That Netflix just released a
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series dramatizing the man who murdered Bernice Warden and Mary
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Hogan and turned them into furniture. I'm read Carter, this
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is part two of Celebrity Trials, Mother's Boy, the psychology,
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the trial, the legacy, and why ed Gean should be fascinating.
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But he is. And that's the problem. To understand ed Geen,
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you have to understand Augusta Geen. And to understand Augusta
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you have to understand that she was one of the
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most controlling, fanatically religious, psychologically abusive mothers in American criminal history.
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Augusta Villelmina Leerka was born in eighteen seventy eight in
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Wisconsin to German immigrant parents. She was raised in a
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strict Lutheran household, where women were subservient, children were obedient,
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and God's judgment hung over every action. She absorbed these
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lessons completely, then she weaponized them. In nineteen hundred, Augusta
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married George Geen. She was twenty two. George was a tanner,
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then later a carpenter. By all accounts, George was weak, passive,
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an alcoholic. Augusta despised him, called him worthless, told her
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sons their father was a failure and a sinner. Made
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it clear that George's only purpose was providing money, and
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that otherwise he was beneath contempt. Augusta had two sons,
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Henry born in nineteen oh one, Edward born in nineteen
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oh six. From the moment they were born, Augusta controlled
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every aspect of their lives, not with love, with religion,
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with fear, with the absolute certainty that she alone knew
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God's will and everyone else was damned. Augusta believed that
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the world outside her farm was evil. Cities were cesspools
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of sin. Other people were corrupt women. All women except
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her were prostitutes and temptresses sent by Satan to lure
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good men into damnation. The only safe place was the
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green farm. The only righteous person was Augusta. Everyone else
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was going to hell. She made sure Ed understood this
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from childhood. Other children were sinful. Playing with them would
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corrupt him. School was necessary for education, but dangerous for socialization.
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To go to school, learn his lessons, and come home immediately,
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no friends, no talking to other children, no participation in
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anything social. Other families might have gone to church for community,
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Augusta went to church to judge. She attended a small
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Lutheran church in Plainfield, where she sat in the front
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row and glared at other parishioners, whom she considered insufficiently pious.
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She read from the Bible every day at home, focusing
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particularly on the Old Testament passages about death, murder, divine retribution,
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and female sin. Augusta was obsessed with female sexuality as sin.
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She read ed passages from the Bible about Harlot's and
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Jezebel and women leading men astray. She told him that
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women's bodies were disgusting, that sex was a sin unless
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it was for procreation within marriage, that any woman who
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enjoyed sex, or dressed immodestly or laughed too loudly was
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a whore destined for hell all women except Augusta. She
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was different. She was pure, she was righteous. She was
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the only woman in the world who wasn't corrupted by sin.
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Ed absorbed all of this. He had no choice. Augusta
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controlled what he read, what he heard, who he talked to,
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where he went, what he thought. From ages five to forty,
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Ed Geen lived under total psychological domination by his mother.
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The Green Farm was one hundred sixty acres outside Plainfield, isolated,
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no close neighbors, the perfect place for Augusta to create
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her closed world. She ran the farm with Germanic efficiency,
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made the boy's work constantly physical. Labor was godly, Idleness
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was sin ed and Henry did farm work from dawn
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to dusk, then came inside for Bible reading and more
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lectures about sin and salvation. George Geen was barely present.
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He drank, he disappeared for days. He had no authority
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in his own home. Augusta made all decisions, controlled all money,
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ran everything. George was just an occasional figure stumbling drunk
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through the background of Ed's childhood. Henry, the older brother,
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started questioning Augusta as he got older, started pushing back,
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started suggesting that maybe their mother was wrong about some things.
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Maybe other people weren't all evil, Maybe the world outside
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the farm wasn't hell on earth. Augusta punished Henry for
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this insolence, berated him, called him sinful, told him he
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was becoming like his worthless father. The conflict between Henry
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and Augusta grew more intense as Henry entered his twenties
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and thirties. He wanted to escape, wanted a life outside
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the farm, but Augusta wouldn't allow it. Ed, meanwhile, never questioned. Augusta,
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never pushed back, never developed the psychological independence that Henry showed.
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Ed believed everything Augusta said. Believed women were sinful, believed
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the outside world was evil. Believed his mother was the
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only pure person on earth. Believed his purpose was serving her.
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When other boys in school talked about girls, Ed was horrified.
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When other teenagers started dating. Ed stayed home. When other
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young men got married and started families, Ed remained at
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the farm with his mother. He didn't go to dances,
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didn't have girlfriends, didn't have any relationship with any woman
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except Augusta. People in Plainfield noticed Ed was odd, socially awkward,
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would laugh at inappropriate times. Seemed nervous around women, but
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he was harmless. Helped with farm work, did odd jobs,
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babysat children and was good at it. Gentle and patient. Strange, yes,
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dangerous no. April first, nineteen forty George gen dies heart failure,
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likely alcohol related. He's sixty six years old. Augusta shows
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no grief. George was a sinner and a failure. His
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death changes nothing for her except removing an annoyance. She
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still has her sons, She still has her farm. She
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still has complete control. May sixteenth, nineteen forty four, Henry
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and Ed are fighting a brush fire on the farm.
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The fire gets out of control. Henry disappears in the smoke.
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Ed runs to get help, returns with fire fighters. They
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find Henry's body lying in an area of the farm
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that the fire hadn't reached. He's dead. The official cause
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of death is listed as asphyxiation from smoke, but Henry
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has bruises on his head. The fire didn't reach where
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his body was found. Ed reported Henry missing, then led
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searchers directly to the body, even though visibility was poor.
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The circumstances are suspicious. Some investigators suspect Ed killed Henry
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that the brothers fought, that Henry said something about Augusta
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that Ed couldn't tolerate, that Ed struck Henry and left
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him to die. There's no evidence, no witnesses, no proof,
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but the suspicion lingers did Ed kill his brother to
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protect his mother's honor. Will never know for certain. What
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we do know is that after Henry's death, it was
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just Ed and Augusta. Ed was thirty eight years old,
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never had a job off the farm, never had a girlfriend,
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never had any life separate from his mother. He was
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perfectly content with that arrangement. Augusta was his entire world.
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December twenty ninth, nineteen forty five. Augusta suffers a stroke.
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She's paralyzed on her left side. Ed cares for her,
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devotedly feeds her, bathes her, dresses her, talks to her constantly,
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even though she can barely respond. He's terrified of losing her.
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She's the only person who matters, the only person who
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ever mattered. Augusta recovers somewhat. She's weaker, but she's still Augusta,
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still dominating, still controlling, still the center of Ed's universe.
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December twenty ninth, nineteen forty five, exactly one year after
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her first stroke, Augusta has a second stroke. This one
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is fatal. She dies at home with Ed beside her.
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She's sixty seven years old. Ed is thirty nine, and
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for the first time in his life, he's alone, completely,
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utterly alone. The woman who controlled every moment of his
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existence is gone. The woman he believed was the only
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pure person on earth is dead. The woman who gave
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his life structure and meaning and purpose no longer exists.
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Ed's response is psychological collapse. He boards up Augusta's bedroom,
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boards up the parlor where she spent time, boards up
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the upstairs, seals off entire sections of the house so
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they remain exactly as Augusta left them, creates a shrine
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to his dead mother in the rooms where she lived.
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The rest of the house deteriorates into squalor, trash, piling
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up newspapers, accumulating clutter and filth everywhere. Ed lives in
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one small room and the kitchen lets. Everything else decay
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except Augusta's rooms. Those stay pristine, untouched, waiting for her
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to return. But Augusta doesn't return, and Ed can't accept
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that she's gone. Forever. So two years after her death,
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around nineteen forty seven, Ed starts reading obituaries, looking for
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middle aged women, women who resemble Augusta, women who might
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in some way bring her back. That's when the grave
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robbing begins. Ed is trying to resurrect his mother, trying
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to surround himself with women who look like her, trying
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to study female anatomy so he can understand the woman
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who controlled his entire life, trying to become her by
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wearing skin fashioned from women who reminded him of her.
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The psychiatric experts who later evaluate Ed call this a
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mother fixation and gender confusion and necrophilic tendencies, clinical terms
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for what happened when Augusta Gean spent forty years psychologically
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destroying her son and then died, leaving him broken in
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ways that expressed themselves through grave robbing and murder. Did
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Augusta Gean create Ed Geen the killer? Yes and no.
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Plenty of people have controlling, religious, psychologically abusive mothers and
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don't become serial killers. Plenty of people have isolated childhoods
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and don't rob graves. Plenty of people lose their mothers
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and grieve normally instead. Of making furniture from corpses. But
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Augusta created the specific conditions that, combined with whatever was
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already wrong with Ed, psychologically produced the Butcher of Plainfield.
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She isolated him from normal social development. She taught him
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that women were disgusting and sinful. She made herself the
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only acceptable female in his universe. Then she died and
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left him with no ability to process loss, no social skills,
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no relationships, and no identity separate from being her son.
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Ed tried to fill that void with corpses, with grave robbing,
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with murder, with a woman suit that let him become Augusta.
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None of it worked, none of it brought her back.
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But Ed kept trying for twelve years until Sheriff Art
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Schley opened the door to his farmhouse and found Bernice
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Warden hanging from the ceiling back with more in a moment.
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After ed Geene's arrest, psychiatrists spend months evaluating him, trying
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to understand what combination of factors created the Butcher of Plainfield,
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trying to determine if he's competent to stand trial, trying
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to answer whether he understood right from wrong when he
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killed Bernice Worden and Mary Hogan. The psychiatric reports paint
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a picture of profound psychological dysfunction. Ed has what they
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call a mother fixation. His entire psychological development was arrested
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by Augusta's dominance. He never developed a separate identity, never individuated,
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never became a complete person independent of his mother. Ed
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also shows evidence of gender confusion, not transgender identity in
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the modern understanding, but a deep conflict about his own
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masculinity and a desire to literally become female. The woman's
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suit wasn't just a costume. It was Ed's attempt to
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physically transform into a woman, specifically into his mother. When
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psychiatrists ask ed why he robbed graves and murdered women,
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he struggles to articulate it. Says he wanted to study
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female anatomy, Says he wanted to understand women. Says he
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wanted to have women around. Says his mother told him
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women were disgusting, but he needed to see for himself.
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He doesn't express remorse, not because he's without conscience, but
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because he genuinely doesn't seem to understand why what he
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did was wrong. In Ed's mind, the women he robbed
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from graves were already dead. They weren't using their bodies anymore.
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Why shouldn't he use them? Why shouldn't he study them?
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Why shouldn't he fashion them into useful items. The murders
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are harder for Ed to explain. He claims not to
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fully remember killing Mary Hogan or Bernice Warden, says he
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was in a daze. Says it felt like watching someone
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else do it, says the memories are fragmentary and dream like.
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Psychiatrists debate whether this dissociation is real or convenient. Some
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think Ed genuinely entered a dissociative state during the murders,
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that the act of killing triggered such psychological conflict that
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his mind protected him by creating distance from the memory.
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Others think Ed remembers perfectly well, but claims amnesia because
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it's easier than confronting what he did did. What's clear
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is that Ed doesn't have psychopathy in the classic sense.
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He's not charming or manipulative. He doesn't enjoy causing suffering.
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He doesn't torture victims or prolong their deaths. His murders
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are quick, single gunshots, efficient mechanical. The violence comes after
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death during the butchering process, and even that is methodical
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rather than frenzied. Ed isn't killing for pleasure. He's killing
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to obtain bodies, fresh bodies that he can work with, preserve,
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fashion into his creations. The women themselves are secondary to
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what they provide. They're raw materials, components tools for Ed's